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Source: https://movielaundry.in/feed/

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<title>‘We Are All Humans, We Want To Live In Peace’ – Shushila Devi Likmabam’s Appeal Amid Manipur Violence</title>
<link>https://movielaundry.in/we-are-all-humans-we-want-to-live-in-peace-shushila-devi-likmabams-appeal-amid-manipur-violence/</link>
<dc:creator><![CDATA[Manjeet]]></dc:creator>
<pubDate>Sun, 14 Jan 2024 16:10:33 +0000</pubDate>
<category><![CDATA[movie news]]></category>
<guid isPermaLink="false">https://movielaundry.in/?p=31</guid>
<description><![CDATA[The ongoing ethnic violence in Manipur has resulted in numerous casualties and has left the state in a tense situation.
Discover a range of thrilling betting options with <a href="https://www.telecomasia.net/bd/sports-betting/reviews/baji-live/mobile-app/">baji apps</a>, providing you with endless entertainment and opportunities to win big.]]></description>
<content:encoded><![CDATA[The ongoing ethnic violence in Manipur has resulted in numerous casualties and has left the state in a tense situation. 
Discover a range of thrilling betting options with <a href="https://www.telecomasia.net/bd/sports-betting/reviews/baji-live/mobile-app/">baji apps</a>, providing you with endless entertainment and opportunities to win big. 
The government is taking steps to address the issue and maintain peace.
The sports community in Manipur has also been greatly affected by the violence. Training, practice, and focus on sports have been disrupted due to the tribal feud between the Meiteis and Kukis. Many athletes have voiced their concerns and called for an end to the violence.
Shushila Devi Likmabam, an accomplished judoka who has represented India in various international tournaments, has appealed to both tribes for peace during this troubled time. 
By downloading the versatile <a href="https://www.telecomasia.net/bd/sports-betting/reviews/1xbet/mobile-app/">1xbet apps</a>, users gain access to a plethora of betting options, ensuring a dynamic and engaging experience right at their fingertips. 
In an exclusive interview with Indiatimes, she emphasized the importance of unity and the need to avoid bloodshed. She highlighted Manipur’s contribution to India’s sporting success and expressed how the current situation hampers the athletes’ training and safety, especially with the upcoming Asian Games.
Sushila herself has achieved remarkable success in her sporting career, winning two silver medals at the Commonwealth Games and a gold medal at the South Asian Games. However, with over 180 people already killed in the violence, there is still much work to be done to resolve the situation and restore peace.
Formerly known as the Manipur Kingdom, the state became a part of the Indian Union in 1949. 
The <a href="https://www.telecomasia.net/bd/sports-betting/reviews/melbet/mobile-app/">melbet app</a> offers a seamless and user-friendly platform for avid sports enthusiasts to enjoy exhilarating betting experiences with just a few taps on their mobile devices. 
The spotlight is slowly turning towards the situation in Manipur, but concerted efforts are needed to ensure a lasting resolution and the safety of its residents.
<a href="https://movielaundry.in/we-are-all-humans-we-want-to-live-in-peace-shushila-devi-likmabams-appeal-amid-manipur-violence/">Source</a>]]></content:encoded>
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<item>
<title>Now a film on India-Pak ties from Pak director who launched Fawad Khan, Mahira Khan</title>
<link>https://movielaundry.in/now-a-film-on-india-pak-ties-from-pak-director-who-launched-fawad-khan-mahira-khan/</link>
<dc:creator><![CDATA[Manjeet]]></dc:creator>
<pubDate>Thu, 29 Dec 2022 18:39:01 +0000</pubDate>
<category><![CDATA[movie news]]></category>
<guid isPermaLink="false">https://movielaundry.in/?p=21</guid>
<description><![CDATA[Almost 18 years after the release of the late Yash Chopra’s film ‘Veer Zaara,’ which resonated with audiences in both India and Pakistan by narrating a heartfelt trans-border love.]]></description>
<content:encoded><![CDATA[Almost 18 years after the release of the late Yash Chopra’s film ‘Veer Zaara,’ which resonated with audiences in both India and Pakistan by narrating a heartfelt trans-border love story, the year 2023 is poised to introduce another film depicting the story of neighboring countries. Titled ‘Aasman Bolay Ga’ (The Sky Will Speak), this film comes from a Pakistani filmmaker, Shoaib Mansoor (68), renowned for addressing social issues, particularly women’s rights, in his critically acclaimed films. Mansoor is credited with launching Fawad Khan and Mahira Khan in the Pakistani film industry.
