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  1. <?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-336030683100262819</id><updated>2025-05-11T14:48:22.116+02:00</updated><category term="George"/><category term="live"/><category term="Bootleg"/><category term="Captain"/><category term="vinile"/><category term="Osel"/><category term="1972"/><category term="Rarità"/><category term="1974"/><category term="1973"/><category term="1975"/><category term="Frank-One"/><category term="1977"/><category term="Compilation"/><category term="Franco Battiato"/><category term="1978"/><category term="1979"/><category term="pilastro"/><category 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term="The Missing Fireflies"/><category term="The Nice"/><category term="The Nuts"/><category term="The Physicians"/><category term="The Plagues"/><category term="The Pleasure Machine"/><category term="The Primitives"/><category term="The Rome Pro(g)ject"/><category term="The Sleeves"/><category term="The Trippers"/><category term="The Who"/><category term="The Yellow Skarks"/><category term="The Zint Group"/><category term="The bigs"/><category term="The end"/><category term="Theodor King"/><category term="Theodor King Group"/><category term="Theodoro"/><category term="Third Ear Band"/><category term="This Harmony"/><category term="Thor"/><category term="Three Monks"/><category term="Tigre"/><category term="Tom Waits"/><category term="Tony Cucchiara"/><category term="Tony Dresti"/><category term="Tony Iglio"/><category term="Tony Tartarini"/><category term="Tony Teoli"/><category term="Toquinho"/><category term="Toto Cotugno"/><category term="Track"/><category term="Traffic"/><category term="Trans Europa Express"/><category term="Trans Vita Express"/><category term="Triade"/><category term="Triangolo"/><category term="Trianon"/><category term="Tributo"/><category term="Triplo Album"/><category term="Trouveur Valdotèn"/><category term="Tugs"/><category term="Tullio"/><category term="USA"/><category term="UT New Trolls"/><category term="Ultima spiaggia"/><category term="Umberto Fiori"/><category term="Umberto Tozzi"/><category term="Unicorn"/><category term="Universal Totem Orchestra"/><category term="Uscita di emergenza"/><category term="Valerio"/><category term="Vanexa"/><category term="Vanna Brosio"/><category term="Vanni Scopa"/><category term="Varo Venturi"/><category term="Velvet Underground"/><category term="Venetian Power"/><category term="Vic Vergeat Band"/><category term="Vincenzo Ricca"/><category term="Vinicius De Moraes"/><category term="Vitalba"/><category term="Vito Mattei"/><category term="Vito Paradiso"/><category term="Vittorio Centanaro"/><category term="Vittorio De Sica"/><category term="Vocals"/><category term="Vox in Progress"/><category term="Wells Fargo"/><category term="Western"/><category term="Whisky Trail"/><category term="Who"/><category term="Wicked Minds"/><category term="Yardbirds"/><category term="Yoice"/><category term="ZAQ"/><category term="Zebra Crossing"/><category term="Zero Artico"/><category term="Zimmer Frei"/><category term="Zip Fastener Blues Band"/><category term="Zucchero"/><category term="ambient music"/><category term="definitive edition"/><category term="dialetto emiliano"/><category term="elecronic"/><category term="hard rock"/><category term="indie rock"/><category term="leg"/><category term="pholas"/><category term="rarities"/><category term="rock blues"/><title type='text'>VERSO LA STRATOSFERA</title><subtitle type='html'>VERSO LA STRATOSFERA - Blog dedicato al rock progressivo (e non solo) italiano degli anni 70 e deviazioni varie...</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default?start-index=26&amp;max-results=25'/><author><name>Roby</name><uri>http://www.blogger.com/profile/09763760033688197605</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTM723WLxVsTeJN7HAwOt4KA7cxECf61TOTIjHFo3zgwb61Tbhtdy7ZscX_i_rXkht5akYYvI6kE8alL5UqwJv4qPbimQJB7ysmyPBZ9zV1hP9PXBOxZt4eGIhpSMniA/s220/__celi_01%5B1%5D.JPG'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>2088</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-3141902495645521581</id><published>2025-05-07T21:39:00.000+02:00</published><updated>2025-05-07T21:39:54.273+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="1988"/><category scheme="http://www.blogger.com/atom/ns#" term="Carantonis"/><category scheme="http://www.blogger.com/atom/ns#" term="Frank-One"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="Gianni Maroccolo"/><category scheme="http://www.blogger.com/atom/ns#" term="Litfiba"/><category scheme="http://www.blogger.com/atom/ns#" term="Rarità"/><category scheme="http://www.blogger.com/atom/ns#" term="vinile"/><title type='text'>Carantonis - Twice Told Tales (vinile, 1988)</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&amp;nbsp;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvjMKIx_5re9vF8SDwDSFSiLGrTGDvuCt0O44WJ2EnPONJf6e2Y9jmE0UHbofrv9KiCYtPDP5iHGzuNnwsRT3cvLVMaSNSMIx-P8iWxu_vYMcOpjjbP3APhblTUIiU_zxB9IzuZYmttAsn9kPnTLjEXzlFcvVE25pwJcicRJd2wBQtg6BnbyFBoNqQK-vz/s820/front.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;793&quot; data-original-width=&quot;820&quot; height=&quot;386&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvjMKIx_5re9vF8SDwDSFSiLGrTGDvuCt0O44WJ2EnPONJf6e2Y9jmE0UHbofrv9KiCYtPDP5iHGzuNnwsRT3cvLVMaSNSMIx-P8iWxu_vYMcOpjjbP3APhblTUIiU_zxB9IzuZYmttAsn9kPnTLjEXzlFcvVE25pwJcicRJd2wBQtg6BnbyFBoNqQK-vz/w400-h386/front.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Lato A&lt;/b&gt;&lt;/div&gt;&lt;div&gt;01. Once Upon A Time&lt;/div&gt;&lt;div&gt;02. Guitar Song&lt;/div&gt;&lt;div&gt;03. Leaving You&lt;/div&gt;&lt;div&gt;04. Give It A Try&lt;/div&gt;&lt;div&gt;05. Night In Red&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Lato B&lt;/b&gt;&lt;/div&gt;&lt;div&gt;06. Good News&lt;/div&gt;&lt;div&gt;07. The Same Old Lie&lt;/div&gt;&lt;div&gt;08. A Twice Told Tale&lt;/div&gt;&lt;div&gt;09. My Girl&lt;/div&gt;&lt;div&gt;10. Pity She&#39;s A Whore&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipx3q0MLIIH3eQE7Fllzb42P0kLPV8bcEocY2G9xQ67zg-Xst7356FyyfhWCVfK0T67EYDNr1sw8-PPPZzaHnZXGVskViANTl4htnBhHWgD_-WKyWveFeHLmJz4_gOSpudBg-hwClHaR_vxlIw5LfJuMgiJg-47fYqdzElvE1NJA9C1KDDp0wVjL9G507O/s820/back.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;785&quot; data-original-width=&quot;820&quot; height=&quot;383&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipx3q0MLIIH3eQE7Fllzb42P0kLPV8bcEocY2G9xQ67zg-Xst7356FyyfhWCVfK0T67EYDNr1sw8-PPPZzaHnZXGVskViANTl4htnBhHWgD_-WKyWveFeHLmJz4_gOSpudBg-hwClHaR_vxlIw5LfJuMgiJg-47fYqdzElvE1NJA9C1KDDp0wVjL9G507O/w400-h383/back.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;MUSICISTI:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Georges Carantonis - voce, chitarra&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Gianni Maroccolo - basso, chitarra&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Francesco Magnelli - pianoforte, tastiere&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Antonio Aiazzi - tastiere&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Daniele Trambusti - batteria&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Ghigo Renzulli - assolo di chitarra in tracks 6,8&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjfAnNzxa9tuJQsasl8zzUcppf46CfhmQ9wbBCcht3duHI0N6dNv5QGIu5329tpgJ0Ht2QWZox6rtpZnc0E0FOW68XIxp6GKxtsVEceTAUYo-XoqhyphenhypheneDOlwpUJEfvRCBjZoSTD48gcdfevzdF2ET-kAOkRac6SJ_0VFX079sJ6gSZLJuPiEJtGimom2LXf/s464/aiazzi.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;400&quot; data-original-width=&quot;464&quot; height=&quot;345&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjfAnNzxa9tuJQsasl8zzUcppf46CfhmQ9wbBCcht3duHI0N6dNv5QGIu5329tpgJ0Ht2QWZox6rtpZnc0E0FOW68XIxp6GKxtsVEceTAUYo-XoqhyphenhypheneDOlwpUJEfvRCBjZoSTD48gcdfevzdF2ET-kAOkRac6SJ_0VFX079sJ6gSZLJuPiEJtGimom2LXf/w400-h345/aiazzi.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Antonio Aiazzi&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Cari amici, ecco un altro bel colpaccio da parte del nostro storico amico e collaboratore Frank-One. Questo vinile, pubblicato dalla IRA nel 1988 e mai ristampato (esiste anche la versione musicassetta), è diventato nel tempo un oggetto di culto, molto ricercato in particolare dai fans dei Litfiba. Le sue quotazioni oscillano tra i 200 e i 400 euro e forse più. Lo stesso Frank-One mi ha raccontato di averlo acquistato tanti anni fa, incuriosito dalla presenza di Ghigo Renzulli e di alcuni futuri membri dei CCCP-CSI (Magnelli, Maroccolo, Trambusti). Piccolo aneddoto: un collezionista americano, venuto in contatto con lui attraverso la piattaforma Discogs, era disposto a pagarlo ben 300 euro. Insomma, un bel &quot;feticcio&quot; piuttosto costoso Il fatto di averlo qui sulla Stratosfera, è un onore e una soddisfazione nello stesso tempo.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBeX8jNhMKg3UDGP4YW4c_zQYCymOIK1J6nqpr49t2n3QjMREWAKBO1AGR_AyxyxiL1WB1LAleRI7te4Aie4YdSYDn2kBIsTSQKfblgpk2AuDn7mwUydIfKouzkhV56C99ZO7Qw8Z6K04ZRDQ64oHt2vbnK2qieJKz3V-A1HcZT2kCNTZIDWoalVhouAh6/s495/maroccolo.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;400&quot; data-original-width=&quot;495&quot; height=&quot;324&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBeX8jNhMKg3UDGP4YW4c_zQYCymOIK1J6nqpr49t2n3QjMREWAKBO1AGR_AyxyxiL1WB1LAleRI7te4Aie4YdSYDn2kBIsTSQKfblgpk2AuDn7mwUydIfKouzkhV56C99ZO7Qw8Z6K04ZRDQ64oHt2vbnK2qieJKz3V-A1HcZT2kCNTZIDWoalVhouAh6/w400-h324/maroccolo.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Gianni Maroccolo&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Ma veniamo a &quot;Twice Told Tales&quot;, attribuito al chitarrista e cantante di origine greca, ma in pianta stabile a Firenze (o forse a Pisa), &lt;b&gt;Georges Carantonis&lt;/b&gt;. La casa discografica per la registrazione dei 10 brani gli affiancò un serie di musicisti di grande spessore, quasi tutti riconducibili ai Litfiba. Alcuni di questi confluiranno poi nei CCCP-Fedeli alla Linea e nei CSI-.Consorzio Suonatori Indipendenti.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Gianni Maroccolo, sul suo sito, parla brevemente dell&#39;&quot;&lt;i&gt;Affaire Carantonis&lt;/i&gt;&quot;. Vi riporto il testo:&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&quot;&lt;i&gt;Nell’ultimo scorcio del 1988, l’IRA immise sul mercato un 33 giri piuttosto strano, TWICE TOLD TALES (IRA 36708);ne era titolare (Giorgio) Carantonis, cantautore di origini greche, ma adottato da&amp;nbsp;&lt;/i&gt;&lt;i&gt;Firenze, che aveva come terreno di azione un pop-rock in inglese non privo di gusto ed eleganza. Qui se ne parla perché il disco, oltre a vantare la produzione di Gianni Maroccolo, è stato suonato da un organico “super” comprendente lo stesso bassista, due suoi compagni dei Litfiba (Ghigo Renzulli&amp;nbsp;&lt;/i&gt;&lt;i&gt;e Antonio Aiazzi) e due abituali fiancheggiatori della band (il tastierista Francesco Magnelli e il batterista Daniele Trambusti), tutti immortalati nel bello scatto di copertina opera di Cesare Dagliana (lo storico fotografo dell’etichetta). Gradevolissimo e ben realizzato, l’album non ha alcuna attinenza&amp;nbsp;&lt;/i&gt;&lt;i&gt;stilistica con la produzione del gruppo cui viene associato, ma è inevitabilmente oggetto di attenzioni da parte dai “completisti”. E&#39; stato tirato in un paio di migliaia di esemplari e mai ripubblicato&lt;/i&gt;&quot;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVxgHpQV0QW1YrnEod5SkB541VngkySenkQU56HoashOhyphenhyphenI2sKite7kBiiouRuEgolczoreVvFn6HmL1t_CEtZ5MtkdbJ5WnOAcJGCerzYHe67wVwlrccEZ6j1mdS1AO_89qblpw0ABWbUwlfInPbW5ynbW8uIsVBtaZ-BviH0USblEHYTC-wtJwvb_YXd/s1280/renzulli.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;720&quot; data-original-width=&quot;1280&quot; height=&quot;225&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVxgHpQV0QW1YrnEod5SkB541VngkySenkQU56HoashOhyphenhyphenI2sKite7kBiiouRuEgolczoreVvFn6HmL1t_CEtZ5MtkdbJ5WnOAcJGCerzYHe67wVwlrccEZ6j1mdS1AO_89qblpw0ABWbUwlfInPbW5ynbW8uIsVBtaZ-BviH0USblEHYTC-wtJwvb_YXd/w400-h225/renzulli.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Ghigo Renzulli&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Vi lascio all&#39;ascolto di questo gioiellino rimasto nascosto nelle pieghe del panorama rock nazionale. Ogni commento è, come sempre, ben gradito. Alla prossima.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/DJIDGJCZ#3qcOCFmUy902ixWzIBmqqscg1Qy2OH_rsEuDAY_EdDg&quot;&gt;LINK&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;i&gt;Post by George &amp;amp; Frank-One&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/3141902495645521581/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/05/carantonis-twice-told-tales-vinile-1988.html#comment-form' title='2 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/3141902495645521581'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/3141902495645521581'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/05/carantonis-twice-told-tales-vinile-1988.html' title='Carantonis - Twice Told Tales (vinile, 1988)'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvjMKIx_5re9vF8SDwDSFSiLGrTGDvuCt0O44WJ2EnPONJf6e2Y9jmE0UHbofrv9KiCYtPDP5iHGzuNnwsRT3cvLVMaSNSMIx-P8iWxu_vYMcOpjjbP3APhblTUIiU_zxB9IzuZYmttAsn9kPnTLjEXzlFcvVE25pwJcicRJd2wBQtg6BnbyFBoNqQK-vz/s72-w400-h386-c/front.jpg" height="72" width="72"/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-4433051034225402008</id><published>2025-05-05T20:31:00.001+02:00</published><updated>2025-05-05T20:31:27.315+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="2007"/><category scheme="http://www.blogger.com/atom/ns#" term="Banco del mutuo soccorso"/><category scheme="http://www.blogger.com/atom/ns#" term="Cimabue"/><category scheme="http://www.blogger.com/atom/ns#" term="Francesco Di Giacomo"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="Presi per caso"/><category scheme="http://www.blogger.com/atom/ns#" term="Rodolfo Maltese"/><title type='text'>Presi per caso - Delinquenti (CD, 2007)</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&amp;nbsp;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0WmHSE_j5D-TWvqdiZynHXYdB4H4WGbNsirm0WiEFbNvbagJeCYQb521YhTRxbEXZNN1CqwrgXzVJkAT9JYEAu12hSpKHOtRKNX5iGouHMrvZV1mP6tntQhx-qWzZc-kXUv8M6E5Egs_Kfpl3hxNKEbRh1mp7ZWON0czpGEJqlhOCJonimiEiWcCsXF4U/s738/front%20presi.