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  18. <description>Isotopica is an experimental radio series with each episode having a unique theme and flavour, starting off at point A and hopefully, ending up in another alphabet altogether. Ingredients are a mixture of sonic essays, experimental sound and music, psychogeographic and notional detours,  special guests, field and location recordings, interviews, conversations,  critical analysis, plus Gallery installation works, and all sprinkled with cultural marxist toppings.  Uncertain terms and conditions may apply.</description>
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  25. <itunes:summary>Isotopica is an experimental radio series with each episode having a unique theme and flavour, starting off at point A and hopefully, ending up in another alphabet altogether. Ingredients include a mixture of sonic essays, experimental sound and music, psychogeographic and notional detours,  special guests, field and location recordings, interviews, conversations,  critical analysis, plus Gallery installation works and performance, and all sprinkled with cultural marxist toppings. Isotopica is initially broadcast on London&#039;s Art radio station Resonance 104.4 FM, every Sunday 7-8 pm (UTC and UTC+1 summer) and streaming on www.resonancefm.com, www.extra.resonance.fm, and now on DAB in UK. UNCERTAIN TERMS AND CONDITIONS MAY APPLY.</itunes:summary>
  26. <itunes:author>Simon Tyszko</itunes:author>
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  36. <itunes:subtitle>Isotopica: Experimental Radio, Sonic Arts, Cultural Marxism, &amp; Critical Detours.</itunes:subtitle>
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  60. <title>Fused in the Face of&#8230; Beautiful sounds for brutal times</title>
  61. <link>https://www.theculture.net/radio/fused-in-the-face-of-beautiful-sounds-for-brutal-times/</link>
  62. <pubDate>Mon, 13 Nov 2023 15:06:26 +0000</pubDate>
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  64. <description>The scale of what&#039;s happening has temporarily blown my fuses, and being painful aware of the need to get programming right and my unpreparedness for this.... I am broadcasting a stopgap program of beautiful sounds for brutal times</description>
  65. <content:encoded><![CDATA[<p>Finding myself with fuses blown as the Israeli war on the people of Gaza builds a macabre momentum, and Western Governments proudly stand by Israel as it executes textbook war crimes and crimes against humanity&#8230;&#8230; </p>
  66. <p>The scale of what&#8217;s happening has temporarily blown my fuses, and being painful aware of the need to get programming right and my unpreparedness for this&#8230;. I am broadcasting a stopgap program of beautiful sounds for brutal times </p>
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  70. <itunes:subtitle>The scale of what&#039;s happening has temporarily blown my fuses, and being painful aware of the need to get programming right and my unpreparedness for this.... I am broadcasting a stopgap program of beautiful sounds for brutal times</itunes:subtitle>
  71. <itunes:summary><![CDATA[<br />
  72. Finding myself with fuses blown as the Israeli war on the people of Gaza builds a macabre momentum, and Western Governments proudly stand by Israel as it executes textbook war crimes and crimes against humanity...... <br />
  73. <br />
  74. <br />
  75. <br />
  76. The scale of what's happening has temporarily blown my fuses, and being painful aware of the need to get programming right and my unpreparedness for this.... I am broadcasting a stopgap program of beautiful sounds for brutal times <br />
  77. <br />
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  81. <itunes:author>Simon Tyszko</itunes:author>
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  87. <title>Death Drones Droning for White Men Fun</title>
  88. <link>https://www.theculture.net/radio/death-drones-droning-for-white-men-fun/</link>
  89. <pubDate>Mon, 13 Nov 2023 14:51:26 +0000</pubDate>
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  91. <description>This week&#039;s programme faces towards Gaza, the unspeakable, the unimaginable, but the reality of what&#039;s happening day after day, hour after hour, minute after minute.... is unimaginable.</description>
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  93. <p>Hello, good evening. It&#8217;s Sunday night. This is me, Simon Tyszko, and this is Isotopica here on Resonance 104.4 FM.</p>
  94. <p>This week&#8217;s programme faces towards Gaza, the unspeakable, the unimaginable,<br />but the reality of what&#8217;s happening day after day, hour after hour, minute after minute.<br />I could approach this programme, reading lists of numbers, statistics, details of horrors,<br />yet I&#8217;m sure, at least I hope, you&#8217;ve all heard plenty of these.<br />They are unimaginable.</p>
  95. <p>I could talk about the politics, yet I hope you&#8217;re aware of the politics of the situation as it stands.</p>
  96. <p>So, today&#8217;s edition, I&#8217;ve taken a number of audio video live streams which are available online if you care to look.<br />These ones actually come from Al Jazeera, a news source which I find increasingly precise, accurate and genuine<br />without any of the ambiguity which we see even in allegedly left leaning papers like The Guardian.<br />Today&#8217;s programme is made up of a number of these live streams which are fixed point cameras<br />with microphones capturing live the bombardment of Gaza, a bombardment with some of the most sophisticated and intense weaponry available in the world,<br />and in this instance being deployed against civilians in a very small space in open prison.</p>
  97. <p>All of these things, you know!</p>
  98. <p>I have layered these recordings. And I have used various effects to bring out harmonics and resonant frequencies, which I&#8217;m allowing to play against each other, creating sounds within the sounds and to an extent rhythms within the sounds.</p>
  99. <p>I&#8217;m not doing this as an entertainment, I&#8217;m doing this as a way of presenting or representing the horrors that I&#8217;m experiencing.</p>
  100. <p>I could attempt to talk a lot more,<br />I could read off endless lists of numbers,<br />the number of children that die per hour,<br />the number of adults that die per hour,<br />the number of people that die per day.<br />I could quote the estimated numbers of people who are buried under the rubble<br />and I could detail the estimates of the number of those people that are still alive.</p>
  101. <p>Yet I take it back to my experience of one particular news piece in which I saw a young girl, a child,<br />maybe seven years old, eight years old, who was found by rescuers,<br />possibly just neighbours who lived within or nearby the block which was demolished by extraordinary high explosive weapons, weapons probably provided by Britain or America, and which destroyed her home, killing many and trapping many too.</p>
  102. <p>And as this young girl was found and I had to pause the video, I had to sob.</p>
  103. <p>Faced with the reality of one child trapped in that situation, and with knowledge that adults across the world had joined in some kind of consensus and decided to do this to that one child, an act that can be multiplied and extrapolated over time,<br />over decades, can be projected into the future, and as it goes on hopefully I will continue to sob, whenever I come across a reality that I cannot escape from, that I can&#8217;t step to one side of…. I feel calmed knowing that I am still capable of Compassion, that it is reality there.</p>
  104. <p>So summing up….. for the next hour we&#8217;re going to be listening to a composition made of live streamed audio recordings from Gaza<br />during the Israeli bombardment of the civilian population.<br />Multiple streams, creating multiple sounds, building to a crescendo, fading out into some music<br />by the experimental musician, sound artist Pauline Oliveros, which will take us to the end.<br />At which point I&#8217;ll join you again and say goodbye.</p>
  105. <p>So now, Gaza, Isotopica, Resonance FM, bear witness……</p>
  106. <p>I won&#8217;t say enjoy.</p>
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  136. </li>
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  139. </li>
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  171. <p><a class="wp-block-jetpack-slideshow_button-prev swiper-button-prev swiper-button-white" role="button"></a><a class="wp-block-jetpack-slideshow_button-next swiper-button-next swiper-button-white" role="button"></a><a aria-label="Pause Slideshow" class="wp-block-jetpack-slideshow_button-pause" role="button"></a></p>
  172. <div class="wp-block-jetpack-slideshow_pagination swiper-pagination swiper-pagination-white"></div>
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  174. </div>
  175. <pre class="wp-block-preformatted">We have been listening to Isotopica here on Resonance, 104.4 FM.
  176. Once again we have been focusing on the continued disaster, the bombardment of civilians by Israeli state in Gaza Strip.
  177. Today's program was made up of live streams taken from Al Jazeera, which were a fixed camera, fixed sound recordings of the bombardment as it continued.
  178. It was a mixture of streams taken from several days to create a composition of frequencies, of harmonies and of sonic textures
  179. as a way of representing and bearing witness to the atrocities that are continuing.
  180. Thanks for listening to Isotopica, you can see more about us on our website, theculture.net.
  181. I have been catching the news this week from Novara Media and as mentioned Al Jazeera, both really good sources.
  182. Keep safe out there, thanks for listening, hope you join us again the same time, same place.
  183. Resonance 104.4 FM, Sunday evening, 7 to 8 with me, Simon Tyszko here on Isotopica.
  184. Free Palestine.</pre>
  185. ]]></content:encoded>
  186. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/episodes/Isotopica-12-November-2023--Death-Drones-Droning-for-White-Men-Fun.m4a" length="113081599" type="audio/x-m4a" />
  187. <itunes:subtitle>This week&#039;s programme faces towards Gaza, the unspeakable, the unimaginable, but the reality of what&#039;s happening day after day, hour after hour, minute after minute.... is unimaginable.</itunes:subtitle>
  188. <itunes:summary><![CDATA[<br />
  189. The bodies of children killed in an Israeli strike, lie on the floor at the morgue of the Al-Aqsa hospital in Deir Balah in the central Gaza Strip on October 22, 2023, as battles continue between Israel and the Palestinian Hamas group. (Photo by Mahmud HAMS / AFP) (Photo by MAHMUD HAMS/AFP via Getty Images)<br />
  190. <br />
  191. <br />
  192. <br />
  193. Hello, good evening. It's Sunday night. This is me, Simon Tyszko, and this is Isotopica here on Resonance 104.4 FM.<br />
  194. <br />
  195. <br />
  196. <br />
  197. This week's programme faces towards Gaza, the unspeakable, the unimaginable,but the reality of what's happening day after day, hour after hour, minute after minute.I could approach this programme, reading lists of numbers, statistics, details of horrors,yet I'm sure, at least I hope, you've all heard plenty of these.They are unimaginable.<br />
  198. <br />
  199. <br />
  200. <br />
  201. I could talk about the politics, yet I hope you're aware of the politics of the situation as it stands.<br />
  202. <br />
  203. <br />
  204. <br />
  205. So, today's edition, I've taken a number of audio video live streams which are available online if you care to look.These ones actually come from Al Jazeera, a news source which I find increasingly precise, accurate and genuinewithout any of the ambiguity which we see even in allegedly left leaning papers like The Guardian.Today's programme is made up of a number of these live streams which are fixed point cameraswith microphones capturing live the bombardment of Gaza, a bombardment with some of the most sophisticated and intense weaponry available in the world,and in this instance being deployed against civilians in a very small space in open prison.<br />
  206. <br />
  207. <br />
  208. <br />
  209. All of these things, you know!<br />
  210. <br />
  211. <br />
  212. <br />
  213. I have layered these recordings. And I have used various effects to bring out harmonics and resonant frequencies, which I'm allowing to play against each other, creating sounds within the sounds and to an extent rhythms within the sounds.<br />
  214. <br />
  215. <br />
  216. <br />
  217. I'm not doing this as an entertainment, I'm doing this as a way of presenting or representing the horrors that I'm experiencing.<br />
  218. <br />
  219. <br />
  220. <br />
  221. I could attempt to talk a lot more,I could read off endless lists of numbers,the number of children that die per hour,the number of adults that die per hour,the number of people that die per day.I could quote the estimated numbers of people who are buried under the rubbleand I could detail the estimates of the number of those people that are still alive.<br />
  222. <br />
  223. <br />
  224. <br />
  225. Yet I take it back to my experience of one particular news piece in which I saw a young girl, a child,maybe seven years old, eight years old, who was found by rescuers,possibly just neighbours who lived within or nearby the block which was demolished by extraordinary high explosive weapons, weapons probably provided by Britain or America, and which destroyed her home, killing many and trapping many too.<br />
  226. <br />
  227. <br />
  228. <br />
  229. And as this young girl was found and I had to pause the video, I had to sob.<br />
  230. <br />
  231. <br />
  232. <br />
  233. Faced with the reality of one child trapped in that situation, and with knowledge that adults across the world had joined in some kind of consensus and decided to do this to that one child, an act that can be multiplied and extrapolated over time,over decades, can be projected into the future, and as it goes on hopefully I will continue to sob, whenever I come across a reality that I cannot escape from, that I can't step to one side of…. I feel calmed knowing that I am still capable of Compassion, that it is reality there.<br />
  234. <br />
  235. <br />
  236. <br />
  237. So summing up….. for the next hour we're going to be listening to a composition made of live streamed audio recordings from Gazaduring the Israeli bombardment of the civilian population.Multiple streams, creating multiple sounds, building to a crescendo, fading out into some musicby the experimental musician, sound artist Pauline Oliveros,]]></itunes:summary>
  238. <itunes:author>Simon Tyszko</itunes:author>
  239. <itunes:episodeType>full</itunes:episodeType>
  240. <itunes:explicit>false</itunes:explicit>
  241. <itunes:duration>58:23</itunes:duration>
  242. </item>
  243. <item>
  244. <title>Sign Waves for Cats and Dogs (and other people too)</title>
  245. <link>https://www.theculture.net/radio/sign-waves-for-cats-and-dogs-and-other-people-too/</link>
  246. <pubDate>Tue, 01 Feb 2022 17:07:57 +0000</pubDate>
  247. <guid isPermaLink="false">https://www.theculture.net/radio/?p=4634</guid>
  248. <description>Continuing our cross species experimentation (with Elo Masing in Berlin), we present today a new composition by Simon Tyszko specifically made for, and with the help of, other kinds of animals (as well as the usual Homo sapiens suspects, plus the usual conversation and cultural fillers that so define ISOTOPICA.
  249.  
  250.  
  251.  
  252. Details
  253.  
  254.  
  255.  
  256.  
  257. watch Idoru engage with rising and falling sine waves</description>
  258. <content:encoded><![CDATA[<p>Continuing our cross species experimentation (with Elo Masing in Berlin), we present today a new composition by Simon Tyszko specifically made for, and with the help of, other kinds of animals (as well as the usual Homo sapiens suspects, plus the usual conversation and cultural fillers that so define ISOTOPICA.</p>
  259. <details class="wp-block-details is-layout-flow wp-block-details-is-layout-flow">
  260. <summary>Details</summary>
  261. </p>
  262. <h2 class="wp-block-heading">watch Idoru engage with rising and falling sine waves</h2>
  263. </details>
  264. <figure class="wp-block-video alignfull"><video autoplay controls loop muted poster="https://www.theculture.net/radio/wp-content/uploads/2022/02/waveform-m4v-image.jpg" src="https://www.theculture.net/radio/wp-content/uploads/2022/02/idoru-twich-ears-22.mp4"></video></figure>
  265. ]]></content:encoded>
  266. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/podcasts2020/sign-waves-for-cats-and-dogs-and-other-people-too.mp3" length="140124528" type="audio/mpeg" />
  267. <itunes:subtitle>Continuing our cross species experimentation (with Elo Masing in Berlin), we present today a new composition by Simon Tyszko specifically made for, and with the help of, other kinds of animals (as well as the usual Homo sapiens suspects,</itunes:subtitle>
  268. <itunes:summary><![CDATA[<br />
  269. Continuing our cross species experimentation (with Elo Masing in Berlin), we present today a new composition by Simon Tyszko specifically made for, and with the help of, other kinds of animals (as well as the usual Homo sapiens suspects, plus the usual conversation and cultural fillers that so define ISOTOPICA.<br />
  270. <br />
  271. <br />
  272. <br />
  273. Details<br />
  274. <br />
  275. <br />
  276. <br />
  277. <br />
  278. watch Idoru engage with rising and falling sine waves<br />
  279. <br />
  280. <br />
  281. <br />
  282. <br />
  283. <br />]]></itunes:summary>
  284. <itunes:author>Simon Tyszko</itunes:author>
  285. <itunes:episodeType>full</itunes:episodeType>
  286. <itunes:explicit>false</itunes:explicit>
  287. <itunes:duration>58:19</itunes:duration>
  288. </item>
  289. <item>
  290. <title>Resonant Lacunae</title>
  291. <link>https://www.theculture.net/radio/resonant-lacunae/</link>
  292. <pubDate>Thu, 05 Oct 2023 02:02:49 +0000</pubDate>
  293. <guid isPermaLink="false">https://www.theculture.net/radio/?p=5190</guid>
  294. <description>Lacuna, blank space,
  295.  
  296.  
  297.  
  298. Silent void of the unknown,
  299.  
  300.  
  301.  
  302. Whispers yet untold.
  303.  
  304.  
  305.  
  306.  
  307.  
  308.  
  309.  
  310. I don’t care what the people might say, people might say I’m gonna keep all love, I love this way, love this wayI don&#039;t care what the people might say, people might say I&#039;m gonna keep all love,I love this wayI don’t care what the people might say, people might say I’m gonna keep all love,I love this way, love this wayI don’t care what the people might say, people might say I’m gonna keep all love,I love this way, love this wayI don&#039;t care what the people might say, people might say I&#039;m gonna keep all love, I love this way, I&#039;m gonna try, I&#039;m gonna try hard, keep all love, make it lastI know, I know I will do it, I will love it, I will do itI know, I know I will do it, I will do itI know, I will do it
  311.  
  312.  
  313.  
  314.  
  315.  
  316. Hello, good evening, Sunday night, this is Isotopica, this is me Simon Tyszko, and today is a rather lacuna kind of edition of Isotopica a space where we are in between some things that we are working on and some things that we&#039;ve recently finished,and today&#039;s edition reflects that liminal space between, it&#039;s a little bit of this and some bits of that, some nice tunes, some thoughts and some spaces, I hope you enjoy, it&#039;s gonna be experimental radio, as ever, it&#039;s resonance, it&#039;s Isotopica, it&#039;s Sunday, I hope you enjoy the sounds we make.and hopefully see you on the other side of these things.
  317.  
  318.  
  319.  
  320.  
  321.  
  322.  
  323.  
  324. I hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soun...</description>
  325. <content:encoded><![CDATA[<p><strong>Lacuna, blank space,</strong></p>
  326. <p><strong>Silent void of the unknown,</strong></p>
  327. <p><strong>Whispers yet untold.</strong></p>
  328. <figure class="wp-block-image alignfull size-large"><img loading="lazy" decoding="async" width="1024" height="576" src="https://www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin7-1024x576.jpg" alt="" class="wp-image-3664" style="object-fit:contain" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin7.jpg?resize=1024%2C576&amp;ssl=1 1024w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin7.jpg?resize=300%2C169&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin7.jpg?resize=768%2C432&amp;ssl=1 768w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin7.jpg?w=1280&amp;ssl=1 1280w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>
  329. <p>I don’t care what the people might say, people might say I’m gonna keep all love, <br />I love this way, love this way<br />I don&#8217;t care what the people might say, people might say I&#8217;m gonna keep all love,<br />I love this way<br />I don’t care what the people might say, people might say I’m gonna keep all love,<br />I love this way, love this way<br />I don’t care what the people might say, people might say I’m gonna keep all love,<br />I love this way, love this way<br />I don&#8217;t care what the people might say, people might say I&#8217;m gonna keep all love, <br />I love this way, I&#8217;m gonna try, I&#8217;m gonna try hard, keep all love, make it last<br />I know, I know I will do it, I will love it, I will do it<br />I know, I know I will do it, I will do it<br />I know, I will do it</p>
  330. <p><strong>Hello, good evening, Sunday night, this is Isotopica, this is me Simon Tyszko, and today is a rather lacuna kind of edition of Isotopica </strong><br /><strong>a space where we are in between some things that we are working on and some things that we&#8217;ve recently finished,<br />and today&#8217;s edition reflects that liminal space between, </strong><br /><strong>it&#8217;s a little bit of this and some bits of that, </strong><br /><strong>some nice tunes, some thoughts and some spaces, </strong></p>
  331. <p><strong>I hope you enjoy, it&#8217;s gonna be experimental radio, as ever, </strong><br /><strong>it&#8217;s resonance, it&#8217;s Isotopica, it&#8217;s Sunday, </strong><br /><strong>I hope you enjoy the sounds we make.<br />and hopefully see you on the other side of these things.</strong></p>
  332. </p>
  333. <p>I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />The magic dance of sounds and visions<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />Little spaces turn wild<br />And on the first try<br />When the key is gone<br />We find a place<br />Many degrees<br />Seventy eight<br />Twenty-six<br />It&#8217;s in the night<br />Many<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />I hope you enjoy the sounds<br />Seventy eight<br />Seventy eight<br />Line 30<br />Line 90<br />Line 93<br />Seventy eight<br />Twenty-six<br />Seventy eight<br />Seventy eight<br />Seventy eight<br />Line 30<br />Line 90<br />Seventy three<br />Seventy eight<br />Line 30<br />Line 93<br />Seventy eight<br />Seventy eight<br />Seventy eight<br />Seventy eight<br />Seventy eight<br />Seventy eight<br />Seventy eight<br />Seventy eight<br />Twenty-six<br />Twenty-eight<br />Seventy eight<br />Seventy eight<br />Seventy eight<br />Seventy eight<br />Seventy eight<br />Seventy eight<br />Seventy eight<br />Seventy eight<br />Seventy eight<br />Seventy eight<br />Seventy eight<br />Seventy eight<br />Seventy eight</p>
  334. </p>
  335. <p><strong>Who will show us forms more efficacious than this? Who is the great one who will give us foundations stronger than this? Who is the genius who will tell us a legend more ravishing than the prosaic tale which is called Life?<br />The realisation of our perceptions of the world in the form of space and time is the only aim of our pictorial and plastic art.<br />In them we do not measure our works with a yardstick of beauty. We do not weight them with pounds of tenderness and sentiments.<br />The plumb line in our hands, eyes as precise as a ruler, in a spirit as thought as a compass, we construct our works as the universe constructs its own, as the engineer constructs its bridge, as the mathematician his formula of the orbits.<br />We know that everything has its own essential image, chair, table, lamp, telephone, book, house, net. They are all entire worlds with their own written from their own orbit.<br />That is why we in creating things take away from them the labels of their owners, all accidental and local, leaving only the reality of the constant treatments of the forces in them.<br />Then in painting we renounce colour as a pictorial element. Colour is the idealized optical surface of objects, an exterior and superficial impression of them.<br />Colour is accidental and it has nothing in common with the innermost essence of a thing. We affirm that the tone of a substance, i.e. its light absorbing material body is its only pictorial reality.<br />We renounce in a line its descriptive value. In real life there are no descriptive lines. Description is an accidental trace of a man on a thing.<br />It is not bound up with the essential life and constant structure of the body. Descriptiveness is an element of a graphic illustration and decoration. We affirm the line only as a direction of the static forces in their rhythms in the object.<br />Colour is the idealized optical surface of objects, an exterior and superficial impression of them.<br />Colour is the idealized optical surface of objects, an exterior and superficial impression of them.<br />Colour is the idealized optical surface of objects, an exterior and superficial impression of them.</strong></p>
  336. </p>
  337. <p><strong>We have been listening to an in-between edition of Isotopica here on Resonance 104.4 FM. We&#8217;re busy in pre-production for various new thematic editions of Isotopica coming up.<br />Details to some point soon. Meanwhile you can listen in for further details and look and see on our website being www.theculture.net. This is me Simon Tyszko. Hope you enjoy today&#8217;s oblique edition of Isotopica and keep yourself firmly locked to all things resonance 104.4 FM etc.<br />Catch you later.</strong><br />&nbsp;</p>
  338. ]]></content:encoded>
  339. <enclosure url="https://media.blubrry.com/isotopica/theculture.net/radio/wp-content/uploads/episodes/Isotopica-16-april-2023-Resonant--lacunae.mp3" length="139321920" type="audio/mpeg" />
  340. <itunes:subtitle>Lacuna, blank space,    Silent void of the unknown,    Whispers yet untold.        I don’t care what the people might say, people might say I’m gonna keep all love, I love this way, love this wayI don&#039;t care what the people might say,</itunes:subtitle>
  341. <itunes:summary><![CDATA[<br />
  342. Lacuna, blank space,<br />
  343. <br />
  344. <br />
  345. <br />
  346. Silent void of the unknown,<br />
  347. <br />
  348. <br />
  349. <br />
  350. Whispers yet untold.<br />
  351. <br />
  352. <br />
  353. <br />
  354. <br />
  355. <br />
  356. <br />
  357. <br />
  358. I don’t care what the people might say, people might say I’m gonna keep all love, I love this way, love this wayI don't care what the people might say, people might say I'm gonna keep all love,I love this wayI don’t care what the people might say, people might say I’m gonna keep all love,I love this way, love this wayI don’t care what the people might say, people might say I’m gonna keep all love,I love this way, love this wayI don't care what the people might say, people might say I'm gonna keep all love, I love this way, I'm gonna try, I'm gonna try hard, keep all love, make it lastI know, I know I will do it, I will love it, I will do itI know, I know I will do it, I will do itI know, I will do it<br />
  359. <br />
  360. <br />
  361. <br />
  362. <br />
  363. <br />
  364. Hello, good evening, Sunday night, this is Isotopica, this is me Simon Tyszko, and today is a rather lacuna kind of edition of Isotopica a space where we are in between some things that we are working on and some things that we've recently finished,and today's edition reflects that liminal space between, it's a little bit of this and some bits of that, some nice tunes, some thoughts and some spaces, I hope you enjoy, it's gonna be experimental radio, as ever, it's resonance, it's Isotopica, it's Sunday, I hope you enjoy the sounds we make.and hopefully see you on the other side of these things.<br />
  365. <br />
  366. <br />
  367. <br />
  368. <br />
  369. <br />
  370. <br />
  371. <br />
  372. I hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the soundsI hope you enjoy the sounds...]]></itunes:summary>
  373. <itunes:author>Simon Tyszko</itunes:author>
  374. <itunes:episodeType>full</itunes:episodeType>
  375. <itunes:explicit>false</itunes:explicit>
  376. <itunes:duration>58:03</itunes:duration>
  377. </item>
  378. <item>
  379. <title>It&#8217;s Going To Be A Happy Year In Britain In The Future as the world burns summer special</title>
  380. <link>https://www.theculture.net/radio/its-going-to-be-a-happy-year-in-britain-in-the-future-as-the-world-burns-summer-special/</link>
  381. <pubDate>Tue, 03 Oct 2023 02:38:52 +0000</pubDate>
  382. <guid isPermaLink="false">https://www.theculture.net/radio/?p=5149</guid>
  383. <description>isotopica broadcast 30 July 2023
  384.  
  385.  
  386.  
  387. It&#039;s going to be a happy year in Britain this year in the future.
  388.  
  389.  
  390.  
  391. It&#039;s going to be a happy year in Britain this year in the future.
  392.  
  393.  
  394.  
  395. It&#039;s going to be a happy year in Britain this year in the future.
  396.  
  397.  
  398.  
  399. It&#039;s going to be a happy year in Britain, this year in the future.
  400.  
  401.  
  402.  
  403. It&#039;s going to be a happy year in Britain, this year in the future.
  404.  
  405.  
  406.  
  407. It&#039;s going to be a happy year in Britain, this year in the future.
  408.  
  409.  
  410.  
  411. It&#039;s going to be a happy year in Britain, this year in the future.
  412.  
  413.  
  414.  
  415. It&#039;s going to be a happy year in Britain, this year in the future.
  416.  
  417.  
  418.  
  419. It&#039;s going to be a happy year in Britain this year in the future.
  420.  
  421.  
  422.  
  423. It&#039;s going to be a happy year in Britain this year in the future.
  424.  
  425.  
  426.  
  427. It&#039;s going to be a happy year in Britain this year in the future.
  428.  
  429.  
  430.  
  431. It&#039;s going to be a happy year in Britain this year in the future.
  432.  
  433.  
  434.  
  435. It&#039;s going to be a happy year in Britain this year in the future.
  436.  
  437.  
  438.  
  439. It&#039;s going to be a happy year in Britain this year in the future.
  440.  
  441.  
  442.  
  443. It&#039;s going to be a happy year this year in the future.
  444.  
  445.  
  446.  
  447. It&#039;s going to be a happy year in Britain this year in the future.
  448.  
  449.  
  450.  
  451. It&#039;s going to be a happy year in Britain this year in the future.
  452.  
  453.  
  454.  
  455. It&#039;s going to be a happy year in Britain this year in the future.
  456.  
  457.  
  458.  
  459. It&#039;s going to be in the future.
  460.  
  461.  
  462.  
  463. It&#039;s going to be a happy year in the future.
  464.  
  465.  
  466.  
  467. It&#039;s going to be a happy year in Britain this year in the future.
  468.  
  469.  
  470.  
  471. It&#039;s going to be a happy year.
  472.  
  473.  
  474.  
  475. It&#039;s going to be a happy year.
  476.  
  477.  
  478.  
  479. It&#039;s going to be a happy year.
  480.  
  481.  
  482.  
  483. In the future.
  484.  
  485.  
  486.  
  487. In the future.
  488.  
  489.  
  490.  
  491. In the future.
  492.  
  493.  
  494.  
  495. It&#039;s going to be a happy year in the future.
  496.  
  497.  
  498.  
  499. It&#039;s going to be a happy year.
  500.  
  501.  
  502.  
  503. In the future.
  504.  
  505.  
  506.  
  507. In the future.
  508.  
  509.  
  510.  
  511. In the future.
  512.  
  513.  
  514.  
  515. In the future.
  516.  
  517.  
  518.  
  519. In the future.
  520.  
  521.  
  522.  
  523. In the future.
  524.  
  525.  
  526.  
  527. In the future.
  528.  
  529.  
  530.  
  531. In the future.
  532.  
  533.  
  534.  
  535. In the future.
  536.  
  537.  
  538.  
  539. In the future.
  540.  
  541.  
  542.  
  543. In the future.
  544.  
  545.  
  546.  
  547. In the future.
  548.  
  549.  
  550.  
  551. In the future.
  552.  
  553.  
  554.  
  555. In the future.
  556.  
  557.  
  558.  
  559. In the future.
  560.  
  561.  
  562.  
  563. In the future.
  564.  
  565.  
  566.  
  567. In the future.
  568.  
  569.  
  570.  
  571. In the future.
  572.  
  573.  
  574.  
  575. In the future.
  576.  
  577.  
  578.  
  579. In the future.
  580.  
  581.  
  582.  
  583. In the future.
  584.  
  585.  
  586.  
  587. In the future.
  588.  
  589.  
  590.  
  591. In the future.
  592.  
  593.  
  594.  
  595. In the future.
  596.  
  597.  
  598.  
  599. In the future.
  600.  
  601.  
  602.  
  603. In the future.
  604.  
  605.  
  606.  
  607. In the future.
  608.  
  609.  
  610.  
  611. In the future.
  612.  
  613.  
  614.  
  615. In the future.
  616.  
  617.  
  618.  
  619. In the future.
  620.  
  621.  
  622.  
  623. In the future.
  624.  
  625.  
  626.  
  627. In the future.
  628.  
  629.  
  630.  
  631. In the future.
  632.  
  633.  
  634.  
  635. In the future.
  636.  
  637.  
  638.  
  639. In the future.
  640.  
  641.  
  642.  
  643. In the future.
  644.  
  645.  
  646.  
  647. In the future.
  648.  
  649.  
  650.  
  651. In the future.
  652.  
  653.  
  654.  
  655. In the future.
  656.  
  657.  
  658.  
  659. In the future.
  660.  
  661.  
  662.  
  663. In the future.
  664.  
  665.  
  666.  
  667. In the future.
  668.  
  669.  
  670.  
  671. In the future.
  672.  
  673.  
  674.  
  675. In the future.
  676.  
  677.  
  678.  
  679. In the future.
  680.  
  681.  
  682.  
  683. In the future.
  684.  
  685.  
  686.  
  687. In the future.
  688.  
  689.  
  690.  
  691. In the future.
  692.  
  693.  
  694.  
  695. In the future.
  696.  
  697.  
  698.  
  699. In the future.
  700.  
  701.  
  702.  
  703. In the future.
  704.  
  705.  
  706.  
  707. In the future.
  708.  
  709.  
  710.  
  711. In the future.
  712.  
  713.  
  714.  
  715. In the future.
  716.  
  717.  
  718.  
  719. In the future.
  720.  
  721.  
  722.  
  723. In the future.
  724.  
  725.  
  726.  
  727. You
  728.  
  729.  
  730.  
  731. You
  732.  
  733.  
  734.  
  735. You
  736.  
  737.  
  738.  
  739. You
  740.  
  741.  
  742.  
  743. Good evening, this is me Simon Tishko and you are listening to isotope care here on resonance 104.4 FM
  744.  
  745.  
  746.  
  747. This is the last isotope care before we all go away on our summer break. The transmitters are turned to loop and repeat and
  748.  
  749.  
  750.  
  751. A little bit of rest will be had by all
  752.  
  753.  
  754.  
  755. So I hope as a result this week&#039;s isotope care
  756.  
  757.  
  758.  
  759. Is looking for that already and it&#039;s just a lovely selection of tunes and sounds nothing too challenging
  760.  
  761.  
  762.  
  763. nothing too much work here at isotope care just
  764.  
  765.  
  766.  
  767. Sharing some nice things that I&#039;ve come across
  768.  
  769.  
  770.  
  771. Underneath us right now. I believe this might Rutledge Rutledge Rutledge from Canterbury scene
  772.  
  773.  
  774.  
  775. then we have a selection of
  776.  
  777.  
  778.  
  779. really rather charming and
  780.  
  781.  
  782.  
  783. Chiffle tunes from an album I picked up a while ago a couple of albums in fact called
  784.  
  785.  
  786.  
  787. popular electronics and in this case is popular electronics early Dutch
  788.  
  789.  
  790.  
  791. experimental electronic recordings and
  792.  
  793.  
  794.  
  795. The end of the towards the end of the program. We&#039;re going to be listened to a
  796.  
  797.  
  798.  
  799. pirated I
  800.  
  801.  
  802.  
  803. Pirated I recorded one of the classics of resonance FM being the Muda Triangle test transmissions
  804.  
  805.  
  806.  
  807. originally broadcast live from Bristol
  808.  
  809.  
  810.  
  811. By Howard Jax and associates always loved the Muda Triangle test transmissions and my cats did too
  812.  
  813.  
  814.  
  815. I&#039;ve copied that I&#039;ve attenuated it. I&#039;ve changed it.</description>
  816. <content:encoded><![CDATA[<p>isotopica broadcast 30 July 2023</p>
  817. <p>It&#8217;s going to be a happy year in Britain this year in the future.</p>
  818. <p>It&#8217;s going to be a happy year in Britain this year in the future.</p>
  819. <p>It&#8217;s going to be a happy year in Britain this year in the future.</p>
  820. <p>It&#8217;s going to be a happy year in Britain, this year in the future.</p>
  821. <p>It&#8217;s going to be a happy year in Britain, this year in the future.</p>
  822. <p>It&#8217;s going to be a happy year in Britain, this year in the future.</p>
  823. <p>It&#8217;s going to be a happy year in Britain, this year in the future.</p>
  824. <p>It&#8217;s going to be a happy year in Britain, this year in the future.</p>
  825. <p>It&#8217;s going to be a happy year in Britain this year in the future.</p>
  826. <p>It&#8217;s going to be a happy year in Britain this year in the future.</p>
  827. <p>It&#8217;s going to be a happy year in Britain this year in the future.</p>
  828. <p>It&#8217;s going to be a happy year in Britain this year in the future.</p>
  829. <p>It&#8217;s going to be a happy year in Britain this year in the future.</p>
  830. <p>It&#8217;s going to be a happy year in Britain this year in the future.</p>
  831. <p>It&#8217;s going to be a happy year this year in the future.</p>
  832. <p>It&#8217;s going to be a happy year in Britain this year in the future.</p>
  833. <p>It&#8217;s going to be a happy year in Britain this year in the future.</p>
  834. <p>It&#8217;s going to be a happy year in Britain this year in the future.</p>
  835. <p>It&#8217;s going to be in the future.</p>
  836. <p>It&#8217;s going to be a happy year in the future.</p>
  837. <p>It&#8217;s going to be a happy year in Britain this year in the future.</p>
  838. <p>It&#8217;s going to be a happy year.</p>
  839. <p>It&#8217;s going to be a happy year.</p>
  840. <p>It&#8217;s going to be a happy year.</p>
  841. <p>In the future.</p>
  842. <p>In the future.</p>
  843. <p>In the future.</p>
  844. <p>It&#8217;s going to be a happy year in the future.</p>
  845. <p>It&#8217;s going to be a happy year.</p>
  846. <p>In the future.</p>
  847. <p>In the future.</p>
  848. <p>In the future.</p>
  849. <p>In the future.</p>
  850. <p>In the future.</p>
  851. <p>In the future.</p>
  852. <p>In the future.</p>
  853. <p>In the future.</p>
  854. <p>In the future.</p>
  855. <p>In the future.</p>
  856. <p>In the future.</p>
  857. <p>In the future.</p>
  858. <p>In the future.</p>
  859. <p>In the future.</p>
  860. <p>In the future.</p>
  861. <p>In the future.</p>
  862. <p>In the future.</p>
  863. <p>In the future.</p>
  864. <p>In the future.</p>
  865. <p>In the future.</p>
  866. <p>In the future.</p>
  867. <p>In the future.</p>
  868. <p>In the future.</p>
  869. <p>In the future.</p>
  870. <p>In the future.</p>
  871. <p>In the future.</p>
  872. <p>In the future.</p>
  873. <p>In the future.</p>
  874. <p>In the future.</p>
  875. <p>In the future.</p>
  876. <p>In the future.</p>
  877. <p>In the future.</p>
  878. <p>In the future.</p>
  879. <p>In the future.</p>
  880. <p>In the future.</p>
  881. <p>In the future.</p>
  882. <p>In the future.</p>
  883. <p>In the future.</p>
  884. <p>In the future.</p>
  885. <p>In the future.</p>
  886. <p>In the future.</p>
  887. <p>In the future.</p>
  888. <p>In the future.</p>
  889. <p>In the future.</p>
  890. <p>In the future.</p>
  891. <p>In the future.</p>
  892. <p>In the future.</p>
  893. <p>In the future.</p>
  894. <p>In the future.</p>
  895. <p>In the future.</p>
  896. <p>In the future.</p>
  897. <p>In the future.</p>
  898. <p>In the future.</p>
  899. <p>In the future.</p>
  900. <p>In the future.</p>
  901. <p>In the future.</p>
  902. <p>You</p>
  903. <p>You</p>
  904. <p>You</p>
  905. <p>You</p>
  906. <p>Good evening, this is me Simon Tishko and you are listening to isotope care here on resonance 104.4 FM</p>
  907. <p>This is the last isotope care before we all go away on our summer break. The transmitters are turned to loop and repeat and</p>
  908. <p>A little bit of rest will be had by all</p>
  909. <p>So I hope as a result this week&#8217;s isotope care</p>
  910. <p>Is looking for that already and it&#8217;s just a lovely selection of tunes and sounds nothing too challenging</p>
  911. <p>nothing too much work here at isotope care just</p>
  912. <p>Sharing some nice things that I&#8217;ve come across</p>
  913. <p>Underneath us right now. I believe this might Rutledge Rutledge Rutledge from Canterbury scene</p>
  914. <p>then we have a selection of</p>
  915. <p>really rather charming and</p>
  916. <p>Chiffle tunes from an album I picked up a while ago a couple of albums in fact called</p>
  917. <p>popular electronics and in this case is popular electronics early Dutch</p>
  918. <p>experimental electronic recordings and</p>
  919. <p>The end of the towards the end of the program. We&#8217;re going to be listened to a</p>
  920. <p>pirated I</p>
  921. <p>Pirated I recorded one of the classics of resonance FM being the Muda Triangle test transmissions</p>
  922. <p>originally broadcast live from Bristol</p>
  923. <p>By Howard Jax and associates always loved the Muda Triangle test transmissions and my cats did too</p>
  924. <p>I&#8217;ve copied that I&#8217;ve attenuated it. I&#8217;ve changed it. I&#8217;ve</p>
  925. <p>praised it highly here in the introduction and</p>
  926. <p>Missed about that a little bit. It&#8217;s really rather nice</p>
  927. <p>kind of spooky</p>
  928. <p>Which is really suitable for these</p>
  929. <p>Definitely spooky times</p>
  930. <p>Is that my imagination? What is the world burning?</p>
  931. <p>Oh, well, we&#8217;re not gonna say I told you so are we?</p>
  932. <p>Let&#8217;s put our feet up think of the sunshine when it used to be nice</p>
  933. <p>And listen to this days today&#8217;s edition of</p>
  934. <p>Isotopeca you&#8217;re in resonance 104.4 FM</p>
  935. <p>We have been listening to I stop here on resonance 104.4 FM with me Simon Tishko</p>
  936. <p>We&#8217;ve had a selection of nice tunes to take us towards the summer break</p>
  937. <p>Hopefully most of us even better all of us will return from our summer breaks, but of course these days</p>
  938. <p>Nothing is certain</p>
  939. <p>So on that happy tune</p>
  940. <p>I&#8217;m going to get out my</p>
  941. <p>Extreme sunscreen</p>
  942. <p>Hide under the bed for the next month or two</p>
  943. <p>Hopefully see you some time in the autumn when we return to broadcasting here on residence</p>
  944. <p>As ever be safe out there</p>
  945. <p>Have a peek at my website if you wish being the culture.net drops a line have a safe time</p>
  946. <p>Which almost rhymed be safe out there look forward to speaking</p>
  947. <p>Now hanging out with you later on this year</p>
  948. <p>I&#8217;m Tyszko&#8217;s  thing bye. Bye for now</p>
  949. <p>You</p>
  950. ]]></content:encoded>
  951. <enclosure url="https://media.blubrry.com/isotopica/theculture.net/radio/wp-content/uploads/episodes/isotopica-30-july-2023-its-going-to-be-a-happy-year-in-britain-in-the-future-as-the-world-burns-summer-special.mp3" length="140562240" type="audio/mpeg" />
  952. <itunes:subtitle>isotopica broadcast 30 July 2023    It&#039;s going to be a happy year in Britain this year in the future.    It&#039;s going to be a happy year in Britain this year in the future.    It&#039;s going to be a happy year in Britain this year in the future.    </itunes:subtitle>
  953. <itunes:summary><![CDATA[<br />
  954. isotopica broadcast 30 July 2023<br />
  955. <br />
  956. <br />
  957. <br />
  958. It's going to be a happy year in Britain this year in the future.<br />
  959. <br />
  960. <br />
  961. <br />
  962. It's going to be a happy year in Britain this year in the future.<br />
  963. <br />
  964. <br />
  965. <br />
  966. It's going to be a happy year in Britain this year in the future.<br />
  967. <br />
  968. <br />
  969. <br />
  970. It's going to be a happy year in Britain, this year in the future.<br />
  971. <br />
  972. <br />
  973. <br />
  974. It's going to be a happy year in Britain, this year in the future.<br />
  975. <br />
  976. <br />
  977. <br />
  978. It's going to be a happy year in Britain, this year in the future.<br />
  979. <br />
  980. <br />
  981. <br />
  982. It's going to be a happy year in Britain, this year in the future.<br />
  983. <br />
  984. <br />
  985. <br />
  986. It's going to be a happy year in Britain, this year in the future.<br />
  987. <br />
  988. <br />
  989. <br />
  990. It's going to be a happy year in Britain this year in the future.<br />
  991. <br />
  992. <br />
  993. <br />
  994. It's going to be a happy year in Britain this year in the future.<br />
  995. <br />
  996. <br />
  997. <br />
  998. It's going to be a happy year in Britain this year in the future.<br />
  999. <br />
  1000. <br />
  1001. <br />
  1002. It's going to be a happy year in Britain this year in the future.<br />
  1003. <br />
  1004. <br />
  1005. <br />
  1006. It's going to be a happy year in Britain this year in the future.<br />
  1007. <br />
  1008. <br />
  1009. <br />
  1010. It's going to be a happy year in Britain this year in the future.<br />
  1011. <br />
  1012. <br />
  1013. <br />
  1014. It's going to be a happy year this year in the future.<br />
  1015. <br />
  1016. <br />
  1017. <br />
  1018. It's going to be a happy year in Britain this year in the future.<br />
  1019. <br />
  1020. <br />
  1021. <br />
  1022. It's going to be a happy year in Britain this year in the future.<br />
  1023. <br />
  1024. <br />
  1025. <br />
  1026. It's going to be a happy year in Britain this year in the future.<br />
  1027. <br />
  1028. <br />
  1029. <br />
  1030. It's going to be in the future.<br />
  1031. <br />
  1032. <br />
  1033. <br />
  1034. It's going to be a happy year in the future.<br />
  1035. <br />
  1036. <br />
  1037. <br />
  1038. It's going to be a happy year in Britain this year in the future.<br />
  1039. <br />
  1040. <br />
  1041. <br />
  1042. It's going to be a happy year.<br />
  1043. <br />
  1044. <br />
  1045. <br />
  1046. It's going to be a happy year.<br />
  1047. <br />
  1048. <br />
  1049. <br />
  1050. It's going to be a happy year.<br />
  1051. <br />
  1052. <br />
  1053. <br />
  1054. In the future.<br />
  1055. <br />
  1056. <br />
  1057. <br />
  1058. In the future.<br />
  1059. <br />
  1060. <br />
  1061. <br />
  1062. In the future.<br />
  1063. <br />
  1064. <br />
  1065. <br />
  1066. It's going to be a happy year in the future.<br />
  1067. <br />
  1068. <br />
  1069. <br />
  1070. It's going to be a happy year.<br />
  1071. <br />
  1072. <br />
  1073. <br />
  1074. In the future.<br />
  1075. <br />
  1076. <br />
  1077. <br />
  1078. In the future.<br />
  1079. <br />
  1080. <br />
  1081. <br />
  1082. In the future.<br />
  1083. <br />
  1084. <br />
  1085. <br />
  1086. In the future.<br />
  1087. <br />
  1088. <br />
  1089. <br />
  1090. In the future.<br />
  1091. <br />
  1092. <br />
  1093. <br />
  1094. In the future.<br />
  1095. <br />
  1096. <br />
  1097. <br />
  1098. In the future.<br />
  1099. <br />
  1100. <br />
  1101. <br />
  1102. In the future.<br />
  1103. <br />
  1104. <br />
  1105. <br />
  1106. In the future.<br />
  1107. <br />
  1108. <br />
  1109. <br />
  1110. In the future.<br />
  1111. <br />
  1112. <br />
  1113. <br />
  1114. In the future.<br />
  1115. <br />
  1116. <br />
  1117. <br />
  1118. In the future.<br />
  1119. <br />
  1120. <br />
  1121. <br />
  1122. In the future.<br />
  1123. <br />
  1124. <br />
  1125. <br />
  1126. In the future.<br />
  1127. <br />
  1128. <br />
  1129. <br />
  1130. In the future.<br />
  1131. <br />
  1132. <br />
  1133. <br />
  1134. In the future.<br />
  1135. <br />
  1136. <br />
  1137. <br />
  1138. In the future.<br />
  1139. <br />
  1140. <br />
  1141. <br />
  1142. In the future.<br />
  1143. <br />
  1144. <br />
  1145. <br />
  1146. In the future.<br />
  1147. <br />
  1148. <br />
  1149. <br />
  1150. In the future.<br />
  1151. <br />
  1152. <br />
  1153. <br />
  1154. In the future.<br />
  1155. <br />
  1156. <br />
  1157. <br />
  1158. In the future.<br />
  1159. <br />
  1160. <br />
  1161. <br />
  1162. In the future.<br />
  1163. <br />
  1164. <br />
  1165. <br />
  1166. In the future.<br />
  1167. <br />
  1168. <br />
  1169. <br />
  1170. In the future.<br />
  1171. <br />
  1172. <br />
  1173. <br />
  1174. In the future.<br />
  1175. <br />
  1176. <br />
  1177. <br />
  1178. In the future.<br />
  1179. <br />
  1180. <br />
  1181. <br />
  1182. In the future.<br />
  1183. <br />
  1184. <br />
  1185. <br />
  1186. In the future.<br />
  1187. <br />
  1188. <br />
  1189. <br />
  1190. In the future.<br />
  1191. <br />
  1192. <br />
  1193. <br />
  1194. In the future.<br />
  1195. <br />
  1196. <br />
  1197. <br />
  1198. In the future.<br />
  1199. <br />
  1200. <br />
  1201. <br />
  1202. In the future.<br />
  1203. <br />
  1204. <br />
  1205. <br />
  1206. In the future.<br />
  1207. <br />
  1208. <br />
  1209. <br />
  1210. In the future.<br />
  1211. <br />
  1212. <br />
  1213. <br />
  1214. In the future.<br />
  1215. <br />
  1216. <br />
  1217. <br />
  1218. In the future.<br />
  1219. <br />
  1220. <br />
  1221. <br />
  1222. In the future.<br />
  1223. <br />
  1224. <br />
  1225. <br />
  1226. ]]></itunes:summary>
  1227. <itunes:author>Simon Tyszko</itunes:author>
  1228. <itunes:episodeType>full</itunes:episodeType>
  1229. <itunes:explicit>false</itunes:explicit>
  1230. <itunes:duration>58:34</itunes:duration>
  1231. </item>
  1232. <item>
  1233. <title>Rhyzomaticaly More Than Human with Elo Masing</title>
  1234. <link>https://www.theculture.net/radio/rhyzomaticaly-more-than-human-with-elo-masing/</link>
  1235. <pubDate>Tue, 03 Oct 2023 02:32:49 +0000</pubDate>
  1236. <guid isPermaLink="false">https://www.theculture.net/radio/?p=5203</guid>
  1237. <description>This week Simon Tyszko brings us an extended and captivating work in progress from Berlin based Estonian Composer Elo Masing, exploring post-human and cross-species themes, and commissioned for performance in Switzerland in the coming weeks. This preview has been remixed, attenuated, affected, and finally reassembled by Isotopica especially for Resonance 104.4fm.</description>
  1238. <content:encoded><![CDATA[<p>This week Simon Tyszko brings us an extended and captivating work in progress from Berlin based Estonian Composer Elo Masing, exploring post-human and cross-species themes, and commissioned for performance in Switzerland in the coming weeks. This preview has been remixed, attenuated, affected, and finally reassembled by Isotopica especially for Resonance 104.4fm.</p>
  1239. ]]></content:encoded>
  1240. <enclosure url="https://media.blubrry.com/isotopica/theculture.net/radio/wp-content/uploads/episodes/Isotopica-29-September-2023-Rhyzomaticaly-More-Than-Human-with-Elo-Masing.m4a" length="56578075" type="audio/x-m4a" />
  1241. <itunes:subtitle>This week Simon Tyszko brings us an extended and captivating work in progress from Berlin based Estonian Composer Elo Masing, exploring post-human and cross-species themes, and commissioned for performance in Switzerland in the coming weeks.</itunes:subtitle>
  1242. <itunes:summary><![CDATA[<br />
  1243. This week Simon Tyszko brings us an extended and captivating work in progress from Berlin based Estonian Composer Elo Masing, exploring post-human and cross-species themes, and commissioned for performance in Switzerland in the coming weeks. This preview has been remixed, attenuated, affected, and finally reassembled by Isotopica especially for Resonance 104.4fm.<br />]]></itunes:summary>
  1244. <itunes:author>Simon Tyszko</itunes:author>
  1245. <itunes:episodeType>full</itunes:episodeType>
  1246. <itunes:explicit>false</itunes:explicit>
  1247. <itunes:duration>58:15</itunes:duration>
  1248. </item>
  1249. <item>
  1250. <title>spectral snap crackle pop and echo</title>
  1251. <link>https://www.theculture.net/radio/snap-crackle-pop-and-echo/</link>
  1252. <pubDate>Tue, 03 Oct 2023 02:20:12 +0000</pubDate>
  1253. <guid isPermaLink="false">https://www.theculture.net/radio/?p=5099</guid>
  1254. <description>This week Simon Tyszko  (again) channels Mark Fisher and Jacques Derrida,  within a composition  of texture and spectrality of (Vinyl) Surface Noise, and extended through copious echos.Our working title..........: Spectral Snap, Crackle, Pop, and Echo.
  1255.  
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  1300.  
  1301.  
  1302.  
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  1307.  
  1308. Simon Tyszko this week takes Isotopica further into the mysteries of recent experimentations, examining and pushing the boundaries of what we might consider a contemporary and avant-garde approach to dub, bringing together recordings of radio static and tuning artefacts with extended echoes, creating a unique sonic space almost free of expected gravity, both weightless, and timeless...... and with a cherry somewhere on the top.
  1309.  
  1310.  
  1311.  
  1312. .I hope you&#039;ll enjoy an experiment which is a composition created entirely with the snap, the crackle and the pop from vinyl recordings, from the early trip artists, trip hop artists, and the hauntologists who swarm around Mark Fisher and Jacques Derrida. Vinyl Crackle underpins much of that. And this last week was a programme about Transylvanian dub in which I went on to actually play a whole series of records, which is very unusual for Isotopica. I thought I would take it in a entirely different direction, which today is just the echo because an awful lot of this snap, crackle and the pop will be fed through very extended digital delays.Are you ready for this? I hope so. Oviously there&#039;s an academic content, having already mentioned Derrida, we&#039;ve mentioned Mark Fisher, and the list simply goes on and on. So why don&#039;t we just sit back, perhaps put our feet up, perhaps not, and see if we enjoy today&#039;s edition of snap, crackle and pop here on Isotopica with me, Simon Tyszko.
  1313.  
  1314.  
  1315.  
  1316. I&#039;ll probably share another word with you all after this.
  1317.  
  1318.  
  1319.  
  1320. Creative review sonic award winning dub plate installation via Tomato/Underworld</description>
  1321. <content:encoded><![CDATA[<p class="has-large-font-size">This week Simon Tyszko  (again) channels Mark Fisher and Jacques Derrida,  within a composition  of texture and spectrality of (Vinyl) Surface Noise, and extended through copious echos.<br />Our working title&#8230;&#8230;&#8230;.: <strong>Spectral Snap, Crackle, Pop, and Echo.</strong></p>
  1322. <div class="wp-block-cover alignfull is-light" style="min-height:822px;aspect-ratio:unset;"><span aria-hidden="true" class="wp-block-cover__background has-background-dim wp-block-cover__gradient-background has-background-gradient" style="background:radial-gradient(rgba(6,147,227,1) 0%,rgb(155,81,224) 100%)"></span><video class="wp-block-cover__video-background intrinsic-ignore" autoplay muted loop playsinline src="https://www.theculture.net/radio/wp-content/uploads/2023/07/needle-on-the-record_chf3h265vtb.mp4" style="object-position:5% 76%" data-object-fit="cover" data-object-position="5% 76%"></video></p>
  1323. <div class="wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow">
  1324. </p>
  1325. </p>
  1326. </p>
  1327. </p>
  1328. </p>
  1329. </p>
  1330. </div>
  1331. </div>
  1332. <p class="has-large-font-size">Simon Tyszko this week takes Isotopica further into the mysteries of recent experimentations, examining and pushing the boundaries&nbsp;of what we might consider a contemporary and avant-garde approach to dub, bringing together recordings of radio static and tuning artefacts with extended echoes, creating a unique sonic space almost free of expected gravity, both weightless, and timeless&#8230;&#8230; and with a cherry somewhere on the top.</p>
  1333. <p>.I hope you&#8217;ll enjoy an experiment which is a composition created entirely with the snap, the crackle and the pop from vinyl recordings, from the early trip artists, trip hop artists, and the hauntologists who swarm around Mark Fisher and Jacques Derrida. Vinyl Crackle underpins much of that. And this last week was a programme about Transylvanian dub in which I went on to actually play a whole series of records, which is very unusual for Isotopica. I thought I would take it in a entirely different direction, which today is just the echo because an awful lot of this snap, crackle and the pop will be fed through very extended digital delays.</p>
  1334. <p>Are you ready for this? I hope so. <br />Oviously there&#8217;s an academic content, having already mentioned Derrida, we&#8217;ve mentioned Mark Fisher, and the list simply goes on and on. So why don&#8217;t we just sit back, perhaps put our feet up, perhaps not, and see if we enjoy today&#8217;s edition of snap, crackle and pop here on Isotopica with me, Simon Tyszko.</p>
  1335. <p>I&#8217;ll probably share another word with you all after this.</p>
  1336. <figure class="wp-block-image alignfull size-large"><img loading="lazy" decoding="async" width="1024" height="768" src="https://www.theculture.net/radio/wp-content/uploads/2023/07/IMG_4996-1024x768.webp" alt="" class="wp-image-5103" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2023/07/IMG_4996-scaled.webp?resize=1024%2C768&amp;ssl=1 1024w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2023/07/IMG_4996-scaled.webp?resize=300%2C225&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2023/07/IMG_4996-scaled.webp?resize=768%2C576&amp;ssl=1 768w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2023/07/IMG_4996-scaled.webp?resize=1536%2C1152&amp;ssl=1 1536w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2023/07/IMG_4996-scaled.webp?resize=2048%2C1536&amp;ssl=1 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption"><strong><em>Creative review sonic award winning dub plate installation via Tomato/Underworld</em></strong></figcaption></figure>
  1337. ]]></content:encoded>
  1338. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/episodes/Isotopica_9_July_2023__Spectral_Snap_Crackle_Pop_and_Echo.mp3" length="140075436" type="audio/mpeg" />
  1339. <itunes:subtitle>This week Simon Tyszko  (again) channels Mark Fisher and Jacques Derrida,  within a composition  of texture and spectrality of (Vinyl) Surface Noise, and extended through copious echos.Our working title..........: Spectral Snap, Crackle, Pop,</itunes:subtitle>
  1340. <itunes:summary><![CDATA[<br />
  1341. This week Simon Tyszko  (again) channels Mark Fisher and Jacques Derrida,  within a composition  of texture and spectrality of (Vinyl) Surface Noise, and extended through copious echos.Our working title..........: Spectral Snap, Crackle, Pop, and Echo.<br />
  1342. <br />
  1343. <br />
  1344. <br />
  1345. <br />
  1346. <br />
  1347. <br />
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  1370. <br />
  1371. <br />
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  1373. <br />
  1374. <br />
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  1387. <br />
  1388. <br />
  1389. <br />
  1390. <br />
  1391. <br />
  1392. <br />
  1393. <br />
  1394. <br />
  1395. Simon Tyszko this week takes Isotopica further into the mysteries of recent experimentations, examining and pushing the boundaries&nbsp;of what we might consider a contemporary and avant-garde approach to dub, bringing together recordings of radio static and tuning artefacts with extended echoes, creating a unique sonic space almost free of expected gravity, both weightless, and timeless...... and with a cherry somewhere on the top.<br />
  1396. <br />
  1397. <br />
  1398. <br />
  1399. .I hope you'll enjoy an experiment which is a composition created entirely with the snap, the crackle and the pop from vinyl recordings, from the early trip artists, trip hop artists, and the hauntologists who swarm around Mark Fisher and Jacques Derrida. Vinyl Crackle underpins much of that. And this last week was a programme about Transylvanian dub in which I went on to actually play a whole series of records, which is very unusual for Isotopica. I thought I would take it in a entirely different direction, which today is just the echo because an awful lot of this snap, crackle and the pop will be fed through very extended digital delays.Are you ready for this? I hope so. Oviously there's an academic content, having already mentioned Derrida, we've mentioned Mark Fisher, and the list simply goes on and on. So why don't we just sit back, perhaps put our feet up, perhaps not, and see if we enjoy today's edition of snap, crackle and pop here on Isotopica with me, Simon Tyszko.<br />
  1400. <br />
  1401. <br />
  1402. <br />
  1403. I'll probably share another word with you all after this.<br />
  1404. <br />
  1405. <br />
  1406. <br />
  1407. Creative review sonic award winning dub plate installation via Tomato/Underworld<br />]]></itunes:summary>
  1408. <itunes:author>Simon Tyszko</itunes:author>
  1409. <itunes:episodeType>full</itunes:episodeType>
  1410. <itunes:explicit>false</itunes:explicit>
  1411. <itunes:duration>58:12</itunes:duration>
  1412. </item>
  1413. <item>
  1414. <title>Plays For Horses</title>
  1415. <link>https://www.theculture.net/radio/plays-for-horses/</link>
  1416. <pubDate>Fri, 31 Jan 2020 02:25:49 +0000</pubDate>
  1417. <guid isPermaLink="false">https://www.theculture.net/radio/?p=3637</guid>
  1418. <description>The Train Rolls On. Chris Marker&#039;s Le Train En Marche (1971)
  1419.  
  1420.  
  1421.  
  1422. First the eye, then the cinema, which prints the look….
  1423.  
  1424.  
  1425.  
  1426. A stunned episodepost tory election landslide,in which we listen simultaneously,to both the French and English soundtracks,of Chris Marker&#039;sLe Train En Marche,in an attemptperhaps,to revisit,and evenfind a route back to,the utopiandreamsand projectsof both early and latetwentieth century cultural marxism.
  1427.  
  1428.  
  1429.  
  1430. The train of revolution. The train of history has not lacked reverse signals and switched points but the biggest mistake one could make was to believe that it had come to a halt.
  1431.  
  1432.  
  1433.  
  1434.  
  1435.  
  1436.  
  1437.  
  1438.  
  1439.  
  1440.  
  1441.  
  1442.  
  1443.  
  1444.  
  1445.  
  1446.  
  1447.  
  1448. “If Chris asked you to do something you did it: There was no question”, recalls Marc Karlin in one of his last interviews before his death in 1999.
  1449.  
  1450.  
  1451.  
  1452. ‘Chris’, needless to say, was Chris Marker, Karlin’s friend who he called ‘le maitre’. The task was to provide an English version of Marker’s recent film Le train en marche (1971) – a celebration of the Soviet era filmmaker Alexander Medvedkin and his mythical ‘kino-poezd’ – a ‘cine train’ re-fitted with cameras, editing tables and processing labs, that travelled the breadth of Russia to make films for and with the workers. Films made on the spot, in collaboration with the local people, (workers in factories, peasants in kolhozs), shot in one, day, processed during the night, edited the following day and screened in front of the very people who had participated to its making… Contrarily to the agit-prop trains which carried official propaganda from the studios to the people, here the people was his own studio. And at the very moment bureaucracy was spreading all over, a film unit could go and produce uncensored material around the country. And it lasted one year (1932)!Medvedkin saw his kino-poezd (294 days on the rails, 24,565m of film projected, 1000km covered) as a means of revolutionising the consciousness of the Soviet Union’s rural dwellers. Marker hoped his recent unearthing would incite similar democratic film-making. In tribute, Karlin and other kindred spirits in London joined Cinema Action.” There was a relationship to the Russians. Vertoz, the man and the movie camera, Medvedkin, and his agitprop Russian train; the idea of celebrating life and revolution on film, and communicating that. Medvedkin had done that by train. SLON and Cinema Action both did it by car. Getting a projector, putting films in the boot, and off you went and showed films – which we did”.
  1453.  
  1454.  
  1455.  
  1456.  
  1457.  
  1458. The people were brought the filmmaker’s cinema, in the same way they were brought the artist’s art and the expert’s science. But in the case of this train the cinema was to become something created with contact through the people and was to stimulate them to make their own intervention.
  1459.  
  1460.  
  1461.  
  1462.  
  1463.  