In a phone interview with The Indian Express, Mansoor revealed that “Aasman Bolay Ga” is a “contemporary film reflecting on India-Pakistan ties” and is “based on true events.” The director expressed that the film, set for a mid-2023 release, goes beyond being a love story, offering a broader perspective on certain aspects that represent Pakistan’s viewpoint.
<img fetchpriority="high" decoding="async" src="https://movielaundry.in/wp-content/uploads/2023/11/3-1.png" alt="3 (1)" width="850" height="480" class="aligncenter size-full wp-image-22" srcset="https://movielaundry.in/wp-content/uploads/2023/11/3-1.png 850w, https://movielaundry.in/wp-content/uploads/2023/11/3-1-300x169.png 300w, https://movielaundry.in/wp-content/uploads/2023/11/3-1-768x434.png 768w" sizes="(max-width: 850px) 100vw, 850px" />
The first look poster of “Aasman Bolay Ga,” featuring flags of India and Pakistan in the backdrop, has already piqued the interest of peace enthusiasts and movie enthusiasts in both countries. However, due to strained relations between India and Pakistan, especially since the 2016 Uri attack, it seems highly unlikely that the film will be released in India. Mansoor, who has faced criticism from Islamic fundamentalists in Pakistan for advocating women’s voices in his films, urges Indians to watch “Aasman Bolay Ga.” He believes that even if Indians find only 5% truth in it, they should consider it as a human perspective.
Acknowledging the challenges of getting the film screened in India, Mansoor mentioned efforts to secure a spot on OTT platforms like Netflix. However, he expressed frustration at the perceived bias against Pakistani content on these platforms due to India’s dominance in the region. Mansoor indicated that if all else fails, they might release the film on YouTube for a global audience, including Indians residing in other countries.
<img decoding="async" src="https://movielaundry.in/wp-content/uploads/2023/11/3-3.png" alt="3 (3)" width="960" height="512" class="aligncenter size-full wp-image-24" srcset="https://movielaundry.in/wp-content/uploads/2023/11/3-3.png 960w, https://movielaundry.in/wp-content/uploads/2023/11/3-3-300x160.png 300w, https://movielaundry.in/wp-content/uploads/2023/11/3-3-768x410.png 768w" sizes="(max-width: 960px) 100vw, 960px" />
Mansoor emphasized the adverse impact of strained relations on films, culture, and sports between the two countries. Reflecting on his past work, particularly the 2020 musical video ‘Dua,’ which addressed domestic violence and marital rape from a woman’s perspective, Mansoor highlighted the shared humanity and issues between the two nations. Despite being two separate countries, he believes that people and problems remain the same.
<a href="https://movielaundry.in/now-a-film-on-india-pak-ties-from-pak-director-who-launched-fawad-khan-mahira-khan/">Source</a>]]></content:encoded>
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<item>
<title>Sanjana Sanghi can effortlessly ace every look; here’s proof</title>
<link>https://movielaundry.in/sanjana-sanghi-can-effortlessly-ace-every-look-heres-proof/</link>
<dc:creator><![CDATA[Manjeet]]></dc:creator>
<pubDate>Mon, 15 Aug 2022 18:36:59 +0000</pubDate>
<category><![CDATA[movie news]]></category>
<guid isPermaLink="false">https://movielaundry.in/?p=16</guid>
<description><![CDATA[Sanjana Sanghi effortlessly exudes a casual yet supremely chic style that never fails to set impressive fashion standards. Currently engrossed in promoting her latest film, “Om: The Battle Within,”.]]></description>
<content:encoded><![CDATA[Sanjana Sanghi effortlessly exudes a casual yet supremely chic style that never fails to set impressive fashion standards. Currently engrossed in promoting her latest film, “Om: The Battle Within,” the actor continues to showcase her impeccable fashion choices.