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;738&quot; data-original-width=&quot;728&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0WmHSE_j5D-TWvqdiZynHXYdB4H4WGbNsirm0WiEFbNvbagJeCYQb521YhTRxbEXZNN1CqwrgXzVJkAT9JYEAu12hSpKHOtRKNX5iGouHMrvZV1mP6tntQhx-qWzZc-kXUv8M6E5Egs_Kfpl3hxNKEbRh1mp7ZWON0czpGEJqlhOCJonimiEiWcCsXF4U/w395-h400/front%20presi.jpg&quot; width=&quot;395&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;01. Il tempo della prigione&lt;/div&gt;&lt;div&gt;02. La macchina del capo&lt;/div&gt;&lt;div&gt;03.Notizia in breve (La ballata del Forcina)&lt;/div&gt;&lt;div&gt;04. Scacchi ner cielo&lt;/div&gt;&lt;div&gt;05. Fiesta&lt;/div&gt;&lt;div&gt;06. Canapa blues&lt;/div&gt;&lt;div&gt;07. Cristo gospel&lt;/div&gt;&lt;div&gt;08. Scacchi ner cielo - Traccia speciale (voce Francesco Di Giacomo)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOrBbm7D0wpzhgyX8uztU4zeDumNBkeKjZp-cT5_ZfscbJmHA3DKgG66HQhC4xSyuSA2tOc9Ewu_YUX79PTld0sirkoCPilPBRiWVfUfbzjixoDeVHdZ1WtCFIsZqrGAlifqsLMZ8mn9M0O4KqIdfc1511ODcAnVMjrl8gzHRezvbosds1O2UhePDdlQk9/s711/back.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;673&quot; data-original-width=&quot;711&quot; height=&quot;379&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOrBbm7D0wpzhgyX8uztU4zeDumNBkeKjZp-cT5_ZfscbJmHA3DKgG66HQhC4xSyuSA2tOc9Ewu_YUX79PTld0sirkoCPilPBRiWVfUfbzjixoDeVHdZ1WtCFIsZqrGAlifqsLMZ8mn9M0O4KqIdfc1511ODcAnVMjrl8gzHRezvbosds1O2UhePDdlQk9/w400-h379/back.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;MUSICISTI:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Armando Bassani - chitarra elettrica&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Claudio Bracci - chitarra acustica&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Stefano Bracci - basso elettrico&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Salvatore Ferraro - tastiere&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Nando Giuseppetti - batteria&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;D. Sabiu - viola in 1&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Stefano Adami - voce in 2,4&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Marco Nasini - voce in 1,2,3,6,7&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Giampiero Pellegrini - voce in 2,5&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;M. A. Rotondi - voce in 1,4&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;Ospiti&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Francesco Di Giacomo - voce in 8&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Rodolfo Maltese - tromba in 2 (non accreditato)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNFiyMVqDHua7sNo45UyldSUnwkvOz4lkEVjxK_K-YVGXqDSkXxWPobVUICZYaUz6F-1KojfzApGOdQuyNocEypMBs2-Of7XR8Pb-7b1E-vnvuneuzASaNP6whpfUhCon57y0E5iSs1e_aLTqWp6CKSrgE9qG1cQ5VsBcJAcHM1E-HvaQDTRZuwotLSYyh/s540/group.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;362&quot; data-original-width=&quot;540&quot; height=&quot;269&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNFiyMVqDHua7sNo45UyldSUnwkvOz4lkEVjxK_K-YVGXqDSkXxWPobVUICZYaUz6F-1KojfzApGOdQuyNocEypMBs2-Of7XR8Pb-7b1E-vnvuneuzASaNP6whpfUhCon57y0E5iSs1e_aLTqWp6CKSrgE9qG1cQ5VsBcJAcHM1E-HvaQDTRZuwotLSYyh/w400-h269/group.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Splendido regalo proveniente dagli archivi dell&#39;amico e collaboratore &lt;b&gt;Cimabue &lt;/b&gt;al quale va il nostro ringraziamento. Ottimo album, CMB, che non poteva mancare sulla Stratosfera. Il nome del gruppo e il titolo dell&#39;album ci lasciano quanto meno perplessi. Di che si tratta? Ecco che il booklet viene in nostro aiuto:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&quot; &lt;b&gt;Storie di carcerati, quelli veri, raccontate con ironia e un pizzico di amarezza. Per far sorridere e pensare, conoscere oltrepassando il muro della diffidenza. DELINQUENTI nasce dalla volontà di far incontrare il &#39;dentro&#39; con il &#39;fuori&#39; dal carcere: ex detenuti e qualche folle incensurato, affiatati dalla voglia di fare musica, ma anche la stessa band con tutti coloro che hanno permesso che questo disco diventasse realtà. Per costruire qualcosa di positivo e di vero. Sulle ali della musica&quot;&lt;/b&gt;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJNUIx0xmOY-v-JkeP9KteywMF_YBwWgoJpKWzwhRuA4K_Ce1NF0sT3Euq2vVo3cTsvkPBjg7AL2GKDBlAnuB1wHI99erN7MoFlmOCrgyw-f9Bgun9qIK5nChAB9nrGHZ-SiMAJBqo4Q3Hns2Su8C6OFFsIJ4NYjXc26Di0L3tApu2N1e62QSpo7EHaEzk/s1397/booklet%201.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;673&quot; data-original-width=&quot;1397&quot; height=&quot;193&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJNUIx0xmOY-v-JkeP9KteywMF_YBwWgoJpKWzwhRuA4K_Ce1NF0sT3Euq2vVo3cTsvkPBjg7AL2GKDBlAnuB1wHI99erN7MoFlmOCrgyw-f9Bgun9qIK5nChAB9nrGHZ-SiMAJBqo4Q3Hns2Su8C6OFFsIJ4NYjXc26Di0L3tApu2N1e62QSpo7EHaEzk/w400-h193/booklet%201.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;La storia dei Presi per caso inizia molti anni prima la pubblicazione di &quot;Delinquenti&quot;, più o meno verso la metà degli anni &#39;90 quando un gruppo di detenuti nel carcere di Rebibbia, a seguito di una intesa con l&#39;allora direttore dell&#39;istituto di pena, iniziarono a tenere alcuni concerti all&#39;interno della struttura limitandoli ai famigliari. Seguirono momenti di collaborazione con vari artisti che tenevano concerti di solidarietà all&#39;interno di Rebibbia, tra cui Claudio Baglioni, Teresa De Sio, 99 Posse, Modena City Ramblers a altri ancora. Va da sé che la formazione mutò di continuo a seguito di scarcerazioni e nuovi arresti.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjugHWUv7AaJ0zTWn2fv9tjslc23xugGuWtkSw2IaOyUvS9lnshpk6waHpfN6hRJ0O0Oi4hBnIu-59R09PwJZOj-6xANtUYnRztI9BYMJDFBuXdqSvwGh4SmSIHlz5JuQmkcKqz7R301EhhLSzzpiWjSYUAOBFNleKIVzdbIekjLxTuWeVh3hE7Jha1OVPX/s600/presipercaso-.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;390&quot; data-original-width=&quot;600&quot; height=&quot;260&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjugHWUv7AaJ0zTWn2fv9tjslc23xugGuWtkSw2IaOyUvS9lnshpk6waHpfN6hRJ0O0Oi4hBnIu-59R09PwJZOj-6xANtUYnRztI9BYMJDFBuXdqSvwGh4SmSIHlz5JuQmkcKqz7R301EhhLSzzpiWjSYUAOBFNleKIVzdbIekjLxTuWeVh3hE7Jha1OVPX/w400-h260/presipercaso-.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Bisognerà attendere il 2004 per vedere il debutto del gruppo nel &quot;mondo dei liberi&quot; con il musical carcerario &quot;Radiobugliolo&quot;, scritto e musicato da Salvatore Ferraro, messo in scena per quattro settimane al Teatro Sette e al Teatro Palladium di Roma. Sulla scia del successo ottenuto, incisero il loro primo CD, &quot;Presi per caso&quot;, contenente le canzoni dello spettacolo portato in scena. Risale al 2005 il loro secondo musical, &quot;Delinquenti&quot;, scritto e musicato anch&#39;esso da Salvatore Ferraro e diretto da Michele La Ginestra e Andrea Martella. I brani dello spettacolo vennero registrati sull&#39;omonimo CD, quello oggi presentato, uscito nel 2007 e autoprodotto.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrJXolCUrO16T1nqLYs-0TCrXuy-yPDXeKb6hbxlDug_EQG-Byallqm8XYKOKPHOOUwY0IiBUdwjmyf77PoKyq3erdhLl2zBJkQosmLpgd9GuEBeinaPb-fV7U47_ymNm0Q-WXMvK9KTI0olpCa_KLC_DFisxq9mOy1qnJE88xmmo8VficafaOVtjxss1u/s1381/Booklet%202_page-0001.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;688&quot; data-original-width=&quot;1381&quot; height=&quot;199&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrJXolCUrO16T1nqLYs-0TCrXuy-yPDXeKb6hbxlDug_EQG-Byallqm8XYKOKPHOOUwY0IiBUdwjmyf77PoKyq3erdhLl2zBJkQosmLpgd9GuEBeinaPb-fV7U47_ymNm0Q-WXMvK9KTI0olpCa_KLC_DFisxq9mOy1qnJE88xmmo8VficafaOVtjxss1u/w400-h199/Booklet%202_page-0001.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Queste registrazioni hanno da sempre destato l&#39;interesse dei fans del Banco del Mutuo Soccorso, visto che la traccia 8, versione speciale di &quot;Scacchi ner cielo&quot;, è cantata (in romanesco) dal grande &lt;b&gt;Francesco Di Giacomo&lt;/b&gt;. Seppur non accreditato, risulta che alle registrazioni era presente &lt;b&gt;Rodolfo Maltese&lt;/b&gt; alla tromba (verosimilmente nella traccia 2, &quot;La macchina del capo&quot;, uno tra i brani più ironici e divertenti dell&#39;intero album). Dopo la pubblicazione del CD la stampa nazionale e quella specializzata si accorsero del progetto Presi per caso e ne sottolinearono l&#39;unicità, l&#39;originalità e il valore sociale. Il giornalista e critico musicale Gino Castaldo parlò di &quot;testi e musiche decisamente spiazzanti. Si parla sfacciatamente di quello che accade in galera. L&#39;ironia è feroce, senza veli&quot; (La Repubblica, 5 aprile 2006). Non solo, Fabrizio Galassi (su Rockstar del 21 marzo 2007) li definì &quot;I veri Blues Brothers italiani&quot;. Non ultimo, dalle pagine del Corriere della Sera (9 febbraio 2007), Paolo Brogi sottolineò come i Presi per caso fossero i degni continuatori della tradizione della canzone della mala che aveva nella Vanoni, nei Gufi, in Jannacci e in Gabriella Ferri i più alti rappresentanti&quot;.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCOGwAlaQoUfrxSc1Axi9_zS5bMxqib_EjL9H4QFUQkTHZ0F5qxWZxDIt0Cbldog4omV5_VM424BSXwROeui9HhnfV29PTEs2cF6ZrobR6IkVwm4F1cRhSjFVP-xAzoylk3qHGUo9n2BAoJ6pNPIeezvqBL0zEMjfNg-uh2MsDRWekI-JR5aUivJNhk5HT/s2048/490583020_1234034162065771_2206541702172451518_n.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1450&quot; data-original-width=&quot;2048&quot; height=&quot;284&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCOGwAlaQoUfrxSc1Axi9_zS5bMxqib_EjL9H4QFUQkTHZ0F5qxWZxDIt0Cbldog4omV5_VM424BSXwROeui9HhnfV29PTEs2cF6ZrobR6IkVwm4F1cRhSjFVP-xAzoylk3qHGUo9n2BAoJ6pNPIeezvqBL0zEMjfNg-uh2MsDRWekI-JR5aUivJNhk5HT/w400-h284/490583020_1234034162065771_2206541702172451518_n.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Da lì in poi il successo non abbandonerà più il gruppo. Per una lettura completa della loro biografia, che giunge fino ai giorni nostri, vi rimando alla pagina su &lt;i&gt;wikipedia &lt;/i&gt;(&lt;b&gt;&lt;a href=&quot;https://it.wikipedia.org/wiki/Presi_per_caso&quot;&gt;qui&lt;/a&gt;&lt;/b&gt;) molto ricca di dettagli. Non dimenticate di fare una puntatina sulla loro pagina Facebook (&lt;b&gt;&lt;a href=&quot;https://www.facebook.com/PresiPerCaso/photos_by&quot;&gt;qui&lt;/a&gt;&lt;/b&gt;)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Io mi fermo qui. Vi lascio all&#39;ascolto del disco auspicando di poter leggere qualche vostro commento al riguardo. Grazie ancora a Cimabue per la preziosa collaborazione.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Alla prossima.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG0F6ZF6nmpZqhMw1MiuSLIH83FviKp6EMEqUP7jANBEVWAiZVruxGke-3bRmzNMEKd8xDpTx-y-NKim5XVVYHeAgIRYitr1CajY6JYk7jXWlTgwIhbIKKPYuY_rP-MzjrpEpsX85Gy0-PPe9HQRVwf0bb5FUAdJmg3_qGNbaKx0ASXTjcWULYyebmHiC8/s2000/480884645_1192085736260614_2968762181395363930_n.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1414&quot; data-original-width=&quot;2000&quot; height=&quot;283&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG0F6ZF6nmpZqhMw1MiuSLIH83FviKp6EMEqUP7jANBEVWAiZVruxGke-3bRmzNMEKd8xDpTx-y-NKim5XVVYHeAgIRYitr1CajY6JYk7jXWlTgwIhbIKKPYuY_rP-MzjrpEpsX85Gy0-PPe9HQRVwf0bb5FUAdJmg3_qGNbaKx0ASXTjcWULYyebmHiC8/w400-h283/480884645_1192085736260614_2968762181395363930_n.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/XJ51ySRR#17yH0OmbLEzsxJXdRJtz27iTu--zUc1JgmXZ3dS0nsg&quot;&gt;LINK&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;Post by George &amp;amp; Cimabue&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/4433051034225402008/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/05/presi-per-caso-delinquenti-cd-2007.html#comment-form' title='2 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/4433051034225402008'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/4433051034225402008'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/05/presi-per-caso-delinquenti-cd-2007.html' title='Presi per caso - Delinquenti (CD, 2007)'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0WmHSE_j5D-TWvqdiZynHXYdB4H4WGbNsirm0WiEFbNvbagJeCYQb521YhTRxbEXZNN1CqwrgXzVJkAT9JYEAu12hSpKHOtRKNX5iGouHMrvZV1mP6tntQhx-qWzZc-kXUv8M6E5Egs_Kfpl3hxNKEbRh1mp7ZWON0czpGEJqlhOCJonimiEiWcCsXF4U/s72-w395-h400-c/front%20presi.jpg" height="72" width="72"/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-8046144555973119256</id><published>2025-05-01T20:49:00.001+02:00</published><updated>2025-05-01T20:49:39.232+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="1981"/><category scheme="http://www.blogger.com/atom/ns#" term="2011"/><category scheme="http://www.blogger.com/atom/ns#" term="2014"/><category scheme="http://www.blogger.com/atom/ns#" term="Bernardo Lanzetti"/><category scheme="http://www.blogger.com/atom/ns#" term="Bonus tracks"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="Posto Blocco 19"/><title type='text'>Posto Blocco 19 - Motivi di sempre (2014) plus bonus tracks (1981-2011)</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&amp;nbsp;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2tsPk0n0T0JUEyGkckLRcq-i6nno7peHE8K0UpaBibGWUpVxQES45-JGzKZezAtmNypozkmWJqlJFu_B1-WaWPklD_syO2eDX0lCJ1QWtmZ98Kc97WjgilbN68t-Ba41i6SFQbheDdWlL0hgFqr5GwVcmep61tnGWmiAq1LVbP9pvEOUjTN50n6FEAdbV/s1600/front.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1600&quot; data-original-width=&quot;1600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2tsPk0n0T0JUEyGkckLRcq-i6nno7peHE8K0UpaBibGWUpVxQES45-JGzKZezAtmNypozkmWJqlJFu_B1-WaWPklD_syO2eDX0lCJ1QWtmZ98Kc97WjgilbN68t-Ba41i6SFQbheDdWlL0hgFqr5GwVcmep61tnGWmiAq1LVbP9pvEOUjTN50n6FEAdbV/w400-h400/front.