  1464. Aleksandr Medvedkin</description>
  1465. <content:encoded><![CDATA[<h3 class="wp-block-heading">The Train Rolls On. Chris Marker&#8217;s Le Train En Marche (1971)</h3>
  1466. <h1 class="wp-block-heading">First the eye, then the cinema, which prints the look….</h1>
  1467. <pre class="wp-block-preformatted has-regular-font-size">A stunned episode<br />post tory election landslide,<br />in which we listen simultaneously,<br />to both the French and English soundtracks,<br />of Chris Marker's<br />Le Train En Marche,<br />in an attempt<br />perhaps,<br />to revisit,<br />and even<br />find a route back to,<br />the utopian<br />dreams<br />and projects<br />of both early and late<br />twentieth century cultural marxism.</pre>
  1468. <h2 class="has-white-color has-luminous-vivid-orange-background-color has-text-color has-background wp-block-heading">The train of revolution.&nbsp;<br />The train of history has not lacked reverse signals and switched points but the biggest mistake one could make was to believe that it had come to a halt.</h2>
  1469. <div class="wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex">
  1470. <div class="wp-block-column is-layout-flow wp-block-column-is-layout-flow" style="flex-basis:100%"></div>
  1471. </div>
  1472. <figure class="wp-block-image alignfull"><a href="https://www.theculture.net/radio/plays-for-horses/medvedkin6/" rel="attachment wp-att-3663"><img loading="lazy" decoding="async" width="1280" height="720" src="https://www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin6.jpg" alt="" class="wp-image-3663" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin6.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin6.jpg?resize=300%2C169&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin6.jpg?resize=1024%2C576&amp;ssl=1 1024w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin6.jpg?resize=768%2C432&amp;ssl=1 768w" sizes="(max-width: 1280px) 100vw, 1280px" /></a></figure>
  1473. <figure class="wp-block-image alignfull size-large"><img loading="lazy" decoding="async" width="1024" height="768" src="https://www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin20-1024x768.jpeg" alt="" class="wp-image-4919" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin20.jpeg?resize=1024%2C768&amp;ssl=1 1024w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin20.jpeg?resize=300%2C225&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin20.jpeg?resize=768%2C576&amp;ssl=1 768w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin20.jpeg?resize=1536%2C1152&amp;ssl=1 1536w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin20.jpeg?resize=2048%2C1536&amp;ssl=1 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>
  1474. <p class="has-black-color has-luminous-vivid-orange-background-color has-text-color has-background has-large-font-size"><strong>“If Chris asked you to do something you did it: There was no question”,</strong> recalls Marc Karlin in one of his last interviews before his death in 1999. </p>
  1475. <p class="has-black-color has-text-color has-regular-font-size">‘Chris’, needless to say, was Chris Marker, Karlin’s friend who he called ‘le maitre’. The task was to provide an English version of Marker’s recent film Le train en marche (1971) – a celebration of the Soviet era filmmaker Alexander Medvedkin and his mythical ‘kino-poezd’ – a ‘cine train’ re-fitted with cameras, editing tables and processing labs, that travelled the breadth of Russia to make films for and with the workers. Films made on the spot, in collaboration with the local people, (workers in factories, peasants in kolhozs), shot in one, day, processed during the night, edited the following day and screened in front of the very people who had participated to its making… Contrarily to the agit-prop trains which carried official propaganda from the studios to the people, here the people was his own studio. And at the very moment bureaucracy was spreading all over, a film unit could go and produce uncensored material around the country. And it lasted one year (1932)!</p>
  1476. <p>Medvedkin saw his kino-poezd (294 days on the rails, 24,565m of film projected, 1000km covered) as a means of revolutionising the consciousness of the Soviet Union’s rural dwellers. Marker hoped his recent unearthing would incite similar democratic film-making. In tribute, Karlin and other kindred spirits in London joined Cinema Action.” There was a relationship to the Russians. Vertoz, the man and the movie camera, Medvedkin, and his agitprop Russian train; the idea of celebrating life and revolution on film, and communicating that. Medvedkin had done that by train. SLON and Cinema Action both did it by car. Getting a projector, putting films in the boot, and off you went and showed films – which we did”.</p>
  1477. <div class="wp-block-columns is-layout-flex wp-container-core-columns-is-layout-2 wp-block-columns-is-layout-flex">
  1478. <div class="wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow" style="flex-basis:100%">
  1479. <pre class="wp-block-preformatted has-vivid-red-color has-text-color has-large-font-size">The people were brought the filmmaker’s cinema, in the same way they were brought the artist’s art and the expert’s science. But in the case of this train the cinema was to become something created with contact through the people and was to stimulate them to make their own intervention.</pre>
  1480. </div>
  1481. </div>
  1482. <div class="wp-block-jetpack-slideshow alignwide" data-autoplay="true" data-delay="4" data-effect="slide">
  1483. <div class="wp-block-jetpack-slideshow_container swiper-container">
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  1486. <figure><img loading="lazy" decoding="async" width="1200" height="904" alt="" class="wp-block-jetpack-slideshow_image wp-image-3674" data-id="3674" src="https://www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin-isotopica.jpg" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin-isotopica.jpg?w=1200&amp;ssl=1 1200w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin-isotopica.jpg?resize=300%2C226&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin-isotopica.jpg?resize=1024%2C771&amp;ssl=1 1024w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin-isotopica.jpg?resize=768%2C579&amp;ssl=1 768w" sizes="(max-width: 1200px) 100vw, 1200px" /></figure>
  1487. </li>
  1488. <li class="wp-block-jetpack-slideshow_slide swiper-slide">
  1489. <figure><img loading="lazy" decoding="async" width="1280" height="720" alt="" class="wp-block-jetpack-slideshow_image wp-image-3663" data-id="3663" src="https://www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin6.jpg" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin6.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin6.jpg?resize=300%2C169&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin6.jpg?resize=1024%2C576&amp;ssl=1 1024w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin6.jpg?resize=768%2C432&amp;ssl=1 768w" sizes="(max-width: 1280px) 100vw, 1280px" /></figure>
  1490. </li>
  1491. <li class="wp-block-jetpack-slideshow_slide swiper-slide">
  1492. <figure><img loading="lazy" decoding="async" width="1280" height="720" alt="" class="wp-block-jetpack-slideshow_image wp-image-3664" data-id="3664" src="https://www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin7.jpg" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin7.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin7.jpg?resize=300%2C169&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin7.jpg?resize=1024%2C576&amp;ssl=1 1024w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin7.jpg?resize=768%2C432&amp;ssl=1 768w" sizes="(max-width: 1280px) 100vw, 1280px" /></figure>
  1493. </li>
  1494. <li class="wp-block-jetpack-slideshow_slide swiper-slide">
  1495. <figure><img loading="lazy" decoding="async" width="1349" height="1033" alt="" class="wp-block-jetpack-slideshow_image wp-image-3669" data-id="3669" src="https://www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin-Captura-de-pantalla-2012-07-29-a-las-20.12.08-toned.jpg" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin-Captura-de-pantalla-2012-07-29-a-las-20.12.08-toned.jpg?w=1349&amp;ssl=1 1349w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin-Captura-de-pantalla-2012-07-29-a-las-20.12.08-toned.jpg?resize=300%2C230&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin-Captura-de-pantalla-2012-07-29-a-las-20.12.08-toned.jpg?resize=1024%2C784&amp;ssl=1 1024w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin-Captura-de-pantalla-2012-07-29-a-las-20.12.08-toned.jpg?resize=768%2C588&amp;ssl=1 768w" sizes="(max-width: 1349px) 100vw, 1349px" /></figure>
  1496. </li>
  1497. <li class="wp-block-jetpack-slideshow_slide swiper-slide">
  1498. <figure><img loading="lazy" decoding="async" width="848" height="1280" alt="" class="wp-block-jetpack-slideshow_image wp-image-3659" data-id="3659" src="https://www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin1.jpg" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin1.jpg?w=848&amp;ssl=1 848w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin1.jpg?resize=199%2C300&amp;ssl=1 199w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin1.jpg?resize=678%2C1024&amp;ssl=1 678w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin1.jpg?resize=768%2C1159&amp;ssl=1 768w" sizes="(max-width: 848px) 100vw, 848px" /></figure>
  1499. </li>
  1500. <li class="wp-block-jetpack-slideshow_slide swiper-slide">
  1501. <figure><img loading="lazy" decoding="async" width="485" height="600" alt="" class="wp-block-jetpack-slideshow_image wp-image-3649" data-id="3649" src="https://www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin-1923_medvedkin_agitprop-logo_c.jpg" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin-1923_medvedkin_agitprop-logo_c.jpg?w=485&amp;ssl=1 485w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin-1923_medvedkin_agitprop-logo_c.jpg?resize=243%2C300&amp;ssl=1 243w" sizes="(max-width: 485px) 100vw, 485px" /></figure>
  1502. </li>
  1503. <li class="wp-block-jetpack-slideshow_slide swiper-slide">
  1504. <figure><img loading="lazy" decoding="async" width="1200" height="1620" alt="" class="wp-block-jetpack-slideshow_image wp-image-4915" data-id="4915" src="https://www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin-new-1.jpeg" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin-new-1.jpeg?w=1200&amp;ssl=1 1200w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin-new-1.jpeg?resize=222%2C300&amp;ssl=1 222w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin-new-1.jpeg?resize=759%2C1024&amp;ssl=1 759w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin-new-1.jpeg?resize=768%2C1037&amp;ssl=1 768w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin-new-1.jpeg?resize=1138%2C1536&amp;ssl=1 1138w" sizes="(max-width: 1200px) 100vw, 1200px" /><figcaption class="wp-block-jetpack-slideshow_caption gallery-caption">Aleksandr Medvedkin</figcaption></figure>
  1505. </li>
  1506. <li class="wp-block-jetpack-slideshow_slide swiper-slide">
  1507. <figure><img loading="lazy" decoding="async" width="1524" height="1188" alt="" class="wp-block-jetpack-slideshow_image wp-image-4917" data-id="4917" src="https://www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin33.jpg" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin33.jpg?w=1524&amp;ssl=1 1524w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin33.jpg?resize=300%2C234&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin33.jpg?resize=1024%2C798&amp;ssl=1 1024w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Medvedkin33.jpg?resize=768%2C599&amp;ssl=1 768w" sizes="(max-width: 1524px) 100vw, 1524px" /></figure>
  1508. </li>
  1509. <li class="wp-block-jetpack-slideshow_slide swiper-slide">
  1510. <figure><img loading="lazy" decoding="async" width="2400" height="1800" alt="" class="wp-block-jetpack-slideshow_image wp-image-4919" data-id="4919" src="https://www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin20.jpeg" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin20.jpeg?w=2400&amp;ssl=1 2400w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin20.jpeg?resize=300%2C225&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin20.jpeg?resize=1024%2C768&amp;ssl=1 1024w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin20.jpeg?resize=768%2C576&amp;ssl=1 768w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin20.jpeg?resize=1536%2C1152&amp;ssl=1 1536w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin20.jpeg?resize=2048%2C1536&amp;ssl=1 2048w" sizes="(max-width: 2400px) 100vw, 2400px" /></figure>
  1511. </li>
  1512. <li class="wp-block-jetpack-slideshow_slide swiper-slide">
  1513. <figure><img loading="lazy" decoding="async" width="2371" height="1768" alt="" class="wp-block-jetpack-slideshow_image wp-image-4924" data-id="4924" src="https://www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin-11b.jpeg" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin-11b.jpeg?w=2371&amp;ssl=1 2371w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin-11b.jpeg?resize=300%2C224&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin-11b.jpeg?resize=1024%2C764&amp;ssl=1 1024w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin-11b.jpeg?resize=768%2C573&amp;ssl=1 768w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin-11b.jpeg?resize=1536%2C1145&amp;ssl=1 1536w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/01/Aleksandr-Medvedkin-11b.jpeg?resize=2048%2C1527&amp;ssl=1 2048w" sizes="(max-width: 2371px) 100vw, 2371px" /></figure>
  1514. </li>
  1515. </ul>
  1516. <p><a class="wp-block-jetpack-slideshow_button-prev swiper-button-prev swiper-button-white" role="button"></a><a class="wp-block-jetpack-slideshow_button-next swiper-button-next swiper-button-white" role="button"></a><a aria-label="Pause Slideshow" class="wp-block-jetpack-slideshow_button-pause" role="button"></a></p>
  1517. <div class="wp-block-jetpack-slideshow_pagination swiper-pagination swiper-pagination-white"></div>
  1518. </div>
  1519. </div>
  1520. ]]></content:encoded>
  1521. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/podcasts2020/Isotopica_15_dec_2019_Plays_For_Horses.mp3" length="109502623" type="audio/mpeg" />
  1522. <itunes:subtitle>The Train Rolls On. Chris Marker&#039;s Le Train En Marche (1971)    First the eye, then the cinema, which prints the look….    A stunned episodepost tory election landslide,in which we listen simultaneously,to both the French and English soundtracks,</itunes:subtitle>
  1523. <itunes:summary><![CDATA[<br />
  1524. The Train Rolls On. Chris Marker's Le Train En Marche (1971)<br />
  1525. <br />
  1526. <br />
  1527. <br />
  1528. First the eye, then the cinema, which prints the look….<br />
  1529. <br />
  1530. <br />
  1531. <br />
  1532. A stunned episodepost tory election landslide,in which we listen simultaneously,to both the French and English soundtracks,of Chris Marker'sLe Train En Marche,in an attemptperhaps,to revisit,and evenfind a route back to,the utopiandreamsand projectsof both early and latetwentieth century cultural marxism.<br />
  1533. <br />
  1534. <br />
  1535. <br />
  1536. The train of revolution.&nbsp;The train of history has not lacked reverse signals and switched points but the biggest mistake one could make was to believe that it had come to a halt.<br />
  1537. <br />
  1538. <br />
  1539. <br />
  1540. <br />
  1541. <br />
  1542. <br />
  1543. <br />
  1544. <br />
  1545. <br />
  1546. <a href="https://www.theculture.net/radio/plays-for-horses/medvedkin6/" rel="attachment wp-att-3663"></a><br />
  1547. <br />
  1548. <br />
  1549. <br />
  1550. <br />
  1551. <br />
  1552. <br />
  1553. <br />
  1554. “If Chris asked you to do something you did it: There was no question”, recalls Marc Karlin in one of his last interviews before his death in 1999. <br />
  1555. <br />
  1556. <br />
  1557. <br />
  1558. ‘Chris’, needless to say, was Chris Marker, Karlin’s friend who he called ‘le maitre’. The task was to provide an English version of Marker’s recent film Le train en marche (1971) – a celebration of the Soviet era filmmaker Alexander Medvedkin and his mythical ‘kino-poezd’ – a ‘cine train’ re-fitted with cameras, editing tables and processing labs, that travelled the breadth of Russia to make films for and with the workers. Films made on the spot, in collaboration with the local people, (workers in factories, peasants in kolhozs), shot in one, day, processed during the night, edited the following day and screened in front of the very people who had participated to its making… Contrarily to the agit-prop trains which carried official propaganda from the studios to the people, here the people was his own studio. And at the very moment bureaucracy was spreading all over, a film unit could go and produce uncensored material around the country. And it lasted one year (1932)!Medvedkin saw his kino-poezd (294 days on the rails, 24,565m of film projected, 1000km covered) as a means of revolutionising the consciousness of the Soviet Union’s rural dwellers. Marker hoped his recent unearthing would incite similar democratic film-making. In tribute, Karlin and other kindred spirits in London joined Cinema Action.” There was a relationship to the Russians. Vertoz, the man and the movie camera, Medvedkin, and his agitprop Russian train; the idea of celebrating life and revolution on film, and communicating that. Medvedkin had done that by train. SLON and Cinema Action both did it by car. Getting a projector, putting films in the boot, and off you went and showed films – which we did”.<br />
  1559. <br />
  1560. <br />
  1561. <br />
  1562. <br />
  1563. <br />
  1564. The people were brought the filmmaker’s cinema, in the same way they were brought the artist’s art and the expert’s science. But in the case of this train the cinema was to become something created with contact through the people and was to stimulate them to make their own intervention.<br />
  1565. <br />
  1566. <br />
  1567. <br />
  1568. <br />
  1569. <br />
  1570. Aleksandr Medvedkin<a class="wp-block-jetpack-slideshow_button-prev swiper-button-prev swiper-button-white" role="button"></a><a class="wp-block-jetpack-slideshow_button-next swiper-button-next swiper-button-white" role="button"></a><a aria-label="Pause Slideshow" class="wp-block-jetpack-slideshow_button-pause" role="button"></a><br />]]></itunes:summary>
  1571. <itunes:author>Simon Tyszko</itunes:author>
  1572. <itunes:episodeType>full</itunes:episodeType>
  1573. <itunes:explicit>false</itunes:explicit>
  1574. <itunes:duration>58:52</itunes:duration>
  1575. </item>
  1576. <item>
  1577. <title>A Telephone Rings and Someone Speaks</title>
  1578. <link>https://www.theculture.net/radio/a-telephone-rings-and-someone-speaks/</link>
  1579. <pubDate>Tue, 01 Feb 2022 13:32:37 +0000</pubDate>
  1580. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2891</guid>
  1581. <description>exchange
  1582. | ɪksˈtʃeɪndʒ, ɛksˈtʃeɪndʒ |noun1 an act of giving one thing and receiving another (especially of the same kind) in return: negotiations should lead to an exchange of land for peace | [mass noun] : opportunities for the exchange of information.
  1583.  
  1584.  
  1585. I have always held a fascination for the sheer magic of telephony, with the transmission of disembodied voices across unimaginable distance, combining a direct intimacy with a paradoxical anonymity, a voice speaking directly into ones ear as if relating secrets,   with
  1586.  
  1587.  
  1588. magical powers to connect us across great distances. I would describe this as
  1589. magic in it&#039;s purest form, the transformation of base materials into new forms using the ritualised methods of science</description>
  1590. <content:encoded><![CDATA[<figure class="wp-block-image alignfull size-large"><img loading="lazy" decoding="async" width="1024" height="730" src="https://www.theculture.net/radio/wp-content/uploads/2020/09/telephone-editsss-1024x730.jpg" alt="" class="wp-image-3930" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/09/telephone-editsss.jpg?resize=1024%2C730&amp;ssl=1 1024w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/09/telephone-editsss.jpg?resize=300%2C214&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/09/telephone-editsss.jpg?resize=768%2C547&amp;ssl=1 768w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/09/telephone-editsss.jpg?w=1200&amp;ssl=1 1200w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>
  1591. <h2>exchange</h2>
  1592. <h6>| ɪksˈtʃeɪndʒ, ɛksˈtʃeɪndʒ |<br />noun<br />1 an act of giving one thing and receiving another (especially of the same kind) in return: negotiations should lead to an exchange of land for peace | [mass noun] : opportunities for the exchange of information.</h6>
  1593. <pre class="wp-block-preformatted">I have always held a fascination for the sheer magic of telephony, with the transmission of disembodied voices across unimaginable distance, combining a direct intimacy with a paradoxical anonymity, a voice speaking directly into ones ear as if relating secrets,   with
  1594.  
  1595.  
  1596. magical powers to connect us across great distances. I would describe this as
  1597. magic in it's purest form, the transformation of base materials into new forms using the ritualised methods of science </pre>
  1598. <figure class="wp-block-image alignfull size-large"><img loading="lazy" decoding="async" width="1024" height="591" src="https://www.theculture.net/radio/wp-content/uploads/2020/09/boxie-telephone-box_1638X946-1024x591.jpg" alt="" class="wp-image-3932" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/09/boxie-telephone-box_1638X946.jpg?resize=1024%2C591&amp;ssl=1 1024w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/09/boxie-telephone-box_1638X946.jpg?resize=300%2C173&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/09/boxie-telephone-box_1638X946.jpg?resize=768%2C444&amp;ssl=1 768w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/09/boxie-telephone-box_1638X946.jpg?resize=1536%2C887&amp;ssl=1 1536w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2020/09/boxie-telephone-box_1638X946.jpg?w=1638&amp;ssl=1 1638w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>
  1599. ]]></content:encoded>
  1600. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/podcasts2019/isotopica-december-3rd-2017--the-telephone-rings-and-someone-speaks.mp3" length="108298803" type="audio/mpeg" />
  1601. <itunes:subtitle>exchange | ɪksˈtʃeɪndʒ, ɛksˈtʃeɪndʒ |noun1 an act of giving one thing and receiving another (especially of the same kind) in return: negotiations should lead to an exchange of land for peace | [mass noun] : opportunities for the exchange of information...</itunes:subtitle>
  1602. <itunes:summary><![CDATA[<br />
  1603. <br />
  1604. <br />
  1605. <br />
  1606. exchange<br />
  1607. | ɪksˈtʃeɪndʒ, ɛksˈtʃeɪndʒ |noun1 an act of giving one thing and receiving another (especially of the same kind) in return: negotiations should lead to an exchange of land for peace | [mass noun] : opportunities for the exchange of information.<br />
  1608. <br />
  1609. <br />
  1610. I have always held a fascination for the sheer magic of telephony, with the transmission of disembodied voices across unimaginable distance, combining a direct intimacy with a paradoxical anonymity, a voice speaking directly into ones ear as if relating secrets,   with <br />
  1611. <br />
  1612. <br />
  1613. magical powers to connect us across great distances. I would describe this as <br />
  1614. magic in it's purest form, the transformation of base materials into new forms using the ritualised methods of science <br />
  1615. <br />
  1616. <br />
  1617. <br />
  1618. <br />]]></itunes:summary>
  1619. <itunes:author>Simon Tyszko</itunes:author>
  1620. <itunes:episodeType>full</itunes:episodeType>
  1621. <itunes:explicit>false</itunes:explicit>
  1622. <itunes:duration>59:06</itunes:duration>
  1623. </item>
  1624. <item>
  1625. <title>Nightingale walks in a Berlin Park</title>
  1626. <link>https://www.theculture.net/radio/nightingale-walks-in-a-berlin-park/</link>
  1627. <pubDate>Mon, 30 May 2022 00:24:07 +0000</pubDate>
  1628. <guid isPermaLink="false">https://www.theculture.net/radio/?p=4801</guid>
  1629. <description>Isotopica this week was recorded just three days ago (27th. May 2022) in a (secret) Berlin park. Simon Tyszko was in conversation with comPoser Elo Masing, accompanied by some songs from Berlin&#039;s legendary visiting nightingales, in this walking field recording.
  1630.  
  1631.  
  1632.  
  1633.  
  1634.  
  1635.  
  1636.  
  1637. Elo Masing and Vincent ************* performing  a graphical score by Vincent, at a gallery event not from from Karl-Marx-Allee</description>
  1638. <content:encoded><![CDATA[<p class="has-text-align-left has-small-font-size">Isotopica this week was recorded just three days ago (27th. May 2022) in a (secret) Berlin park. Simon Tyszko was in conversation with comPoser&nbsp;Elo Masing, accompanied by some songs from Berlin&#8217;s legendary visiting nightingales, in this walking field recording.</p>
  1639. <div class="wp-block-jetpack-slideshow alignfull" data-effect="slide">
  1640. <div class="wp-block-jetpack-slideshow_container swiper-container">
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  1646. <figure><img loading="lazy" decoding="async" width="1024" height="678" alt="" class="wp-block-jetpack-slideshow_image wp-image-4882" data-id="4882" src="https://www.theculture.net/radio/wp-content/uploads/2022/05/berlin-39.jpg" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-39.jpg?w=1024&amp;ssl=1 1024w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-39.jpg?resize=300%2C199&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-39.jpg?resize=768%2C509&amp;ssl=1 768w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>
  1647. </li>
  1648. <li class="wp-block-jetpack-slideshow_slide swiper-slide">
  1649. <figure><img loading="lazy" decoding="async" width="1024" height="678" alt="" class="wp-block-jetpack-slideshow_image wp-image-4881" data-id="4881" src="https://www.theculture.net/radio/wp-content/uploads/2022/05/berlin-31.jpg" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-31.jpg?w=1024&amp;ssl=1 1024w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-31.jpg?resize=300%2C199&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-31.jpg?resize=768%2C509&amp;ssl=1 768w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>
  1650. </li>
  1651. <li class="wp-block-jetpack-slideshow_slide swiper-slide">
  1652. <figure><img loading="lazy" decoding="async" width="973" height="768" alt="" class="wp-block-jetpack-slideshow_image wp-image-4880" data-id="4880" src="https://www.theculture.net/radio/wp-content/uploads/2022/05/berlin-19-2.jpg" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-19-2.jpg?w=973&amp;ssl=1 973w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-19-2.jpg?resize=300%2C237&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-19-2.jpg?resize=768%2C606&amp;ssl=1 768w" sizes="(max-width: 973px) 100vw, 973px" /></figure>
  1653. </li>
  1654. <li class="wp-block-jetpack-slideshow_slide swiper-slide">
  1655. <figure><img loading="lazy" decoding="async" width="1024" height="678" alt="" class="wp-block-jetpack-slideshow_image wp-image-4879" data-id="4879" src="https://www.theculture.net/radio/wp-content/uploads/2022/05/berlin-12.jpg" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-12.jpg?w=1024&amp;ssl=1 1024w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-12.jpg?resize=300%2C199&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-12.jpg?resize=768%2C509&amp;ssl=1 768w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>
  1656. </li>
  1657. <li class="wp-block-jetpack-slideshow_slide swiper-slide">
  1658. <figure><img loading="lazy" decoding="async" width="1024" height="678" alt="" class="wp-block-jetpack-slideshow_image wp-image-4878" data-id="4878" src="https://www.theculture.net/radio/wp-content/uploads/2022/05/berlin-176.jpg" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-176.jpg?w=1024&amp;ssl=1 1024w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-176.jpg?resize=300%2C199&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-176.jpg?resize=768%2C509&amp;ssl=1 768w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>
  1659. </li>
  1660. <li class="wp-block-jetpack-slideshow_slide swiper-slide">
  1661. <figure><img loading="lazy" decoding="async" width="1024" height="678" alt="" class="wp-block-jetpack-slideshow_image wp-image-4877" data-id="4877" src="https://www.theculture.net/radio/wp-content/uploads/2022/05/berlin-134.jpg" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-134.jpg?w=1024&amp;ssl=1 1024w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-134.jpg?resize=300%2C199&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-134.jpg?resize=768%2C509&amp;ssl=1 768w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>
  1662. </li>
  1663. <li class="wp-block-jetpack-slideshow_slide swiper-slide">
  1664. <figure><img loading="lazy" decoding="async" width="1024" height="678" alt="" class="wp-block-jetpack-slideshow_image wp-image-4876" data-id="4876" src="https://www.theculture.net/radio/wp-content/uploads/2022/05/berlin-121.jpg" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-121.jpg?w=1024&amp;ssl=1 1024w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-121.jpg?resize=300%2C199&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/berlin-121.jpg?resize=768%2C509&amp;ssl=1 768w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>
  1665. </li>
  1666. <li class="wp-block-jetpack-slideshow_slide swiper-slide">
  1667. <figure><img loading="lazy" decoding="async" width="1024" height="768" alt="" class="wp-block-jetpack-slideshow_image wp-image-4818" data-id="4818" src="https://www.theculture.net/radio/wp-content/uploads/2022/05/IMG_1055-copy-1024x768.jpg" srcset="https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/IMG_1055-copy.jpg?resize=1024%2C768&amp;ssl=1 1024w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/IMG_1055-copy.jpg?resize=300%2C225&amp;ssl=1 300w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/IMG_1055-copy.jpg?resize=768%2C576&amp;ssl=1 768w, https://i0.wp.com/www.theculture.net/radio/wp-content/uploads/2022/05/IMG_1055-copy.jpg?w=1500&amp;ssl=1 1500w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>
  1668. </li>
  1669. </ul>
  1670. <p><a class="wp-block-jetpack-slideshow_button-prev swiper-button-prev swiper-button-white" role="button"></a><a class="wp-block-jetpack-slideshow_button-next swiper-button-next swiper-button-white" role="button"></a><a aria-label="Pause Slideshow" class="wp-block-jetpack-slideshow_button-pause" role="button"></a></p>
  1671. <div class="wp-block-jetpack-slideshow_pagination swiper-pagination swiper-pagination-white"></div>
  1672. </div>
  1673. </div>
  1674. <figure class="wp-block-video aligncenter"><video controls loop muted src="https://www.theculture.net/radio/wp-content/uploads/2022/05/IMG_1164.mov"></video><figcaption><strong>Elo Masing and Vincent ************* performing  a graphical score by Vincent, at a gallery event not from from Karl-Marx-Allee</strong></figcaption></figure>
  1675. <figure class="wp-block-video alignfull"><video controls loop src="https://www.theculture.net/radio/wp-content/uploads/2022/05/into-the-club-berlin-IMG_1051_s1_f120_chf-3_1.mp4"></video></figure>
  1676. <figure class="wp-block-video alignfull"><video controls loop muted preload="auto" src="https://www.theculture.net/radio/wp-content/uploads/2022/05/IMG_1095-2.mp4"></video></figure>
  1677. ]]></content:encoded>
  1678. <enclosure url="https://media.blubrry.com/isotopica/theculture.net/radio/wp-content/uploads/episodes/Isotopica-29-May-2022-Nightingale-Walks-in-a-Berlin-park.mp3" length="141030650" type="audio/mpeg" />
  1679. <itunes:subtitle>Isotopica this week was recorded just three days ago (27th. May 2022) in a (secret) Berlin park. Simon Tyszko was in conversation with comPoser Elo Masing, accompanied by some songs from Berlin&#039;s legendary visiting nightingales,</itunes:subtitle>
  1680. <itunes:summary><![CDATA[<br />
  1681. Isotopica this week was recorded just three days ago (27th. May 2022) in a (secret) Berlin park. Simon Tyszko was in conversation with comPoser&nbsp;Elo Masing, accompanied by some songs from Berlin's legendary visiting nightingales, in this walking field recording.<br />
  1682. <br />
  1683. <br />
  1684. <br />
  1685. <a class="wp-block-jetpack-slideshow_button-prev swiper-button-prev swiper-button-white" role="button"></a><a class="wp-block-jetpack-slideshow_button-next swiper-button-next swiper-button-white" role="button"></a><a aria-label="Pause Slideshow" class="wp-block-jetpack-slideshow_button-pause" role="button"></a><br />
  1686. <br />
  1687. <br />
  1688. <br />
  1689. Elo Masing and Vincent ************* performing  a graphical score by Vincent, at a gallery event not from from Karl-Marx-Allee<br />
  1690. <br />
  1691. <br />
  1692. <br />
  1693. <br />
  1694. <br />
  1695. <br />
  1696. <br />
  1697. <br />]]></itunes:summary>
  1698. <itunes:author>Simon Tyszko</itunes:author>
  1699. <itunes:episodeType>full</itunes:episodeType>
  1700. <itunes:explicit>false</itunes:explicit>
  1701. <itunes:duration>58:49</itunes:duration>
  1702. </item>
  1703. <item>
  1704. <title>Love, sex, relationships, and the patriarchy&#8230;&#8230;&#8230;</title>
  1705. <link>https://www.theculture.net/radio/love-sex-relationships-and-the-patriarchy/</link>
  1706. <pubDate>Mon, 07 Feb 2022 18:41:33 +0000</pubDate>
  1707. <guid isPermaLink="false">https://www.theculture.net/radio/?p=4005</guid>
  1708. <description>In this episode we meet death and death falls in love with us, and despite her parent&#039;s plans Grazia also falls for Death, and Death falls for Grazia, her fiancé get&#039;s confused and perhaps we find ourselves in a love hexagon.... or some other equally complex shape.
  1709.  
  1710.  
  1711.  
  1712. Death plays Jenga with a medieval knight (Max von Sydow) in Bergman&#039;s classic The Seventh Seal (Swedish: Det sjunde inseglet)</description>
  1713. <enclosure url="https://media.blubrry.com/isotopica/theculture.net/radio/wp-content/uploads/isotopica/TheSeventeenthSealorSexLoveDeathAndThePatriarchy.mp3" length="106575042" type="audio/mpeg" />
  1714. <itunes:subtitle>In this episode we meet death and death falls in love with us, and despite her parent&#039;s plans Grazia also falls for Death, and Death falls for Grazia, her fiancé get&#039;s confused and perhaps we find ourselves in a love hexagon....</itunes:subtitle>
  1715. <itunes:summary><![CDATA[<br />
  1716. In this episode we meet death and death falls in love with us, and despite her parent's plans Grazia also falls for Death, and Death falls for Grazia, her fiancé get's confused and perhaps we find ourselves in a love hexagon.... or some other equally complex shape.<br />
  1717. <br />
  1718. <br />
  1719. <br />
  1720. Death plays Jenga with a medieval knight (Max von Sydow) in Bergman's classic The Seventh Seal (Swedish: Det sjunde inseglet)<br />]]></itunes:summary>
  1721. <itunes:author>Simon Tyszko</itunes:author>
  1722. <itunes:episodeType>full</itunes:episodeType>
  1723. <itunes:explicit>false</itunes:explicit>
  1724. <itunes:duration>59:04</itunes:duration>
  1725. </item>
  1726. <item>
  1727. <title>Is it that time already?</title>
  1728. <link>https://www.theculture.net/radio/is-it-that-time-already/</link>
  1729. <pubDate>Fri, 03 Apr 2020 03:52:53 +0000</pubDate>
  1730. <guid isPermaLink="false">https://www.theculture.net/radio/?p=3727</guid>
  1731. <description>It&#039;s now always a late 1970&#039;s Sunday afternoon in the in the days of the contemporary Pest
  1732.  
  1733.  
  1734.  
  1735. A mechanical timer prised from a discarded kitchen in a Bruxelles back street, provides an analogue rhythm around which we build today’s program.  Camus provides some words, we tune in to some intercultural networked improvised music from The Ethernet Orchestra, sample a new livestream sound work from Matthew Olden, and all as we gently muse on our world spun upside down on an unfamiliar axis.
  1736.  
  1737.  
  1738.  
  1739. 7-8PM UTC+01:00 resonancefm.com
  1740.  
  1741.  
  1742.  
  1743.  
  1744.  
  1745.  
  1746.  
  1747. Ethernet Orchestra 
  1748.  
  1749.  
  1750.  
  1751. is an Internet-based musical ensemble that explores intercultural improvisation through musical performances in located venues and on the web. Founded by trumpeter Roger Mills, the ensemble was formed to address the underrepresentation of the diverse musical cultures in online music making.  The group combines electronic and traditional instruments, including Mongolian moron khuur (horse fiddle) and throat singing, tabla,  Persian tanbur, tar, balaban, and the Japanese shakuhachi, blended with Buchla synthesizer, DX7, Ableton, voice, guitar, trumpet, and sax. 
  1752.  
  1753.  
  1754.  
  1755. Oceans between Sound is the second album by Ethernet Orchestra and covers a 4 year period of the groups performances and online jam sessions. It is free to download with artwork and CDR disc prints from the Chilean net label Pueblo Nuevo https://pueblonuevo.cl/catalogo/oceans-between-sound/</description>
  1756. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/podcasts2020/isotopica-29-3-2020-Is-it-that-time-already.mp3" length="115314327" type="audio/mpeg" />
  1757. <itunes:subtitle>It&#039;s now always a late 1970&#039;s Sunday afternoon in the in the days of the contemporary Pest    A mechanical timer prised from a discarded kitchen in a Bruxelles back street, provides an analogue rhythm around which we build today’s program.</itunes:subtitle>
  1758. <itunes:summary><![CDATA[<br />
  1759. It's now always a late 1970's Sunday afternoon in the in the days of the contemporary Pest<br />
  1760. <br />
  1761. <br />
  1762. <br />
  1763. A mechanical timer prised from a discarded kitchen in a Bruxelles back street, provides an analogue rhythm around which we build today’s program.  Camus provides some words, we tune in to some intercultural networked improvised music from The Ethernet Orchestra, sample a new livestream sound work from Matthew Olden, and all as we gently muse on our world spun upside down on an unfamiliar axis.<br />
  1764. <br />
  1765. <br />
  1766. <br />
  1767. 7-8PM <a href="https://en.wikipedia.org/wiki/UTC%2B01:00">UTC+01:00</a> <a href="http://resonancefm.com">resonancefm.com</a><br />
  1768. <br />
  1769. <br />
  1770. <br />
  1771. <br />
  1772. <br />
  1773. <br />
  1774. <br />
  1775. Ethernet Orchestra <br />
  1776. <br />
  1777. <br />
  1778. <br />
  1779. is an Internet-based musical ensemble that explores intercultural improvisation through musical performances in located venues and on the web. Founded by trumpeter Roger Mills, the ensemble was formed to address the underrepresentation of the diverse musical cultures in online music making.  The group combines electronic and traditional instruments, including Mongolian moron khuur (horse fiddle) and throat singing, tabla,  Persian tanbur, tar, balaban, and the Japanese shakuhachi, blended with Buchla synthesizer, DX7, Ableton, voice, guitar, trumpet, and sax. <br />
  1780. <br />
  1781. <br />
  1782. <br />
  1783. Oceans between Sound is the second album by Ethernet Orchestra and covers a 4 year period of the groups performances and online jam sessions. It is free to download with artwork and CDR disc prints from the Chilean net label Pueblo Nuevo&nbsp;<a href="https://pueblonuevo.cl/catalogo/oceans-between-sound/">https://pueblonuevo.cl/catalogo/oceans-between-sound/</a><br />]]></itunes:summary>
  1784. <itunes:author>Simon Tyszko</itunes:author>
  1785. <itunes:episodeType>full</itunes:episodeType>
  1786. <itunes:explicit>false</itunes:explicit>
  1787. <itunes:duration>58:53</itunes:duration>
  1788. </item>
  1789. <item>
  1790. <title>walking nowhere thinking everything</title>
  1791. <link>https://www.theculture.net/radio/walking-nowhere-thinking-everything/</link>
  1792. <pubDate>Fri, 01 May 2020 02:06:19 +0000</pubDate>
  1793. <guid isPermaLink="false">https://www.theculture.net/radio/?p=3782</guid>
  1794. <description>From lockdown we take a phantom stroll with Jimmy Fox, inspired by Walter Benjamin, who, drawing on the poetry of Baudelaire, made the Flâneur an emblematic archetype of the modern urban experience. The Flâneur of course evolved into the psychogeographer via Guy debord  and his theory of the derive, to Iain Sinclair in twentieth century London, to the pandemic aetheric and haunted steps of Zigmund Freud&#039;s great great grandson Jimmy Fox.</description>
  1795. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/podcasts2020/Isotopica-12-04-2020_walking_nowhere_thinking_everything.mp3" length="100003411" type="audio/mpeg" />
  1796. <itunes:subtitle>From lockdown we take a phantom stroll with Jimmy Fox, inspired by Walter Benjamin, who, drawing on the poetry of Baudelaire, made the Flâneur an emblematic archetype of the modern urban experience. The Flâneur of course evolved into the psychogeograph...</itunes:subtitle>
  1797. <itunes:summary><![CDATA[<br />
  1798. A step by step glide through psychogeography<br />
  1799. <br />
  1800. <br />
  1801. <br />
  1802. Jimmy Lux whose feet we listen to in this broadcast, on a shared derive en Paris avec moi<br />
  1803. <br />
  1804. <br />
  1805. <br />
  1806. Psychogeography&nbsp;was defined in 1955 by Guy Debord as "the study of the precise laws and specific effects of the geographical environment, consciously organized or not, on the emotions and behavior of individuals." It has also been defined as "a total dissolution of boundaries between art and life<br />
  1807. <br />
  1808. <br />
  1809. <br />
  1810. From lockdown we take a phantom&nbsp;stroll with Jimmy Fox, inspired by&nbsp;<a href="https://en.wikipedia.org/wiki/Walter_Benjamin">Walter Benjamin</a>, who, drawing on the poetry of&nbsp;<a href="https://en.wikipedia.org/wiki/Charles_Baudelaire">Baudelaire</a>, made&nbsp;the&nbsp;Flâneur an emblematic archetype of the modern&nbsp;urban experience. The Flâneur of course evolved&nbsp; into the psychogeographer via Guy debord&nbsp; and his theory of the derive<br />
  1811. <br />
  1812. <br />
  1813. <br />
  1814. In a dérive one or more persons during a certain period drop their usual motives for movement and action, their relations, their work and leisure activities, and let themselves be drawn by the attractions of the terrain and the encounters they find there… But the dérive includes both this letting go and its necessary contradiction: the domination of psychogeographical variations by the knowledge and calculation of their possibilities.<br />
  1815. <br />
  1816. <br />
  1817. <br />
  1818. Iain Sinclair<br />
  1819. <br />
  1820. <br />
  1821. <br />
  1822. Peter Ackroyd<br />
  1823. <br />
  1824. <br />
  1825. <br />
  1826. Patrick Keiller.<br />
  1827. <br />
  1828. <br />
  1829. <br />
  1830. Walter Benjamin,&nbsp;<br />
  1831. <br />
  1832. <br />
  1833. <br />
  1834. J. G. Ballard,&nbsp;<br />
  1835. <br />
  1836. <br />
  1837. <br />
  1838. Nicholas Hawksmoor.<br />
  1839. <br />
  1840. <br />
  1841. <br />
  1842. Will self<br />
  1843. <br />
  1844. <br />
  1845. <br />
  1846. Thomas de Quincey.&nbsp;<br />
  1847. <br />
  1848. <br />]]></itunes:summary>
  1849. <itunes:author>Simon Tyszko</itunes:author>
  1850. <itunes:episodeType>full</itunes:episodeType>
  1851. <itunes:explicit>false</itunes:explicit>
  1852. <itunes:duration>58:51</itunes:duration>
  1853. </item>
  1854. <item>
  1855. <title>Mr Dante fontana and some Free Jazz, as political lens, or mirror?</title>
  1856. <link>https://www.theculture.net/radio/mr-dante-fontana-and-some-free-jazz-as-political-lens-or-mirror/</link>
  1857. <pubDate>Wed, 05 Jun 2019 13:59:31 +0000</pubDate>
  1858. <guid isPermaLink="false">https://www.theculture.net/radio/?p=3030</guid>
  1859. <description>a doctored image, not fake
  1860.  
  1861. The song Mr Dante Fontanna, comes from the 1966 film Fumo Di Londra a vehicle for Alberto Sordi and was composed by Piero Piccioni who was in turn pianist, organist, conductor, composer, and architect, he was also the prolific author of more than 300 film soundtracks. He played for the first time on radio in 1938 with his “013” Big Band, to return on air only after the liberation of Italy in 1944. “013” was the first Italian jazz band to be broadcast in Italy after the fall of Fascism. A facism which is unbelievably on the rise pretty much across the word, a phenomena not loosely connected with the climate emergency that is slowly enveloping us as millions flee wars and starvation at least partially caused by the climate disruption we are all ready seeing… 
  1862.  
  1863. I have often mentioned a proposed study into right Wing thought a disability, a deficiency in basic humanity and I guess in that case  fascism would be it’s cancerous analogue….
  1864.  
  1865. The music of Piero Piccioni to me represents that almost utopian period of optimism that sprang from the socialist post war settlement, the defeat of fascicm and the progressive redistribution of wealth creating a socially mobile and aspirational society that is in complete contrast to the , paraphrasing the UN Special rapporteur on extreme poverty in the uk he was describing an immiseration of millions of our people, and how the UK’s poorest people face lives that are “solitary, poor, nasty, brutish, and short”.
  1866.  
  1867. The description contains what has been called one of the best-known passages in English philosophy, which describes the natural state humankind would be in, were it not for political community:[22]
  1868.  
  1869.  
  1870. In such condition, there is no place for industry; because the fruit thereof is uncertain: and consequently no culture of the earth; no navigation, nor use of the commodities that may be imported by sea; no commodious building; no instruments of moving, and removing, such things as require much force; no knowledge of the face of the earth; no account of time; no arts; no letters; no society; and which is worst of all, continual fear, and danger of violent death; and the life of man, solitary, poor, nasty, brutish, and short.[23]
  1871.  
  1872.  
  1873.  
  1874. Yet Reading Corbyn’s words yesterday had my head spinning, as our dreams of a socialist revolution coming to save the many from the few met Jeremy Corbyn&#039;s absurd statement on his plans for an imaginary soft brexit.
  1875.  
  1876. This being both as absurd as Theresa May&#039;s &quot;brexit means brexit”, and at the same time even more morally reprehensible, as his stance as leader of the greatest grass roots progressive movement in recent times, proves to be yet another tone deaf and deluded Blaire like dictator, feebly enabling and ‘respecting’ the most reprehensible political car crash and malign right wing coup in our political history.
  1877.  
  1878. Just imagine……
  1879.  
  1880. An internationalist ’Corbynism’, defeating the hateful, abusive, and isolationist Brexit, could have been the shining light banishing the rising reactionary and xenophobic tide across Europe and the world, as we linked arms with our fellow Europeans to fight the truly vital issues of capitalist climate and ecological catastrophe, and together sheltering the many resultant refugees from a dying planet we have played such a large part in setting on fire.
  1881.  
  1882.  
  1883.  
  1884. Anthony Braxton (born June 4, 1945) is an American composer and multi-instrumentalist who is known in the genre of free jazz.[1]
  1885.  
  1886. Since the 1960s, he has released more than 100 albums. , in addition to flute, alto flute, and piano.
  1887.  
  1888. Braxton studied philosophy at Roosevelt University. He taught at Mills College in the 1980s, and was Professor of Music at Wesleyan University from the 1990s until his retirement at the end of 2013. 
  1889.  
  1890. He taught music composition and music history, with a concentration on the avant-garde, In 1994, he was given a genius grant by the MacArthur Foundation. In 2013, he was named a 2014 National Endowment for the Arts Jazz Master...</description>
  1891. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/podcasts2019/isotopica-02-june-2019-mr-dante-fontana-and-some-free-jazz.m4a" length="112636483" type="audio/x-m4a" />
  1892. <itunes:subtitle>a doctored image, not fake  The song Mr Dante Fontanna, comes from the 1966 film Fumo Di Londra a vehicle for Alberto Sordi and was composed by Piero Piccioni who was in turn pianist, organist, conductor, composer, and architect,</itunes:subtitle>
  1893. <itunes:summary><![CDATA[<a href="https://www.theculture.net/radio/mr-dante-fontana-and-some-free-jazz-as-political-lens-or-mirror/lets-speak-italian/" rel="attachment wp-att-3031"></a>a doctored image, not fake<br />
  1894. <br />
  1895. The song Mr Dante Fontanna, comes from the 1966 film Fumo Di Londra a vehicle for Alberto Sordi and was composed by Piero Piccioni who was in turn <a href="https://en.wikipedia.org/wiki/Pianist">pianist</a>, <a href="https://en.wikipedia.org/wiki/Organist">organist</a>, <a href="https://en.wikipedia.org/wiki/Conducting">conductor</a>, <a href="https://en.wikipedia.org/wiki/Composer">composer</a>, and architect, he was also the prolific author of more than 300 <a href="https://en.wikipedia.org/wiki/Soundtrack">film soundtracks</a>. He played for the first time on radio in 1938 with his “013” Big Band, to return on air only after the liberation of Italy in 1944. “013” was the first Italian jazz band to be broadcast in Italy after the <a href="https://en.wikipedia.org/wiki/Fall_of_Fascism">fall of Fascism</a>. A facism which is unbelievably on the rise pretty much across the word, a phenomena not loosely connected with the climate emergency that is slowly enveloping us as millions flee wars and starvation at least partially caused by the climate disruption we are all ready seeing… <br />
  1896. <br />
  1897. I have often mentioned a proposed study into right Wing thought a disability, a deficiency in basic humanity and I guess in that case  fascism would be it’s cancerous analogue….<br />
  1898. <br />
  1899. The music of Piero Piccioni to me represents that almost utopian period of optimism that sprang from the socialist post war settlement, the defeat of fascicm and the progressive redistribution of wealth creating a socially mobile and aspirational society that is in complete contrast to the , paraphrasing the UN Special rapporteur on extreme poverty in the uk he was describing an immiseration of millions of our people, and how the UK’s poorest people face lives that are “solitary, poor, nasty, brutish, and short”.<br />
  1900. <br />
  1901. The description contains what has been called one of the best-known passages in English philosophy, which describes the natural state humankind would be in, were it not for political community:<a href="https://en.wikipedia.org/wiki/Thomas_Hobbes#cite_note-22">[22]</a><br />
  1902. <br />
  1903. <br />
  1904. In such condition, there is no place for industry; because the fruit thereof is uncertain: and consequently no culture of the earth; no navigation, nor use of the commodities that may be imported by sea; no commodious building; no instruments of moving, and removing, such things as require much force; no knowledge of the face of the earth; no account of time; no arts; no letters; no society; and which is worst of all, continual fear, and danger of violent death; and the life of man, solitary, poor, nasty, brutish, and short.[23]<br />
  1905. <br />
  1906.  <br />
  1907. <br />
  1908. Yet Reading Corbyn’s words yesterday had my head spinning, as our dreams of a socialist revolution coming to save the many from the few met Jeremy Corbyn's absurd statement on his plans for an imaginary soft brexit.<br />
  1909. <br />
  1910. This being both as absurd as Theresa May's "brexit means brexit”, and at the same time even more morally reprehensible, as his stance as leader of the greatest grass roots progressive movement in recent times, proves to be yet another tone deaf and deluded Blaire like dictator, feebly enabling and ‘respecting’ the most reprehensible political car crash and malign right wing coup in our political history.<br />
  1911. <br />
  1912. Just imagine……<br />
  1913. <br />
  1914. An internationalist ’Corbynism’, defeating the hateful, abusive, and isolationist Brexit, could have been the shining light banishing the rising reactionary and xenophobic tide across Europe and the world, as we linked arms with our fellow Europeans to fight the truly vital issues of capitalist climate and ecological catastrophe, and together sheltering the many resultant refugees from a dying planet we have played such a large par...]]></itunes:summary>
  1915. <itunes:author>Simon Tyszko</itunes:author>
  1916. <itunes:episodeType>full</itunes:episodeType>
  1917. <itunes:explicit>false</itunes:explicit>
  1918. <itunes:duration>58:52</itunes:duration>
  1919. </item>
  1920. <item>
  1921. <title>Music For Birds</title>
  1922. <link>https://www.theculture.net/radio/music-for-birds/</link>
  1923. <pubDate>Mon, 13 Jan 2020 00:33:12 +0000</pubDate>
  1924. <guid isPermaLink="false">https://www.theculture.net/radio/?p=3587</guid>
  1925. <description>Performed by humans, Produced by birds.
  1926.  
  1927.  
  1928.  
  1929.  
  1930.  
  1931.  
  1932.  
  1933. An international phone conversation, London to Berlin, with Elo Masing representing Berlin based WIG (improvisational trio), and Simon Tyszko in London, discussing the world&#039;s first musical transcription produced by birds,Music For Birds  by WIG, and It&#039;s genesis within the glamorous and rarefied world of cross species art with avian tandem Kakaduu.Agapornis Fischeri, better known by the artist name Kakaduu, is originally from Central Africa and now based in Berlin, Germany. They established themselves as artists in London, UK, where they lived from 2010 to 2015.
  1934.  
  1935.  
  1936.  
  1937.  
  1938.  
  1939.  
  1940.  
  1941. They have been active in the visual arts since 2010 and first gained recognition with the wood veneer and cardboard sculpture “Me and My Home”. Other well-known works include “My Cage” and “My Nightmares About the Cat”.
  1942.  
  1943.  
  1944.  
  1945. Kakaduu is one of the most remarkable contemporary practitioners of environmental art in Europe, choosing to use mostly recycled material in creating artworks. They prefer figurative wood sculpture, although often also paint on different materials. Favourite media include wood, wood veneer, cardboard, and coconut shell; for painting they use recycled food.
  1946.  
  1947.  
  1948.  
  1949. Better known paintings from the mature period include “Kakaduu Shit on Canvas”, “Kakaduu Shit on Glass”, “Kakaduu Shit on Veneer”, “Kakaduu Shit on Cupboard Door”, “Kakaduu Shit on Porcelain”, “Kakaduu Shit on A4” and “Kakaduu Shit on DVD”. Well-known artworks from the most recent output include “London”, “The Dwarf’s House on the Hill”, “We Went to See the Elephant” and “The Squirrel, the Cat and the Hare”.
  1950.  
  1951.  
  1952.  
  1953. Kakaduu’s works have been shown at The First and Second International World Exhibition of Artist Birds.
  1954.  
  1955.  
  1956.  
  1957. Kakaduu is represented by Gallery Zebra&amp;Tiger.
  1958.  
  1959.  
  1960.  
  1961.  
  1962.  
  1963.  
  1964.  
  1965. New website in progress at www.kakaduu.art. Watch this space!Scientists claim that birds’ and animals’ brains cannot discern complex intellectual objects such as music.‘‘‘ ,
  1966.  
  1967.  
  1968.  
  1969. That for them, human music is like white noise, similar to the sound of rain, waves or rustling leaves for us. That they can’t hear anything interesting in it, the same way we can’t understand what birds say to each other, all their adventures and other information they share so vividly.
  1970.  
  1971.  
  1972.  
  1973. ,             ////7O&gt;’ O&gt;’ O&lt;~ &lt;Ö:::::::::=)’
  1974.  
  1975.  
  1976.  
  1977. This may very well be so - if during early development birds’ brains are not exposed to music and don’t learn to grasp it, they probably won’t be able to do it later. Much like a human child who, growing up in the wild without hearing any human language, wouldn’t be able to learn to speak as an adult, even when exposed to human speech.
  1978.  
  1979.  
  1980.  
  1981. , ‘ ‘ “
  1982.  
  1983.  
  1984.  
  1985. ‘(o.
  1986.  
  1987.  
  1988.  
  1989. 0060000909~.9-8.989
  1990.  
  1991.  
  1992.  
  1993. But it seems to us that birds’ brains can be trained to hear music; they can discern very complex intellectual and emotional objects if they’ve been exposed to them from an early age - for example if the birds have grown up in musicians’ homes.
  1994.  
  1995.  
  1996.  
  1997. ‘, ‘
  1998.  
  1999.  
  2000.  
  2001. They become thoroughly unique experts on music, with their own completely unique taste, because their learning and teaching ability in the realm of sonic arts is great. If only someone saw it and knew how to use it.
  2002.  
  2003.  
  2004.  
  2005. (i!iiii!!!!!i!¡¡¡
  2006.  
  2007.  
  2008.  
  2009. ‘ ‘“
  2010.  
  2011.  
  2012.  
  2013. “ ``
  2014.  
  2015.  
  2016.  
  2017. ,
  2018.  
  2019.  
  2020.  
  2021. We’ve been lucky that we’ve come across two of such unique birds, who understand what’s there in the music they hear and what’s not in many respects better than humans. As choosing the right tracks for the album was much easier for them than it was for us, we gladly allowed Kakaduu to produce the record. Their enthusiastic chirping made it clear which pieces they preferred most. The album got put together quickly and insightfully and is dedicated to improving communication between birds and humans.
  2022.  
  2023.  
  2024.  
  2025. , ,
  2026.  
  2027.  
  2028.  
  2029. O&lt; ’ “’ О&lt;‘ ‘ [] ф
  2030.  
  2031.  
  2032.  
  2033. O&gt;’ , « Ьªº–ºª Ö&lt;’ “
  2034.  
  2035.  
  2036.  
  2037. This is a story about how a bird taught us to listen, see, and think, too. About something important and beautiful. And about lots of other things, too, about which you can read on Kakaduu&#039;s home page.
  2038.  
  2039.  
  2040.  
  2041. ‘’’,, ‘
  2042.  
  2043.  
  2044.  
  2045. .,.,. `` ‘ ’
  2046.  
  2047.  
  2048.  
  2049. </description>
  2050. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/podcasts2020/Isotopica_Music_For_Birds_WIG_and_Kakaduu_11_01_2020.mp3" length="106269921" type="audio/mpeg" />
  2051. <itunes:subtitle>Performed by humans, Produced by birds.        An international phone conversation, London to Berlin, with Elo Masing representing Berlin based WIG (improvisational trio), and Simon Tyszko in London, discussing the world&#039;s first musical transcription p...</itunes:subtitle>
  2052. <itunes:summary><![CDATA[<br />
  2053. Performed by humans, Produced by birds.<br />
  2054. <br />
  2055. <br />
  2056. <br />
  2057. <a href="https://www.theculture.net/radio/music-for-birds/wig-music-for-birds-cd-artwork-bccc-2/" rel="attachment wp-att-3590"></a><br />
  2058. <br />
  2059. <br />
  2060. <br />
  2061. An international phone conversation, London to Berlin, with Elo Masing representing Berlin based WIG (improvisational trio), and Simon Tyszko in London, discussing the world's first musical transcription produced by birds,Music For Birds&nbsp; by WIG, and It's genesis within the glamorous and rarefied world of cross species art with avian tandem Kakaduu.Agapornis Fischeri, better known by the artist name Kakaduu, is originally from Central Africa and now based in Berlin, Germany. They established themselves as artists in London, UK, where they lived from 2010 to 2015.<br />
  2062. <br />
  2063. <br />
  2064. <br />
  2065. <br />
  2066. <br />
  2067. <br />
  2068. <br />
  2069. They have been active in the visual arts since 2010 and first gained recognition with the wood veneer and cardboard sculpture “Me and My Home”. Other well-known works include “My Cage” and “My Nightmares About the Cat”.<br />
  2070. <br />
  2071. <br />
  2072. <br />
  2073. Kakaduu is one of the most remarkable contemporary practitioners of environmental art in Europe, choosing to use mostly recycled material in creating artworks. They&nbsp;prefer figurative&nbsp;wood sculpture, although often also paint on different materials. Favourite media include wood, wood veneer, cardboard, and coconut shell; for painting they use recycled food.<br />
  2074. <br />
  2075. <br />
  2076. <br />
  2077. Better known paintings from the mature period include “Kakaduu Shit on Canvas”, “Kakaduu Shit on Glass”, “Kakaduu Shit on Veneer”, “Kakaduu Shit on Cupboard Door”, “Kakaduu Shit on Porcelain”, “Kakaduu Shit on A4” and “Kakaduu Shit on DVD”. Well-known artworks from the most recent output include “London”, “The Dwarf’s House on the Hill”, “We Went to See the Elephant” and “The Squirrel, the Cat and the Hare”.<br />
  2078. <br />
  2079. <br />
  2080. <br />
  2081. Kakaduu’s works have been&nbsp;shown at The First and <a href="https://goo.gl/photos/ScSCUmdKSPLmqyX96" target="_blank" rel="noopener noreferrer">Second International World Exhibition of Artist Birds</a>.<br />
  2082. <br />
  2083. <br />
  2084. <br />
  2085. Kakaduu is represented by Gallery Zebra&amp;Tiger.<br />
  2086. <br />
  2087. <br />
  2088. <br />
  2089. <a href="https://www.theculture.net/radio/music-for-birds/cropped-imga03191/" rel="attachment wp-att-3589"></a><br />
  2090. <br />
  2091. <br />
  2092. <br />
  2093. New website in progress at <a href="http://www.kakaduu.art/" target="_blank" rel="noopener noreferrer">www.kakaduu.art</a>. Watch this space!Scientists claim that birds’ and animals’ brains cannot discern complex intellectual objects such as music.‘‘‘ ,<br />
  2094. <br />
  2095. <br />
  2096. <br />
  2097. That for them, human music is like white noise, similar to the sound of rain, waves or rustling leaves for us. That they can’t hear anything interesting in it, the same way we can’t understand what birds say to each other, all their adventures and other information they share so vividly.<br />
  2098. <br />
  2099. <br />
  2100. <br />
  2101. , &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; ////7O&gt;’ O&gt;’ O&lt;~ &lt;Ö:::::::::=)’<br />
  2102. <br />
  2103. <br />
  2104. <br />
  2105. This may very well be so - if during early development birds’ brains are not exposed to music and don’t learn to grasp it, they probably won’t be able to do it later. Much like a human child who, growing up in the wild without hearing any human language, wouldn’t be able to learn to speak as an adult, even when exposed to human speech.<br />
  2106. <br />
  2107. <br />
  2108. <br />
  2109. , ‘ ‘ “<br />
  2110. <br />
  2111. <br />
  2112. <br />
  2113. ‘(o.<br />
  2114. <br />
  2115. <br />
  2116. <br />
  2117. 0060000909~.9-8.989<br />
  2118. <br />
  2119. <br />
  2120. <br />
  2121. But it seems to us that birds’ brains can be trained to hear music; they can discern very complex intellectual and emotional objects if they’ve been exposed to them from an early age - for example if the birds have grown up in musicians’ homes.<br />
  2122. <br />
  2123. <br />
  2124. <br />
  2125. ‘, ‘<br />
  2126. <br />
  2127. <br />
  2128. <br />
  2129. They become thoroughly unique experts on music, with their own completely unique taste,]]></itunes:summary>
  2130. <itunes:author>Simon Tyszko</itunes:author>
  2131. <itunes:episodeType>full</itunes:episodeType>
  2132. <itunes:explicit>false</itunes:explicit>
  2133. <itunes:duration>58:52</itunes:duration>
  2134. </item>
  2135. <item>
  2136. <title>Dr Ben Sessa, Psychedelic research, and Simon Tyszko</title>
  2137. <link>https://www.theculture.net/radio/dr-ben-sessa-and-eye/</link>
  2138. <pubDate>Fri, 11 Jan 2019 00:26:05 +0000</pubDate>
  2139. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2857</guid>
  2140. <description>&quot;As part of the UCL psychedelic research team, Iv’e been legally administered LSD, Psilocybin, DMT, ketamine, and MDMA in the past ten years &quot; (by Professor David Nutt no less).</description>
  2141. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/podcasts2019/Isotopica_Ben_Sessa_Tyszko_in_conversation_psychedelia_telegraphic_telepathy_paisley_shirts_and_prozac.mp3" length="141917135" type="audio/mpeg" />
  2142. <itunes:subtitle>&quot;As part of the UCL psychedelic research team, Iv’e been legally administered LSD, Psilocybin, DMT, ketamine, and MDMA in the past ten years &quot; (by Professor David Nutt no less).</itunes:subtitle>
  2143. <itunes:summary><![CDATA[Ben sessa and I<br />
  2144. <br />
  2145. <br />
  2146. <a href="https://www.theculture.net/radio/dr-ben-sessa-and-eye/ben5a/" rel="attachment wp-att-2858">in conversation.</a><br />
  2147. <br />
  2148. ben<br />
  2149. <br />
  2150. Drugs are central to my life. Just like you, I was born to a drugged mother, injected minutes after birth and repeatedly dosed throughout my childhood.<br />
  2151. <br />
  2152. My patients are simply self-medicating. And who can blame them? Their medicines (heroin, crack and alcohol) work better than mine (Prozac) at blunting life's sharp edges<br />
  2153. <br />
  2154. Dr Ben Sessa<br />
  2155. <br />
  2156. Drugs help me get up and go to work, sustain me throughout the day and relax me in the evenings. I am a regular consumer of legal highs. Almost all of us are.<br />
  2157. <br />
  2158. I work with children in a secure custodial setting, most of whom have used drugs before incarceration to have fun. I also work in an adult addictions service with people whose drug use is mistaken for the cause of their problems. It is not. Addiction is not about drugs. Rather, drugs slot neatly into a pre-drug maladaptive profile of failed opportunities and chronic exclusion of hope.<br />
  2159. <br />
  2160. My patients are simply self-medicating. And who can blame them? Their medicines (heroin, crack and alcohol) work better than mine (Prozac) at blunting life's sharp edges. Nevertheless, I give them my drugs and help them off theirs. But in my clinical experience no drugs in isolation will eradicate mental disorder. Most psychiatric prescribing merely papers over the cracks of patients' symptoms with maintenance therapies that do not cure them. The core of their distress (childhood trauma, social exclusion, lack of education and opportunities) is hard and expensive to resolve. Prozac is cheaper and faster.<br />
  2161. <br />
  2162. And I also work for the family law courts, assessing parents and children whose prospects are judged by court decisions based on their past or potential future drug use. But drug use and misuse are different. Most people take most drugs, most of the time relatively benignly. Drug misuse and addiction is not the drugs' fault. Simply prohibiting drugs and criminalising users is a grossly simplistic and dangerous folly. Our system for classifying drugs is unscientific, socially irresponsible and morally reprehensible. Our drug laws increase the harms, deaths, associated crime and even the usage of drugs. There is more scientific validity for homeopathy than prohibition. The arbitrary assignment of substances into classes A, B and C has no pharmacological validity, is patronising, dangerous and sends the wrong public health message. Drugs don't kill people. Prohibition does.<br />
  2163. <br />
  2164. Yet our drug laws have persisted, unaudited and unaltered for 50 years despite clear evidence of their lack of efficacy. Why? This is a complex question that often leads towards unhelpful conspiracy theories. In wishing to avoid this, I can only assume successive governments sustain the destructive policy with my best interests at heart. It's enough to turn one to drugs.<br />
  2165. <br />
  2166. <a href="https://www.theculture.net/radio/dr-ben-sessa-and-eye/ben5a/" rel="attachment wp-att-2858"><br />
  2167. Ben is a medical doctor providing private psychiatric consultation through Mandala Therapy Limited<br />
  2168. Ben is a published medical and fiction author<br />
  2169. Ben carries out psychopharmacology research with psychedelic medicines<br />
  2170. Ben is researching MDMA Therapy for mental disorders<br />
  2171. Ben publishes in the academic and medical press<br />
  2172. Ben present regularly in multi-media platforms<br />
  2173. Ben carries out medico-Legal family law expert witness work<br />
  2174. Ben is co-founder and chair of the Breaking Convention conference.<br />
  2175. </a><br />
  2176. <br />
  2177. <br />
  2178. <br />
  2179. &nbsp;]]></itunes:summary>
  2180. <itunes:author>Simon Tyszko</itunes:author>
  2181. <itunes:episodeType>full</itunes:episodeType>
  2182. <itunes:explicit>false</itunes:explicit>
  2183. <itunes:duration>1:10:03</itunes:duration>
  2184. </item>
  2185. <item>
  2186. <title>Unprepared Piano stories</title>
  2187. <link>https://www.theculture.net/radio/unprepared-piano-stories/</link>
  2188. <pubDate>Tue, 17 Sep 2019 20:16:03 +0000</pubDate>
  2189. <guid isPermaLink="false">https://www.theculture.net/radio/?p=3411</guid>
  2190. <description>From Chile to Chatham both haunted and alive.
  2191.  
  2192.  
  2193.  
  2194. Some field recordings and ambient sounds from summer 2019.
  2195.  
  2196.  
  2197.  
  2198. A zoom recorder balanced just below the pendulum of an ancient yet working grandfather clock in a central room of a venerable Kent House, picks up the steady yet illusory passage of time along with snippets of my extended (Small) family life and conversations. We feature the story of a piano in Chile played by spirits, after stumbling across Julian*s* evocation of those very ghosts on an old detuned upright piano in an apparently  lost bedroom, bringing us perhaps to consider the inner life and the meaning of an unprepared piano.  after which
  2199.  
  2200.  
  2201.  
  2202. Peter Suchin riffs on the semiotics of image via Roland Barthes, and an endless vortex filling of a narrow boat water tank punctuates a summer day on the last pirate island of London (as far as we know), as the clock tic toc tic tocs us along to almost certain extinction, and we wonder how to, or even if to, make art, as time is undeniably running out.
  2203.  
  2204.  
  2205.  
  2206. *Julian Burger Visiting Professor at University of Essex, Human rights and indigenous law
  2207.  
  2208.  
  2209.  
  2210.  
  2211.  
  2212.  
  2213.  
  2214. One way in to the old kent house
  2215.  
  2216.  
  2217.  
  2218.  
  2219.  
  2220.  
  2221.  
  2222. 
  2223.  
  2224.  
  2225.  
  2226.  
  2227. One way in to the old kent house
  2228.  
  2229.  
  2230.  
  2231.  
  2232.  
  2233.  
  2234.  
  2235.  
  2236. Peter Suchin Explain Art To A Live Cat 2019
  2237.  
  2238.  
  2239.  
  2240. John Kenton walks his plank
  2241.  
  2242.  
  2243.  
  2244.  
  2245.  
  2246.  
  2247.  
  2248.  
  2249.  
  2250.  
  2251.  
  2252. *Julian Burger Visiting Professor at University of Essex, Human rights and indigenous law</description>
  2253. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/podcasts2019/Isotopica_Unprepared_Piano_stories_15_sep_2019.mp3" length="115852155" type="audio/mpeg" />
  2254. <itunes:subtitle>From Chile to Chatham both haunted and alive.    Some field recordings and ambient sounds from summer 2019.    A zoom recorder balanced just below the pendulum of an ancient yet working grandfather clock in a central room of a venerable Kent House,</itunes:subtitle>
  2255. <itunes:summary><![CDATA[<br />
  2256. From Chile to Chatham both haunted and alive.<br />
  2257. <br />
  2258. <br />
  2259. <br />
  2260. Some field recordings and ambient sounds from summer 2019.<br />
  2261. <br />
  2262. <br />
  2263. <br />
  2264. A zoom recorder balanced just below the pendulum of an ancient yet working grandfather clock in a central room of a venerable Kent House, picks up the steady yet illusory passage of time along with snippets of my extended (Small) family life and conversations. We feature the story of a piano in Chile played by spirits, after stumbling across Julian*s* evocation of those very ghosts on an old detuned upright piano in an apparently  lost bedroom, bringing us perhaps to consider the inner life and the meaning of an unprepared piano.  after which<br />
  2265. <br />
  2266. <br />
  2267. <br />
  2268. Peter Suchin riffs on the semiotics of image via Roland Barthes, and an endless vortex filling of a narrow boat water tank punctuates a summer day on the last pirate island of London (as far as we know), as the clock tic toc tic tocs us along to almost certain extinction, and we wonder how to, or even if to, make art, as time is undeniably running out.<br />
  2269. <br />
  2270. <br />
  2271. <br />
  2272. *Julian Burger Visiting Professor at University of Essex, Human rights and indigenous law<br />
  2273. <br />
  2274. <br />
  2275. <br />
  2276. <br />
  2277. <br />
  2278. <br />
  2279. <br />
  2280. One way in to the old kent house<br />
  2281. <br />
  2282. <br />
  2283. <br />
  2284. <br />
  2285. <br />
  2286. <br />
  2287. <br />
  2288. <br />
  2289. <br />
  2290. <br />
  2291. <br />
  2292. <br />
  2293. One way in to the old kent house<a class="wp-block-jetpack-slideshow_button-prev swiper-button-prev swiper-button-white" role="button"></a><a class="wp-block-jetpack-slideshow_button-next swiper-button-next swiper-button-white" role="button"></a><a aria-label="Pause Slideshow" class="wp-block-jetpack-slideshow_button-pause" role="button"></a><br />
  2294. <br />
  2295. <br />
  2296. <br />
  2297. <br />
  2298. &nbsp;<br />
  2299. <br />
  2300. <br />
  2301. <br />
  2302. Peter Suchin Explain&nbsp;Art To A Live Cat 2019<br />
  2303. <br />
  2304. <br />
  2305. <br />
  2306. John Kenton walks his plank<br />
  2307. <br />
  2308. <br />
  2309. <br />
  2310. &nbsp;<br />
  2311. <br />
  2312. <br />
  2313. <br />
  2314. &nbsp;<br />
  2315. <br />
  2316. <br />
  2317. <br />
  2318. *Julian Burger Visiting Professor at University of Essex, Human rights and indigenous law<br />]]></itunes:summary>
  2319. <itunes:author>Simon Tyszko</itunes:author>
  2320. <itunes:episodeType>full</itunes:episodeType>
  2321. <itunes:explicit>false</itunes:explicit>
  2322. <itunes:duration>58:52</itunes:duration>
  2323. </item>
  2324. <item>
  2325. <title>Voiced, spoken, said, uttered, expressed, articulated, oral, by mouth.</title>
  2326. <link>https://www.theculture.net/radio/voiced-spoken-said-uttered-expressed-articulated-oral-by-mouth/</link>
  2327. <pubDate>Mon, 29 Jul 2019 00:28:13 +0000</pubDate>
  2328. <guid isPermaLink="false">https://www.theculture.net/radio/?p=3337</guid>
  2329. <description>A Radio impression of VOCALIS, an irregular performance event at the delicious Beaconsfield Gallery Vauxhall London.
  2330.  
  2331. VOCALIS places emphasis on giving voice in many forms; sharing ideas, drawing on collective memory and Beaconsfield’s long engagement with text, time-based/live art, performance and sound. Informal and open, Vocalis happens in Beaconsfield’s intimate cafe space - where food and fluids mix with electrical impulses and vocalised concepts.
  2332.  
  2333.  
  2334. Michael Curran MC
  2335.  
  2336.  
  2337.  
  2338. Jeroen van Dooren explores divided subjectivities in the company of performing rabbits
  2339.  
  2340. Jefford Horrigan performs a very personal ritual within a bespoke sculptural assemblage that is jealous of painting
  2341.  
  2342. Tara Fatehi Irani mishandles an archive from Tehran through photographic images, dance, spoken word and digital media
  2343.  
  2344. Liming Lin aspires to be a symbol – that everyone looks up to
  2345.  
  2346. Niamh Roberts delivers a love story especially penned for Vocalis.</description>
  2347. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/podcasts2019/Isotopica_Voiced_spoken_said_uttered_expressed_articulated_oral_by_mouth.mp3" length="111608850" type="audio/mpeg" />
  2348. <itunes:subtitle>A Radio impression of VOCALIS, an irregular performance event at the delicious Beaconsfield Gallery Vauxhall London.  VOCALIS places emphasis on giving voice in many forms; sharing ideas, drawing on collective memory and Beaconsfield’s long engagement ...</itunes:subtitle>
  2349. <itunes:summary><![CDATA[A Radio impression of VOCALIS, an irregular performance event at the delicious <a href="https://beaconsfield.ltd.uk">Beaconsfield Gallery Vauxhall London</a>.<br />
  2350. <br />
  2351. VOCALIS places emphasis on giving voice in many forms; sharing ideas, drawing on collective memory and Beaconsfield’s long engagement with text, time-based/live art, performance and sound. Informal and open, Vocalis happens in Beaconsfield’s intimate cafe space - where food and fluids mix with electrical impulses and vocalised concepts.<br />
  2352. <br />
  2353. <br />
  2354. <a href="https://www.theculture.net/radio/voc-3/"></a>Michael Curran MC<br />
  2355. <br />
  2356.  <br />
  2357. <br />
  2358. Jeroen van Dooren explores divided subjectivities in the company of performing rabbits<br />
  2359. <br />
  2360. Jefford Horrigan performs a very personal ritual within a bespoke sculptural assemblage that is jealous of painting<br />
  2361. <br />
  2362. Tara Fatehi Irani mishandles an archive from Tehran through photographic images, dance, spoken word and digital media<br />
  2363. <br />
  2364. Liming Lin aspires to be a symbol – that everyone looks up to<br />
  2365. <br />
  2366. Niamh Roberts delivers a love story especially penned for Vocalis.<br />
  2367. <br />]]></itunes:summary>
  2368. <itunes:author>Simon Tyszko</itunes:author>
  2369. <itunes:episodeType>full</itunes:episodeType>
  2370. <itunes:explicit>false</itunes:explicit>
  2371. <itunes:duration>58:51</itunes:duration>
  2372. </item>
  2373. <item>
  2374. <title>extinction or rebellion, rebellion or extinction&#8230;.THIS IS NOT A DRILL!</title>
  2375. <link>https://www.theculture.net/radio/extinction-or-rebellion-rebellion-or-extinction-this-is-not-a-drill/</link>
  2376. <pubDate>Sun, 28 Jul 2019 19:06:50 +0000</pubDate>
  2377. <guid isPermaLink="false">https://www.theculture.net/radio/?p=3357</guid>
  2378. <description>99.7% scientific consensus
  2379. 414 parts of CO2 per million, the highest in earths history.
  2380. Once in a lifetime weather events every week.
  2381. Mass extinction and loss of natural habitat happening now.
  2382. Short term profits in place of life as we know it.
  2383.  
  2384. We are facing an unprecedented global emergency. Life on Earth is in crisis: scientists agree we have entered a period of abrupt climate breakdown, and we are in the midst of a mass extinction of our own making.
  2385.  
  2386. this is not a drill this is not a drill this is not a drill
  2387.  
  2388.  
  2389.  
  2390. https://rebellion.earth
  2391.  
  2392. Worldwide Rebellion: Continues 7 October 2019
  2393.  
  2394. Rebellion too07 October 201919:00 (UTC +01:00)-Until:18 October 201922:00</description>
  2395. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/podcasts2019/roger_Hallam_XR_too_Extinction_or_rebellion.mp3" length="114175171" type="audio/mpeg" />
  2396. <itunes:subtitle>99.7% scientific consensus 414 parts of CO2 per million, the highest in earths history. Once in a lifetime weather events every week. Mass extinction and loss of natural habitat happening now. Short term profits in place of life as we know it.  </itunes:subtitle>
  2397. <itunes:summary><![CDATA[99.7% scientific consensus<br />
  2398. 414 parts of CO2 per million, the highest in earths history.<br />
  2399. Once in a lifetime weather events every week.<br />
  2400. Mass extinction and loss of natural habitat happening now.<br />
  2401. Short term profits in place of life as we know it.<br />
  2402. <br />
  2403. We are facing an unprecedented global emergency. Life on Earth is in crisis: scientists agree we have entered a period of abrupt climate breakdown, and we are in the midst of a mass extinction of our own making.<br />
  2404. <br />
  2405. this is not a drill this is not a drill this is not a drill<br />
  2406. <br />
  2407. <br />
  2408. <br />
  2409. https://rebellion.earth<br />
  2410. <br />
  2411. Worldwide Rebellion: Continues 7 October 2019<br />
  2412. <br />
  2413. <a href="https://www.theculture.net/radio/extinction-or-rebellion-rebellion-or-extinction-this-is-not-a-drill/rbr/" rel="attachment wp-att-3358"></a>Rebellion too07 October 201919:00 (UTC +01:00)-Until:18 October 201922:00<br />
  2414. <br />]]></itunes:summary>
  2415. <itunes:author>Simon Tyszko</itunes:author>
  2416. <itunes:episodeType>full</itunes:episodeType>
  2417. <itunes:explicit>false</itunes:explicit>
  2418. <itunes:duration>59:33</itunes:duration>
  2419. </item>
  2420. <item>
  2421. <title>Multilingual, multifaceted, Intended, Multiplex, Zoe Zakovski</title>
  2422. <link>https://www.theculture.net/radio/multilingual-multifaceted-intended-multiplex-zoe-zakovski/</link>
  2423. <pubDate>Thu, 18 Jul 2019 18:36:43 +0000</pubDate>
  2424. <guid isPermaLink="false">https://www.theculture.net/radio/?p=3231</guid>
  2425. <description>A play on words
  2426.  