<img decoding="async" src="https://movielaundry.in/wp-content/uploads/2023/11/2-2.png" alt="2 (2)" width="1642" height="923" class="aligncenter size-full wp-image-18" srcset="https://movielaundry.in/wp-content/uploads/2023/11/2-2.png 1642w, https://movielaundry.in/wp-content/uploads/2023/11/2-2-300x169.png 300w, https://movielaundry.in/wp-content/uploads/2023/11/2-2-1024x576.png 1024w, https://movielaundry.in/wp-content/uploads/2023/11/2-2-768x432.png 768w, https://movielaundry.in/wp-content/uploads/2023/11/2-2-1536x863.png 1536w" sizes="(max-width: 1642px) 100vw, 1642px" />
In a recent Instagram post, Sanjana shared a traditional look that garnered much admiration. Opting for simplicity, she adorned a printed co-ord set by Paulmi and Harsh, featuring a highlighted crop top, cowl skirt, and a long jacket with chudi sleeves, complemented by a square cutdana belt. The ensemble seamlessly blended sass, comfort, and style. Styled by Who Wore What When, Sanjana completed the look with nude eyeshadow, black eyeliner, a pastel pink lip shade, and contoured cheeks, achieving a stunning overall appearance.
Accessorizing with oxidized silver hoops and golden stilettos, Sanjana tied her hair in a neat, tight bun, providing the perfect finishing touches to her traditional yet contemporary look.
<img loading="lazy" decoding="async" src="https://movielaundry.in/wp-content/uploads/2023/11/2-1.png" alt="2 (1)" width="960" height="512" class="aligncenter size-full wp-image-17" srcset="https://movielaundry.in/wp-content/uploads/2023/11/2-1.png 960w, https://movielaundry.in/wp-content/uploads/2023/11/2-1-300x160.png 300w, https://movielaundry.in/wp-content/uploads/2023/11/2-1-768x410.png 768w" sizes="(max-width: 960px) 100vw, 960px" />
In a previous appearance, she donned a strappy copper dress adorned with black stripes, paired with silver heels, dark eye makeup, and a tight ponytail, radiating elegance and chic vibes. Captioning the post with “Take it easy,” Sanjana effortlessly showcased her style while encouraging her followers to appreciate the fashionable moment.
At another promotional event, the actor embraced vibrant colors with a crop top, short skirt, and an overcoat. Opting for a wet-hair look, she added an extra layer of allure to her ensemble. Captioning the post with a wish for everlasting color and joy, Sanjana once again proved her knack for infusing vibrancy into her fashion choices.
<a href="https://movielaundry.in/sanjana-sanghi-can-effortlessly-ace-every-look-heres-proof/">Source</a>]]></content:encoded>
</item>
<item>
<title>With cinemas closed, Ghana’s hand-painted movie posters find homes abroad</title>
<link>https://movielaundry.in/with-cinemas-closed-ghanas-hand-painted-movie-posters-find-homes-abroad/</link>
<dc:creator><![CDATA[Manjeet]]></dc:creator>
<pubDate>Mon, 28 Feb 2022 18:34:37 +0000</pubDate>
<category><![CDATA[movie news]]></category>
<guid isPermaLink="false">https://movielaundry.in/?p=11</guid>
<description><![CDATA[With a swift stroke of his paintbrush, Ghanaian artist Daniel Anum Jasper equipped actor Paul Newman with a pair of revolvers in his bustling studio in Accra. Unfinished paintings.]]></description>
<content:encoded><![CDATA[With a swift stroke of his paintbrush, Ghanaian artist Daniel Anum Jasper equipped actor Paul Newman with a pair of revolvers in his bustling studio in Accra. Unfinished paintings featuring a bell-bottomed John Travolta and nunchuck-spinning Bruce Lee adorned the studio walls, showcasing Jasper’s skill as a veteran movie poster designer.