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;01. A un passo dal cielo (Suite 1) - 4:06&lt;/div&gt;&lt;div&gt;02. E la musica va - 5:12&lt;/div&gt;&lt;div&gt;03. All&#39;alba del giorno dopo - 6:48&lt;/div&gt;&lt;div&gt;04. Scandendo il tempo - 7:01&lt;/div&gt;&lt;div&gt;05. A un passo dal cielo (Suite 2) - 4:48&lt;/div&gt;&lt;div&gt;&lt;b&gt;Bonus Track&lt;/b&gt;&lt;/div&gt;&lt;div&gt;06. L&#39;ultima acqua (master 2014) (voce Bernardo Lanzetti) - 7:20&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Extra bonus tracks&lt;/b&gt;&lt;/div&gt;&lt;div&gt;07. Scandendo il tempo (versione originale da &quot;Decameron&quot; - 2011)&lt;/div&gt;&lt;div&gt;08. E la musica va (lato A, 45 giri, 1981)&lt;/div&gt;&lt;div&gt;09. Lascia che ancora (lato B, 45 giri, 1981)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSeM3kDaVfcwgsn7XSTsb02WtLkOAIgLD8BXwRKj_hRLTpk88laYHeXGxZ4S0JRvn6yBVbhmMUoiMRVKAVJsjZfXnESOTvcu0dVrvHWZJjEQXXvFMYxciae3PF7UE36m1hAjY-c0GCck67pMh5scKTxX5YjMDiu8rpOAbtQeSIGFX7A0XFtm15dvLCTHEv/s1600/Back.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1252&quot; data-original-width=&quot;1600&quot; height=&quot;313&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSeM3kDaVfcwgsn7XSTsb02WtLkOAIgLD8BXwRKj_hRLTpk88laYHeXGxZ4S0JRvn6yBVbhmMUoiMRVKAVJsjZfXnESOTvcu0dVrvHWZJjEQXXvFMYxciae3PF7UE36m1hAjY-c0GCck67pMh5scKTxX5YjMDiu8rpOAbtQeSIGFX7A0XFtm15dvLCTHEv/w400-h313/Back.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE (2014):&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Raimondo Fantuzzi - chitarra, voce&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Francesca Campagna - voce&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Massimo Casaro - basso&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Graziano De Palma - tastiere&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Stefano Savi - percussioni&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Vittorio Savi - batteria&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;con&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Bernardo Lanzetti - voce (6)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Giancarlo Di Bella - tastiere (6)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPGOZqe7HCuyd-5vkyp8QauhNwhdfvD17ZZ7V5CSjyA7LYdc-tQcRo5NwWFAkhZnlvONcodSi20LsFE-XFY7k7wuDxKh9ORyb4Q3o4s6POGGfLaiYbnL5xY3k_wxX4rOtGG43okR-RSuelwm-Vhyphenhyphenkfhysu3RohfM88JgQE4a67PMk74fgJbHZT7KJm11Cf/s1229/9973.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;867&quot; data-original-width=&quot;1229&quot; height=&quot;283&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPGOZqe7HCuyd-5vkyp8QauhNwhdfvD17ZZ7V5CSjyA7LYdc-tQcRo5NwWFAkhZnlvONcodSi20LsFE-XFY7k7wuDxKh9ORyb4Q3o4s6POGGfLaiYbnL5xY3k_wxX4rOtGG43okR-RSuelwm-Vhyphenhyphenkfhysu3RohfM88JgQE4a67PMk74fgJbHZT7KJm11Cf/w400-h283/9973.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE (1981)&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Raimondo Fantuzzi - chitarra, voce&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Roberto Zazzi - flauto&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Giancarlo Di Bella - tastiere&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Franco Coruzzi - basso&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Vittorio Savi - batteria&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi_AYTIYrnR8-OpOcaUB2-T4syz8HxNwWE-ds-mHHvTpAfDHrqA_r-xJQSFfCWDxtn7PvdKi3Sv0ZfXrt4axEqNCpt0rVohTySA7eVr1bWuuH0ybfMhwcZeP83kD5iDJBtx-eKCqIrOv9HJjVFK7dUgoNr8S9uOSUUIf-n7Jf3Mml6ZLWVcnLrfFcUfaE2/s643/463752351_8466367563447265_278951769647583138_n.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;643&quot; data-original-width=&quot;465&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi_AYTIYrnR8-OpOcaUB2-T4syz8HxNwWE-ds-mHHvTpAfDHrqA_r-xJQSFfCWDxtn7PvdKi3Sv0ZfXrt4axEqNCpt0rVohTySA7eVr1bWuuH0ybfMhwcZeP83kD5iDJBtx-eKCqIrOv9HJjVFK7dUgoNr8S9uOSUUIf-n7Jf3Mml6ZLWVcnLrfFcUfaE2/w289-h400/463752351_8466367563447265_278951769647583138_n.jpg&quot; width=&quot;289&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Con i Posto Blocco 19, gruppo purtroppo scarsamente conosciuto nonostante l&#39;indiscusso valore, si riaprono le porte del grande prog, quello con la P maiuscola, quello da noi tanto amato. Iniziamo la loro conoscenza riportando quanto scrive, in modo sintetico ma efficace, l&#39;amico Augusto Croce su Italian Prog (sito o volume che dir si voglia):&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&quot;Formato nel 1971 a Collecchio (PR) con il nome iniziale di &lt;b&gt;Collettivo Musicale Collecchiese&lt;/b&gt;, questo gruppo è rimasto in attività per molti anni con concerti prevalentemente in Emilia ed una partecipazione al Festival Rock di Pescara del 1979. Inizialmente ispirati dalla PFM, hanno modernizzato il proprio suono con influenze di gruppi americani come Kansas e Styx. All&#39;inizio degli anni &#39;80 il gruppo registrò un album per l&#39;etichetta Bazar, ma solo due brani vennero pubblicati su 45 giri (NDR - qui inseriti tra le bonus tracks). Dopo un graduale passaggio ad uno stile più commerciale, il gruppo si sciolse nel 1983. Dal 2005 il Posto Blocco 19 si è riformato, suonando in vari Festival di Progressive Rock nella zona di Parma con alcuni dei componenti originali. Il gruppo ha realizzato il primo CD della sua lunga carriera nel 2014&quot;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDxe5nQ8ZIJhIs6Z-FkQ_rbN-AZylZa1-jadLGVaeM3HrBRf8eGTSJqMpJZPjAFaUiSaqaqrkwZ-uczqmOJW97-Jj3rp__0RMAOl2yLfhmKRcno2FSQxhiZ7SDCwX8sCs1N3QuKcKfzeTCcSjrltUfBNmAQPIv3maxMl5R3boCN5PIXq7LQnhkY12rTTzD/s1600/Booklet%20-%20front%20&amp;amp;%20back.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;799&quot; data-original-width=&quot;1600&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDxe5nQ8ZIJhIs6Z-FkQ_rbN-AZylZa1-jadLGVaeM3HrBRf8eGTSJqMpJZPjAFaUiSaqaqrkwZ-uczqmOJW97-Jj3rp__0RMAOl2yLfhmKRcno2FSQxhiZ7SDCwX8sCs1N3QuKcKfzeTCcSjrltUfBNmAQPIv3maxMl5R3boCN5PIXq7LQnhkY12rTTzD/w400-h200/Booklet%20-%20front%20&amp;amp;%20back.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3odjjXnXowALqX8DyX5L_2lk9criULhjNDWkneeMtBSg4S8BJVTMeAc6WrjUerVb-GXU4t5-sOxpLFjgLItDnrpAA5jUt-KVvPNbdWvcHWcaIfrV2i24dZyB4apCfdGnqMOG9MqE5dpMLXw_1ePp9q_vNV1p27XQjokzcfOoNA87S5kWuSYsuYGwE-PfB/s600/Posto-Blocco-19.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;299&quot; data-original-width=&quot;600&quot; height=&quot;199&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3odjjXnXowALqX8DyX5L_2lk9criULhjNDWkneeMtBSg4S8BJVTMeAc6WrjUerVb-GXU4t5-sOxpLFjgLItDnrpAA5jUt-KVvPNbdWvcHWcaIfrV2i24dZyB4apCfdGnqMOG9MqE5dpMLXw_1ePp9q_vNV1p27XQjokzcfOoNA87S5kWuSYsuYGwE-PfB/w400-h199/Posto-Blocco-19.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Veniamo al disco in questione, &quot;Motivi di sempre&quot;, pubblicato dalla Lizard Records e contenente 6 brani, l&#39;ultimo dei quali indicato come bonus track. Colpisce subito l&#39;artwork, decisamente bello e delicato, realizzato dal pittore Teo Di Palma. Così l&#39;album viene descritto su &quot;Rock Impressions&quot;:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&quot;Sin dalle prime note del brano strumentale apripista &lt;i&gt;Ad un passo dal cielo (Suite1)&lt;/i&gt; le carte sono scoperte, pelle d’oca per i prog fans incalliti vecchio stile, mentre la chitarra elettrica se la spassa comunicando con le tastiere, un classico. Segue &lt;i&gt;E la musica va&lt;/i&gt;, energia e vintage sotto una buona formula canzone. I giochi si fanno ancora più seri con il brano &lt;i&gt;All’alba del giorno dopo,&lt;/i&gt; cantato da Francesca Campagna, con cambi di tempo ed umorali che portano alla mente i lavori di band culto come i Raccomandata Ricevuta Ritorno. Arpeggi aprono &lt;i&gt;Scandendo il tempo&lt;/i&gt;, altro brano totale, dove introspezione si alterna a momenti solari ed ariosi. &lt;i&gt;Ad un passo dal cielo (Suite 2)&lt;/i&gt; non sfigurerebbe nella discografia delle Orme, anche per l’enfasi della chitarra elettrica. Chiude la bonus track &lt;i&gt;L&#39;ultima acqua&lt;/i&gt;, tratta dalla collection del 2010 “The Divine Comedy - Part III – Paradiso”, spettacolo vero assieme a Bernardo Lanzetti al microfono. Quando il progressive italiano gira a questi livelli, si capisce il perché dell’eternità del genere. Un disco che non può assolutamente mancare nella vostra discografia prog degna di questo nome&quot;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbHrQf7ETswZ5xbYMjutF0CL2o6rfqfoCxwFcWXtg46FMFalmjeb91DTMuzM4gjhI0na8oJQl2VBOP8bBT5iUDEPyZlNebqzFhGzmthLL0zRHzzP_-REp9u13qjssHVJ2a8Xokxxr_jks9HnqPdap2eX08MaJAoUES2lDdCX7GwLY8hC4wqdzY1jxH5j-_/s600/45%20giri.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;596&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbHrQf7ETswZ5xbYMjutF0CL2o6rfqfoCxwFcWXtg46FMFalmjeb91DTMuzM4gjhI0na8oJQl2VBOP8bBT5iUDEPyZlNebqzFhGzmthLL0zRHzzP_-REp9u13qjssHVJ2a8Xokxxr_jks9HnqPdap2eX08MaJAoUES2lDdCX7GwLY8hC4wqdzY1jxH5j-_/w398-h400/45%20giri.jpg&quot; width=&quot;398&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;cover del 45 giri (1981)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Esaminiamo ora quel poco materiale registrato dai Posto Blocco 19 oltre al CD &quot;Motivi di sempre&quot;. Iniziamo dallo storico 45 giri pubblicato nel 1981 dalla Publiart Bazar, Il lato A, &lt;b&gt;&lt;i&gt;E la musica va&lt;/i&gt;&lt;/b&gt;, è riproposto nel CD con un arrangiamento e una veste completamente nuovi. Questo brano è facilmente reperibile su YT. Il discorso cambia completamente per il lato B, &lt;b&gt;Lascia che ancora&lt;/b&gt;, assolutamente introvabile. Noi abbiamo il piacere di proporlo grazie al provvidenziale intervento del nostro anonimo benefattore (ve lo ricordate?), che ringrazio di cuore per la disponibilità. In questo modo possiamo completare la discografia del gruppo. Proseguendo nel tempo, a reunion avvenuta, nel 2010&amp;nbsp; li ritroviamo nella già menzionata raccolta “The Divine Comedy - Part III – Paradiso” per Musea e la Finlandese Colossus con il brano “Canto IX : L&#39;ultima acqua” cantato da Bernardo Lanzetti. Infine, sempre la Musea Records chiede loro l’anno successivo (2011) anche la partecipazione nell’opera musicale/letteraria “Decameron &quot;Ten Days in 100 Novellas - Part 1&quot;, con una nuova composizione dal titolo “&lt;b&gt;Scandendo il tempo”&lt;/b&gt;. Anche in questo caso sul CD &quot;Motivi di sempre&quot; è presente una nuova versione che si discosta da quella originale soprattutto per gli interventi vocali. La versione originale del 2011 è qui inclusa tra le extra bonus tracks.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtnZh1i0fHMJY4nv1wAQ_1_lTZ2Kk5q3RsuSdac_FN1VlC8C76W6b7hqdH9umMhBxLu35Lke44pYG8C1ayCyC5IkbZYdgEg5yDx6TgDCrQZEgtsaMjBysWhQx8gCwCuIw1Evu4NF1UK4mIwgAwhlFMazmxtD7CEtWNefE5Qac_sQLilPVhdRnKry0vKa77/s500/R-11265067-1514174685-7938.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;500&quot; data-original-width=&quot;500&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtnZh1i0fHMJY4nv1wAQ_1_lTZ2Kk5q3RsuSdac_FN1VlC8C76W6b7hqdH9umMhBxLu35Lke44pYG8C1ayCyC5IkbZYdgEg5yDx6TgDCrQZEgtsaMjBysWhQx8gCwCuIw1Evu4NF1UK4mIwgAwhlFMazmxtD7CEtWNefE5Qac_sQLilPVhdRnKry0vKa77/w400-h400/R-11265067-1514174685-7938.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Ulteriori approfondimenti sulla biografia del gruppo li potete trovare &lt;b&gt;&lt;a href=&quot;https://www.donatoruggiero.com/2020/03/31/posto-blocco-19/&quot;&gt;qui&lt;/a&gt;&lt;/b&gt;, sul sito Donato Ruggiero. Volendo, sul tubo, sono pubblicati parecchi video con brani live di Bernardo Lanzetti accompagnato dai Posto Blocco 19. Con questo è tutto. Buon ascolto, cari amici&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYHGw58ejHEMAp2sYwJQOtmfY8BylMTpOYwAnz1VgFBcK5HBpRrQ80WgOL7spt6oHmkoyOWEZXJd-FjSCQoo0szWyCSGmf0AE3zmHu7mihgfl0TIIr_jS73CjtjuG6l45LvXin4jlOxvB74Y67r45zPrTvQrBFCFMGcuMC_Wjt3ahLZgfJPYjBthUzGwKy/s600/A-4092539-1441553253-2135.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;600&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYHGw58ejHEMAp2sYwJQOtmfY8BylMTpOYwAnz1VgFBcK5HBpRrQ80WgOL7spt6oHmkoyOWEZXJd-FjSCQoo0szWyCSGmf0AE3zmHu7mihgfl0TIIr_jS73CjtjuG6l45LvXin4jlOxvB74Y67r45zPrTvQrBFCFMGcuMC_Wjt3ahLZgfJPYjBthUzGwKy/w400-h300/A-4092539-1441553253-2135.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/aFYmRbZT#Z88LDuQJl0IIja0JeeT5I6tFXroTR5Vebx1qqo0_14E&quot;&gt;LINK&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;i&gt;Post by George&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/8046144555973119256/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/05/posto-blocco-19-motivi-di-sempre-2014.html#comment-form' title='3 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/8046144555973119256'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/8046144555973119256'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/05/posto-blocco-19-motivi-di-sempre-2014.html' title='Posto Blocco 19 - Motivi di sempre (2014) plus bonus tracks (1981-2011)'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2tsPk0n0T0JUEyGkckLRcq-i6nno7peHE8K0UpaBibGWUpVxQES45-JGzKZezAtmNypozkmWJqlJFu_B1-WaWPklD_syO2eDX0lCJ1QWtmZ98Kc97WjgilbN68t-Ba41i6SFQbheDdWlL0hgFqr5GwVcmep61tnGWmiAq1LVbP9pvEOUjTN50n6FEAdbV/s72-w400-h400-c/front.jpg" height="72" width="72"/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-6840347506431694147</id><published>2025-04-29T19:09:00.000+02:00</published><updated>2025-04-29T19:09:08.906+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="1992"/><category scheme="http://www.blogger.com/atom/ns#" term="First time on the web"/><category scheme="http://www.blogger.com/atom/ns#" term="Frank-One"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="Just One Record"/><category scheme="http://www.blogger.com/atom/ns#" term="Moltogrosso"/><category scheme="http://www.blogger.com/atom/ns#" term="Rarità"/><category scheme="http://www.blogger.com/atom/ns#" term="vinile"/><title type='text'>Serie &quot;Just One Record&quot; - Moltogrosso - Ineffabile bellezza (vinile, 1992)</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #ffa400; font-size: large;&quot;&gt;&lt;i&gt;FIRST TIME ON THE WEB&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOgF0QB_YABn-WJ7EVeDNz0S954whT8GsSfpji9j1_9HXkZ-bSImRzEZZ0xohf4D4shZaxHcTNyj806emQF3b5oJS_WcwNE_kUkjP2rXkhTpm5FQA8rkH4DCU1r8NDhmu5hdCDjY8LeezODU-f_yE_kG7HGd3lXgT9JXdwtMmd8kRSlJ1pd7fZ-xGPJ9pN/s419/R-21816118-1642691248-2354.