  2427. Zoe Zarkovsi and Simon Tyszko engage in Word play or wordplay (also: play-on-words) being a literary technique and a form of wit in which words used become the main subject of the work, primarily for the purpose of intended effect or amusement.
  2428. Examples of word play include puns, phonetic mix-ups such as spoonerisms, obscure words and meanings, clever rhetorical excursions, oddly formed sentences, double entendres, and telling character names (such as in the play The Importance of Being Earnest, Ernest being a given name that sounds exactly like the adjective earnest). Word play is quite common in oral cultures as a method of reinforcing meaning. Examples of text-based (orthographic) word play are found in languages with or without alphabet-based scripts; for example, see homophoerate our accompanying nic puns in Mandarin Chinese.
  2429.  
  2430. Deleuze and food, time and chance, combine with a collection of pure data patches that algorithmically generate our accompanying soundtrack, the hidden hand of a god who simply never existed.
  2431.  
  2432.  
  2433.  
  2434.  
  2435.  
  2436. Le menu est la liste des divers mets qui composent le repas. Dans un restaurant, ou à la cantine, c&#039;est l&#039;ensemble des mets qui peuvent être servis pour un prix déterminé.
  2437.  
  2438. Par métonymie, le menu est le feuillet, le carton, le tableau, l&#039;affichette, l’objet ou la brochure qui liste :
  2439.  
  2440.  
  2441.    les mets servis lors d&#039;un repas : manuscrit ou imprimé, illustré ou non, il présente au convive la liste des mets et boissons qui vont lui être servis lors d&#039;un repas ou d&#039;un banquet. Cette pratique, qui remonte au xixe siècle, et qui tend à se perdre (sauf dans les réceptions officielles), participe à l&#039;art de la table ; elle offre de précieux renseignements aux historiens de la cuisine ;
  2442.    le choix des différents mets pouvant être servi pour un repas au restaurant.</description>
  2443. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/podcasts2019/Multilingual_multifaceted_Intended_multiplex_ZoeZakovski.mp3" length="103097918" type="audio/mpeg" />
  2444. <itunes:subtitle>A play on words  Zoe Zarkovsi and Simon Tyszko engage in Word play or wordplay (also: play-on-words) being a literary technique and a form of wit in which words used become the main subject of the work, primarily for the purpose of intended effect or a...</itunes:subtitle>
  2445. <itunes:summary><![CDATA[A play on words<br />
  2446. <br />
  2447. Zoe Zarkovsi and Simon Tyszko engage in Word play or wordplay (also: play-on-words) being a <a class="mw-redirect" title="Literary technique" href="https://en.wikipedia.org/wiki/Literary_technique">literary technique</a> and a form of <a title="Wit" href="https://en.wikipedia.org/wiki/Wit">wit</a> in which words used become the main subject of the work, primarily for the purpose of intended effect or <a title="Amusement" href="https://en.wikipedia.org/wiki/Amusement">amusement</a>.<br />
  2448. Examples of word play include <a title="Pun" href="https://en.wikipedia.org/wiki/Pun">puns</a>, phonetic mix-ups such as <a title="Spoonerism" href="https://en.wikipedia.org/wiki/Spoonerism">spoonerisms</a>, obscure words and meanings, clever <a title="Rhetoric" href="https://en.wikipedia.org/wiki/Rhetoric">rhetorical</a> excursions, oddly formed sentences, <a title="Double entendre" href="https://en.wikipedia.org/wiki/Double_entendre">double entendres</a>, and telling character names (such as in the play <a title="The Importance of Being Earnest" href="https://en.wikipedia.org/wiki/The_Importance_of_Being_Earnest">The Importance of Being Earnest</a>, Ernest being a <a title="Given name" href="https://en.wikipedia.org/wiki/Given_name">given name</a> that sounds exactly like the adjective earnest). Word play is quite common in <a class="mw-redirect" title="Oral culture" href="https://en.wikipedia.org/wiki/Oral_culture">oral cultures</a> as a method of reinforcing meaning. Examples of text-based (<a title="Orthography" href="https://en.wikipedia.org/wiki/Orthography">orthographic</a>) word play are found in languages with or without alphabet-based scripts; for example, see <a title="Homophonic puns in Mandarin Chinese" href="https://en.wikipedia.org/wiki/Homophonic_puns_in_Mandarin_Chinese">homophoerate our accompanying nic puns in Mandarin Chinese</a>. <br />
  2449. <br />
  2450. Deleuze and food, time and chance, combine with a collection of <a href="https://en.wikipedia.org/wiki/Pure_Data">pure data</a> patches that algorithmically generate our accompanying soundtrack, the hidden hand of a god who simply never existed.<br />
  2451. <br />
  2452. <br />
  2453. <br />
  2454. <a href="https://www.theculture.net/radio/multilingual-multifaceted-intended-multiplex-zoe-zakovski/pd-screenshot/" rel="attachment wp-att-3335"></a><br />
  2455. <br />
  2456. Le menu est la liste des divers <a title="Mets (cuisine)" href="https://fr.wikipedia.org/wiki/Mets_(cuisine)">mets</a> qui composent le repas. Dans un <a title="Restaurant" href="https://fr.wikipedia.org/wiki/Restaurant">restaurant</a>, ou à la <a title="Cantine" href="https://fr.wikipedia.org/wiki/Cantine">cantine</a>, c'est l'ensemble des mets qui peuvent être servis pour un prix déterminé.<br />
  2457. <br />
  2458. Par <a title="Métonymie" href="https://fr.wikipedia.org/wiki/M%C3%A9tonymie">métonymie</a>, le menu est le feuillet, le carton, le tableau, l'affichette, l’objet ou la brochure qui liste :<br />
  2459. <br />
  2460. <br />
  2461.    * les mets servis lors d'un repas : manuscrit ou imprimé, illustré ou non, il présente au convive la liste des mets et boissons qui vont lui être servis lors d'un repas ou d'un banquet. Cette pratique, qui remonte au <a title="XIXe siècle" href="https://fr.wikipedia.org/wiki/XIXe_si%C3%A8cle">xixe siècle</a>, et qui tend à se perdre (sauf dans les réceptions officielles), participe à l'<a class="mw-redirect" title="Art de la table" href="https://fr.wikipedia.org/wiki/Art_de_la_table">art de la table</a> ; elle offre de précieux renseignements aux historiens de la <a title="Cuisine" href="https://fr.wikipedia.org/wiki/Cuisine">cuisine</a> ;<br />
  2462.    * le choix des différents mets pouvant être servi pour un repas au restaurant.<br />]]></itunes:summary>
  2463. <itunes:author>Simon Tyszko</itunes:author>
  2464. <itunes:episodeType>full</itunes:episodeType>
  2465. <itunes:explicit>false</itunes:explicit>
  2466. <itunes:duration>58:52</itunes:duration>
  2467. </item>
  2468. <item>
  2469. <title>A convivial conversation with a cat on a bike as the crane cries</title>
  2470. <link>https://www.theculture.net/radio/a-convivial-conversation-with-a-cat-on-a-bike-as-the-crane-cries/</link>
  2471. <pubDate>Fri, 05 Jul 2019 01:31:49 +0000</pubDate>
  2472. <guid isPermaLink="false">https://www.theculture.net/radio/?p=3055</guid>
  2473. <description>This particular episode revolves around a trip to the vet with Idoru the cat, during which we share a delightful conversation around topics of the day.
  2474. Our cycling conversation perfectly sets the scene for a program approaching the cutting edges of trans-species art research,  featuring tracks from a new album entitled &#039;Crane Cries&#039;, which revolves around a live recording emulating the sounds and intentions of cranes through string improvisation and unusual techniques, by the quartet of Estonian violinist Elo Masing, German violinist Dietrich Petzold, Portuguese violist and cellist Ernesto and Guilherme Rodrigues, who name each of the 8 tracks after the behaviour of cranes,  forming a flock, migration, fighting, ritual dancing, and nesting.This conflation of the chat with a cat on a bicycle, and the avian themed avant guard music is purely coincidental, and only came about when isotopicee Elo Masing sent this latest release hot off the presses from Berlin, which is available as a limited edition from various online outlets including Ernesto Rodrigues&#039; Bandcamp site here.Yet at the same time Elo has been working for several years now with avian artistic tandem Kakaduu, Agapornis Fischeri, originally from Central Africa and now based in Berlin, Germany. Kakaduu established themselves as artists in London, UK, where they lived from 2009 till 2015. They have been active in the visual arts since 2010 and first gained recognition with the wood veneer and cardboard sculpture “Me and My Home”. Other well-known works include “My Cage” and “My Nightmares About the Cat”.Most recently Kakaduu been the worlds first birds to have produced a human musical record release with Berlin based WIG ensemble&#039;s unique album Music For Birds, which features in a future edition is Isotopica.
  2475. Much more to follow on our trans-species investigations to follow.
  2476. Meanwhileas it turned out, Idoru was not unwell, and her recent strange behaviour was simply one of those cat things, although the vet (at the amazing and wonderful animal charity The Blue Cross)   mentioned several time that Idoru was fat....Subsequently our new crash diet seems to have bought out the hidden kitten in both Voltaire and Idoru, and we have entered an exciting and new athletic phase under the aeroplane wing here at Phlight</description>
  2477. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/podcasts2019/Isotopica_A_conversation_with_a_cat_on_a_bike_as_the_crane_cries_pod2.mp3" length="107476608" type="audio/mpeg" />
  2478. <itunes:subtitle>This particular episode revolves around a trip to the vet with Idoru the cat, during which we share a delightful conversation around topics of the day. Our cycling conversation perfectly sets the scene for a program approaching the cutting edges of tra...</itunes:subtitle>
  2479. <itunes:summary><![CDATA[This particular episode revolves around a trip to the vet with Idoru the cat, during which we share a delightful conversation around topics of the day.<br />
  2480. Our cycling conversation perfectly sets the scene for a program approaching the cutting edges of&nbsp;trans-species&nbsp;art research, &nbsp;featuring tracks from a new album entitled&nbsp;'Crane Cries', which revolves around a live recording emulating the sounds and intentions of cranes through string improvisation and unusual techniques, by the quartet of Estonian violinist Elo Masing, German violinist Dietrich Petzold, Portuguese violist and cellist Ernesto and Guilherme Rodrigues, who name each of the 8 tracks after the&nbsp;behaviour&nbsp;of cranes, &nbsp;forming a flock, migration, fighting, ritual dancing, and nesting.This conflation of the chat with a cat on a bicycle, and the avian themed avant guard music is purely coincidental, and only came about when isotopicee Elo Masing sent this latest release hot off the presses from Berlin, which is available as a limited edition from various online outlets including Ernesto Rodrigues' <a href="https://ernestorodrigues.bandcamp.com/album/crane-cries">Bandcamp site here.</a>Yet at the same time Elo has been working for several years now with avian artistic tandem Kakaduu,&nbsp;Agapornis Fischeri, originally from Central Africa and now based in Berlin, Germany. Kakaduu established themselves as artists in London, UK, where they lived from 2009 till 2015.&nbsp;They have been active in the visual arts since 2010 and first gained recognition with the wood veneer and cardboard sculpture “Me and My Home”. Other well-known works include “My Cage” and “My Nightmares About the Cat”.Most recently Kakaduu been the worlds first birds to have produced a human musical record release with Berlin based WIG&nbsp;ensemble's unique album Music For Birds, which features in a future edition is Isotopica.<br />
  2481. Much more to follow on our trans-species investigations to follow.<br />
  2482. Meanwhileas it turned out, Idoru was not unwell, and her recent strange behaviour was simply one of those cat things, although the vet (at the amazing and wonderful animal charity <a href="https://www.bluecross.org.uk">The Blue Cross) </a>&nbsp; mentioned several time that Idoru was fat....Subsequently our new crash diet seems to have bought out the hidden kitten in both Voltaire and Idoru, and we have entered an exciting and new athletic phase under the aeroplane wing here at <a href="http://www.phlight.org">Phlight</a><br />
  2483. <br />
  2484. <br />
  2485. <br />
  2486. <br />
  2487. <br />
  2488. <br />]]></itunes:summary>
  2489. <itunes:author>Simon Tyszko</itunes:author>
  2490. <itunes:episodeType>full</itunes:episodeType>
  2491. <itunes:explicit>false</itunes:explicit>
  2492. <itunes:duration>58:06</itunes:duration>
  2493. </item>
  2494. <item>
  2495. <title>Ken Livingstone&#8217;s London. Red, Red, and very very missed</title>
  2496. <link>https://www.theculture.net/radio/ken-livingstones-london-red-red-and-very-very-missed/</link>
  2497. <pubDate>Wed, 03 Jul 2019 12:19:42 +0000</pubDate>
  2498. <guid isPermaLink="false">https://www.theculture.net/radio/?p=3040</guid>
  2499. <description>Ken Livingstone
  2500.  
  2501. Ken Livingstone, The only truly successful left-wing British politician of modern times
  2502.  
  2503.  
  2504. ......is an English politician who served as the Leader of the Greater London Council (GLC) from 1981 until the council was abolished in 1986, and as Mayor of London from the creation of the office in 2000 until 2008. He also served as the Member of Parliament (MP) for Brent East from 1987 to 2001. 
  2505.  
  2506. Born in Lambeth, South London, to a working-class family, Livingstone joined Labour in 1968 Ken went on to become the head of the GLC.
  2507.  
  2508.  
  2509. The GLC began as an effort to rationalise London-wide planning, London in the 1950s could be a grim place. Large swathes of residential streets remained derelict after being bombed out during the war and the houses still standing were often squalid and overcrowded. Thick fog hung over the city and roads were dirty and dangerous…….
  2510.  
  2511. The GLC under Ken Livingstone was an an administration that successfully enacted a historically unprecedented radical program of successful and popular socialist policies, including massive investment in job creation, reducing public transport fares, the declaration of London as a nuclear free zone, saving over a million pounds annually spent on utterly cometic and pointless defence plans nik e hiding under a table before the bomb went off).
  2512.  
  2513.  
  2514. Arguing that politics had long been the near-exclusive preserve of white middle-aged men, the GLC began an attempt to open itself to representations from other groups, principally from women, the working-class, ethnic minorities and homosexuals but also from children and the elderly.
  2515.  
  2516.  
  2517. They initiated a raft of measures to improve the lives of minorities within London,  this included funding for groups such as London Gay Teenage Group, English Collective of Prostitutes, Women Against Rape, Lesbian Line, A Woman&#039;s Place, and Rights of Women, and the Ethnic Minorities Committee.
  2518.  
  2519.  
  2520. Understanding the clear evidence that the Metropolitan Police was an institutionally racist organisation, he appointed Paul Boateng to head the Police Committee and monitor the force&#039;s activities.[100]  the police he remarked are highly political organisation, noting that when canvasing police flats at election time, you find that they are either Conservatives who think of Thatcher as a bit of a pinko or they are National Front.&quot;[100]
  2521.  
  2522.  
  2523. An outspoken republican he politely refused an invitation to Diana and Charles Windsor’s wedding and the list of righteous achievements simply goes on and on, and of course 
  2524.  
  2525. Just as today our overwhelming right wing press rabidly attacked such egalitarian policies, snowflake like and steeped in patriarchal white privilege they moaned that such policies only served &quot;fringe&quot; interests, and also like today their criticisms often exhibited overt racist, homophobic and sexist sentiment…
  2526.  
  2527.  
  2528.  
  2529. The GLC ended after an extended and fierce face-off between perhaps two of the most popular and divisive figures in British politics: Margaret Thatcher and Ken Livingstone, with Thatcher shamelessly abolishing the London’s Council she simply could not defeat by democratic means, with it’s formers headquarters, county hall still facing parliament from the south bank as an irony free monument to her neoliberal policies, the building now a Macdonalds,  a tourist trap aquarium and of course a hotel for the fifty rich.
  2530.  
  2531.  
  2532.  
  2533. This list of adventures and landmark achievements goes on and on, including two tenures as London mayor (the first time as an independent winning against Tony (call me Maggie) Blaire’s official labour candidate, he as been Characterised as &quot;the only truly successful left-wing British politician of modern times, and today Ken Joins David Ellis and me Simon Tyszko on Isotopica live on resonance 104.4 FM.
  2534.  
  2535.  </description>
  2536. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/podcasts2019/isotopica.-ken-livingstones-london.-red-red-and-very-very-missed-pod.mp3" length="112116288" type="audio/mpeg" />
  2537. <itunes:subtitle>In conversation with Ken Livingstone, the only truly successful left-wing British politician of modern times.</itunes:subtitle>
  2538. <itunes:summary><![CDATA[Ken Livingstone<br />
  2539. <br />
  2540. <a href="https://www.theculture.net/radio/ken-livingstones-london-red-red-and-very-very-missed/kenmap/" rel="attachment wp-att-3044"></a>Ken Livingstone, The only truly successful left-wing British politician of modern times<br />
  2541. <br />
  2542. <br />
  2543. ......is an English politician who served as the Leader of the <a href="https://en.wikipedia.org/wiki/Greater_London_Council">Greater London Council</a> (GLC) from 1981 until the council was <a href="https://en.wikipedia.org/wiki/Local_Government_Act_1985">abolished in 1986</a>, and as <a href="https://en.wikipedia.org/wiki/Mayor_of_London">Mayor of London</a> from the <a href="https://en.wikipedia.org/wiki/Greater_London_Authority_Act_1999">creation of the office in 2000</a> until <a href="https://en.wikipedia.org/wiki/2008_London_mayoral_election">2008</a>. He also served as the Member of Parliament (MP) for <a href="https://en.wikipedia.org/wiki/Brent_East_(UK_Parliament_constituency)">Brent East</a> from <a href="https://en.wikipedia.org/wiki/1987_United_Kingdom_general_election">1987</a> to <a href="https://en.wikipedia.org/wiki/2001_United_Kingdom_general_election">2001</a>. <br />
  2544. <br />
  2545. Born in <a href="https://en.wikipedia.org/wiki/Lambeth">Lambeth</a>, <a href="https://en.wikipedia.org/wiki/South_London">South London</a>, to a working-class family, Livingstone joined Labour in 1968 Ken went on to become the head of the GLC.<br />
  2546. <br />
  2547. <br />
  2548. The GLC began as an effort to rationalise London-wide planning, London in the 1950s could be a grim place. Large swathes of residential streets remained derelict after being bombed out during the war and the houses still standing were often squalid and overcrowded. Thick fog hung over the city and roads were dirty and dangerous…….<br />
  2549. <br />
  2550. The GLC under Ken Livingstone was an an administration that successfully enacted a historically unprecedented radical program of successful and popular socialist policies, including massive investment in job creation, reducing public transport fares, the declaration of London as a nuclear free zone, saving over a million pounds annually spent on utterly cometic and pointless defence plans nik e hiding under a table before the bomb went off).<br />
  2551. <br />
  2552. <br />
  2553. Arguing that politics had long been the near-exclusive preserve of white middle-aged men, the GLC began an attempt to open itself to representations from other groups, principally from women, the working-class, ethnic minorities and homosexuals but also from children and the elderly.<br />
  2554. <br />
  2555. <br />
  2556. They initiated a raft of measures to improve the lives of minorities within London,  this included funding for groups such as London Gay Teenage Group, <a href="https://en.wikipedia.org/wiki/English_Collective_of_Prostitutes">English Collective of Prostitutes</a>, Women Against Rape, Lesbian Line, A Woman's Place, and Rights of Women, and the Ethnic Minorities Committee.<br />
  2557. <br />
  2558. <br />
  2559. Understanding the clear evidence that the <a href="https://en.wikipedia.org/wiki/Metropolitan_Police">Metropolitan Police</a> was an institutionally racist organisation, he appointed <a href="https://en.wikipedia.org/wiki/Paul_Boateng">Paul Boateng</a> to head the Police Committee and monitor the force's activities.[100]  the police he remarked are highly political organisation, noting that when canvasing police flats at election time, you find that they are either Conservatives who think of Thatcher as a bit of a pinko or they are <a href="https://en.wikipedia.org/wiki/National_Front_(United_Kingdom)">National Front</a>."[100]<br />
  2560. <br />
  2561. <br />
  2562. An outspoken republican he politely refused an invitation to Diana and Charles Windsor’s wedding and the list of righteous achievements simply goes on and on, and of course <br />
  2563. <br />
  2564. Just as today our overwhelming right wing press rabidly attacked such egalitarian policies, snowflake like and steeped in patriarchal white privilege they moaned that such policies only served "fri...]]></itunes:summary>
  2565. <itunes:author>Simon Tyszko</itunes:author>
  2566. <itunes:episodeType>full</itunes:episodeType>
  2567. <itunes:explicit>false</itunes:explicit>
  2568. <itunes:duration>58:52</itunes:duration>
  2569. </item>
  2570. <item>
  2571. <title>Extinction or Rebellion. Our only choice now?</title>
  2572. <link>https://www.theculture.net/radio/extinction-or-rebellion-our-only-choice-now/</link>
  2573. <pubDate>Wed, 17 Apr 2019 12:27:46 +0000</pubDate>
  2574. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2979</guid>
  2575. <description>oday on Isotopica we are in conversation with co-founder of Extinction Rebellion Roger Hallam.</description>
  2576. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/podcasts2019/isotopica-in-conversation-with-roger-hallam-extinction-rebellion-co-founder-apr2019.mp3" length="83741288" type="audio/mpeg" />
  2577. <itunes:subtitle>oday on Isotopica we are in conversation with co-founder of Extinction Rebellion Roger Hallam.</itunes:subtitle>
  2578. <itunes:summary><![CDATA[Today on Isotopica we are in conversation with co-founder of Extinction Rebellion Roger Hallam.<br />
  2579. It is difficult to overstate the urgency and the scale of the climate emergency we are facing and so far Extinction rebellion seem to be the only international movement facing this head on through a sustained campaign of civil disobedience until our governments come to the table to formulate a plan to tackle this existential threat.<br />
  2580. <br />]]></itunes:summary>
  2581. <itunes:author>Simon Tyszko</itunes:author>
  2582. <itunes:episodeType>full</itunes:episodeType>
  2583. <itunes:explicit>false</itunes:explicit>
  2584. <itunes:duration>42:17</itunes:duration>
  2585. </item>
  2586. <item>
  2587. <title>A Saucepan, A Freud, A Fox, And I</title>
  2588. <link>https://www.theculture.net/radio/a-saucepan-a-freud-a-fox-and-i/</link>
  2589. <pubDate>Thu, 11 May 2017 20:43:10 +0000</pubDate>
  2590. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2566</guid>
  2591. <description>we prepared a saucepan,and played it as a semi autonomous instrumentby lighting and adjusting the gas.we added a partial recording of a new text by jimmy fox (16 and a half)... we then added some wax cylinder recordings and other sound items,we treated this all with a complex array of digital effects, and then mixed the various sound files into todays edition of isotopica.
  2592.  
  2593.  
  2594.  
  2595.  
  2596.  
  2597.  
  2598.  
  2599. the cats relaxIt&#039;s a Big secret
  2600.  
  2601.  
  2602.  
  2603. en paris jimmy fox freud</description>
  2604. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-may-9th-2017-prepared-saucepan-jimmy-and-i-pod.mp3" length="103636273" type="audio/mpeg" />
  2605. <itunes:subtitle>we prepared a saucepan,and played it as a semi autonomous instrumentby lighting and adjusting the gas.we added a partial recording of a new text by jimmy fox (16 and a half)... we then added some wax cylinder recordings and other sound items,</itunes:subtitle>
  2606. <itunes:summary><![CDATA[<br />
  2607. we prepared a saucepan,and played it as a semi autonomous instrumentby lighting and adjusting the gas.we added a partial recording of a new text by jimmy fox (16 and a half)...&nbsp;we then added some wax cylinder recordings and other sound items,we treated this all with a complex array of digital effects, and then mixed the various sound files into todays edition of isotopica.<br />
  2608. <br />
  2609. <br />
  2610. <br />
  2611. <a href="https://www.theculture.net/radio/a-saucepan-a-freud-a-fox-and-i/and-basementapril-15-2017-7/" rel="attachment wp-att-2568"></a><br />
  2612. <br />
  2613. <br />
  2614. <br />
  2615. the cats relaxIt's a Big secret<a class="wp-block-jetpack-slideshow_button-prev swiper-button-prev swiper-button-white" role="button"></a><a class="wp-block-jetpack-slideshow_button-next swiper-button-next swiper-button-white" role="button"></a><a aria-label="Pause Slideshow" class="wp-block-jetpack-slideshow_button-pause" role="button"></a><br />
  2616. <br />
  2617. <br />
  2618. <br />
  2619. <a href="https://www.theculture.net/radio/a-saucepan-a-freud-a-fox-and-i/paris-jimmy-paris-jimmy-march201620160327-_dsc0136/#main" rel="attachment wp-att-2570"></a>en paris jimmy fox freud<br />]]></itunes:summary>
  2620. <itunes:author>Simon Tyszko</itunes:author>
  2621. <itunes:episodeType>full</itunes:episodeType>
  2622. <itunes:explicit>false</itunes:explicit>
  2623. <itunes:duration>58:05</itunes:duration>
  2624. </item>
  2625. <item>
  2626. <title>Potemkin and an improvised score</title>
  2627. <link>https://www.theculture.net/radio/potemkin-and-an-improvised-score/</link>
  2628. <pubDate>Wed, 07 Jun 2017 21:51:40 +0000</pubDate>
  2629. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2914</guid>
  2630. <description>Ingredients.
  2631. An impending anniversary of revolution, one of the great films of the 20C, an assembled group of musicians, some professional, some not, a beautifully restored 150yr old cinema, a mastermind or two.
  2632. Mix the ingredients without any rehearsal or predetermination (in the style of Cardew&#039;s scratch Orchestra), screen the film and improvise (with collaboration from the audience).
  2633. Enjoy.
  2634.  
  2635.  
  2636.  
  2637. Today we listen to an edited recording from this remarkable event, one of many coming up to mark the centenary of the Russian Revolution of Oct 1917.
  2638. Originally conceived as part of a cycle of films commemorating the revolutionary events of 1905, Sergei Eisenstein’s Battleship Potemkin recreates in documentary-style the failed mutiny of the Black Sea fleet and the subsequent massacre of the people of Odessa. Innovative cinematography and editing techniques heighten the horrific nature of events.
  2639.  
  2640. Although banned outright in many countries outside Soviet Russia, the film became an international sensation, and has had a lasting impact on world cinema. The arresting sequence of the massacre of civilians on Odessa’s steps is one of the most celebrated, analysed, and quoted in cinema history.
  2641.  
  2642. The screening is accompanied by an entirely original soundtrack, devised and created in a direct response to the film. Late Junction presenter Max Reinhardt will lead an instant orchestra of professional and non-professional musicians, drawn from across London, to bring a contemporary response to an extraordinary piece of Soviet cinema.
  2643.  
  2644. Isotopica will be performing Spectre, a 12 hour live improvisation based around a Morse code rendering of the Communist Manifesto on October 17th as a part of these centenary events on Resonance Extra.
  2645. Spectre can be heard here
  2646.  
  2647.  </description>
  2648. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/podcasts2019/isotopica-2nd-june-2017-potemkin-scratch-orchestra.mp3" length="136156856" type="audio/mpeg" />
  2649. <itunes:subtitle>Ingredients. An impending anniversary of revolution, one of the great films of the 20C, an assembled group of musicians, some professional, some not, a beautifully restored 150yr old cinema, a mastermind or two. </itunes:subtitle>
  2650. <itunes:summary><![CDATA[Ingredients.<br />
  2651. An impending anniversary of <a href="https://en.wikipedia.org/wiki/Russian_Revolution">revolution</a>, one of the <a href="https://en.wikipedia.org/wiki/Battleship_Potemkin">great films of the 20C</a>, an assembled group of musicians, some professional, some not, a beautifully restored 150yr old cinema, a mastermind or two.<br />
  2652. Mix the ingredients without any rehearsal or predetermination (in the style of <a href="https://en.wikipedia.org/wiki/Cornelius_Cardew">Cardew</a>'s scratch Orchestra), screen the film and improvise (with collaboration from the audience).<br />
  2653. Enjoy.<br />
  2654. <br />
  2655. <br />
  2656. <br />
  2657. Today we listen to an edited recording from this remarkable event, one of many coming up to mark the centenary of the Russian Revolution of Oct 1917.<br />
  2658. Originally conceived as part of a cycle of films commemorating the revolutionary events of 1905, <a href="https://en.wikipedia.org/wiki/Sergei_Eisenstein">Sergei Eisenstein</a>’s Battleship Potemkin recreates in documentary-style the failed mutiny of the Black Sea fleet and the subsequent massacre of the people of Odessa. Innovative cinematography and editing techniques heighten the horrific nature of events.<br />
  2659. <br />
  2660. Although banned outright in many countries outside Soviet Russia, the film became an international sensation, and has had a lasting impact on world cinema. The arresting sequence of the massacre of civilians on Odessa’s steps is one of the most celebrated, analysed, and quoted in cinema history.<br />
  2661. <br />
  2662. The screening is accompanied by an entirely original soundtrack, devised and created in a direct response to the film. Late Junction presenter <a href="https://en.wikipedia.org/wiki/Max_Reinhardt_(radio_presenter)">Max Reinhardt</a> will lead an <a href="https://www.ocmevents.org/instant-orchestra">instant orchestra</a> of professional and non-professional musicians, drawn from across London, to bring a contemporary response to an extraordinary piece of Soviet cinema.<br />
  2663. <br />
  2664. Isotopica will be performing Spectre, a 12 hour live improvisation based around a Morse code rendering of the Communist Manifesto on October 17th as a part of these centenary events on Resonance Extra.<br />
  2665. <a href="http://www.theculture.net/spectre.html">Spectre can be heard here</a><br />
  2666. <br />
  2667. &nbsp;]]></itunes:summary>
  2668. <itunes:author>Simon Tyszko</itunes:author>
  2669. <itunes:episodeType>full</itunes:episodeType>
  2670. <itunes:explicit>false</itunes:explicit>
  2671. <itunes:duration>59:13</itunes:duration>
  2672. </item>
  2673. <item>
  2674. <title>Coltrane, Einstein, and the Bomb</title>
  2675. <link>https://www.theculture.net/radio/coltrane-einstein-and-the-bomb/</link>
  2676. <pubDate>Wed, 24 May 2017 21:37:53 +0000</pubDate>
  2677. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2563</guid>
  2678. <description>Dartmouth professor and astrophysicist Stephon Alexander describes his jazz epiphany as occasioned by a complex diagram Coltrane gave legendary jazz musician and University of Massachusetts professor Yusef Lateef in 1967. “I thought the diagram was related to another and seemingly unrelated field of study—quantum gravity,” he writes in a Business Insider essay on his discovery, “What I had realized… was that the same geometric principle that motivated Einstein’s theory was reflected in Coltrane’s diagram.” joshua jones openculture.org
  2679.  
  2680. in this episode, we bare this beautiful confluence  in mind
  2681.  
  2682. my dead brother stefan poses for this modernist autobiographical shot from around 1966 with both miles davis , herman neitze, and coltrane placed, artfully in plain sight</description>
  2683. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/podcasts2016/isotopica-25-april-2016-high-pitched-jazz-physics-pod.mp3" length="104760923" type="audio/mpeg" />
  2684. <itunes:subtitle>Dartmouth professor and astrophysicist Stephon Alexander describes his jazz epiphany as occasioned by a complex diagram Coltrane gave legendary jazz musician and University of Massachusetts professor Yusef Lateef in 1967.</itunes:subtitle>
  2685. <itunes:summary><![CDATA[Dartmouth professor and astrophysicist Stephon Alexander describes his jazz epiphany as occasioned by a complex diagram Coltrane gave legendary jazz musician and University of Massachusetts professor Yusef Lateef in 1967. “I thought the diagram was related to another and seemingly unrelated field of study—quantum gravity,” he writes in a Business Insider essay on his discovery, “What I had realized… was that the same geometric principle that motivated Einstein’s theory was reflected in Coltrane’s diagram.” <a href="https://about.me/jonesjoshua">joshua jones</a> openculture.org<br />
  2686. <br />
  2687. in this episode, we bare this beautiful confluence  in mind<br />
  2688. <br />
  2689. <a href="https://www.theculture.net/radio/coltrane-einstein-and-the-bomb/stefan_002-edit-2/#main" rel="attachment wp-att-2607"></a>my dead brother stefan poses for this modernist autobiographical shot from around 1966 with both miles davis , herman neitze, and coltrane placed, artfully in plain sight]]></itunes:summary>
  2690. <itunes:author>Simon Tyszko</itunes:author>
  2691. <itunes:episodeType>full</itunes:episodeType>
  2692. <itunes:explicit>false</itunes:explicit>
  2693. <itunes:duration>58:05</itunes:duration>
  2694. </item>
  2695. <item>
  2696. <title>Binaural Sine Waves, Mind Control, And Some Radiation (In A Storm)</title>
  2697. <link>https://www.theculture.net/radio/sine-waves-mind-control-and-some-radiation-in-a-storm/</link>
  2698. <pubDate>Wed, 24 May 2017 18:03:18 +0000</pubDate>
  2699. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2590</guid>
  2700. <description>mind control through sound...
  2701. beta and gamma radiation....
  2702. a radioactive thunderstorm...
  2703. past life regression.... and much much more on isotopica.... like wow!</description>
  2704. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-may-23-2017-binaural-mind-control-and-radiation-pod.mp3" length="107490296" type="audio/mpeg" />
  2705. <itunes:subtitle>mind control through sound... beta and gamma radiation.... a radioactive thunderstorm... past life regression.... and much much more on isotopica.... like wow!</itunes:subtitle>
  2706. <itunes:summary><![CDATA[mind control through sound...<br />
  2707. beta and gamma radiation....<br />
  2708. a radioactive thunderstorm...<br />
  2709. past life regression.... and much much more on isotopica.... like wow!<br />
  2710. <br />]]></itunes:summary>
  2711. <itunes:author>Simon Tyszko</itunes:author>
  2712. <itunes:episodeType>full</itunes:episodeType>
  2713. <itunes:explicit>false</itunes:explicit>
  2714. <itunes:duration>58:05</itunes:duration>
  2715. </item>
  2716. <item>
  2717. <title>sutton ritzy</title>
  2718. <link>https://www.theculture.net/radio/sutton-ritzy/</link>
  2719. <pubDate>Thu, 30 Mar 2017 13:39:37 +0000</pubDate>
  2720. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1126</guid>
  2721. <description>simon tyszko in conversation with dudley sutton, in which dudley tells us about his experience of the english middle class, censorship and the queen</description>
  2722. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-july-2014-dudley-sutton-at-the-ritz.mp3" length="57668477" type="audio/mpeg" />
  2723. <itunes:subtitle>simon tyszko in conversation with dudley sutton, in which dudley tells us about his experience of the english middle class, censorship and the queen</itunes:subtitle>
  2724. <itunes:summary><![CDATA[simon tyszko in conversation with&nbsp;dudley sutton, in which dudley tells us about his experience of the english middle class, censorship and the queen<br />
  2725. <br />]]></itunes:summary>
  2726. <itunes:author>Simon Tyszko</itunes:author>
  2727. <itunes:episodeType>full</itunes:episodeType>
  2728. <itunes:explicit>false</itunes:explicit>
  2729. <itunes:duration>1:00:04</itunes:duration>
  2730. </item>
  2731. <item>
  2732. <title>Dr Sutton Talks Paranormia</title>
  2733. <link>https://www.theculture.net/radio/dr-sutton-talks-paranormia/</link>
  2734. <pubDate>Thu, 30 Mar 2017 12:45:56 +0000</pubDate>
  2735. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1585</guid>
  2736. <description>dudley sutton and i converse live whilst raising funds for resonance fm dot com......
  2737. dudley imdb  dudley wikipedia
  2738.  
  2739. dudley sutton, national treasure
  2740.  
  2741. you too can own one or more of these</description>
  2742. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-s04-e06-and-dudleyTT.mp3" length="145424676" type="audio/mpeg" />
  2743. <itunes:subtitle>dudley sutton and i converse live whilst raising funds for resonance fm dot com...... dudley imdb  dudley wikipedia  dudley sutton, national treasure  you too can own one or more of these</itunes:subtitle>
  2744. <itunes:summary><![CDATA[dudley sutton and i converse live whilst raising funds for resonance fm dot com......<br />
  2745. <a href="http://www.imdb.com/name/nm0840303/">dudley imdb</a>  <a href="https://en.wikipedia.org/wiki/Dudley_Sutton">dudley wikipedia</a><br />
  2746. <br />
  2747. <a href="https://www.theculture.net/radio/wp-content/uploads/2015/02/IMG_3278.jpg"></a>dudley sutton, national treasure<br />
  2748. <br />
  2749. <a href="https://www.theculture.net/radio/wp-content/uploads/2015/02/poo-jars-2015-113-ULIMITEDSMALLEdit.jpg"></a>you too can own one or more of these<br />
  2750. <br />
  2751. <a href="https://www.theculture.net/radio/wp-content/uploads/2015/01/broadcast-jumpsuits.jpg"></a><br />
  2752. <br />
  2753. <a href="https://www.theculture.net/radio/wp-content/uploads/2015/01/radio-news.jpg"></a>]]></itunes:summary>
  2754. <itunes:author>Simon Tyszko</itunes:author>
  2755. <itunes:episodeType>full</itunes:episodeType>
  2756. <itunes:explicit>false</itunes:explicit>
  2757. <itunes:duration>1:00:36</itunes:duration>
  2758. </item>
  2759. <item>
  2760. <title>international brigades (south west london)</title>
  2761. <link>https://www.theculture.net/radio/international-brigades-south-west-london/</link>
  2762. <pubDate>Tue, 28 Mar 2017 23:05:25 +0000</pubDate>
  2763. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2487</guid>
  2764. <description>a field recording of a moving event in bishops park fulham at a memorial for the local lives lost and the wider struggle of the international brigade in their historic fight against the facists in spain. the memorial was placed by the socialist council in 2007. the event recorded here marks the anniversary of The Battle of Jarama (February 6–27, 1937), which was an attempt by General Francisco Franco&#039;s Nationalists to dislodge the Republican lines along the river Jarama, just east of Madrid, during the Spanish Civil War. Elite Spanish Legionnaires and Moroccan Regulares from the Army of Africa forced back the Republican Army of the Centre, including the International Brigades, but after days of fierce fighting no breakthrough was achieved. Republican counterattacks along the captured ground likewise failed, resulting in heavy casualties to both sides.
  2765.  
  2766. i was accompanied by oldest friend john kenton who&#039;s father lou was one of the longest living brigadista, having died only two years ago at the age of 103.
  2767. Lou Kenton was an English proofreader who served as a medical courier and ambulance driver with the International Brigade and was its oldest surviving member at the time of his death.</description>
  2768. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-28thfeb-2017-internationale-pod.mp3" length="78389393" type="audio/mpeg" />
  2769. <itunes:subtitle>a field recording of a moving event in bishops park fulham at a memorial for the local lives lost and the wider struggle of the international brigade in their historic fight against the facists in spain. the memorial was placed by the socialist council...</itunes:subtitle>
  2770. <itunes:summary><![CDATA[a field recording of a moving event in bishops park fulham at a memorial for the local lives lost and the wider struggle of the international brigade in their historic fight against the facists in spain. the memorial was placed by the socialist council in 2007. the event recorded here marks the anniversary of The Battle of Jarama (February 6–27, 1937), which was an attempt by General Francisco Franco's Nationalists to dislodge the Republican lines along the river Jarama, just east of Madrid, during the Spanish Civil War. Elite Spanish Legionnaires and Moroccan Regulares from the Army of Africa forced back the Republican Army of the Centre, including the International Brigades, but after days of fierce fighting no breakthrough was achieved. Republican counterattacks along the captured ground likewise failed, resulting in heavy casualties to both sides. <br />
  2771. <br />
  2772. i was accompanied by oldest friend john kenton who's father lou was one of the longest living brigadista, having died only two years ago at the age of 103.<br />
  2773. <a href="https://www.theculture.net/radio/international-brigades-south-west-london/lou-kenton-pix/#main" rel="attachment wp-att-2526"></a>Lou Kenton was an English proofreader who served as a medical courier and ambulance driver with the International Brigade and was its oldest surviving member at the time of his death.<br />
  2774. <br />]]></itunes:summary>
  2775. <itunes:author>Simon Tyszko</itunes:author>
  2776. <itunes:episodeType>full</itunes:episodeType>
  2777. <itunes:explicit>false</itunes:explicit>
  2778. <itunes:duration>58:05</itunes:duration>
  2779. </item>
  2780. <item>
  2781. <title>bingo number stations (ode to brexit)</title>
  2782. <link>https://www.theculture.net/radio/bingo-number-stations-ode-to-brexit/</link>
  2783. <pubDate>Tue, 28 Mar 2017 16:10:07 +0000</pubDate>
  2784. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2489</guid>
  2785. <description>as britain heads towards the cultural cliff edge of the foul brexit, isotopica considers this fate with a kind of &#039;carry on&#039; number stations edition.... early edison wax cylinders, field recordings and judiciously selected samples make up this edition, as well as a world premiere of &#039;ode to brexit&#039; by yours truly.</description>
  2786. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-28thmarch-2017-ode-to-brexit-pod.mp3" length="85436396" type="audio/mpeg" />
  2787. <itunes:subtitle>as britain heads towards the cultural cliff edge of the foul brexit, isotopica considers this fate with a kind of &#039;carry on&#039; number stations edition.... early edison wax cylinders, field recordings and judiciously selected samples make up this edition,...</itunes:subtitle>
  2788. <itunes:summary><![CDATA[as britain heads towards the cultural cliff edge of the foul brexit, isotopica considers this fate with a kind of 'carry on' number stations edition.... early edison wax cylinders, field recordings and judiciously selected samples make up this edition, as well as a world premiere of 'ode to brexit' by yours truly.<a href="https://www.theculture.net/radio/bingo-number-stations-ode-to-brexit/vintage-radio-entusiast/#main" rel="attachment wp-att-2491"></a>]]></itunes:summary>
  2789. <itunes:author>Simon Tyszko</itunes:author>
  2790. <itunes:episodeType>full</itunes:episodeType>
  2791. <itunes:explicit>false</itunes:explicit>
  2792. <itunes:duration>58:05</itunes:duration>
  2793. </item>
  2794. <item>
  2795. <title>pleasant yet sad piano</title>
  2796. <link>https://www.theculture.net/radio/pleasant-yet-sad-piano/</link>
  2797. <pubDate>Sun, 26 Mar 2017 23:31:42 +0000</pubDate>
  2798. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2350</guid>
  2799. <description>another long slow one, a glimpse of an even longer pice in progress, filmic reference, field recordings, spectral effects, and moods.......</description>
  2800. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-29th-nov2016hourpiano-wild-repulsed.mp3" length="115578622" type="audio/mpeg" />
  2801. <itunes:subtitle>another long slow one, a glimpse of an even longer pice in progress, filmic reference, field recordings, spectral effects, and moods.......</itunes:subtitle>
  2802. <itunes:summary><![CDATA[another long slow one, a glimpse of an even longer pice in progress, filmic reference, field recordings, spectral effects, and moods.......<a href="https://www.theculture.net/radio/pleasant-yet-sad-piano/bear-wallmarch-24-2017-4/#main" rel="attachment wp-att-2479"></a>]]></itunes:summary>
  2803. <itunes:author>Simon Tyszko</itunes:author>
  2804. <itunes:episodeType>full</itunes:episodeType>
  2805. <itunes:explicit>false</itunes:explicit>
  2806. <itunes:duration>58:05</itunes:duration>
  2807. </item>
  2808. <item>
  2809. <title>strange french</title>
  2810. <link>https://www.theculture.net/radio/strange-french/</link>
  2811. <pubDate>Sun, 26 Mar 2017 22:36:40 +0000</pubDate>
  2812. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2435</guid>
  2813. <description>sometimes a piece of music just grabs the moment and right now for me it is la vie moderne by Léo Ferré,who was a French-born Monégasque poet and composer, and a dynamic and controversial live performer, whose career in France dominated the years after the Second World War until his death...and also we start the broadcast with Golden Dark, the haunting new collaboration between elo masing and david john hull, a tune which has grabbed me for somewhat different reasons.... 
  2814. so why ferré? perhaps this song encapsulates a particular european modernism, a swing, a twist upon so much culture, the unique francophone traditions of chanson... with the world dashing backwards from reason and truth this music has me perhaps, spinning in a better time....
  2815. so.. we play it four times, at different  durations (same pitch), as a meditation, and a celebration........
  2816.  
  2817.  
  2818.  
  2819.  
  2820. http://www.theculture.net/feed/wp-content/uploads/2017/03/tirez-bar-aged-2.mp4
  2821.  
  2822.  
  2823.  
  2824. my dad had 14 children
  2825. and if today I wear Dior
  2826. It’s obviously unrelated
  2827. My virtue is not excusing itself so well
  2828. None ever knew
  2829. But when I did it had gone
  2830. The modern life, modern life
  2831. I had a nose like Cyrano
  2832. A big, fancy, funny one
  2833. A real radar for gigolos
  2834. Since it’s been recovered
  2835. from a cheapo surgery
  2836. I can no longer sniff titties
  2837. The modern life, modern life
  2838. with then rounds of fertiliser
  2839. biology spawns children
  2840. who come home alone to their mummy
  2841. in the labs they are horny
  2842. and in the streets they cuckolded
  2843. the hen lays eggs but sings no more
  2844. The modern life, modern life
  2845. Newspaper are like bandages
  2846. They need to be changed sometimes
  2847. Otherwise it messes with your mind
  2848. And beside no need for ideas
  2849. Because ideas make you think
  2850. and thoughts make you argue
  2851. The modern life, modern life
  2852. There are people who look exotic
  2853. and to scoff a “l’as de pique”
  2854. they would go all the way to Peking
  2855. Me without visa or prospect
  2856. Albeit with bus tickets
  2857. I see a lot of people, even Americans / and that’s not far
  2858. The modern life, modern life
  2859. The shops are overwhelmed
  2860. selling paper gems
  2861. the kind that won’t ruin you
  2862. Tissues that only get used once
  2863. So at least we know what
  2864. what the purpose is to have 10 fingers
  2865. The modern life, modern life</description>
  2866. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-march7th-2017-La-vie-moderne-pod.m4a" length="36243173" type="audio/x-m4a" />
  2867. <itunes:subtitle>sometimes a piece of music just grabs the moment and right now for me it is la vie moderne by Léo Ferré,who was a French-born Monégasque poet and composer, and a dynamic and controversial live performer, whose career in France dominated the years after...</itunes:subtitle>
  2868. <itunes:summary><![CDATA[<a href="http://www.theculture.net/feed/strange-french/and-tirez-bar-aged-slim-trimmed-glitche-2/#main" rel="attachment wp-att-2484"><br />
  2869. </a>sometimes a piece of music just grabs the moment and right now for me it is la vie moderne by Léo Ferré,who was a French-born Monégasque poet and composer, and a dynamic and controversial live performer, whose career in France dominated the years after the Second World War until his death...and also we start the broadcast with Golden Dark, the haunting new collaboration between elo masing and david john hull, a tune which has grabbed me for somewhat different reasons.... <br />
  2870. so why ferré? perhaps this song encapsulates a particular european modernism, a swing, a twist upon so much culture, the unique francophone traditions of chanson... with the world dashing backwards from reason and truth this music has me perhaps, spinning in a better time....<br />
  2871. so.. we play it four times, at different  durations (same pitch), as a meditation, and a celebration........<br />
  2872. <br />
  2873. &nbsp;<br />
  2874. <br />
  2875. <a href="http://www.theculture.net/feed/wp-content/uploads/2017/03/tirez-bar-aged-2.mp4">http://www.theculture.net/feed/wp-content/uploads/2017/03/tirez-bar-aged-2.mp4</a><br />
  2876. <br />
  2877.  <br />
  2878. <br />
  2879. my dad had 14 children<br />
  2880. and if today I wear Dior<br />
  2881. It’s obviously unrelated<br />
  2882. My virtue is not excusing itself so well<br />
  2883. None ever knew<br />
  2884. But when I did it had gone<br />
  2885. The modern life, modern life<br />
  2886. I had a nose like Cyrano<br />
  2887. A big, fancy, funny one<br />
  2888. A real radar for gigolos<br />
  2889. Since it’s been recovered<br />
  2890. from a cheapo surgery<br />
  2891. I can no longer sniff titties<br />
  2892. The modern life, modern life<br />
  2893. with then rounds of fertiliser<br />
  2894. biology spawns children<br />
  2895. who come home alone to their mummy<br />
  2896. in the labs they are horny<br />
  2897. and in the streets they cuckolded<br />
  2898. the hen lays eggs but sings no more<br />
  2899. The modern life, modern life<br />
  2900. Newspaper are like bandages<br />
  2901. They need to be changed sometimes<br />
  2902. Otherwise it messes with your mind<br />
  2903. And beside no need for ideas<br />
  2904. Because ideas make you think<br />
  2905. and thoughts make you argue<br />
  2906. The modern life, modern life<br />
  2907. There are people who look exotic<br />
  2908. and to scoff a “l’as de pique”<br />
  2909. they would go all the way to Peking<br />
  2910. Me without visa or prospect<br />
  2911. Albeit with bus tickets<br />
  2912. I see a lot of people, even Americans / and that’s not far<br />
  2913. The modern life, modern life<br />
  2914. The shops are overwhelmed<br />
  2915. selling paper gems<br />
  2916. the kind that won’t ruin you<br />
  2917. Tissues that only get used once<br />
  2918. So at least we know what<br />
  2919. what the purpose is to have 10 fingers<br />
  2920. The modern life, modern life]]></itunes:summary>
  2921. <itunes:author>Simon Tyszko</itunes:author>
  2922. <itunes:episodeType>full</itunes:episodeType>
  2923. <itunes:explicit>false</itunes:explicit>
  2924. <itunes:duration>58:05</itunes:duration>
  2925. </item>
  2926. <item>
  2927. <title>early reverb</title>
  2928. <link>https://www.theculture.net/radio/early-reverb/</link>
  2929. <pubDate>Sun, 26 Mar 2017 17:41:14 +0000</pubDate>
  2930. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2442</guid>
  2931. <description>my dark mood presents time stretched early music, ivor cutler, gina birch and a treacle thick drone, what&#039;s not to like?</description>
  2932. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-21-march-2017-cosmic-nuns-pod.m4a" length="149371385" type="audio/x-m4a" />
  2933. <itunes:subtitle>my dark mood presents time stretched early music, ivor cutler, gina birch and a treacle thick drone, what&#039;s not to like?</itunes:subtitle>
  2934. <itunes:summary><![CDATA[my <a href="https://en.wikipedia.org/wiki/Major_depressive_disorder" target="_blank">dark mood</a> presents time stretched <a href="https://en.wikipedia.org/wiki/Early_music" target="_blank">early music</a>, <a href="https://en.wikipedia.org/wiki/Ivor_Cutler" target="_blank">ivor cutler</a>, <a href="https://en.wikipedia.org/wiki/Gina_Birch" target="_blank">gina birch</a> and a treacle thick <a href="https://en.wikipedia.org/wiki/Drone_music" target="_blank">drone</a>, what's not to like? <a href="https://www.theculture.net/radio/early-reverb/cary-grant-wings/#main" rel="attachment wp-att-2443"></a>]]></itunes:summary>
  2935. <itunes:author>Simon Tyszko</itunes:author>
  2936. <itunes:episodeType>full</itunes:episodeType>
  2937. <itunes:explicit>false</itunes:explicit>
  2938. <itunes:duration>58:05</itunes:duration>
  2939. </item>
  2940. <item>
  2941. <title>agit prop rev olt</title>
  2942. <link>https://www.theculture.net/radio/rev-olt/</link>
  2943. <pubDate>Sun, 26 Mar 2017 17:29:11 +0000</pubDate>
  2944. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2441</guid>
  2945. <description>REVOLTING
  2946.  
  2947. a collage of political spoken word collected from 1960&#039;s radical cinema (heavily from jean luc goddard&#039;s sounds of england),
  2948. field recordings and attenuated recordings of installation at of wall mounted airflow instruments.</description>
  2949. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-14-march-2017-english-revolution-pod-001.mp3" length="88016061" type="audio/mpeg" />
  2950. <itunes:subtitle>REVOLTING  a collage of political spoken word collected from 1960&#039;s radical cinema (heavily from jean luc goddard&#039;s sounds of england), field recordings and attenuated recordings of installation at of wall mounted airflow instruments.</itunes:subtitle>
  2951. <itunes:summary><![CDATA[REVOLTING<br />
  2952. <br />
  2953. a collage of political spoken word collected from 1960's radical cinema (heavily from jean luc goddard's sounds of england),<br />
  2954. field recordings and attenuated recordings of installation at of wall mounted airflow instruments.<br />
  2955. <br />
  2956. <a href="https://www.theculture.net/radio/rev-olt/chin-2/" rel="attachment wp-att-2820"></a>]]></itunes:summary>
  2957. <itunes:author>Simon Tyszko</itunes:author>
  2958. <itunes:episodeType>full</itunes:episodeType>
  2959. <itunes:explicit>false</itunes:explicit>
  2960. <itunes:duration>58:05</itunes:duration>
  2961. </item>
  2962. <item>
  2963. <title>devil cat</title>
  2964. <link>https://www.theculture.net/radio/devil-cat/</link>
  2965. <pubDate>Sun, 26 Mar 2017 16:47:39 +0000</pubDate>
  2966. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2430</guid>
  2967. <description>The “LionMan” is the earliest known work of figurative art, reliably dated to before 40,000 BCE, this mystery piece was fashioned from a mammoth tusk,  and depicts a leonine head with a human mouth, atop a leonine body with human arms, standing erect on human legs. Rediscovered in the Swabian Alb, south-west Germany, just two days before the outbreak of World War 2, the story of the LionMan is extraordinarily rich in so many interesting ways.</description>
  2968. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-21st-feb-2017-the-lionman-and-the-devil-cat.m4a" length="52699514" type="audio/x-m4a" />
  2969. <itunes:subtitle>The “LionMan” is the earliest known work of figurative art, reliably dated to before 40,000 BCE, this mystery piece was fashioned from a mammoth tusk,  and depicts a leonine head with a human mouth, atop a leonine body with human arms,</itunes:subtitle>
  2970. <itunes:summary><![CDATA[The “LionMan” is the earliest known work of figurative art, reliably dated to before 40,000 BCE, this mystery piece was fashioned from a mammoth tusk,  and depicts a leonine head with a human mouth, atop a leonine body with human arms, standing erect on human legs. Rediscovered in the Swabian Alb, south-west Germany, just two days before the outbreak of World War 2, the story of the LionMan is extraordinarily rich in so many interesting ways.]]></itunes:summary>
  2971. <itunes:author>Simon Tyszko</itunes:author>
  2972. <itunes:episodeType>full</itunes:episodeType>
  2973. <itunes:explicit>false</itunes:explicit>
  2974. <itunes:duration>58:09</itunes:duration>
  2975. </item>
  2976. <item>
  2977. <title>two thousand and sixteen a reverb review</title>
  2978. <link>https://www.theculture.net/radio/two-thousand-and-sixteen-a-reverb-review/</link>
  2979. <pubDate>Fri, 27 Jan 2017 23:06:50 +0000</pubDate>
  2980. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2346</guid>
  2981. <description>https://player.vimeo.com/video/197397402
  2982.  
  2983.  
  2984.  
  2985.  
  2986. 2016 &amp; very left wing
  2987. At the end of 2016 isotopica find’s itself politically twisted, exhausted, and for virtually the first time ever, almost stunned into a radio silence.. 
  2988. As the banal and reactionary forces breaths a foul new life into intolerance ignorance and prejudice,  we present a highly processed and viciously attenuated ultra modernist sampling from this years isotopica musical playlists to hopefully remind us all, that despite many of our heroes having died and our enemies having even greater power……..  we will always be the resistance.</description>
  2989. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/two-thousand-and-sixteen-isotopica-a-reverb-review.m4a" length="280769482" type="audio/x-m4a" />
  2990. <itunes:subtitle>https://player.vimeo.com/video/197397402     2016 &amp; very left wing At the end of 2016 isotopica find’s itself politically twisted, exhausted, and for virtually the first time ever, almost stunned into a radio silence..  </itunes:subtitle>
  2991. <itunes:summary><![CDATA[<br />
  2992. <br />
  2993. https://player.vimeo.com/video/197397402<br />
  2994. <br />
  2995. <br />
  2996. <br />
  2997. <br />
  2998. 2016 &amp; very left wing<br />
  2999. At the end of 2016 isotopica find’s itself politically twisted, exhausted, and for virtually the first time ever, almost stunned into a radio silence..&nbsp;<br />
  3000. As the banal and reactionary forces breaths a foul new life into intolerance ignorance and prejudice,&nbsp; we present a highly processed and viciously attenuated ultra modernist sampling from this years isotopica musical playlists to hopefully remind us all, that despite&nbsp;many of our heroes having died and our enemies having even greater power…….. &nbsp;we will always be the resistance.<br />]]></itunes:summary>
  3001. <itunes:author>Simon Tyszko</itunes:author>
  3002. <itunes:episodeType>full</itunes:episodeType>
  3003. <itunes:explicit>false</itunes:explicit>
  3004. <itunes:duration>1:59:08</itunes:duration>
  3005. </item>
  3006. <item>
  3007. <title>hey radical</title>
  3008. <link>https://www.theculture.net/radio/hey-radical/</link>
  3009. <pubDate>Wed, 25 Jan 2017 22:28:57 +0000</pubDate>
  3010. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2412</guid>
  3011. <description>Isotopica today takes a detour around Radical Voices, an exhibition of radical literature in UCL’s Senate House library with artist in residence Orlando Harrison and secret guests, we also do a little secret urban exploring via tiny book lifts around the secret shelves in the great Senate tower.
  3012.  
  3013. [advanced_iframe securitykey=&quot;57341ed54fbcaf450fb79cd76b9305493255f3f2xssw&quot; src=&quot;http://theculture.net/01010/galleries/radicalpress/&quot;]</description>
  3014. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-24-January-2017-senate-house-radical-liturature.mp3" length="118506502" type="audio/mpeg" />
  3015. <itunes:subtitle>Isotopica today takes a detour around Radical Voices, an exhibition of radical literature in UCL’s Senate House library with artist in residence Orlando Harrison and secret guests, we also do a little secret urban exploring via tiny book lifts around t...</itunes:subtitle>
  3016. <itunes:summary><![CDATA[Isotopica today takes a detour around Radical Voices, an exhibition of radical literature in UCL’s Senate House library with artist in residence Orlando Harrison and secret guests, we also do a little secret urban exploring via tiny book lifts around the secret shelves in the great Senate tower.<br />
  3017. <br />
  3018. [advanced_iframe securitykey="57341ed54fbcaf450fb79cd76b9305493255f3f2xssw" src="http://theculture.net/01010/galleries/radicalpress/"]]]></itunes:summary>
  3019. <itunes:author>Simon Tyszko</itunes:author>
  3020. <itunes:episodeType>full</itunes:episodeType>
  3021. <itunes:explicit>false</itunes:explicit>
  3022. <itunes:duration>58:07</itunes:duration>
  3023. </item>
  3024. <item>
  3025. <title>strange cycles</title>
  3026. <link>https://www.theculture.net/radio/strange-cycles/</link>
  3027. <pubDate>Tue, 17 Jan 2017 20:05:39 +0000</pubDate>
  3028. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2401</guid>
  3029. <description>today we are featuring
  3030.  
  3031. GOLDEN DARK
  3032. which.....
  3033. was born out of the serendipitous meeting of two musical dyslexics - Elo Masing and David John Hull - who had been feeling their way through seemingly radically different musical traditions: psychedelic folk and experimental new music.
  3034. The result is a strikingly original melange that cannot fail to leave the listener untouched.
  3035.  
  3036. golden dark
  3037. looking out as the snow that falls upon the cold winter frozen ground
  3038. the sky turns grey and the trees are bare a view i know where you cant be found
  3039. &#039;cause i know that you belong here sweet girl eccentric golden
  3040. dark
  3041. and i believe that you possess things i forgot things i like tofind
  3042. christmas time and the rush is on, we had our day for all to beseen
  3043. i need to you to grow a little concentrate and find your thing
  3044. cause i know that you belong here sweet girl eccentric golden
  3045. dark
  3046. and i believe that you possess things i forgot things i like tofind
  3047. its conditional is all i can offer its a way after all its a
  3048. modern world
  3049. cause i know that you belong here sweet girl eccentric golden dark
  3050. and i believe that you possess things i forgot things i like to find</description>
  3051. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-16-january-2017-golden-dark-strange-cycles.m4a" length="47512062" type="audio/x-m4a" />
  3052. <itunes:subtitle>today we are featuring  GOLDEN DARK which..... was born out of the serendipitous meeting of two musical dyslexics - Elo Masing and David John Hull - who had been feeling their way through seemingly radically different musical traditions: psychedelic fo...</itunes:subtitle>
  3053. <itunes:summary><![CDATA[today we are featuring<br />
  3054. <br />
  3055. GOLDEN DARK<br />
  3056. which.....<br />
  3057. was born out of the serendipitous meeting of two musical dyslexics - Elo Masing and David John Hull - who had been feeling their way through seemingly radically different musical traditions: psychedelic folk and experimental new music.<br />
  3058. The result is a strikingly original melange that cannot fail to leave the listener untouched.<br />
  3059. <br />
  3060. golden dark<br />
  3061. looking out as the snow that falls upon the cold winter frozen ground<br />
  3062. the sky turns grey and the trees are bare a view i know where you cant be found<br />
  3063. 'cause i know that you belong here sweet girl eccentric golden<br />
  3064. dark<br />
  3065. and i believe that you possess things i forgot things i like tofind<br />
  3066. christmas time and the rush is on, we had our day for all to beseen<br />
  3067. i need to you to grow a little concentrate and find your thing<br />
  3068. cause i know that you belong here sweet girl eccentric golden<br />
  3069. dark<br />
  3070. and i believe that you possess things i forgot things i like tofind<br />
  3071. its conditional is all i can offer its a way after all its a<br />
  3072. modern world<br />
  3073. cause i know that you belong here sweet girl eccentric golden dark<br />
  3074. and i believe that you possess things i forgot things i like to find]]></itunes:summary>
  3075. <itunes:author>Simon Tyszko</itunes:author>
  3076. <itunes:episodeType>full</itunes:episodeType>
  3077. <itunes:explicit>false</itunes:explicit>
  3078. <itunes:duration>58:04</itunes:duration>
  3079. </item>
  3080. <item>
  3081. <title>Paris sans Martin Stone, sans arcades, mais avec le marché et les amateurs de certains</title>
  3082. <link>https://www.theculture.net/radio/paris-sans-martin-stone-sans-arcades-mais-avec-le-marche-et-les-amateurs-de-certains/</link>
  3083. <pubDate>Tue, 15 Nov 2016 04:13:06 +0000</pubDate>
  3084. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2278</guid>
  3085. <description>Martin Stone
  3086.  
  3087. born 11 December 1946, died November the 7th 2016 at home in his apartment in Versailles on the outskirts of Paris. He died quietly in his sleep after a year long fight against cancer and was cared for by his long term partner Lynn. Martin was an English guitarist and rare book dealer. A longtime resident of Fingest in Buckinghamshire, and latterly ParisA re-visit of an early morning stroll thought the markets of Paris with antiquarian Book dealer, Rock star, and all round Fine Egg Martin Stone and friends.
  3088.  
  3089.  
  3090. Martin buys an Elizabethan Manuscript and Adam buys some 1970&#039;s French Men&#039;s magazines, which although there are no winners in any pornography, it feels slightly less offensive through the patina of age
  3091. [juicebox gallery_id=&quot;1&quot;]</description>
  3092. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-15-nov-2016-dead-friend-in-parisbooks-pod.mp3" length="109394514" type="audio/mpeg" />
  3093. <itunes:subtitle>Martin Stone  born 11 December 1946, died November the 7th 2016 at home in his apartment in Versailles on the outskirts of Paris. He died quietly in his sleep after a year long fight against cancer and was cared for by his long term partner Lynn.</itunes:subtitle>
  3094. <itunes:summary><![CDATA[Martin Stone<br />
  3095. <br />
  3096. <a href="https://www.theculture.net/radio/paris-sans-martin-stone-sans-arcades-mais-avec-le-marche-et-les-amateurs-de-certains/martin-stone-bookshopc451/#main" rel="attachment wp-att-2341"></a>born 11 December 1946, died November the 7th 2016 at home in his apartment in Versailles on the outskirts of Paris. He died quietly in his sleep after a year long fight against cancer and was cared for by his long term partner Lynn. Martin was an English guitarist and rare book dealer. A longtime resident of Fingest in Buckinghamshire, and latterly Paris<a href="https://www.theculture.net/radio/paris-sans-martin-stone-sans-arcades-mais-avec-le-marche-et-les-amateurs-de-certains/martin-stone/#main" rel="attachment wp-att-2340"></a>A re-visit of an early morning stroll thought the markets of Paris with antiquarian Book dealer, Rock star, and all round Fine Egg <a href="http://en.wikipedia.org/wiki/Martin_Stone_%28guitarist%29" target="_blank">Martin Stone</a> and <a href="http://en.wikipedia.org/wiki/Friendship" target="_blank">friends</a>.<br />
  3097. <br />
  3098. <br />
  3099. Martin buys an Elizabethan <a href="http://en.wikipedia.org/wiki/Manuscript" target="_blank">Manuscript</a> and Adam buys some 1970's French Men's magazines, which although there are <a href="http://en.wikipedia.org/wiki/Opposition_to_pornography" target="_blank">no winners</a> in any <a href="http://en.wikipedia.org/wiki/Pornography" target="_blank">pornography</a>, it feels slightly less offensive through the <a href="http://en.wikipedia.org/wiki/Patina" target="_blank">patina</a> of age<br />
  3100. [juicebox gallery_id="1"]]]></itunes:summary>
  3101. <itunes:author>Simon Tyszko</itunes:author>
  3102. <itunes:episodeType>full</itunes:episodeType>
  3103. <itunes:explicit>false</itunes:explicit>
  3104. <itunes:duration>58:34</itunes:duration>
  3105. </item>
  3106. <item>
  3107. <title>St Tropez et Le Catholique</title>
  3108. <link>https://www.theculture.net/radio/st-tropez-et-le-catholique/</link>
  3109. <pubDate>Wed, 26 Oct 2016 00:28:24 +0000</pubDate>
  3110. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2262</guid>
  3111. <description>a post reality episode including poetry, abortion, god &amp; it&#039;s patriarchy, references to st tropez and more</description>
  3112. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/Isotopica-st-trop-catholic-pod.m4a" length="137579993" type="audio/x-m4a" />
  3113. <itunes:subtitle>a post reality episode including poetry, abortion, god &amp; it&#039;s patriarchy, references to st tropez and more</itunes:subtitle>
  3114. <itunes:summary><![CDATA[<a href="https://www.theculture.net/radio/st-tropez-et-le-catholique/tati-sock/#main" rel="attachment wp-att-2264">p</a>o<a href="http://astridalben.com">e</a>t<a href="http://astridalben.com">r</a>y <a href="http://astridalben.com">A</a>s<a href="http://astridalben.com">t</a>r<a href="http://astridalben.com">i</a>d <a href="http://astridalben.com">A</a>l<a href="http://astridalben.com">b</a>e<a href="http://astridalben.com">n</a>]]></itunes:summary>
  3115. <itunes:author>Simon Tyszko</itunes:author>
  3116. <itunes:episodeType>full</itunes:episodeType>
  3117. <itunes:explicit>false</itunes:explicit>
  3118. <itunes:duration>58:05</itunes:duration>
  3119. </item>
  3120. <item>
  3121. <title>back in the sea oh engerlund</title>
  3122. <link>https://www.theculture.net/radio/back-in-the-sea-oh-engerlund/</link>
  3123. <pubDate>Wed, 28 Sep 2016 01:50:16 +0000</pubDate>
  3124. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2253</guid>
  3125. <description>David Ellis and Simon Tyszko  groan and moan about the utter banality &amp; sheer absurdity of brexit ad nauseam and infinitum... they try not to swear</description>
  3126. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-13-september-2016-backinthesea-podcastx.m4a" length="56001737" type="audio/x-m4a" />
  3127. <itunes:subtitle>David Ellis and Simon Tyszko  groan and moan about the utter banality &amp; sheer absurdity of brexit ad nauseam and infinitum... they try not to swear</itunes:subtitle>
  3128. <itunes:summary><![CDATA[David Ellis and Simon Tyszko  groan and moan about the utter banality &amp; sheer absurdity of brexit ad nauseam and infinitum... they try not to swear<a href="https://www.theculture.net/radio/back-in-the-sea-oh-engerlund/unfunfairfour-0152/#main" rel="attachment wp-att-2255"></a>]]></itunes:summary>
  3129. <itunes:author>Simon Tyszko</itunes:author>
  3130. <itunes:episodeType>full</itunes:episodeType>
  3131. <itunes:explicit>false</itunes:explicit>
  3132. <itunes:duration>59:00</itunes:duration>
  3133. </item>
  3134. <item>
  3135. <title>who am eye (my european identity)</title>
  3136. <link>https://www.theculture.net/radio/who-am-eye-my-european-identity/</link>
  3137. <pubDate>Mon, 12 Sep 2016 22:25:55 +0000</pubDate>
  3138. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2228</guid>
  3139. <description>who am eye.
  3140.  
  3141. Cary Grant was very excited by and fond of LSD Post unnecessary plebiscite, handed down to the uk by simply the most arrogant and incompetent prime minister we have ever experienced,  
  3142.  