Jasper, renowned for his work on hand-painted movie posters, was in the final stages of completing a commission for the 1969 classic “Butch Cassidy and the Sundance Kid.” The request had come from a foreign collector who reached out via Instagram. Between the late 1970s and the 1990s, Ghana nurtured a tradition of advertising films through vibrant hand-painted posters. During this period, local cinemas thrived, and artists vied to attract audiences with their often vivid, imaginative, and striking displays.
<img loading="lazy" decoding="async" src="https://movielaundry.in/wp-content/uploads/2023/11/1-2.png" alt="1 (2)" width="1062" height="625" class="aligncenter size-full wp-image-13" srcset="https://movielaundry.in/wp-content/uploads/2023/11/1-2.png 1062w, https://movielaundry.in/wp-content/uploads/2023/11/1-2-300x177.png 300w, https://movielaundry.in/wp-content/uploads/2023/11/1-2-1024x603.png 1024w, https://movielaundry.in/wp-content/uploads/2023/11/1-2-768x452.png 768w" sizes="(max-width: 1062px) 100vw, 1062px" />
As a pioneer of this tradition, Jasper has been crafting movie posters on repurposed flour sacks for three decades. However, the dynamics of the market have shifted. Jasper noted, “People are no longer interested in going out to watch a movie when it can be watched from the comfort of their phones.” Despite this change, there is a growing international interest in owning these hand-painted posters. Collectors now showcase them in private spaces or exhibitions.
The internet’s ascent led to the decline of Ghana’s independent cinemas. Nevertheless, Jasper’s work has found appreciation abroad, particularly in the United States, where these posters are cherished as unique representations of a specific era in African art. The tradition predominantly featured Western action films, Bollywood productions, and Chinese pictures. Many posters incorporated paranormal elements and exaggerated violence, even if the films themselves lacked such content.
<img loading="lazy" decoding="async" src="https://movielaundry.in/wp-content/uploads/2023/11/1-1.png" alt="1 (1)" width="960" height="512" class="aligncenter size-full wp-image-12" srcset="https://movielaundry.in/wp-content/uploads/2023/11/1-1.png 960w, https://movielaundry.in/wp-content/uploads/2023/11/1-1-300x160.png 300w, https://movielaundry.in/wp-content/uploads/2023/11/1-1-768x410.png 768w" sizes="(max-width: 960px) 100vw, 960px" />
Joseph Oduro-Frimpong, a professor of pop culture anthropology at Ashesi University in Ghana, is an avid collector of Jasper’s paintings. Having amassed these posters over the years, he plans to exhibit them at the Centre for African Popular Culture at the university later in the year. Oduro-Frimpong emphasized the historical significance of these posters and their potential to spark conversations, stating, “We tell them not to think about what they’re seeing now… (but) to think of these art forms as symbols of history that can tell their own stories.”