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;407&quot; data-original-width=&quot;419&quot; height=&quot;389&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOgF0QB_YABn-WJ7EVeDNz0S954whT8GsSfpji9j1_9HXkZ-bSImRzEZZ0xohf4D4shZaxHcTNyj806emQF3b5oJS_WcwNE_kUkjP2rXkhTpm5FQA8rkH4DCU1r8NDhmu5hdCDjY8LeezODU-f_yE_kG7HGd3lXgT9JXdwtMmd8kRSlJ1pd7fZ-xGPJ9pN/w400-h389/R-21816118-1642691248-2354.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Lato A&lt;/b&gt;&lt;/div&gt;&lt;div&gt;01. Ineffabile bellezza - 4:58&lt;/div&gt;&lt;div&gt;02. Stopping Every Word - 3:49&lt;/div&gt;&lt;div&gt;03. Dio non c&#39;è - 4:58&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Lato B&lt;/b&gt;&lt;/div&gt;&lt;div&gt;04. Notte rabbiosa - 3:02&lt;/div&gt;&lt;div&gt;05. Il viaggio - 7:21&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1lcKWNPbDtwK7yYGRqQj_94NOAirnVhnGKUAgoN6l0SYv-Ku5qaQ6NioZsQsGo1L6R5KSUrzt2awkSl_v9wF6MBL3EBnOgVBQoEWG5qGWq6bwAb9Tcn5D3KEdMPqYmenq1ZsSJJAlmTrY8EOSxliZM1hEBDx0jG2OtPx7epzfbGsPCxPbNJRxEJHRaEPa/s600/R-21816118-1700075705-6043.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1lcKWNPbDtwK7yYGRqQj_94NOAirnVhnGKUAgoN6l0SYv-Ku5qaQ6NioZsQsGo1L6R5KSUrzt2awkSl_v9wF6MBL3EBnOgVBQoEWG5qGWq6bwAb9Tcn5D3KEdMPqYmenq1ZsSJJAlmTrY8EOSxliZM1hEBDx0jG2OtPx7epzfbGsPCxPbNJRxEJHRaEPa/w400-h400/R-21816118-1700075705-6043.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Flavio Riedling - chitarra, compositore&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Benedetto Caselli - voce&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Giorgio Troilo - violino, tastiere&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Stefano Travaglini - basso elettrico&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Pierpaolo Sita - batteria, percussioni&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmFYuHaN2JlIY7ou73ms-UJW_sXBrOHqgCHZrEtDYxDmmTCWgrOxvEJwrb3k5uItyF3gse1duEi9fthxBssBStVLAfsVKoQurITSo-oiUxrwOCjrTHIRdwHQntGymgFTr2JN4iJYDZqiNC_ZveCiD05-evHDuxJSPLmlzt1Lv3ap_wcAjHTkUHLYW_HHsX/s600/A-10645375-1700074765-2731.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmFYuHaN2JlIY7ou73ms-UJW_sXBrOHqgCHZrEtDYxDmmTCWgrOxvEJwrb3k5uItyF3gse1duEi9fthxBssBStVLAfsVKoQurITSo-oiUxrwOCjrTHIRdwHQntGymgFTr2JN4iJYDZqiNC_ZveCiD05-evHDuxJSPLmlzt1Lv3ap_wcAjHTkUHLYW_HHsX/w400-h400/A-10645375-1700074765-2731.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Grandissimo regalo da parte del nostro ben ritrovato &lt;b&gt;Frank-One&lt;/b&gt;. Si tratta di un album, per la precisione un 12&quot; contenente 5 brani, stampato in solo formato vinile dall&#39;etichetta Verbena Pub nel 1992 e assolutamente introvabile sul web. Quindi rientra a pieno titolo nella nostra categoria &quot;First Time On The Web&quot;. Un bel colpaccio. Anche sul mercato on line è di difficile reperibilità. Grazie caro amico. Le informazioni su questo quintetto sono praticamente assenti: solo Discogs cita questo vinile, ricordandoci che i Moltogrosso (mi piacerebbe sapere da dove origina questo nome) sono una rock band i cui componenti provengono da San Benedetto del Tronto, in provincia di Ascoli Piceno. Al loro attivo hanno solamente questo 12&quot;. Tutti i brani sono composti dal chitarrista Flavio Riedling, Il loro sound è caratterizzato da un buon classico rock con alcuni sprazzi prog, forniti dalle tessiture del violino e delle tastiere di Giorgio Troilo, in particolare in &quot;Stopping Every Word&quot; e ne &quot;Il viaggio&quot; (che ci regala anche uno splendido assolo di chitarra). Decisamente una bella prova, ma purtroppo un po&#39; risicata per poter esprimere un giudizio completo. NB - i fruscii sono ovviamente il marchio di autenticità. &lt;b&gt;Buon ascolto.&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7pVIl-jzBBC70BZRU6SPlUGLYbVjTqNsS491zQaiHxnbXJ9jUtvPzPnp74l9AmqtAKwP43qr8nbmjAQEyHhP-zYBe4I8v81c66ZkI3GcOC8oYnWjE7eAgi8PJmu1Iof1wwq4GnpEqaOWgnT9Dsk1fkdCH8TjWq1VeqYuLR5w77SUXY88ShrqbTmolQP5j/s600/R-21816118-1642691248-2354%20(1).jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;600&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7pVIl-jzBBC70BZRU6SPlUGLYbVjTqNsS491zQaiHxnbXJ9jUtvPzPnp74l9AmqtAKwP43qr8nbmjAQEyHhP-zYBe4I8v81c66ZkI3GcOC8oYnWjE7eAgi8PJmu1Iof1wwq4GnpEqaOWgnT9Dsk1fkdCH8TjWq1VeqYuLR5w77SUXY88ShrqbTmolQP5j/w400-h300/R-21816118-1642691248-2354%20(1).jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/KYR0jCgC#wtpGcO_YZXQEkmasQhc5zOfQO8IGVl8MXcUXglj0zcA&quot;&gt;LINK&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;Post by George - Music by Frank-One&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/6840347506431694147/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/serie-just-one-record-moltogrosso.html#comment-form' title='2 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/6840347506431694147'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/6840347506431694147'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/serie-just-one-record-moltogrosso.html' title='Serie &quot;Just One Record&quot; - Moltogrosso - Ineffabile bellezza (vinile, 1992)'/><author><name>PAROLE ALL&#39;ARIA</name><uri>http://www.blogger.com/profile/05742754778208315773</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOgF0QB_YABn-WJ7EVeDNz0S954whT8GsSfpji9j1_9HXkZ-bSImRzEZZ0xohf4D4shZaxHcTNyj806emQF3b5oJS_WcwNE_kUkjP2rXkhTpm5FQA8rkH4DCU1r8NDhmu5hdCDjY8LeezODU-f_yE_kG7HGd3lXgT9JXdwtMmd8kRSlJ1pd7fZ-xGPJ9pN/s72-w400-h389-c/R-21816118-1642691248-2354.jpg" height="72" width="72"/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-3478613602031307438</id><published>2025-04-28T20:02:00.000+02:00</published><updated>2025-04-28T20:02:24.023+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="2002"/><category scheme="http://www.blogger.com/atom/ns#" term="Antonio LM"/><category scheme="http://www.blogger.com/atom/ns#" term="Bootleg"/><category scheme="http://www.blogger.com/atom/ns#" term="Captain"/><category scheme="http://www.blogger.com/atom/ns#" term="Franco Battiato"/><category scheme="http://www.blogger.com/atom/ns#" term="live"/><category scheme="http://www.blogger.com/atom/ns#" term="reload"/><category scheme="http://www.blogger.com/atom/ns#" term="Repost"/><title type='text'>Franco Battiato - &quot;Ferro Battuto Tour&quot; live al Castello di Donnafugata (RG), 14.06.2002 - RE-POS &amp; RE-LOAD (post originale 7 giugno 2017)</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJmUKZJnUHRFQS_26-1ytgQDd7PMZQXRCe1LYeST8kez_PO3_tMlw7yxIekJE0OWYrBySwPSD70K0PseLKj85SUOSuWdUtpJ-H6JAhZyC0xDtk_shwqIJb_klQ2BnFNEfUNRxQxZXQdH4E3-5GupUk8DtLu0CLBJK7_LI53h4IVve4TBVquJXGhnlBbYMk/s469/front.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;469&quot; data-original-width=&quot;466&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJmUKZJnUHRFQS_26-1ytgQDd7PMZQXRCe1LYeST8kez_PO3_tMlw7yxIekJE0OWYrBySwPSD70K0PseLKj85SUOSuWdUtpJ-H6JAhZyC0xDtk_shwqIJb_klQ2BnFNEfUNRxQxZXQdH4E3-5GupUk8DtLu0CLBJK7_LI53h4IVve4TBVquJXGhnlBbYMk/w398-h400/front.jpg&quot; width=&quot;398&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;01 - Il cielo in una stanza&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;02 - Strani giorni&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;03 - Il cammino interminabile&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;04 - Shock in my town&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;05 - Il mantello e la spiga&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;06 - La canzone dell&#39;amore perduto&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;07 - Ruby Tuesday&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;08 - La cura&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;09 - Bacterium&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;10 - E ti vengo a cercare&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;11 - La stagione dell&#39;amore&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;12 - Nomadi&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;13 - Voglio vederti danzare&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;14 - L&#39;era del cinghiale bianco&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;15 - Cuccuruccucu&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;16 - Stranizza d&#39;amuri&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;17 - L&#39;animale&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;18 - Gli uccelli&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;19 - Sarcofagia&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;20 - I treni di Tozeur&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;21 - Centro di gravità permanente&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHABsHjF7PFUs0p73K80-kUBy2PilroY3Ui28cs7AbDABM0bUmji9RL6e4gtcb3PP-qBP95gE4IQwJnzquPchX68z4-A5NNMTe5I3dFG_vq0k-ALlGblsjsKgYtjWbZ1w45gNaI9-DC24Kj6-zwq5MkpnpvCbEGF9JphHTYhGbkfAXrkKwRAbHdoMm7IMn/s590/back.JPG&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;464&quot; data-original-width=&quot;590&quot; height=&quot;315&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHABsHjF7PFUs0p73K80-kUBy2PilroY3Ui28cs7AbDABM0bUmji9RL6e4gtcb3PP-qBP95gE4IQwJnzquPchX68z4-A5NNMTe5I3dFG_vq0k-ALlGblsjsKgYtjWbZ1w45gNaI9-DC24Kj6-zwq5MkpnpvCbEGF9JphHTYhGbkfAXrkKwRAbHdoMm7IMn/w400-h315/back.JPG&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Come richiesto da un nostro amico argentino che evidentemente - e lo ringrazio - segue il nostro blog, ecco il re-post e il conseguente nuovo upload di questo ottimo concerto di Franco Battiato. Grazie anche al nostro collaboratore Cimabue per avermi inviato i file che non riuscivo più a trovare. Il post originale, risalente al 7 giugno 2017 (cliccate &lt;b&gt;&lt;a href=&quot;https://verso-la-stratosfera.blogspot.com/2017/06/serie-battiato-friends-special-fan.html?showComment=1745587410061#c7802725167961571674&quot;&gt;qui &lt;/a&gt;&lt;/b&gt;per rileggere la recensione) era stato realizzato da Antonio LM con l&#39;aiuto del Capitano e inserito nella serie &quot;Battiato &amp;amp; Friends Special Fan Collection&quot; n. 58 (Serie &quot;Bootleg&quot; n. 242). Franco Battiato, allora impegnato nel &quot;Ferro Battuto Tour&quot; propose al pubblico presente al Castello di Donnafugata ben 21 brani, accompagnato dai musicisti che trovate di seguito elencati.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV7XK3a8DcmF6aXBctH72DoOsQ_FUyKKyyU-_k38lEXJ2GKjVC66xyypfODS4toFHigCpUrEvXHItPFLso1VezqVnS5NP2bV4ETCJSgl_7BcZnlVCCZUcAoun_php4Y5zSwB5BEw_4MUrY_x4UzORCocYXoUDS1Ux4VnwOSQAegWvH_lJjQ1pnPc36du3J/s472/inside.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;472&quot; data-original-width=&quot;472&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV7XK3a8DcmF6aXBctH72DoOsQ_FUyKKyyU-_k38lEXJ2GKjVC66xyypfODS4toFHigCpUrEvXHItPFLso1VezqVnS5NP2bV4ETCJSgl_7BcZnlVCCZUcAoun_php4Y5zSwB5BEw_4MUrY_x4UzORCocYXoUDS1Ux4VnwOSQAegWvH_lJjQ1pnPc36du3J/w400-h400/inside.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Per chi se lo fosse perso a suo tempo, ecco una buona occasione per riascoltare il nostro Franco Battiato in forma assolutamente smagliante. Ne approfitto per informarvi che è in fase di preparazione il repost (ma a questo punto direi un post nuovo di zecca) dedicato agli Anawim (peraltro richiesto da alcuni amici della Stratosfera) . Con questo è tutto. Vi auguro &lt;b&gt;buon ascolto&lt;/b&gt;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV7lAGt6Syk3ohzutel4_rEpzYaldgohqnHoZIt7oIOHcGChyni-zEGkXLxcea6t62LhKTaHKUJ4b27XRslyB23Gbr9sCs71rYfH3B76rQV9FrRH2Ui4MAT_MGdFxpoo4oVsuaLDuaUcSOvcIGvHf63_obtb6UHvna-1T_SY-uUCBgOOf3Twes-IOoaLPd/s471/cd.JPG&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;471&quot; data-original-width=&quot;471&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV7lAGt6Syk3ohzutel4_rEpzYaldgohqnHoZIt7oIOHcGChyni-zEGkXLxcea6t62LhKTaHKUJ4b27XRslyB23Gbr9sCs71rYfH3B76rQV9FrRH2Ui4MAT_MGdFxpoo4oVsuaLDuaUcSOvcIGvHf63_obtb6UHvna-1T_SY-uUCBgOOf3Twes-IOoaLPd/w400-h400/cd.JPG&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/qIYQGTpK#zyBrxComrtsD7GOlrC5AOrUuaFDppv5wJqv4TBEpC4U&quot;&gt;NEW LINK&lt;/a&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;Re-post &amp;amp; Re-load by George&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/3478613602031307438/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/franco-battiato-ferro-battuto-tour-live.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/3478613602031307438'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/3478613602031307438'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/franco-battiato-ferro-battuto-tour-live.html' title='Franco Battiato - &quot;Ferro Battuto Tour&quot; live al Castello di Donnafugata (RG), 14.06.2002 - RE-POS &amp; RE-LOAD (post originale 7 giugno 2017)'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJmUKZJnUHRFQS_26-1ytgQDd7PMZQXRCe1LYeST8kez_PO3_tMlw7yxIekJE0OWYrBySwPSD70K0PseLKj85SUOSuWdUtpJ-H6JAhZyC0xDtk_shwqIJb_klQ2BnFNEfUNRxQxZXQdH4E3-5GupUk8DtLu0CLBJK7_LI53h4IVve4TBVquJXGhnlBbYMk/s72-w398-h400-c/front.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-8837323324833492720</id><published>2025-04-27T14:10:00.001+02:00</published><updated>2025-04-27T14:10:49.677+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="2010"/><category scheme="http://www.blogger.com/atom/ns#" term="2013"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="Osel"/><category scheme="http://www.blogger.com/atom/ns#" term="Three Monks"/><title type='text'>Three Monks: Neogothic Progressive Toccatas (2010) &amp; The Legend Of The Holy Circle (2013)</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&amp;nbsp;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyMonLH4UuVLQ0KWnwlk3wPrbxtyYMrJ1E99FO-vSMw86F9j9294VyVvXnfyd3uDRHqwOrOlWaiyqTYUWB2jlfMi8iElMzwOQ8ffPCA9BgJLaZ4WDU2EXDCy6q0Ac4qOm6Kf_vAQCdWGcLxBL5GtHgEkTdJTkLHhMWOa1DZMCmInjY11rjzSL0bEbT4RH-/s600/5810.