  3143. this silly little island is in search of an identity..... like an early teenager trying on new styles and fashions engerlund, is struggling to understand what a nasty and shitty step it has taken.....  &quot;what us&quot;, xenophobes?  what does that even mean, the plebysiteees ask...eye obviously have no  answers as such but i have made this algorithmically engineered sonic poem with a very confused cary grant to help us  s0rt it out. in this work, cary, an emigreé working for an immigrant  (Alfred Hitchock)wizz around and help us think... who are we now?  features dr lucilee bach on secret vocals </description>
  3144. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-6-september-2016-identity-pod.m4a" length="56455351" type="audio/x-m4a" />
  3145. <itunes:subtitle>who am eye.  Cary Grant was very excited by and fond of LSD Post unnecessary plebiscite, handed down to the uk by simply the most arrogant and incompetent prime minister we have ever experienced,    this silly little island is in search of an identity....</itunes:subtitle>
  3146. <itunes:summary><![CDATA[<br />
  3147. <br />
  3148. <a href="https://www.theculture.net/radio/who-am-eye-my-european-identity/idenityxrayspecs/#main" rel="attachment wp-att-2236"></a><br />
  3149. <br />
  3150. who am eye.<br />
  3151. <br />
  3152. <a href="https://www.theculture.net/radio/who-am-eye-my-european-identity/cary-caplin/#main" rel="attachment wp-att-2233"></a>Cary Grant was very excited by and fond of LSD Post unnecessary plebiscite, handed down to the uk by simply the most arrogant and incompetent prime minister we have ever experienced,  <br />
  3153. <br />
  3154. this silly little island is in search of an identity..... like an early teenager trying on new styles and fashions engerlund, is struggling to understand what a nasty and shitty step it has taken.....  "what us", xenophobes?  what does that even mean, the plebysiteees ask...eye obviously have no  answers as such but i have made this algorithmically engineered sonic poem with a very confused cary grant to help us  s0rt it out. in this work, cary, an emigreé working for an immigrant  (Alfred Hitchock)wizz around and help us think... who are we now?  features dr lucilee bach on secret vocals ]]></itunes:summary>
  3155. <itunes:author>Simon Tyszko</itunes:author>
  3156. <itunes:episodeType>full</itunes:episodeType>
  3157. <itunes:explicit>false</itunes:explicit>
  3158. <itunes:duration>58:35</itunes:duration>
  3159. </item>
  3160. <item>
  3161. <title>br-exit back into the sea oh silly engerlund</title>
  3162. <link>https://www.theculture.net/radio/br-exit-back-into-the-sea-oh-silly-engerlund/</link>
  3163. <pubDate>Mon, 12 Sep 2016 21:54:54 +0000</pubDate>
  3164. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2239</guid>
  3165. <description>eye sea
  3166.  
  3167. Personally, i find the whole notion of engerlund (as it is now to be known) leaving the eu to be both absurdist and obscene.a political car crash so obvious in the making yet one this little land has sunk to embracing. morally, politically, strategically, financially, historically it is an abortion of our liberal future. 
  3168.  
  3169.  
  3170.  
  3171.  
  3172.  
  3173. so here is an an episode about that </description>
  3174. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-13-september-2016-backinthesea-podcastx.m4a" length="56001737" type="audio/x-m4a" />
  3175. <itunes:subtitle>eye sea  Personally, i find the whole notion of engerlund (as it is now to be known) leaving the eu to be both absurdist and obscene.a political car crash so obvious in the making yet one this little land has sunk to embracing. morally, politically,</itunes:subtitle>
  3176. <itunes:summary><![CDATA[<br />
  3177. <br />
  3178. eye sea<br />
  3179. <br />
  3180. Personally, i find the whole notion of engerlund (as it is now to be known) leaving the eu to be both absurdist and obscene.a political car crash so obvious in the making yet one this little land has sunk to embracing. morally, politically, strategically, financially, historically it is an abortion of our liberal future. <br />
  3181. <br />
  3182. <br />
  3183. <br />
  3184. <br />
  3185. <br />
  3186. so here is an an episode about that ]]></itunes:summary>
  3187. <itunes:author>Simon Tyszko</itunes:author>
  3188. <itunes:episodeType>full</itunes:episodeType>
  3189. <itunes:explicit>false</itunes:explicit>
  3190. <itunes:duration>59:00</itunes:duration>
  3191. </item>
  3192. <item>
  3193. <title>titled with a swear word about brexits</title>
  3194. <link>https://www.theculture.net/radio/brexits/</link>
  3195. <pubDate>Wed, 07 Sep 2016 19:12:26 +0000</pubDate>
  3196. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2213</guid>
  3197. <description> 
  3198.  
  3199.  
  3200. cunt
  3201.  
  3202.  
  3203.  
  3204. It&#039;s a perfectly nice little word, a word with 800 years of history; a word used by Chaucer and by Shakespeare.   Semantically, it serves the same function as &quot;dick&quot; or &quot;prick&quot;  – a signifier for a sexual organ which can also be used as a descriptor or insult, a word that is not passive, but active, even aggressive. It&#039;s the only word we have to describe the female genitalia that is neither mawkish, nor medical, nor a function of pornography.
  3205.  
  3206.  
  3207. There are no other truly empowering words for the female genitalia. &#039;Pussy&#039; is nastily diminutive, as if every woman had a tame and purring pet between her legs, while the medical descriptor &quot;vagina&quot; refers only to a part of the organ, as if women&#039;s sexuality were nothing more than a wet hole, or &quot;sheath&quot; in the Latin. Cunt, meanwhile, is a word for the whole thing, a wholesome word, an earthy, dank and lusty word with the merest hint of horny threat.  Cunt. It&#039;s fantastically difficult to pronounce without baring the teeth. *laurie penny new statesman 2011
  3208.  
  3209.  </description>
  3210. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-august-30-2016-brexits-pod.mp3" length="59575021" type="audio/mpeg" />
  3211. <itunes:subtitle>     cunt      It&#039;s a perfectly nice little word, a word with 800 years of history; a word used by Chaucer and by Shakespeare.   Semantically, it serves the same function as &quot;dick&quot; or &quot;prick&quot;  – a signifier for a sexual organ which can also be used as ...</itunes:subtitle>
  3212. <itunes:summary><![CDATA[<br />
  3213.  <br />
  3214.  <br />
  3215. <br />
  3216. cunt<br />
  3217. <br />
  3218.  <br />
  3219.  <br />
  3220. It's a perfectly nice little word, a word with 800 years of history; a word used by Chaucer and by Shakespeare.   Semantically, it serves the same function as "dick" or "prick"  – a signifier for a sexual organ which can also be used as a descriptor or insult, a word that is not passive, but active, even aggressive. It's the only word we have to describe the female genitalia that is neither mawkish, nor medical, nor a function of pornography.<br />
  3221.  <br />
  3222.  <br />
  3223. There are no other truly empowering words for the female genitalia. 'Pussy' is nastily diminutive, as if every woman had a tame and purring pet between her legs, while the medical descriptor "vagina" refers only to a part of the organ, as if women's sexuality were nothing more than a wet hole, or "sheath" in the Latin. Cunt, meanwhile, is a word for the whole thing, a wholesome word, an earthy, dank and lusty word with the merest hint of horny threat.  Cunt. It's fantastically difficult to pronounce without baring the teeth. *<a href="http://www.newstatesman.com/blogs/laurie-penny/2011/02/sexual-power-word-cunt-hint">laurie penny new statesman</a> 2011<br />
  3224.  <br />
  3225.  <br />]]></itunes:summary>
  3226. <itunes:author>Simon Tyszko</itunes:author>
  3227. <itunes:episodeType>full</itunes:episodeType>
  3228. <itunes:explicit>false</itunes:explicit>
  3229. <itunes:duration>58:48</itunes:duration>
  3230. </item>
  3231. <item>
  3232. <title>Z</title>
  3233. <link>https://www.theculture.net/radio/z/</link>
  3234. <pubDate>Thu, 28 Jul 2016 14:35:57 +0000</pubDate>
  3235. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2202</guid>
  3236. <description>Isotopica today is in conversation with Zelda Cheatle, Photographer, Curator, Academic and the woman who influenced and oversaw the rise of Fine Art photography thru her time at the Photographers gallery and her own eponymous Gallery. A fine time was had by all....
  3237.  
  3238.  
  3239. Zelda Cheatle by kurt van Steelant
  3240.  
  3241.  
  3242.  
  3243. photosensitive silver halide grains under an electron microscope</description>
  3244. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-26thjuly-2016-Zelda-pod.m4a" length="136873319" type="audio/x-m4a" />
  3245. <itunes:subtitle>Isotopica today is in conversation with Zelda Cheatle, Photographer, Curator, Academic and the woman who influenced and oversaw the rise of Fine Art photography thru her time at the Photographers gallery and her own eponymous Gallery.</itunes:subtitle>
  3246. <itunes:summary><![CDATA[Isotopica today is in conversation with Zelda Cheatle, Photographer, Curator, Academic and the woman who influenced and oversaw the rise of Fine Art photography thru her time at the Photographers gallery and her own eponymous Gallery. A fine time was had by all....<a href="https://www.theculture.net/radio/z/screen-shot-2016-07-19-at-22-25-47/#main" rel="attachment wp-att-2219"></a><br />
  3247. <br />
  3248. <br />
  3249. <a href="https://www.theculture.net/radio/z/zelda-cheatle/#main" rel="attachment wp-att-2203"></a>Zelda Cheatle by kurt van Steelant<br />
  3250. <br />
  3251. <br />
  3252. <br />
  3253. <a href="https://www.theculture.net/radio/z/grain-silver-halide/#main" rel="attachment wp-att-2206"></a>photosensitive silver halide grains under an electron microscope]]></itunes:summary>
  3254. <itunes:author>Simon Tyszko</itunes:author>
  3255. <itunes:episodeType>full</itunes:episodeType>
  3256. <itunes:explicit>false</itunes:explicit>
  3257. <itunes:duration>58:34</itunes:duration>
  3258. </item>
  3259. <item>
  3260. <title>Ropac:s</title>
  3261. <link>https://www.theculture.net/radio/ropacs/</link>
  3262. <pubDate>Tue, 19 Jul 2016 20:14:48 +0000</pubDate>
  3263. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2136</guid>
  3264. <description>today on isotopica  we  speak with
  3265.        Thaddaeus Ropac,owner and director of the eponymous european galleries…..
  3266.        we converse and let our toes skim the surface of what is a deep mystery to many contemporary artists….. the art market and the gallery system..  
  3267.        as ever i claim few journalistic skills and actually find myself a little out of my bleak comfort zones, and instead in the dazzling bright lights where high culture meets high commerce….
  3268.     Ropac, a charming man and one time student of jospeph beuys, displays a rare authenticity, especially in comparison with some of the london galleries of which many of us are so jaded and familiar….In reality a conversation perhaps only just begun, yet i hope you enjoy this little detour thru paris……      also featuring some rare japanese shellac 78 rpm recordings, marcel duchamp, john lennon, yoko ono and of course joseph beuys
  3269.        
  3270.  
  3271.  
  3272.  
  3273. Jane Fonda and Roger Vadim photographed by *dennis hopper
  3274.        at &quot;ICONS OF THE SIXTIES&quot; ropac gallery pantin 2015*
  3275. photograph chosen in memory of when isotopica last met hopper and after much laughter, we asked him to adopt us.... unfortunately....
  3276.  
  3277. *********</description>
  3278. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/Isotopica-19-july-2016-ropac-mixte.m4a" length="132555389" type="audio/x-m4a" />
  3279. <itunes:subtitle>today on isotopica  we  speak with         Thaddaeus Ropac,owner and director of the eponymous european galleries…..         we converse and let our toes skim the surface of what is a deep mystery to many contemporary artists…..</itunes:subtitle>
  3280. <itunes:summary><![CDATA[today on isotopica  we  speak with<br />
  3281.        Thaddaeus<a href="https://en.wikipedia.org/wiki/Thaddaeus_Ropac"> Ropac</a>,owner and director of the <a href="www.ropac.net">eponymous european galleries</a>…..<br />
  3282.        we converse and let our toes skim the surface of what is a deep mystery to many contemporary artists….. the art market and the gallery system..  <br />
  3283.        as ever i claim few journalistic skills and actually find myself a little out of my bleak comfort zones, and instead in the dazzling bright lights where high culture meets high commerce…. <br />
  3284.     Ropac, a charming man and one time student of jospeph beuys, displays a rare authenticity, especially in comparison with some of the london galleries of which many of us are so jaded and familiar….In reality a conversation perhaps only just begun, yet i hope you enjoy this little detour thru paris……      also featuring some rare japanese shellac 78 rpm recordings, marcel duchamp, john lennon, yoko ono and of course joseph beuys<br />
  3285.        <br />
  3286. <br />
  3287. <a href="https://www.theculture.net/radio/ropacs/resize/#main" rel="attachment wp-att-2174"></a><br />
  3288. <br />
  3289. Jane Fonda and Roger Vadim photographed by *dennis hopper <br />
  3290.        at "ICONS OF THE SIXTIES" ropac gallery pantin 2015*<br />
  3291. photograph chosen in memory of when isotopica last met hopper and after much laughter, we asked him to adopt us.... unfortunately.... <br />
  3292. <br />
  3293. *********<br />]]></itunes:summary>
  3294. <itunes:author>Simon Tyszko</itunes:author>
  3295. <itunes:episodeType>full</itunes:episodeType>
  3296. <itunes:explicit>false</itunes:explicit>
  3297. <itunes:duration>59:01</itunes:duration>
  3298. </item>
  3299. <item>
  3300. <title>psychic</title>
  3301. <link>https://www.theculture.net/radio/psychic/</link>
  3302. <pubDate>Tue, 19 Jul 2016 14:26:57 +0000</pubDate>
  3303. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2165</guid>
  3304. <description>Mr David Ellis &amp; Mr Simon Tyszko continue their random journeys thru the strange ephemera of empire past..... Today in the
  3305.  
  3306.  
  3307.  
  3308.  
  3309.  
  3310. i ha</description>
  3311. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/episodes/isotopica-psychic-studies-from-2016-edit-revive.mp3" length="121425600" type="audio/mpeg" />
  3312. <itunes:subtitle>Mr David Ellis &amp; Mr Simon Tyszko continue their random journeys thru the strange ephemera of empire past..... Today in the      i ha</itunes:subtitle>
  3313. <itunes:summary><![CDATA[Mr David Ellis &amp; Mr Simon Tyszko continue their random journeys thru the strange ephemera of empire past..... Today in the<br />
  3314. <br />
  3315. <br />
  3316. <br />
  3317. <br />
  3318. <br />
  3319. i ha<br />
  3320. <br />]]></itunes:summary>
  3321. <itunes:author>Simon Tyszko</itunes:author>
  3322. <itunes:episodeType>full</itunes:episodeType>
  3323. <itunes:explicit>false</itunes:explicit>
  3324. <itunes:duration>50:36</itunes:duration>
  3325. </item>
  3326. <item>
  3327. <title>Tibetan electroshock</title>
  3328. <link>https://www.theculture.net/radio/tibetan/</link>
  3329. <pubDate>Wed, 22 Jun 2016 01:27:32 +0000</pubDate>
  3330. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2151</guid>
  3331. <description>electro shock in the age of stupid
  3332. a
  3333. Hadean Eon (formally known as pre cambrian)
  3334. Eoarchean
  3335. Paleoarchean
  3336. Mesoarchean
  3337. Neoarchean
  3338. Mesoproterozoic
  3339. Neoproterozoic
  3340. Paleozoic
  3341. Mesozoic
  3342. Cenozoic
  3343.  
  3344. Subatlantic
  3345. Subboreal,
  3346. Atlantic,
  3347. Boreal,
  3348. Preboreal,
  3349. which is subdivided into
  3350. Holocene
  3351. Anthropogeny and finally......
  3352. Homo-amathês = the age of stupidresults gave up drinking,  output boosted beyond 5 Transliteratione result  year oe ringing had  stopped, ah frequency eny hearing hf actors my naturally seg electronically..... t
  3353. hopees n
  3354. attenuated vir injected d</description>
  3355. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/Isotopica-21st-june-2016elctroshock-in-the-age-of-stupid.m4a" length="138654840" type="audio/x-m4a" />
  3356. <itunes:subtitle>electro shock in the age of stupid a Hadean Eon (formally known as pre cambrian) Eoarchean Paleoarchean Mesoarchean Neoarchean Mesoproterozoic Neoproterozoic Paleozoic Mesozoic Cenozoic  Subatlantic Subboreal, Atlantic, Boreal, Preboreal, </itunes:subtitle>
  3357. <itunes:summary><![CDATA[electro shock in the age of stupid<br />
  3358. a<br />
  3359. Hadean Eon (formally known as pre cambrian)<br />
  3360. Eoarchean<br />
  3361. Paleoarchean<br />
  3362. Mesoarchean<br />
  3363. Neoarchean<br />
  3364. Mesoproterozoic<br />
  3365. Neoproterozoic<br />
  3366. Paleozoic<br />
  3367. Mesozoic<br />
  3368. Cenozoic<br />
  3369. <br />
  3370. Subatlantic<br />
  3371. Subboreal,<br />
  3372. Atlantic,<br />
  3373. Boreal,<br />
  3374. Preboreal,<br />
  3375. which is subdivided into<br />
  3376. Holocene<br />
  3377. Anthropogeny and finally......<br />
  3378. Homo-amathês = the age of stupidresults gave up drinking,  output boosted beyond <a href="https://en.wikipedia.org/wiki/Tibetan_alphabet#Transliteration">5 Transliteration</a>e result  year oe ringing had  stopped, ah frequency eny hearing hf actors my naturally seg electronically..... t<br />
  3379. hopees n<br />
  3380. attenuated vir injected d]]></itunes:summary>
  3381. <itunes:author>Simon Tyszko</itunes:author>
  3382. <itunes:episodeType>full</itunes:episodeType>
  3383. <itunes:explicit>false</itunes:explicit>
  3384. <itunes:duration>58:40</itunes:duration>
  3385. </item>
  3386. <item>
  3387. <title>The Length Of Forever: with nahum mantra and CERN</title>
  3388. <link>https://www.theculture.net/radio/the-length-of-forever-with-nahum-mantra-and-cern/</link>
  3389. <pubDate>Tue, 31 May 2016 16:43:55 +0000</pubDate>
  3390. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2139</guid>
  3391. <description>Nahum Mantra in conversation with Simon Tyszko about his time at CERN, some hypnosis and the measurement of forever......</description>
  3392. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-31st-may-2016-nahum-in-space.m4a" length="131298517" type="audio/x-m4a" />
  3393. <itunes:subtitle>Nahum Mantra in conversation with Simon Tyszko about his time at CERN, some hypnosis and the measurement of forever......</itunes:subtitle>
  3394. <itunes:summary><![CDATA[Nahum Mantra in conversation with Simon Tyszko about his time at CERN, some hypnosis and the measurement of forever......<a href="https://www.theculture.net/radio/the-length-of-forever-with-nahum-mantra-and-cern/floating-cats-1-2/#main" rel="attachment wp-att-2144"></a>]]></itunes:summary>
  3395. <itunes:author>Simon Tyszko</itunes:author>
  3396. <itunes:episodeType>full</itunes:episodeType>
  3397. <itunes:explicit>false</itunes:explicit>
  3398. <itunes:duration>58:40</itunes:duration>
  3399. </item>
  3400. <item>
  3401. <title>Hate Ash-Bury and the Umlaut</title>
  3402. <link>https://www.theculture.net/radio/hate-ash-bury-and-the/</link>
  3403. <pubDate>Tue, 17 May 2016 18:47:08 +0000</pubDate>
  3404. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2122</guid>
  3405. <description>This is not what I said....
  3406.  
  3407. Okay well I&#039;m in kind of taking us back to Hyde Ashbury when I remember we were there and comparing it to now here we are in Lake Central London and dislikes his neoliberal still. where in Haight-Ashbury we week I like the words we spoke were at work we&#039;re what we had serifs on some of the words and some of them are like san serif in and we will mostly help better turns in an unknown an with a more sophisticated people that there were a lot in higher expert you know because well we would be channeling something from mother mother university nature and end we had a meal lots and we had those little slashes of a word shipment that you kind of an emphasis on the letter like a lady! you know?  
  3408.  
  3409. I&#039;m an this is nature&#039;s speaking to the young people at the time because is it wise the old people late just we&#039;re square we would round and so you can put a sign box which cause she couldn&#039;t do because we just didn&#039;t fit in the box we were excited about putting a difference about the did not spaces between us to highlight equilateral and innovative squares to be  and we were all about space that we were just all over space you know I&#039;m back in Hyde Ashbury when you were panhandling you got like three dollars each six okay you know I&#039;m now what they do is think I&#039;m handling day based on a corporation man I can fuck it&#039;s like......
  3410.  
  3411. Uncertain States bring together artists, collectors, curators and archivists in a day of discussion around the role and artistic importance of the collector and collections within the context of fine art photography. Collections - in any form, private or public play a unique and crucial part in the documentation of contemporary visual culture. In open discussion, speakers and audience will consider the artistic influence of these collections. Who is collecting, where are the collections being held and what and why work is preserved.The day aims to encourage the audience that collecting can be a creative experience open to all and a superb entry level for anyone with the aspiration to start their own art collection.
  3412.  
  3413. Speakers include galleriest and curator Zelda Cheatle, archivist Pete James, writer and curator Camilla Brown, artist and academic Richard Sawdon-Smith, Spencer Rowell and Simon Tyszko.
  3414.  
  3415. BOOK NOW.
  3416.  
  3417. in the mean time.........
  3418.  
  3419. i want you (she&#039;s so heavy)
  3420.  
  3421.  
  3422. I want you
  3423. I want you so bad
  3424. I want you
  3425. I want you so bad
  3426. It&#039;s driving me mad
  3427. It&#039;s driving me mad
  3428.  
  3429.  
  3430. I want you
  3431. I want you so bad, babe
  3432. I want you
  3433. I want you so bad
  3434. It&#039;s driving me mad
  3435. It&#039;s driving me mad
  3436.  
  3437. I want you
  3438. I want you so bad, babe
  3439. I want you
  3440. I want you so bad
  3441. It&#039;s driving me mad
  3442. It&#039;s driving me mad
  3443.  
  3444. I want you
  3445. I want you so bad
  3446. I want you
  3447. I want you so bad
  3448. It&#039;s driving me mad
  3449. It&#039;s driving me mad
  3450.  
  3451. She&#039;s so heavy
  3452. Heavy, heavy, heavy
  3453.  
  3454. She&#039;s so heavy
  3455. She&#039;s so heavy
  3456. Heavy, heavy, heavy
  3457.  
  3458. I want you
  3459. I want you so bad
  3460. I want you
  3461. I want you so bad
  3462. It&#039;s driving me mad
  3463. It&#039;s driving me mad
  3464.  
  3465. I want you
  3466. You know I want you so bad, babe
  3467. I want you
  3468. You know I want you so bad
  3469. It&#039;s driving me mad
  3470. It&#039;s driving me mad
  3471. Yeah
  3472.  
  3473. She&#039;s so</description>
  3474. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-17th-may-2016-hate-ashburies.m4a" length="138764777" type="audio/x-m4a" />
  3475. <itunes:subtitle>This is not what I said....  Okay well I&#039;m in kind of taking us back to Hyde Ashbury when I remember we were there and comparing it to now here we are in Lake Central London and dislikes his neoliberal still.</itunes:subtitle>
  3476. <itunes:summary><![CDATA[This is not what I said....<br />
  3477. <br />
  3478. Okay well I'm in kind of taking us back to Hyde Ashbury when I remember we were there and comparing it to now here we are in Lake Central London and dislikes his neoliberal still. where in Haight-Ashbury we week I like the words we spoke were at work we're what we had serifs on some of the words and some of them are like san serif in and we will mostly help better turns in an unknown an with a more sophisticated people that there were a lot in higher expert you know because well we would be channeling something from mother mother university nature and end we had a meal lots and we had those little slashes of a word shipment that you kind of an emphasis on the letter like a lady! you know?  <br />
  3479. <br />
  3480. I'm an this is nature's speaking to the young people at the time because is it wise the old people late just we're square we would round and so you can put a sign box which cause she couldn't do because we just didn't fit in the box we were excited about putting a difference about the did not spaces between us to highlight equilateral and innovative squares to be  and we were all about space that we were just all over space you know I'm back in Hyde Ashbury when you were panhandling you got like three dollars each six okay you know I'm now what they do is think I'm handling day based on a corporation man I can fuck it's like......<br />
  3481. <br />
  3482. <a href="https://www.theculture.net/radio/hate-ash-bury-and-the/umlaut-tumblr_miokofvffq1ri80fqo1_1280/#main" rel="attachment wp-att-2124"></a>Uncertain States bring together artists, collectors, curators and archivists in a day of discussion around the role and artistic importance of the collector and collections within the context of fine art photography. Collections - in any form, private or public play a unique and crucial part in the documentation of contemporary visual culture. In open discussion, speakers and audience will consider the artistic influence of these collections. Who is collecting, where are the collections being held and what and why work is preserved.The day aims to encourage the audience that collecting can be a creative experience open to all and a superb entry level for anyone with the aspiration to start their own art collection.<br />
  3483. <br />
  3484. Speakers include galleriest and curator Zelda Cheatle, archivist Pete James, writer and curator Camilla Brown, artist and academic Richard Sawdon-Smith, Spencer Rowell and Simon Tyszko.<br />
  3485. <br />
  3486. <a href="https://www.theculture.net/radio/hate-ash-bury-and-the/umlaut-tumblr_miokofvffq1ri80fqo1_1280/#main" rel="attachment wp-att-2124"></a><a href="https://uk.patronbase.com/_DerbyQuad/Seats/NumSeats?prod_id=12F6&perf_id=1&section_id=M&seat_type_id=S" target="_blank">BOOK NOW.</a><br />
  3487. <br />
  3488. in the mean time.........<a href="https://www.theculture.net/radio/hate-ash-bury-and-the/umlaut-tumblr_miokofvffq1ri80fqo1_1280/#main" rel="attachment wp-att-2124"></a><br />
  3489. <br />
  3490. i want you (she's so heavy)<br />
  3491. <br />
  3492. <br />
  3493. I want you <br />
  3494. I want you so bad<br />
  3495. I want you<br />
  3496. I want you so bad<br />
  3497. It's driving me mad<br />
  3498. It's driving me mad<br />
  3499. <br />
  3500. <br />
  3501. I want you<br />
  3502. I want you so bad, babe<br />
  3503. I want you<br />
  3504. I want you so bad<br />
  3505. It's driving me mad<br />
  3506. It's driving me mad<br />
  3507. <br />
  3508. I want you<br />
  3509. I want you so bad, babe<br />
  3510. I want you<br />
  3511. I want you so bad<br />
  3512. It's driving me mad<br />
  3513. It's driving me mad<br />
  3514. <br />
  3515. I want you<br />
  3516. I want you so bad<br />
  3517. I want you<br />
  3518. I want you so bad<br />
  3519. It's driving me mad<br />
  3520. It's driving me mad<br />
  3521. <br />
  3522. She's so heavy<br />
  3523. Heavy, heavy, heavy<br />
  3524. <br />
  3525. She's so heavy<br />
  3526. She's so heavy<br />
  3527. Heavy, heavy, heavy<br />
  3528. <br />
  3529. I want you<br />
  3530. I want you so bad<br />
  3531. I want you<br />
  3532. I want you so bad<br />
  3533. It's driving me mad<br />
  3534. It's driving me mad<br />
  3535. <br />
  3536. I want you<br />
  3537. You know I want you so bad, babe<br />
  3538. I want you<br />
  3539. You know I want you so bad<br />
  3540. ]]></itunes:summary>
  3541. <itunes:author>Simon Tyszko</itunes:author>
  3542. <itunes:episodeType>full</itunes:episodeType>
  3543. <itunes:explicit>false</itunes:explicit>
  3544. <itunes:duration>58:33</itunes:duration>
  3545. </item>
  3546. <item>
  3547. <title>Asymmetrical MonoLocution and a musical algorithm</title>
  3548. <link>https://www.theculture.net/radio/asymmetrical-monolocution-and-a-musical-algorithm/</link>
  3549. <pubDate>Tue, 26 Apr 2016 19:00:07 +0000</pubDate>
  3550. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2097</guid>
  3551. <description>Asymmetrical MonoLocution
  3552.  
  3553. Is a new and experimental process where we attempt to re(create) meanings from just one side of a complex conversation, and in this instance one spoken in a second language.
  3554.  
  3555. this image is of a musical algorithm in action (sort of).
  3556.  
  3557. Dr Lucilee Bach (Sorbonne Paris), is engaged in a process of analysing, documenting and contextualising the historical studio practice of Simon Tyszko (Isotopica host: eccentric). In this episode the conversation had been broken into answer and response and then only one side (Dr Bach) is included in the composition. At the same time an algorithmically generated tonal pattern is overplayed in the style of modern music. </description>
  3558. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/Isotopica-april-26th-2016-lucilee-monolocution-pod.m4a" length="58961332" type="audio/x-m4a" />
  3559. <itunes:subtitle>Asymmetrical MonoLocution  Is a new and experimental process where we attempt to re(create) meanings from just one side of a complex conversation, and in this instance one spoken in a second language.  this image is of a musical algorithm in action (so...</itunes:subtitle>
  3560. <itunes:summary><![CDATA[Asymmetrical MonoLocution<br />
  3561. <br />
  3562. Is a new and experimental process where we attempt to re(create) meanings from just one side of a complex conversation, and in this instance one spoken in a second language.<br />
  3563. <br />
  3564. <a href="https://www.theculture.net/radio/asymmetrical-monolocution-and-a-musical-algorithm/kandinski/#main" rel="attachment wp-att-2104"></a><a href="https://www.theculture.net/radio/asymmetrical-monolocution-and-a-musical-algorithm/kandinski/#main" rel="attachment wp-att-2104"></a>this image is of a musical algorithm in action (sort of).<br />
  3565. <br />
  3566. Dr Lucilee Bach (Sorbonne Paris), is engaged in a process of analysing, documenting and contextualising the historical studio practice of Simon Tyszko (Isotopica host: eccentric). In this episode the conversation had been broken into answer and response and then only one side (Dr Bach) is included in the composition. At the same time an algorithmically generated tonal pattern is overplayed in the style of modern music.<a href="https://www.theculture.net/radio/asymmetrical-monolocution-and-a-musical-algorithm/sylvie-talibi-long-copy-2/#main" rel="attachment wp-att-2103"> </a><a href="https://www.theculture.net/radio/?attachment_id=2102#main" rel="attachment wp-att-2102"></a>]]></itunes:summary>
  3567. <itunes:author>Simon Tyszko</itunes:author>
  3568. <itunes:episodeType>full</itunes:episodeType>
  3569. <itunes:explicit>false</itunes:explicit>
  3570. <itunes:duration>58:42</itunes:duration>
  3571. </item>
  3572. <item>
  3573. <title>Meta Modern Processed Meats and Suicide</title>
  3574. <link>https://www.theculture.net/radio/meta-modern-processed-meats-and-suicide/</link>
  3575. <pubDate>Thu, 21 Apr 2016 21:56:20 +0000</pubDate>
  3576. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2078</guid>
  3577. <description>Capitalism farms you and your children
  3578.  
  3579. capitalism farms us all
  3580.  
  3581.  
  3582.  
  3583. martin rev and alan vega. i was once alan vega&#039;s sound engineer for a long european tour..... formidablé </description>
  3584. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-12th-april-2016-pork-and-suicide.m4a" length="48014342" type="audio/x-m4a" />
  3585. <itunes:subtitle>Capitalism farms you and your children  capitalism farms us all     martin rev and alan vega. i was once alan vega&#039;s sound engineer for a long european tour..... formidablé </itunes:subtitle>
  3586. <itunes:summary><![CDATA[Capitalism farms you and your children<br />
  3587. <br />
  3588. capitalism farms us all<br />
  3589. <br />
  3590. &nbsp;<br />
  3591. <br />
  3592. <a href="https://www.theculture.net/radio/meta-modern-processed-meats-and-suicide/suicide/#main" rel="attachment wp-att-2085"></a>martin rev and alan vega. i was once alan vega's sound engineer for a long european tour..... formidablé&nbsp;]]></itunes:summary>
  3593. <itunes:author>Simon Tyszko</itunes:author>
  3594. <itunes:episodeType>full</itunes:episodeType>
  3595. <itunes:explicit>false</itunes:explicit>
  3596. <itunes:duration>58:43</itunes:duration>
  3597. </item>
  3598. <item>
  3599. <title>A Chat with Peter Tatchell</title>
  3600. <link>https://www.theculture.net/radio/a-chat-with-peter-tatchell/</link>
  3601. <pubDate>Thu, 21 Apr 2016 21:52:53 +0000</pubDate>
  3602. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2082</guid>
  3603. <description>Peter Tatchell  is a delightful and seemingly ever present (at least within my political consciousness)  human rights campaigner, originally from Australia, best known for his work with LGBT social movements. a genuinely frontline campaigner for a fairer world, peter has twice attempted a citizens arrest on despot Robert Mugabe .today we are in informal conversation..... niiiiice peter grab the pig and the pigs fight back</description>
  3604. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-19apri2016-peter-tatchell.m4a" length="64449033" type="audio/x-m4a" />
  3605. <itunes:subtitle>Peter Tatchell  is a delightful and seemingly ever present (at least within my political consciousness)  human rights campaigner, originally from Australia, best known for his work with LGBT social movements.</itunes:subtitle>
  3606. <itunes:summary><![CDATA[<a href="http://www.petertatchell.net" target="_blank">Peter Tatchell</a>  is a delightful and seemingly ever present (at least within my political consciousness)  human rights campaigner, originally from Australia, best known for his work with <a href="https://en.wikipedia.org/wiki/LGBT_social_movements" title="LGBT social movements">LGBT social movements</a>. a genuinely frontline campaigner for a fairer world, peter has twice attempted a citizens arrest on despot <a href="http://www.theguardian.com/uk/2012/jan/13/protesters-peter-tatchell-mugabe-zimbabwe" target="_blank">R</a><a href="http://www.theguardian.com/uk/2012/jan/13/protesters-peter-tatchell-mugabe-zimbabwe" target="_blank">obert Mugabe</a> .today we are in informal conversation..... niiiiice peter grab the pig and the pigs fight back]]></itunes:summary>
  3607. <itunes:author>Simon Tyszko</itunes:author>
  3608. <itunes:episodeType>full</itunes:episodeType>
  3609. <itunes:explicit>false</itunes:explicit>
  3610. <itunes:duration>58:46</itunes:duration>
  3611. </item>
  3612. <item>
  3613. <title>Ultra High Frequency</title>
  3614. <link>https://www.theculture.net/radio/ultra-high-frequency/</link>
  3615. <pubDate>Sat, 16 Jan 2016 12:40:38 +0000</pubDate>
  3616. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1685</guid>
  3617. <description>Ultra high frequency
  3618.  
  3619. (UHF)
  3620.  
  3621. the ITU designation for radio frequencies in the range between 300 MHz and 3 GHz, also known as the band as the wavelengths range from one meter to one. UHF television broadcasting is the use of ultra high frequency (UHF) radio for over-the-air transmission of television signals. UHF frequencies are used for bothUltra
  3622.  
  3623. analog
  3624.  
  3625. and digital television broadcasts. UHF channels are typically given higher channel numbers, like the US arrangement with VHF channels 2 to 13, and UHF channels numbered 14 to 83.
  3626. UHF broadcasting became possible due to the introduction of new
  3627.  
  3628. high-frequency vacuum tubes
  3629.  
  3630. developed by Philips immediately prior to the opening of World War II. These were used in experimental television receivers in the UK in the 1930s, and became widely used during the war as radar receivers. Surplus tubes flooded the market in the post-war era. At the same time, the development of color television was taking its first steps, initially based on incompatible transmission systems. The US FCC set aside a block of the then-unused and now-practical UHF frequencies for color television use. The introduction of the backward compatible NTSC standard led to these channels being released for any television use in 1952</description>
  3631. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopicasonicfiles/isotopica-s06-e01-uhf-baby-TT.mp3" length="105941760" type="audio/mpeg" />
  3632. <itunes:subtitle>Ultra high frequency  (UHF)  the ITU designation for radio frequencies in the range between 300 MHz and 3 GHz, also known as the band as the wavelengths range from one meter to one. UHF television broadcasting is the use of ultra high frequency (UHF) r...</itunes:subtitle>
  3633. <itunes:summary><![CDATA[Ultra high frequency<br />
  3634. <br />
  3635. (UHF)<br />
  3636. <br />
  3637. the ITU designation for radio frequencies in the range between 300 MHz and 3 GHz, also known as the band as the wavelengths range from one meter to one. UHF television broadcasting is the use of ultra high frequency (UHF) radio for over-the-air transmission of television signals. UHF frequencies are used for both<a href="https://www.theculture.net/radio/?attachment_id=1761#main" rel="attachment wp-att-1761"></a>Ultra<br />
  3638. <br />
  3639. analog<br />
  3640. <br />
  3641. and digital television broadcasts. UHF channels are typically given higher channel numbers, like the US arrangement with VHF channels 2 to 13, and UHF channels numbered 14 to 83.<br />
  3642. UHF broadcasting became possible due to the introduction of new<br />
  3643. <br />
  3644. high-frequency vacuum tubes<br />
  3645. <br />
  3646. developed by Philips immediately prior to the opening of World War II. These were used in experimental television receivers in the UK in the 1930s, and became widely used during the war as radar receivers. Surplus tubes flooded the market in the post-war era. At the same time, the development of color television was taking its first steps, initially based on incompatible transmission systems. The US FCC set aside a block of the then-unused and now-practical UHF frequencies for color television use. The introduction of the backward compatible NTSC standard led to these channels being released for any television use in 1952]]></itunes:summary>
  3647. <itunes:author>Simon Tyszko</itunes:author>
  3648. <itunes:episodeType>full</itunes:episodeType>
  3649. <itunes:explicit>false</itunes:explicit>
  3650. </item>
  3651. <item>
  3652. <title>Death to the fascist insects: A Post Processed Patty Hearst (from Paris)</title>
  3653. <link>https://www.theculture.net/radio/death-to-the-fascist-insects-a-post-processed-patty-hearst-from-paris/</link>
  3654. <pubDate>Tue, 29 Mar 2016 20:45:47 +0000</pubDate>
  3655. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2068</guid>
  3656. <description>: An Autotuned Political Re-Education
  3657.  
  3658.  
  3659.  
  3660.  
  3661. Q. Miss Heart, may we assume that the tape recorded message which you referred to earlier in your testimony was recorded a day or two before it was discovered on April 24th, of 1974, to the best of your knowledge and belief?
  3662. A. Yes.
  3663. Q. In other words, you late learned, did you not, that it had been broadcast on the same day that it was received, and I believe that was April 24, 1974, and I take it your recollection is that you had recorded that message a day or two prior to that time, April 22 or 23, a day along in there?
  3664. A. I don’t know when it was received.
  3665. Q. All right, but you do recall, do you not, that it was recorded in an apartment on Golden Gate Avenue at 1827.  Were you familiar with that address?
  3666. A. Not the address but it was on Golden Gate.
  3667. Q. Were you familiar with the apartment complex, Apartment No. 6?
  3668. A. Yes.
  3669. Q. All right, and if I showed you a photograph, I believe you made reference to having recorded the message in that closet, it that correct?
  3670. A.  Yes.
  3671. Q. Miss Hearst, I will show you two photographs which your attorney has handed to me and ask whether this appears to be the closet in which the tape recorded message was made?
  3672. A. Yes.
  3673. Q. Now, could we have these two photographs marked for identification.
  3674. THE CLERK: Plaintiffs 88 and 89 marked for identification.
  3675. THE COURT: Plaintiff’s Exhibit 88 and 89 for identification, photographs of the closet.
  3676. [Plaintiff&#039;s Exhibits 88 and 89 marked for identification.  Photographs of closet.)
  3677. MR. BROWING: Thank you, Your Honor.
  3678. Q. Now, was the closet door closed when hyou made the recording, Miss Hearst?
  3679. A. Yes.
  3680. Q. And you testified, I believe, that DeFreeze was in the closet with you at the time you made the recording?
  3681. A. Yes.
  3682. Q. Was there anyone else in the closet at that time?
  3683. A. Me.
  3684. Q. Pardon me?
  3685. A. Me.
  3686. Q. You and Mr. DeFreeze?
  3687. A. Yes.
  3688. Q. Now, approximately how long had you been at the apartment on Golden Gate at that time?
  3689. A. A month, a month and a half.
  3690. Q. A month, a month and a half?
  3691. A. Yes.
  3692. Q. So this was April, around April 21st, 22nd, so you had been there about March, late March?
  3693. A. No.
  3694. Q. Pardon me?
  3695. A. No, I think the middle of March.
  3696. Q. The middle of March, Okay.  As a matter of fact, when you got to 1827 Golden Gate, or this apartment on Golden Gate, you were not being held in that closet all the time, were you?
  3697. A. Yes, I was.
  3698. Q. You were?
  3699. A. Yes.
  3700. Q. Was there a previous closet in which you were held?
  3701. A. Yes.
  3702. Q. Did you later ascertain that that closet was the 37 Northridge in Daly City?
  3703. A. Yes.
  3704. Q. A place in Daly City?
  3705. A. Yes.
  3706. Q. And you were kidnapped, were you not, on April 4, 1974?
  3707. MR. BAILEY: February.
  3708. THE COURT: Better get the month right.
  3709. MR. BROWNING: Q. February 4, is that correct?
  3710. A.Yes.
  3711. Q. And you were held at Daly City from that date until the time you moved to Golden Gate, is that correct?
  3712. A. Yes.
  3713. Q. And you moved in a car, I take it?
  3714. A. Yes.
  3715. Q. Were you blindfolded?
  3716. A. Yes.
  3717. Q. And whose car was it, do you know?
  3718. A. I don’t know.  I was put into a garbage can that was tied up and put in the trunk of the car.
  3719. Q. And then, was the garbage can taken into the apartment on Golden Gate when you arrived?
  3720. A. Yes.
  3721. Q. Were you in it?
  3722. A. Yes.
  3723. Q. And you were placed in a closet immediately, is that correct?
  3724. A. Yes.
  3725. Q. Do you remember signing an affidavit in this case earlier, Miss Hearst, in connection with your motion for boil?
  3726. A. Yes.
  3727. Q. You state in this affidavit, do you not: “She was then carried from the house,” that is your house in Berkeley, “and thrown into the trunk of the automobile.  This car proceeded some distance when it was stopped, and she was then transferred to the body of another vehicle?”
  3728. A. Yes.
  3729. Q. “She was then taken to another house where she was placed in a closet on the floor; the closet was approximately five to six feet in length and about three feet in width.  For several days she remained in this closet with her hands bound, blindfolded, and with no lights.</description>
  3730. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-29th-march-2016-batty-patty-hearst.m4a" length="81296005" type="audio/x-m4a" />
  3731. <itunes:subtitle>: An Autotuned Political Re-Education     Q. Miss Heart, may we assume that the tape recorded message which you referred to earlier in your testimony was recorded a day or two before it was discovered on April 24th, of 1974,</itunes:subtitle>
  3732. <itunes:summary><![CDATA[: An Autotuned Political Re-Education<br />
  3733. <a href="https://www.theculture.net/radio/death-to-the-fascist-insects-a-post-processed-patty-hearst/patty/#main" rel="attachment wp-att-2035"></a><br />
  3734. <br />
  3735. <br />
  3736. <br />
  3737. Q. Miss Heart, may we assume that the tape recorded message which you referred to earlier in your testimony was recorded a day or two before it was discovered on April 24th, of 1974, to the best of your knowledge and belief?<br />
  3738. A. Yes.<br />
  3739. Q. In other words, you late learned, did you not, that it had been broadcast on the same day that it was received, and I believe that was April 24, 1974, and I take it your recollection is that you had recorded that message a day or two prior to that time, April 22 or 23, a day along in there?<br />
  3740. A. I don’t know when it was received.<br />
  3741. Q. All right, but you do recall, do you not, that it was recorded in an apartment on Golden Gate Avenue at 1827.  Were you familiar with that address?<br />
  3742. A. Not the address but it was on Golden Gate.<br />
  3743. Q. Were you familiar with the apartment complex, Apartment No. 6?<br />
  3744. A. Yes.<br />
  3745. Q. All right, and if I showed you a photograph, I believe you made reference to having recorded the message in that closet, it that correct?<br />
  3746. A.  Yes.<br />
  3747. Q. Miss Hearst, I will show you two photographs which your attorney has handed to me and ask whether this appears to be the closet in which the tape recorded message was made?<br />
  3748. A. Yes.<br />
  3749. Q. Now, could we have these two photographs marked for identification.<br />
  3750. THE CLERK: Plaintiffs 88 and 89 marked for identification.<br />
  3751. THE COURT: Plaintiff’s Exhibit 88 and 89 for identification, photographs of the closet.<br />
  3752. [Plaintiff's Exhibits 88 and 89 marked for identification.  Photographs of closet.)<br />
  3753. MR. BROWING: Thank you, Your Honor.<br />
  3754. Q. Now, was the closet door closed when hyou made the recording, Miss Hearst?<br />
  3755. A. Yes.<br />
  3756. Q. And you testified, I believe, that DeFreeze was in the closet with you at the time you made the recording?<br />
  3757. A. Yes.<br />
  3758. Q. Was there anyone else in the closet at that time?<br />
  3759. A. Me.<br />
  3760. Q. Pardon me?<br />
  3761. A. Me.<br />
  3762. Q. You and Mr. DeFreeze?<br />
  3763. A. Yes.<br />
  3764. Q. Now, approximately how long had you been at the apartment on Golden Gate at that time?<br />
  3765. A. A month, a month and a half.<br />
  3766. Q. A month, a month and a half?<br />
  3767. A. Yes.<br />
  3768. Q. So this was April, around April 21st, 22nd, so you had been there about March, late March?<br />
  3769. A. No.<br />
  3770. Q. Pardon me?<br />
  3771. A. No, I think the middle of March.<br />
  3772. Q. The middle of March, Okay.  As a matter of fact, when you got to 1827 Golden Gate, or this apartment on Golden Gate, you were not being held in that closet all the time, were you?<br />
  3773. A. Yes, I was.<br />
  3774. Q. You were?<br />
  3775. A. Yes.<br />
  3776. Q. Was there a previous closet in which you were held?<br />
  3777. A. Yes.<br />
  3778. Q. Did you later ascertain that that closet was the 37 Northridge in Daly City?<br />
  3779. A. Yes.<br />
  3780. Q. A place in Daly City?<br />
  3781. A. Yes.<br />
  3782. Q. And you were kidnapped, were you not, on April 4, 1974?<br />
  3783. MR. BAILEY: February.<br />
  3784. THE COURT: Better get the month right.<br />
  3785. MR. BROWNING: Q. February 4, is that correct?<br />
  3786. A.Yes.<br />
  3787. Q. And you were held at Daly City from that date until the time you moved to Golden Gate, is that correct?<br />
  3788. A. Yes.<br />
  3789. Q. And you moved in a car, I take it?<br />
  3790. A. Yes.<br />
  3791. Q. Were you blindfolded?<br />
  3792. A. Yes.<br />
  3793. Q. And whose car was it, do you know?<br />
  3794. A. I don’t know.  I was put into a garbage can that was tied up and put in the trunk of the car.<br />
  3795. Q. And then, was the garbage can taken into the apartment on Golden Gate when you arrived?<br />
  3796. A. Yes.<br />
  3797. Q. Were you in it?<br />
  3798. A. Yes.<br />
  3799. Q. And you were placed in a closet immediately, is that correct?<br />
  3800. A. Yes.<br />
  3801. Q. Do you remember signing an affidavit in this case earlier, Miss Hearst, in connection with your motion for boil?<br />
  3802. A. Yes.<br />
  3803. Q.]]></itunes:summary>
  3804. <itunes:author>Simon Tyszko</itunes:author>
  3805. <itunes:episodeType>full</itunes:episodeType>
  3806. <itunes:explicit>false</itunes:explicit>
  3807. <itunes:duration>58:21</itunes:duration>
  3808. </item>
  3809. <item>
  3810. <title>Nahum in Space</title>
  3811. <link>https://www.theculture.net/radio/nahum-in-space/</link>
  3812. <pubDate>Mon, 21 Mar 2016 03:14:58 +0000</pubDate>
  3813. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2044</guid>
  3814. <description>Isotopica is today in conversation with the wonderfully named
  3815.  
  3816. Nahum Mantra
  3817.  
  3818. a composer, multi instrumentalist, and Artist, who also coordinates the technical committee for the cultural and artistic utilisations of space (ITACCUS) at the International Astronautical Federation in Paris. Nahum lives and works in London and Mexico City and curates Kosmica, a monthly series of space and arts gatherings at The Arts Catalyst London.
  3819.  
  3820.  
  3821.  
  3822. Nahum and i first worked together at the shunt lounge, a beautiful 1000 artist collaborative project under london bridge station which ran for some years until the foundations of the foul shard filled our playground with concrete.....</description>
  3823. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-22march2016-nahum-in-space.m4a" length="82275093" type="audio/x-m4a" />
  3824. <itunes:subtitle>Isotopica is today in conversation with the wonderfully named  Nahum Mantra  a composer, multi instrumentalist, and Artist, who also coordinates the technical committee for the cultural and artistic utilisations of space (ITACCUS) at the International ...</itunes:subtitle>
  3825. <itunes:summary><![CDATA[Isotopica is today in conversation with the wonderfully named<br />
  3826. <br />
  3827. <a href="http://www.nahum.xyz" target="_blank">Nahum Mantra</a><br />
  3828. <br />
  3829. a composer, multi instrumentalist, and Artist, who also coordinates the technical committee for the cultural and artistic utilisations of space (<a href="http://www.artscatalyst.org/itaccus" target="_blank">ITACCUS</a>) at the International Astronautical Federation in Paris. Nahum lives and works in London and Mexico City and curates Kosmica, a monthly series of space and arts gatherings at The Arts Catalyst London.<br />
  3830. <br />
  3831. <a href="https://www.theculture.net/radio/nahum-in-space/nahum-mantra41007021pix/#main" rel="attachment wp-att-2045"></a><br />
  3832. <br />
  3833. Nahum and i first worked together at the shunt lounge, a beautiful 1000 artist collaborative project under london bridge station which ran for some years until the foundations of the foul shard filled our playground with concrete.....<br />
  3834. <br />]]></itunes:summary>
  3835. <itunes:author>Simon Tyszko</itunes:author>
  3836. <itunes:episodeType>full</itunes:episodeType>
  3837. <itunes:explicit>false</itunes:explicit>
  3838. <itunes:duration>59:17</itunes:duration>
  3839. </item>
  3840. <item>
  3841. <title>Astrid and Organs: and some cleaners</title>
  3842. <link>https://www.theculture.net/radio/astrid-and-organs-and-some-cleaners/</link>
  3843. <pubDate>Tue, 15 Mar 2016 17:05:36 +0000</pubDate>
  3844. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2028</guid>
  3845. <description>The &quot;body without organs&quot; (French: corps sans organes) is a concept used by French philosopher Gilles Deleuze. It usually refers to the deeper reality underlying some well-formed whole constructed from fully functioning parts. At the same time, it may also describe a relationship to one&#039;s literal body.
  3846.  
  3847. But today we are joined by Wellcome Trust / Clore/ Rijksakademie Fellow &amp; FRSA Poet Astrid Alben who will be reading from her new collection Plainspeak.
  3848.  
  3849. Plainspeak is based on an early memory: when aged four or five she decided she wanted to be a boy, The boy she never got to be grew up alongside her as her alter ego, ‘Poet’ in these poems.
  3850.  
  3851. AND: Over the course of several months, Áine O&#039;Dwyer was given access to the pipe organ in St Mark’s Church, Islington while the cleaners were at work. Primarily a harpist, this was a rare opportunity to grapple with the &quot;king of instruments&quot; and apply her sense of melodic, structured improvisation in a very different context.The result being  Áine O&#039;Dwyer - Music For Church Cleaners vol. I and II with which we happily assemble today&#039;s program around......</description>
  3852. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/Isotopica-15march-2016-ASTRID-and-ORGANS.m4a" length="87022260" type="audio/x-m4a" />
  3853. <itunes:subtitle>The &quot;body without organs&quot; (French: corps sans organes) is a concept used by French philosopher Gilles Deleuze. It usually refers to the deeper reality underlying some well-formed whole constructed from fully functioning parts. At the same time,</itunes:subtitle>
  3854. <itunes:summary><![CDATA[The "body without organs" (<a href="https://en.wikipedia.org/wiki/French_language" title="French language">French</a>: corps sans organes) is a concept used by French philosopher <a href="https://en.wikipedia.org/wiki/Gilles_Deleuze" title="Gilles Deleuze">Gilles Deleuze</a>. It usually refers to the deeper reality underlying some well-formed whole constructed from fully functioning parts. At the same time, it may also describe a relationship to one's literal body.<br />
  3855. <br />
  3856. But today we are joined by Wellcome Trust / Clore/ Rijksakademie Fellow &amp; FRSA Poet Astrid Alben who will be reading from her new collection Plainspeak.<br />
  3857. <br />
  3858. Plainspeak is based on an early memory: when aged four or five she decided she wanted to be a boy, The boy she never got to be grew up alongside her as her alter ego, ‘Poet’ in these poems.<br />
  3859. <br />
  3860. AND: Over the course of several months, Áine O'Dwyer was given access to the pipe organ in St Mark’s Church, Islington while the cleaners were at work. Primarily a harpist, this was a rare opportunity to grapple with the "king of instruments" and apply her sense of melodic, structured improvisation in a very different context.The result being  <a href="http://mie.limitedrun.com/products/537633-aine-odwyer-music-for-church-cleaners-vol-i-and-ii-2lp" target="_blank">Áine O'Dwyer - Music For Church Cleaners vol. I and II</a> with which we happily assemble today's program around......<a href="https://www.theculture.net/radio/astrid-and-organs-and-some-cleaners/albion-organ-into-churchspot/#main" rel="attachment wp-att-2030"></a><a href="https://www.theculture.net/radio/astrid-and-organs-and-some-cleaners/albion-organ-into-church/#main" rel="attachment wp-att-2029"></a>]]></itunes:summary>
  3861. <itunes:author>Simon Tyszko</itunes:author>
  3862. <itunes:episodeType>full</itunes:episodeType>
  3863. <itunes:explicit>false</itunes:explicit>
  3864. <itunes:duration>59:20</itunes:duration>
  3865. </item>
  3866. <item>
  3867. <title>Ships</title>
  3868. <link>https://www.theculture.net/radio/ships/</link>
  3869. <pubDate>Fri, 04 Mar 2016 01:30:04 +0000</pubDate>
  3870. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2021</guid>
  3871. <description>Despite soaking
  3872.  
  3873. our main studio microphone in the cat water overnight, Isotopica steams ahead, with a cut and paste commentary, a water themed edition, ships horns, ocean currents, Suicide live and some vintage ether....</description>
  3874. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-1st-march-2106-ships.m4a" length="80430089" type="audio/x-m4a" />
  3875. <itunes:subtitle>Despite soaking  our main studio microphone in the cat water overnight, Isotopica steams ahead, with a cut and paste commentary, a water themed edition, ships horns, ocean currents, Suicide live and some vintage ether....</itunes:subtitle>
  3876. <itunes:summary><![CDATA[Despite soaking<br />
  3877. <br />
  3878. our main studio microphone in the cat water overnight, Isotopica steams ahead, with a cut and paste commentary, a water themed edition, ships horns, ocean currents, Suicide live and some vintage ether....<br />
  3879. <br />
  3880. <a href="https://www.theculture.net/radio/bacteria-125-3/" rel="attachment wp-att-1669"></a>]]></itunes:summary>
  3881. <itunes:author>Simon Tyszko</itunes:author>
  3882. <itunes:episodeType>full</itunes:episodeType>
  3883. <itunes:explicit>false</itunes:explicit>
  3884. <itunes:duration>58:35</itunes:duration>
  3885. </item>
  3886. <item>
  3887. <title>Dada Dada Rabbit wasn&#8217;t there: no microphone</title>
  3888. <link>https://www.theculture.net/radio/dada-dada-rabbit-wasnt-there-no-microphone/</link>
  3889. <pubDate>Tue, 23 Feb 2016 03:36:06 +0000</pubDate>
  3890. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2016</guid>
  3891. <description>Masqualero [alternate take] miles davis
  3892.  
  3893. Burlington hacker farm
  3894. Squash 1 Person Rec On Court
  3895. Je suis parti sur un de ces bateaux
  3896. Table Tennis Amateurs Playing
  3897. Cancer charles bukowski
  3898. Roulette Wheel Spinning Small Ball
  3899. Dada For Now Russolo
  3900. Dada For Now Schwitters
  3901. john cage discusses something cool</description>
  3902. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-23feb-2016-dadadadarabbit-pod.m4a" length="87680425" type="audio/x-m4a" />
  3903. <itunes:subtitle>Masqualero [alternate take] miles davis  Burlington hacker farm Squash 1 Person Rec On Court Je suis parti sur un de ces bateaux Table Tennis Amateurs Playing Cancer charles bukowski Roulette Wheel Spinning Small Ball Dada For Now Russolo </itunes:subtitle>
  3904. <itunes:summary><![CDATA[Masqualero [alternate take] miles davis<br />
  3905. <br />
  3906. Burlington hacker farm<br />
  3907. Squash 1 Person Rec On Court<br />
  3908. Je suis parti sur un de ces bateaux<br />
  3909. Table Tennis Amateurs Playing<br />
  3910. Cancer charles bukowski<br />
  3911. Roulette Wheel Spinning Small Ball<br />
  3912. Dada For Now Russolo<br />
  3913. Dada For Now Schwitters<br />
  3914. john cage discusses something cool<br />
  3915. <a href="https://www.theculture.net/radio/isotopica_cultural_revolution/" rel="attachment wp-att-1910"></a>]]></itunes:summary>
  3916. <itunes:author>Simon Tyszko</itunes:author>
  3917. <itunes:episodeType>full</itunes:episodeType>
  3918. <itunes:explicit>false</itunes:explicit>
  3919. <itunes:duration>58:38</itunes:duration>
  3920. </item>
  3921. <item>
  3922. <title>Cabaret voltaire: is still not dead&#8230;.</title>
  3923. <link>https://www.theculture.net/radio/cabaret-voltaire-is-still-not-dead/</link>
  3924. <pubDate>Wed, 10 Feb 2016 14:29:34 +0000</pubDate>
  3925. <guid isPermaLink="false">https://www.theculture.net/radio/?p=2002</guid>
  3926. <description>Les psaumes sont écrits sur les magnétophonesLes chorus ont un nègre à chaque mélopéeLes bouches font des langues sept fois retournéesMiserere Seigneur du fond des microphonesLa nature d&#039;acier pousse des fleurs chroméesLe juste en Cadillac s&#039;encense du cigareLe courrier meurt de peur dans les aérogaresMiserere Seigneur du fond des destinéesLe boulanger joue la tournée au pain azymeLes moutons des prisons se laissent tricoterEt le coq de Saint Pierre a tranché son gosierMiserere Seigneur du fond des anonymesLes condamnés jouent au poker leur appétitEt laissent aux suivants leur part de JamaïqueLe coup de grâce dans le vent est liturgiqueMiserere Seigneur du fond des pilorisL&#039;estomac du commun se met en diagonalLe traiteur donne aux chiens sa pitié tariféeLes boueux ont glissé sur des peaux d&#039;orchidéesMiserere Seigneur du fond des capitalesLes banques de l&#039;amour sont pleines à craquerLes &quot;je t&#039;aime&quot; publics assomment les affichesLes adolescents ont des lèvres postichesMiserere Seigneur du fond des oreillersLes vitrines regardent passer les voyellesLes ortolans dans le commun prennent le fraisEt le saumon fumé boude le tapiocaMiserere Seigneur du fond de nos gamellesLes femmes en gésine inondent le pavéLes mineurs font un blanc à chaque lavaboLes souffleurs de Baccara font des bancosMiserere Seigneur du fond des encavésLes brebis de Panurge attendent au vestiaireLes visas escomptés percutent sur l&#039;azurLa queue chez l&#039;épicier jouit contre le murMiserere Seigneur du fond des muselièresLa ville a dégrafé son corsage de mortLes balles dans la rue ont la poudre nomadeLes pavés font la main aux yeux des barricadesMiserere Seigneur du fond des thermidorsLes temples sont cernés et sentent le roussiLes magasines font la pige aux évangilesEt les chemins de croix se font en crocodileMiserere Seigneur du fond des crucifixLe journal titre en deuil la putain des frontièresLa fleur fane au fusil et meure sous un drapeauEt les téléscripteurs nous mènent en bateauMiserere Seigneur du fond de nos galèresLa maladie veille au chevet des ganglionsLe coeur est métronome et la vie est musiqueA l&#039;hôpital les symphonies sont catholiquesMiserere Seigneur du fond des pulsationsLa fonderie sur le tour égrène son rosaireLe tueur de la rue a gagé son beefsteakEt celui de Kobe n&#039;aura pas un kopeckMiserere Seigneur du fond des mercenairesLe verbe s&#039;est fait chaire dans le ventre ruséLa putain Marguerite a la peau qui dépasseLe caillot dans les plis sinueux se prélasseMiserere Seigneur du fond des pubertésLes bourgeois de la rue ont piqué la véroleEt réclament partout de faux médicamentsQu&#039;on leur sert en faisant claquer toutes leurs dentsMiserere Seigneur du fond des carmagnolesLes sextants sont en grève au coeur des matelotsLes oiseaux carburés fientent les équipagesLe soleil fait la course avec le paysageMiserere Seigneur du fond des paquebotsLa trouille a revêtu la terre de sa housseLe plat de contrition se vend au marché noirLe curé fait du supplément sous l&#039;ostensoirMiserere Seigneur du fond de la ressourceLes condamnés jouent au poker leur appétitIls vous laissent Seigneur leur part de solitudeLe service est compris nous avons l&#039;habitudeDescendez donc seigneur de notre connerie</description>
  3927. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-8thfeb-2016-cabaret-voltaire.m4a" length="141014080" type="audio/x-m4a" />
  3928. <itunes:subtitle>Les psaumes sont écrits sur les magnétophonesLes chorus ont un nègre à chaque mélopéeLes bouches font des langues sept fois retournéesMiserere Seigneur du fond des microphonesLa nature d&#039;acier pousse des fleurs chroméesLe juste en Cadillac s&#039;encense du...</itunes:subtitle>
  3929. <itunes:summary><![CDATA[<a href="https://www.theculture.net/radio/tumblr_ne89vbj9gg1r2geqjo1_500/" rel="attachment wp-att-1665"></a><br />
  3930. <br />
  3931. Les psaumes sont écrits sur les magnétophonesLes chorus ont un nègre à chaque mélopéeLes bouches font des langues sept fois retournéesMiserere Seigneur du fond des microphonesLa nature d'acier pousse des fleurs chroméesLe juste en Cadillac s'encense du cigareLe courrier meurt de peur dans les aérogaresMiserere Seigneur du fond des destinéesLe boulanger joue la tournée au pain azymeLes moutons des prisons se laissent tricoterEt le coq de Saint Pierre a tranché son gosierMiserere Seigneur du fond des anonymesLes condamnés jouent au poker leur appétitEt laissent aux suivants leur part de JamaïqueLe coup de grâce dans le vent est liturgiqueMiserere Seigneur du fond des pilorisL'estomac du commun se met en diagonalLe traiteur donne aux chiens sa pitié tariféeLes boueux ont glissé sur des peaux d'orchidéesMiserere Seigneur du fond des capitalesLes banques de l'amour sont pleines à craquerLes "je t'aime" publics assomment les affichesLes adolescents ont des lèvres postichesMiserere Seigneur du fond des oreillersLes vitrines regardent passer les voyellesLes ortolans dans le commun prennent le fraisEt le saumon fumé boude le tapiocaMiserere Seigneur du fond de nos gamellesLes femmes en gésine inondent le pavéLes mineurs font un blanc à chaque lavaboLes souffleurs de Baccara font des bancosMiserere Seigneur du fond des encavésLes brebis de Panurge attendent au vestiaireLes visas escomptés percutent sur l'azurLa queue chez l'épicier jouit contre le murMiserere Seigneur du fond des muselièresLa ville a dégrafé son corsage de mortLes balles dans la rue ont la poudre nomadeLes pavés font la main aux yeux des barricadesMiserere Seigneur du fond des thermidorsLes temples sont cernés et sentent le roussiLes magasines font la pige aux évangilesEt les chemins de croix se font en crocodileMiserere Seigneur du fond des crucifixLe journal titre en deuil la putain des frontièresLa fleur fane au fusil et meure sous un drapeauEt les téléscripteurs nous mènent en bateauMiserere Seigneur du fond de nos galèresLa maladie veille au chevet des ganglionsLe coeur est métronome et la vie est musiqueA l'hôpital les symphonies sont catholiquesMiserere Seigneur du fond des pulsationsLa fonderie sur le tour égrène son rosaireLe tueur de la rue a gagé son beefsteakEt celui de Kobe n'aura pas un kopeckMiserere Seigneur du fond des mercenairesLe verbe s'est fait chaire dans le ventre ruséLa putain Marguerite a la peau qui dépasseLe caillot dans les plis sinueux se prélasseMiserere Seigneur du fond des pubertésLes bourgeois de la rue ont piqué la véroleEt réclament partout de faux médicamentsQu'on leur sert en faisant claquer toutes leurs dentsMiserere Seigneur du fond des carmagnolesLes sextants sont en grève au coeur des matelotsLes oiseaux carburés fientent les équipagesLe soleil fait la course avec le paysageMiserere Seigneur du fond des paquebotsLa trouille a revêtu la terre de sa housseLe plat de contrition se vend au marché noirLe curé fait du supplément sous l'ostensoirMiserere Seigneur du fond de la ressourceLes condamnés jouent au poker leur appétitIls vous laissent Seigneur leur part de solitudeLe service est compris nous avons l'habitudeDescendez donc seigneur de notre connerie]]></itunes:summary>
  3932. <itunes:author>Simon Tyszko</itunes:author>
  3933. <itunes:episodeType>full</itunes:episodeType>
  3934. <itunes:explicit>false</itunes:explicit>
  3935. <itunes:duration>59:32</itunes:duration>
  3936. </item>
  3937. <item>
  3938. <title>Saucy Pictures (curatorial glitch)</title>
  3939. <link>https://www.theculture.net/radio/saucy-pictures-curatorial-glitch/</link>
  3940. <pubDate>Tue, 15 Sep 2015 23:45:41 +0000</pubDate>
  3941. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1828</guid>
  3942. <description>International Miss Curation (algorithmic erotica)
  3943.  
  3944.  
  3945. re generative musics and some glitched
  3946.  
  3947. imagery
  3948.  
  3949. ˈɪmɪdʒ(ə)ri
  3950. noun
  3951.  
  3952.  
  3953. 1.
  3954. visually descriptive or figurative language, especially in a literary work.
  3955. &quot;Tennyson uses imagery to create a lyrical emotion&quot;
  3956. 2.
  3957. visual images collectively.
  3958. &quot;the impact of computer-generated imagery on contemporary art&quot;
  3959.  
  3960. a curation</description>
  3961. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopicasonicfiles/Isotopica-s06e02-SaucyPictures-redux.m4a" length="114043510" type="audio/x-m4a" />
  3962. <itunes:subtitle>International Miss Curation (algorithmic erotica)   re generative musics and some glitched  imagery  ˈɪmɪdʒ(ə)ri noun   1. visually descriptive or figurative language, especially in a literary work. &quot;Tennyson uses imagery to create a lyrical emotion&quot; </itunes:subtitle>
  3963. <itunes:summary><![CDATA[International Miss Curation (algorithmic erotica)<br />
  3964. <br />
  3965. <br />
  3966. re generative musics and some glitched<br />
  3967. <br />
  3968. imagery<br />
  3969. <br />
  3970. ˈɪmɪdʒ(ə)ri<br />
  3971. noun<br />
  3972. <br />
  3973. <br />
  3974. 1.<br />
  3975. visually descriptive or figurative language, especially in a literary work.<br />
  3976. "Tennyson uses imagery to create a lyrical emotion"<br />
  3977. 2.<br />
  3978. visual images collectively.<br />
  3979. "the impact of computer-generated imagery on contemporary art"<br />
  3980. <br />
  3981. <a href="https://www.theculture.net/radio/saucy-pictures-curatorial-glitch/lu-pane/#main" rel="attachment wp-att-1830"></a>a curation]]></itunes:summary>
  3982. <itunes:author>Simon Tyszko</itunes:author>
  3983. <itunes:episodeType>full</itunes:episodeType>
  3984. <itunes:explicit>false</itunes:explicit>
  3985. <itunes:duration>58:21</itunes:duration>
  3986. </item>
  3987. <item>
  3988. <title>a gentle nothingness</title>
  3989. <link>https://www.theculture.net/radio/a-gentle-nothingness/</link>
  3990. <pubDate>Tue, 20 Jan 2015 04:01:16 +0000</pubDate>
  3991. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1469</guid>
  3992. <description>Sometimes, nothing is better than everything!
  3993. Isotopica
  3994. an episode....
  3995. nothingness</description>
  3996. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-s05-e03-midjanaury-agentlenothingnessTT.mp3" length="143470716" type="audio/mpeg" />
  3997. <itunes:subtitle>Sometimes, nothing is better than everything! Isotopica an episode.... nothingness</itunes:subtitle>
  3998. <itunes:summary><![CDATA[Sometimes, nothing is better than everything!<br />
  3999. Isotopica<br />
  4000. an episode....<br />
  4001. <a href="https://www.theculture.net/radio/wp-content/uploads/2015/01/twosecondsequencekiss-162x.jpg"></a>nothingness<br />]]></itunes:summary>
  4002. <itunes:author>Simon Tyszko</itunes:author>
  4003. <itunes:episodeType>full</itunes:episodeType>
  4004. <itunes:explicit>false</itunes:explicit>
  4005. <itunes:duration>59:47</itunes:duration>
  4006. </item>
  4007. <item>
  4008. <title>The Very Good Mr Sutton</title>
  4009. <link>https://www.theculture.net/radio/the-very-good-mr-sutton/</link>
  4010. <pubDate>Mon, 10 Aug 2015 01:40:08 +0000</pubDate>
  4011. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1806</guid>
  4012. <description>basically dudley sutton and simon tyszko natter around dudley&#039;s adventures in new york in the early sixties, discuss his starring role in entertaining mr sloane and his subsequnt friendship with joe orton. dudley performs some of his new poems, and all set to an echoed and hauntalogical soundtrack of some archival arabic 78&#039;s from the collection tyszko......