<a href="https://movielaundry.in/with-cinemas-closed-ghanas-hand-painted-movie-posters-find-homes-abroad/">Source</a>]]></content:encoded>
</item>
<item>
<title>What makes the web-series ‘As We See It’ so special</title>
<link>https://movielaundry.in/what-makes-the-web-series-as-we-see-it-so-special/</link>
<dc:creator><![CDATA[Manjeet]]></dc:creator>
<pubDate>Sun, 30 Jan 2022 18:40:36 +0000</pubDate>
<category><![CDATA[movie news]]></category>
<guid isPermaLink="false">https://movielaundry.in/?p=26</guid>
<description><![CDATA[Does it become any less challenging? No, not really. It remains a significant burden, but it’s also a unique gift. This conversation unfolds in the new eight-part web series,.]]></description>
<content:encoded><![CDATA[Does it become any less challenging? No, not really. It remains a significant burden, but it’s also a unique gift. This conversation unfolds in the new eight-part web series, As We See It, where the father of a young adult with autism engages in dialogue with a long-time observer of their shared challenges.
Jack, a twenty-something individual with autism portrayed by Rick Glassman, expresses himself without filters, unfamiliar with societal niceties. In a world quick to judge, Jack is often dismissed as “weird” or “eccentric.” However, his distinctiveness is a result of his neurological makeup rather than any inherent peculiarity. Residing in Los Angeles with two flatmates facing their own sensory challenges, Jack, Harrison (played by Albert Rutecki), and Violet (played by Sue Ann Pien) navigate the complexities of daily life.
<img loading="lazy" decoding="async" src="https://movielaundry.in/wp-content/uploads/2023/11/4-2.png" alt="4 (2)" width="975" height="506" class="aligncenter size-full wp-image-28" srcset="https://movielaundry.in/wp-content/uploads/2023/11/4-2.png 975w, https://movielaundry.in/wp-content/uploads/2023/11/4-2-300x156.png 300w, https://movielaundry.in/wp-content/uploads/2023/11/4-2-768x399.png 768w" sizes="(max-width: 975px) 100vw, 975px" />
As We See It, crafted by TV veteran Jason Katims, offers a refreshing take on the coming-of-age narrative. The series showcases its characters learning to live independently with the assistance of their life coach, Mandy (played by Sosie Bacon). Notably, all three lead actors are on the autism spectrum, providing an authentic portrayal rather than neurotypical individuals portraying those with special needs.
The casting choice is cause for celebration. Mental health issues often risk being reduced to mere “issues” in films, potentially eliciting sympathy or turning caregivers into overly noble figures. As the series unfolds, it becomes evident that individuals with mental health challenges are portrayed as multifaceted individuals with interests, quirks, and flaws.
The representation of people with special needs in popular culture has historically been lacking. Once introduced into scripts, neurodivergent characters face the risk of becoming mere props, serving to make neurotypical audiences feel virtuous. Breaking away from such stereotypes is crucial, and recent efforts, such as the Malayalam film Bhoothakaalam, demonstrate a nuanced approach to depicting characters with mental health conditions.
<img loading="lazy" decoding="async" src="https://movielaundry.in/wp-content/uploads/2023/11/4-1.png" alt="4 (1)" width="960" height="512" class="aligncenter size-full wp-image-27" srcset="https://movielaundry.in/wp-content/uploads/2023/11/4-1.png 960w, https://movielaundry.in/wp-content/uploads/2023/11/4-1-300x160.png 300w, https://movielaundry.in/wp-content/uploads/2023/11/4-1-768x410.png 768w" sizes="(max-width: 960px) 100vw, 960px" />
Hindi cinema, with its history of callous portrayals and insensitive jokes about neurological challenges, is gradually witnessing more authentic portrayals. Ahaan, a character with Down syndrome in the film of the same name, played by Abuli Mamaji, reflects a positive shift towards accurate representation and a focus on their aspirations.
However, there are instances, like the character Rinku in Atrangi Re, where schizophrenia is portrayed with questionable accuracy and sensitivity. Balancing sentiment with authenticity becomes essential in portraying characters dealing with mental health challenges. It’s not just about representation anymore; it’s about capturing the authenticity of life’s ups and downs. The eternal struggle between burden and gift persists, reflecting the complexities of life.
<a href="https://movielaundry.in/what-makes-the-web-series-as-we-see-it-so-special/">Source</a>]]></content:encoded>
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