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;600&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyMonLH4UuVLQ0KWnwlk3wPrbxtyYMrJ1E99FO-vSMw86F9j9294VyVvXnfyd3uDRHqwOrOlWaiyqTYUWB2jlfMi8iElMzwOQ8ffPCA9BgJLaZ4WDU2EXDCy6q0Ac4qOm6Kf_vAQCdWGcLxBL5GtHgEkTdJTkLHhMWOa1DZMCmInjY11rjzSL0bEbT4RH-/w400-h300/5810.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;i&gt;PREMESSA BY GEORGE&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;GRAZIE AMICI!&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;Stanno giungendo da un po&#39; di tempo a questa parte, nelle mie cartelle di posta elettronica, contributi a profusione da parte di amici e collaboratori, vecchi e nuovi, della Stratosfera. Gli ultimi, in ordine di arrivo, provengono da Osel (attivissimo come sempre, specie con proposte di gruppi poco conosciuti), Frank-One, Cimabue, Roberto e forse da qualcun altro. Non voglio dimenticare Albe, Giudas e Ilario che, saltuariamente, forniscono il loro prezioso apporto alla Stratosfera. Si tratta quasi sempre di materiale raro, di ottima qualità e di difficile reperibilità. Questa è la dimostrazione dell&#39;ottimo stato di salute di cui gode questo blog (oramai tra i più longevi, che vanta oltre 1000 visualizzazioni quotidiane provenienti da varie parti del mondo e che sta per raggiungere la ragguardevole soglia dei 7 milioni di visualizzazioni totali) e della passione che ci unisce per la buona musica, quella con la M maiuscola. Tutto questo è possibile grazie a voi, alla costante collaborazione e al al lavoro di squadra che permettono alla Stratosfera di crescere in modo esponenziale. Ovviamente non posso negare che mi manca molto la presenza e la collaborazione del sodale amico Robi.&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;Pertanto GRAZIE CARI AMICI, e lo dico CON TUTTO IL CUORE (E CON LA MENTE)&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;Da parte mia cercherò, come sempre, di rendere giustizia ai vostri sforzi e di realizzare post sempre interessanti (almeno spero) da condividere con tutti coloro che ci seguono da innumerevoli anni. Un po&#39; alla volta, perché da solo fatico a stare dietro a tutto e a tutti, darò la giusta visibilità ai vostri contributi, in modo alterno, alternandoli altresì al materiale presente nei miei archivi (album e soprattutto bootleg e concerti live) e alle richieste di re-post e re-load. E se qualcuno di voi, oltre ai file, vorrà inviarmi anche delle liner notes, saranno ben gradite. Un colpo di mano non guasta mai.&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;Detto questo, detto tutto: procediamo con il post di oggi frutto del contributo del nostro grande amico&amp;nbsp;&lt;b&gt;Osel&lt;/b&gt;. I protagonisti sono i Three Monks, autori di due album assolutamente imperdibili.&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Three Monks - Neogothic Progressive Toccatas (2010)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1PkcsTSBnRH6oTMlqv_f0uVhbeGyWVVDa4tiq5kyclcaIMcWMm39jo7sMRdDTczXCNzESE-HFPDLc5pOzw8-gcvDdI7OjiNtDk77X4hjhkPqFER98iByKR_uGsU0u_hn_Qjj36WL4GyzzeWkISPatKl7UJrupCGqI9LIOsByBWdHleg9FFODENfUF3jcu/s1000/cover.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1000&quot; data-original-width=&quot;1000&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1PkcsTSBnRH6oTMlqv_f0uVhbeGyWVVDa4tiq5kyclcaIMcWMm39jo7sMRdDTczXCNzESE-HFPDLc5pOzw8-gcvDdI7OjiNtDk77X4hjhkPqFER98iByKR_uGsU0u_hn_Qjj36WL4GyzzeWkISPatKl7UJrupCGqI9LIOsByBWdHleg9FFODENfUF3jcu/w400-h400/cover.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;01. Progressive Magdeburg (8:22)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;02. Toccata Neogotica # 1 (11:25)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;03. Neogothic Pedal Solo (5:03)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;04. Herr Jann (6:33)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;05. Deep Red (Profondo Rosso) (4:22)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;06. Profondo Gotico (4:07)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;07. Toccata Neogotica # 7 (10:14)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6qNLi11_SiasJblxHn3LDsfzT0QEJnxEqvinWvwDkpQqdnjYHe_dVSuDQKi5PsszaywkpuqR6NXq00ATP0_la3HXdz-uaHxwadVbgJbbXUGzyZNwMwgir2JOqmfxhWNGYi_dZslOL7z4q2LcDHbrdIecDkmFYUp0uULdclVG15frnh-ehgct8DvL5-yMG/s1000/back.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;765&quot; data-original-width=&quot;1000&quot; height=&quot;306&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6qNLi11_SiasJblxHn3LDsfzT0QEJnxEqvinWvwDkpQqdnjYHe_dVSuDQKi5PsszaywkpuqR6NXq00ATP0_la3HXdz-uaHxwadVbgJbbXUGzyZNwMwgir2JOqmfxhWNGYi_dZslOL7z4q2LcDHbrdIecDkmFYUp0uULdclVG15frnh-ehgct8DvL5-yMG/w400-h306/back.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Paolo &quot;Julius&quot; Lazzeri - organo a canne, synth&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Maurizio &quot;Bozorius&quot; Bozzi - basso elettrico&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Roberto &quot;Placidus&quot; Bichi - batteria (2-6)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Claudio &quot;Ursinius&quot; Cuseri - batteria (1,7)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhm_SlgtQpKQXsVKQgYJmQMrf8BUENCwNNZPrpqvqne3Nn374UsQ-ayPWTHjfVHWRWzAN4SO2YfUP8tWNDeEvh3noKsG2lkxluTuQhSwCJLOhW9SXVx_OP5Cl2S3RonTtwJm-pjr0HQ4Eb39VuV6rfcq0UOVKYtdug3vilm368EO9EdXMQKkTcdJ6Y75dC8/s1200/inside%203.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;595&quot; data-original-width=&quot;1200&quot; height=&quot;199&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhm_SlgtQpKQXsVKQgYJmQMrf8BUENCwNNZPrpqvqne3Nn374UsQ-ayPWTHjfVHWRWzAN4SO2YfUP8tWNDeEvh3noKsG2lkxluTuQhSwCJLOhW9SXVx_OP5Cl2S3RonTtwJm-pjr0HQ4Eb39VuV6rfcq0UOVKYtdug3vilm368EO9EdXMQKkTcdJ6Y75dC8/w400-h199/inside%203.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;I &quot;tre monaci&quot; - che poi in realtà sono quattro, visto che nell&#39;album si alternano due batteristi - sono una band originaria di Arezzo, decisamente originale, con un sound focalizzato sull&#39;organo a canne, suonato dall&#39;organista e compositore Paolo Lazzeri. Al suo fianco il bassista Maurizio Bozzi e i due batteristi Roberto Bichi e Claudio Cuseri. Dalla biografia proposta su ProgArchives si apprende che &quot; Lazzeri era un organista prog-rock nei primi anni &#39;70, fino a quando l&#39;attenzione del pubblico non cambiò, periodo in cui iniziò lo studio della musica classica romantica, sia sinfonica che per organo solista. Le sue principali influenze provenivano dallo studio approfondito della musica del compositore Julius Reubke (1824-1858) e dal suo apprezzamento per il rock progressivo dei King Crimson e dei Van Der Graaf Generator. Lui e Bozzi decisero di formare un trio rock che avrebbe tentato di combinare il loro amore per la musica classica (stile neogotico, Romanticismo tedesco del diciannovesimo secolo) e il rock progressivo&quot;.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx4og26y7Bzmtmldt-pQS7lx-ePLZHoRUI3SZTNp7FsNhyChtyfVoubIHNzZMBVMOIPYA7t3jWNi3nht9aSzesLXJOAvj8LXXZDgh41gu7PTAbm7mSPGXblg1NbAW0UgIsFV8fYFRNwg0s9gN8ygcUM3tMKbABDZ8BafFARbFZ4ISl2v3g6Qq_kJGG0AYE/s1200/inside%201.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;595&quot; data-original-width=&quot;1200&quot; height=&quot;199&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx4og26y7Bzmtmldt-pQS7lx-ePLZHoRUI3SZTNp7FsNhyChtyfVoubIHNzZMBVMOIPYA7t3jWNi3nht9aSzesLXJOAvj8LXXZDgh41gu7PTAbm7mSPGXblg1NbAW0UgIsFV8fYFRNwg0s9gN8ygcUM3tMKbABDZ8BafFARbFZ4ISl2v3g6Qq_kJGG0AYE/w400-h199/inside%201.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Maurizio Bozzi è un bassista/compositore/arrangiatore professionista dagli anni &#39;70 e ha collaborato a innumerevoli progetti in studio e tour dal vivo. Si unirono ai batteristi Bichi e Cuseri per formare i Three Monks e nel 2010 pubblicarono il loro primo lavoro per la Black Widow Records, &quot;Neogothic Progressive Toccatas&quot;. L&#39;album fu abilmente mixato e masterizzato da Torben Lysholm presso lo studio Tune Town in Danimarca. I sette brani sono evidentemente ispirati a compositori barocchi e a storie di cattedrali con enormi organi a canne storici. Le note di copertina forniscono informazioni specifiche sull&#39;ispirazione di ogni singola traccia. Troverete anche una cover di &quot;Profondo Rosso&quot; dei Goblin (ripresa anche in Profondo Gotico), giocata ovviamente sulla triangolazione organo a canne, basso e batteria. Il CD è quasi interamente strumentale, tranne i misteriosi cori di monaci collocati all&#39;inizio di &lt;i&gt;Neogothic Pedal Solo&lt;/i&gt;. Insomma, un disco di grande bellezza e originalità che lascia ben sperare per il futuro della band aretina.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnL3G1qKn992gvoJVL1pROfxksF3CrYrhKFFFolVOET4Btqe0z1Kis-qpetUTW2NxiH4gUAzKxSTPPCaJBkjSpihcIhruXEJvwikAzezY175nzzt5ZTE4WaqwOxWIIwBlPRq9zMKVsEvQFebRhOwKXUQo5U5mRz3PkDn6jjpEspHn5zLIDH5dW7SSyo2hP/s1000/inlay.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;765&quot; data-original-width=&quot;1000&quot; height=&quot;306&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnL3G1qKn992gvoJVL1pROfxksF3CrYrhKFFFolVOET4Btqe0z1Kis-qpetUTW2NxiH4gUAzKxSTPPCaJBkjSpihcIhruXEJvwikAzezY175nzzt5ZTE4WaqwOxWIIwBlPRq9zMKVsEvQFebRhOwKXUQo5U5mRz3PkDn6jjpEspHn5zLIDH5dW7SSyo2hP/w400-h306/inlay.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Three Monks - The Legend Of The Holy Circle (2013)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir18b10K4YwRd7XfgrWSPslRVtz_QkCRFZwz9mdvxeTMdRm9p0TMajas8dao3rk8nIjJ0OokLCTaUmAah5gOtmCGYQ75VL5R45ql99aSjeD7S9hRJKkL7-IYXJtCamEuVfgfK1sltU6oIAvL4z7OxHr_uX9bb1YtUBpj42C5WRohnIsUIgEuB5zg3IW_7c/s822/fronte.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;730&quot; data-original-width=&quot;822&quot; height=&quot;355&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir18b10K4YwRd7XfgrWSPslRVtz_QkCRFZwz9mdvxeTMdRm9p0TMajas8dao3rk8nIjJ0OokLCTaUmAah5gOtmCGYQ75VL5R45ql99aSjeD7S9hRJKkL7-IYXJtCamEuVfgfK1sltU6oIAvL4z7OxHr_uX9bb1YtUBpj42C5WRohnIsUIgEuB5zg3IW_7c/w400-h355/fronte.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;01. The Holy Circle (7:45)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;02. Rieger (5:06)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;03. The Battle Of Marduk (9:51)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;04. The Rest Of The Sacred Swarm (4:46)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;05. Into Mystery (5:55)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;06. The Strife Of Souls (9:58)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;07. Toccata Neogotica #5 (Epilogue) (9:43)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyrvyRn3mjCTSayuUGPRIfA1cgSqPPBLeINHErJIgqgKHlyt1h81_Cdy2gIJaWdPqWtQgyQ5fDv76t3yNK6h2GzYyXLz1gnvGA3pLFu2LpFv2xBu3TQLDC7rrsPy5_AiLb3Ra5Vov0t4-Mhl0BEthS_gvUm29SPsFQey8Gvo-q-WQ8OoT5tdOzMoDveH4R/s816/retro.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;730&quot; data-original-width=&quot;816&quot; height=&quot;358&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyrvyRn3mjCTSayuUGPRIfA1cgSqPPBLeINHErJIgqgKHlyt1h81_Cdy2gIJaWdPqWtQgyQ5fDv76t3yNK6h2GzYyXLz1gnvGA3pLFu2LpFv2xBu3TQLDC7rrsPy5_AiLb3Ra5Vov0t4-Mhl0BEthS_gvUm29SPsFQey8Gvo-q-WQ8OoT5tdOzMoDveH4R/w400-h358/retro.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&amp;nbsp;Paolo &quot;Julius&quot; Lazzeri -organo a canne, synths, compositore&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Maurizio &quot;Bozorius&quot; Bozzi - basso elettrico, produttore&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Roberto &quot;Placidus&quot; Bichi - batteria e percussioni orchestrali (3,6,7)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Claudio &quot;Ursinius&quot; Cuseri - batteria (1,2,5)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQorRjoJOL2u5w3FDIaVZsgnnquKWAZhoHksGnPeiyMmVU2MjXq786NqPhwt3lJGmofnUrwZA_26ZUmCI1WjLROP9xR15mmxxqdyqlQXVAios2dxsSVMlSiBsCAYcrQOesN101pjIwk1NUbFuYOzec1tXPHEjneRlPAWu9yDZ1uB5oYVbshFNc8fcmDYv0/s1672/interno.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;732&quot; data-original-width=&quot;1672&quot; height=&quot;175&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQorRjoJOL2u5w3FDIaVZsgnnquKWAZhoHksGnPeiyMmVU2MjXq786NqPhwt3lJGmofnUrwZA_26ZUmCI1WjLROP9xR15mmxxqdyqlQXVAios2dxsSVMlSiBsCAYcrQOesN101pjIwk1NUbFuYOzec1tXPHEjneRlPAWu9yDZ1uB5oYVbshFNc8fcmDYv0/w400-h175/interno.