  4014.  
  4015.  
  4016. Dudley sutton</description>
  4017. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopicasonicfiles/Isotopica-s07e16-live-with-dudley-60s-NYC-pod.m4a" length="113440469" type="audio/x-m4a" />
  4018. <itunes:subtitle>basically dudley sutton and simon tyszko natter around dudley&#039;s adventures in new york in the early sixties, discuss his starring role in entertaining mr sloane and his subsequnt friendship with joe orton. dudley performs some of his new poems,</itunes:subtitle>
  4019. <itunes:summary><![CDATA[basically dudley sutton and simon tyszko natter around dudley's adventures in new york in the early sixties, discuss his starring role in entertaining mr sloane and his subsequnt friendship with joe orton. dudley performs some of his new poems, and all set to an echoed and hauntalogical soundtrack of some archival arabic 78's from the collection tyszko......<br />
  4020. <a href="https://www.theculture.net/radio/the-very-good-mr-sutton/dudley-42/#main" rel="attachment wp-att-1817"></a> <a href="https://www.theculture.net/radio/the-very-good-mr-sutton/dudley-20/#main" rel="attachment wp-att-1816"><br />
  4021. </a> <a href="https://www.theculture.net/radio/the-very-good-mr-sutton/dudley-14/#main" rel="attachment wp-att-1815"></a> <a href="https://www.theculture.net/radio/the-very-good-mr-sutton/dudley-13/#main" rel="attachment wp-att-1814"></a> <a href="https://www.theculture.net/radio/the-very-good-mr-sutton/dudley-66/#main" rel="attachment wp-att-1810"><br />
  4022. </a> <a href="https://www.theculture.net/radio/the-very-good-mr-sutton/dudley-73/#main" rel="attachment wp-att-1811"></a> <a href="https://www.theculture.net/radio/the-very-good-mr-sutton/dudley-88/#main" rel="attachment wp-att-1813"></a><br />
  4023. <a href="https://www.theculture.net/radio/the-very-good-mr-sutton/dudley-43/#main" rel="attachment wp-att-1809"></a>Dudley sutton<br />]]></itunes:summary>
  4024. <itunes:author>Simon Tyszko</itunes:author>
  4025. <itunes:episodeType>full</itunes:episodeType>
  4026. <itunes:explicit>false</itunes:explicit>
  4027. <itunes:duration>59:40</itunes:duration>
  4028. </item>
  4029. <item>
  4030. <title>Flying Saucers, Lenin&#8217;s Tomb, ARP 2500, Full Lotus</title>
  4031. <link>https://www.theculture.net/radio/flying-saucers-lenins-tomb-arp-2500-full-lotus/</link>
  4032. <pubDate>Tue, 16 Jun 2015 01:59:27 +0000</pubDate>
  4033. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1740</guid>
  4034. <description>Rough Notes
  4035. contact me twitter @simontyszko
  4036. Simeon ten Holt (24 January 1923 – 25 November 2012) was a Dutch contemporary classical composer.
  4037. Éliane Radigue (born January 24, 1932) is a French electronic music composer. She began working in the 1950s and her first compositions were presented in the late 1960s. Until 2000 her work was almost exclusively created on a single synthesizer, the ARP 2500 modular system and tape. Since 2001 she has composed mainly for acoustic instruments.[1] and super loopy aetherius society, the real flying saucer people, forget area 43 it all happening in fulham sw6. And a looping monologue from the excellent DOWN TERRACE (2010) plus plus plus
  4038.  
  4039. space men</description>
  4040. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopicasonicfiles/isotopica-07e08-flyingsaucersleninstomb-podcast.m4a" length="118769612" type="audio/x-m4a" />
  4041. <itunes:subtitle>Rough Notes contact me twitter @simontyszko Simeon ten Holt (24 January 1923 – 25 November 2012) was a Dutch contemporary classical composer. Éliane Radigue (born January 24, 1932) is a French electronic music composer.</itunes:subtitle>
  4042. <itunes:summary><![CDATA[Rough Notes<br />
  4043. contact me twitter <a href="http://twitter.com/simontyszko" target="_blank">@simontyszko</a><br />
  4044. <a href="https://www.google.co.uk/search?q=Simeon+ten+Holt&amp;safe=off&amp;es_sm=91&amp;tbm=isch&amp;imgil=HTL0nArp8xkRXM%253A%253B4wgPkSTotld_JM%253Bhttp%25253A%25252F%25252Fwww.npogeschiedenis.nl%25252Fnieuws%25252F2012%25252Fnovember%25252Fsimeon-ten-holt-bij-han-reiziger.html&amp;source=iu&amp;pf=m&amp;fir=HTL0nArp8xkRXM%253A%252C4wgPkSTotld_JM%252C_&amp;usg=__9FHW2OP0WdciXgP0O5goJm6iAA0%3D#imgrc=HTL0nArp8xkRXM%253A%3B4wgPkSTotld_JM%3Bhttp%253A%252F%252Fwww.npogeschiedenis.nl%252F.imaging%252Fstk%252Fgeschiedenis%252Fzoom%252Fmedia%252Fcultura%252Fklassiek%252FSimeon-ten-Holt-zonder-teas%252Foriginal%252FSimeon-ten-Holt-zonder-teas.jpg%3Bhttp%253A%252F%252Fwww.npogeschiedenis.nl%252Fnieuws%252F2012%252Fnovember%252Fsimeon-ten-holt-bij-han-reiziger.html%3B800%3B379" target="_blank">Simeon ten Holt</a> (24 January 1923 – 25 November 2012) was a Dutch contemporary classical composer.<br />
  4045. <a href="https://en.wikipedia.org/wiki/%C3%89liane_Radigue" target="_blank">Éliane Radigue</a> (born January 24, 1932) is a French electronic music composer. She began working in the 1950s and her first compositions were presented in the late 1960s. Until 2000 her work was almost exclusively created on a single synthesizer, the ARP 2500 modular system and tape. Since 2001 she has composed mainly for acoustic instruments.[1] and super loopy aetherius society, the real flying saucer people, forget area 43 it all happening in fulham sw6. And a looping monologue from the excellent <a href="http://www.rottentomatoes.com/m/down-terrace/" target="_blank">DOWN TERRACE (2010)</a> plus plus plus<br />
  4046. <br />
  4047. space men<br />]]></itunes:summary>
  4048. <itunes:author>Simon Tyszko</itunes:author>
  4049. <itunes:episodeType>full</itunes:episodeType>
  4050. <itunes:explicit>false</itunes:explicit>
  4051. <itunes:duration>59:12</itunes:duration>
  4052. </item>
  4053. <item>
  4054. <title>Bowie: Me: Some medical archives and filthy feedback</title>
  4055. <link>https://www.theculture.net/radio/bowie-me-some-medical-archives-and-filthy-feedback/</link>
  4056. <pubDate>Tue, 19 Jan 2016 04:22:46 +0000</pubDate>
  4057. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1962</guid>
  4058. <description>Isotopica&#039;s second thoughts on Bowie
  4059.  
  4060.  
  4061.  
  4062. David and I and the beginnings of time</description>
  4063. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-19-jan-2016-Bowie-too.m4a" length="149084239" type="audio/x-m4a" />
  4064. <itunes:subtitle>Isotopica&#039;s second thoughts on Bowie    David and I and the beginnings of time</itunes:subtitle>
  4065. <itunes:summary><![CDATA[Isotopica's second thoughts on Bowie<br />
  4066. <br />
  4067. <br />
  4068. <br />
  4069. <a href="https://www.theculture.net/radio/bowie-me-some-medical-archives-and-filthy-feedback/simonseventeenx/#main" rel="attachment wp-att-1963"></a>David and I and the beginnings of time]]></itunes:summary>
  4070. <itunes:author>Simon Tyszko</itunes:author>
  4071. <itunes:episodeType>full</itunes:episodeType>
  4072. <itunes:explicit>false</itunes:explicit>
  4073. <itunes:duration>58:29</itunes:duration>
  4074. </item>
  4075. <item>
  4076. <title>Eight Bit Bowie and some British Birds</title>
  4077. <link>https://www.theculture.net/radio/eight-bit-bowie-and-some-british-birds/</link>
  4078. <pubDate>Sat, 16 Jan 2016 02:35:45 +0000</pubDate>
  4079. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1936</guid>
  4080. <description>So First We loose Lemmy......
  4081.  
  4082.  
  4083.  
  4084.  
  4085. 2016 has turned into the year of the cultural cark, although Lemmily is but a footnote compared to David Bowie..
  4086.  
  4087. So here are some of the accompanying tyszko phases to watch along with the episode
  4088.  
  4089. a portrait with a portrait
  4090.  
  4091.  </description>
  4092. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/podcasts2016/isotopica-tuesday-12jan2016-Bowie.m4a" length="146977038" type="audio/x-m4a" />
  4093. <itunes:subtitle>So First We loose Lemmy......     2016 has turned into the year of the cultural cark, although Lemmily is but a footnote compared to David Bowie..  So here are some of the accompanying tyszko phases to watch along with the episode  </itunes:subtitle>
  4094. <itunes:summary><![CDATA[So First We loose Lemmy......<br />
  4095. <br />
  4096. <br />
  4097. <br />
  4098. <br />
  4099. 2016 has turned into the year of the cultural cark, although Lemmily is but a footnote compared to David Bowie..<br />
  4100. <br />
  4101. So here are some of the accompanying tyszko phases to watch along with the episode<br />
  4102. <br />
  4103. <a href="https://www.theculture.net/radio/slides/dopple/clutter-plus-portrait20151205-_dsc0039/#main" rel="attachment wp-att-1896"></a>a portrait with a portrait<br />
  4104. <br />
  4105. &nbsp;<br />]]></itunes:summary>
  4106. <itunes:author>Simon Tyszko</itunes:author>
  4107. <itunes:episodeType>full</itunes:episodeType>
  4108. <itunes:explicit>false</itunes:explicit>
  4109. <itunes:duration>59:25</itunes:duration>
  4110. </item>
  4111. <item>
  4112. <title>raga raga rage</title>
  4113. <link>https://www.theculture.net/radio/raga-raga-rage/</link>
  4114. <pubDate>Tue, 30 Jun 2015 00:56:04 +0000</pubDate>
  4115. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1768</guid>
  4116. <description>a funny thing happened to me on the way to the studio
  4117. i had the results of my second opinion hearing tests today (NHS vrs boots) and it seems it&#039;s true..... Way back in the late 90&#039;s when i first gave up drinking, i was desperate for feelings, any feelings, and this included trying to make (terrible) dance music in my home studio on headphones, with every possible output boosted beyond maximum... The result was that a year or so later the ringing had still not stopped, and gradually the high frequency end of my hearing has radically tapered off. In company of actors my hearing is fine, they naturally seem to projects without shouting, but mumblers and the not so sure tend to have me straining to catch every word... so now im going to start boosting my hearing electronically..... and am waiting with a vital interest for the results of several gene therapy studies that hope to regrow the damages cilia, with an attenuated viral vector injected directly into the ear..... watch this space
  4118. My hearing test results
  4119. Old Punks Hear Hard
  4120. A vine from our
  4121. &#039;isotopica alive&#039;
  4122. at the beaconsfield gallery 20th birthday celebration
  4123. https://vine.co/v/e5EvezrnpVp
  4124. Notting Hill Gate y quintessence 1967
  4125. Things look great in Notting Hill Gate
  4126. They really move with the change in times
  4127. But only you can know the reason why
  4128. Why they hide behind their own third eye
  4129. Things look cool in Notting school
  4130. They never go about playing no rules
  4131. But only you can know the reason why
  4132. Why they fly in the sky so high
  4133. Getting it straight in Notting Hill Gate
  4134. We all sit around and meditate
  4135. But only you can know the reason why
  4136. Why we fly in the sky so high</description>
  4137. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopicasonicfiles/isotopica-s07e10-raga-raga-rage.m4a" length="111362332" type="audio/x-m4a" />
  4138. <itunes:subtitle>a funny thing happened to me on the way to the studio i had the results of my second opinion hearing tests today (NHS vrs boots) and it seems it&#039;s true..... Way back in the late 90&#039;s when i first gave up drinking, i was desperate for feelings,</itunes:subtitle>
  4139. <itunes:summary><![CDATA[a funny thing happened to me on the way to the studio<br />
  4140. i had the results of my second opinion hearing tests today (NHS vrs boots) and it seems it's true..... Way back in the late 90's when i first gave up drinking, i was desperate for feelings, any feelings, and this included trying to make (terrible) dance music in my home studio on headphones, with every possible output boosted beyond maximum... The result was that a year or so later the ringing had still not stopped, and gradually the high frequency end of my hearing has radically tapered off. In company of actors my hearing is fine, they naturally seem to projects without shouting, but mumblers and the not so sure tend to have me straining to catch every word... so now im going to start boosting my hearing electronically..... and am waiting with a vital interest for the results of several gene therapy studies that hope to regrow the damages cilia, with <a href="http://www.actiononhearingloss.org.uk/community/blogs/our-guest-blog/the-first-gene-therapy-trial-for-hearing-loss.aspx" target="_blank">an attenuated viral vector injected directly into the ear</a>..... watch this space<br />
  4141. <a href="https://www.theculture.net/radio/wp-content/uploads/2015/06/hearing-chart.jpg"></a> My hearing test results<br />
  4142. <a href="https://www.theculture.net/radio/wp-content/uploads/2015/06/Screenshot-2015-06-30-01.18.33.png"></a>Old Punks Hear Hard<br />
  4143. A vine from our<br />
  4144. 'isotopica alive'<br />
  4145. at the <a href="http://beaconsfield.ltd.uk/about/" target="_blank">beaconsfield gallery</a> 20th birthday celebration<br />
  4146. https://vine.co/v/e5EvezrnpVp<br />
  4147. Notting Hill Gate y quintessence 1967<br />
  4148. Things look great in Notting Hill Gate<br />
  4149. They really move with the change in times<br />
  4150. But only you can know the reason why<br />
  4151. Why they hide behind their own third eye<br />
  4152. Things look cool in Notting school<br />
  4153. They never go about playing no rules<br />
  4154. But only you can know the reason why<br />
  4155. Why they fly in the sky so high<br />
  4156. Getting it straight in Notting Hill Gate<br />
  4157. We all sit around and meditate<br />
  4158. But only you can know the reason why<br />
  4159. Why we fly in the sky so high<br />]]></itunes:summary>
  4160. <itunes:author>Simon Tyszko</itunes:author>
  4161. <itunes:episodeType>full</itunes:episodeType>
  4162. <itunes:explicit>false</itunes:explicit>
  4163. <itunes:duration>58:36</itunes:duration>
  4164. </item>
  4165. <item>
  4166. <title>Glitch&#8230;.Sorry</title>
  4167. <link>https://www.theculture.net/radio/glitch-sorry/</link>
  4168. <pubDate>Tue, 09 Jun 2015 01:29:51 +0000</pubDate>
  4169. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1731</guid>
  4170. <description>isotopica today considers data, the glitch, the algorithm, the random, the boolean. in the age of increasingly total data the simple yes or no can take us on a journey way beyond. Perhaps the fictional biblical arc was actually an accurate image of a future where life itself is reduced to it’s binary constituents of zero and one.
  4171. We evoke this notion with some noises. (and some jazz).
  4172. pure data, a groundbreaking digital generator and manipulator
  4173. glitched jpeg from the black glove movie that has been glitched in this episode..meta. heck yes
  4174. buy some of this delicious incense from isotopica&#039;s visiting joss stick expert, the famous happy harihttp://www.happyhariincense.com/cart/
  4175. yummy stix
  4176. It occurred to me that much of our increasingly populous world is and can be design algorithmically, is like a flow chart, you this if that or then that if not this etc. etc.
  4177. the restaurant chain Leon is perhaps a prime example as is Haagen Das, a meaningless set of words that sound like expensive ice cream.
  4178. Leon has family style photographs that would appeal directly to the nostalgic and home missing demographic it aims at, the various elements are a carefully designed pick and mix of semiotic fishing hooks….
  4179. With everything with meaning being so devoid of meaning then the random becomes so much more precious…. the impossible sounds that glitched digital audio can produce have become a new landscape for artists to explore, much as the minimal bits in between, the negative spaces define what we have listen to in the past then the 50 hrz hum, the plugging in and out of a guitar lead become more meaningfull that the songs they interrupt.
  4180. Glitching can simply be arranging things that shouldn’t happen, or not arranging them or letting an algorithm arrange them….
  4181. Importing raw hexadecimal data into a sound editor from a text an image or even a video will produce a new world of sound more visceral than any syth….
  4182. today i have taken an episode of the magic roundabout and converted it into a digital static mixed in with a similar disassembly of a cult s&amp;m film called black glove (something I’m recontextualising in my studio), all this mixed and muxed with some of the familiar background noises from isotoiopca Rioji ikea who preformed live in hoxton last week in a blistering style, and of course alva alto…</description>
  4183. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopicasonicfiles/isotopica-07e07-GLITCH-tt.m4a" length="114364274" type="audio/x-m4a" />
  4184. <itunes:subtitle>isotopica today considers data, the glitch, the algorithm, the random, the boolean. in the age of increasingly total data the simple yes or no can take us on a journey way beyond. Perhaps the fictional biblical arc was actually an accurate image of a f...</itunes:subtitle>
  4185. <itunes:summary><![CDATA[isotopica today considers data, the <a href="https://en.wikipedia.org/wiki/Glitch" target="_blank">glitch</a>, the <a href="https://en.wikipedia.org/wiki/Algorithm" target="_blank">algorithm</a>, the random, the <a href="https://en.wikipedia.org/wiki/Boolean_data_type" target="_blank">boolean</a>. in the age of increasingly total data the simple yes or no can take us on a journey way beyond. Perhaps the fictional biblical arc was actually an accurate image of a future where life itself is reduced to it’s <a href="https://en.wikipedia.org/wiki/Binary_code" target="_blank">binary</a> constituents of zero and one.<br />
  4186. We evoke this notion with some noises. (and some jazz).<br />
  4187. pure data, a groundbreaking digital generator and manipulator<br />
  4188. <a href="https://www.theculture.net/radio/wp-content/uploads/2015/06/black-glovex1.jpg"></a>glitched jpeg from the black glove movie that has been glitched in this episode..meta. heck yes<br />
  4189. <a href="https://www.theculture.net/radio/wp-content/uploads/2015/06/joss.jpg"></a>buy some of this delicious incense from isotopica's visiting joss stick expert, the famous happy harihttp://www.happyhariincense.com/cart/<br />
  4190. <a href="http://www.happyhariincense.com/cart" target="_blank">yummy stix</a><br />
  4191. It occurred to me that much of our increasingly populous world is and can be design algorithmically, is like a flow chart, you this if that or then that if not this etc. etc.<br />
  4192. the restaurant chain Leon is perhaps a prime example as is Haagen Das, a meaningless set of words that sound like expensive ice cream.<br />
  4193. Leon has family style photographs that would appeal directly to the nostalgic and home missing demographic it aims at, the various elements are a carefully designed pick and mix of semiotic fishing hooks….<br />
  4194. With everything with meaning being so devoid of meaning then the random becomes so much more precious…. the impossible sounds that glitched digital audio can produce have become a new landscape for artists to explore, much as the minimal bits in between, the negative spaces define what we have listen to in the past then the 50 hrz hum, the plugging in and out of a guitar lead become more meaningfull that the songs they interrupt.<br />
  4195. Glitching can simply be arranging things that shouldn’t happen, or not arranging them or letting an algorithm arrange them….<br />
  4196. Importing raw hexadecimal data into a sound editor from a text an image or even a video will produce a new world of sound more visceral than any syth….<br />
  4197. today i have taken an episode of the magic roundabout and converted it into a digital static mixed in with a similar disassembly of a cult s&amp;m film called black glove (something I’m recontextualising in my studio), all this mixed and muxed with some of the familiar background noises from isotoiopca Rioji ikea who preformed live in hoxton last week in a blistering style, and of course alva alto…<br />]]></itunes:summary>
  4198. <itunes:author>Simon Tyszko</itunes:author>
  4199. <itunes:episodeType>full</itunes:episodeType>
  4200. <itunes:explicit>false</itunes:explicit>
  4201. <itunes:duration>59:12</itunes:duration>
  4202. </item>
  4203. <item>
  4204. <title>Nasenflötenorchester, Professor Ernst, some Bats and a Well Echoed Flute</title>
  4205. <link>https://www.theculture.net/radio/nasenflotenorchester-professor-ernst-some-bats-and-a-well-echoed-flute/</link>
  4206. <pubDate>Tue, 02 Jun 2015 02:22:29 +0000</pubDate>
  4207. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1718</guid>
  4208. <description>We Start with Das Original Oberkreuzberger Nasenflötenorchester, segue thru to the delightful Professor Edzard Ernst, World leader in evidence based research into Alt-Med treatments......out into an Estonian field recording from Elo Masing, into an attenuated and space echoed flute in test for our performance with a hanging piano at the Beaconsfield gallery 20th Birthday celebrations..... phew!
  4209. oh and we finish with the delicious and absurdist Senor Coconut.......
  4210.  
  4211.  
  4212. Virolainen kenttäpuhelin.
  4213.  </description>
  4214. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopicasonicfiles/isotopica-s07e06-small-pig-episode-tt.m4a" length="118763349" type="audio/x-m4a" />
  4215. <itunes:subtitle>We Start with Das Original Oberkreuzberger Nasenflötenorchester, segue thru to the delightful Professor Edzard Ernst, World leader in evidence based research into Alt-Med treatments......out into an Estonian field recording from Elo Masing,</itunes:subtitle>
  4216. <itunes:summary><![CDATA[<a href="https://www.theculture.net/radio/wp-content/uploads/2015/06/IMG_6443.jpg">We Start with </a><a href="http://dergrindchor.blogspot.co.uk/2011/12/neukolln-uberalles_2926.html" target="_blank">Das Original Oberkreuzberger Nasenflötenorchester</a><a href="https://www.theculture.net/radio/wp-content/uploads/2015/06/IMG_6443.jpg">, segue thru to</a> the delightful <a href="http://en.wikipedia.org/wiki/Edzard_Ernst#Work_in_complementary_medicine http://edzardernst.com">Professor Edzard Ernst</a>, World leader in evidence based research into Alt-Med treatments......out into an Estonian field recording from Elo Masing, into an attenuated and space echoed flute in test for our performance with a hanging piano at the <a href="http://beaconsfield.ltd.uk/projects/beaconsfields-20th-birthday-party-new-dawn-25th-june-2015/" target="_blank">Beaconsfield gallery 20th Birthday celebrations</a>..... phew!<br />
  4217. oh and we finish with the delicious and absurdist <a href="https://www.google.co.uk/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=2&amp;cad=rja&amp;uact=8&amp;ved=0CCgQFjABahUKEwi7xNiR6-_FAhUkjtsKHTYMAMU&amp;url=http%3A%2F%2Fen.wikipedia.org%2Fwiki%2FUwe_Schmidt&amp;ei=_gNtVbvNLqSc7ga2mICoDA&amp;usg=AFQjCNGw9KA91I-eGGE2cfUHpI4NmyaOjQ&amp;sig2=gFhc8K9--a7AM5fb6JBfzg&amp;bvm=bv.94455598,d.ZGU" target="_blank">Senor Coconut</a>.......<br />
  4218. <a href="https://www.theculture.net/radio/wp-content/uploads/2015/06/dsc01518-copy.jpg"></a><br />
  4219. <br />
  4220. <a href="https://www.theculture.net/radio/wp-content/uploads/2015/06/Estonian_field_telephone.jpg"></a>Virolainen kenttäpuhelin.<br />
  4221. &nbsp;<br />]]></itunes:summary>
  4222. <itunes:author>Simon Tyszko</itunes:author>
  4223. <itunes:episodeType>full</itunes:episodeType>
  4224. <itunes:explicit>false</itunes:explicit>
  4225. <itunes:duration>58:29</itunes:duration>
  4226. </item>
  4227. <item>
  4228. <title>Post Election News (jesus h!)</title>
  4229. <link>https://www.theculture.net/radio/post-election-news-jesus-h/</link>
  4230. <pubDate>Tue, 12 May 2015 13:11:58 +0000</pubDate>
  4231. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1706</guid>
  4232. <description>Today we relax, or sink, or wallow, in the glorious darkness of Bohren &amp; der Club of Gore, (self described as an &quot;unholy ambient mixture of slow jazz ballads, Black Sabbath doom and down tuned Autopsy sounds) an unusual almost single artist episode of isotopica, but....... after the shocking (or is it?) election results returning the most absurdly mendacious, illiberal, spiteful government in our history, i think we deserve nothing less.
  4233. enjoy</description>
  4234. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopicasonicfiles/isotopica-s070-e03-postelectionTT.m4a" length="134362248" type="audio/x-m4a" />
  4235. <itunes:subtitle>Today we relax, or sink, or wallow, in the glorious darkness of Bohren &amp; der Club of Gore, (self described as an &quot;unholy ambient mixture of slow jazz ballads, Black Sabbath doom and down tuned Autopsy sounds) an unusual almost single artist episode of ...</itunes:subtitle>
  4236. <itunes:summary><![CDATA[Today we relax, or sink, or wallow, in the glorious darkness of <a href="https://en.wikipedia.org/wiki/Bohren_%26_der_Club_of_Gore" target="_blank">Bohren &amp; der Club of Gore</a>, (self described as an "unholy ambient mixture of slow jazz ballads, <a title="Black Sabbath" href="https://en.wikipedia.org/wiki/Black_Sabbath">Black Sabbath</a> doom and down tuned <a title="Autopsy (band)" href="https://en.wikipedia.org/wiki/Autopsy_(band)">Autopsy</a> sounds) an unusual almost single artist episode of isotopica, but....... after the shocking (or is it?) election results returning the most absurdly mendacious, illiberal, spiteful government in our history, i think we deserve nothing less.<br />
  4237. enjoy<br />
  4238. <a href="https://www.theculture.net/radio/wp-content/uploads/2015/05/halt.jpg"></a><br />]]></itunes:summary>
  4239. <itunes:author>Simon Tyszko</itunes:author>
  4240. <itunes:episodeType>full</itunes:episodeType>
  4241. <itunes:explicit>false</itunes:explicit>
  4242. <itunes:duration>58:49</itunes:duration>
  4243. </item>
  4244. <item>
  4245. <title>Table Tennis With David Ellis (a knockabout detour)</title>
  4246. <link>https://www.theculture.net/radio/table-tennis-with-david-ellis-a-knockabout-detour/</link>
  4247. <pubDate>Fri, 01 May 2015 23:29:29 +0000</pubDate>
  4248. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1670</guid>
  4249. <description>In conversation with the rather wonderful and total obscurantist Mr David Ellis...... Friend, collaborator, inspiration, &amp; mystery, mostly mystery....more text to follow
  4250. Tribute to Jonas Mekas on his 90th birthday:
  4251. from Serpentine Galleries London
  4252. David Ellis and Simon Tyszko, &quot;Detour&quot;, 2012
  4253. https://vimeo.com/55864936
  4254. Stills from Lithuanian Detour 23 with tyszko and ellis 2003(ish)
  4255. [advanced_iframe securitykey=&quot;57341ed54fbcaf450fb79cd76b9305493255f3f2&quot; src=&quot;http://theculture.net/01010/galleries/lithuania14/index.html&quot; width=&quot;100%&quot; height=&quot;500&quot;]</description>
  4256. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopicasonicfiles/isotopica-s03e11-ellisdetours-TT.mp3" length="141045508" type="audio/mpeg" />
  4257. <itunes:subtitle>In conversation with the rather wonderful and total obscurantist Mr David Ellis...... Friend, collaborator, inspiration, &amp; mystery, mostly mystery....more text to follow Tribute to Jonas Mekas on his 90th birthday: from Serpentine Galleries London </itunes:subtitle>
  4258. <itunes:summary><![CDATA[In conversation with the rather wonderful and total obscurantist Mr David Ellis...... Friend, collaborator, inspiration, &amp; mystery, mostly mystery....more text to follow<br />
  4259. Tribute to Jonas Mekas on his 90th birthday:<br />
  4260. from Serpentine Galleries London<br />
  4261. David Ellis and Simon Tyszko, "Detour", 2012<br />
  4262. https://vimeo.com/55864936<br />
  4263. Stills from Lithuanian Detour 23 with tyszko and ellis 2003(ish)<br />
  4264. [advanced_iframe securitykey="57341ed54fbcaf450fb79cd76b9305493255f3f2" src="http://theculture.net/01010/galleries/lithuania14/index.html" width="100%" height="500"]<br />]]></itunes:summary>
  4265. <itunes:author>Simon Tyszko</itunes:author>
  4266. <itunes:episodeType>full</itunes:episodeType>
  4267. <itunes:explicit>false</itunes:explicit>
  4268. <itunes:duration>58:46</itunes:duration>
  4269. </item>
  4270. <item>
  4271. <title>(Inter) National Treasure: Dudley Sutton</title>
  4272. <link>https://www.theculture.net/radio/inter-national-treasure-dudley-sutton/</link>
  4273. <pubDate>Tue, 20 Jan 2015 03:31:06 +0000</pubDate>
  4274. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1406</guid>
  4275. <description>Isotopica today treats with good friend and (official) national treasure Dudley Sutton, to mark the end of his lino cut illustrated poem exhibition at the Chelsea Arts club.We talk of his 1960’s adventures in New york with Joan Littlewood, dope fuddled filming in Antigua and more recent collaborations with Andrew Kotting (testing soil temperature with bare buttocks and poems in a pedalo). Delishhhh!
  4276.  
  4277.  
  4278.  
  4279. Dudley Sutton performing in Andrew Köttings &quot;This Filthy Earth&quot;
  4280.  
  4281.  
  4282.  
  4283. Dudley Sutton performing in Andrew Köttings &quot;This Filthy Earth&quot;
  4284.  
  4285.  
  4286.  
  4287. This Filthy Earth is the story of sisters Kath and Francine, whose lives are disrupted by two men – a brutal villager greedy for the girls&#039; land and a gentle stranger who offers the possibility of escape. Amidst a landscape of rural hardship and a community consumed with superstition, events unfurl which threaten their sibling bond.
  4288.  
  4289.  
  4290.  
  4291. This Filthy Earth is the second feature from Andrew Kötting, whose debut film, Gallivant, won him Channel 4&#039;s Best New Director Award at the Edinburgh International Film Festival in 1996. It features an exciting line up of acting talent including Rebecca Palmer (Intimacy, Quills), Shane Attwooll (Porgy and Bess), Demelza Randall in her feature film debut, Dudley Sutton (Up at the Villa, The Devils) and French actor Xavier Tchili (La Perme). With a script co-written by comedian Sean Lock, This Filthy Earth is a tragic tale of rural passion and survival inspired by Emile Zola&#039;s novel La Terre and John Berger&#039;s Pig Earth.</description>
  4292. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/isotopica/isotopica-se03e10-nattres-dudley-tt-IZT.mp3" length="142446758" type="audio/mpeg" />
  4293. <itunes:subtitle>Isotopica today treats with good friend and (official) national treasure Dudley Sutton, to mark the end of his lino cut illustrated poem exhibition at the Chelsea Arts club.We talk of his 1960’s adventures in New york with Joan Littlewood,</itunes:subtitle>
  4294. <itunes:summary><![CDATA[<br />
  4295. Isotopica today treats with good friend and (official) national treasure Dudley Sutton, to mark the end of his lino cut illustrated poem exhibition at the Chelsea Arts club.We talk of his 1960’s adventures in New york with Joan Littlewood, dope fuddled filming in Antigua and more recent collaborations with Andrew Kotting (testing soil temperature with bare buttocks and poems in a pedalo). Delishhhh!<br />
  4296. <br />
  4297. <br />
  4298. <br />
  4299. Dudley Sutton performing in Andrew Köttings "This Filthy Earth"<br />
  4300. <br />
  4301. <br />
  4302. <br />
  4303. Dudley Sutton performing in Andrew Köttings "This Filthy Earth"<br />
  4304. <br />
  4305. <br />
  4306. <br />
  4307. This Filthy Earth is the story of sisters Kath and Francine, whose lives are disrupted by two men – a brutal villager greedy for the girls' land and a gentle stranger who offers the possibility of escape. Amidst a landscape of rural hardship and a community consumed with superstition, events unfurl which threaten their sibling bond.<br />
  4308. <br />
  4309. <br />
  4310. <br />
  4311. This Filthy Earth is the second feature from Andrew Kötting, whose debut film, Gallivant, won him Channel 4's Best New Director Award at the Edinburgh International Film Festival in 1996. It features an exciting line up of acting talent including Rebecca Palmer (Intimacy, Quills), Shane Attwooll (Porgy and Bess), Demelza Randall in her feature film debut, Dudley Sutton (Up at the Villa, The Devils) and French actor Xavier Tchili (La Perme). With a script co-written by comedian Sean Lock, This Filthy Earth is a tragic tale of rural passion and survival inspired by Emile Zola's novel La Terre and John Berger's Pig Earth.<br />]]></itunes:summary>
  4312. <itunes:author>Simon Tyszko</itunes:author>
  4313. <itunes:episodeType>full</itunes:episodeType>
  4314. <itunes:explicit>false</itunes:explicit>
  4315. <itunes:duration>59:21</itunes:duration>
  4316. </item>
  4317. <item>
  4318. <title>100 air kisses before nine pm</title>
  4319. <link>https://www.theculture.net/radio/100-air-kisses-before-nine-pm/</link>
  4320. <pubDate>Wed, 29 Apr 2015 01:18:10 +0000</pubDate>
  4321. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1648</guid>
  4322. <description>As an artist I have, over the years attended my fair share of openings and events, a see and be seen, inhaling the rarified airs and experiencing the frisson and glamour of the big game in art. I have sold work, and met collaborators, ended up in beds and garrets, bars and restaurants. I have played the game and worked the rooms........ Yet as i have moved away from academia and the anonymous invitations multiply, the vibrant pulse of the hottests blooded galleries perhaps, becomes somewhat harder to feel.
  4323.  
  4324. Therefore today i am In light conversation with the delightful Patrick Fetherstonhaugh, Founder (along with brother Tristram) of GalleriesNow.net, which is a curated guide to the best art exhibitions at galleries in London, New York, Paris, Berlin and around the world.
  4325.  
  4326. patrick and tristram
  4327.  
  4328. indica-gallery-1968dunbar-miles
  4329.  
  4330. a true rebel</description>
  4331. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopicasonicfiles/Isotopica-s05e16-galleriesnowdotnettwothree-TT.mp3" length="115298332" type="audio/mpeg" />
  4332. <itunes:subtitle>As an artist I have, over the years attended my fair share of openings and events, a see and be seen, inhaling the rarified airs and experiencing the frisson and glamour of the big game in art. I have sold work, and met collaborators,</itunes:subtitle>
  4333. <itunes:summary><![CDATA[As an artist I have, over the years attended my fair share of openings and events, a see and be seen, inhaling the rarified airs and experiencing the frisson and glamour of the big game in art. I have sold work, and met collaborators, ended up in beds and garrets, bars and restaurants. I have played the game and worked the rooms........ Yet as i have moved away from academia and the anonymous invitations multiply, the vibrant pulse of the hottests blooded galleries perhaps, becomes somewhat harder to feel.<br />
  4334. <br />
  4335. Therefore today i am In light conversation with the delightful Patrick Fetherstonhaugh, Founder (along with brother Tristram) of <a href="http://GalleriesNow.net" target="_blank">GalleriesNow.net</a>, which is a curated guide to the best art exhibitions at galleries in London, New York, Paris, Berlin and around the world.<br />
  4336. <br />
  4337. patrick and tristram<br />
  4338. <br />
  4339. <a href="https://www.theculture.net/radio/wp-content/uploads/2015/04/indica-gallery-dunbar-miles.jpg"></a>indica-gallery-1968dunbar-miles<br />
  4340. <br />
  4341. a true rebel]]></itunes:summary>
  4342. <itunes:author>Simon Tyszko</itunes:author>
  4343. <itunes:episodeType>full</itunes:episodeType>
  4344. <itunes:explicit>false</itunes:explicit>
  4345. <itunes:duration>58:41</itunes:duration>
  4346. </item>
  4347. <item>
  4348. <title>Protected: Nocturne</title>
  4349. <link>https://www.theculture.net/radio/snores-farts-sleeps/</link>
  4350. <pubDate>Wed, 22 Apr 2015 11:16:32 +0000</pubDate>
  4351. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1634</guid>
  4352. <description>There is no excerpt because this is a protected post.</description>
  4353. </item>
  4354. <item>
  4355. <title>The Truth Cannot Be Told</title>
  4356. <link>https://www.theculture.net/radio/the-truth-cannot-be-told/</link>
  4357. <pubDate>Thu, 26 Mar 2015 13:21:59 +0000</pubDate>
  4358. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1565</guid>
  4359. <description>A contemporary mystery, sub-judice, too hot to handle, unrepeatable.. yes, it&#039;s Isotopica investigative reporting at it&#039;s very best and most oblique.......</description>
  4360. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-s04-e05-reltih-youth-TT.mp3" length="93881281" type="audio/mpeg" />
  4361. <itunes:subtitle>A contemporary mystery, sub-judice, too hot to handle, unrepeatable.. yes, it&#039;s Isotopica investigative reporting at it&#039;s very best and most oblique.......</itunes:subtitle>
  4362. <itunes:summary><![CDATA[A contemporary mystery, sub-judice, too hot to handle, unrepeatable.. yes, it's Isotopica investigative reporting at it's very best and most oblique.......<a href="https://www.theculture.net/radio/wp-content/uploads/2015/01/subisotopica-0452.jpg"></a><br />]]></itunes:summary>
  4363. <itunes:author>Simon Tyszko</itunes:author>
  4364. <itunes:episodeType>full</itunes:episodeType>
  4365. <itunes:explicit>false</itunes:explicit>
  4366. <itunes:duration>58:39</itunes:duration>
  4367. </item>
  4368. <item>
  4369. <title>Je Suis Artists</title>
  4370. <link>https://www.theculture.net/radio/je-suis-artists/</link>
  4371. <pubDate>Tue, 20 Jan 2015 03:55:20 +0000</pubDate>
  4372. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1471</guid>
  4373. <description>In the week of the Murders in Paris, starting at the offices of satirical Magazine Charlie Hebdoo, Isotoptica  considers, with an etherial broadcast, the  issues of contemporary free speech, an absolute hypocrisy , insane illiberalism, and the complex meta politics of late game global neoliberal capitalism....... fuuuuuuuuck!
  4374. No Future?
  4375.  </description>
  4376. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-s04-e02-2015-parisTT.mp3" length="141728872" type="audio/mpeg" />
  4377. <itunes:subtitle>In the week of the Murders in Paris, starting at the offices of satirical Magazine Charlie Hebdoo, Isotoptica  considers, with an etherial broadcast, the  issues of contemporary free speech, an absolute hypocrisy , insane illiberalism,</itunes:subtitle>
  4378. <itunes:summary><![CDATA[In the week of the Murders in Paris, starting at the offices of satirical Magazine Charlie Hebdoo, Isotoptica  considers, with an etherial broadcast, the  issues of contemporary free speech, an absolute hypocrisy , insane illiberalism, and the complex meta politics of late game global neoliberal capitalism....... fuuuuuuuuck!<br />
  4379. <a href="https://www.theculture.net/radio/wp-content/uploads/2015/01/2000px-BlackFlagSymbol.svg_.jpg"></a>No Future?<br />
  4380. &nbsp;<br />]]></itunes:summary>
  4381. <itunes:author>Simon Tyszko</itunes:author>
  4382. <itunes:episodeType>full</itunes:episodeType>
  4383. <itunes:explicit>false</itunes:explicit>
  4384. <itunes:duration>59:03</itunes:duration>
  4385. </item>
  4386. <item>
  4387. <title>Isolation, A Prison Break</title>
  4388. <link>https://www.theculture.net/radio/isolation-a-prison-break/</link>
  4389. <pubDate>Tue, 20 Jan 2015 03:47:14 +0000</pubDate>
  4390. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1473</guid>
  4391. <description>A conversation with arch adventurer David Ellis is followed by an algorithmically  generated chromatic scale composition. 
  4392. Gentle</description>
  4393. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/Isotopica-2015-s04-e01-prisonbreakTT.mp3" length="141004757" type="audio/mpeg" />
  4394. <itunes:subtitle>A conversation with arch adventurer David Ellis is followed by an algorithmically  generated chromatic scale composition.  Gentle</itunes:subtitle>
  4395. <itunes:summary><![CDATA[A conversation with arch adventurer David Ellis is followed by an algorithmically  generated chromatic scale composition. <br />
  4396. Gentle<br />]]></itunes:summary>
  4397. <itunes:author>Simon Tyszko</itunes:author>
  4398. <itunes:episodeType>full</itunes:episodeType>
  4399. <itunes:explicit>false</itunes:explicit>
  4400. <itunes:duration>58:45</itunes:duration>
  4401. </item>
  4402. <item>
  4403. <title>Hell&#8217;s Angels Ping Pong (a slight change of plan)</title>
  4404. <link>https://www.theculture.net/radio/hells-angels-ping-pong-a-slight-change-of-plan/</link>
  4405. <pubDate>Tue, 16 Dec 2014 16:31:00 +0000</pubDate>
  4406. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1430</guid>
  4407. <description>You know that moment when you meet someone at the ICA and then find yourself a special guest of an Eastern European Hells Angels chapter as part of an obscure performance art work?
  4408. Yes, that moment.
  4409. Today’s guest is uncategorizable artist David Ellis, we talk categories and how to stay out of them.
  4410.  
  4411. EMOTIONAL PING PONG
  4412.  
  4413. Mekas tribute: David Ellis and Simon Tyszko from Serpentine Galleries</description>
  4414. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-s03e11-ellisdetours-TT.mp3" length="141045508" type="audio/mpeg" />
  4415. <itunes:subtitle>You know that moment when you meet someone at the ICA and then find yourself a special guest of an Eastern European Hells Angels chapter as part of an obscure performance art work? Yes, that moment. Today’s guest is uncategorizable artist David Ellis,</itunes:subtitle>
  4416. <itunes:summary><![CDATA[You know that moment when you meet someone at the ICA and then find yourself a special guest of an Eastern European Hells Angels chapter as part of an obscure performance art work?<br />
  4417. Yes, that moment.<br />
  4418. Today’s guest is uncategorizable artist David Ellis, we talk categories and how to stay out of them.<br />
  4419. <a href="https://www.theculture.net/radio/wp-content/uploads/2014/12/slap.gif"></a><br />
  4420. EMOTIONAL PING PONG<br />
  4421. <br />
  4422. <a href="http://vimeo.com/55864936">Mekas tribute: David Ellis and Simon Tyszko</a> from <a href="http://vimeo.com/serpentinegalleries">Serpentine Galleries</a><br />
  4423. <br />
  4424. <br />
  4425. <br />]]></itunes:summary>
  4426. <itunes:author>Simon Tyszko</itunes:author>
  4427. <itunes:episodeType>full</itunes:episodeType>
  4428. <itunes:explicit>false</itunes:explicit>
  4429. <itunes:duration>58:46</itunes:duration>
  4430. </item>
  4431. <item>
  4432. <title>Bah:Humbugs. jesus h christmas again</title>
  4433. <link>https://www.theculture.net/radio/bahhumbugs-jesus-h-christmas-again/</link>
  4434. <pubDate>Tue, 20 Jan 2015 03:30:17 +0000</pubDate>
  4435. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1479</guid>
  4436. <description>A grizzled and dystopian Seasonal Serving
  4437. bah humbug christmas is so unsocial
  4438. Isotopica strongly suggests you join us for our 100% guaranteed jaded, Nihilist Christmas special.
  4439. We will attempt a seance, bringing carols and christmas chills from &#039;The Other Side&#039; and generally revel in our very own Brutal Meta Modernist and Miserablist Seasonal spirit....
  4440. Join us and forget all this tinsel cheer (repeated forever and ever and ever and........)</description>
  4441. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-s03-e016-bahhumbugmixTT.mp3" length="114227339" type="audio/mpeg" />
  4442. <itunes:subtitle>A grizzled and dystopian Seasonal Serving bah humbug christmas is so unsocial Isotopica strongly suggests you join us for our 100% guaranteed jaded, Nihilist Christmas special. We will attempt a seance, bringing carols and christmas chills from &#039;The Ot...</itunes:subtitle>
  4443. <itunes:summary><![CDATA[A grizzled and dystopian Seasonal Serving<br />
  4444. bah humbug christmas is so unsocial<br />
  4445. Isotopica strongly suggests you join us for our 100% guaranteed jaded, Nihilist Christmas special.<br />
  4446. We will attempt a seance, bringing carols and christmas chills from 'The Other Side' and generally revel in our very own Brutal Meta Modernist and Miserablist Seasonal spirit....<br />
  4447. Join us and forget all this tinsel cheer (repeated forever and ever and ever and........)<br />
  4448. <br />]]></itunes:summary>
  4449. <itunes:author>Simon Tyszko</itunes:author>
  4450. <itunes:episodeType>full</itunes:episodeType>
  4451. <itunes:explicit>false</itunes:explicit>
  4452. </item>
  4453. <item>
  4454. <title>Plumb:  composition, collaboration and molten lead</title>
  4455. <link>https://www.theculture.net/radio/plumb-composition-collaboration-and-molten-lead/</link>
  4456. <pubDate>Tue, 20 Jan 2015 03:16:43 +0000</pubDate>
  4457. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1411</guid>
  4458. <description>Isotopica today is a series of compositional performance, plumbing lessons, plumbing lessons that become performance, and collaborations with and excerpts from performances of The Clapton Ensemble. Please do not attempt any of this at home without a doctorate level composer present. (we ended up semi flooded in the making of this episode).
  4459. plumb 1
  4460. verb      the actor&#039;s attempt to plumb the twisted psyche of Richard III: explore, probe, delve into, search, examine, investigate, scrutinize, inspect, sound out, go into, understand, fathom, get to the bottom of, penetrate, unravel.
  4461. elo masing with stringed instrument
  4462.  
  4463. the peerless ClaAptOn Ensemble</description>
  4464. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-s05e13-leadhatabsolutemix-TT.mp3" length="114549573" type="audio/mpeg" />
  4465. <itunes:subtitle>Isotopica today is a series of compositional performance, plumbing lessons, plumbing lessons that become performance, and collaborations with and excerpts from performances of The Clapton Ensemble. Please do not attempt any of this at home without a do...</itunes:subtitle>
  4466. <itunes:summary><![CDATA[Isotopica today is a series of compositional performance, plumbing lessons, plumbing lessons that become performance, and collaborations with and excerpts from performances of <a href="http://www.claptonensemble.com">The Clapton Ensemble</a>. Please do not attempt any of this at home without a doctorate level composer present. (we ended up semi flooded in the making of this episode).<br />
  4467. plumb 1<br />
  4468. verb      the actor's attempt to plumb the twisted psyche of Richard III: explore, probe, delve into, search, examine, investigate, scrutinize, inspect, sound out, go into, understand, fathom, get to the bottom of, penetrate, unravel.<br />
  4469. <a href="https://www.theculture.net/radio/wp-content/uploads/2014/12/IMG_5236.jpg"></a>elo masing with stringed instrument<br />
  4470. <a href="https://www.theculture.net/radio/wp-content/uploads/2014/12/IMG_9358.jpg"></a><br />
  4471. <a href="https://www.theculture.net/radio/wp-content/uploads/2014/12/claptop.png"></a>the peerless ClaAptOn Ensemble<br />]]></itunes:summary>
  4472. <itunes:author>Simon Tyszko</itunes:author>
  4473. <itunes:episodeType>full</itunes:episodeType>
  4474. <itunes:explicit>false</itunes:explicit>
  4475. <itunes:duration>58:51</itunes:duration>
  4476. </item>
  4477. <item>
  4478. <title>Restless:</title>
  4479. <link>https://www.theculture.net/radio/restless-2/</link>
  4480. <pubDate>Tue, 20 Jan 2015 03:14:56 +0000</pubDate>
  4481. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1413</guid>
  4482. <description>restless  adjective
  4483. 1 .... was restless, moving uneasily about the hut: uneasy, ill at ease, restive, fidgety, edgy, on edge, tense, worked up, nervous, agitated, anxious, on tenterhooks, keyed up, apprehensive, unquiet, impatient; Brit. nervy; informal jumpy, jittery, twitchy, uptight, wired, like a cat on a hot tin roof; Brit. informal like a cat on hot bricks, stressy. ANTONYMS calm.
  4484. 2 he had spent a restless night: sleepless, wakeful, insomniac; fitful, broken, disturbed, troubled, unsettled, uncomfortable; tossing and turning; archaic watchful; rare insomnolent.
  4485. ANTONYMS peaceful.
  4486. Restless
  4487.  As our thoughts turn towards hibernation, isotopica peers inwards to the restless pink noise of the artist&#039;s soul. Marking just over a year since our last notable exhibition (UNFunFair Beaconsfield London), and without even the lingering fumes from a barely remembered sale, we use unpaid bills for warmth on the fire as we look for reasons to get out of bed, and Sisyphus like do what artists do… Therefor we present a gentle soundscape entitled ‘Restless’ which perhaps echoes (we love echo) the winter lives of of the creative at the fringe of one of the most monied art worlds in history.
  4488.  
  4489. Restless’ 58m 32seconds Tyszko 2014</description>
  4490. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/restlessmixTT.mp3" length="116253712" type="audio/mpeg" />
  4491. <itunes:subtitle>restless  adjective 1 .... was restless, moving uneasily about the hut: uneasy, ill at ease, restive, fidgety, edgy, on edge, tense, worked up, nervous, agitated, anxious, on tenterhooks, keyed up, apprehensive, unquiet, impatient; Brit.</itunes:subtitle>
  4492. <itunes:summary><![CDATA[restless  adjective<br />
  4493. 1 .... was restless, moving uneasily about the hut: uneasy, ill at ease, restive, fidgety, edgy, on edge, tense, worked up, nervous, agitated, anxious, on tenterhooks, keyed up, apprehensive, unquiet, impatient; Brit. nervy; informal jumpy, jittery, twitchy, uptight, wired, like a cat on a hot tin roof; Brit. informal like a cat on hot bricks, stressy. ANTONYMS calm.<br />
  4494. 2 he had spent a restless night: sleepless, wakeful, insomniac; fitful, broken, disturbed, troubled, unsettled, uncomfortable; tossing and turning; archaic watchful; rare insomnolent.<br />
  4495. ANTONYMS peaceful.<br />
  4496. Restless<br />
  4497.  As our thoughts turn towards hibernation, isotopica peers inwards to the restless pink noise of the artist's soul. Marking just over a year since our last notable exhibition (UNFunFair Beaconsfield London), and without even the lingering fumes from a barely remembered sale, we use unpaid bills for warmth on the fire as we look for reasons to get out of bed, and Sisyphus like do what artists do… Therefor we present a gentle soundscape entitled ‘Restless’ which perhaps echoes (we love echo) the winter lives of of the creative at the fringe of one of the most monied art worlds in history.<br />
  4498. <br />
  4499. Restless’ 58m 32seconds Tyszko 2014<br />
  4500. <br />
  4501. <br />]]></itunes:summary>
  4502. <itunes:author>Simon Tyszko</itunes:author>
  4503. <itunes:episodeType>full</itunes:episodeType>
  4504. <itunes:explicit>false</itunes:explicit>
  4505. </item>
  4506. <item>
  4507. <title>Arkitectyour: with Herbet Wright</title>
  4508. <link>https://www.theculture.net/radio/arkitectyour-with-herbet-wright/</link>
  4509. <pubDate>Fri, 14 Nov 2014 14:42:46 +0000</pubDate>
  4510. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1314</guid>
  4511. <description>An admittedly scatty episode with our fabulous architecture correspondent Herbert Wright,
  4512. that somehow  left Herbert feeling &#039;mortified&#039; by the superficiality of my conversational style or somesuch, yet we cover lots of ground, spin to the left and end up right as such in (un)typical Isotopica style.
  4513. From Zagreb, to Split, to the Leaning towers of London, both brutal and Meta Modern, Herbert Vows to return to Isotopica in more cogent form, yet personally I loved it.
  4514.  
  4515.  </description>
  4516. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-05e07-architectfx-TT.mp3" length="141553329" type="audio/mpeg" />
  4517. <itunes:subtitle>An admittedly scatty episode with our fabulous architecture correspondent Herbert Wright,  that somehow  left Herbert feeling &#039;mortified&#039; by the superficiality of my conversational style or somesuch, yet we cover lots of ground,</itunes:subtitle>
  4518. <itunes:summary><![CDATA[An admittedly scatty episode with our fabulous architecture correspondent <a href="http://www.herbertwright.co.uk/">Herbert Wright, </a><br />
  4519. that somehow  left Herbert feeling 'mortified' by the superficiality of my conversational style or somesuch, yet we cover lots of ground, spin to the left and end up right as such in (un)typical Isotopica style.<br />
  4520. From Zagreb, to Split, to the Leaning towers of London, both brutal and Meta Modern, Herbert Vows to return to Isotopica in more cogent form, yet personally I loved it.<br />
  4521. <a href="https://www.theculture.net/radio/wp-content/uploads/2014/11/tbh-concrete-3.jpg"></a> <a href="https://www.theculture.net/radio/wp-content/uploads/2014/11/tbh-concrete-1.jpg"></a> <a href="https://www.theculture.net/radio/wp-content/uploads/2014/11/tbh-building-35.jpg"></a> <a href="https://www.theculture.net/radio/wp-content/uploads/2014/11/tbh-building-25.jpg"></a><br />
  4522. &nbsp;<br />]]></itunes:summary>
  4523. <itunes:author>Simon Tyszko</itunes:author>
  4524. <itunes:episodeType>full</itunes:episodeType>
  4525. <itunes:explicit>false</itunes:explicit>
  4526. <itunes:duration>58:59</itunes:duration>
  4527. </item>
  4528. <item>
  4529. <title>We Sell The NHS and Forget Gaza: Hoorah for Us?</title>
  4530. <link>https://www.theculture.net/radio/we-sell-the-nhs-and-forget-dead-kids-in-gaza-hoorah-for-us/</link>
  4531. <pubDate>Wed, 15 Oct 2014 01:47:30 +0000</pubDate>
  4532. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1302</guid>
  4533. <description>In a thought experiment, today we listen to some of our earlier Gaza Live streams backwards, we hear heartfelt yet well scripted  reports from the earliest days of the NHS, and hopefully, as the best of art should help us
  4534. do, we consider...... the world
  4535. Something Foul in our world
  4536. So lets go back, way backwards in time, in fact backwards through Gaza.
  4537. Perhaps some will come back to life,
  4538. perhaps not,
  4539. and then some Jazz......</description>
  4540. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-s05-e03-NHS-azaG-TT.mp3" length="91123406" type="audio/mpeg" />
  4541. <itunes:subtitle>In a thought experiment, today we listen to some of our earlier Gaza Live streams backwards, we hear heartfelt yet well scripted  reports from the earliest days of the NHS, and hopefully, as the best of art should help us do, we consider......</itunes:subtitle>
  4542. <itunes:summary><![CDATA[In a thought experiment, today we listen to some of our earlier Gaza Live streams backwards, we hear heartfelt yet well scripted  reports from the earliest days of the NHS, and hopefully, as the best of art should help us<br />
  4543. do, we consider...... the world<br />
  4544. <a href="https://www.theculture.net/radio/wp-content/uploads/2014/10/at-phlight-1.jpg"></a>Something Foul in our world<br />
  4545. So lets go back, way backwards in time, in fact backwards through Gaza.<br />
  4546. Perhaps some will come back to life,<br />
  4547. perhaps not,<br />
  4548. and then some Jazz......<br />]]></itunes:summary>
  4549. <itunes:author>Simon Tyszko</itunes:author>
  4550. <itunes:episodeType>full</itunes:episodeType>
  4551. <itunes:explicit>false</itunes:explicit>
  4552. <itunes:duration>58:47</itunes:duration>
  4553. </item>
  4554. <item>
  4555. <title>A Dead Drop from 48,000 inches</title>
  4556. <link>https://www.theculture.net/radio/a-dead-drop-from-48000-inches/</link>
  4557. <pubDate>Tue, 22 Apr 2014 22:22:19 +0000</pubDate>
  4558. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1025</guid>
  4559. <description>Marina Rabbit in Greta
  4560. What do you get when you place a 5.5 ft rabbit (marina sossi) in a 54 year old light aircraft with a famous photographer turned academic (spencer rowell), a maverick artist and broadcaster (simon tyszko), fly it up to 48, 000 inches, then turn off (idle) the engine and attempt to glide back to earth while discussing art, photography and death, you get…dead drop, this week&#039;s episode of isotopica
  4561. .
  4562. [field name=xframe]
  4563. [field name=bframe]
  4564. [field name=dframe]
  4565.  
  4566. https://www.theculture.net/radio/wp-content/uploads/2015/01/dead-drop-130-twin-berlin.mp4</description>
  4567. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-Se02e16-deaddrop-fixed-TT.mp3" length="143994210" type="audio/mpeg" />
  4568. <itunes:subtitle>Marina Rabbit in Greta What do you get when you place a 5.5 ft rabbit (marina sossi) in a 54 year old light aircraft with a famous photographer turned academic (spencer rowell), a maverick artist and broadcaster (simon tyszko), fly it up to 48,</itunes:subtitle>
  4569. <itunes:summary><![CDATA[<a href="https://www.theculture.net/radio/a-dead-drop-from-48000-inches/dead-drop-ipix-0069/" rel="attachment wp-att-1036"></a>Marina Rabbit in Greta<br />
  4570. What do you get when you place a 5.5 ft rabbit (<a href="http://marinasossi.com/">marina sossi</a>) in a 54 year old light aircraft with a famous photographer turned academic (<a href="http://www.spencerrowell.co.uk/">spencer rowell</a>), a maverick artist and broadcaster (<a href="http://theculture.net">simon tyszko</a>), fly it up to 48, 000 inches, then turn off (idle) the engine and attempt to glide back to earth while discussing art, photography and death, you get…dead drop, this week's episode of isotopica<br />
  4571. .<br />
  4572. [field name=xframe]<br />
  4573. [field name=bframe]<br />
  4574. [field name=dframe]<br />
  4575. <br />
  4576. <a href="https://www.theculture.net/radio/wp-content/uploads/2015/01/dead-drop-130-twin-berlin.mp4">https://www.theculture.net/radio/wp-content/uploads/2015/01/dead-drop-130-twin-berlin.mp4</a>]]></itunes:summary>
  4577. <itunes:author>Simon Tyszko</itunes:author>
  4578. <itunes:episodeType>full</itunes:episodeType>
  4579. <itunes:explicit>false</itunes:explicit>
  4580. <itunes:duration>1:00:00</itunes:duration>
  4581. </item>
  4582. <item>
  4583. <title>Fat kids and the Neoliberal Worm</title>
  4584. <link>https://www.theculture.net/radio/fat-kids-and-the-neoliberal-worm/</link>
  4585. <pubDate>Wed, 15 Oct 2014 00:20:12 +0000</pubDate>
  4586. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1297</guid>
  4587. <description></description>
  4588. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isoptopica-Schistosomiasis-7-10-2014-TT.mp3" length="140788463" type="audio/mpeg" />
  4589. <itunes:summary><![CDATA[<a href="https://www.theculture.net/radio/wp-content/uploads/2014/10/neoliberal.jpg"></a><br />]]></itunes:summary>
  4590. <itunes:author>Simon Tyszko</itunes:author>
  4591. <itunes:episodeType>full</itunes:episodeType>
  4592. <itunes:explicit>false</itunes:explicit>
  4593. <itunes:duration>58:40</itunes:duration>
  4594. </item>
  4595. <item>
  4596. <title>Ice Cool with Mogensen (melting fast)</title>
  4597. <link>https://www.theculture.net/radio/ice-cool-with-mogensen-melting-fast/</link>
  4598. <pubDate>Tue, 14 Oct 2014 22:50:05 +0000</pubDate>
  4599. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1289</guid>
  4600. <description>DATELINE ICELAND
  4601. Pirates have proposed a congressional statement, directing the Welfare Minister to implement a guaranteed minimum income, what in recent years has also gone under the name of universal basic income or citizen wage.
  4602. More precisely, the proposal, made by Halldóra Mogensen, Jón Þór Ólafsson and Birgitta Jónsdóttir on Monday, would instruct the Minister to form a team to “map ways to ensure an unconditional minimum income for all the country’s citizens, with the aim to support economic and social rights and eliminate poverty.”
  4603. Therefore Isotopica treats with Icelandic MP Halldóra Mogensen, who as a Pirate Party member is also listed as  Poet, Dreamer. Dreaming a society free of mindless doing. Nurturing the human being versus the human doer.
  4604. Dóra read us us a poem and we happily digress while floating in an algorithmically generated pentatonic composition.
  4605. Political balance is maintained with a delightful viral clip from a recent LBC phone in show in which a UKIP supporter demonstrates the nuance and subtlety with which the United Kingdom Independence have gauged the pulse of this Foul Britannia.......
  4606. A smile rearranged.
  4607. It’s as if I’m standing still,
  4608. orbiting our collective will,
  4609. a string tied taut
  4610. with me caught
  4611. and then applied to the world,
  4612. but I am soon to be hurled off course
  4613. by a planet dying,
  4614. an imploding supernova
  4615. defying my steady cause,
  4616. eroding in space
  4617. where matter is grace,
  4618. how it recombines
  4619. at the pace of a pause,
  4620. and redefines the cold landscape
  4621. that I mind
  4622. during my time without time,
  4623. behind the unseen,
  4624. beyond reason and its fallible doctrine,
  4625. where life has no beginning and no end,
  4626. where being is winning
  4627. and everything else is pretend.
  4628. A pantomime that I will no longer
  4629. attend to nor pretend to partake in
  4630. for how can I forsake this gift that I am
  4631. to conceive a belief
  4632. where I’m adrift in grief,
  4633. believing that I’m alone,
  4634. a clone of mistrust
  4635. and misfortune
  4636. spawned from the seeds
  4637. of societies ill deeds
  4638. and soon to be dead.
  4639. In a bed.
  4640. In a room.
  4641. In a house.
  4642. My tomb full of things
  4643. that were never enough,
  4644. a life spent collecting,
  4645. not wisdom, but stuff,
  4646. experience traded
  4647. for faded belongings,
  4648. a smile rearranged for a tear,
  4649. joy exchanged for fear,
  4650. life in a prison for the free,
  4651. all this when all I need to do
  4652. is just be.
  4653. Tyszko, Naked, hurls Molotov Cocktails at Mother Nature&#039;s Frozen Best,in Aktion Werk Satire Number Seven. (way after Richard Long) Iceland 2004
  4654.  </description>
  4655. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isoptopica-S05E04-IceLands-TT-ukipmixedup-14-10-2014.mp3" length="146443451" type="audio/mpeg" />
  4656. <itunes:subtitle>DATELINE ICELAND Pirates have proposed a congressional statement, directing the Welfare Minister to implement a guaranteed minimum income, what in recent years has also gone under the name of universal basic income or citizen wage. More precisely,</itunes:subtitle>
  4657. <itunes:summary><![CDATA[DATELINE <a href="http://en.wikipedia.org/wiki/Iceland">ICELAND</a><br />
  4658. Pirates have proposed a congressional statement, directing the Welfare Minister to implement a guaranteed minimum income, what in recent years has also gone under the name of <a href="http://en.wikipedia.org/wiki/Basic_income">universal basic income or citizen wage.</a><br />
  4659. More precisely, the proposal, made by <a href="https://www.youtube.com/watch?v=kbaGDYYNGQ4">Halldóra Mogensen</a>, <a href="https://www.google.co.uk/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=2&amp;cad=rja&amp;uact=8&amp;ved=0CCsQFjAB&amp;url=http%3A%2F%2Fen.wikipedia.org%2Fwiki%2FJ%25C3%25B3n_%25C3%259E%25C3%25B3r_%25C3%2593lafsson&amp;ei=a9o9VIC8Ha6M7Ab4vIG4Ag&amp;usg=AFQjCNGc7uMK6-xsRnyGxEmNTarB3yIwzA&amp;sig2=FQvKgbxIVywTVZ8SE5r5tw&amp;bvm=bv.77412846,d.ZGU">Jón Þór Ólafsson</a> and <a href="https://www.google.co.uk/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=1&amp;cad=rja&amp;uact=8&amp;ved=0CCEQFjAA&amp;url=http%3A%2F%2Fen.wikipedia.org%2Fwiki%2FBirgitta_J%25C3%25B3nsd%25C3%25B3ttir&amp;ei=QNo9VPfFBoaf7galy4DwBw&amp;usg=AFQjCNGBcTXZ3uk6nV9MA1AriE8Zng1iCw&amp;sig2=-IrhR6YNDZEgAqc7jApaFA&amp;bvm=bv.77412846,d.ZGU">Birgitta Jónsdóttir</a> on Monday, would instruct the Minister to form a team to “map ways to ensure an unconditional minimum income for all the country’s citizens, with the aim to support economic and social rights and eliminate poverty.”<br />
  4660. Therefore Isotopica treats with Icelandic MP Halldóra Mogensen, who as a <a href="https://www.google.co.uk/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=2&amp;cad=rja&amp;uact=8&amp;ved=0CD4QFjAB&amp;url=http%3A%2F%2Fen.wikipedia.org%2Fwiki%2FPirate_Party&amp;ei=DNs9VM-jOIKc7gawioDACg&amp;usg=AFQjCNGOKc_lnSPob_vyZOzSLM0eFgBgfA&amp;sig2=fA2Yqza1LAoqES0T1U9mRA&amp;bvm=bv.77412846,d.ZGU">Pirate Party </a>member is also listed as  Poet, Dreamer. Dreaming a society free of mindless doing. Nurturing the human being versus the human doer.<br />
  4661. Dóra read us us a poem and we happily digress while floating in an algorithmically generated pentatonic composition.<br />
  4662. Political balance is maintained with a delightful viral clip from a recent LBC phone in show in which a UKIP supporter demonstrates the nuance and subtlety with which the United Kingdom Independence have gauged the pulse of this Foul Britannia.......<br />
  4663. A smile rearranged.<br />
  4664. It’s as if I’m standing still,<br />
  4665. orbiting our collective will,<br />
  4666. a string tied taut<br />
  4667. with me caught<br />
  4668. and then applied to the world,<br />
  4669. but I am soon to be hurled off course<br />
  4670. by a planet dying,<br />
  4671. an imploding supernova<br />
  4672. defying my steady cause,<br />
  4673. eroding in space<br />
  4674. where matter is grace,<br />
  4675. how it recombines<br />
  4676. at the pace of a pause,<br />
  4677. and redefines the cold landscape<br />
  4678. that I mind<br />
  4679. during my time without time,<br />
  4680. behind the unseen,<br />
  4681. beyond reason and its fallible doctrine,<br />
  4682. where life has no beginning and no end,<br />
  4683. where being is winning<br />
  4684. and everything else is pretend.<br />
  4685. A pantomime that I will no longer<br />
  4686. attend to nor pretend to partake in<br />
  4687. for how can I forsake this gift that I am<br />
  4688. to conceive a belief<br />
  4689. where I’m adrift in grief,<br />
  4690. believing that I’m alone,<br />
  4691. a clone of mistrust<br />
  4692. and misfortune<br />
  4693. spawned from the seeds<br />
  4694. of societies ill deeds<br />
  4695. and soon to be dead.<br />
  4696. In a bed.<br />
  4697. In a room.<br />
  4698. In a house.<br />
  4699. My tomb full of things<br />
  4700. that were never enough,<br />
  4701. a life spent collecting,<br />
  4702. not wisdom, but stuff,<br />
  4703. experience traded<br />
  4704. for faded belongings,<br />
  4705. a smile rearranged for a tear,<br />
  4706. joy exchanged for fear,<br />
  4707. life in a prison for the free,<br />
  4708. all this when all I need to do<br />
  4709. is just be.<br />
  4710. <a href="https://www.theculture.net/radio/wp-content/uploads/2014/10/glaciers-edge-stitch.jpg"></a>Tyszko, Naked, hurls Molotov Cocktails at Mother Nature's Frozen Best,]]></itunes:summary>
  4711. <itunes:author>Simon Tyszko</itunes:author>
  4712. <itunes:episodeType>full</itunes:episodeType>
  4713. <itunes:explicit>false</itunes:explicit>
  4714. <itunes:duration>1:01:01</itunes:duration>
  4715. </item>
  4716. <item>
  4717. <title>The dragon in my smoke: with Happy Hari and the story of the joss stick</title>
  4718. <link>https://www.theculture.net/radio/the-dragon-in-my-smoke-with-happy-hari-and-the-story-of-the-joss-stick/</link>
  4719. <pubDate>Tue, 23 Sep 2014 13:09:17 +0000</pubDate>
  4720. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1231</guid>
  4721. <description>From the perfume palaces of Persia, through Sergeant Pepper’s Lonely Hearts Club Band, to the anarchist squats of 70&#039;s london, soundtracked to Hawkwind’s Silver Machine:
  4722. The joss stick has left it’s lingering aroma, and indelibly marked the memory of this artist.
  4723. We talk ingredients, methods, place and time with master of  the joss stick Paul &#039;Happy Hari&#039; Eagle.
  4724. Hari&#039;s delicious incense is available here Happyhariincense.comSimon and Paul are discussing a PsychoAromatic memory project together as part of Tyszko&#039;s long journey into the tragedies of his past, heading back to Notting Hill gate in the mid 1960&#039;s when Tyszko lost his brother and where much of his practice first originated... watch this space
  4725.  