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&quot;The Legend Of The Holy Circus&quot;, pubblicato nel 2013 sempre dalla Black Widow, è il secondo e ultimo album dei Three Monks. Possiamo dire che si tratta della conferma di tutte le buone qualità del suo predecessore e si spinge ancora oltre, con i musicisti che cercano di elaborare una vera e propria trama attraverso la loro musica: infatti, secondo un&#39;intervista con la band, si tratta di un concept album, una sorta di colonna sonora per un film, che va costruita. In ogni caso, non ci sono note di copertina a spiegare la trama e non c&#39;è altro che la musica, la copertina disegnata da Margherita Zanotti, alcune immagini e i titoli dei brani a suggerire come si snoda la storia. Tutto il resto è lasciato alla sensibilità e all&#39;immaginazione dell&#39;ascoltatore. Il brano, a mio modestissimo parere, più significativo dell&#39;intero album è la lunga, complessa ed epica &quot;The Strife Of Souls&quot;, un percorso musicale che a tratti ricorda la grandeur di Emerson, Lake &amp;amp; Palmer. Nel complesso un album grandioso che ognuno è libero di interpretare a suo piacimento, ma che vale assolutamente la pena ascoltare. Peccato che la storia dei Three Monks si concluda qui, &lt;b&gt;Buon ascolto&lt;/b&gt;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWxqttZHURJsRm04SsncCIJ9OidC9OAGvpJ42BX9W0Q4Q9OURV3D347OI3G16ub0LnkVc4rF69Huvow-xwbs9lNYa4byIBetUzczj9Y-vWnBJONDjdbwQ1CVnOo0iuCoYeURk1FEB9-GEbTmu6rKo6GDoKvDpMQac0SlkmRTraXRLbPfW7YM5KofMp-p2p/s1588/il_1588xN.6183515382_o6rs.webp&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1191&quot; data-original-width=&quot;1588&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWxqttZHURJsRm04SsncCIJ9OidC9OAGvpJ42BX9W0Q4Q9OURV3D347OI3G16ub0LnkVc4rF69Huvow-xwbs9lNYa4byIBetUzczj9Y-vWnBJONDjdbwQ1CVnOo0iuCoYeURk1FEB9-GEbTmu6rKo6GDoKvDpMQac0SlkmRTraXRLbPfW7YM5KofMp-p2p/w400-h300/il_1588xN.6183515382_o6rs.webp&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/rcx0mBgC#hpl5JzQWYsivXOcGPGfvuYqXObq9-qDpYneptD4x-ZY&quot;&gt;LINK &lt;/a&gt;Neogothic Progressive Toccatas (2010)&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/fAwwxIaT#5qbGgDC1tq7M_ZRgqhu0CKJdDp4PynxaPzq6gGhK8MM&quot;&gt;LINK &lt;/a&gt;The Legend Of The Holy Circle (2013)&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;Post by George - Music by Osel&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/8837323324833492720/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/three-monks-neogothic-progressive.html#comment-form' title='2 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/8837323324833492720'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/8837323324833492720'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/three-monks-neogothic-progressive.html' title='Three Monks: Neogothic Progressive Toccatas (2010) &amp; The Legend Of The Holy Circle (2013)'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyMonLH4UuVLQ0KWnwlk3wPrbxtyYMrJ1E99FO-vSMw86F9j9294VyVvXnfyd3uDRHqwOrOlWaiyqTYUWB2jlfMi8iElMzwOQ8ffPCA9BgJLaZ4WDU2EXDCy6q0Ac4qOm6Kf_vAQCdWGcLxBL5GtHgEkTdJTkLHhMWOa1DZMCmInjY11rjzSL0bEbT4RH-/s72-w400-h300-c/5810.jpg" height="72" width="72"/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-442287056438259552</id><published>2025-04-23T19:22:00.000+02:00</published><updated>2025-04-23T19:22:05.291+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="1979"/><category scheme="http://www.blogger.com/atom/ns#" term="Frank-One"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="Luciano Basso"/><category scheme="http://www.blogger.com/atom/ns#" term="Rarità"/><category scheme="http://www.blogger.com/atom/ns#" term="vinile"/><title type='text'>Luciano Basso - Frammenti tonali (vinile, 1979)</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&amp;nbsp;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL2X7BBjxUiiupEpk8h9g9Aw-plndIEcxonqKtzUI-MGcXKoZcDCHKtmDVwDyu223eLJsFnrSLfLaPgpYNsh7U9hs0ScR92bhx30-zwdmSS5LjulwMSsIkC7uNSrIfgUYH2upRiw11CnXn8Jv1Aznv3tIIuHrqcVhBscxgIR-Xm51sWWtKCdTzagrnVluY/s600/R-6336191-1657390985-4059.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL2X7BBjxUiiupEpk8h9g9Aw-plndIEcxonqKtzUI-MGcXKoZcDCHKtmDVwDyu223eLJsFnrSLfLaPgpYNsh7U9hs0ScR92bhx30-zwdmSS5LjulwMSsIkC7uNSrIfgUYH2upRiw11CnXn8Jv1Aznv3tIIuHrqcVhBscxgIR-Xm51sWWtKCdTzagrnVluY/w400-h400/R-6336191-1657390985-4059.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Lato A&lt;/b&gt;&lt;/div&gt;&lt;div&gt;01. Suite - per pianoforte (6:53)&lt;/div&gt;&lt;div&gt;02. Studio 3 - per pianoforte (2:45)&lt;/div&gt;&lt;div&gt;03. Studio 4 - per pianoforte (6:32)&lt;/div&gt;&lt;div&gt;04. Studio 5 - per pianoforte (2:30)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Lato B&lt;/b&gt;&lt;/div&gt;&lt;div&gt;05. Preludio - per archi (9:02)&lt;/div&gt;&lt;div&gt;06. Trio - per pianoforte-oboe-fagotto (6:45)&lt;/div&gt;&lt;div&gt;07. Al-Ma-El - danza per archi (2:34)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7A7Igo1IsezPM-qE0LAZh1TkQZoM7N0IzwqaXNytxIHAV1zW0tkfp3cst-lAIkQXobMkex9i-enRlOOSKC29SzKy5Lhr7ZfnzNbiPYzl_yat4rEwg8WopVshseIx6BDW2dyXMViqtiOW9E9rCWmnOjWmsV8NibzAYt1FmolQ0Ijq1BJILYUSOsu__T1iQ/s600/R-6336191-1657390985-7439.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7A7Igo1IsezPM-qE0LAZh1TkQZoM7N0IzwqaXNytxIHAV1zW0tkfp3cst-lAIkQXobMkex9i-enRlOOSKC29SzKy5Lhr7ZfnzNbiPYzl_yat4rEwg8WopVshseIx6BDW2dyXMViqtiOW9E9rCWmnOjWmsV8NibzAYt1FmolQ0Ijq1BJILYUSOsu__T1iQ/w400-h400/R-6336191-1657390985-7439.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;MUSICISTI:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Luciano Basso - pianoforte, compositore e arrangiatore&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;i&gt;con&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Mario Arcari - oboe&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Leonardo Dosso - fagotto&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Orchestra del Teatro alla Scala- / archi&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsEi7vvQwW-JKGbXqO6OxSskClanMLfeG59cVKHoy0e6KV6y-unRAVPa1h8hVKX1nW3XOKRaEvr2JoWKHl7ohv9YNqkdFilkVUl8GtZ9h8r2uZA5gFMnQmmIfIZrJYzmPuTDkDfi6s5vNOICaF3y516E1Tz1-f2APaqosGUouVJiPYbAB2ut6jITGDfM_3/s600/R-6336191-1657390985-6577.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsEi7vvQwW-JKGbXqO6OxSskClanMLfeG59cVKHoy0e6KV6y-unRAVPa1h8hVKX1nW3XOKRaEvr2JoWKHl7ohv9YNqkdFilkVUl8GtZ9h8r2uZA5gFMnQmmIfIZrJYzmPuTDkDfi6s5vNOICaF3y516E1Tz1-f2APaqosGUouVJiPYbAB2ut6jITGDfM_3/w400-h400/R-6336191-1657390985-6577.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Concluso il lungo ponte pasquale, purtroppo funestato dalla triste scomparsa di Papa Francesco, la Stratosfera riprende la sua consuete attività. La ripresa avviene con un post che segna il ritorno dello storico amico e collaboratore del blog, &lt;b&gt;Frank-One&lt;/b&gt;. Un bentornato da parte mia e di tutto il team della Stratosfera. E&#39; veramente un grande piacere ospitarti nuovamente su queste pagine. Oltre all&#39;album in oggetto, una autentica rarità che ristagnava da tempo nella nostra wishlist, Frank-One mi ha inviato un secondo album, altrettanto poco diffuso e molto interessante sotto il profilo musicale, che condividerò con voi nei prossimi giorni. Per quanto riguarda Luciano Basso, noto pianista e compositore, la sua figura non è nuova, visto che tempo fa avevamo già proposto i suoi due primi lavori, &quot;Voci&quot; (1976 - &lt;b&gt;&lt;a href=&quot;https://verso-la-stratosfera.blogspot.com/2013/06/luciano-basso-1976-voci.html&quot;&gt;qui&lt;/a&gt;&lt;/b&gt;) e &quot;Cogli il giorno&quot; (1978 - &lt;b&gt;&lt;a href=&quot;https://verso-la-stratosfera.blogspot.com/2015/01/luciano-basso-1978-cogli-il-giorno.html&quot;&gt;qui&lt;/a&gt;&lt;/b&gt;). Facendo un salto nel passato potrete rileggere la sua biografia e la recensione dei due album.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_wjAujnPm9GlF2LJP_ROnaHeKUuKrCey69y96ZeNq7WLE3vQdoqT8MbJq5RZCTjZ8Nt7sYKsS8zjoYzKZe80t6iBrFeSY50NqtgChzacGOZiBg8dy8WtmgTInfN3vJSiz3A6ugdobuO0db5FUcCEMxyWR97oWJHvtGxaYYZLb-BRAVavspY6VsaCAPvdM/s600/R-6336191-1657390985-6668.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_wjAujnPm9GlF2LJP_ROnaHeKUuKrCey69y96ZeNq7WLE3vQdoqT8MbJq5RZCTjZ8Nt7sYKsS8zjoYzKZe80t6iBrFeSY50NqtgChzacGOZiBg8dy8WtmgTInfN3vJSiz3A6ugdobuO0db5FUcCEMxyWR97oWJHvtGxaYYZLb-BRAVavspY6VsaCAPvdM/w400-h400/R-6336191-1657390985-6668.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&quot;Frammenti tonali&quot; (dove il trattino nel termine &quot;fram_menti&quot; avrà pure un suo significato) è il terzo disco del musicista, pubblicato in vinile (e mai ristampato) nel 1979 dall&#39;etichetta Ariston. In queste 7 tracce, Luciano Basso mette a frutto la sua grande capacità compositiva, allontanandosi&amp;nbsp; dalla sperimentazione dei primi lavori, per regalarci invece un disco di musica classica contemporanea (eh sì, non aspettatevi nulla di diverso), dove domina il solo pianoforte nelle 4 tracce del lato A, mentre nella seconda facciata viene dato spazio in primis agli archi della prestigiosa Orchestra del Teatro alla Scala di Milano, accompagnata da pianoforte, oboe e fagotto. Un disco decisamente inusuale che entra a fare parte, da oggi, del ricco catalogo della Stratosfera. A voi il giudizio.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;Buon ascolto.&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOemcFmFzHvfACsas1GvqCIEYnzk2uVxjn7AgKmtsh6S60v4EYEEYS8bhfqMk7PlgWB07JD7s5CeFiinjc3-lGorKrByMXxOuCO-lCvUDIzNTCJFxZtnmfMdccp0sl8uP20c29leXFF0tgiIrMfMXqP4sro27Cr_yk8mHl6Pt89V_I2pBCFdb4BwhcSuHf/s599/A-1373177-1262761704.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;599&quot; data-original-width=&quot;430&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOemcFmFzHvfACsas1GvqCIEYnzk2uVxjn7AgKmtsh6S60v4EYEEYS8bhfqMk7PlgWB07JD7s5CeFiinjc3-lGorKrByMXxOuCO-lCvUDIzNTCJFxZtnmfMdccp0sl8uP20c29leXFF0tgiIrMfMXqP4sro27Cr_yk8mHl6Pt89V_I2pBCFdb4BwhcSuHf/w288-h400/A-1373177-1262761704.jpg&quot; width=&quot;288&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/OBJWhJCY#HyPCfdgbTcVwexShaXxFuv7b4qtzduc4zmBCYco-mwY&quot;&gt;LINK&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;Post by George - Music by Frank-One (thanks friend)&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/442287056438259552/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/luciano-basso-frammenti-tonali-vinile.html#comment-form' title='3 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/442287056438259552'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/442287056438259552'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/luciano-basso-frammenti-tonali-vinile.html' title='Luciano Basso - Frammenti tonali (vinile, 1979)'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL2X7BBjxUiiupEpk8h9g9Aw-plndIEcxonqKtzUI-MGcXKoZcDCHKtmDVwDyu223eLJsFnrSLfLaPgpYNsh7U9hs0ScR92bhx30-zwdmSS5LjulwMSsIkC7uNSrIfgUYH2upRiw11CnXn8Jv1Aznv3tIIuHrqcVhBscxgIR-Xm51sWWtKCdTzagrnVluY/s72-w400-h400-c/R-6336191-1657390985-4059.jpg" height="72" width="72"/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-6292401299568226067</id><published>2025-04-17T13:03:00.001+02:00</published><updated>2025-04-17T13:03:47.320+02:00</updated><title type='text'>AUGURI DI BUONA PASQUA</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&amp;nbsp;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7QVWLtxXdXcdtquxTqOH8BPxTjALE9inwENMbBNQ_N0KVosKw_TsA31emfS7ttR0PSEJNXN5nIFI5L2AB8Lc6JTwsb_yluZF1VBOGZrz0ZIt4XsYq8JWlUBAQge3EqCaiV2DNFgm28EFT9xFiN3aAlB3zL3FRmfR14P1Drf1fTCF4gxS212WVFZoKzzIa/s640/auguri-pasqua-640x384.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;384&quot; data-original-width=&quot;640&quot; height=&quot;240&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7QVWLtxXdXcdtquxTqOH8BPxTjALE9inwENMbBNQ_N0KVosKw_TsA31emfS7ttR0PSEJNXN5nIFI5L2AB8Lc6JTwsb_yluZF1VBOGZrz0ZIt4XsYq8JWlUBAQge3EqCaiV2DNFgm28EFT9xFiN3aAlB3zL3FRmfR14P1Drf1fTCF4gxS212WVFZoKzzIa/w400-h240/auguri-pasqua-640x384.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;Cari stratosferici amici, tanti auguri di Buona Pasqua.&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;Nel frattempo, se volete, date una ripassata alla wishlist. Chissà che qualcosa non salti fuori.&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;Appuntamento alla prossima settimana.&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Il team della Stratosfera&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/6292401299568226067/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/auguri-di-buona-pasqua.html#comment-form' title='5 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/6292401299568226067'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/6292401299568226067'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/auguri-di-buona-pasqua.html' title='AUGURI DI BUONA PASQUA'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7QVWLtxXdXcdtquxTqOH8BPxTjALE9inwENMbBNQ_N0KVosKw_TsA31emfS7ttR0PSEJNXN5nIFI5L2AB8Lc6JTwsb_yluZF1VBOGZrz0ZIt4XsYq8JWlUBAQge3EqCaiV2DNFgm28EFT9xFiN3aAlB3zL3FRmfR14P1Drf1fTCF4gxS212WVFZoKzzIa/s72-w400-h240-c/auguri-pasqua-640x384.jpg" height="72" width="72"/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-8975668291739718066</id><published>2025-04-16T19:36:00.000+02:00</published><updated>2025-04-16T19:36:01.284+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="2016"/><category scheme="http://www.blogger.com/atom/ns#" term="2025"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="Nuova Era"/><title type='text'>Nuova Era - Atto III: &quot;Return To The Castle&quot; (2016) plus &quot;20.000 leghe sotto i mari&quot; (presentazione nuovo album, 2025)</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&amp;nbsp;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFltRjH5JTN5-FXgotTa3oFs1i8RMAjPkS7Sv_mr95mrvXvvj7Dfm_oUg59eJ7SnJYAgI4ASzpfN6RrYkPJwrsGiuazU_JK2o39csfDS1s83UFKl47b_mgdLqXjmNIA6G3ogdojoC_IbKttRe0rR1BafiOHGGAoFjru1REn8GqO9D2yDUMg6SPH-lL84s1/s599/R-9545239-1544640146-3502.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;599&quot; data-original-width=&quot;599&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFltRjH5JTN5-FXgotTa3oFs1i8RMAjPkS7Sv_mr95mrvXvvj7Dfm_oUg59eJ7SnJYAgI4ASzpfN6RrYkPJwrsGiuazU_JK2o39csfDS1s83UFKl47b_mgdLqXjmNIA6G3ogdojoC_IbKttRe0rR1BafiOHGGAoFjru1REn8GqO9D2yDUMg6SPH-lL84s1/w400-h400/R-9545239-1544640146-3502.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;01. Return To The Castle, part 1 - 9:55&lt;/div&gt;&lt;div&gt;02. Carousel I: Through The Battles And The Years - 2:56&lt;/div&gt;&lt;div&gt;03.The Dragon And The Knight - 12:21&lt;/div&gt;&lt;div&gt;04. Carousel II: Dancing Shadows In The Forest - 4:05&lt;/div&gt;&lt;div&gt;05. The Prophecy - 8:00&lt;/div&gt;&lt;div&gt;06. Carousel III: Living For The King - 2:36&lt;/div&gt;&lt;div&gt;07. The Castle - 9:47&lt;/div&gt;&lt;div&gt;08. Carousel IV: At The Banquet (Including The Princess) - 6:25&lt;/div&gt;&lt;div&gt;09. Court Life - 6:08&lt;/div&gt;&lt;div&gt;\10. Carousel V: The Dreams Of Childhood - 4:31&lt;/div&gt;&lt;div&gt;11. Return To The Castle, part 2 - Conclusion - 7:45&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1QKBqw5EdTNNcXuqyYLX2S3OMCj8NvmiNVAZPEqEBPvdaHeaUL_RmFKQS1dV3rRAQapt7ABsX9Mv-TnUY11EWwzkXh8I5uy3B3hE8uN7_g_qAGXW0wyCJVrze4MV9NeQO2Fa9dokBAmlIxxMGEPG0u79gshdUJZ1BELhtNbcvuI-y3SUcUBOzkoNVqv1I/s600/R-9545239-1544640148-7363.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;584&quot; data-original-width=&quot;600&quot; height=&quot;389&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1QKBqw5EdTNNcXuqyYLX2S3OMCj8NvmiNVAZPEqEBPvdaHeaUL_RmFKQS1dV3rRAQapt7ABsX9Mv-TnUY11EWwzkXh8I5uy3B3hE8uN7_g_qAGXW0wyCJVrze4MV9NeQO2Fa9dokBAmlIxxMGEPG0u79gshdUJZ1BELhtNbcvuI-y3SUcUBOzkoNVqv1I/w400-h389/R-9545239-1544640148-7363.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;FORMA&amp;lt;IONE&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Alex Camaiti - voce, chitarra&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Walter Pini - tastiere&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Rudi Greco - basso&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Maurizio Marra - batteria&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXz_R2Gm2tntFcQlyFzrGsGLl0pps7gwcostgNwFDclsJGKf5AILRWDsYBeHUOn9qdQyCoawvlMIyoIdv6MWyrjApSd6n5o0Roz2Jtxe-fy-oadYIc9SasICShyvBIrfqtuQY20QUtmTTLxQc1K9na2HrI-O9j6oYfckE1Cp1WekiRMm-zgztqYz4P3ZZg/s600/R-9545239-1544640150-5002.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;304&quot; data-original-width=&quot;600&quot; height=&quot;203&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXz_R2Gm2tntFcQlyFzrGsGLl0pps7gwcostgNwFDclsJGKf5AILRWDsYBeHUOn9qdQyCoawvlMIyoIdv6MWyrjApSd6n5o0Roz2Jtxe-fy-oadYIc9SasICShyvBIrfqtuQY20QUtmTTLxQc1K9na2HrI-O9j6oYfckE1Cp1WekiRMm-zgztqYz4P3ZZg/w400-h203/R-9545239-1544640150-5002.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;I Nuova Era sono una nostra vecchia e gradita conoscenza e non a caso ci eravamo già occupati di loro in due riprese non molto tempo fa, pubblicando la loro discografia dal 1988 al 2010. &lt;b&gt;&lt;a href=&quot;https://verso-la-stratosfera.blogspot.com/2022/06/i-grandi-protagonisti-del-neo-prog.html&quot;&gt;Qui &lt;/a&gt;&lt;/b&gt;ritroverete l&#39;atto I (con gli album &lt;b&gt;L&#39;ultimo viaggio&lt;/b&gt; (1988), &lt;b&gt;Dopo l&#39;infinito&lt;/b&gt; (1989) e &lt;b&gt;Io e il tempo&lt;/b&gt; (1992), mentre &lt;b&gt;&lt;a href=&quot;https://verso-la-stratosfera.blogspot.com/2022/07/nuova-era-atto-ii-il-passo-del-soldato.html&quot;&gt;qui&lt;/a&gt;&lt;/b&gt; ritroverete l&#39;atto II (con gli album &lt;b&gt;Il passo del soldato&lt;/b&gt; (1995) e l&#39;omonimo &lt;b&gt;Nuova Era &lt;/b&gt;del 2010). In quel periodo ho avuto il piacere di intraprendere una corrispondenza con il tastierista e fondatore della band, Walter Pini, il quale di recente - nei commenti - mi ha informato dell&#39;avvenuta pubblicazione, agli inizi del 2025, dell&#39;ultimo lavoro dal titolo &quot;20.000.leghe sotto i mari&quot;. Ma lo sapevo già. Ne parleremo alla fine di questo post. Nel rispetto della cronologia, mancava ancora all&#39;appello &lt;b&gt;Return To The Castle&lt;/b&gt;, uscito nel 2016, che ho il piacere di presentarvi in questa occasione. Premetto che le foto, molte delle quali &quot;di repertorio&quot; sono tratte dalla pagina Fb del gruppo fiorentino.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuiByf3grH5ZdMhcjJE5HFuS-jcK023jWJ8UHbZ70OAP8jtQEOQSL31HOdzUz02OQgZJdhKhIsQh1VLMo-anGgGNtyY4YV54dNyhmLGjaeLojgubR0uVAviQORd_j_cwMCEKrpGwChOlDz01kp3xeV1HEPncaJe9Ik8r1sHvg2tU1WH8dCnAW2jB3bsxoN/s1118/max1483393637-potlaccd-cover.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1118&quot; data-original-width=&quot;1111&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuiByf3grH5ZdMhcjJE5HFuS-jcK023jWJ8UHbZ70OAP8jtQEOQSL31HOdzUz02OQgZJdhKhIsQh1VLMo-anGgGNtyY4YV54dNyhmLGjaeLojgubR0uVAviQORd_j_cwMCEKrpGwChOlDz01kp3xeV1HEPncaJe9Ik8r1sHvg2tU1WH8dCnAW2jB3bsxoN/w398-h400/max1483393637-potlaccd-cover.jpg&quot; width=&quot;398&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&quot;Return To The Castle&quot;, pubblicato dalla AMS nel 2016, segna il ritorno dei Nuova Era, con nuove composizioni,&amp;nbsp; addirittura dal 1995 quando uscì&#39; sul mercato discografico &quot;Il passo del soldato&quot;. E&#39; pur vero che nel 2010 la band colmò la lacuna temporale con l&#39;omonimo &quot;Nuova Era&quot;, una sorta di compendio con versioni live e alternative di brani già conosciuti, oltre alle tracce dedicate alla &quot;Divina Commedia&quot;, ma è con &quot;Return To The Castle&quot; che ci possiamo&amp;nbsp; deliziare nell&#39;ascolto di nuove composizioni. Questo scrisse la AMS a suo tempo: &quot;&lt;i&gt;La pubblicazione di “Return to the Castle” rappresenta un evento importante: ben 75 minuti di rock progressivo sinfonico cantato in inglese per la prima volta nella storia della band, che spazia da frangenti barocchi ad altri più sognanti e atmosferici. Contribuiscono alla durata consistente di questo album, costituito da sei lunghi brani inframezzati da più brevi interludi – qui denominati ‘Carousel’ – numerose e lunghe sezioni strumentali. Un must&lt;/i&gt;!&quot;&lt;/div&gt;&lt;div&gt;Una buona recensione, assolutamente condivisibile,&amp;nbsp; la curò Valentino Butti su &quot;Arlequins&quot;. Di seguito alcune parti.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw5u8HgEbFMXPA1HWDrgaz2p3QinMHMUL9FlUdLojM0EERlNraXaIU9AbGel7Gk2kc6FAaDTRPGdX6UbrzAoOjbvaugTSWcgRpRcvB83CK1mxHnVcjVQdl4OynH5nR201vzQROz0vXL-RFCN5Tu6dsltaxTzrlTISt6kysVRpB2_Hmeq9-m4SL8ZKzyt28/s600/walter%20pini.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;600&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw5u8HgEbFMXPA1HWDrgaz2p3QinMHMUL9FlUdLojM0EERlNraXaIU9AbGel7Gk2kc6FAaDTRPGdX6UbrzAoOjbvaugTSWcgRpRcvB83CK1mxHnVcjVQdl4OynH5nR201vzQROz0vXL-RFCN5Tu6dsltaxTzrlTISt6kysVRpB2_Hmeq9-m4SL8ZKzyt28/w400-h300/walter%20pini.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Walter Pini&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&quot;Un ritorno in grande stile con una copertina “a tema” ed un bel booklet fotografico e provvisto delle doverose liriche. Due aspetti appaiono subito evidenti e si tratta di due importanti novità. I testi, per la prima volta nella storia del gruppo, sono in inglese (curati da James Hogg, come del resto la copertina), inoltre alla voce ed alla chitarra c’è il ritorno di Alex Camaiti (presente per l’ultima volta in “Io ed il tempo” del 1992) che si aggiunge ai nuovi Rudi Greco al basso e Maurizio Marra alla batteria. Per il resto siamo di fronte ad un sound che possiamo definire “tipicamente Nuova Era”, con importanti trame strumentali barocche e piene di enfasi in cui, neanche a dirlo, le tastiere di Walter Pini imperversano (quasi) incontrastate. 75 minuti (e capiamo la difficoltà di vedere in circolazione anche la versione in vinile…) spalmati su 11 brani, di cui solo tre cantati, impregnati del gusto “seventies” di Pini e compagni, le cui influenze (dai Deep Purple agli EL&amp;amp;P, da Le Orme al Museo Rosenbach ed altro ancora) riecheggiano piacevolmente in tutto il lavoro.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqShyphenhyphen4drMA5nrzwyWvlAMyEP30tt2j8HbJ2L2Orb0u_2eFje2m3Ii30JV3ngjZWWkhboCI3pVD3cIvplMsi7Kk441YrHjA-yFcTV0NN6qboPMjMc0u0bluXVxFgxbkZXOqGQW9NkJI0zjzcWVLxyO1YQWrLXmG-uzpAwnyO6tolRef3nQAlinTy3ePUhU4/s1600/460022024_1071750454953348_575054958208995937_n.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1600&quot; data-original-width=&quot;1585&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqShyphenhyphen4drMA5nrzwyWvlAMyEP30tt2j8HbJ2L2Orb0u_2eFje2m3Ii30JV3ngjZWWkhboCI3pVD3cIvplMsi7Kk441YrHjA-yFcTV0NN6qboPMjMc0u0bluXVxFgxbkZXOqGQW9NkJI0zjzcWVLxyO1YQWrLXmG-uzpAwnyO6tolRef3nQAlinTy3ePUhU4/w396-h400/460022024_1071750454953348_575054958208995937_n.jpg&quot; width=&quot;396&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Un album che è il naturale seguito musicale de “L’ultimo viaggio” o di “Dopo l’infinito”, anche se i tempi pioneristici targati Contempo sono ormai lontani e la band è inevitabilmente maturata. “Return to the Castle” è un concept, come nella consolidata tradizione prog, e tratta le vicende di un cavaliere che ritorna al suo castello e scopre che il suo re è passato a miglior vita. Il prog ad alto tasso sinfonico della band ben si sposa con le atmosfere medioevali che pervadono l’opera ed il risultato finale è senza dubbio gradevole. Non mancano delle ombre qua e là, come qualche incertezza nel cantato (comunque limitato a 3 tracce come si diceva) e forse l’eccessiva lunghezza dell’album. Il tutto però ampiamente compensato dalla bellezza delle musiche e dal pathos che ne scaturisce.&quot;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnAYCwXhOXhvOvujA1POcJza5t_Wt7pzfLVm7bHECQpnJPXAfvH_jLgNw3hUv-PH7_pqz0PQkT5SzWRASAaXGwBaJMrNKsRHiYKxl8RO5IPZaejdW57NeRN6AkXxkzvAi5axtCwa-zR9BFZA5v4QGnceNtFGF8-txjiqU_1ZJ_GtbvW6lVPCb53cYwbw54/s604/462026513_10161252075382626_2146272371670324644_n.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;411&quot; data-original-width=&quot;604&quot; height=&quot;272&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnAYCwXhOXhvOvujA1POcJza5t_Wt7pzfLVm7bHECQpnJPXAfvH_jLgNw3hUv-PH7_pqz0PQkT5SzWRASAaXGwBaJMrNKsRHiYKxl8RO5IPZaejdW57NeRN6AkXxkzvAi5axtCwa-zR9BFZA5v4QGnceNtFGF8-txjiqU_1ZJ_GtbvW6lVPCb53cYwbw54/w400-h272/462026513_10161252075382626_2146272371670324644_n.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;In conclusione, aggiungo io, oltre a sottolineare la bellezza dell&#39;album e la grande abilità tecnica dei quattro musicisti, vorrei ricordavi che Walter Pini ci regalò a suo tempo una outtake composta per &quot;Return To The Castle&quot; intitolata &quot;&lt;b&gt;Marcia degli gnomi&lt;/b&gt;&quot; (che venne scartata dal CD per ragioni di spazio) già postata in calce all&#39;album &quot;Nuova Era&quot; del 2010. Ne approfitto per ringraziare ancora una volta Walter. Pe ritornare al vecchio post del 2022 Walter Pini, in merito ai futuri lavori del Nuova Era mi scrisse &quot;&lt;i&gt;Stiamo provando, da diverso tempo, per registrare il nuovo album che si sta rivelando molto impegnativo. Saranno circa 90 minuti di musica prog molto ma molto primi anni &#39;70. Il disco si intitolerà &quot;20 mila leghe sotto i mari&lt;/i&gt;&quot;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;Tutto vero (tranne la durata), tant&#39;è che alla fine del mese di febbraio 2025 finalmente &quot;20.000 leghe sotto i mati&quot; è diventato una realtà&quot;. Eviterò di postare i file, tenuto conto che è fresco di stampa, ma essendo presente su YT vi fornirò i link per ascoltarlo.&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Nuova Era - 20.000 leghe sotto i mari (2025)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;presentazione del nuovo album&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-_7O8dv5Zi7E7Op6hNa8opNPn5GlIwoA4Ifre1e4viEUHFmeVflBZTsCJRj14dnRUtW0C1Ive-awGRPp00C3H7_zAfg-UViJOOLfrjeo4CrqOcYHZne4cSUjb9X_jzzxr5yr3ZFSNORhiG70N0mRBTvNn_GMzsFvm2KIDp3vwbZFGSKso4OVowzoHn7BF/s600/R-33380834-1741725144-7042.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-_7O8dv5Zi7E7Op6hNa8opNPn5GlIwoA4Ifre1e4viEUHFmeVflBZTsCJRj14dnRUtW0C1Ive-awGRPp00C3H7_zAfg-UViJOOLfrjeo4CrqOcYHZne4cSUjb9X_jzzxr5yr3ZFSNORhiG70N0mRBTvNn_GMzsFvm2KIDp3vwbZFGSKso4OVowzoHn7BF/w400-h400/R-33380834-1741725144-7042.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;01. 20.000 leghe sotto i mari - 36:25&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;a) La partenza&lt;span style=&quot;white-space: pre;&quot;&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;b) La caccia&lt;span style=&quot;white-space: pre;&quot;&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;c) Smarrimento&lt;span style=&quot;white-space: pre;&quot;&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;d) Capitan Nemo&lt;span style=&quot;white-space: pre;&quot;&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;e) Il signore delle acque&lt;span style=&quot;white-space: pre;&quot;&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;f) Mondi misteriosi&lt;span style=&quot;white-space: pre;&quot;&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;g) Nel profondo&lt;span style=&quot;white-space: pre;&quot;&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;h) Prigionieri dell&#39;abisso&lt;span style=&quot;white-space: pre;&quot;&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;02. Nautilus - 16:05 (solo su CD)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR76RocVn01WEDbihhBjPkl3aMQewRElDwmyUjQ1DA6R9ZZBpiuLN6pjxuItqajDbOLNVPqZb2abtMgiLsuNnfVGbJwWKAjBYX7lbCJclcYSp62eO4AK002s47PnKLrhVgzn4i79p7Ai1w8j0lIPZkQ_j_sLDRXyFul4vTzf6lXyxEzh5nIPD8_pvL8hdc/s536/8016158334937_0_99_536_0_75.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;536&quot; data-original-width=&quot;536&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR76RocVn01WEDbihhBjPkl3aMQewRElDwmyUjQ1DA6R9ZZBpiuLN6pjxuItqajDbOLNVPqZb2abtMgiLsuNnfVGbJwWKAjBYX7lbCJclcYSp62eO4AK002s47PnKLrhVgzn4i79p7Ai1w8j0lIPZkQ_j_sLDRXyFul4vTzf6lXyxEzh5nIPD8_pvL8hdc/w400-h400/8016158334937_0_99_536_0_75.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Walter Pini - tastiere, voce (1,4)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Alex Camatti - chitarra elettrica, chitarra acustica, voce&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Rudy Greco - basso&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Maurizio Marra - batteria, percussioni&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYBYTjYigYZ3If_qVP3j6jgMZFvfc4-AUzmB6d1u48dMI5xLJu2ygpXSdC6-CNQIOAQJ0hafWUWmmfeeslNIqZCeYUSF2ZX3T3U54zlbEmQXgY5moGuAn8jqYKXfa1vuJbYTWUIWp1jNsllZ-dj6qzzKTyM9NLsXhlDrH1fw9EOAx0HfDczFKpy_aWc7l7/s960/464583152_1105866894875037_2994002083220067407_n.