  4726.  </description>
  4727. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-s05-e02-happyhari-incense-TT.mp3" length="143970575" type="audio/mpeg" />
  4728. <itunes:subtitle>From the perfume palaces of Persia, through Sergeant Pepper’s Lonely Hearts Club Band, to the anarchist squats of 70&#039;s london, soundtracked to Hawkwind’s Silver Machine: The joss stick has left it’s lingering aroma,</itunes:subtitle>
  4729. <itunes:summary><![CDATA[From the perfume palaces of Persia, through Sergeant Pepper’s Lonely Hearts Club Band, to the anarchist squats of 70's london, soundtracked to Hawkwind’s Silver Machine:<br />
  4730. The joss stick has left it’s lingering aroma, and indelibly marked the memory of this artist.<br />
  4731. We talk ingredients, methods, place and time with master of  the joss stick Paul 'Happy Hari' Eagle.<br />
  4732. Hari's delicious incense is available here <a href="http://www.happyhariincense.com/cart/" target="_blank">Happyhariincense.comS</a>imon and Paul are discussing a PsychoAromatic memory project together as part of Tyszko's long journey into the tragedies of his past, heading back to Notting Hill gate in the mid 1960's when Tyszko lost his brother and where much of his practice first originated... watch this space<a href="https://www.theculture.net/radio/the-dragon-in-my-smoke-with-happy-hari-and-the-story-of-the-joss-stick/fothergill-green-psychoaromatics/#main" rel="attachment wp-att-2405"></a><br />
  4733. <br />
  4734. &nbsp;]]></itunes:summary>
  4735. <itunes:author>Simon Tyszko</itunes:author>
  4736. <itunes:episodeType>full</itunes:episodeType>
  4737. <itunes:explicit>false</itunes:explicit>
  4738. <itunes:duration>59:45</itunes:duration>
  4739. </item>
  4740. <item>
  4741. <title>a commune in the mountains</title>
  4742. <link>https://www.theculture.net/radio/a-commune-in-the-mountains/</link>
  4743. <pubDate>Tue, 16 Sep 2014 17:41:43 +0000</pubDate>
  4744. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1179</guid>
  4745. <description>an eye from the village
  4746. Episode one investigate an abandoned southern italian mountain village and investigates the possibility of a new artistic colony twinned with West London. set to an algorithmically generated sequences of bleeps and echo’s programmed in a major pentatonic scale, we combine the lost with the found and collected, the missing, and the missed, in a contemporary story telling style that just more than nods to the highest of high modern,
  4747. post we are not,
  4748. liberal yes,
  4749. not neo liberal,
  4750. most definitely not.
  4751. Want in? Join us on a mountain..... for real......
  4752. Contact me and discuss.....
  4753. [field name=xframe]</description>
  4754. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-s05-e01-16-08-2014-italy-tt.mp3" length="113528385" type="audio/mpeg" />
  4755. <itunes:subtitle>an eye from the village Episode one investigate an abandoned southern italian mountain village and investigates the possibility of a new artistic colony twinned with West London. set to an algorithmically generated sequences of bleeps and echo’s progra...</itunes:subtitle>
  4756. <itunes:summary><![CDATA[<a href="https://www.theculture.net/radio/wp-content/uploads/2014/09/ferruzzano-calabria-deserted-64.jpg"></a>an eye from the village<br />
  4757. Episode one investigate an abandoned southern italian mountain village and investigates the possibility of a new artistic colony twinned with West London. set to an algorithmically generated sequences of bleeps and echo’s programmed in a major pentatonic scale, we combine the lost with the found and collected, the missing, and the missed, in a contemporary story telling style that just more than nods to the highest of high modern,<br />
  4758. post we are not,<br />
  4759. liberal yes,<br />
  4760. not neo liberal,<br />
  4761. most definitely not.<br />
  4762. Want in? Join us on a mountain..... for real......<br />
  4763. Contact me and discuss.....<br />
  4764. [field name=xframe]<br />]]></itunes:summary>
  4765. <itunes:author>Simon Tyszko</itunes:author>
  4766. <itunes:episodeType>full</itunes:episodeType>
  4767. <itunes:explicit>false</itunes:explicit>
  4768. <itunes:duration>59:47</itunes:duration>
  4769. </item>
  4770. <item>
  4771. <title>Nihilism: further reports from Gaza</title>
  4772. <link>https://www.theculture.net/radio/nihilism-further-reports-from-gaza/</link>
  4773. <pubDate>Fri, 01 Aug 2014 22:18:04 +0000</pubDate>
  4774. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1163</guid>
  4775. <description>In this episode we start out with a clip from Miloš Forman&#039;s Taking Off, then segue into further re broadcasts of Jahed and Rita Saftawi&#039;s inspiring, horrific yet compelling live feeds from Gaza. We Talk with Icelandic MP and activist Birgitta Jónsdóttir of the Pirate Party and quietly bare witness to an intense and seemingly insoluable slaughter.
  4776.  
  4777.  
  4778.  
  4779. Israeli PM Benjamin Netanyahu said on Wednesday that 2014 Israeli offensive on Gaza, where around 600 children killed, was “necessary.” During a hearing held by the State Control Committee at the Israeli Knesset, he said: “We did not want a war in the summer of 2014 and we tried to prevent it.” He continued: “That war was necessary and that the conflict was a clear victory for Israel, seen by the fact that Hamas begged for it to end.”
  4780.  
  4781.  
  4782.  
  4783. more to follow</description>
  4784. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-29thjuly2014-TT-milosforeman-gaza-Birgitta.mp3" length="91891358" type="audio/mpeg" />
  4785. <itunes:subtitle>In this episode we start out with a clip from Miloš Forman&#039;s Taking Off, then segue into further re broadcasts of Jahed and Rita Saftawi&#039;s inspiring, horrific yet compelling live feeds from Gaza. We Talk with Icelandic MP and activist Birgitta Jónsdótt...</itunes:subtitle>
  4786. <itunes:summary><![CDATA[<br />
  4787. In this episode we start out with a clip from <a href="http://en.wikipedia.org/wiki/Milo%C5%A1_Forman">Miloš Forman</a>'s <a href="http://www.imdb.com/title/tt0067820/">Taking Off</a>, then segue into further re broadcasts of Jahed and Rita Saftawi's inspiring, horrific yet compelling live feeds from Gaza. We Talk with Icelandic MP and activist <a href="http://en.wikipedia.org/wiki/Birgitta_J%C3%B3nsd%C3%B3ttir">Birgitta Jónsdóttir</a> of the Pirate Party and quietly bare witness to an intense and seemingly insoluable slaughter.<br />
  4788. <br />
  4789. <br />
  4790. <br />
  4791. Israeli PM Benjamin Netanyahu said on Wednesday that 2014 Israeli offensive on Gaza, where around 600 children killed, was “necessary.” During a hearing held by the State Control Committee at the Israeli Knesset, he said: “We did not want a war in the summer of 2014 and we tried to prevent it.” He continued: “That war was necessary and that the conflict was a clear victory for Israel, seen by the fact that Hamas begged for it to end.”<br />
  4792. <br />
  4793. <br />
  4794. <br />
  4795. more to follow<br />]]></itunes:summary>
  4796. <itunes:author>Simon Tyszko</itunes:author>
  4797. <itunes:episodeType>full</itunes:episodeType>
  4798. <itunes:explicit>false</itunes:explicit>
  4799. <itunes:duration>59:05</itunes:duration>
  4800. </item>
  4801. <item>
  4802. <title>45th aniversary of moon landing. let&#8217;s bomb Gaza</title>
  4803. <link>https://www.theculture.net/radio/45th-aniversary-of-moon-landing-lets-bomb-gaza/</link>
  4804. <pubDate>Tue, 22 Jul 2014 14:48:21 +0000</pubDate>
  4805. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1135</guid>
  4806. <description>where to begin with so much coverage, so many horrific images available, and so little effective action..
  4807. gaza under attack, a contemporary holocaust, an ethnic cleasing, history...
  4808.  
  4809.  
  4810.  
  4811. Live stream originally provided by Jehad Saftawi, a photojounalist living with his wife Laura in gaza. Recorded over the weekend of 19th-21st july 2014
  4812. Jehad&#039;s video stream
  4813. Twitter</description>
  4814. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/gazabroadcastupdated-TT.mp3" length="78571811" type="audio/mpeg" />
  4815. <itunes:subtitle>where to begin with so much coverage, so many horrific images available, and so little effective action.. gaza under attack, a contemporary holocaust, an ethnic cleasing, history...    Live stream originally provided by Jehad Saftawi,</itunes:subtitle>
  4816. <itunes:summary><![CDATA[where to begin with so much coverage, so many horrific images available, and so little effective action..<br />
  4817. gaza under attack, a contemporary holocaust, an ethnic cleasing, history...<br />
  4818. <br />
  4819. <br />
  4820. <br />
  4821. Live stream originally provided by Jehad Saftawi, a photojounalist living with his wife Laura in gaza. Recorded over the weekend of 19th-21st july 2014<br />
  4822. <a href="https://twitter.com/Jehadsaftawi">Jehad's video stream </a><br />
  4823. <a href="https://twitter.com/Jehadsaftawi"> Twitter</a><br />
  4824. <br />
  4825. <br />]]></itunes:summary>
  4826. <itunes:author>Simon Tyszko</itunes:author>
  4827. <itunes:episodeType>full</itunes:episodeType>
  4828. <itunes:explicit>false</itunes:explicit>
  4829. <itunes:duration>59:35</itunes:duration>
  4830. </item>
  4831. <item>
  4832. <title>And So It Was My Birthday, and&#8230;&#8230;..</title>
  4833. <link>https://www.theculture.net/radio/and-so-it-was-my-birthday-and/</link>
  4834. <pubDate>Wed, 14 May 2014 02:03:56 +0000</pubDate>
  4835. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1078</guid>
  4836. <description>[field name=xframe]</description>
  4837. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-s02e21-birthdayTT.mp3" length="97877595" type="audio/mpeg" />
  4838. <itunes:subtitle>[field name=xframe]</itunes:subtitle>
  4839. <itunes:summary><![CDATA[<a href="https://www.theculture.net/radio/and-so-it-was-my-birthday-and/screen-shot-2014-05-14-at-02-57-49/" rel="attachment wp-att-1079"></a>[field name=xframe]<br />
  4840. <br />]]></itunes:summary>
  4841. <itunes:author>Simon Tyszko</itunes:author>
  4842. <itunes:episodeType>full</itunes:episodeType>
  4843. <itunes:explicit>false</itunes:explicit>
  4844. </item>
  4845. <item>
  4846. <title>Baby ******* Jesus</title>
  4847. <link>https://www.theculture.net/radio/baby-jesus/</link>
  4848. <pubDate>Wed, 14 May 2014 01:23:18 +0000</pubDate>
  4849. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1076</guid>
  4850. <description>Are you a humanist? find out here
  4851. i simply ask as this episode is a humanist episode.
  4852. there is no god, this is it, our life, short, sweet and very very finite.
  4853. we are indeed star dust, so lets be nice, do the best we can and get on with it. oui?
  4854. and god was good</description>
  4855. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-s02-e19-babyjesusTT.mp3" length="101119957" type="audio/mpeg" />
  4856. <itunes:subtitle>Are you a humanist? find out here i simply ask as this episode is a humanist episode. there is no god, this is it, our life, short, sweet and very very finite. we are indeed star dust, so lets be nice, do the best we can and get on with it. oui? </itunes:subtitle>
  4857. <itunes:summary><![CDATA[Are you a humanist? <a href="https://humanism.org.uk/humanism/are-you-a-humanist/">find out here</a><br />
  4858. i simply ask as this episode is a humanist episode.<br />
  4859. there is no god, this is it, our life, short, sweet and very very finite.<br />
  4860. we are indeed star dust, so lets be nice, do the best we can and get on with it. oui?<br />
  4861. and god was good<br />]]></itunes:summary>
  4862. <itunes:author>Simon Tyszko</itunes:author>
  4863. <itunes:episodeType>full</itunes:episodeType>
  4864. <itunes:explicit>false</itunes:explicit>
  4865. </item>
  4866. <item>
  4867. <title>Ship to Shore, a nautical adventure with Jean Wainwright</title>
  4868. <link>https://www.theculture.net/radio/ship-to-shore-a-nautical-adventure-with-jean-wainwright/</link>
  4869. <pubDate>Tue, 29 Apr 2014 15:49:17 +0000</pubDate>
  4870. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1054</guid>
  4871. <description>Tuesday’s Isotopica features the delightful and loquacious Jean Wainwright (of audio arts fame), talking about all things nautical, from the missing, pretend ‘round the world captain Donald Crowhurst to her family on the Titanic. All of this focused on her epic series of exhibitions Ship to Shore in southampton.
  4872.  
  4873. [field name=xframe]</description>
  4874. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-s02e17-shiptoshore-TT.mp3" length="145307647" type="audio/mpeg" />
  4875. <itunes:subtitle>Tuesday’s Isotopica features the delightful and loquacious Jean Wainwright (of audio arts fame), talking about all things nautical, from the missing, pretend ‘round the world captain Donald Crowhurst to her family on the Titanic.</itunes:subtitle>
  4876. <itunes:summary><![CDATA[Tuesday’s Isotopica features the delightful and loquacious Jean Wainwright (of <a href="http://www.tate.org.uk/whats-on/tate-britain/exhibition/audio-arts">audio arts</a> fame), talking about all things nautical, from the missing, pretend ‘round the world captain <a href="http://en.wikipedia.org/wiki/Donald_Crowhurst">Donald Crowhurst</a> to her family on the Titanic. All of this focused on her epic series of exhibitions <a href="http://www.culturesouthampton.org.uk/ship-shore-seacity-and-john-hansard">Ship to Shore</a> in southampton.<br />
  4877. <br />
  4878. [field name=xframe]<br />]]></itunes:summary>
  4879. <itunes:author>Simon Tyszko</itunes:author>
  4880. <itunes:episodeType>full</itunes:episodeType>
  4881. <itunes:explicit>false</itunes:explicit>
  4882. <itunes:duration>1:00:33</itunes:duration>
  4883. </item>
  4884. <item>
  4885. <title>melanga</title>
  4886. <link>https://www.theculture.net/radio/melanga/</link>
  4887. <pubDate>Wed, 23 Apr 2014 00:14:46 +0000</pubDate>
  4888. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1029</guid>
  4889. <description>In Conversation with Gerard Melanga and Dr Jean wainwright
  4890. Gerard Joseph Malanga (born March 20, 1943) is an American poet, photographer, filmmaker, curator and archivist.
  4891. Andy Warhol and The Factory
  4892. Gerard Malanga worked closely with Warhol during that artist&#039;s most creative period, from 1963 to 1970.[2] A February 17, 1992 article in The New York Times referred to him as &quot;Andy Warhol&#039;s most important associate.&quot;[3][4]
  4893. Malanga was involved in all phases of Warhol&#039;s creative output in silkscreen painting and filmmaking. He acted in many of the early Warhol films, including Kiss (1963), Harlot (1964), Soap Opera (1964), Couch (1964), Vinyl (1965), Camp (1965), Chelsea Girls (1966); and co-produced Bufferin (1967) in which he reads his poetry, deemed to be the longest spoken-word movie on record at 33-minutes nonstop. Malanga played a combination of Lee Harvey Oswald and Jack Ruby in Warhol&#039;s film Since (1966). Also in 1966, he choreographed the music of the Velvet Underground for Warhol&#039;s multimedia presentation, The Exploding Plastic Inevitable. In 1969, Malanga was one of the founding editors, along with Warhol and John Wilcock, of Interview magazine.[5] In December 1970, Malanga left Warhol&#039;s studio to pursue his work in photography.
  4894. [field name=xframe]</description>
  4895. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-s02-e14-melanga-xx-tt.mp3" length="144942978" type="audio/mpeg" />
  4896. <itunes:subtitle>In Conversation with Gerard Melanga and Dr Jean wainwright Gerard Joseph Malanga (born March 20, 1943) is an American poet, photographer, filmmaker, curator and archivist. Andy Warhol and The Factory Gerard Malanga worked closely with Warhol during tha...</itunes:subtitle>
  4897. <itunes:summary><![CDATA[In Conversation with Gerard Melanga and Dr Jean wainwright<br />
  4898. Gerard Joseph Malanga (born March 20, 1943) is an American <a title="Poet" href="http://en.wikipedia.org/wiki/Poet">poet</a>, <a title="Photographer" href="http://en.wikipedia.org/wiki/Photographer">photographer</a>, <a class="mw-redirect" title="Filmmaker" href="http://en.wikipedia.org/wiki/Filmmaker">filmmaker</a>, <a title="Curator" href="http://en.wikipedia.org/wiki/Curator">curator</a> and <a title="Archivist" href="http://en.wikipedia.org/wiki/Archivist">archivist</a>.<br />
  4899. Andy Warhol and The Factory<br />
  4900. Gerard Malanga worked closely with Warhol during that artist's most creative period, from 1963 to 1970.<a href="http://en.wikipedia.org/wiki/Gerard_Malanga#cite_note-2">[2]</a> A February 17, 1992 article in The New York Times referred to him as "Andy Warhol's most important associate."<a href="http://en.wikipedia.org/wiki/Gerard_Malanga#cite_note-3">[3]</a><a href="http://en.wikipedia.org/wiki/Gerard_Malanga#cite_note-4">[4]</a><br />
  4901. Malanga was involved in all phases of Warhol's creative output in silkscreen painting and filmmaking. He acted in many of the early Warhol films, including <a title="Kiss (1963 film)" href="http://en.wikipedia.org/wiki/Kiss_%281963_film%29">Kiss</a> (1963), <a title="Harlot (1964 film)" href="http://en.wikipedia.org/wiki/Harlot_%281964_film%29">Harlot</a> (1964), <a class="mw-redirect" title="Soap Opera (1964 film)" href="http://en.wikipedia.org/wiki/Soap_Opera_%281964_film%29">Soap Opera</a> (1964), <a title="Couch (film)" href="http://en.wikipedia.org/wiki/Couch_%28film%29">Couch</a> (1964), <a title="Vinyl (1965 film)" href="http://en.wikipedia.org/wiki/Vinyl_%281965_film%29">Vinyl</a> (1965), <a title="Camp (1965 film)" href="http://en.wikipedia.org/wiki/Camp_%281965_film%29">Camp</a> (1965), <a title="Chelsea Girls" href="http://en.wikipedia.org/wiki/Chelsea_Girls">Chelsea Girls</a> (1966); and co-produced Bufferin (1967) in which he reads his poetry, deemed to be the longest spoken-word movie on record at 33-minutes nonstop. Malanga played a combination of <a title="Lee Harvey Oswald" href="http://en.wikipedia.org/wiki/Lee_Harvey_Oswald">Lee Harvey Oswald</a> and <a title="Jack Ruby" href="http://en.wikipedia.org/wiki/Jack_Ruby">Jack Ruby</a> in Warhol's film <a title="Since (film)" href="http://en.wikipedia.org/wiki/Since_%28film%29">Since</a> (1966). Also in 1966, he choreographed the music of the <a class="mw-redirect" title="Velvet Underground" href="http://en.wikipedia.org/wiki/Velvet_Underground">Velvet Underground</a> for Warhol's multimedia presentation, <a title="Exploding Plastic Inevitable" href="http://en.wikipedia.org/wiki/Exploding_Plastic_Inevitable">The Exploding Plastic Inevitable</a>. In 1969, Malanga was one of the founding editors, along with Warhol and <a title="John Wilcock" href="http://en.wikipedia.org/wiki/John_Wilcock">John Wilcock</a>, of Interview magazine.<a href="http://en.wikipedia.org/wiki/Gerard_Malanga#cite_note-5">[5]</a> In December 1970, Malanga left Warhol's studio to pursue his work in photography.<br />
  4902. [field name=xframe]<br />]]></itunes:summary>
  4903. <itunes:author>Simon Tyszko</itunes:author>
  4904. <itunes:episodeType>full</itunes:episodeType>
  4905. <itunes:explicit>false</itunes:explicit>
  4906. <itunes:duration>1:00:24</itunes:duration>
  4907. </item>
  4908. <item>
  4909. <title>A trek to Fulham Palace with the TRA</title>
  4910. <link>https://www.theculture.net/radio/a-trek-to-fulham-palace-with-the-tra/</link>
  4911. <pubDate>Tue, 08 Apr 2014 12:59:25 +0000</pubDate>
  4912. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1000</guid>
  4913. <description>Lancaster Court tenants and residents association (TRA) were invited for a lovely day out by our new best friends Fulham Palace Gardens , the delicious and reinvigorated slice of green that used to house the London Bishops. It&#039;s an amazing space with historic house, ancient gardens, revitalized greenhouses and some of the oldest trees in London.
  4914. [field name=xframe]
  4915.  </description>
  4916. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/Isotopica-s02-e0x-fulham-palace-TT.mp3" length="143301443" type="audio/mpeg" />
  4917. <itunes:subtitle>Lancaster Court tenants and residents association (TRA) were invited for a lovely day out by our new best friends Fulham Palace Gardens , the delicious and reinvigorated slice of green that used to house the London Bishops.</itunes:subtitle>
  4918. <itunes:summary><![CDATA[Lancaster Court tenants and residents association (<a href="http://lancastercourt.org.uk/">TRA</a>) were invited for a lovely day out by our new best friends <a href="http://www.google.co.uk/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=1&amp;cad=rja&amp;uact=8&amp;ved=0CDEQFjAA&amp;url=http%3A%2F%2Fwww.fulhampalace.org%2F&amp;ei=6_BDU5m3JO7d7Qah-YG4Ag&amp;usg=AFQjCNEXzAdBLLPBzJ6fIrvPRmYuO1Pn5w&amp;sig2=1JUCIKnR6JAsFoYjo3t2mw&amp;bvm=bv.64367178,d.ZGU">Fulham Palace Gardens </a>, the delicious and reinvigorated slice of green that used to house the London Bishops. It's an amazing space with historic house, ancient gardens, revitalized greenhouses and some of the oldest trees in London.<br />
  4919. [field name=xframe]<br />
  4920. &nbsp;<br />]]></itunes:summary>
  4921. <itunes:author>Simon Tyszko</itunes:author>
  4922. <itunes:episodeType>full</itunes:episodeType>
  4923. <itunes:explicit>false</itunes:explicit>
  4924. <itunes:duration>59:42</itunes:duration>
  4925. </item>
  4926. <item>
  4927. <title>Curzon Workers Living Wage</title>
  4928. <link>https://www.theculture.net/radio/curzon-workers-living-wage/</link>
  4929. <pubDate>Tue, 08 Apr 2014 02:41:25 +0000</pubDate>
  4930. <guid isPermaLink="false">https://www.theculture.net/radio/?p=1012</guid>
  4931. <description>Can you hear that deafening sound echoing through London?
  4932. Just fuck off
  4933. It’s the sound of the goodness and the joy being sucked out of our lives and our social fabric by the Neo-Liberal free market.
  4934. Therefor this week, isotopica gets to meet some art house cinema workers (curzon) who describe their personal war of attrition as this much loved cultural institution gets hollowed out and expands as a brand, to provide value for the shareholder and remove all traces of the passion that originally bought it life.
  4935. This fight is a microcosm of the battle waging all around us as the human right to a living wage is spat upon by our neo-liberal kleptocracy.
  4936. All voices have been disguised as dissent is punishable by zero hours on a zero hour contract.
  4937. links to follow to find out more and get involved
  4938.  
  4939.  
  4940. curzon workers petition
  4941.  
  4942.  
  4943. Curzon Workers twitter
  4944.  
  4945.  
  4946. Bullshit Jobs
  4947.  
  4948.  
  4949. Write directly to philip.knatchbull@curzon.com tell him how you feel about the living wage and the plasticisation of the curzon cinemas.
  4950.  
  4951.  
  4952.  
  4953. We also speak with Salman Shaheen a spokesperson for
  4954. Very exciting Left Unity the new party of the real left,
  4955. details of left unity here
  4956.  
  4957. Ritzy worker campaign for living wage
  4958.  
  4959. ritzy workers twitter
  4960. ritzy workers strike
  4961.  
  4962.  
  4963.  
  4964.  </description>
  4965. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/Isotopica-S02e13-curzon-TT.mp3" length="110181936" type="audio/mpeg" />
  4966. <itunes:subtitle>Can you hear that deafening sound echoing through London? Just fuck off It’s the sound of the goodness and the joy being sucked out of our lives and our social fabric by the Neo-Liberal free market. Therefor this week,</itunes:subtitle>
  4967. <itunes:summary><![CDATA[Can you hear that deafening sound echoing through London?<br />
  4968. <a href="https://www.theculture.net/radio/fire-damaged-sale-pay-us-to-save-these-children-or-else/vietnam_war2014-framed/" rel="attachment wp-att-973"></a>Just fuck off<br />
  4969. It’s the sound of the goodness and the joy being sucked out of our lives and our social fabric by the Neo-Liberal free market.<br />
  4970. Therefor this week, isotopica gets to meet some art house cinema workers (curzon) who describe their personal war of attrition as this much loved cultural institution gets hollowed out and expands as a brand, to provide value for the shareholder and remove all traces of the passion that originally bought it life.<br />
  4971. This fight is a microcosm of the battle waging all around us as the human right to a living wage is spat upon by our neo-liberal kleptocracy.<br />
  4972. All voices have been disguised as dissent is punishable by zero hours on a zero hour contract.<br />
  4973. links to follow to find out more and get involved<br />
  4974. <br />
  4975. <br />
  4976. * <a href="http://is.gd/TYtJyh">curzon workers petition</a><br />
  4977. <br />
  4978. <br />
  4979. * <a href="http://twitter.com/@CurzonWorkers">Curzon Workers twitter</a><br />
  4980. <br />
  4981. <br />
  4982. * <a href="http://www.strikemag.org/bullshit-jobs/">Bullshit Jobs</a><br />
  4983. <br />
  4984. <br />
  4985. * Write directly to <a href="mailto:philip.knatchbull@curzon.com">philip.knatchbull@curzon.com</a> tell him how you feel about the living wage and the plasticisation of the curzon cinemas.<br />
  4986. <br />
  4987. <br />
  4988. * <br />
  4989. We also speak with Salman Shaheen a spokesperson for <a href="http://leftunity.org"><br />
  4990. </a>Very exciting Left Unity the new party of the real left,<br />
  4991. <a href="http://leftunity.org">details of left unity here</a><br />
  4992. <br />
  4993. * <a href="https://www.facebook.com/RitzyLivingWage">Ritzy worker campaign for living wage</a><br />
  4994. <br />
  4995. * ritzy workers <a href="https://twitter.com/RitzyLivingWage‎">twitter</a><br />
  4996. * <a href="http://www.standard.co.uk/news/london/ritzy-cinema-staff-vote-for-strike-over-london-living-wage-9232335.html">ritzy workers strike</a><br />
  4997. <br />
  4998. <br />
  4999. <br />
  5000. &nbsp;<br />]]></itunes:summary>
  5001. <itunes:author>Simon Tyszko</itunes:author>
  5002. <itunes:episodeType>full</itunes:episodeType>
  5003. <itunes:explicit>false</itunes:explicit>
  5004. </item>
  5005. <item>
  5006. <title>Communism: Communist Party Manifesto in Morse Code</title>
  5007. <link>https://www.theculture.net/radio/communism/</link>
  5008. <pubDate>Mon, 07 Apr 2014 17:24:38 +0000</pubDate>
  5009. <guid isPermaLink="false">https://www.theculture.net/radio/?p=940</guid>
  5010. <description>Communist Party Manifesto in Morse Code
  5011. I believe we have finally satisfied a glaring gap in the great free market, a fully listenable, full rendering of the Communist Party Manifesto in Morse Code, please share this, and then sit back, listen , and see the world catch fire.........</description>
  5012. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/communism.mp3" length="493629193" type="audio/mpeg" />
  5013. <itunes:subtitle>Communist Party Manifesto in Morse Code I believe we have finally satisfied a glaring gap in the great free market, a fully listenable, full rendering of the Communist Party Manifesto in Morse Code, please share this, and then sit back, listen ,</itunes:subtitle>
  5014. <itunes:summary><![CDATA[Communist Party Manifesto in Morse Code<br />
  5015. I believe we have finally satisfied a glaring gap in the great free market, a fully listenable, full rendering of the Communist Party Manifesto in Morse Code, please share this, and then sit back, listen , and see the world catch fire.........<br />
  5016. <a href="https://www.theculture.net/radio/communism/communist-joys-of-sex/" rel="attachment wp-att-1005"></a><br />
  5017. <a href="https://www.theculture.net/radio/communism/communism-2/" rel="attachment wp-att-1004"></a><br />]]></itunes:summary>
  5018. <itunes:author>Simon Tyszko</itunes:author>
  5019. <itunes:episodeType>full</itunes:episodeType>
  5020. <itunes:explicit>false</itunes:explicit>
  5021. </item>
  5022. <item>
  5023. <title>Seanace, Science and an interview with God (Delia Derbyshire)</title>
  5024. <link>https://www.theculture.net/radio/seanace-science-and-an-interview-with-god-delia-derbyshire/</link>
  5025. <pubDate>Wed, 26 Feb 2014 14:46:54 +0000</pubDate>
  5026. <guid isPermaLink="false">https://www.theculture.net/radio/?p=987</guid>
  5027. <description>The Isotopica studio during our seance, channeling the magnificent Delia Derbyshire who helps us to understand THERE IS NO GOD, phew!
  5028.  
  5029. Recording today&#039;s episode required more than the usual studio set up
  5030.  
  5031. oh dear, there is no god
  5032.  
  5033. Delia Derbyshire could spot the individual instruments in the grooves of a vinyl recording. Perhaps she had gifts from heaven.
  5034. Delia (with her colleagues at the bbc radiophonic workshop) invented techno electronic music, was instrumental in developing sampling and was light years ahead of the world she inhabited.
  5035. I recently listen to a small selection of her work and felt dwarfed in its presence. Today&#039;s episode is an homage........</description>
  5036. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-s02e08-delia-TT.mp3" length="99046153" type="audio/mpeg" />
  5037. <itunes:subtitle>The Isotopica studio during our seance, channeling the magnificent Delia Derbyshire who helps us to understand THERE IS NO GOD, phew!  Recording today&#039;s episode required more than the usual studio set up  oh dear, there is no god  </itunes:subtitle>
  5038. <itunes:summary><![CDATA[The Isotopica studio during our seance, channeling the magnificent <a href="http://en.wikipedia.org/wiki/Delia_Derbyshire">Delia Derbyshire </a>who helps us to understand THERE IS NO GOD, phew!<a href="https://www.theculture.net/radio/seanace-science-and-an-interview-with-god-delia-derbyshire/seance/" rel="attachment wp-att-988"></a><br />
  5039. <br />
  5040. Recording today's episode required more than the usual studio set up<br />
  5041. <br />
  5042. <a href="https://www.theculture.net/radio/seanace-science-and-an-interview-with-god-delia-derbyshire/godx/" rel="attachment wp-att-991"></a>oh dear, there is no god<br />
  5043. <br />
  5044. Delia Derbyshire could spot the individual instruments in the grooves of a vinyl recording. Perhaps she had gifts from heaven.<br />
  5045. Delia (with her colleagues at the bbc <a href="http://en.wikipedia.org/wiki/BBC_Radiophonic_Workshop">radiophonic workshop</a>) invented techno electronic music, was instrumental in developing sampling and was light years ahead of the world she inhabited.<br />
  5046. I recently listen to a small selection of her work and felt dwarfed in its presence. Today's episode is an homage........]]></itunes:summary>
  5047. <itunes:author>Simon Tyszko</itunes:author>
  5048. <itunes:episodeType>full</itunes:episodeType>
  5049. <itunes:explicit>false</itunes:explicit>
  5050. </item>
  5051. <item>
  5052. <title>Fire: Damaged Sale (pay us to save these children or else)</title>
  5053. <link>https://www.theculture.net/radio/fire-damaged-sale-pay-us-to-save-these-children-or-else/</link>
  5054. <pubDate>Tue, 11 Feb 2014 21:33:00 +0000</pubDate>
  5055. <guid isPermaLink="false">https://www.theculture.net/radio/?p=962</guid>
  5056. <description>AUCTION ACTION AUCTION ACTION AUCTION ACTION AUCTION ACTION AUCTION
  5057. The first ever live and utterly made up on the spot ISOTOPICA
  5058. featuring Marina Sossi Mystic Yogi, fundraising, faith healing, and setting this troubled world to rights with Simon Tyszko
  5059. Burning Children to head off notional sharing of resources (communism)
  5060. for this resonance 104.4fm fundraisng week tyszko and sossi will perhaps (or perhaps not) heal some right wing children.
  5061. Oh Jesus
  5062. They will set your soul free by helping you to contribute to your very own emptiness, find out how and view magical items here, including a bubble bath under an aeroplane wing.
  5063.  
  5064. AUCTION ACTION AUCTION ACTION AUCTION ACTION AUCTION ACTION AUCTION</description>
  5065. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/Isotopica-S02E06-firesale-TT.mp3" length="142254455" type="audio/mpeg" />
  5066. <itunes:subtitle>AUCTION ACTION AUCTION ACTION AUCTION ACTION AUCTION ACTION AUCTION  The first ever live and utterly made up on the spot ISOTOPICA featuring Marina Sossi Mystic Yogi, fundraising, faith healing, and setting this troubled world to rights with Simon Tysz...</itunes:subtitle>
  5067. <itunes:summary><![CDATA[<a href="http://theculture.net/auction">AUCTION ACTION AUCTION ACTION AUCTION ACTION AUCTION ACTION AUCTION </a><br />
  5068. The first ever live and utterly made up on the spot ISOTOPICA<br />
  5069. featuring <a href="http://marinasossi.com">Marina Sossi Mystic Yogi</a>, fundraising, faith healing, and setting this troubled world to rights with <a href="http://theculture.net">Simon Tyszko</a><br />
  5070. <a href="https://www.theculture.net/radio/fire-damaged-sale-pay-us-to-save-these-children-or-else/burning-children-2/" rel="attachment wp-att-964"></a>Burning Children to head off notional sharing of resources (communism)<br />
  5071. for this resonance 104.4fm fundraisng week tyszko and sossi will perhaps (or perhaps not) heal some right wing children.<br />
  5072. Oh Jesus<br />
  5073. They will set your soul free by helping you to contribute to your very own emptiness, find out how and view magical items <a href="http://www.theculture.net/auction">here</a>, including a bubble bath under an aeroplane wing.<br />
  5074. <br />
  5075. <a href="http://theculture.net/auction">AUCTION ACTION AUCTION ACTION AUCTION ACTION AUCTION ACTION AUCTION </a><br />]]></itunes:summary>
  5076. <itunes:author>Simon Tyszko</itunes:author>
  5077. <itunes:episodeType>full</itunes:episodeType>
  5078. <itunes:explicit>false</itunes:explicit>
  5079. <itunes:duration>59:16</itunes:duration>
  5080. </item>
  5081. <item>
  5082. <title>the un-co-operative bank</title>
  5083. <link>https://www.theculture.net/radio/the-un-co-operative-bank/</link>
  5084. <pubDate>Wed, 05 Feb 2014 13:51:05 +0000</pubDate>
  5085. <guid isPermaLink="false">https://www.theculture.net/radio/?p=951</guid>
  5086. <description>For starters we look at my bank statements
  5087. Bankers, just what are they good for?</description>
  5088. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/S02E05-god-knows-TT.mp3" length="115269344" type="audio/mpeg" />
  5089. <itunes:subtitle>For starters we look at my bank statements Bankers, just what are they good for?</itunes:subtitle>
  5090. <itunes:summary><![CDATA[For starters we look at my bank statements<br />
  5091. Bankers, just what are they good for?<br />
  5092. <a href="https://www.theculture.net/radio/the-un-co-operative-bank/rock-roll-library-0110/" rel="attachment wp-att-959"></a><br />]]></itunes:summary>
  5093. <itunes:author>Simon Tyszko</itunes:author>
  5094. <itunes:episodeType>full</itunes:episodeType>
  5095. <itunes:explicit>false</itunes:explicit>
  5096. <itunes:duration>1:00:02</itunes:duration>
  5097. </item>
  5098. <item>
  5099. <title>Edie&#8217;s Acid</title>
  5100. <link>https://www.theculture.net/radio/edies-acid/</link>
  5101. <pubDate>Wed, 05 Feb 2014 13:50:12 +0000</pubDate>
  5102. <guid isPermaLink="false">https://www.theculture.net/radio/?p=946</guid>
  5103. <description>Free of One’s Melancholy Self
  5104. A very big Quaalude
  5105. Often prescribed to nervous housewives, a quaalude was something between a sleeping pill and a sedative. First synthesized in the late fifties, by 1965 ’ludes were being manufactured by William H. Rorer Inc., a Pennsylvania pharmaceutical company. The name “quaalude” is both a play on “Maalox,” another product manufactured by William H. Rorer Inc., and a synthesis of the phrase “quiet interlude”—a concept so simple and often so out of reach. Just whisper “quiet interlude” to yourself a few times. Seductive, no? It’s the pill in the “take a pill and lie down” directive thousands of Don Drapers gave their Bettys.
  5106. Personally i was lucky enough to have a few years when the english version of Methaqualone Maandrax was still just available on our very black market. In the very early eighties i managed to get several boxes of a South African branded capsules which were that last of this particular drug i have every seen.
  5107.  
  5108. There are no mention of Quaaludes in this episode, they just sprang to mind while writing this podcast, yet would certainly have been on Edie&#039;s regular lists.
  5109.  
  5110.  </description>
  5111. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/Isotopica-s02e03-edie-acidsx-tt.mp3" length="73233076" type="audio/mpeg" />
  5112. <itunes:subtitle>Free of One’s Melancholy Self A very big Quaalude Often prescribed to nervous housewives, a quaalude was something between a sleeping pill and a sedative. First synthesized in the late fifties, by 1965 ’ludes were being manufactured by William H.</itunes:subtitle>
  5113. <itunes:summary><![CDATA[Free of One’s Melancholy Self<br />
  5114. A very big Quaalude<br />
  5115. Often prescribed to nervous housewives, a quaalude was something between a sleeping pill and a sedative. First synthesized in the late fifties, by 1965 ’ludes were being manufactured by William H. Rorer Inc., a Pennsylvania pharmaceutical company. The name “quaalude” is both a play on “Maalox,” another product manufactured by William H. Rorer Inc., and a synthesis of the phrase “quiet interlude”—a concept so simple and often so out of reach. Just whisper “quiet interlude” to yourself a few times. Seductive, no? It’s the pill in the “take a pill and lie down” directive thousands of Don Drapers gave their Bettys.<br />
  5116. Personally i was lucky enough to have a few years when the english version of <a href="http://en.wikipedia.org/wiki/Methaqualone">Methaqualone</a> Maandrax was still just available on our very black market. In the very early eighties i managed to get several boxes of a South African branded capsules which were that last of this particular drug i have every seen.<br />
  5117. &nbsp;<br />
  5118. There are no mention of Quaaludes in this episode, they just sprang to mind while writing this podcast, yet would certainly have been on Edie's regular lists.<br />
  5119. &nbsp;<br />
  5120. &nbsp;<br />]]></itunes:summary>
  5121. <itunes:author>Simon Tyszko</itunes:author>
  5122. <itunes:episodeType>full</itunes:episodeType>
  5123. <itunes:explicit>false</itunes:explicit>
  5124. <itunes:duration>1:00:05</itunes:duration>
  5125. </item>
  5126. <item>
  5127. <title>anodyne</title>
  5128. <link>https://www.theculture.net/radio/anodyne/</link>
  5129. <pubDate>Wed, 05 Feb 2014 13:49:37 +0000</pubDate>
  5130. <guid isPermaLink="false">https://www.theculture.net/radio/?p=944</guid>
  5131. <description>This week the third marlboro man dies of smoking related disease,
  5132. therefore we listen to unrelated euphonics and a malboro advert
  5133. whoops
  5134. Poly Styrene joins us for a very youthful chat
  5135. xray spex late 70&#039;s.Lora Logic was a brief date before Heroin won for me and Hari Krishna won for her (i never did meet him)</description>
  5136. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-S02E04-anodyne-TT.mp3" length="115367146" type="audio/mpeg" />
  5137. <itunes:subtitle>This week the third marlboro man dies of smoking related disease, therefore we listen to unrelated euphonics and a malboro advert whoops Poly Styrene joins us for a very youthful chat xray spex late 70&#039;s.Lora Logic was a brief date before Heroin won fo...</itunes:subtitle>
  5138. <itunes:summary><![CDATA[This week the third marlboro man dies of smoking related disease,<br />
  5139. therefore we listen to unrelated euphonics and a malboro advert<br />
  5140. whoops<br />
  5141. <a href="http://en.wikipedia.org/wiki/Poly_Styrene">Poly Styrene</a> joins us for a very youthful chat<br />
  5142. xray spex late 70's.Lora Logic was a brief date before Heroin won for me and Hari Krishna won for her (i never did meet him)<br />]]></itunes:summary>
  5143. <itunes:author>Simon Tyszko</itunes:author>
  5144. <itunes:episodeType>full</itunes:episodeType>
  5145. <itunes:explicit>false</itunes:explicit>
  5146. <itunes:duration>1:00:05</itunes:duration>
  5147. </item>
  5148. <item>
  5149. <title>Turkeys Dance,  Forever On To Christmas</title>
  5150. <link>https://www.theculture.net/radio/turkeys-dance-forever-on-to-christmas/</link>
  5151. <pubDate>Tue, 14 Jan 2014 17:35:04 +0000</pubDate>
  5152. <guid isPermaLink="false">https://www.theculture.net/radio/?p=932</guid>
  5153. <description>Welcome to Foul Britannia
  5154. a country of happy turkeys working hard for a happy Christmas
  5155. The current Fascist Fashion in Foul Britannia
  5156. These fools are the new Eugenicists, the wagers of a very Class War
  5157. Things couldn&#039;t be better for the Happy couple above, their class has stolen trillion of pounds of public money, while the public from whose pockets it has come, turn on each other in small minded nationalism. It&#039;s class comedy of the highest order. The safeguards and frameworks for the majority, so bitterly won from the plutocratic minority in the Twentieth Century are being dismantled and sold off at a loss in a hilarious fire sale, it&#039;s Naomi Klein&#039;s shock doctrine writ large, the evidence of the crime so massive, so obvious and so tragically ignored!
  5158. Play list
  5159. farm barn__ba.stap
  5160. Give it to me baby (1967).stap
  5161. ZOOM0005.stap
  5162. communist_manifesto_mfs_librivox
  5163. 01 garment (for a garment).mp3
  5164. 01 The City Wears a Slouch Hat (original radio broadcast).mp3
  5165. 1-01 One for Ging with Klux-Top.mp3
  5166. 1-06 Acte 2_ Petite Bourgeoisie.m4a
  5167. 1-20 Drama In The Futurists&#039; Cabaret.m4a
  5168. 1-23 About Two Squares - A Suprematist Story.m4a
  5169. 1-28 Decree About The Nothingists Of The Poetry.m4a
  5170. 1-31 Poem Without Title.m4a
  5171. 03 03 03 03 03 03 03 03 03-Konono_No_1--Kule_Kule 1.mp3
  5172. 03 Ki-Motion.mp3
  5173. 03 Scherzo. Leggiero e vivace.m4a
  5174. 04 Highmatrix.mp3
  5175. 04 The Dybbuk.mp3
  5176. 06 - Place Of Dead Roads -   The Purple Better One.m4a
  5177. 07 In a Young Time.mp3
  5178. 07 Rav Nova.mp3
  5179. 10 Keep Your Lamp Trimmed and Burning.mp3
  5180. 20 Balenottera.m4a
  5181. Bob DylanI pity the poor immigrant.mp4
  5182. british rail station__ba.mp3
  5183. Communication Engaged.caf
  5184. Electricty Surge.caf
  5185. farm barn__ba.mp3
  5186. Hidden London The Real Battle of Cable Street - YouTube.mp4
  5187. Les Amoreux Des Bancs Publics.mp3
  5188. lucian_turkey_song.aiff
  5189. Tape Rewinding 02.caf
  5190. turky_tu.mp3
  5191. ZOOM0003.WAV
  5192. ZOOM0004.WAV
  5193. ZOOM0005.WAV
  5194.  </description>
  5195. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/se02e02-turkeys_toptailed.mp3" length="103651662" type="audio/mpeg" />
  5196. <itunes:subtitle>Welcome to Foul Britannia a country of happy turkeys working hard for a happy Christmas The current Fascist Fashion in Foul Britannia These fools are the new Eugenicists, the wagers of a very Class War Things couldn&#039;t be better for the Happy couple abo...</itunes:subtitle>
  5197. <itunes:summary><![CDATA[Welcome to Foul Britannia<br />
  5198. a country of happy turkeys working hard for a happy Christmas<br />
  5199. <a href="https://www.theculture.net/radio/turkeys-dance-forever-on-to-christmas/auschwitz-uniform-child/" rel="attachment wp-att-933"></a>The current Fascist Fashion in Foul Britannia<br />
  5200. <a href="https://www.theculture.net/radio/turkeys-dance-forever-on-to-christmas/cameron-boris-1_2575811b/" rel="attachment wp-att-934"></a>These fools are the new Eugenicists, the wagers of a very Class War<br />
  5201. Things couldn't be better for the Happy couple above, their class has stolen trillion of pounds of public money, while the public from whose pockets it has come, turn on each other in small minded nationalism. It's class comedy of the highest order. The safeguards and frameworks for the majority, so bitterly won from the plutocratic minority in the Twentieth Century are being dismantled and sold off at a loss in a hilarious fire sale, it's <a href="http://www.naomiklein.org/shock-doctrine">Naomi Klein's shock doctrine</a> writ large, the evidence of the crime so massive, so obvious and so tragically ignored!<br />
  5202. Play list<br />
  5203. farm barn__ba.stap<br />
  5204. Give it to me baby (1967).stap<br />
  5205. ZOOM0005.stap<br />
  5206. communist_manifesto_mfs_librivox<br />
  5207. 01 garment (for a garment).mp3<br />
  5208. 01 The City Wears a Slouch Hat (original radio broadcast).mp3<br />
  5209. 1-01 One for Ging with Klux-Top.mp3<br />
  5210. 1-06 Acte 2_ Petite Bourgeoisie.m4a<br />
  5211. 1-20 Drama In The Futurists' Cabaret.m4a<br />
  5212. 1-23 About Two Squares - A Suprematist Story.m4a<br />
  5213. 1-28 Decree About The Nothingists Of The Poetry.m4a<br />
  5214. 1-31 Poem Without Title.m4a<br />
  5215. 03 03 03 03 03 03 03 03 03-Konono_No_1--Kule_Kule 1.mp3<br />
  5216. 03 Ki-Motion.mp3<br />
  5217. 03 Scherzo. Leggiero e vivace.m4a<br />
  5218. 04 Highmatrix.mp3<br />
  5219. 04 The Dybbuk.mp3<br />
  5220. 06 - Place Of Dead Roads -   The Purple Better One.m4a<br />
  5221. 07 In a Young Time.mp3<br />
  5222. 07 Rav Nova.mp3<br />
  5223. 10 Keep Your Lamp Trimmed and Burning.mp3<br />
  5224. 20 Balenottera.m4a<br />
  5225. Bob DylanI pity the poor immigrant.mp4<br />
  5226. british rail station__ba.mp3<br />
  5227. Communication Engaged.caf<br />
  5228. Electricty Surge.caf<br />
  5229. farm barn__ba.mp3<br />
  5230. Hidden London The Real Battle of Cable Street - YouTube.mp4<br />
  5231. Les Amoreux Des Bancs Publics.mp3<br />
  5232. lucian_turkey_song.aiff<br />
  5233. Tape Rewinding 02.caf<br />
  5234. turky_tu.mp3<br />
  5235. ZOOM0003.WAV<br />
  5236. ZOOM0004.WAV<br />
  5237. ZOOM0005.WAV<br />
  5238. &nbsp;<br />]]></itunes:summary>
  5239. <itunes:author>Simon Tyszko</itunes:author>
  5240. <itunes:episodeType>full</itunes:episodeType>
  5241. <itunes:explicit>false</itunes:explicit>
  5242. <itunes:duration>1:00:11</itunes:duration>
  5243. </item>
  5244. <item>
  5245. <title>Are We Are All Leon Trotsky Now?</title>
  5246. <link>https://www.theculture.net/radio/we-are-all-leon-trotsky/</link>
  5247. <pubDate>Tue, 07 Jan 2014 23:02:56 +0000</pubDate>
  5248. <guid isPermaLink="false">https://www.theculture.net/radio/?p=896</guid>
  5249. <description>THe first in the all new 2014 season of isotopica begins with a delicious sample of Richard Burton as Leon Trotsky, the relevance of which, hopefully never quite becomes clear.
  5250. This was taken from a sadly badly made 1972 film by Joseph Losey titled,
  5251. The Assassination Of Trotsky  
  5252.  
  5253.  
  5254.  
  5255.  
  5256.  
  5257. As ever more will be revealed</description>
  5258. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/Isotopica-se02e01.mp3" length="99706832" type="audio/mpeg" />
  5259. <itunes:subtitle>THe first in the all new 2014 season of isotopica begins with a delicious sample of Richard Burton as Leon Trotsky, the relevance of which, hopefully never quite becomes clear. This was taken from a sadly badly made 1972 film by Joseph Losey titled, </itunes:subtitle>
  5260. <itunes:summary><![CDATA[THe first in the all new 2014 season of isotopica begins with a delicious sample of <a href="http://en.wikipedia.org/wiki/Richard_Burton">Richard Burton</a> as <a href="http://en.wikipedia.org/wiki/Leon_trotsky">Leon Trotsky</a>, the relevance of which, hopefully never quite becomes clear.<br />
  5261. This was taken from a sadly badly made 1972 film by <a href="http://www.imdb.com/name/nm0521334/?ref_=tt_ov_dr">Joseph Losey</a> titled,<br />
  5262. <a href="http://en.wikipedia.org/wiki/The_Assassination_of_Trotsky">The Assassination Of Trotsky </a> <br />
  5263. <br />
  5264. <br />
  5265. <br />
  5266. <br />
  5267. <br />
  5268. As ever more will be revealed]]></itunes:summary>
  5269. <itunes:author>Simon Tyszko</itunes:author>
  5270. <itunes:episodeType>full</itunes:episodeType>
  5271. <itunes:explicit>false</itunes:explicit>
  5272. </item>
  5273. <item>
  5274. <title>atoms</title>
  5275. <link>https://www.theculture.net/radio/atoms/</link>
  5276. <pubDate>Tue, 02 Jul 2013 17:55:41 +0000</pubDate>
  5277. <guid isPermaLink="false">https://www.theculture.net/radio/?p=849</guid>
  5278. <description>ATOMS
  5279. A Sonic Journey With Terrence Mckenna (Just what did i do to his already unusual voice?)
  5280. set to a delightful raga By Shiv Kumar Sharma
  5281. entitled Charukeshi
  5282. make of it what you will (as ever)
  5283. below are details of the Breaking Convention A Multidisciplinary Conference on Psychedelic Consciousness. london july 12-14th
  5284. [field name=xframe]</description>
  5285. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-02-07-2013-atoms-tt.mp3" length="75426219" type="audio/mpeg" />
  5286. <itunes:subtitle>ATOMS A Sonic Journey With Terrence Mckenna (Just what did i do to his already unusual voice?) set to a delightful raga By Shiv Kumar Sharma entitled Charukeshi make of it what you will (as ever) below are details of the Breaking Convention A Multidisc...</itunes:subtitle>
  5287. <itunes:summary><![CDATA[<a href="http://en.wikipedia.org/wiki/Atoms" target="_blank">ATOMS</a><a href="https://www.theculture.net/radio/atoms/atom-2/" rel="attachment wp-att-856"></a><br />
  5288. A Sonic Journey With <a href="http://en.wikipedia.org/wiki/Terence_McKenna" target="_blank">Terrence Mckenna</a> (Just what did i do to his already unusual voice?)<br />
  5289. set to a delightful raga By <a href="http://en.wikipedia.org/wiki/Shiv_Kumar_Sharma" target="_blank">Shiv Kumar Sharma</a><br />
  5290. entitled Charukeshi<br />
  5291. make of it what you will (as ever)<br />
  5292. below are details of the Breaking Convention A Multidisciplinary Conference on Psychedelic Consciousness. london july 12-14th<br />
  5293. [field name=xframe]<br />]]></itunes:summary>
  5294. <itunes:author>Simon Tyszko</itunes:author>
  5295. <itunes:episodeType>full</itunes:episodeType>
  5296. <itunes:explicit>false</itunes:explicit>
  5297. <itunes:duration>1:00:00</itunes:duration>
  5298. </item>
  5299. <item>
  5300. <title>the body: dance for radio</title>
  5301. <link>https://www.theculture.net/radio/the-body-dance-for-the-radio/</link>
  5302. <pubDate>Tue, 25 Jun 2013 16:37:30 +0000</pubDate>
  5303. <guid isPermaLink="false">https://www.theculture.net/radio/?p=842</guid>
  5304. <description>Isotopica at 3pm – Dance For Radio
  5305. June 25th, 2013 ·
  5306. Isotopica at 3pm is a series of cultural sonic detours with artist Simon Tyszko. Today: Dance For Radio. Isotopica considers the body in the context of contemporary dance and performance. From DV8 through Anne Teresa De Keersmaeker, Stuart Brisley and then home with a classically dance trained body work session on Tyszko by dancer, performer and trainer Julian Diaz. [Repeated Sunday 6am.]</description>
  5307. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/dancertoptail-isotopica-25-06-2013.mp3" length="71613606" type="audio/mpeg" />
  5308. <itunes:subtitle>Isotopica at 3pm – Dance For Radio June 25th, 2013 · Isotopica at 3pm is a series of cultural sonic detours with artist Simon Tyszko. Today: Dance For Radio. Isotopica considers the body in the context of contemporary dance and performance.</itunes:subtitle>
  5309. <itunes:summary><![CDATA[Isotopica at 3pm – Dance For Radio<br />
  5310. June 25th, 2013 ·<br />
  5311. Isotopica at 3pm is a series of cultural sonic detours with artist Simon Tyszko. Today: Dance For Radio. Isotopica considers the body in the context of contemporary dance and performance. From DV8 through Anne Teresa De Keersmaeker, Stuart Brisley and then home with a classically dance trained body work session on Tyszko by dancer, performer and trainer Julian Diaz. [Repeated Sunday 6am.]<br />
  5312. <a href="https://www.theculture.net/radio/the-body-dance-for-the-radio/rosas_danst_rosas/" rel="attachment wp-att-843"></a><br />
  5313. <a href="https://www.theculture.net/radio/the-body-dance-for-the-radio/de-keersmaeker-rosas-001/" rel="attachment wp-att-844"></a><br />]]></itunes:summary>
  5314. <itunes:author>Simon Tyszko</itunes:author>
  5315. <itunes:episodeType>full</itunes:episodeType>
  5316. <itunes:explicit>false</itunes:explicit>
  5317. <itunes:duration>59:41</itunes:duration>
  5318. </item>
  5319. <item>
  5320. <title>Pissing On The Fabric Of A Civil Society (Gideon Osbourne)</title>
  5321. <link>https://www.theculture.net/radio/pissing-on-the-fabric-of-a-civil-society/</link>
  5322. <pubDate>Thu, 20 Jun 2013 20:35:53 +0000</pubDate>
  5323. <guid isPermaLink="false">https://www.theculture.net/radio/?p=816</guid>
  5324. <description>Todays detour starts at the setting up of the unfunfair at beaconsfield gallery in lambeth, an intervention in the large arch space, a test bed, and a quick show of this years studio works
  5325. [field name=bframe]
  5326. Franz Anton Mesmer (May 23, 1734 – March 5, 1815) sometimes incorrectly referred to as Friedrich Anton Mesmer, was a German physician with an interest in astronomy, who theorised that there was a natural energetic transference that occurred between all animated and inanimate objects that he called magnétisme animal (animal magnetism)[1] and other spiritual forces often grouped together as mesmerism. Mesmerism is considered to be a form of vitalism and shares features with other vitalist theories that also emphasize the movement of life &quot;energy&quot; through distinct channels in the body. In 1843 James Braid, a Scottish physician proposed the term hypnosis for a technique derived from magnetism but more limited in its claimed effects, and also different in its conception. Mesmer&#039;s name is the root of the English verb &quot;mesmerize&quot;.
  5327. [field name=dframe]</description>
  5328. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/beacosfield-top-and-tail.mp3" length="101188188" type="audio/mpeg" />
  5329. <itunes:subtitle>Todays detour starts at the setting up of the unfunfair at beaconsfield gallery in lambeth, an intervention in the large arch space, a test bed, and a quick show of this years studio works [field name=bframe] Franz Anton Mesmer (May 23,</itunes:subtitle>
  5330. <itunes:summary><![CDATA[Todays detour starts at the setting up of the unfunfair at <a href="http://beaconsfield.ltd.uk" target="_blank">beaconsfield gallery</a> in <a href="http://beaconsfield.ltd.uk/about/visiting/" target="_blank">lambeth</a>, an intervention in the large arch space, a test bed, and a quick show of this years studio works<br />
  5331. [field name=bframe]<br />
  5332. Franz Anton Mesmer (May 23, 1734 – March 5, 1815) sometimes incorrectly referred to as Friedrich Anton Mesmer, was a German physician with an interest in astronomy, who theorised that there was a natural energetic transference that occurred between all animated and inanimate objects that he called magnétisme animal (<a title="Animal magnetism" href="http://en.wikipedia.org/wiki/Animal_magnetism">animal magnetism</a>)<a href="http://en.wikipedia.org/wiki/Franz_Mesmer#cite_note-1">[1]</a> and other spiritual forces often grouped together as <a title="Animal magnetism" href="http://en.wikipedia.org/wiki/Animal_magnetism">mesmerism</a>. Mesmerism is considered to be a form of <a title="Vitalism" href="http://en.wikipedia.org/wiki/Vitalism">vitalism</a> and shares features with other vitalist theories that also emphasize the movement of life <a title="Energy (esotericism)" href="http://en.wikipedia.org/wiki/Energy_%28esotericism%29">"energy"</a> through distinct channels in the body. In 1843 <a title="James Braid (surgeon)" href="http://en.wikipedia.org/wiki/James_Braid_%28surgeon%29">James Braid</a>, a Scottish physician proposed the term hypnosis for a technique derived from <a title="Animal magnetism" href="http://en.wikipedia.org/wiki/Animal_magnetism">magnetism</a> but more limited in its claimed effects, and also different in its conception. Mesmer's name is the root of the English verb "<a title="wiktionary:en:mesmerize" href="http://en.wiktionary.org/wiki/en:mesmerize">mesmerize</a>".<br />
  5333. [field name=dframe]<br />]]></itunes:summary>
  5334. <itunes:author>Simon Tyszko</itunes:author>
  5335. <itunes:episodeType>full</itunes:episodeType>
  5336. <itunes:explicit>false</itunes:explicit>
  5337. <itunes:duration>59:09</itunes:duration>
  5338. </item>
  5339. <item>
  5340. <title>Protected: and the room turned white</title>
  5341. <link>https://www.theculture.net/radio/and-the-room-turned-white/</link>
  5342. <pubDate>Sun, 02 Jun 2013 22:31:27 +0000</pubDate>
  5343. <guid isPermaLink="false">https://www.theculture.net/radio/?p=809</guid>
  5344. <description>There is no excerpt because this is a protected post.</description>
  5345. </item>
  5346. <item>
  5347. <title>Eight Academics on a train after Mallarmé and the Dice and the Pitaphone Ring</title>
  5348. <link>https://www.theculture.net/radio/eight-academics-on-a-train-after-mallarme-and-the-dice-and-the-pitaphone-ring/</link>
  5349. <pubDate>Wed, 29 May 2013 16:46:17 +0000</pubDate>
  5350. <guid isPermaLink="false">https://www.theculture.net/radio/?p=784</guid>
  5351. <description>episodes above are
  5352. 1 the visit to phlight
  5353. 2 the trip to leeds
  5354.  
  5355. CHANCE: A THROW OF THE DICE
  5356. Leeds MA Art and Design have worked with the artist and broadcaster Simon Tyszko. His practice is an example of how spoken transmission (radio broadcast), and object making (specifically the installation of objects) also adjust our experience to the living-space of art, co-extensive in public and private realms; unseen, or unheard; and how we compose our experience through chance encounters to revisit an event.
  5357. The panel will ask how chance is to be anticipated, put into play, and it might define an encounter with an object’s undecideable and transitory character. A Throw of the Dice Un coup de dés jamais n’abolira le hazard - (A throw of the dice will never abolish chance) Stephane Mallarmé The concept A throw of the Dice derives from a project that has looked at how Stephane Mallarmé composed the poem Un coup de dés over a hundred years ago in 1897 which anticipated, by the ‘logic’ of chance, a kernel of mathematical truth. Art is a performative signifier that placed onus on the spectator and reader as creator and interpreter of a work. What is chance, but an event that deters all predictable outcomes? Where does the contemporary artist, designer or curator locate chance as part of a practice?
  5358. The relation of chance to visibility/invisibility is one that is raised through the public space of performance and dialogue. Since Mallarmé’s work resounded in how it ‘sounded’ differently through repeated readings and how words slipped across signification to mean other things at other imagined times, the poem is evocative of figures and yet also constituted as a precise technology of musical arrangements and visual metaphors. We have invited speakers who are artists who are also practitioners in the fields of music, journalism, and criticism to discuss the power of chance operating outside the official cultural signs of the ‘voice’ by multiple readings of the text. This becomes very apparent in rereading the work Un coup de dés. It is on this basis that the MA participants have developed responses to present a constellation of new works under the umbrella of Un coup de dés that interrogate avant garde practice, as a constant need for repetition in the ‘throwing the dice’. It is precisely why, we ask, the avant-garde cannot take place, or throw the dice, once and for all times, ‘but must be permanently repeated to resist permanent historical change and chronic lack of time.’ Boris Groys ‘At the beginning of his Lectures on Aesthetics, Hegel asserted that in his time, art was already a thing of the past. Hegel believed that, in the time of modernity, art could no longer manifest anything true about the world as it is. But avant-garde art has shown that art still has something to say about the modern world: it can demonstrate its transitory character, its lack of time; and to transcend this lack of time through a weak minimal gesture requires very little time—or even no time at all. Boris Groys, The Weak Universalism e-flux journal 2010
  5359. [field name=xframe]
  5360. Talk
  5361. A panel discussion with Peter Fillingham, artist, curator and academic, Nooshin Farhid, artist and curator currently lecturing at Central St Martins, University of the Arts, London; Colm Lally, Artist and Director of Event Gallery; Giorgio Sadotti, artist; Peter Suchin, artist and critic for Art Monthly, Frieze; Simon Tyszko, artist and broadcaster for Resonance Radio FM; Dr Cecilia Wee, Lecturer in Communications at Royal College of Art, musicologist, and broadcaster for Resonance Radio FM; and Elizabeth Wright, artist and Pathway Leader in 3D at Central St Martins, University of the Arts, London. The MA Art and Design cordially invites the public to take part in the event and to contribute during the day to the discussion with the panel of guest speakers, chaired by Peter Lewis, Course Leader, MA Art and Design.The discussion will consider the operation of chance or ‘open’ textual pro...</description>
  5362. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-28-05-2013-roadtrip-toptailed.mp3" length="145543794" type="audio/mpeg" />
  5363. <itunes:subtitle>episodes above are 1 the visit to phlight 2 the trip to leeds  CHANCE: A THROW OF THE DICE Leeds MA Art and Design have worked with the artist and broadcaster Simon Tyszko. His practice is an example of how spoken transmission (radio broadcast),</itunes:subtitle>
  5364. <itunes:summary><![CDATA[<a href="https://www.theculture.net/radio/eight-academics-on-a-train-after-mallarme-and-the-dice-and-the-pitaphone-ring/200px-mallarme/" rel="attachment wp-att-787"></a><br />
  5365. episodes above are<br />
  5366. 1 the visit to phlight<br />
  5367. 2 the trip to leeds<br />
  5368. <br />
  5369. CHANCE: A THROW OF THE DICE<br />
  5370. Leeds MA Art and Design have worked with the artist and broadcaster Simon Tyszko. His practice is an example of how spoken transmission (radio broadcast), and object making (specifically the installation of objects) also adjust our experience to the living-space of art, co-extensive in public and private realms; unseen, or unheard; and how we compose our experience through chance encounters to revisit an event.<br />
  5371. The panel will ask how chance is to be anticipated, put into play, and it might define an encounter with an object’s undecideable and transitory character. A Throw of the Dice Un coup de dés jamais n’abolira le hazard - (A throw of the dice will never abolish chance) Stephane Mallarmé The concept A throw of the Dice derives from a project that has looked at how Stephane Mallarmé composed the poem Un coup de dés over a hundred years ago in 1897 which anticipated, by the ‘logic’ of chance, a kernel of mathematical truth. Art is a performative signifier that placed onus on the spectator and reader as creator and interpreter of a work. What is chance, but an event that deters all predictable outcomes? Where does the contemporary artist, designer or curator locate chance as part of a practice?<br />
  5372. The relation of chance to visibility/invisibility is one that is raised through the public space of performance and dialogue. Since Mallarmé’s work resounded in how it ‘sounded’ differently through repeated readings and how words slipped across signification to mean other things at other imagined times, the poem is evocative of figures and yet also constituted as a precise technology of musical arrangements and visual metaphors. We have invited speakers who are artists who are also practitioners in the fields of music, journalism, and criticism to discuss the power of chance operating outside the official cultural signs of the ‘voice’ by multiple readings of the text. This becomes very apparent in rereading the work Un coup de dés. It is on this basis that the MA participants have developed responses to present a constellation of new works under the umbrella of Un coup de dés that interrogate avant garde practice, as a constant need for repetition in the ‘throwing the dice’. It is precisely why, we ask, the avant-garde cannot take place, or throw the dice, once and for all times, ‘but must be permanently repeated to resist permanent historical change and chronic lack of time.’ Boris Groys ‘At the beginning of his Lectures on Aesthetics, Hegel asserted that in his time, art was already a thing of the past. Hegel believed that, in the time of modernity, art could no longer manifest anything true about the world as it is. But avant-garde art has shown that art still has something to say about the modern world: it can demonstrate its transitory character, its lack of time; and to transcend this lack of time through a weak minimal gesture requires very little time—or even no time at all. Boris Groys, <a href="http://www.e-flux.com/journal/the-weak-universalism/">The Weak Universalism e-flux journal 2010</a><br />
  5373. [field name=xframe]<br />
  5374. Talk<br />
  5375. A panel discussion with Peter Fillingham, artist, curator and academic, Nooshin Farhid, artist and curator currently lecturing at Central St Martins, University of the Arts, London; Colm Lally, Artist and Director of Event Gallery; Giorgio Sadotti, artist; Peter Suchin, artist and critic for Art Monthly, Frieze; Simon Tyszko, artist and broadcaster for Resonance Radio FM; Dr Cecilia Wee, Lecturer in Communications at Royal College of Art, musicologist, and broadcaster for Resonance Radio FM; and Elizabeth Wright, artist and Pathway Leader in 3D at Central St Martins,]]></itunes:summary>
  5376. <itunes:author>Simon Tyszko</itunes:author>
  5377. <itunes:episodeType>full</itunes:episodeType>
  5378. <itunes:explicit>false</itunes:explicit>
  5379. <itunes:duration>1:00:39</itunes:duration>
  5380. </item>
  5381. <item>
  5382. <title>The Godfather: stuart Brisley</title>
  5383. <link>https://www.theculture.net/radio/the-godfather-stuart-brisley/</link>
  5384. <pubDate>Tue, 07 May 2013 16:06:37 +0000</pubDate>
  5385. <guid isPermaLink="false">https://www.theculture.net/radio/?p=763</guid>
  5386. <description>What  a treat for me.......
  5387.  
  5388. Isotopica at 3pm – Stuart Brisley, Godfather of British Performance Art
  5389. May 7th, 2013
  5390. Cultural sonic detours with artist Simon Tyszko in Isotopica at 3pm. Today: the eternal and subversive Godfather of British Performance Art, Stuart Brisley. Picking from over five decades of works and actions at the very edges of contemporary art, Simon discusses topics ranging from Stuart’s blacklisting by the British Council, setting fire to the outside of Tate Britain, and Agitation Propaganda. [Repeated Sunday 6am.]</description>
  5391. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-07-05-2013-brisley.mp3" length="116239009" type="audio/mpeg" />
  5392. <itunes:subtitle>What  a treat for me.......  Isotopica at 3pm – Stuart Brisley, Godfather of British Performance Art May 7th, 2013  Cultural sonic detours with artist Simon Tyszko in Isotopica at 3pm. Today: the eternal and subversive Godfather of British Performance ...</itunes:subtitle>
  5393. <itunes:summary><![CDATA[What  a treat for me.......<br />
  5394. <br />
  5395. Isotopica at 3pm – <a href="http://en.wikipedia.org/wiki/Stuart_Brisley" target="_blank">Stuart Brisley</a>, Godfather of British Performance Art<br />
  5396. May 7th, 2013 <br />
  5397. Cultural sonic detours with artist Simon Tyszko in Isotopica at 3pm. Today: the eternal and subversive <a href="http://www.stuartbrisley.com/pages/4" target="_blank">Godfather of British <a href="http://en.wikipedia.org/wiki/Performance_art">Performance Art</a>, Stuart Brisley</a>. Picking from over five decades of works and actions at the very edges of contemporary art, Simon discusses topics ranging from Stuart’s blacklisting by the British Council, setting fire to the outside of Tate Britain, and Agitation Propaganda. [Repeated Sunday 6am.]<br />
  5398. <br />]]></itunes:summary>
  5399. <itunes:author>Simon Tyszko</itunes:author>
  5400. <itunes:episodeType>full</itunes:episodeType>
  5401. <itunes:explicit>false</itunes:explicit>
  5402. <itunes:duration>1:00:32</itunes:duration>
  5403. </item>
  5404. <item>
  5405. <title>Confessions of a Barbiturate user: madness, a review part 1</title>
  5406. <link>https://www.theculture.net/radio/737/</link>
  5407. <pubDate>Tue, 30 Apr 2013 15:17:23 +0000</pubDate>
  5408. <guid isPermaLink="false">https://www.theculture.net/radio/?p=737</guid>
  5409. <description>At 3pm in Istopica, artist Simon Tyszko considers madness, using interviews, field recordings and sonic collage in a programme which promises to be very dark. Note: some listeners may find the graphic descriptions of the hazards of drug usage disturbing.
  5410.  
  5411. Indeed! Considering my own dalliance with curious mental health (addiction, depression, the vapours), this is first in an occasional series on the human psyche.</description>
  5412. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/toptailed-isotopica_30-04-2013-madness1.mp3" length="84448195" type="audio/mpeg" />
  5413. <itunes:subtitle>At 3pm in Istopica, artist Simon Tyszko considers madness, using interviews, field recordings and sonic collage in a programme which promises to be very dark. Note: some listeners may find the graphic descriptions of the hazards of drug usage disturbin...</itunes:subtitle>
  5414. <itunes:summary><![CDATA[<a href="https://www.theculture.net/radio/737/timeoutreso1small/" rel="attachment wp-att-738">At 3pm in </a><a href="http://www.theculture.net/" target="_blank">Istopica</a>, artist Simon Tyszko considers madness, using interviews, field recordings and sonic collage in a programme which promises to be very dark. Note: some listeners may find the graphic descriptions of the hazards of drug usage disturbing.<br />
  5415. <br />
  5416. Indeed! Considering my own dalliance with curious mental health (addiction, depression, the vapours), this is first in an occasional series on the human psyche.<a href="https://www.theculture.net/radio/737/dark/" rel="attachment wp-att-739"><br />
  5417. </a><br />]]></itunes:summary>
  5418. <itunes:author>Simon Tyszko</itunes:author>
  5419. <itunes:episodeType>full</itunes:episodeType>
  5420. <itunes:explicit>false</itunes:explicit>
  5421. <itunes:duration>58:39</itunes:duration>
  5422. </item>
  5423. <item>
  5424. <title>Thatchaaaaaaaaaaargh</title>
  5425. <link>https://www.theculture.net/radio/thatchaaaaaaaaaaargh/</link>
  5426. <pubDate>Tue, 23 Apr 2013 22:31:29 +0000</pubDate>
  5427. <guid isPermaLink="false">https://www.theculture.net/radio/?p=715</guid>
  5428. <description>scorpion brand heroin ready to go</description>
  5429. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-09-04-2013-thatchaaargh2.mp3" length="82499612" type="audio/mpeg" />
  5430. <itunes:subtitle>scorpion brand heroin ready to go</itunes:subtitle>
  5431. <itunes:summary><![CDATA[<a href="https://www.theculture.net/radio/thatchaaaaaaaaaaargh/thatcher-death-party/" rel="attachment wp-att-731"></a> <a href="https://www.theculture.net/radio/thatchaaaaaaaaaaargh/is-thatcher-dead-yet/" rel="attachment wp-att-732"></a> <a href="https://www.theculture.net/radio/goodbye-cruel-bird/goosegreen/" rel="attachment wp-att-717"></a><br />
  5432. <a href="https://www.theculture.net/radio/the-one-that-starts-with-a-yellow-fingered-girl/scorpion-heroin/" rel="attachment wp-att-86"></a>scorpion brand heroin ready to go<br />]]></itunes:summary>
  5433. <itunes:author>Simon Tyszko</itunes:author>
  5434. <itunes:episodeType>full</itunes:episodeType>
  5435. <itunes:explicit>false</itunes:explicit>
  5436. <itunes:duration>59:51</itunes:duration>
  5437. </item>
  5438. <item>
  5439. <title>Goodbye Cruel Bird</title>
  5440. <link>https://www.theculture.net/radio/goodbye-cruel-bird/</link>
  5441. <pubDate>Tue, 23 Apr 2013 22:26:57 +0000</pubDate>
  5442. <guid isPermaLink="false">https://www.theculture.net/radio/?p=716</guid>
  5443. <description>the foulest legacy
  5444. Born: October 13, 1925, Grantham
  5445. Died: April 8, 2013, London
  5446.  
  5447.  
  5448.  
  5449. t he solution
  5450.  
  5451.  
  5452. After neoliberalism:
  5453. analysing the present
  5454. Stuart Hall, Doreen Massey
  5455. and Michael Rustin
  5456. The founding editors of
  5457. Soundings
  5458. set out the framing
  5459. analysis for our online manifesto.
  5460. W
  5461. ith the banking crisis and the credit crunch of 2007-8, and their
  5462. economic repercussions around the globe, the system of neoliberalism,
  5463. or global free-market capitalism, that has come to dominate the world
  5464. in the three decades since 1980, has imploded. As the scale of toxic debt became
  5465. evident, credit and inter-bank lending dried up, spending slowed, output declined
  5466. and unemployment rose. The system’s vastly inflated financial sectors, which
  5467. speculate in assets largely unrelated to the real economy of goods and services,
  5468. precipitated an economic crisis whose catastrophic consequences are still unfolding.
  5469. We believe that mainstream political debate simply does not recognise the
  5470. depth of this crisis, nor the consequent need for radical rethinking. The economic
  5471. model that has underpinned the social and political settlement of the last three
  5472. decades is unravelling, but the broader political and social consensus apparently
  5473. remains in place. We therefore offer this analysis as a contribution to the debate,
  5474. in the hope that it will help people on the left think more about how we can shift
  5475. the parameters of the debate, from one concerning small palliative and restorative
  5476. measures, to one which opens the way for moving towards a new political era and
  5477. new understandings of what constitutes the good society.
  5478. 1
  5479. For three decades, the neoliberal system has been generating vast profits
  5480.  
  5481.  
  5482.  
  5483.  
  5484.  
  5485. 9
  5486. After neoliberalism: analysing the present
  5487. for multi-nationals, investment institutions and venture capitalists, and huge
  5488. accumulations of wealth for the new global super-rich, while grossly increasing
  5489. the gap between rich and poor and deepening inequalities of income, health and
  5490. life chances within and between countries, on a scale not seen since before the
  5491. second world war. In North America and Western Europe - hitherto dynamos of
  5492. the global economic system - rates of
  5493.  
  5494. growth are now lower than during the early
  5495. post-war decades, when there was a more even balance of power between the social
  5496. classes. There has been a steep decline in manufacturing and a hot-house expansion
  5497. of financial services and the service economy; and a massive shift of power and
  5498. resources from public to private, from state to market. ‘The market’ has become the
  5499. model of social relations, exchange value the only value. Western governments have
  5500. shown themselves weak and indecisive in responding to the environmental crisis,
  5501. climate change and the threat to sustainable life on the planet, and have refused to
  5502. address the issues in other than their own - market - terms.
  5503. Likewise, the financial crisis has been used by many Western governments as a
  5504. means of further entrenching the neoliberal model. They have adopted swingeing
  5505. ‘austerity measures’ which, they claim, is the only way of reducing the deficits
  5506. generated during the bonanza period of the 1980s and 1990s. They have launched
  5507. an assault on the incomes, living standards and conditions of life of the less well-
  5508. off members of society. In the UK, the cuts programme has frozen incomes, capped
  5509. benefits, savaged public sector employment and undermined local gover
  5510. nment.
  5511. It has encouraged private capital to hollow-out the welfare state and dismantle
  5512. the structures of health, welfare and education services. The burden of ‘solving’
  5513. the crisis has been disproportionately off-loaded on to working people, targeting
  5514. vulnerable, marginalised groups. These include low-income, single-parent families;
  5515. children in poverty; women juggling part-time employment with multiple domestic
  5516. responsibilities; pensioners, the disabled and the mentally ill; welfare-benefits and
  5517. low-cost public housing ‘dependants’; the young unemployed (especially black
  5518. youth); and students.</description>
  5519. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-16-04-2013-goodbye-cruel-bird.mp3" length="126188853" type="audio/mpeg" />
  5520. <itunes:subtitle>the foulest legacy Born: October 13, 1925, Grantham Died: April 8, 2013, London     t he solution   After neoliberalism: analysing the present Stuart Hall, Doreen Massey and Michael Rustin The founding editors of Soundings set out the framing </itunes:subtitle>
  5521. <itunes:summary><![CDATA[the foulest legacy<br />
  5522. Born: October 13, 1925, Grantham<br />
  5523. Died: April 8, 2013, London<br />
  5524. <br />
  5525. <a style="text-align: center;" href="https://www.theculture.net/radio/goodbye-cruel-bird/article-2305747-192ce731000005dc-680_306x481/" rel="attachment wp-att-728"></a><br />
  5526. <br />
  5527. <a href="https://www.theculture.net/radio/goodbye-cruel-bird/vietnam_war/" rel="attachment wp-att-726"></a> <a href="https://www.theculture.net/radio/goodbye-cruel-bird/cathy-fuck-off/" rel="attachment wp-att-727"></a><a href="https://www.theculture.net/radio/goodbye-cruel-bird/article-2305747-192ce731000005dc-680_306x481/" rel="attachment wp-att-728">t </a>he solution<br />
  5528. <br />
  5529. <br />
  5530. After neoliberalism:<br />
  5531. analysing the present<br />
  5532. Stuart Hall, Doreen Massey<br />
  5533. and Michael Rustin<br />
  5534. The founding editors of<br />
  5535. Soundings<br />
  5536. set out the framing<br />
  5537. analysis for our online manifesto.<br />
  5538. W<br />
  5539. ith the banking crisis and the credit crunch of 2007-8, and their<br />
  5540. economic repercussions around the globe, the system of neoliberalism,<br />
  5541. or global free-market capitalism, that has come to dominate the world<br />
  5542. in the three decades since 1980, has imploded. As the scale of toxic debt became<br />
  5543. evident, credit and inter-bank lending dried up, spending slowed, output declined<br />
  5544. and unemployment rose. The system’s vastly inflated financial sectors, which<br />
  5545. speculate in assets largely unrelated to the real economy of goods and services,<br />
  5546. precipitated an economic crisis whose catastrophic consequences are still unfolding.<br />
  5547. We believe that mainstream political debate simply does not recognise the<br />
  5548. depth of this crisis, nor the consequent need for radical rethinking. The economic<br />
  5549. model that has underpinned the social and political settlement of the last three<br />
  5550. decades is unravelling, but the broader political and social consensus apparently<br />
  5551. remains in place. We therefore offer this analysis as a contribution to the debate,<br />
  5552. in the hope that it will help people on the left think more about how we can shift<br />
  5553. the parameters of the debate, from one concerning small palliative and restorative<br />
  5554. measures, to one which opens the way for moving towards a new political era and<br />
  5555. new understandings of what constitutes the good society.<br />
  5556. 1<br />
  5557. For three decades, the neoliberal system has been generating vast profits<br />
  5558. <br />
  5559. <br />
  5560. <a name="2"></a><br />
  5561. <br />
  5562. <br />
  5563. 9<br />
  5564. After neoliberalism: analysing the present<br />
  5565. for multi-nationals, investment institutions and venture capitalists, and huge<br />
  5566. accumulations of wealth for the new global super-rich, while grossly increasing<br />
  5567. the gap between rich and poor and deepening inequalities of income, health and<br />
  5568. life chances within and between countries, on a scale not seen since before the<br />
  5569. second world war. In North America and Western Europe - hitherto dynamos of<br />
  5570. the global economic system - rates of<br />
  5571. <br />
  5572. growth are now lower than during the early<br />
  5573. post-war decades, when there was a more even balance of power between the social<br />
  5574. classes. There has been a steep decline in manufacturing and a hot-house expansion<br />
  5575. of financial services and the service economy; and a massive shift of power and<br />
  5576. resources from public to private, from state to market. ‘The market’ has become the<br />
  5577. model of social relations, exchange value the only value. Western governments have<br />
  5578. shown themselves weak and indecisive in responding to the environmental crisis,<br />
  5579. climate change and the threat to sustainable life on the planet, and have refused to<br />
  5580. address the issues in other than their own - market - terms.<br />
  5581. Likewise, the financial crisis has been used by many Western governments as a<br />
  5582. means of further entrenching the neoliberal model. They have adopted swingeing<br />
  5583. ‘austerity measures’ which, they claim, is the only way of reducing the deficits<br />
  5584. ]]></itunes:summary>
  5585. <itunes:author>Simon Tyszko</itunes:author>
  5586. <itunes:episodeType>full</itunes:episodeType>
  5587. <itunes:explicit>false</itunes:explicit>
  5588. <itunes:duration>1:00:23</itunes:duration>
  5589. </item>
  5590. <item>
  5591. <title>Lilliane Lijn</title>
  5592. <link>https://www.theculture.net/radio/lilliane-lijn/</link>
  5593. <pubDate>Tue, 23 Apr 2013 19:41:58 +0000</pubDate>
  5594. <guid isPermaLink="false">https://www.theculture.net/radio/?p=719</guid>
  5595. <description>This weeks Isotopica features a wide ranging and difficult to edit (so much wonderful material) discussion with kinetic/science art/multidisciplinary artist Liliane Lijn.
  5596.  
  5597.  
  5598. American born, of Russian diaspora parentage Lijn, studied archaeology at the Sorbonne and Art History at the Ecole du Louvre, in Paris. At the same time Lijn began to draw and paint, (although she didn’t attend art school), whilst taking part in meetings of the Surrealist group, where she met the French writer, poet and theorist André Breton.
  5599. The writers and poets William Burroughs, Gregory Corso, Sinclair Beiles and Brion Gysin were in the same circle as Lijn, and their book on ‘cut-ups’ entitled Minutes to Go had previously been launched at the Librairie Anglaise in 1960.
  5600.  
  5601. We discuss her works and life touching on projects that include Chemin De Fer (The Power Game 1970-present day), Prisms, working with NASA scientists and much in between. this just may be part one of two...
  5602.  
  5603. Liliane&#039;s website is at www.lilianelijn.com
  5604.  
  5605. The Power Game   1970
  5606. The card game originally called Keys consists of 52 playing cards with a printed word on each side.
  5607. First performed in 1974 at the International Festival for Democracy in Chile, Royal College of Art, London in collaboration with Alistair Mackintosh.</description>
  5608. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/Isoptopica-23-04-2013-Lijn-up.mp3" length="102519854" type="audio/mpeg" />
  5609. <itunes:subtitle>This weeks Isotopica features a wide ranging and difficult to edit (so much wonderful material) discussion with kinetic/science art/multidisciplinary artist Liliane Lijn.   American born, of Russian diaspora parentage Lijn,</itunes:subtitle>
  5610. <itunes:summary><![CDATA[This weeks Isotopica features a wide ranging and difficult to edit (so much wonderful material) discussion with kinetic/science art/multidisciplinary artist <a href="http://en.wikipedia.org/wiki/Liliane_Lijn" target="_blank">Liliane Lijn.</a><br />
  5611. <br />
  5612. <br />
  5613. American born, of Russian diaspora parentage Lijn, studied archaeology at the <a title="Sorbonne" href="http://en.wikipedia.org/wiki/Sorbonne" target="_blank">Sorbonne</a> and Art History at the <a title="Ecole du Louvre" href="http://en.wikipedia.org/wiki/Ecole_du_Louvre" target="_blank">Ecole du Louvre</a>, in Paris. At the same time Lijn began to draw and paint, (although she didn’t attend art school), whilst taking part in meetings of the Surrealist group, where she met the French writer, poet and theorist <a title="André Breton" href="http://en.wikipedia.org/wiki/Andr%C3%A9_Breton" target="_blank">André Breton</a>.<br />
  5614. The writers and poets <a title="William Burroughs" href="http://en.wikipedia.org/wiki/William_Burroughs" target="_blank">William Burroughs</a>, <a title="Gregory Corso" href="http://en.wikipedia.org/wiki/Gregory_Corso" target="_blank">Gregory Corso</a>, <a title="Sinclair Beiles" href="http://en.wikipedia.org/wiki/Sinclair_Beiles" target="_blank">Sinclair Beiles</a> and <a title="Brion Gysin" href="http://en.wikipedia.org/wiki/Brion_Gysin" target="_blank">Brion Gysin</a> were in the same circle as Lijn, and their book on ‘cut-ups’ entitled Minutes to Go had previously been launched at the Librairie Anglaise in 1960.<br />
  5615. <br />
  5616. We discuss her works and life touching on projects that include Chemin De Fer (<a href="http://www.lilianelijn.com/archive/pog01.html" target="_blank">The Power Game 1970-present day</a>), Prisms, working with NASA scientists and much in between. this just may be part one of two...<br />
  5617. <br />
  5618. <a href="https://www.theculture.net/radio/lilliane-lijn/powergame/" rel="attachment wp-att-720">Liliane's website is at </a><a href="http://www.lilianelijn.com/" target="_blank">www.lilianelijn.com</a><br />
  5619. <br />
  5620. The Power Game   1970<br />
  5621. The card game originally called Keys consists of 52 playing cards with a printed word on each side.<br />
  5622. First performed in 1974 at the International Festival for Democracy in Chile, Royal College of Art, London in collaboration with Alistair Mackintosh.<br />]]></itunes:summary>
  5623. <itunes:author>Simon Tyszko</itunes:author>
  5624. <itunes:episodeType>full</itunes:episodeType>
  5625. <itunes:explicit>false</itunes:explicit>
  5626. </item>
  5627. <item>
  5628. <title>Pop</title>
  5629. <link>https://www.theculture.net/radio/pop/</link>
  5630. <pubDate>Sun, 07 Apr 2013 22:41:16 +0000</pubDate>
  5631. <guid isPermaLink="false">https://www.theculture.net/radio/?p=707</guid>
  5632. <description>Once again again the nineteen sixties radiates out from way back when,  to mysteriously move things around in my present day.
  5633. speaking with heather jansch for the first time since 1966 when she was the number one girlfiend in the hazy psychodrama that was the short and glamorous life of my brother stefan tyszko, who, dying in a car crash in 1969, left me with curious fragments, the pieces of a labyrinthine puzzle, a truly magical mystery tour, our new conversations bringing more pieces into view, and as ever, the story deepens..
  5634. using techniques from the new disciplines of hauntology (developed from a beautiful mispronunciation and misunderstanding of ontology) we dance around a sixties theme with a rethinking of a tony palmer documentary on the new age of pop(all my loving) made in 1968
  5635. heather jansch (sewell) photgraphed by my brother stefan in portobello road in 1967</description>
  5636. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-02-04-2013-POP.mp3" length="72871246" type="audio/mpeg" />
  5637. <itunes:subtitle>Once again again the nineteen sixties radiates out from way back when,  to mysteriously move things around in my present day. speaking with heather jansch for the first time since 1966 when she was the number one girlfiend in the hazy psychodrama that ...</itunes:subtitle>
  5638. <itunes:summary><![CDATA[Once again again the nineteen sixties radiates out from way back when,  to mysteriously move things around in my present day.<br />
  5639. speaking with <a href="http://en.wikipedia.org/wiki/Heather_Jansch" target="_blank">heather jansch</a> for the first time since 1966 when she was the number one girlfiend in the hazy psychodrama that was the short and glamorous life of my brother <a href="http://www.theculture.net/stefantyszko" target="_blank">stefan tyszko</a>, who, dying in a car crash in 1969, left me with curious fragments, the pieces of a labyrinthine puzzle, a truly magical mystery tour, our new conversations bringing more pieces into view, and as ever, the story deepens..<br />
  5640. using techniques from the new disciplines of <a href="http://en.wikipedia.org/wiki/Hauntology" target="_blank">hauntology</a> (developed from a beautiful mispronunciation and misunderstanding of <a href="http://en.wikipedia.org/wiki/Ontology" target="_blank">ontology</a>) we dance around a sixties theme with a rethinking of a <a href="http://en.wikipedia.org/wiki/Tony_Palmer" target="_blank">tony palmer</a> documentary on the new age of pop(<a href="http://www.imdb.com/title/tt0814001/" target="_blank">all my loving</a>) made in 1968<br />
  5641. <a href="https://www.theculture.net/radio/pop/portobello1967_heather-small/" rel="attachment wp-att-709"></a>heather jansch (sewell) photgraphed by my brother stefan in portobello road in 1967<br />]]></itunes:summary>
  5642. <itunes:author>Simon Tyszko</itunes:author>
  5643. <itunes:episodeType>full</itunes:episodeType>
  5644. <itunes:explicit>false</itunes:explicit>
  5645. </item>
  5646. <item>
  5647. <title>The King and I</title>
  5648. <link>https://www.theculture.net/radio/the-king-and-i/</link>
  5649. <pubDate>Wed, 27 Mar 2013 00:48:57 +0000</pubDate>
  5650. <guid isPermaLink="false">https://www.theculture.net/radio/?p=697</guid>
  5651. <description>A Fine treat with friend and comrade in (artistic) arms
  5652. Mr Bob Kingdom.
  5653. Bob is the one man show,
  5654. he conceives, he researches, he writes, he presents and performs,
  5655. holding the stage in an intense and intimate audience with his chosen study.
  5656. In todays episode we wander around his thoughts and meander through reminiscence, while he sports the Duke Of Windsor&#039;s Haircut, a delight, im sure you will agree.
  5657. Just Who Is Bob Kingdom.Seen here in my studio, bob appears as a West Coast Hitman
  5658.  
  5659. Bob Kingdom Seen Here As Dylan Thomas Having An Impossible Chat With Quentin Chrisp (Betty Bourne)
  5660. Bob Kingdom As The Duke Of Windsor
  5661. Bob Kingdom as J.Edgar.Hoover Himself</description>
  5662. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-26-03-2013-bobkingdom44.mp3" length="106795564" type="audio/mpeg" />
  5663. <itunes:subtitle>A Fine treat with friend and comrade in (artistic) arms Mr Bob Kingdom. Bob is the one man show, he conceives, he researches, he writes, he presents and performs, holding the stage in an intense and intimate audience with his chosen study. </itunes:subtitle>
  5664. <itunes:summary><![CDATA[A Fine treat with friend and comrade in (artistic) arms<br />
  5665. Mr Bob Kingdom.<br />
  5666. Bob is the one man show,<br />
  5667. he conceives, he researches, he writes, he presents and performs,<br />
  5668. holding the stage in an intense and intimate audience with his chosen study.<br />
  5669. In todays episode we wander around his thoughts and meander through reminiscence, while he sports the Duke Of Windsor's Haircut, a delight, im sure you will agree.<br />
  5670. <a href="https://www.theculture.net/radio/the-king-and-i/studio-march-2013-0657/" rel="attachment wp-att-698"></a>Just Who Is Bob Kingdom.Seen here in my studio, bob appears as a West Coast Hitman<br />
  5671. &nbsp;<br />
  5672. <a href="https://www.theculture.net/radio/the-king-and-i/quentin_dylan_1_/" rel="attachment wp-att-701"></a>Bob Kingdom Seen Here As Dylan Thomas Having An Impossible Chat With Quentin Chrisp (Betty Bourne)<br />
  5673. <a href="https://www.theculture.net/radio/the-king-and-i/the-king-7/" rel="attachment wp-att-700"></a>Bob Kingdom As The Duke Of Windsor<br />
  5674. <a href="https://www.theculture.net/radio/the-king-and-i/edgar/" rel="attachment wp-att-699"></a>Bob Kingdom as J.Edgar.Hoover Himself<br />]]></itunes:summary>
  5675. <itunes:author>Simon Tyszko</itunes:author>
  5676. <itunes:episodeType>full</itunes:episodeType>
  5677. <itunes:explicit>false</itunes:explicit>
  5678. <itunes:duration>59:56</itunes:duration>
  5679. </item>
  5680. <item>
  5681. <title>Buy my ******* Art</title>
  5682. <link>https://www.theculture.net/radio/buy-this-art/</link>
  5683. <pubDate>Tue, 19 Mar 2013 22:11:13 +0000</pubDate>
  5684. <guid isPermaLink="false">https://www.theculture.net/radio/?p=687</guid>
  5685. <description>A private view, some public thoughts, in joe strummer underpass &#039;it&#039;s so right&#039; or did he say bright?
  5686. i was there, i worked as a roady with the clash, small fry, i sold drugs to topper, i once overdosed on white thai heroin in his flat, grinned when i eventually came to, &#039;that&#039;s so right&#039; i thought!
  5687. Got caught doing 100+ miles an hour on the westway above this (subway) gallery space, very early 80&#039;s, bleached white hair, half an ounce of cocaine in my pants, no tax, no mot, 60 miles above the speed limit, a dark blue rusting 4.2 liter jaguar saloon xj6, a very loud hawaiian shirt, mirror shades. &#039;naughty boy&#039; i mouthed the words as the police pulled along side at the now legal 50mph, my legs shook like trifled jelly, &#039;wanker&#039; they mouthed as they shot off for tea......
  5688. a dudley sutton lino cut at the opening of which we recorded young josh trying to sell his art
  5689. white heroin stamp
  5690.  
  5691.  </description>
  5692. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-19.03.2013.mp3" length="97297668" type="audio/mpeg" />
  5693. <itunes:subtitle>A private view, some public thoughts, in joe strummer underpass &#039;it&#039;s so right&#039; or did he say bright? i was there, i worked as a roady with the clash, small fry, i sold drugs to topper, i once overdosed on white thai heroin in his flat,</itunes:subtitle>
  5694. <itunes:summary><![CDATA[<a href="http://www.subwaygallery.com/Rough_Cuts.html" target="_blank" rel="noopener">A private view</a>, some public thoughts, in <a href="http://en.wikipedia.org/wiki/Joe_Strummer" target="_blank" rel="noopener">joe strummer</a> <a href="http://www.theclashblog.com/joe-strummer-subway-thanks-to-subway-gallery-london-w2/" target="_blank" rel="noopener">underpass</a> 'it's so right' or did he say bright?<br />
  5695. i was there, i worked as a roady with <a href="http://en.wikipedia.org/wiki/The_Clash" target="_blank" rel="noopener">the clash</a>, small fry, i sold <a href="http://en.wikipedia.org/wiki/Drugs" target="_blank" rel="noopener">drugs</a> to topper, i once overdosed on <a href="http://sin.stb.s-msn.com/i/57/E728EAC5E1A90803B1F37B576DC58.jpg" target="_blank" rel="noopener">white thai heroin</a> in his flat, grinned when i eventually came to, 'that's so right' i thought!<br />
  5696. Got caught doing 100+ miles an hour on the westway above this <a href="http://www.subwaygallery.com/Home.html" target="_blank" rel="noopener">(subway)</a> gallery space, very early 80's, bleached white hair, half an ounce of cocaine in my pants, no tax, no mot, 60 miles above the speed limit, a dark blue rusting 4.2 liter jaguar saloon xj6, a <a href="http://3.bp.blogspot.com/-aGU9JhZ8FlU/UG7SAVGkETI/AAAAAAAAAr8/1uqCRIb9uvI/s1600/magnum-pi-selleck-17.jpg" target="_blank" rel="noopener">very loud hawaiian shirt</a>, mirror shades. 'naughty boy' i mouthed the words as the <a href="http://farm4.staticflickr.com/3408/3650839623_058cf71470.jpg" target="_blank" rel="noopener">police</a> pulled along side at the now legal 50mph, my legs shook like trifled jelly, 'wanker' they mouthed as they shot off for <a href="http://imgc.artprintimages.com/images/art-print/metropolitan-police-officers-in-their-canteen-drinking-cups-of-tea_i-G-46-4619-8QVFG00Z.jpg" target="_blank" rel="noopener">tea......</a><br />
  5697. <a href="https://www.theculture.net/radio/wp-content/uploads/2013/03/Nine-Lives-4.jpeg"></a>a dudley sutton lino cut at the opening of which we recorded young josh trying to sell his art<br />
  5698. <a href="https://www.theculture.net/radio/wp-content/uploads/2013/02/heroin-stampuoglobe_small.jpg"></a>white heroin stamp<br />
  5699. &nbsp;<br />
  5700. &nbsp;<br />]]></itunes:summary>
  5701. <itunes:author>Simon Tyszko</itunes:author>
  5702. <itunes:episodeType>full</itunes:episodeType>
  5703. <itunes:explicit>false</itunes:explicit>
  5704. <itunes:duration>59:58</itunes:duration>
  5705. </item>
  5706. <item>
  5707. <title>lovers, threads, and a tragic base jump</title>
  5708. <link>https://www.theculture.net/radio/lovers-threads-and-a-tragic-base-jump/</link>
  5709. <pubDate>Thu, 14 Mar 2013 02:29:18 +0000</pubDate>
  5710. <guid isPermaLink="false">https://www.theculture.net/radio/?p=667</guid>
  5711. <description>Relationships, causality, isotopes, Psychoanalysis
  5712. one of these was my first rock star girlfriend
  5713.  
  5714. lora logic photographed by simon tyszko in 1978? for the first essential logic album beat rhythm news, we briefly were
  5715. the girlfriend who has changed her name and will no longer be named
  5716. playlist in incorrect order
  5717. i) Alap ii) Jorh iii) Jhalla
  5718. im in love with a german film star   the passions
  5719. Architecture of Loss                Valgeir Sigurdsson
  5720. Angels And Demons At Play           Sun Ra
  5721. Another Time, Another Place         Arthur Prysock
  5722. C6::counterpoint                    Ryoji Ikeda
  5723. A Demain My Darling                 Marie Laforet
  5724. on with the show                    the rolling stone
  5725. you call everybody darling          the andrew sisters (78 transcription)
  5726. 3 beautiful and mysterious tracks from the european girlfriend who has changed her name to ********* with music by her ex who died in a base jumping accident, strange world or .................................
  5727. ‘Nobody Told Me (There Would Be Days Like These)’Hand knitted Arran wool straight jacket 1995.</description>
  5728. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-05-03-2013.mp3" length="90788077" type="audio/mpeg" />
  5729. <itunes:subtitle>Relationships, causality, isotopes, Psychoanalysis one of these was my first rock star girlfriend  lora logic photographed by simon tyszko in 1978? for the first essential logic album beat rhythm news, we briefly were </itunes:subtitle>
  5730. <itunes:summary><![CDATA[Relationships, <a href="http://en.wikipedia.org/wiki/Causality">causality</a>, <a href="http://en.wikipedia.org/wiki/Isotope">isotopes</a>, <a href="http://en.wikipedia.org/wiki/Psychoanalyst">Psychoanalysis</a><br />
  5731. <a href="https://www.theculture.net/radio/lovers-threads-and-a-tragic-base-jump/the-passions/" rel="attachment wp-att-669"></a>one of these was my first rock star girlfriend<br />
  5732. <br />
  5733. <a href="https://www.theculture.net/radio/lovers-threads-and-a-tragic-base-jump/loralogicloralogic/" rel="attachment wp-att-670"></a>lora logic photographed by simon tyszko in 1978? for the first essential logic album beat rhythm news, we briefly were<br />
  5734. <a href="https://www.theculture.net/radio/lovers-threads-and-a-tragic-base-jump/sylvie-taliban/" rel="attachment wp-att-671"></a>the girlfriend who has changed her name and will no longer be named<br />
  5735. playlist in incorrect order<br />
  5736. i) Alap ii) Jorh iii) Jhalla<br />
  5737. im in love with a german film star   the passions<br />
  5738. Architecture of Loss                Valgeir Sigurdsson<br />
  5739. Angels And Demons At Play           Sun Ra<br />
  5740. Another Time, Another Place         Arthur Prysock<br />
  5741. C6::counterpoint                    Ryoji Ikeda<br />
  5742. A Demain My Darling                 Marie Laforet<br />
  5743. on with the show                    the rolling stone<br />
  5744. you call everybody darling          the andrew sisters (78 transcription)<br />
  5745. 3 beautiful and mysterious tracks from the european girlfriend who has changed her name to ********* with music by her ex who died in a base jumping accident, strange world or .................................<br />
  5746. <a href="https://www.theculture.net/radio/lovers-threads-and-a-tragic-base-jump/daylikethese-b-lk/" rel="attachment wp-att-677"></a>‘Nobody Told Me (There Would Be Days Like These)’Hand knitted Arran wool straight jacket 1995.<br />]]></itunes:summary>
  5747. <itunes:author>Simon Tyszko</itunes:author>
  5748. <itunes:episodeType>full</itunes:episodeType>
  5749. <itunes:explicit>false</itunes:explicit>
  5750. <itunes:duration>59:51</itunes:duration>
  5751. </item>
  5752. <item>
  5753. <title>When An Old Cricketer Leaves The Crease</title>
  5754. <link>https://www.theculture.net/radio/when-an-old-cricketer-leaves-the-crease/</link>
  5755. <pubDate>Wed, 13 Mar 2013 23:55:37 +0000</pubDate>
  5756. <guid isPermaLink="false">https://www.theculture.net/radio/?p=659</guid>
  5757. <description>In Isotopica, as in my wider art practice, i work with and try and reveal a little of the deeply personal in a way that i hope is universal..... it&#039;s not all about me, oh no!
  5758. Today we start with a short film by rufus davis, that was started as a documentary, about a provincial cricket club, a quintessential english country affair, yet it ended as being a tribute to one of it&#039;s most unusual members, Andrew Russel, my nephew and very close friend, who died in the care of a very careless shaman during a far less common country pursuit, the english ayahuasca ceremony.
  5759. He had a very unusual and bad reaction, and instead of ending up oin hospital, he was taken to a yurt on our welsh woodland retreat and kept in a coma for a few days, when he finally reached hospital it was too late and the machines that go beep were turned off.... bowled out, way before his time. the full story will be somewhat later...,
  5760.  
  5761. The film concludes with a slo mo  cricket sequence accompanied by the Roy Harper classic, When An Old Cricketer Leaves The Crease. Roy being incidentally, one of my brother Stefan&#039;s closest friends from the 1960&#039;s, sharing wives and lovers, so roy tells... stefan also died way too young, in a car crash in 1969
  5762. Photographed by his brother Stefan, Tyszko modeled the very first space hopper in Europe for the Daily Express in 1968.  This glamorous high point has never been matched, and he has returned to this path in Holland park at various points in his life, looking perhaps, for echoes of those iconic moments and the sixpence he still bitterly remembers loosing.roy harper photographed by stefan tyszko in 1966
  5763. Later we hear excerpts from some soundscapes recently recorded on a trans american train journey
  5764. by our northern american correspondent marc maroosh of serephemera books phame,</description>
  5765. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-11-3-2013.mp3" length="82724673" type="audio/mpeg" />
  5766. <itunes:subtitle>In Isotopica, as in my wider art practice, i work with and try and reveal a little of the deeply personal in a way that i hope is universal..... it&#039;s not all about me, oh no! Today we start with a short film by rufus davis,</itunes:subtitle>
  5767. <itunes:summary><![CDATA[In Isotopica, as in my wider art practice, i work with and try and reveal a little of the deeply personal in a way that i hope is universal..... it's not all about me, oh no!<br />
  5768. Today we start with a short film by rufus davis, that was started as a documentary, about a <a href="http://goodrich.play-cricket.com/home/home.asp" target="_blank">provincial</a> <a href="http://en.wikipedia.org/wiki/Cricket" target="_blank">cricket club</a>, a quintessential english country affair, yet it ended as being a tribute to one of it's most unusual members, Andrew Russel, my nephew and very close friend, who died in the care of a very careless shaman during a far less common country pursuit, the english <a href="http://en.wikipedia.org/wiki/Ayahuasca" target="_blank">ayahuasca ceremony</a>.<br />
  5769. He had a very unusual and bad reaction, and instead of ending up oin hospital, he was taken to a yurt on our welsh woodland retreat and kept in a coma for a few days, when he finally reached hospital it was too late and the <a href="http://en.wikipedia.org/wiki/Intensive_care" target="_blank">machines that go beep</a> were turned off.... bowled out, way before his time. the full story will be somewhat later...,<br />
  5770. <br />
  5771. The film concludes with a slo mo  cricket sequence accompanied by the <a href="http://en.wikipedia.org/wiki/Roy_Harper" target="_blank">Roy Harper</a> classic, When An Old Cricketer Leaves The Crease. Roy being incidentally, one of my brother <a href="http://theculture.net/stefan" target="_blank">Stefan's</a> closest friends from the 1960's, sharing wives and lovers, so roy tells... stefan also died way too young, in a car crash in 1969<br />
  5772. <a href="https://www.theculture.net/radio/when-an-old-cricketer-leaves-the-crease/68-space-hop0101-small-w-2/" rel="attachment wp-att-664"></a>Photographed by his brother Stefan, Tyszko modeled the very first space hopper in Europe for the Daily Express in 1968.  This glamorous high point has never been matched, and he has returned to this path in Holland park at various points in his life, looking perhaps, for echoes of those iconic moments and the sixpence he still bitterly remembers loosing.<a href="https://www.theculture.net/radio/when-an-old-cricketer-leaves-the-crease/roy-01/" rel="attachment wp-att-665"></a>roy harper photographed by stefan tyszko in 1966<br />
  5773. Later we hear excerpts from some soundscapes recently recorded on a trans american train journey<br />
  5774. by our northern american correspondent marc maroosh of <a href="http://www.seraphemera.org/" target="_blank">serephemera books</a> phame,]]></itunes:summary>
  5775. <itunes:author>Simon Tyszko</itunes:author>
  5776. <itunes:episodeType>full</itunes:episodeType>
  5777. <itunes:explicit>false</itunes:explicit>
  5778. <itunes:duration>59:50</itunes:duration>
  5779. </item>
  5780. <item>
  5781. <title>Paris sans arcades, mais avec le marché et les amateurs de certains</title>
  5782. <link>https://www.theculture.net/radio/paris-sans-arcades-mais-avec-le-marche-et-les-amateurs-de-certains/</link>
  5783. <pubDate>Tue, 26 Feb 2013 18:44:57 +0000</pubDate>
  5784. <guid isPermaLink="false">https://www.theculture.net/radio/?p=649</guid>
  5785. <description>An early morning stroll thought the markets of Paris with antiquarian Book dealer, Rock star, and all round Fine Egg Martin Stone and friends.
  5786. Martin buys an Elizabethan Manuscript and Adam buys some 1970&#039;s French Men&#039;s magazines, which although there are no winners in any pornography, feels slightly less offensive through the patina of age.
  5787.  
  5788.  </description>
  5789. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/radio/wp-content/uploads/Isotopica-26-02-2013-parisbooks.mp3" length="109286877" type="audio/mpeg" />
  5790. <itunes:subtitle>An early morning stroll thought the markets of Paris with antiquarian Book dealer, Rock star, and all round Fine Egg Martin Stone and friends. Martin buys an Elizabethan Manuscript and Adam buys some 1970&#039;s French Men&#039;s magazines,</itunes:subtitle>
  5791. <itunes:summary><![CDATA[An early morning stroll thought the markets of Paris with antiquarian Book dealer, Rock star, and all round Fine Egg <a href="http://en.wikipedia.org/wiki/Martin_Stone_%28guitarist%29" target="_blank" rel="noopener">Martin Stone</a> and <a href="http://en.wikipedia.org/wiki/Friendship" target="_blank" rel="noopener">friends</a>.<br />
  5792. Martin buys an Elizabethan <a href="http://en.wikipedia.org/wiki/Manuscript" target="_blank" rel="noopener">Manuscript</a> and Adam buys some 1970's French Men's magazines, which although there are <a href="http://en.wikipedia.org/wiki/Opposition_to_pornography" target="_blank" rel="noopener">no winners</a> in any <a href="http://en.wikipedia.org/wiki/Pornography" target="_blank" rel="noopener">pornography</a>, feels slightly less offensive through the <a href="http://en.wikipedia.org/wiki/Patina" target="_blank" rel="noopener">patina</a> of age.<br />
  5793. <br />
  5794. &nbsp;<br />
  5795. <br />]]></itunes:summary>
  5796. <itunes:author>Simon Tyszko</itunes:author>
  5797. <itunes:episodeType>full</itunes:episodeType>
  5798. <itunes:explicit>false</itunes:explicit>
  5799. </item>
  5800. <item>
  5801. <title>Soviet Advertising (the fund raising edition)</title>
  5802. <link>https://www.theculture.net/radio/soviet-advertising-the-fund-raising-edition/</link>
  5803. <pubDate>Wed, 20 Feb 2013 18:45:58 +0000</pubDate>
  5804. <guid isPermaLink="false">https://www.theculture.net/radio/?p=642</guid>
  5805. <description>In this the Fund Raising Edition of Isotopica, we feature some delicious Soviet Era advertising from the creative association &quot;Reklamfilm Estonian / Eesti reklaamfilm&quot;.
  5806. Along With an extended loop of BBC RadioPhonic Workshop Pioneer Delhia Derbyshire
  5807. Yes I have Crush on a dead Woman</description>
  5808. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-19-02-2013-auction.mp3" length="73071661" type="audio/mpeg" />
  5809. <itunes:subtitle>In this the Fund Raising Edition of Isotopica, we feature some delicious Soviet Era advertising from the creative association &quot;Reklamfilm Estonian / Eesti reklaamfilm&quot;. Along With an extended loop of BBC RadioPhonic Workshop Pioneer Delhia Derbyshire </itunes:subtitle>
  5810. <itunes:summary><![CDATA[In this the Fund Raising Edition of Isotopica, we feature some delicious <a href="http://boingboing.net/2013/02/17/soviet-tv-advertisements-from.html">Soviet Era advertising </a>from the creative association "Reklamfilm Estonian / Eesti reklaamfilm".<br />
  5811. Along With an extended loop of BBC RadioPhonic <a href="http://www.delia-derbyshire.org/">Workshop Pioneer</a> <a href="http://en.wikipedia.org/wiki/Delia_Derbyshire">Delhia Derbyshire</a><br />
  5812. <a href="https://www.theculture.net/radio/soviet-advertising-the-fund-raising-edition/delia-aosclip03/" rel="attachment wp-att-645"></a>Yes I have Crush on a dead Woman<br />
  5813. <a href="https://www.theculture.net/radio/soviet-advertising-the-fund-raising-edition/ussrcarsadsphotos-14/" rel="attachment wp-att-643"></a> <a href="https://www.theculture.net/radio/soviet-advertising-the-fund-raising-edition/attachment/2004/" rel="attachment wp-att-644"></a><br />]]></itunes:summary>
  5814. <itunes:author>Simon Tyszko</itunes:author>
  5815. <itunes:episodeType>full</itunes:episodeType>
  5816. <itunes:explicit>false</itunes:explicit>
  5817. <itunes:duration>59:53</itunes:duration>
  5818. </item>
  5819. <item>
  5820. <title>nothing to see here</title>
  5821. <link>https://www.theculture.net/radio/nothing-to-see-here/</link>
  5822. <pubDate>Wed, 20 Feb 2013 18:23:16 +0000</pubDate>
  5823. <guid isPermaLink="false">https://www.theculture.net/radio/?p=635</guid>
  5824. <description>The Dead Dead Month of Feburary.
  5825. i should be on a beach, yet i am busy with WHAT?
  5826. Being filmed by BBC directors training program then off to paris in search of the fabled martin stone, so this episode has some discreet recordings from the days filming, some excellent progressive rock, a broken 78 and various selected sounds for effect. a dead 78
  5827. a dead friend vying for attention during a bbc interview
  5828. Sebastian Horsley&#039;s infamous amputee sex, postcard randomly appears on screen during filming this
  5829. playlist
  5830. today we had some tracks from
  5831. Cries From The Midnight Circus _ Ladbroke Grove 1967-78
  5832. Mighty Baby&quot; House with no windows
  5833. Quintessence&quot; notting hill gate
  5834. as a lead up to my trip to paris to find Martin StoneThe Quintessence track Notting Hill Gate features the joyfully naive lyrics belowThings look great in Notting Hill Gate
  5835. They really move with the change in times
  5836. But only you can know the reason why
  5837. Why they hide behind their own third eye
  5838. Things look cool in Notting school
  5839. They never go about playing no rules
  5840. But only you can know the reason why
  5841. Why they fly in the sky so high
  5842. Getting it straight in Notting Hill Gate
  5843. We all sit around and meditate
  5844. But only you can know the reason why
  5845. Why we fly in the sky so high</description>
  5846. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-05-02-2013-nothing.mp3" length="100845869" type="audio/mpeg" />
  5847. <itunes:subtitle>The Dead Dead Month of Feburary. i should be on a beach, yet i am busy with WHAT? Being filmed by BBC directors training program then off to paris in search of the fabled martin stone, so this episode has some discreet recordings from the days filming,...</itunes:subtitle>
  5848. <itunes:summary><![CDATA[The Dead Dead Month of Feburary.<br />
  5849. i should be on a beach, yet i am busy with WHAT?<br />
  5850. Being filmed by BBC directors training program then off to paris in search of the fabled martin stone, so this episode has some discreet recordings from the days filming, some excellent progressive rock, a broken 78 and various selected sounds for effect.<a href="https://www.theculture.net/radio/nothing-to-see-here/24interiorbroken78/" rel="attachment wp-att-636"></a> a dead 78<br />
  5851. <a href="https://www.theculture.net/radio/nothing-to-see-here/bccrtspciaa0cek-jpg_large/" rel="attachment wp-att-637"></a> a dead friend vying for attention during a bbc interview<br />
  5852. <a href="http://www.hotpress.com/politics/frontlines/The-picture-of-Sebastian-Horsley/2699107.html">Sebastian Horsley's infamous amputee sex</a>, postcard randomly appears on screen during filming <a href="http://vimeo.com/58772991">this</a><br />
  5853. playlist<br />
  5854. today we had some tracks from<br />
  5855. <a href="http://headfullofsnow.com/cries-midnight-circus-ladbroke-grove-196778/">Cries From The Midnight Circus</a> _ Ladbroke Grove 1967-78<br />
  5856. <a href="http://en.wikipedia.org/wiki/Mighty_Baby">Mighty Baby</a>" House with no windows<br />
  5857. <a href="http://en.wikipedia.org/wiki/Quintessence_%28English_band%29">Quintessence</a>" notting hill gate<br />
  5858. as a lead up to my trip to paris to find <a href="http://en.wikipedia.org/wiki/Martin_Stone_%28guitarist%29">Martin Stone</a>The Quintessence track Notting Hill Gate features the joyfully naive lyrics belowThings look great in Notting Hill Gate<br />
  5859. They really move with the change in times<br />
  5860. But only you can know the reason why<br />
  5861. Why they hide behind their own third eye<br />
  5862. Things look cool in Notting school<br />
  5863. They never go about playing no rules<br />
  5864. But only you can know the reason why<br />
  5865. Why they fly in the sky so high<br />
  5866. Getting it straight in Notting Hill Gate<br />
  5867. We all sit around and meditate<br />
  5868. But only you can know the reason why<br />
  5869. Why we fly in the sky so high<br />]]></itunes:summary>
  5870. <itunes:author>Simon Tyszko</itunes:author>
  5871. <itunes:episodeType>full</itunes:episodeType>
  5872. <itunes:explicit>false</itunes:explicit>
  5873. <itunes:duration>59:01</itunes:duration>
  5874. </item>
  5875. <item>
  5876. <title>A Dead Month Detour</title>
  5877. <link>https://www.theculture.net/radio/a-dead-month-detour/</link>
  5878. <pubDate>Wed, 23 Jan 2013 16:46:50 +0000</pubDate>
  5879. <guid isPermaLink="false">https://www.theculture.net/radio/?p=606</guid>
  5880. <description>The dead months of the new year can just disappear under grey skies or can be a magical time for travel or sleep. Either way this episode of isotopica takes elements of both to weave a seasonal sonic detour.
  5881. French kissing an innocent. a still from fabulous 1961 British supernatural gothic horror film &#039;the innocents&#039;
  5882. playlist
  5883. theme tune and excerpts from Viva la Muerte (Long Live Death)-1971-Fernando Arrabal
  5884. Shadowed Forest: by softspace
  5885. wedding tune: Kadir Durvesh (Shehnai)
  5886. Kod Hang Kam: Kana TNT from the never dissapointing thai label Zud Rang Maa
  5887. a stroll on the south coast, way back when with pippa small
  5888. theme tune from &#039;the innocents&#039; 1961 British supernatural gothic horror film.
  5889. From a trip to scatter my cats ashes in india, the sound of tibetan monks debating the meaning of...
  5890. The 8bit midi sound of a keygen cracking code
  5891. last message from a crashing aeroplane
  5892. audio book cassette advice
  5893. an ex girlfriend&#039;s one hit wonder band from the early 80&#039;s
  5894. excerpt from a large scale performance work made with the shunt collective some time ago
  5895. Mcoy tyner plays burt bacharacht
  5896. to fade out.......
  5897. by the seaside beside the sea</description>
  5898. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-22-01-2013.mp3" length="85401432" type="audio/mpeg" />
  5899. <itunes:subtitle>The dead months of the new year can just disappear under grey skies or can be a magical time for travel or sleep. Either way this episode of isotopica takes elements of both to weave a seasonal sonic detour. French kissing an innocent.</itunes:subtitle>
  5900. <itunes:summary><![CDATA[The dead months of the new year can just disappear under grey skies or can be a magical time for travel or sleep. Either way this episode of isotopica takes elements of both to weave a seasonal sonic detour.<br />
  5901. <a href="https://www.theculture.net/radio/a-dead-month-detour/inocentsimages/" rel="attachment wp-att-608"></a>French kissing an innocent. a still from fabulous 1961 British supernatural gothic horror film '<a href="http://en.wikipedia.org/wiki/The_Innocents_%281961_film%29" target="_blank">the innocents</a>'<br />
  5902. playlist<br />
  5903. theme tune and excerpts from <a href="http://www.imdb.com/title/tt0066530/" target="_blank">Viva la Muerte</a> (Long Live Death)-1971-Fernando Arrabal<br />
  5904. Shadowed Forest: by <a href="http://archive.org/details/mt007" target="_blank">softspace</a><br />
  5905. wedding tune: <a href="http://www.youtube.com/watch?v=uXx16KjiucA" target="_blank">Kadir Durvesh (Shehnai)</a><br />
  5906. Kod Hang Kam: Kana TNT from the never dissapointing thai label <a href="http://www.zudrangmarecords.com/" target="_blank">Zud Rang Maa</a><br />
  5907. a stroll on the south coast, way back when with <a href="http://www.pippasmall.com" target="_blank">pippa small</a><br />
  5908. theme tune from '<a href="http://en.wikipedia.org/wiki/The_Innocents_%281961_film%29" target="_blank">the innocents</a>' 1961 British supernatural gothic horror film.<br />
  5909. From a trip to scatter my cats ashes in india, the sound of <a href="http://www.youtube.com/watch?v=QfxZG8-RP-U" target="_blank">tibetan monks</a> debating the meaning of...<br />
  5910. The 8bit midi sound of a <a href="http://en.wikipedia.org/wiki/Keygen" target="_blank">keygen</a> cracking code<br />
  5911. last message from a crashing aeroplane<br />
  5912. audio book cassette advice<br />
  5913. an ex girlfriend's <a href="http://en.wikipedia.org/wiki/The_Passions" target="_blank">one hit wonder band</a> from the early 80's<br />
  5914. excerpt from a <a href="www.theculture.net/perform/index.html" target="_blank">large scale performance work</a> made with the <a href="http://www.shunt.co.uk/" target="_blank">shunt</a> collective some time ago<br />
  5915. <a href="http://en.wikipedia.org/wiki/McCoy_Tyner" target="_blank">Mcoy tyner</a> plays <a href="http://en.wikipedia.org/wiki/Burt_Bacharach" target="_blank">burt bacharacht </a><br />
  5916. to fade out.......<br />
  5917. <a href="https://www.theculture.net/radio/a-dead-month-detour/seasides/" rel="attachment wp-att-610"></a>by the seaside beside the sea<br />]]></itunes:summary>
  5918. <itunes:author>Simon Tyszko</itunes:author>
  5919. <itunes:episodeType>full</itunes:episodeType>
  5920. <itunes:explicit>false</itunes:explicit>
  5921. </item>
  5922. <item>
  5923. <title>The Southwest Bank Show (Mervin, Simon And The Ghost Of Bacon)</title>
  5924. <link>https://www.theculture.net/radio/the-southwest-bank-show-mervin-simon-and-the-ghost-of-bacon/</link>
  5925. <pubDate>Tue, 15 Jan 2013 16:50:58 +0000</pubDate>
  5926. <guid isPermaLink="false">https://www.theculture.net/radio/?p=570</guid>
  5927. <description>Lost in the archives, as was much of the Seventies, Eighties and through an inverse process (therapy) the Nineties, today&#039;s episode is a simple conceit, as are these Images, especially made for radio during the recording of the show
  5928. Images Made For radio
  5929. Polaroids made for Radio
  5930. Polaroids made for Radio
  5931. Polaroids made for Radio
  5932. Polaroids in the Style of Bacon
  5933. we end up today with a tribute to Ravi Shankar playing Homage to Mahatma Gandhi.
  5934. Raga Mohan Kauns
  5935. the episode also features soundscapes from Amusing Amusements, Southend on Sea</description>
  5936. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/Isotopica-15-01-2013-mervin-1.mp3" length="86534163" type="audio/mpeg" />
  5937. <itunes:subtitle>Lost in the archives, as was much of the Seventies, Eighties and through an inverse process (therapy) the Nineties, today&#039;s episode is a simple conceit, as are these Images, especially made for radio during the recording of the show </itunes:subtitle>
  5938. <itunes:summary><![CDATA[Lost in the archives, as was much of the Seventies, Eighties and through an inverse process (therapy) the Nineties, today's episode is a simple conceit, as are these Images, especially made for radio during the recording of the show<br />
  5939. Images Made For radio<br />
  5940. <a href="https://www.theculture.net/radio/the-southwest-bank-show-mervin-simon-and-the-ghost-of-bacon/the-bacon-polaroids-0016/" rel="attachment wp-att-571"></a>Polaroids made for Radio<br />
  5941. <a href="https://www.theculture.net/radio/the-southwest-bank-show-mervin-simon-and-the-ghost-of-bacon/the-bacon-polaroids-0017/" rel="attachment wp-att-572"></a>Polaroids made for Radio<br />
  5942. <a href="https://www.theculture.net/radio/the-southwest-bank-show-mervin-simon-and-the-ghost-of-bacon/the-bacon-polaroids-0018/" rel="attachment wp-att-573"></a>Polaroids made for Radio<br />
  5943. <a href="https://www.theculture.net/radio/the-southwest-bank-show-mervin-simon-and-the-ghost-of-bacon/the-bacon-polaroids-0019/" rel="attachment wp-att-574"></a>Polaroids in the Style of Bacon<br />
  5944. we end up today with a tribute to <a href="http://en.wikipedia.org/wiki/Ravi_Shankar">Ravi Shankar</a> playing Homage to <a href="http://en.wikipedia.org/wiki/Mohandas_Karamchand_Gandhi">Mahatma Gandhi.</a><br />
  5945. Raga Mohan Kauns<br />
  5946. the episode also features soundscapes from Amusing Amusements, <a href="http://en.wikipedia.org/wiki/Southend-on-Sea">Southend on Sea</a><br />]]></itunes:summary>
  5947. <itunes:author>Simon Tyszko</itunes:author>
  5948. <itunes:episodeType>full</itunes:episodeType>
  5949. <itunes:explicit>false</itunes:explicit>
  5950. <itunes:duration>59:48</itunes:duration>
  5951. </item>
  5952. <item>
  5953. <title>A Hackintosh with a Radically reworked Vivaldi</title>
  5954. <link>https://www.theculture.net/radio/a-hackintosh-with-a-radically-reworked-vivaldi/</link>
  5955. <pubDate>Tue, 08 Jan 2013 21:04:53 +0000</pubDate>
  5956. <guid isPermaLink="false">https://www.theculture.net/radio/?p=557</guid>
  5957. <description>Don&#039;t spend all your art&#039;s council money on a new apple computer, when you can simply build your own far more powerful hackintosh! Using the collective power of the hive mind and communal hacking it&#039;s as simple as asking the right questions and falling off the correct logs. sites like tonymac provide a complete hive hacking information service with responsive forums if problems arise.
  5958. it&#039;s much more of a joy to really pwn your own machines and grab back some of the gross commodification of your digital life
  5959. In this episode we build powerful hackintosh computer, jimmy fox and i that is.
  5960. it&#039;s based around a gigabyte z77 motherboard, an i5 processor (more cores are not required in a gaming machine), a chunck of ram. it boots windows 7 as a gaming platform, Linux mint for serious tinkering and hacking, and the ever sophisticated apple mac os x 10.8.2 for the best possible everyday working environment.
  5961. i have scored the build with a probably too quiet yet sensational reworking of Vivaldi&#039;s four seasons from the ever fabulous max richter
  5962. a hackintosh in it&#039;s open wooden case
  5963. here&#039;s one i made earlier. a monster of a computer more akin to a soviet era traktor collective than a desktop.
  5964.  </description>
  5965. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-08-01-2013-hackintosh.mp3" length="112106754" type="audio/mpeg" />
  5966. <itunes:subtitle>Don&#039;t spend all your art&#039;s council money on a new apple computer, when you can simply build your own far more powerful hackintosh! Using the collective power of the hive mind and communal hacking it&#039;s as simple as asking the right questions and falling...</itunes:subtitle>
  5967. <itunes:summary><![CDATA[Don't spend all your art's council <a href="data:image/jpeg;base64,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...]]></itunes:summary>
  5968. <itunes:author>Simon Tyszko</itunes:author>
  5969. <itunes:episodeType>full</itunes:episodeType>
  5970. <itunes:explicit>false</itunes:explicit>
  5971. <itunes:duration>59:42</itunes:duration>
  5972. </item>
  5973. <item>
  5974. <title>And So This Is Chrismas?</title>
  5975. <link>https://www.theculture.net/radio/548/</link>
  5976. <pubDate>Tue, 18 Dec 2012 19:04:52 +0000</pubDate>
  5977. <guid isPermaLink="false">https://www.theculture.net/radio/?p=548</guid>
  5978. <description>Isotopica will be broadcasting a suitably ironic and depressing* Christmas edition to reflect Tyszko&#039;s appalling and tragic year, which managed  to combine the loss of a 25 year loving yet enmeshed and codependent relationship to a pair of test tube twins (not mine), a car crash of a studio including the loss of a $50,000 piece of work into a skip by a bizarre and bullying caretaker,  the harsh emotional reality of loosing a planned future home and family along with 4 acres of prime welsh woodland to an alcoholic sister along with my nephew, closest family member and friend, who was killed by the sheer stupidity of a hippy shaman in a sham of an ayahuasca ceremony.
  5979. Pat, my sister about a year before alcoholism killed her
  5980. I took to my bed for about four months, a smoking jacket, a laptop, some java script and many lovely friends, kept me just about afloat,
  5981. I kid you jingle bells or not?
  5982. and of course, i meant without the jacket and without smoking
  5983. Combine this with a Tory x factor very little Britain of shopping malls crowds like turkeys looking forward to Christmas, oh yes, so this is Christmas… And just what will this sound like?
  5984. *after a life time of frequent visits from the black dog and her puppies, Tyszko wishes to make clear it is simply business as usual at theculture art practice, another day another death wish, but the mischief goes relentlessly on and on... xx</description>
  5985. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-18-12-2012-christMas.mp3" length="92006575" type="audio/mpeg" />
  5986. <itunes:subtitle>Isotopica will be broadcasting a suitably ironic and depressing* Christmas edition to reflect Tyszko&#039;s appalling and tragic year, which managed  to combine the loss of a 25 year loving yet enmeshed and codependent relationship to a pair of test tube tw...</itunes:subtitle>
  5987. <itunes:summary><![CDATA[Isotopica will be broadcasting a suitably ironic and depressing* Christmas edition to reflect Tyszko's appalling and tragic year, which managed  to combine the loss of a 25 year loving yet enmeshed and codependent relationship to a pair of test tube twins (not mine), a car crash of a studio including the loss of a $50,000 piece of work into a skip by a bizarre and bullying caretaker,  the harsh emotional reality of loosing a planned future home and family along with 4 acres of prime welsh woodland to an alcoholic sister along with my nephew, closest family member and friend, who was killed by the sheer stupidity of a hippy shaman in a sham of an ayahuasca ceremony.<br />
  5988. <a href="https://www.theculture.net/radio/548/pat-christmas-greetings-1/" rel="attachment wp-att-551"></a>Pat, my sister about a year before alcoholism killed her<br />
  5989. I took to my bed for about four months, a smoking jacket, a laptop, some java script and many lovely friends, kept me just about afloat,<br />
  5990. I kid you jingle bells or not?<br />
  5991. <a href="https://www.theculture.net/radio/548/smokingjacket/" rel="attachment wp-att-553"></a>and of course, i meant without the jacket and without smoking<br />
  5992. Combine this with a Tory x factor very little Britain of shopping malls crowds like turkeys looking forward to Christmas, oh yes, so this is Christmas… And just what will this sound like?<br />
  5993. *after a life time of frequent visits from the black dog and her puppies, Tyszko wishes to make clear it is simply business as usual at theculture art practice, another day another death wish, but the mischief goes relentlessly on and on... xx<br />]]></itunes:summary>
  5994. <itunes:author>Simon Tyszko</itunes:author>
  5995. <itunes:episodeType>full</itunes:episodeType>
  5996. <itunes:explicit>false</itunes:explicit>
  5997. <itunes:duration>58:54</itunes:duration>
  5998. </item>
  5999. <item>
  6000. <title>Home Heroin Manufacture (out takes, in takes, and all)</title>
  6001. <link>https://www.theculture.net/radio/home-heroin-manufacture-out-takes/</link>
  6002. <pubDate>Thu, 06 Dec 2012 12:03:36 +0000</pubDate>
  6003. <guid isPermaLink="false">https://www.theculture.net/radio/?p=533</guid>
  6004. <description>addictive to even the purest soul
  6005.  
  6006. over the counter
  6007. Todays Isotopica is a meditation on ritual, performance and obsession.
  6008. The fetish of addiction, and the perfect commodity of heroin, are obliquely and amusingly explored in this series of takes and retakes from a recording session for a performance on the bathtub manufacture of heroin from raw opium.
  6009.  
  6010. remixed over a soundtrack including rare arabic 78 shellac recordings and avante guard electronica, this episode is perhaps the perfect product
  6011.  
  6012.  
  6013. the sheer banality of domestic addiction
  6014.  </description>
  6015. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-opium-4-12-12x.mp3" length="98334693" type="audio/mpeg" />
  6016. <itunes:subtitle>addictive to even the purest soul  over the counter Todays Isotopica is a meditation on ritual, performance and obsession. The fetish of addiction, and the perfect commodity of heroin, are obliquely and amusingly explored in this series of takes and re...</itunes:subtitle>
  6017. <itunes:summary><![CDATA[<a href="https://www.theculture.net/radio/home-heroin-manufacture-out-takes/mickey-mouse-opium/" rel="attachment wp-att-540"></a>addictive to even the purest soul<br />
  6018. <br />
  6019. <a href="https://www.theculture.net/radio/home-heroin-manufacture-out-takes/220px-bayer_heroin_bottle/" rel="attachment wp-att-535"></a>over the counter<br />
  6020. Todays Isotopica is a meditation on ritual, performance and obsession.<br />
  6021. The fetish of addiction, and the perfect commodity of heroin, are obliquely and amusingly explored in this series of takes and retakes from a recording session for a performance on the bathtub manufacture of heroin from raw opium.<br />
  6022. <br />
  6023. remixed over a soundtrack including rare arabic 78 shellac recordings and avante guard electronica, this episode is perhaps the perfect product<br />
  6024. <br />
  6025. <br />
  6026. <a href="https://www.theculture.net/radio/home-heroin-manufacture-out-takes/heroin_uk_02/" rel="attachment wp-att-534"></a>the sheer banality of domestic addiction<br />
  6027. &nbsp;<br />
  6028. <br />]]></itunes:summary>
  6029. <itunes:author>Simon Tyszko</itunes:author>
  6030. <itunes:episodeType>full</itunes:episodeType>
  6031. <itunes:explicit>false</itunes:explicit>
  6032. <itunes:duration>59:26</itunes:duration>
  6033. </item>
  6034. <item>
  6035. <title>Buñuel, The Virgin Mary and some Gin</title>
  6036. <link>https://www.theculture.net/radio/bunuel-the-virgin-mary-and-some-gin/</link>
  6037. <pubDate>Tue, 20 Nov 2012 17:29:19 +0000</pubDate>
  6038. <guid isPermaLink="false">https://www.theculture.net/radio/?p=518</guid>
  6039. <description>Is an extended minimalist mediation on the nature of class, revolution, and the creation of the perfect Martini, in which master film maker Luis Buñuel&#039;s magnificent musings on the perfect recipe for this classic cocktail, conflates the vitally judged addition of Vermouth to the mix with the holiest myths of Catholicism, being the Annunciation of the Virgin Mary.
  6040.  
  6041. Deliciously dry humour, dry gin, and a very catholic blasphemy.
  6042.  
  6043. Originally broadcast live broadcast from the London Science Museum as part of Dr Aleks Kolkowski&#039;s &quot;The Exponential Horn: In Search of Perfect Sound&quot;.
  6044.  
  6045. While acting as the London Science Museum&#039;s artist in residence, Aleks discovered a dust covered magnetic object on a store room shelf, which he correctly identified as the remaining driver from the legendary Exponential Horn, the worlds largest loudspeaker, and a technological wonder of it&#039;s day. The Denholm Horn as it was widely known, named after the director of the museum at the time,  measured 27 feet (8.23m) in length with a cross-section that curved exponentially from 1 1/16 inches (27mm) to a massive 7-foot-1-inch square (2.16m sq.) at the horn mouth.
  6046. It became a popular lunchtime destination for working Londoner&#039;s who would bring their sandwiches to eat while enjoying the unparalleled clarity and depth of this magnificent speaker, mostly playing the BBC home service.  
  6047.  
  6048.  
  6049.  
  6050.  
  6051.  
  6052. This episode contains a punchline
  6053.  
  6054. playlistAnanda Lahari  clogsHeijastuva ØAnksiolyytti ØArctic Hysteria  The Residents013 +- 6.18   Christian FenneszCarillon Michael HarrisonAnimus RedhookerMinor Key Simon tyszko
  6055.  
  6056.  
  6057.  
  6058. This week: we listen to an early Isotopica &#039;durational&#039; composition by Simon Tyszko circa 2014 featuring Luis Buñuel&#039;s legendary recipe for the perfect dry Martini,
  6059.  
  6060.  
  6061.  
  6062.  
  6063. Un Chien Andalou (French pronunciation: ​[œ̃ ʃjɛ̃ ɑ̃dalu], An Andalusian Dog
  6064. from the 1929 film by Buñuel and Dalisimon tyszko &#039; worry&#039;
  6065. Perhaps an underlying theme for this episdoe and one echoed by the text and &#039;punchline&#039; narrated by tyszko at the end Piss Christ is a 1987 photograph by the American artist and photographer Andres Serrano</description>
  6066. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-20-11-2012-gin.mp3" length="144144164" type="audio/mpeg" />
  6067. <itunes:subtitle>Is an extended minimalist mediation on the nature of class, revolution, and the creation of the perfect Martini, in which master film maker Luis Buñuel&#039;s magnificent musings on the perfect recipe for this classic cocktail,</itunes:subtitle>
  6068. <itunes:summary><![CDATA[<br />
  6069. Is an extended minimalist mediation on the nature of class, revolution, and the creation of the perfect <a href="https://en.wikipedia.org/wiki/Martini_cocktail">Martini</a>, in which master film maker <a href="https://en.wikipedia.org/wiki/Luis_Bu%C3%B1uel">Luis Buñuel's</a> magnificent musings on the perfect recipe for this classic cocktail, conflates the vitally judged addition of Vermouth to the mix with the holiest myths of Catholicism, being the <a href="https://en.wikipedia.org/wiki/Annunciation">Annunciation</a> of the Virgin Mary.<br />
  6070. <br />
  6071. Deliciously dry humour, dry gin, and a very catholic blasphemy. <br />
  6072. <br />
  6073. Originally broadcast live broadcast from the London Science Museum as part of Dr Aleks Kolkowski's "The Exponential Horn: In Search of Perfect Sound".<br />
  6074. <br />
  6075. While acting as the London Science Museum's artist in residence, Aleks discovered a dust covered magnetic object on a store room shelf, which he correctly identified as the remaining driver from the legendary Exponential Horn, the worlds largest loudspeaker, and a technological wonder of it's day. The Denholm Horn as it was widely known, named after the director of the museum at the time,  measured 27 feet (8.23m) in length with a cross-section that curved exponentially from 1 1/16 inches (27mm) to a massive 7-foot-1-inch square (2.16m sq.) at the horn mouth. <br />
  6076. It became a popular lunchtime destination for working Londoner's who would bring their sandwiches to eat while enjoying the unparalleled clarity and depth of this magnificent speaker, mostly playing the BBC home service.  <br />
  6077. <br />
  6078. <br />
  6079. <br />
  6080. <br />
  6081. <br />
  6082. This episode contains a punchline<br />
  6083. &nbsp;<br />
  6084. playlistAnanda Lahari&nbsp; <a href="http://clogs.bandcamp.com/track/ananda-lahari">clogs</a>Heijastuva <a href="http://www.discogs.com/%C3%98-Heijastuva/release/2671723">Ø</a>Anksiolyytti <a href="http://www.discogs.com/%C3%98-Heijastuva/release/2671723">Ø</a>Arctic Hysteria&nbsp; <a href="https://en.wikipedia.org/wiki/The_Residents">The Residents</a>013 +- 6.18 &nbsp; <a href="http://www.fennesz.com/">Christian Fennesz</a>Carillon <a href="https://en.wikipedia.org/wiki/Mike_Harrison_%28musician%29">Michael Harrison</a>Animus <a href="http://redhooker.com/">Redhooker</a>Minor Key <a href="http://theculture.net">Simon tyszko</a><br />
  6085. <br />
  6086. <br />
  6087. <br />
  6088. This week: we listen to an early Isotopica 'durational' composition by Simon Tyszko circa 2014 featuring Luis Buñuel's legendary recipe for the perfect dry Martini, <br />
  6089. <br />
  6090. <br />
  6091. <br />
  6092. <br />
  6093. Un Chien Andalou (French pronunciation: ​[œ̃ ʃjɛ̃ ɑ̃dalu], An Andalusian Dog<br />
  6094. from the 1929 film by Buñuel and Dalisimon tyszko ' worry'<br />
  6095. Perhaps an underlying theme for this episdoe and one echoed by the text and 'punchline' narrated by tyszko at the end Piss Christ is a 1987 photograph by the American artist and photographer Andres Serrano<a class="wp-block-jetpack-slideshow_button-prev swiper-button-prev swiper-button-white" role="button"></a><a class="wp-block-jetpack-slideshow_button-next swiper-button-next swiper-button-white" role="button"></a><a aria-label="Pause Slideshow" class="wp-block-jetpack-slideshow_button-pause" role="button"></a><br />]]></itunes:summary>
  6096. <itunes:author>Simon Tyszko</itunes:author>
  6097. <itunes:episodeType>full</itunes:episodeType>
  6098. <itunes:explicit>false</itunes:explicit>
  6099. <itunes:duration>59:57</itunes:duration>
  6100. </item>
  6101. <item>
  6102. <title>Performance</title>
  6103. <link>https://www.theculture.net/radio/performance/</link>
  6104. <pubDate>Tue, 13 Nov 2012 23:24:52 +0000</pubDate>
  6105. <guid isPermaLink="false">https://www.theculture.net/radio/?p=508</guid>
  6106. <description>Paul Buck, Writer and Artist joins Isotopica to discuss his new book on era defining film &#039;Performance&#039;.
  6107. Tyszko and Buck detour through marijuana and incense clouded London 60&#039;s countercultural themes from Jorge Luis Borges, the international glamor of Anita Pallenberg to the old school violence of Kray Twins, gently mixed to a distant soundtrack from Jack Nitzsche, Skip James et al.
  6108. PAYPHONE, NOTTING HILL GATE, 1960 &#039;THE LAY ABOUT LIFE&#039; - PHOTO ESSAYTERENCE DONOVAN (1936-1996)
  6109. Photographed by his brother Stefan,Tyszko modeled the very first space hopper in Europe for the Daily Express in 1968.This glamorous high point has never been matched,and he has returned to this path in Holland park at various points in his life,looking perhaps, for echoes of those iconic momentsand the sixpence he still bitterly remembers loosing.
  6110.  
  6111. Anita Pallenberg and James Fox
  6112.  
  6113.  </description>
  6114. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-13-11-2012-performance.mp3" length="116418625" type="audio/mpeg" />
  6115. <itunes:subtitle>Paul Buck, Writer and Artist joins Isotopica to discuss his new book on era defining film &#039;Performance&#039;. Tyszko and Buck detour through marijuana and incense clouded London 60&#039;s countercultural themes from Jorge Luis Borges,</itunes:subtitle>
  6116. <itunes:summary><![CDATA[Paul Buck, Writer and Artist joins Isotopica to discuss his new book on era defining film '<a href="https://en.wikipedia.org/wiki/Performance_%28film%29" target="_blank">Performance</a>'.<br />
  6117. Tyszko and Buck detour through marijuana and <a href="https://en.wikipedia.org/wiki/Insence" target="_blank">incense</a> clouded London 60's countercultural themes from <a href="https://en.wikipedia.org/wiki/Jorge_Luis_Borges" target="_blank">Jorge Luis Borges</a>, the international glamor of <a href="https://en.wikipedia.org/wiki/Anita_Pallenberg" target="_blank">Anita Pallenberg</a> to the old school violence of <a href="https://en.wikipedia.org/wiki/Kray_Twins" target="_blank">Kray Twins</a>, gently mixed to a distant soundtrack from <a href="https://en.wikipedia.org/wiki/Jack_Nitzsche" target="_blank">Jack Nitzsche</a>, <a href="https://en.wikipedia.org/wiki/Skip_James" target="_blank">Skip James</a> et al.<br />
  6118. <a href="https://www.theculture.net/radio/performance/payphone-notting-hill-gate-1960the-lay-about-life-photo-essay-1-c26115/" rel="attachment wp-att-510"></a>PAYPHONE, NOTTING HILL GATE, 1960 'THE LAY ABOUT LIFE' - PHOTO ESSAYTERENCE DONOVAN (1936-1996)<br />
  6119. <a href="https://www.theculture.net/radio/performance/68-space-hop0101-small-w/" rel="attachment wp-att-509"></a>Photographed by his brother Stefan,Tyszko modeled the very first space hopper in Europe for the Daily Express in 1968.This glamorous high point has never been matched,and he has returned to this path in Holland park at various points in his life,looking perhaps, for echoes of those iconic momentsand the sixpence he still bitterly remembers loosing.<br />
  6120. &nbsp;<br />
  6121. <a href="https://www.theculture.net/radio/performance/perform1/" rel="attachment wp-att-515"></a>Anita Pallenberg and James Fox<br />
  6122. <a href="https://www.theculture.net/radio/performance/681ectz/" rel="attachment wp-att-516"></a><br />
  6123. &nbsp;<br />]]></itunes:summary>
  6124. <itunes:author>Simon Tyszko</itunes:author>
  6125. <itunes:episodeType>full</itunes:episodeType>
  6126. <itunes:explicit>false</itunes:explicit>
  6127. <itunes:duration>59:54</itunes:duration>
  6128. </item>
  6129. <item>
  6130. <title>Draw A Line Between Two Points</title>
  6131. <link>https://www.theculture.net/radio/draw-a-line-between-two-points/</link>
  6132. <pubDate>Tue, 06 Nov 2012 16:49:47 +0000</pubDate>
  6133. <guid isPermaLink="false">https://www.theculture.net/radio/?p=444</guid>
  6134. <description>This week&#039;s Isotopica considers the line, and discusses such with
  6135. Rootstein Hopkins Research Chair of Drawing at the University of the Arts London, Professor Stephen Farthing.
  6136. Points are joined from the Ancient Egyptians through, Braque and Duchamp all the way through to present day london town.
  6137. Marks left by ancient felt tip pens on rocks provide us with clues with which to form our conclusions.
  6138. Sounds on a wire from Alvin Lucier, parenthesize our discussions.
  6139. Alvin LucierStill and Moving Lines of Silence in Families of Hyperbolas
  6140.  </description>
  6141. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-6-11-2012-draw.mp3" length="115936761" type="audio/mpeg" />
  6142. <itunes:subtitle>This week&#039;s Isotopica considers the line, and discusses such with Rootstein Hopkins Research Chair of Drawing at the University of the Arts London, Professor Stephen Farthing. Points are joined from the Ancient Egyptians through,</itunes:subtitle>
  6143. <itunes:summary><![CDATA[This week's Isotopica considers the line, and discusses such with<br />
  6144. Rootstein Hopkins Research Chair of Drawing at the University of the Arts London, <a href="https://en.wikipedia.org/wiki/Stephen_Farthing" target="_blank">Professor Stephen Farthing.</a><br />
  6145. Points are joined from the <a href="https://en.wikipedia.org/wiki/Ancient_Egyptians" target="_blank">Ancient Egyptians</a> through, <a href="https://en.wikipedia.org/wiki/Braque" target="_blank">Braque</a> and <a href="https://en.wikipedia.org/wiki/Duchamp" target="_blank">Duchamp</a> all the way through to present day london town.<br />
  6146. Marks left by ancient felt tip pens on rocks provide us with <a href="https://en.wikipedia.org/wiki/Clues" target="_blank">clues</a> with which to form our conclusions.<br />
  6147. Sounds on a wire from <a href="https://t.co/auoQE7aR" target="_blank">Alvin Lucier,</a> parenthesize our discussions.<br />
  6148. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/11/alvin-lucier-al_small.jpg"></a>Alvin LucierStill and Moving Lines of Silence in Families of <a href="https://en.wikipedia.org/wiki/Hyperbola" target="_blank">Hyperbolas</a><br />
  6149. &nbsp;<br />]]></itunes:summary>
  6150. <itunes:author>Simon Tyszko</itunes:author>
  6151. <itunes:episodeType>full</itunes:episodeType>
  6152. <itunes:explicit>false</itunes:explicit>
  6153. <itunes:duration>59:51</itunes:duration>
  6154. </item>
  6155. <item>
  6156. <title>herbert wright tries to get a sensible word in</title>
  6157. <link>https://www.theculture.net/radio/herbert-wright-tries-to-get-a-sensible-word-in/</link>
  6158. <pubDate>Thu, 01 Nov 2012 01:57:01 +0000</pubDate>
  6159. <guid isPermaLink="false">https://www.theculture.net/radio/?p=434</guid>
  6160. <description>herb and simon get groovy
  6161. This week&#039;s Isotopica features the return of our roving architecture correspondent and blueprint magazine contributing editor, Herbert Wright. Herbert tries to get a sensible word in, and does an admirable job, despite tyszko&#039;s fixation on Portuguese culinary custard
  6162. We discuss, in the loosest possible way, the first Lisbon Open House Event, the sale of Admiralty Arch, the dissolution of the house of Windsor and the proposed conversion of Buckingham palace into Artist studio&#039;s and allotments. mixed with a series of treated and haunted 78&#039;s, it&#039;s Isotopica.
  6163. Tyszko demonstrates the correct way to see PortuguesePasteis de nata
  6164.  
  6165.  </description>
  6166. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-architecture-30-10-2012.mp3" length="113845445" type="audio/mpeg" />
  6167. <itunes:subtitle>herb and simon get groovy This week&#039;s Isotopica features the return of our roving architecture correspondent and blueprint magazine contributing editor, Herbert Wright. Herbert tries to get a sensible word in, and does an admirable job,</itunes:subtitle>
  6168. <itunes:summary><![CDATA[<a href="https://www.theculture.net/radio/wp-content/uploads/2012/11/simon-and-herb.jpg"></a>herb and simon get groovy<br />
  6169. This week's Isotopica features the return of our roving architecture correspondent and <a href="http://www.blueprintmagazine.co.uk/" target="_blank">blueprint magazine</a> contributing editor, <a href="http://www.herbertwright.co.uk/6.html" target="_blank">Herbert Wright</a>. Herbert tries to get a sensible word in, and does an admirable job, despite tyszko's fixation on <a href="https://www.google.co.uk/search?q=portuguese+custard+tarts&amp;hl=en&amp;safe=off&amp;client=firefox-a&amp;hs=kGl&amp;rls=org.mozilla:en-US:official&amp;prmd=imvnse&amp;source=lnms&amp;tbm=isch&amp;sa=X&amp;ei=CtaRUJOrAYqq0QX2x4HoDg&amp;sqi=2&amp;ved=0CAcQ_AUoAQ&amp;biw=959&amp;bih=478" target="_blank">Portuguese culinary custard</a><br />
  6170. We discuss, in the loosest possible way, the first <a href="http://www.lisboaopenhouse.com/en/home/" target="_blank">Lisbon Open House</a> Event, the sale of Admiralty Arch, the dissolution of the house of Windsor and the proposed conversion of Buckingham palace into Artist studio's and allotments. mixed with a series of treated and haunted 78's, it's Isotopica.<br />
  6171. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/11/pastell-eyes.jpg"></a>Tyszko demonstrates the correct way to see PortuguesePasteis de nata<br />
  6172. &nbsp;<br />
  6173. &nbsp;<br />]]></itunes:summary>
  6174. <itunes:author>Simon Tyszko</itunes:author>
  6175. <itunes:episodeType>full</itunes:episodeType>
  6176. <itunes:explicit>false</itunes:explicit>
  6177. <itunes:duration>58:40</itunes:duration>
  6178. </item>
  6179. <item>
  6180. <title>From My Bed To The Field (international)</title>
  6181. <link>https://www.theculture.net/radio/from-my-bed-to-the-field-international/</link>
  6182. <pubDate>Tue, 23 Oct 2012 03:22:14 +0000</pubDate>
  6183. <guid isPermaLink="false">https://www.theculture.net/radio/?p=427</guid>
  6184. <description>As a counterpoint to my determination to stay in my bed with advanced and dramatic Ennui, isotopica today features some of my previous field recordings from a home away from home, and a monkey Temple in Jaipur, an Indian language archive feature, on Classical tabla player Ustad Allah Rakah, then further horse and hound field recordings from the beating heart of Tory Britain, all topped off with a lovely brass band.</description>
  6185. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-23-10-2012.mp3" length="113653195" type="audio/mpeg" />
  6186. <itunes:subtitle>As a counterpoint to my determination to stay in my bed with advanced and dramatic Ennui, isotopica today features some of my previous field recordings from a home away from home, and a monkey Temple in Jaipur, an Indian language archive feature,</itunes:subtitle>
  6187. <itunes:summary><![CDATA[As a counterpoint to my determination to stay in <a href="http://www.writing.upenn.edu/~afilreis/freud-couch.jpghttp://" target="_blank">my bed</a> with advanced and dramatic Ennui, isotopica today features some of my previous field recordings from a <a href="http://hotelnarainniwas.com/" target="_blank">home away from home</a>, and a monkey Temple in Jaipur, an Indian language archive feature, on Classical tabla player <a href="https://en.wikipedia.org/wiki/Alla_Rakhahttp://" target="_blank">Ustad Allah Rakah</a>, then further horse and hound field recordings from the beating heart of Tory Britain, all topped off with a lovely brass band.<br />
  6188. <br />]]></itunes:summary>
  6189. <itunes:author>Simon Tyszko</itunes:author>
  6190. <itunes:episodeType>full</itunes:episodeType>
  6191. <itunes:explicit>false</itunes:explicit>
  6192. <itunes:duration>58:45</itunes:duration>
  6193. </item>
  6194. <item>
  6195. <title>A walk Through The getty Picture Library With david Ellis</title>
  6196. <link>https://www.theculture.net/radio/a-walk-through-the-getty-picture-library-with-david-ellis/</link>
  6197. <pubDate>Fri, 21 Sep 2012 01:21:52 +0000</pubDate>
  6198. <guid isPermaLink="false">https://www.theculture.net/radio/?p=146</guid>
  6199. <description>David Ellis and Tyszko, stroll around the labyrinthine shelves of the Getty Picture Library, where countless millions of prints, negatives, glass plates and every conceivable form of photographic image are stored and documented. At some point we find a trunk containing the archive of my long dead Brother Stefan Tyszko
  6200. one of countless millions of images at this phenomenal archive
  6201.  
  6202.  </description>
  6203. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopicaeleventhegettyonewithdavidellis.mp3" length="116830305" type="audio/mpeg" />
  6204. <itunes:subtitle>David Ellis and Tyszko, stroll around the labyrinthine shelves of the Getty Picture Library, where countless millions of prints, negatives, glass plates and every conceivable form of photographic image are stored and documented.</itunes:subtitle>
  6205. <itunes:summary><![CDATA[<a href="http://davidpaulellis.blogspot.co.uk/" target="_blank">David Ellis</a> and Tyszko, stroll around the labyrinthine shelves of the Getty Picture Library, where countless millions of prints, negatives, glass plates and every conceivable form of photographic image are stored and documented. At some point we find a trunk containing the archive of my long dead Brother Stefan Tyszko<br />
  6206. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/meat-pix.jpg"></a>one of countless millions of images at this phenomenal archive<br />
  6207. &nbsp;<br />
  6208. &nbsp;<br />]]></itunes:summary>
  6209. <itunes:author>Simon Tyszko</itunes:author>
  6210. <itunes:episodeType>full</itunes:episodeType>
  6211. <itunes:explicit>false</itunes:explicit>
  6212. </item>
  6213. <item>
  6214. <title>Hauntological Frieze</title>
  6215. <link>https://www.theculture.net/radio/hauntological-frieze/</link>
  6216. <pubDate>Tue, 16 Oct 2012 01:03:08 +0000</pubDate>
  6217. <guid isPermaLink="false">https://www.theculture.net/radio/?p=410</guid>
  6218. <description>happy?
  6219. In todays isotopica we have a very brief frieze special from under a duvet in West London and we also ask you to consider the concept of Hauntology as recently described online by renaissance man Mark Pilkington and academically  introduced at various points by Jaques Derida, most specifically in His 1993 work Specters of Marx.  He talks of Sprits, of Haunting and Le Fantôme in some excerpts from the fabulous and obscurantist Film Ghost Dance by Ken McMullan. We craftily mix this with a selection of attenuated 78&#039;s, sprinkle the recording with some brief frieze conversations, and so on till next week, when we hopefully bring you some more.</description>
  6220. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-16-10-2012-hauntology.mp3" length="114032571" type="audio/mpeg" />
  6221. <itunes:subtitle>happy? In todays isotopica we have a very brief frieze special from under a duvet in West London and we also ask you to consider the concept of Hauntology as recently described online by renaissance man Mark Pilkington and academically  introduced at v...</itunes:subtitle>
  6222. <itunes:summary><![CDATA[<a href="https://www.theculture.net/radio/wp-content/uploads/2012/10/happy-boys-pinned-Edit.jpg"></a>happy?<br />
  6223. In todays isotopica we have a very brief frieze special from under a duvet in <a href="https://maps.google.com/maps?q=Fulham,+London+Borough+of+Hammersmith+and+Fulham,+London,+UK&amp;hl=en&amp;ll=51.479672,-0.206079&amp;spn=0.028331,0.06609&amp;sll=37.0625,-95.677068&amp;sspn=36.863178,67.675781&amp;t=h&amp;hnear=Fulham,+Greater+London,+United+Kingdom&amp;z=14&amp;iwloc=A">West London</a> and we also ask you to consider the concept of Hauntology as recently described <a href="http://boingboing.net/2012/10/12/hauntologists-mine-the-past-fo.html" target="_blank">online</a> by renaissance man <a href="https://en.wikipedia.org/wiki/Mark_Pilkington_%28writer%29">Mark Pilkington </a>and academically  introduced at various points by <a href="https://en.wikipedia.org/wiki/Jacques_Derrida">Jaques Derida</a>, most specifically in His 1993 work <a href="https://en.wikipedia.org/wiki/Specters_of_Marx" target="_blank">Specters of Marx</a>.  He talks of Sprits, of Haunting and <a href="https://fr.wikipedia.org/wiki/Fant%C3%B4me" target="_blank">Le Fantôme</a> in some excerpts from the fabulous and obscurantist Film <a href="https://en.wikipedia.org/wiki/Ghost_Dance_%28film%29">Ghost Dance by Ken McMullan</a>. We craftily mix this with a selection of attenuated <a href="https://en.wikipedia.org/wiki/Gramophone_record" target="_blank">78's</a>, sprinkle the recording with some brief frieze conversations, and so on till next week, when we hopefully bring you some more.<br />]]></itunes:summary>
  6224. <itunes:author>Simon Tyszko</itunes:author>
  6225. <itunes:episodeType>full</itunes:episodeType>
  6226. <itunes:explicit>false</itunes:explicit>
  6227. <itunes:duration>59:00</itunes:duration>
  6228. </item>
  6229. <item>
  6230. <title>A Wellcome Library Walk with David Ellis</title>
  6231. <link>https://www.theculture.net/radio/a-wellcome-library-walk-with-david-ellis/</link>
  6232. <pubDate>Sat, 13 Oct 2012 22:35:39 +0000</pubDate>
  6233. <guid isPermaLink="false">https://www.theculture.net/radio/?p=397</guid>
  6234. <description>Serial Digressionist David Ellis Invites Simon Tyszko for an out of hours stroll and chat, through The Wellcome Library which is founded on the collection formed by Sir Henry Wellcome (1853–1936), whose personal wealth allowed him to create one of the most ambitious collections of the 20th century.
  6235. Henry Wellcome&#039;s interest was the history of medicine in a broad sense and included subjects like alchemy or witchcraft, but also anthropology and ethnography. Since Henry Wellcome’s death in 1936, the Wellcome Trust has been responsible for maintaining the Library&#039;s collection and funding its acquisitions</description>
  6236. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/EPISODE12inthewellcome.mp3" length="115567051" type="audio/mpeg" />
  6237. <itunes:subtitle>Serial Digressionist David Ellis Invites Simon Tyszko for an out of hours stroll and chat, through The Wellcome Library which is founded on the collection formed by Sir Henry Wellcome (1853–1936), whose personal wealth allowed him to create one of the ...</itunes:subtitle>
  6238. <itunes:summary><![CDATA[Serial Digressionist <a href="http://davidpaulellis.blogspot.co.uk/">David Ellis</a> Invites <a href="http://theculture.net">Simon Tyszko</a> for an out of hours stroll and chat, through<a href="https://en.wikipedia.org/wiki/Wellcome_Library"> The Wellcome Library</a> which is founded on the collection formed by Sir Henry Wellcome (1853–1936), whose personal wealth allowed him to create one of the most ambitious collections of the 20th century.<br />
  6239. Henry Wellcome's interest was the history of medicine in a broad sense and included subjects like alchemy or witchcraft, but also anthropology and ethnography. Since Henry Wellcome’s death in 1936, the Wellcome Trust has been responsible for maintaining the Library's collection and funding its acquisitions<br />
  6240. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/10/medical.jpg"></a><a href="https://www.theculture.net/radio/wp-content/uploads/2012/10/medicalBook.png"><br />
  6241. </a><a href="http://www.brainpickings.org/wp-content/uploads/2012/05/ReflectingTelescope.jpg"></a><br />]]></itunes:summary>
  6242. <itunes:author>Simon Tyszko</itunes:author>
  6243. <itunes:episodeType>full</itunes:episodeType>
  6244. <itunes:explicit>false</itunes:explicit>
  6245. <itunes:duration>1:00:00</itunes:duration>
  6246. </item>
  6247. <item>
  6248. <title>A treat with Dudley Sutton</title>
  6249. <link>https://www.theculture.net/radio/a-treat-with-dudley-sutton/</link>
  6250. <pubDate>Fri, 07 Sep 2012 22:08:49 +0000</pubDate>
  6251. <guid isPermaLink="false">https://www.theculture.net/radio/?p=123</guid>
  6252. <description>Isotopica
  6253. Sutton
  6254. On this weeks isotopic detour, amongst the irregular sounds and samples,
  6255. tyszko is in conversation with national treasure, actor Dudley sutton.
  6256. during this chat sutton reads through an excerpt of peter handke&#039;s self
  6257. accuse. a classic piece of minimalist european experimental theatre from the 1970&#039;s that may or may not become a film piece directed by tyszko.
  6258. Dudley also gives us a reading of one of his new poetry pieces  called &#039;the shitty committee&quot;.
  6259. we can also see this beautiful film of dudley reading one of his poems in the grounds of the chelsea arts club</description>
  6260. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-dudleysuttonsdoeshandke.mp3" length="107673120" type="audio/mpeg" />
  6261. <itunes:subtitle>Isotopica Sutton On this weeks isotopic detour, amongst the irregular sounds and samples, tyszko is in conversation with national treasure, actor Dudley sutton. during this chat sutton reads through an excerpt of peter handke&#039;s self accuse.</itunes:subtitle>
  6262. <itunes:summary><![CDATA[Isotopica<br />
  6263. Sutton<br />
  6264. On this weeks isotopic detour, amongst the irregular sounds and samples,<br />
  6265. tyszko is in conversation with national treasure, actor <a href="http://en.wikipedia.org/wiki/Dudley_Sutton">Dudley sutton.</a><br />
  6266. during this chat sutton reads through an excerpt of <a href="http://en.wikipedia.org/wiki/Peter_Handke">peter handke's</a> self<br />
  6267. accuse. a classic piece of minimalist european experimental theatre from the 1970's that may or may not become a film piece directed by tyszko.<br />
  6268. Dudley also gives us a reading of one of his new poetry pieces  called 'the shitty committee".<br />
  6269. we can also see this beautiful film of dudley reading one of his poems in the grounds of the chelsea arts club<br />
  6270. <br />]]></itunes:summary>
  6271. <itunes:author>Simon Tyszko</itunes:author>
  6272. <itunes:episodeType>full</itunes:episodeType>
  6273. <itunes:explicit>false</itunes:explicit>
  6274. </item>
  6275. <item>
  6276. <title>Sutton Goes Soviet</title>
  6277. <link>https://www.theculture.net/radio/sutton-goes-soviet/</link>
  6278. <pubDate>Wed, 10 Oct 2012 01:55:16 +0000</pubDate>
  6279. <guid isPermaLink="false">https://www.theculture.net/radio/?p=385</guid>
  6280. <description>Stage Legend Dudley Sutton talks us through the politics and the joys of face paint and footlights circa 1957, we travel to Russia on a train, spit fish scales on the floor of a workers bar and learn the truer meaning on Niet</description>
  6281. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-9-10-12-suttoninrussia.mp3" length="113644318" type="audio/mpeg" />
  6282. <itunes:subtitle>Stage Legend Dudley Sutton talks us through the politics and the joys of face paint and footlights circa 1957, we travel to Russia on a train, spit fish scales on the floor of a workers bar and learn the truer meaning on Niet</itunes:subtitle>
  6283. <itunes:summary><![CDATA[<br />
  6284. Stage Legend Dudley Sutton talks us through the politics and the joys of face paint and footlights circa 1957, we travel to Russia on a train, spit fish scales on the floor of a workers bar and learn the truer meaning on Niet<br />
  6285. <br />
  6286. <br />
  6287. <br />
  6288. <br />
  6289. <br />
  6290. <br />
  6291. <br />
  6292. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/10/soviet_train1-300x428.jpg"></a><br />
  6293. <br />
  6294. <br />
  6295. <br />
  6296. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/10/soviet_train1-300x428.jpg"></a><br />]]></itunes:summary>
  6297. <itunes:author>Simon Tyszko</itunes:author>
  6298. <itunes:episodeType>full</itunes:episodeType>
  6299. <itunes:explicit>false</itunes:explicit>
  6300. <itunes:duration>59:11</itunes:duration>
  6301. </item>
  6302. <item>
  6303. <title>It Was The officers; Dudley Sutton, the story</title>
  6304. <link>https://www.theculture.net/radio/it-was-the-officers-dudley-sutton-the-story/</link>
  6305. <pubDate>Tue, 25 Sep 2012 20:18:40 +0000</pubDate>
  6306. <guid isPermaLink="false">https://www.theculture.net/radio/?p=346</guid>
  6307. <description>Dudley Sutton, Joan Littlewood, The Soviet Union, Sheffield, The Committee, Dr Chicago all mixed together, like a family, it&#039;s isotopica
  6308.  
  6309. Dudley Sutton (far left as ever), in a still from Ken Russell&#039;s The Devils, with Michael Gothard and Vanessa Redgrave
  6310.  
  6311. Mr sutton&#039;s Door
  6312.  
  6313.  </description>
  6314. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-25-09-12.mp3" length="114397713" type="audio/mpeg" />
  6315. <itunes:subtitle>Dudley Sutton, Joan Littlewood, The Soviet Union, Sheffield, The Committee, Dr Chicago all mixed together, like a family, it&#039;s isotopica  Dudley Sutton (far left as ever), in a still from Ken Russell&#039;s The Devils,</itunes:subtitle>
  6316. <itunes:summary><![CDATA[Dudley Sutton, <a href="http://en.wikipedia.org/wiki/Joan_Littlewood">Joan Littlewood</a>, <a href="http://en.wikipedia.org/wiki/Soviet_Union">The Soviet Union</a>, <a href="http://en.wikipedia.org/wiki/Sheffield">Sheffield</a><a href="http://en.wikipedia.org/wiki/The_Committee_%28film%29">, The Committee</a>,<a href="http://georgemanupelli.com/"> Dr Chicago</a> all mixed together, like a family, it's isotopica<br />
  6317. <br />
  6318. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/Dudley-Sutton-in-The-Devils.jpg"></a>Dudley Sutton (far left as ever), in a still from Ken Russell's The Devils, with <a href="http://www.imdb.com/name/nm0331788/bio">Michael Gothard</a> and <a href="http://en.wikipedia.org/wiki/Vanessa_Redgrave">Vanessa Redgrave</a><br />
  6319. <br />
  6320. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/sutton-knob2.jpg"></a>Mr sutton's Door<br />
  6321. <br />
  6322. &nbsp;]]></itunes:summary>
  6323. <itunes:author>Simon Tyszko</itunes:author>
  6324. <itunes:episodeType>full</itunes:episodeType>
  6325. <itunes:explicit>false</itunes:explicit>
  6326. <itunes:duration>59:10</itunes:duration>
  6327. </item>
  6328. <item>
  6329. <title>The one that starts with a Yellow Fingered Girl</title>
  6330. <link>https://www.theculture.net/radio/the-one-that-starts-with-a-yellow-fingered-girl/</link>
  6331. <pubDate>Fri, 21 Sep 2012 00:46:41 +0000</pubDate>
  6332. <guid isPermaLink="false">https://www.theculture.net/radio/?p=84</guid>
  6333. <description>Starting off this week with The barrow poets and their delightful &#039;yellowfingered Girl&#039;,
  6334. We listen to a classic recipe in the old style of the BBC for producing quality Heroin,
  6335. Listen to some field recordings of one of my recent trips to kabul with Pippa Small,
  6336. And finally wizz around Hyde Park with a delightful and singing Lilly, who happens to be an 8 year old girl and is sitting in the basket on my bike
  6337. scorpion brand heroin ready to go</description>
  6338. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/theonewithayellowfingeredgirl.mp3" length="142338693" type="audio/mpeg" />
  6339. <itunes:subtitle>Starting off this week with The barrow poets and their delightful &#039;yellowfingered Girl&#039;, We listen to a classic recipe in the old style of the BBC for producing quality Heroin, Listen to some field recordings of one of my recent trips to kabul with Pip...</itunes:subtitle>
  6340. <itunes:summary><![CDATA[Starting off this week with <a href="http://folkcatalogue.wordpress.com/2009/05/03/1963-the-barrow-poets-an-entertainment-of-poetry-and-music/" target="_new">The barrow poets</a> and their delightful 'yellowfingered Girl',<br />
  6341. We listen to a classic recipe in the old style of the BBC for producing quality Heroin,<br />
  6342. Listen to some field recordings of one of my recent trips to <a href="http://www.pippasmall.com/kabul" target="_new">kabul</a> with <a href="www.pippasmall.com" target="_new">Pippa Small,</a><br />
  6343. And finally wizz around Hyde Park with a delightful and singing Lilly, who happens to be an 8 year old girl and is sitting in the basket on my bike<br />
  6344. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/scorpion-heroin.jpg"></a>scorpion brand heroin ready to go<br />]]></itunes:summary>
  6345. <itunes:author>Simon Tyszko</itunes:author>
  6346. <itunes:episodeType>full</itunes:episodeType>
  6347. <itunes:explicit>false</itunes:explicit>
  6348. </item>
  6349. <item>
  6350. <title>eye sea yew</title>
  6351. <link>https://www.theculture.net/radio/eye-sea-you/</link>
  6352. <pubDate>Tue, 18 Sep 2012 14:42:30 +0000</pubDate>
  6353. <guid isPermaLink="false">https://www.theculture.net/radio/?p=288</guid>
  6354. <description>Hanging somewhere between life and death, the ICU episode is perhaps a simple countdown, a meditation, or an outright provocation?
  6355. hanging somewhere between life and death, ICU is a simple countdown</description>
  6356. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/Isotopica-icu.mp3" length="114358318" type="audio/mpeg" />
  6357. <itunes:subtitle>Hanging somewhere between life and death, the ICU episode is perhaps a simple countdown, a meditation, or an outright provocation? hanging somewhere between life and death, ICU is a simple countdown</itunes:subtitle>
  6358. <itunes:summary><![CDATA[Hanging somewhere between life and death, the ICU episode is perhaps a simple countdown, a meditation, or an outright provocation?<br />
  6359. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/teddyworldscan.jpg"></a>hanging somewhere between life and death, ICU is a simple countdown<br />]]></itunes:summary>
  6360. <itunes:author>Simon Tyszko</itunes:author>
  6361. <itunes:episodeType>full</itunes:episodeType>
  6362. <itunes:explicit>false</itunes:explicit>
  6363. <itunes:duration>59:00</itunes:duration>
  6364. </item>
  6365. <item>
  6366. <title>UF 0h!</title>
  6367. <link>https://www.theculture.net/radio/uf-0h/</link>
  6368. <pubDate>Tue, 11 Sep 2012 20:50:15 +0000</pubDate>
  6369. <guid isPermaLink="false">https://www.theculture.net/radio/?p=233</guid>
  6370. <description>The first in the autumn season of isotopica brings a celebration of britain&#039;s little known visits and continued communications with Mars through our special envoy George King, we investigate the haunting sounds of slowed down bird song and natter a little too
  6371. you f Oh
  6372.  </description>
  6373. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-UF-0h-11-9-2012.mp3" length="73870157" type="audio/mpeg" />
  6374. <itunes:subtitle>The first in the autumn season of isotopica brings a celebration of britain&#039;s little known visits and continued communications with Mars through our special envoy George King, we investigate the haunting sounds of slowed down bird song and natter a lit...</itunes:subtitle>
  6375. <itunes:summary><![CDATA[The first in the autumn season of isotopica brings a celebration of britain's little known visits and continued communications with Mars through our special envoy George King, we investigate the haunting sounds of slowed down bird song and natter a little too<br />
  6376. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/ufo-cloud-hawaii_2318012k.jpg"></a>you f Oh<br />
  6377. &nbsp;<br />]]></itunes:summary>
  6378. <itunes:author>Simon Tyszko</itunes:author>
  6379. <itunes:episodeType>full</itunes:episodeType>
  6380. <itunes:explicit>false</itunes:explicit>
  6381. </item>
  6382. <item>
  6383. <title>where do studios come from?</title>
  6384. <link>https://www.theculture.net/radio/where-do-studios-come-from/</link>
  6385. <pubDate>Sat, 08 Sep 2012 18:24:14 +0000</pubDate>
  6386. <guid isPermaLink="false">https://www.theculture.net/radio/?p=210</guid>
  6387. <description>The One in which i speak with Duncan Smith of ACAVA the london based artist studio charity</description>
  6388. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopicawithacavaduncan.mp3" length="117266127" type="audio/mpeg" />
  6389. <itunes:subtitle>The One in which i speak with Duncan Smith of ACAVA the london based artist studio charity</itunes:subtitle>
  6390. <itunes:summary><![CDATA[The One in which i speak with Duncan Smith of ACAVA the london based artist studio charity<br />
  6391. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/studio_birthday_party-52.jpg"></a><br />]]></itunes:summary>
  6392. <itunes:author>Simon Tyszko</itunes:author>
  6393. <itunes:episodeType>full</itunes:episodeType>
  6394. <itunes:explicit>false</itunes:explicit>
  6395. <itunes:duration>1:00:00</itunes:duration>
  6396. </item>
  6397. <item>
  6398. <title>some jazz and an exotic dancer</title>
  6399. <link>https://www.theculture.net/radio/some-jazz-and-an-exotic-dancer/</link>
  6400. <pubDate>Sat, 08 Sep 2012 17:36:45 +0000</pubDate>
  6401. <guid isPermaLink="false">https://www.theculture.net/radio/?p=201</guid>
  6402. <description>sink sunk
  6403. in this episode we get really black and white cool cool jazz with some &#039;train and others, and i get to speak with an exotic dancer called cecile who came to visit the phlight project</description>
  6404. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopicawithsomejazzandanexoticdancer.mp3" length="117573767" type="audio/mpeg" />
  6405. <itunes:subtitle>sink sunk in this episode we get really black and white cool cool jazz with some &#039;train and others, and i get to speak with an exotic dancer called cecile who came to visit the phlight project</itunes:subtitle>
  6406. <itunes:summary><![CDATA[<a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/heatsink-g5-light.jpg"></a>sink sunk<br />
  6407. in this episode we get really black and white cool cool jazz with some 'train and others, and i get to speak with an exotic dancer called cecile who came to visit the <a href="http://phlight.org">phlight</a> project<br />]]></itunes:summary>
  6408. <itunes:author>Simon Tyszko</itunes:author>
  6409. <itunes:episodeType>full</itunes:episodeType>
  6410. <itunes:explicit>false</itunes:explicit>
  6411. </item>
  6412. <item>
  6413. <title>simon does Handke</title>
  6414. <link>https://www.theculture.net/radio/simon-does-handke/</link>
  6415. <pubDate>Sat, 08 Sep 2012 17:26:43 +0000</pubDate>
  6416. <guid isPermaLink="false">https://www.theculture.net/radio/?p=198</guid>
  6417. <description>the cats relax</description>
  6418. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopicasevensimondoeshandke.mp3" length="144791400" type="audio/mpeg" />
  6419. <itunes:subtitle>the cats relax</itunes:subtitle>
  6420. <itunes:summary><![CDATA[<a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/more-142-and-dom-22.jpg"></a>the cats relax<br />]]></itunes:summary>
  6421. <itunes:author>Simon Tyszko</itunes:author>
  6422. <itunes:episodeType>full</itunes:episodeType>
  6423. <itunes:explicit>false</itunes:explicit>
  6424. </item>
  6425. <item>
  6426. <title>a framing, some jazz and a word from our archicture correspondent, and some jazz</title>
  6427. <link>https://www.theculture.net/radio/a-framing-some-jazz-and-a-word-from-our-archicture-correspondent-and-some-jazz/</link>
  6428. <pubDate>Sat, 08 Sep 2012 00:47:17 +0000</pubDate>
  6429. <guid isPermaLink="false">https://www.theculture.net/radio/?p=164</guid>
  6430. <description>this is how we get a nice old clipping framed by Heidi, we have words with foundations from Our Lovely Architecture Correspondent Herbert Wright, there are some 78&#039;s and more........
  6431. this manipulated image of teenage simon tyszko, taken from the back page of an early edition of Mute digital critique</description>
  6432. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopicaattheframersandherbertwright.mp3" length="116777566" type="audio/mpeg" />
  6433. <itunes:subtitle>this is how we get a nice old clipping framed by Heidi, we have words with foundations from Our Lovely Architecture Correspondent Herbert Wright, there are some 78&#039;s and more........ this manipulated image of teenage simon tyszko,</itunes:subtitle>
  6434. <itunes:summary><![CDATA[this is how we get a nice old clipping framed by Heidi, we have words with foundations from Our Lovely Architecture Correspondent <a href="http://www.herbertwright.co.uk/" target="_blank">Herbert Wright</a>, there are some 78's and more........<br />
  6435. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/simon-mute-framed.jpg"></a>this manipulated image of teenage simon tyszko, taken from the back page of an early edition of <a href="http://www.metamute.org/editorial/magazine" target="_blank">Mute digital critique</a><br />]]></itunes:summary>
  6436. <itunes:author>Simon Tyszko</itunes:author>
  6437. <itunes:episodeType>full</itunes:episodeType>
  6438. <itunes:explicit>false</itunes:explicit>
  6439. </item>
  6440. <item>
  6441. <title>The Writers room with Craig Clark</title>
  6442. <link>https://www.theculture.net/radio/the-writers-room-with-craig-clark/</link>
  6443. <pubDate>Sat, 08 Sep 2012 00:26:05 +0000</pubDate>
  6444. <guid isPermaLink="false">https://www.theculture.net/radio/?p=158</guid>
  6445. <description>A Beautiful project set in the utopian Really Free School , in a squatted central London Pub, where a delicious old school orange plastic portable typewriter was the locus for a communal writing project. one 20 minute slot followed another and the story from the hive mind was taped across the bar and onto the walls. a beautiful day captured here in images and an hours worth of live recordings
  6446. click images for slideshow</description>
  6447. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopicaeightthewritersroom.mp3" length="118243054" type="audio/mpeg" />
  6448. <itunes:subtitle>A Beautiful project set in the utopian Really Free School , in a squatted central London Pub, where a delicious old school orange plastic portable typewriter was the locus for a communal writing project. one 20 minute slot followed another and the stor...</itunes:subtitle>
  6449. <itunes:summary><![CDATA[A Beautiful project set in the utopian <a href="http://reallyfreeschool.wordpress.com/2011/01/26/www-reallyfreeschool-org/" target="_blank">Really Free School </a>, in a squatted central London Pub, where a delicious old school orange plastic portable typewriter was the locus for a communal writing project. one 20 minute slot followed another and the story from the hive mind was taped across the bar and onto the walls. a beautiful day captured here in images and an hours worth of live recordings<br />
  6450. click images for slideshow<br />
  6451. <br />]]></itunes:summary>
  6452. <itunes:author>Simon Tyszko</itunes:author>
  6453. <itunes:episodeType>full</itunes:episodeType>
  6454. <itunes:explicit>false</itunes:explicit>
  6455. </item>
  6456. <item>
  6457. <title>some black panthers and ends with dub</title>
  6458. <link>https://www.theculture.net/radio/some-black-panthers-and-ends-with-dub/</link>
  6459. <pubDate>Sat, 08 Sep 2012 00:14:13 +0000</pubDate>
  6460. <guid isPermaLink="false">https://www.theculture.net/radio/?p=149</guid>
  6461. <description>We launch with some classic black and white style jazz, so cool, experimental and avante guard sound, hear james joyce, an anarchist text, the residents, chanting revolutionaries, a story from the black panthers, a seance, a rare and original tysko revolutionary musical, wilhelm reich, and finally we end with some dubbbbbbbbbbb
  6462. mao mao chairman mao</description>
  6463. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopicablackpanthersandendswithdub.mp3" length="116966551" type="audio/mpeg" />
  6464. <itunes:subtitle>We launch with some classic black and white style jazz, so cool, experimental and avante guard sound, hear james joyce, an anarchist text, the residents, chanting revolutionaries, a story from the black panthers, a seance,</itunes:subtitle>
  6465. <itunes:summary><![CDATA[We launch with some classic black and white style jazz, so cool, experimental and avante guard sound, hear james joyce, an anarchist text, the residents, chanting revolutionaries, a story from the black panthers, a seance, a rare and original tysko revolutionary musical, wilhelm reich, and finally we end with some dubbbbbbbbbbb<br />
  6466. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/mao_little_red_book1.jpg"></a>mao mao chairman mao<br />]]></itunes:summary>
  6467. <itunes:author>Simon Tyszko</itunes:author>
  6468. <itunes:episodeType>full</itunes:episodeType>
  6469. <itunes:explicit>false</itunes:explicit>
  6470. </item>
  6471. <item>
  6472. <title>A Somber detour</title>
  6473. <link>https://www.theculture.net/radio/a-somber-detour/</link>
  6474. <pubDate>Fri, 07 Sep 2012 23:45:37 +0000</pubDate>
  6475. <guid isPermaLink="false">https://www.theculture.net/radio/?p=141</guid>
  6476. <description>Featuring Harry Houdin&#039;s wife and Alva Alto and and and
  6477. Houdini was the most famous escape artist of all time. But was he able to escape Death?
  6478. If anyone could return from The Other Side, it certainly would have been Houdini. Like many people, Houdini desperately wanted to believe that Spiritualism exists, that we can communicate with the spirits. The loss of his mother was devastating to him, and he sought comfort in the advice of the spirit mediums of the day. Unfortunately, many of those mediums were pure frauds, using magic tricks to fool the public into thinking the spirits were speaking through them. Of course, Houdini recognized tricks when he saw them, and decided to devote half of his stage act to duplicating the methods used by the mediums, exposing the frauds to the public. This pitted the famous magician against the popular mediums of the day, including Margery Condon. The exposure of Margery&#039;s methods became a large part of Houdini&#039;s show, right up until the end of his life.
  6479. But just because Houdini was skeptical did not mean that he was a complete disbeliever. On the contrary. Despite his skepticism, Houdini and Bess promised each other that whoever died first would try to contact the other &quot;from the other side&quot;. He and Bess devised a secret message, a code phrase that would be used. The phrase was one they had used years before in their vaudeville mindreading act. The message was, &quot;Rosabelle- answer- tell-pray, answer- look- tell- answer, answer- tell&quot;. Bess&#039; wedding band bore the inscription &quot;Rosabelle&quot;, the name of the song she sang in her act when they first met. The other words correspond to a secret spelling code used to pass information between a magician and his assistant during a mentalism act. Each word or word pair equals a letter. The word &quot;answer&quot; stood for the letter &quot;B&quot;, for example.&quot;Answer, answer&quot; stood for the letter &quot;V&quot;. Thus, the Houdinis&#039; secret phrase spelled out the word &quot;BELIEVE&quot;.
  6480. After Houdini died in 1926, Bess began the tradition of holding a séance on the death annivarsary to see whether Houdini, the Man No Jail Could Hold, could indeed escape from death. These séances, of course, provided rich publicity, and Bess was dedicated to promoting the Houdini name.
  6481. In early 1929, a very ill Bess was approached by &quot;Rev.&quot; Arthur Ford, a young and eager medium. Within weeks, Ford triumphantly announced that he had successfully delivered the correct message to Houdini&#039;s widow. It did not take long for the press to discover that Ford&#039;s claim was a hoax; and that Bess had inadvertently revealed the message to several reporters a full year before.
  6482. In 1936, the &quot;Final Séance&quot; was held on the roof of the Knickerbocker Hotel in Los Angeles. Ten years was enough, and Bess admitted that she had never received the message from Houdini.
  6483. But that was not the actual final séance. The magic fraternity quickly took on the task of conducting the annual séances, with numerous notable magicians heading the table, including Walter Gibson, Houdini&#039;s ghostwriter. The group photo of the 1948 séance at the left shows Walter Gibson, Sidney Radner, Bob Lund, Litska Raymond and Chrystal Dunninger at the table.
  6484. Despite all of the effort, attention and interest, Houdini has apparently not spoken to anyone since he breathed his last earthly words to his brother Hardeen on Halloween night in 1926.
  6485. &quot;Magic information provided courtesy of MagicTricks.com.&quot;
  6486. another graveyard</description>
  6487. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-alvaaltoandhoudini.mp3" length="116521750" type="audio/mpeg" />
  6488. <itunes:subtitle>Featuring Harry Houdin&#039;s wife and Alva Alto and and and Houdini was the most famous escape artist of all time. But was he able to escape Death? If anyone could return from The Other Side, it certainly would have been Houdini. Like many people,</itunes:subtitle>
  6489. <itunes:summary><![CDATA[Featuring Harry Houdin's wife and Alva Alto and and and<br />
  6490. Houdini was the most famous escape artist of all time. But was he able to escape Death?<br />
  6491. If anyone could return from The Other Side, it certainly would have been Houdini. Like many people, Houdini desperately wanted to believe that Spiritualism exists, that we can communicate with the spirits. The loss of his mother was devastating to him, and he sought comfort in the advice of the spirit mediums of the day. Unfortunately, many of those mediums were pure frauds, using magic tricks to fool the public into thinking the spirits were speaking through them. Of course, Houdini recognized tricks when he saw them, and decided to devote half of his stage act to duplicating the methods used by the mediums, exposing the frauds to the public. This pitted the famous magician against the popular mediums of the day, including Margery Condon. The exposure of Margery's methods became a large part of Houdini's show, right up until the end of his life.<br />
  6492. But just because Houdini was skeptical did not mean that he was a complete disbeliever. On the contrary. Despite his skepticism, Houdini and Bess promised each other that whoever died first would try to contact the other "from the other side". He and Bess devised a secret message, a code phrase that would be used. The phrase was one they had used years before in their vaudeville mindreading act. The message was, "Rosabelle- answer- tell-pray, answer- look- tell- answer, answer- tell". Bess' wedding band bore the inscription "Rosabelle", the name of the song she sang in her act when they first met. The other words correspond to a secret spelling code used to pass information between a magician and his assistant during a mentalism act. Each word or word pair equals a letter. The word "answer" stood for the letter "B", for example."Answer, answer" stood for the letter "V". Thus, the Houdinis' secret phrase spelled out the word "BELIEVE".<br />
  6493. After Houdini died in 1926, Bess began the tradition of holding a séance on the death annivarsary to see whether Houdini, the Man No Jail Could Hold, could indeed escape from death. These séances, of course, provided rich publicity, and Bess was dedicated to promoting the Houdini name.<br />
  6494. In early 1929, a very ill Bess was approached by "Rev." Arthur Ford, a young and eager medium. Within weeks, Ford triumphantly announced that he had successfully delivered the correct message to Houdini's widow. It did not take long for the press to discover that Ford's claim was a hoax; and that Bess had inadvertently revealed the message to several reporters a full year before.<br />
  6495. In 1936, the "Final Séance" was held on the roof of the Knickerbocker Hotel in Los Angeles. Ten years was enough, and Bess admitted that she had never received the message from Houdini.<br />
  6496. But that was not the actual final séance. The magic fraternity quickly took on the task of conducting the annual séances, with numerous notable magicians heading the table, including Walter Gibson, Houdini's ghostwriter. The group photo of the 1948 séance at the left shows Walter Gibson, Sidney Radner, Bob Lund, Litska Raymond and Chrystal Dunninger at the table.<br />
  6497. Despite all of the effort, attention and interest, Houdini has apparently not spoken to anyone since he breathed his last earthly words to his brother Hardeen on Halloween night in 1926.<br />
  6498. "<a href="http://www.magictricks.com/">Magic information provided courtesy of MagicTricks.com</a>."<br />
  6499. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/he-lived.jpg"></a>another graveyard<br />]]></itunes:summary>
  6500. <itunes:author>Simon Tyszko</itunes:author>
  6501. <itunes:episodeType>full</itunes:episodeType>
  6502. <itunes:explicit>false</itunes:explicit>
  6503. </item>
  6504. <item>
  6505. <title>Badder Meinhof, A Trial Remixed</title>
  6506. <link>https://www.theculture.net/radio/badder-meinhof-a-trial-remixed/</link>
  6507. <pubDate>Fri, 07 Sep 2012 23:37:18 +0000</pubDate>
  6508. <guid isPermaLink="false">https://www.theculture.net/radio/?p=134</guid>
  6509. <description>A Single detour this week with a mash up of a dramatized performance of the Badder meinhof Trials, with a 59.02 minute (post) Krautrock classic by Ash Ra Tempel founder Manuel Göttsching
  6510. an image most familiar from my childhood trips to eastern Europe in the 1960&#039;s</description>
  6511. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopicabaadermeinhofremixed.mp3" length="119917388" type="audio/mpeg" />
  6512. <itunes:subtitle>A Single detour this week with a mash up of a dramatized performance of the Badder meinhof Trials, with a 59.02 minute (post) Krautrock classic by Ash Ra Tempel founder Manuel Göttsching an image most familiar from my childhood trips to eastern Europe ...</itunes:subtitle>
  6513. <itunes:summary><![CDATA[A Single detour this week with a mash up of a dramatized performance of the <a title="Baader Meinhof Trial" href="http://en.wikipedia.org/wiki/Red_Army_Faction" target="_blank">Badder meinhof Trials</a>, with a 59.02 minute (post) Krautrock classic by <a href="http://en.wikipedia.org/wiki/Ash_Ra_Tempel" target="_blank">Ash Ra Tempel</a> founder <a href="http://en.wikipedia.org/wiki/Manuel_G%C3%B6ttsching" target="_blank">Manuel Göttsching</a><br />
  6514. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/wanted.jpg"></a>an image most familiar from my childhood trips to eastern Europe in the 1960's<br />]]></itunes:summary>
  6515. <itunes:author>Simon Tyszko</itunes:author>
  6516. <itunes:episodeType>full</itunes:episodeType>
  6517. <itunes:explicit>false</itunes:explicit>
  6518. </item>
  6519. <item>
  6520. <title>If Jagger were French?</title>
  6521. <link>https://www.theculture.net/radio/if-jagger-were-french/</link>
  6522. <pubDate>Fri, 07 Sep 2012 23:20:20 +0000</pubDate>
  6523. <guid isPermaLink="false">https://www.theculture.net/radio/?p=99</guid>
  6524. <description>This is the episode that starts off in a delicious amateurism with The Portsmouth Sinfonia,
  6525. I then ask you to consider what would the world be like if Mick Jagger were french, with a Gallic turner from the classic 60&#039;s film Performance,
  6526. after which we veer sideways into last weeks end piece character 60’s avant-garde sound artist Alvin Lucier, this time he is performing and then discussing some of his work, and at some point he segues back into the fabulous Dr. Chicago character and then back into Artist Lucier, at which point i ask you to really meditate upon where one begins and another actually ends…… Patty Hearst, Captain Beefheart and some 78’s move us towards a sound recording of the security at the Really Free School and we limp toward the end of our hour with disgracefully disgraced sex therapist Wilhelm Reich or at least his Wife.....
  6527. who&#039;s that?</description>
  6528. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-theonewithalvinlucierandafrenchperformance.mp3" length="144327744" type="audio/mpeg" />
  6529. <itunes:subtitle>This is the episode that starts off in a delicious amateurism with The Portsmouth Sinfonia, I then ask you to consider what would the world be like if Mick Jagger were french, with a Gallic turner from the classic 60&#039;s film Performance, </itunes:subtitle>
  6530. <itunes:summary><![CDATA[<br />
  6531. This is the episode that starts off in a delicious amateurism with <a href="http://en.wikipedia.org/wiki/Portsmouth_Sinfonia" target="_blank">The Portsmouth Sinfonia</a>,<br />
  6532. I then ask you to consider what would the world be like if Mick Jagger were french, with a Gallic turner from the classic 60's film <a href="http://en.wikipedia.org/wiki/Performance_(film)" target="_new">Performance</a>,<br />
  6533. after which we veer sideways into last weeks end piece character 60’s avant-garde sound artist <a href="http://en.wikipedia.org/wiki/Alvin_Lucier" target="_new">Alvin Lucier</a>, this time he is performing and then discussing some of his work, and at some point he segues back into the fabulous <a href="http://georgemanupelli.com/" target="_new">Dr. Chicago</a> character and then back into Artist Lucier, at which point i ask you to really meditate upon where one begins and another actually ends…… <a href="http://en.wikipedia.org/wiki/Patty_Hearst" target="_new">Patty Hearst,</a> <a href="http://en.wikipedia.org/wiki/Captain_Beefheart" target="_new">Captain Beefheart</a> and some 78’s move us towards a sound recording of the security at the <a href="http://reallyfreeschool.org/" target="_new">Really Free School</a> and we limp toward the end of our hour with disgracefully disgraced sex therapist <a href="http://en.wikipedia.org/wiki/Wilhelm_Reich" target="_new">Wilhelm Reich</a> or at least his Wife.....<br />
  6534. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/really-free-school.jpg"></a>who's that?<br />]]></itunes:summary>
  6535. <itunes:author>Simon Tyszko</itunes:author>
  6536. <itunes:episodeType>full</itunes:episodeType>
  6537. <itunes:explicit>false</itunes:explicit>
  6538. </item>
  6539. <item>
  6540. <title>A Sample Performance By Otto Leipzig</title>
  6541. <link>https://www.theculture.net/radio/a-sample-performance-by-otto-leipzig/</link>
  6542. <pubDate>Fri, 07 Sep 2012 23:18:15 +0000</pubDate>
  6543. <guid isPermaLink="false">https://www.theculture.net/radio/?p=127</guid>
  6544. <description>An Excerpt from a 15 hour performance by the obscure, Dangerous and Influential Austrian (stateless?) Artist Otto Leipzig
  6545. Has Anyone seen Otto Lately?</description>
  6546. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isoptopica-asampleperformancebyottoleipzig.mp3" length="116845777" type="audio/mpeg" />
  6547. <itunes:subtitle>An Excerpt from a 15 hour performance by the obscure, Dangerous and Influential Austrian (stateless?) Artist Otto Leipzig Has Anyone seen Otto Lately?</itunes:subtitle>
  6548. <itunes:summary><![CDATA[An Excerpt from a 15 hour performance by the obscure, Dangerous and Influential Austrian (stateless?) Artist <a title="Otto Leipzig" href="http://ottoleipzig.com/" target="_blank">Otto Leipzig</a><br />
  6549. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/ottoz.jpg"></a>Has Anyone seen Otto Lately?<br />]]></itunes:summary>
  6550. <itunes:author>Simon Tyszko</itunes:author>
  6551. <itunes:episodeType>full</itunes:episodeType>
  6552. <itunes:explicit>false</itunes:explicit>
  6553. </item>
  6554. <item>
  6555. <title>The Episode In Which The Computer Crashed And I Threw Something Together At The Last Moment</title>
  6556. <link>https://www.theculture.net/radio/the-episode-in-which-the-computer-crashed-and-i-threw-something-together-at-the-last-moment/</link>
  6557. <pubDate>Fri, 07 Sep 2012 22:13:39 +0000</pubDate>
  6558. <guid isPermaLink="false">https://www.theculture.net/radio/?p=93</guid>
  6559. <description>This is the episode in which the computer crashed and i threw something together at the last moment. never the less, it&#039;s isotopica
  6560. a hackintosh computer, out of its box, working fine</description>
  6561. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-amishmashandahackintosh.mp3" length="130747989" type="audio/mpeg" />
  6562. <itunes:subtitle>This is the episode in which the computer crashed and i threw something together at the last moment. never the less, it&#039;s isotopica a hackintosh computer, out of its box, working fine</itunes:subtitle>
  6563. <itunes:summary><![CDATA[<br />
  6564. This is the episode in which the computer crashed and i threw something together at the last moment. never the less, it's isotopica<br />
  6565. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/outofthebox.jpg"></a>a hackintosh computer, out of its box, working fine<br />]]></itunes:summary>
  6566. <itunes:author>Simon Tyszko</itunes:author>
  6567. <itunes:episodeType>full</itunes:episodeType>
  6568. <itunes:explicit>false</itunes:explicit>
  6569. </item>
  6570. <item>
  6571. <title>striptease</title>
  6572. <link>https://www.theculture.net/radio/striptease/</link>
  6573. <pubDate>Fri, 07 Sep 2012 20:53:59 +0000</pubDate>
  6574. <guid isPermaLink="false">https://www.theculture.net/radio/?p=80</guid>
  6575. <description>a delicious chemistry
  6576. This is the episode that hovers in the deliciously seedy depths of sixties
  6577. strip-club culture with the first screen appearance of NICO (velvet under ground etc etc ) with music by Serge Gainsbourg and style beyond in the 1963 French B movie striptease (sweet skin), sideways we move to west london and a man who’s advert i have seen on a tree for years discusses his psychic talents under the wing at phlight. Burroughs struts his stuff in Ah pook the destroyer, Gainsbourg zigs zags us to a father and son duet in the streets of Lhassa after which we land in 1950’s Holland to discover how Kodak film is made (in dutch). You call everybody darling is a seventy eight i recorded for a girl friend whom did as it said on the record label as we head back to striptease and further 60’s romp with Peter cook singing the hauntingly stylish theme of Bedazzled.
  6578. Next we learn how sound is added to max fleicher cartoons, segued into two palestinian radio clips which in turn become a horrific 1950’s anti gay propaganda clip which could so easily be the same today in far too many places.
  6579. I finish with a 1930;s hawaiian 78 and plug for the show</description>
  6580. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-striptease.mp3" length="144707708" type="audio/mpeg" />
  6581. <itunes:subtitle>a delicious chemistry This is the episode that hovers in the deliciously seedy depths of sixties strip-club culture with the first screen appearance of NICO (velvet under ground etc etc ) with music by Serge Gainsbourg and style beyond in the 1963 Fren...</itunes:subtitle>
  6582. <itunes:summary><![CDATA[<a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/Screen-Shot-2012-09-07-at-22.50.12.jpg"></a>a delicious chemistry<br />
  6583. This is the episode that hovers in the deliciously seedy depths of sixties<br />
  6584. strip-club culture with the first screen appearance of <a href="http://en.wikipedia.org/wiki/Nico" target="_new">NICO</a> (velvet under ground etc etc ) with music by <a href="http://en.wikipedia.org/wiki/Serge_Gainsbourg" target="_new">Serge Gainsbourg</a> and style beyond in the 1963 French B movie <a href="http://www.imdb.com/title/tt0057536/" target="_new">striptease (sweet skin)</a>, sideways we move to west london and a man who’s advert i have seen on a tree for years discusses his psychic talents under the wing at <a href="www.phlight.org" target="_new">phlight</a>. <a href="http://en.wikipedia.org/wiki/William_S._Burroughs" target="_new">Burroughs</a> struts his stuff in Ah pook the destroyer, <a href="http://en.wikipedia.org/wiki/Serge_Gainsbourg" target="_new">Gainsbourg</a> zigs zags us to a father and son duet in the streets of <a href="http://en.wikipedia.org/wiki/Lhasa" target="_new">Lhassa</a> after which we land in 1950’s Holland to discover how <a href="http://www.openculture.com/2012/01/how_film_was_made_a_kodak_nostalgia_moment.html" target="_new">Kodak film is made (in dutch)</a>. You call everybody darling is a seventy eight i recorded for a girl friend whom did as it said on the record label as we head back to striptease and further 60’s romp with <a href="http://www.openculture.com/2012/01/how_film_was_made_a_kodak_nostalgia_moment.html" target="_new">Peter cook </a>singing the hauntingly stylish theme of <a href="http://en.wikipedia.org/wiki/Bedazzled_%281967_film%29" target="_new">Bedazzled</a>.<br />
  6585. Next we learn how sound is added to max fleicher cartoons, segued into two palestinian radio clips which in turn become a horrific 1950’s anti gay propaganda clip which could so easily be the same today in far too many places.<br />
  6586. I finish with a 1930;s hawaiian 78 and plug for the show<br />]]></itunes:summary>
  6587. <itunes:author>Simon Tyszko</itunes:author>
  6588. <itunes:episodeType>full</itunes:episodeType>
  6589. <itunes:explicit>false</itunes:explicit>
  6590. </item>
  6591. <item>
  6592. <title>We Start The Series Laughing</title>
  6593. <link>https://www.theculture.net/radio/we-start-the-series-laughing/</link>
  6594. <pubDate>Fri, 07 Sep 2012 18:33:23 +0000</pubDate>
  6595. <guid isPermaLink="false">https://www.theculture.net/radio/?p=65</guid>
  6596. <description>Episode one
  6597. Starts off with a discussion of class and privilege with Pippa and Stewart Small somewhere in the Cotswolds,
  6598. We then veer off at right angles with Wim Wenders to the libraries of Berlin then neatly land somewhere in the Welcome Library with a brief excerpt of a discursive tour of the shelves with rogue enthusiast David Ellis, Somewhere in the mix is Dan Langton as Madam Daniella, and today we tail off with a few words from Dr Chicago
  6599. pippa small in fiendish disguise</description>
  6600. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopcia-westartbylaughing.mp3" length="144322056" type="audio/mpeg" />
  6601. <itunes:subtitle>Episode one  Starts off with a discussion of class and privilege with Pippa and Stewart Small somewhere in the Cotswolds, We then veer off at right angles with Wim Wenders to the libraries of Berlin then neatly land somewhere in the Welcome Library w...</itunes:subtitle>
  6602. <itunes:summary><![CDATA[<br />
  6603. Episode one <br />
  6604. Starts off with a discussion of class and privilege with <a href="../../sonic/broadcasts/www.pippasmall.com">Pippa </a>and Stewart Small somewhere in the Cotswolds,<br />
  6605. We then veer off at right angles with <a href="http://www.wim-wenders.com/movies/movies_spec/wingsofdesire/wingsofdesire.htm">Wim Wenders </a>to the libraries of Berlin then neatly land somewhere in the <a href="http://library.wellcome.ac.uk/collections.html">Welcome Library</a> with a brief excerpt of a discursive tour of the shelves with rogue enthusiast <a href="http://davidpaulellis.blogspot.com/">David Ellis</a>, Somewhere in the mix is Dan Langton as Madam Daniella, and today we tail off with a few words from <a href="http://georgemanupelli.com/">Dr Chicago</a><br />
  6606. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/pippa-in-the-hill.jpg"></a>pippa small in fiendish disguise<br />]]></itunes:summary>
  6607. <itunes:author>Simon Tyszko</itunes:author>
  6608. <itunes:episodeType>full</itunes:episodeType>
  6609. <itunes:explicit>false</itunes:explicit>
  6610. </item>
  6611. <item>
  6612. <title>The One With La Monty Young</title>
  6613. <link>https://www.theculture.net/radio/the-one-with-monty-le-young/</link>
  6614. <pubDate>Tue, 04 Sep 2012 18:38:25 +0000</pubDate>
  6615. <guid isPermaLink="false">https://www.theculture.net/radio/?p=56</guid>
  6616. <description>This week a single track by...
  6617. La MontyYoung is generally recognized as the first minimalist composer.[1] His works have been included among the most important and radical post-World War II avant-garde, experimental, and contemporary music.[according to whom?] Young is especially known for his development of drone music. Both his proto-Fluxus and &quot;minimal&quot; compositions question the nature and definition of music and often stress elements of performance art.</description>
  6618. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-lamontyyoung.mp3" length="116117037" type="audio/mpeg" />
  6619. <itunes:subtitle>This week a single track by... La MontyYoung is generally recognized as the first minimalist composer.[1] His works have been included among the most important and radical post-World War II avant-garde, experimental, and contemporary music.</itunes:subtitle>
  6620. <itunes:summary><![CDATA[This week a single track by...<br />
  6621. La MontyYoung is generally recognized as the first <a title="Minimalism (music)" href="http://en.wikipedia.org/wiki/Minimalism_%28music%29">minimalist</a> composer.<a href="http://en.wikipedia.org/wiki/La_Monte_Young#cite_note-0">[1]</a> His works have been included among the most important and radical post-World War II avant-garde, <a title="Experimental music" href="http://en.wikipedia.org/wiki/Experimental_music">experimental</a>, and <a title="Contemporary music" href="http://en.wikipedia.org/wiki/Contemporary_music">contemporary music</a>.[<a title="Wikipedia:Avoid weasel words" href="http://en.wikipedia.org/wiki/Wikipedia:Avoid_weasel_words">according to whom?</a>] Young is especially known for his development of <a title="Drone music" href="http://en.wikipedia.org/wiki/Drone_music">drone music</a>. Both his proto-<a title="Fluxus" href="http://en.wikipedia.org/wiki/Fluxus">Fluxus</a> and "<a title="Minimalism" href="http://en.wikipedia.org/wiki/Minimalism">minimal</a>" compositions question the nature and <a title="Definition of music" href="http://en.wikipedia.org/wiki/Definition_of_music">definition of music</a> and often stress elements of <a title="Performance art" href="http://en.wikipedia.org/wiki/Performance_art">performance art</a>.<br />
  6622. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/seaside1.jpg"></a><br />]]></itunes:summary>
  6623. <itunes:author>Simon Tyszko</itunes:author>
  6624. <itunes:episodeType>full</itunes:episodeType>
  6625. <itunes:explicit>false</itunes:explicit>
  6626. </item>
  6627. <item>
  6628. <title>isotopica: the one with a yellowed fingered girl</title>
  6629. <link>https://www.theculture.net/radio/isotopica-the-one-with-a-yellowed-fingered-girl/</link>
  6630. <pubDate>Mon, 03 Sep 2012 22:47:19 +0000</pubDate>
  6631. <guid isPermaLink="false">https://www.theculture.net/radio/?p=50</guid>
  6632. <description>comes the revolution</description>
  6633. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/media/episode-five-the-one-with-a-yellow-fingered-girl.mp3" length="52332724" type="audio/mpeg" />
  6634. <itunes:subtitle>comes the revolution</itunes:subtitle>
  6635. <itunes:summary><![CDATA[<a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/IMG_6699.jpg"></a>comes the revolution<br />]]></itunes:summary>
  6636. <itunes:author>Simon Tyszko</itunes:author>
  6637. <itunes:episodeType>full</itunes:episodeType>
  6638. <itunes:explicit>false</itunes:explicit>
  6639. </item>
  6640. <item>
  6641. <title>A Row On The Thames With John Kenton</title>
  6642. <link>https://www.theculture.net/radio/a-row-on-the-thames-with-john-kenton/</link>
  6643. <pubDate>Mon, 03 Sep 2012 00:29:02 +0000</pubDate>
  6644. <guid isPermaLink="false">https://www.theculture.net/radio/?p=36</guid>
  6645. <description>This week we row both up and down the Thames from Brentford to Richmond, or there abouts.
  6646. We are piloted by John Kenton a lovely old river rat, very long time friend and 50 plus year long resident of the waterways.
  6647. We get buzzed by a speedboat full of nasty drunks and keep good spirits at this potentially fatal rudeness.
  6648. john and i in an east end pie shop, on route to the open countryside via the grand union canal and john&#039;s house boat</description>
  6649. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/AThamesRow.mp3" length="145632907" type="audio/mpeg" />
  6650. <itunes:subtitle>This week we row both up and down the Thames from Brentford to Richmond, or there abouts. We are piloted by John Kenton a lovely old river rat, very long time friend and 50 plus year long resident of the waterways. </itunes:subtitle>
  6651. <itunes:summary><![CDATA[This week we row both up and down the Thames from Brentford to Richmond, or there abouts.<br />
  6652. We are piloted by John Kenton a lovely old river rat, very long time friend and 50 plus year long resident of the waterways.<br />
  6653. We get buzzed by a speedboat full of nasty drunks and keep good spirits at this potentially fatal rudeness.<br />
  6654. <a href="https://www.theculture.net/radio/wp-content/uploads/2012/09/john-kenton.jpg"></a>john and i in an east end pie shop, on route to the open countryside via the grand union canal and john's house boat<br />]]></itunes:summary>
  6655. <itunes:author>Simon Tyszko</itunes:author>
  6656. <itunes:episodeType>full</itunes:episodeType>
  6657. <itunes:explicit>false</itunes:explicit>
  6658. </item>
  6659. <item>
  6660. <title>In Conversation With Forced Entertainment</title>
  6661. <link>https://www.theculture.net/radio/in-conversation-with-forced-entertainment/</link>
  6662. <pubDate>Sun, 02 Sep 2012 02:56:29 +0000</pubDate>
  6663. <guid isPermaLink="false">https://www.theculture.net/radio/?p=30</guid>
  6664. <description>Simon in a gentle conversation with Tim Etchells
  6665.  
  6666. In there own words
  6667. We are a group of six artists.
  6668. We started working together in 1984 and in the many projects we’ve created we’ve tried to explore what theatre and performance can mean in contemporary life. In doing so we’ve made lists, played games, spoken gibberish, stayed silent, made a mess, dressed up, stripped down, confessed to it all, performed magic tricks, told jokes, clowned around, played dead, got drunk, told stories and performed for six, twelve and even 24 hours at a stretch.
  6669. The work we make is always a kind of conversation or negotiation. We’re interested in making performances that excite, frustrate, challenge, question and entertain. We’re interested in confusion as well as laughter.
  6670. It’s seriously playful work and we’re still trying to answer our questions about theatre and performance – about what those things might be for us and what kinds of dialogue they can open with contemporary audiences.</description>
  6671. <enclosure url="https://media.blubrry.com/isotopica/www.theculture.net/feed/wp-content/uploads/isotopica-tyszko-12-6-2012-forced-entertainment.mp3" length="144877480" type="audio/mpeg" />
  6672. <itunes:subtitle>Simon in a gentle conversation with Tim Etchells  In there own words We are a group of six artists. We started working together in 1984 and in the many projects we’ve created we’ve tried to explore what theatre and performance can mean in contemporary ...</itunes:subtitle>
  6673. <itunes:summary><![CDATA[Simon in a gentle conversation with Tim Etchells<br />
  6674. <br />
  6675. In there own words<br />
  6676. We are a group of six artists.<br />
  6677. We started working together in 1984 and in the many projects we’ve created we’ve tried to explore what theatre and performance can mean in contemporary life. In doing so we’ve made lists, played games, spoken gibberish, stayed silent, made a mess, dressed up, stripped down, confessed to it all, performed magic tricks, told jokes, clowned around, played dead, got drunk, told stories and performed for six, twelve and even 24 hours at a stretch.<br />
  6678. The work we make is always a kind of conversation or negotiation. We’re interested in making performances that excite, frustrate, challenge, question and entertain. We’re interested in confusion as well as laughter.<br />
  6679. It’s seriously playful work and we’re still trying to answer our questions about theatre and performance – about what those things might be for us and what kinds of dialogue they can open with contemporary audiences.<br />]]></itunes:summary>
  6680. <itunes:author>Simon Tyszko</itunes:author>
  6681. <itunes:episodeType>full</itunes:episodeType>
  6682. <itunes:explicit>false</itunes:explicit>
  6683. </item>
  6684. </channel>
  6685. </rss>
  6686.  

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