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;484&quot; data-original-width=&quot;960&quot; height=&quot;201&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYBYTjYigYZ3If_qVP3j6jgMZFvfc4-AUzmB6d1u48dMI5xLJu2ygpXSdC6-CNQIOAQJ0hafWUWmmfeeslNIqZCeYUSF2ZX3T3U54zlbEmQXgY5moGuAn8jqYKXfa1vuJbYTWUIWp1jNsllZ-dj6qzzKTyM9NLsXhlDrH1fw9EOAx0HfDczFKpy_aWc7l7/w400-h201/464583152_1105866894875037_2994002083220067407_n.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;Il nuovo lavoro dei Nuova Era, pubblicato dalla AMS, è costituito da due soli brani, composti da Walter Pini, una lunga suite della durata di oltre 36 minuti che dà il titolo al disco e una traccia conclusiva, &quot;Nautilus&quot; di 16 minuti. &quot;20.000 leghe sotto i mari&quot; è un lavoro decisamente ambizioso e anche difficile da proporre in un&#39;epoca in cui le lunghe suite sembrano essere state poste in soffitta. Ma tant&#39;é: la formazione a quattro (con Walter Pini troviamo lo storico chitarrista Alex Camatti supportati dalla sezione ritmica costituita da Rudy Greco al basso e Maurizio Marra alla batteria) sfoggia un arsenale di strumenti, Roland, Hammond, Gibson, ecc. suonati magistralmente che ci rimbalzano direttamente negli anni &#39;70. La suite è molto ben strutturata e articolata, con cambi repentini di tempo e ritmo che fanno volare i 36 minuti di durata. Infine, spendo una parola in più per la conclusiva &quot;Nautilus&quot;, purtroppo non inclusa nella versione vinile, la quintessenza di quelle grandi sonorità che hanno caratterizzato gli anni &#39;70 e le storiche band che ne sono state la spina dorsale. Ma non era forse questa la volontà espressa dai Nuova Era? Un album imperdibili per tutti gli amanti del classico progressive rock.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeiNTesNJO1uVfn84nAWV4mLhud8Mwfbiz6aTYWcFUe9rx4u-MD0N9wDs-QCfbXajQwNwtD5VtwUH3Oy_qYEzHocA15zq6Zp77kBURfVbkEMpHHXJE-qMwVzKGU7w_gwK8wZzm3LfadT6oXwqK7GqGYoAWXYmI7D6hqITItPT-YjkSow5RabvNsQ8M3Oe1/s1240/468813032_10161635401552626_938112086136020087_n.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;827&quot; data-original-width=&quot;1240&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeiNTesNJO1uVfn84nAWV4mLhud8Mwfbiz6aTYWcFUe9rx4u-MD0N9wDs-QCfbXajQwNwtD5VtwUH3Oy_qYEzHocA15zq6Zp77kBURfVbkEMpHHXJE-qMwVzKGU7w_gwK8wZzm3LfadT6oXwqK7GqGYoAWXYmI7D6hqITItPT-YjkSow5RabvNsQ8M3Oe1/w400-h266/468813032_10161635401552626_938112086136020087_n.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Dello stesso parere la AMS Records: &quot;I Nuova Era hanno ulteriormente ‘affilato le lame’ per la realizzazione di quello che è forse il loro album più ambizioso di sempre, nuovamente cantato in lingua madre. “20.000 leghe sotto i mari”, infatti, apertamente ispirato al capolavoro letterario omonimo di Jules Verne, è costituito da un’unica lunga suite di quasi 40 minuti – divisa in due atti nella versione LP – che costituisce una sorta di summa di tutto ciò che ha sempre rappresentato il rock progressivo italiano, genere musicale spesso utilizzato per descrivere la complessità e varietà dell’animo umano, grazie a continui e imprevedibili mutamenti armonici, ritmici e melodici, tutti intimamente legati da un unico filo conduttore. Non fosse per alcuni spunti più ‘attuali’ di chitarra elettrica e tastiere, “20.000 leghe sotto i mari” potrebbe benissimo essere scambiato per uno dei grandi album di prog sinfonico pubblicati all’inizio degli anni 70!&quot;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;E&#39; tutto. Buon ascolto, cari amici.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIpVcuK0IXU95mtNv9KXswOfqv2oT73QVrkiKLOPacr-mAofKrfKrPTAV25XgDbFFUbSATsHad2snyk5wcVZR6e9LJrWQXJCtMkw_ZCAgznrHrJVMkewVM1vMg8_FhEXLAOvRWKRAfQSS7FO7b0ctlmr48oZBcT9jmkeszpTvU0nkQyIi3WoLVKZp65qa_/s425/480805039_1198826518912407_7831655010933368659_n.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;340&quot; data-original-width=&quot;425&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIpVcuK0IXU95mtNv9KXswOfqv2oT73QVrkiKLOPacr-mAofKrfKrPTAV25XgDbFFUbSATsHad2snyk5wcVZR6e9LJrWQXJCtMkw_ZCAgznrHrJVMkewVM1vMg8_FhEXLAOvRWKRAfQSS7FO7b0ctlmr48oZBcT9jmkeszpTvU0nkQyIi3WoLVKZp65qa_/w400-h320/480805039_1198826518912407_7831655010933368659_n.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/LcZDzRgD#MynlI9TpVw0TUjLkfVxFurisfz3tPIyi5IzFkLllyFI&quot;&gt;LINK &lt;/a&gt;Return To The Castle&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=Eb8zCWs_dkE&quot;&gt;LINK &lt;/a&gt;YouTube 20.000leghe sotto i mari&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=1l1U3eLFheY&quot;&gt;LINK &lt;/a&gt;YouTube Nautilus&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;Post by George&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/8975668291739718066/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/nuova-era-atto-iii-return-to-castle.html#comment-form' title='1 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/8975668291739718066'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/8975668291739718066'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/nuova-era-atto-iii-return-to-castle.html' title='Nuova Era - Atto III: &quot;Return To The Castle&quot; (2016) plus &quot;20.000 leghe sotto i mari&quot; (presentazione nuovo album, 2025)'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFltRjH5JTN5-FXgotTa3oFs1i8RMAjPkS7Sv_mr95mrvXvvj7Dfm_oUg59eJ7SnJYAgI4ASzpfN6RrYkPJwrsGiuazU_JK2o39csfDS1s83UFKl47b_mgdLqXjmNIA6G3ogdojoC_IbKttRe0rR1BafiOHGGAoFjru1REn8GqO9D2yDUMg6SPH-lL84s1/s72-w400-h400-c/R-9545239-1544640146-3502.jpg" height="72" width="72"/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-4311573649997898224</id><published>2025-04-13T17:45:00.000+02:00</published><updated>2025-04-13T17:45:04.036+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="1974"/><category scheme="http://www.blogger.com/atom/ns#" term="2008"/><category scheme="http://www.blogger.com/atom/ns#" term="2010"/><category scheme="http://www.blogger.com/atom/ns#" term="2011"/><category scheme="http://www.blogger.com/atom/ns#" term="2014"/><category scheme="http://www.blogger.com/atom/ns#" term="Bonus tracks"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="Gianfranca Montedoro"/><category scheme="http://www.blogger.com/atom/ns#" term="Le Antologie della Stratosfera"/><category scheme="http://www.blogger.com/atom/ns#" term="live"/><category scheme="http://www.blogger.com/atom/ns#" term="Murple"/><category scheme="http://www.blogger.com/atom/ns#" term="Superpost"/><category scheme="http://www.blogger.com/atom/ns#" term="Video"/><category scheme="http://www.blogger.com/atom/ns#" term="vinile"/><title type='text'>Le Antologie della Stratosfera vol. 55 - Murple (opera omnia 1974-2014)</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg_xQ93nmRGARVUCtgVfn1LJyTQunf9jp96-uzDW6h1o4NwHr5esV4n6BQLt-J1H7ZyKXVuc2CuoqxCS525wDFHSnG7Qkq25M82J0CwR7sDPzw-7IcLunw0Jn450WKhxfbEYmvtOjC3gS9eTlx_DE3FGNrnJKHalvGLC4_vVA-PxI3PKAv7WcAYrMjGHgX/s961/fd77ca0f5110e7721ad58666e874ff4e.webp&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;961&quot; data-original-width=&quot;770&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg_xQ93nmRGARVUCtgVfn1LJyTQunf9jp96-uzDW6h1o4NwHr5esV4n6BQLt-J1H7ZyKXVuc2CuoqxCS525wDFHSnG7Qkq25M82J0CwR7sDPzw-7IcLunw0Jn450WKhxfbEYmvtOjC3gS9eTlx_DE3FGNrnJKHalvGLC4_vVA-PxI3PKAv7WcAYrMjGHgX/w320-h400/fd77ca0f5110e7721ad58666e874ff4e.webp&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;PREMESSA&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Quest&#39;oggi vi propongo una interessante&amp;nbsp; retrospettiva, uno di quei lavori che si fanno volentieri e con passione, visto che è dedicata ad un gruppo storico del progressive italiano, ancora assente sulla Stratosfera, al di là di qualche presenza in varie compilation. Sto parlando dei Murple, un quartetto romano che si fece conoscere agli inizi degli anni &#39;70, mescolandosi con la miriade di gruppi e gruppuscoli in attività in quel fervente periodo. La biografia dei Murple ce la ricorda JJ John sul suo blog&lt;b&gt;&amp;nbsp;John&#39;s Classic Rock&lt;/b&gt;.&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDWH9mA8UY07zC81PwesCTZ0HtenB2TFNGtDtLxdu22cgt4XUoltJzHZtIEN5SA2mm9uGxUoibmjHyA2xPp2GlzFDzwaQnKQYJp9vAB8U93LrMxxpm_66VFTRLbpYXe4dcIN4C8JGtncFY1SsayCa05KYYGouaWGI5PuAPA5E7OXKzxhxDNChQYFQnfe9Z/s770/e34154e81a73ebef2c0052348ce66003.webp&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;513&quot; data-original-width=&quot;770&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDWH9mA8UY07zC81PwesCTZ0HtenB2TFNGtDtLxdu22cgt4XUoltJzHZtIEN5SA2mm9uGxUoibmjHyA2xPp2GlzFDzwaQnKQYJp9vAB8U93LrMxxpm_66VFTRLbpYXe4dcIN4C8JGtncFY1SsayCa05KYYGouaWGI5PuAPA5E7OXKzxhxDNChQYFQnfe9Z/w400-h266/e34154e81a73ebef2c0052348ce66003.webp&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&quot;Il gruppo nasce a Roma nel 1971 da un nucleo di due amici fraterni, il bassista Mario Garbarino e il batterista Duilio Sorrenti, a cui si aggiungono successivamente il tastierista Pier Carlo Zanco e il chitarrista-vocalist Pino Santamaria. Ispirandosi allo psicodramma di un comune amico americano che si immaginava di parlare con un pinguino invisibile di nome &lt;i&gt;Murple&lt;/i&gt;, il quartetto decide non solo di adottarne il nome, ma di fare dell&#39;animale una vera e propria mascotte del gruppo. Di fatto, tutti i concerti che la band terrà dal &#39;71 al &#39;73, saranno sempre caratterizzati dalla presenza di un pinguino gonfiabile sul palco e dalla sua figura stilizzata riprodotta un po&#39; ovunque. Dopo due anni di attività, il quartetto viene finalmente messo sotto contratto discografico dopo l&#39;esibizione al &quot;Be-In&quot; di Napoli, grazie al manager della Fare Records, Roberto Marsala. Nasce così &quot;&lt;b&gt;Io sono Murple&lt;/b&gt;&quot;, album d&#39;esordio della band prodotto nel 1974 tra Roma e Milano e distribuito dalla discografica tedesca Basf di cui la Fare è una sotto etichetta&quot;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3yT4lrZL47qJba2dgZCDEahekhGU2Jmx7a97-FvFJaxk7RZ6J_sYTJcg37zPPI40SbgtlWtS6rIDKuUzgCN4cJW3IdZHfMpiKEdpSw2a7A4KTloC_hbtMrq0TXSH-3sW9GdtH6yhvEHUIfKTFYM1fhJV_BAZdzPmC_gp3VEXwWixPOPIXLPbSjhYB4t1b/s564/A-1565257-1281196087.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;374&quot; data-original-width=&quot;564&quot; height=&quot;265&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3yT4lrZL47qJba2dgZCDEahekhGU2Jmx7a97-FvFJaxk7RZ6J_sYTJcg37zPPI40SbgtlWtS6rIDKuUzgCN4cJW3IdZHfMpiKEdpSw2a7A4KTloC_hbtMrq0TXSH-3sW9GdtH6yhvEHUIfKTFYM1fhJV_BAZdzPmC_gp3VEXwWixPOPIXLPbSjhYB4t1b/w400-h265/A-1565257-1281196087.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Sulla serietà della produzione non ci sono dubbi: la copertina laminata apribile ci offre una delle più belle grafiche del Pop Italiano e il ricco inserto di sei pagine in sottile carta marroncina, chiarifica esaustivamente tutti gli aspetti tecnici e artistici del disco. Nondimeno è da ricordare che la band si presenterà in studio con un&#39;artiglieria di tutto rispetto: Hammond, Arp Odissey, chitarra Gibson, Fender jazz bass e batteria a doppia cassa Ludwig. Purtroppo, come giustamente ricorda &lt;b&gt;Augusto Croce&lt;/b&gt; su &quot;Italian Prog&quot; i Murple furono &quot;uno dei tanti gruppi che avrebbe meritato molta più considerazione di quella che ha avuto. Purtroppo la sopracitata etichetta Basf non si occupò minimamente della promozione del gruppo e fece uscire il disco molto tempo dopo la sua registrazione. Peccato, perché &quot;Io sono Murple&quot; è un album molto bello, fin dalla copertina fantasy con un inserto apribile con i testi, e molto ben suonato da questo quartetto di Roma con una lunga esperienza&quot;.&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjArg6cI3QED_l0DVMKGh6uWEtbNDpWTSZmYnY8uuydqzzhUAYyK7jHZ-fPQVmX1O8Lu8t0ZS8rINkO622w2XOEgCiCO51F8RWWCEslvbk-MoCVv1rrZQ2htf1nl_god5wpk0sw95H2rekUGCmY5qYMRUk23Y1-9QCo3QY0uXoM2DKslto7HUDRuPvAYTbh/s599/A-1565257-1631275056-6651.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;463&quot; data-original-width=&quot;599&quot; height=&quot;309&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjArg6cI3QED_l0DVMKGh6uWEtbNDpWTSZmYnY8uuydqzzhUAYyK7jHZ-fPQVmX1O8Lu8t0ZS8rINkO622w2XOEgCiCO51F8RWWCEslvbk-MoCVv1rrZQ2htf1nl_god5wpk0sw95H2rekUGCmY5qYMRUk23Y1-9QCo3QY0uXoM2DKslto7HUDRuPvAYTbh/w400-h309/A-1565257-1631275056-6651.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&quot;L&#39;album contiene un&#39;unica lunga suite divisa tra le due facciate, basata sulla storia di un pinguino, ed anche se i testi sono a tratti ingenui, la parte musicale è molto buona, con influenze classiche specialmente nelle tastiere ed ottime parti di chitarra. L&#39;LP non ebbe ovviamente successo anche per le critiche sfavorevoli della stampa specializzata, ed il gruppo collaborò con altri artisti, come la cantante &lt;b&gt;Gianfranca Montedoro&lt;/b&gt; (precedentemente nei Living Music) sul suo &quot;&lt;b&gt;Donna Circo&lt;/b&gt;&quot; del 1974, poi, pur essendo pronti a registrare un secondo album, i Murple si sciolsero. Nell&#39;ultimo periodo il bassista Mario Garbarino venne&amp;nbsp; sostituito da Roberto Puleo&quot;. Fin qui&amp;nbsp;&lt;b&gt;Italian Prog&lt;/b&gt;, dal quale trarrò ulteriori informazioni più avanti. Ed ora passiamo all&#39;ascolto del disco.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Murple - Io sono Murple&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;(versione CD + DVD del 2011&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;LP originariamente pubblicato nel 1974)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtkjvUzvuAfn4hkPQvO-_ZnszDa_Qja5BlCv4KJY6WZkTLvwI5M4Tm9OUhwD0CxYugmwYIWEgA2uB7VKu_iaPGsWVFUXXFoy-tLkZOj3LAXAjhIG955Eng_vf0nlQ3WIHoz9PUEEhwYC0YKByz5PjTUSLp1lA1sz2-koJtlU-hgN16pjPk97XbmIO0qy9Z/s599/R-14887885-1675800223-4349.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;599&quot; data-original-width=&quot;588&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtkjvUzvuAfn4hkPQvO-_ZnszDa_Qja5BlCv4KJY6WZkTLvwI5M4Tm9OUhwD0CxYugmwYIWEgA2uB7VKu_iaPGsWVFUXXFoy-tLkZOj3LAXAjhIG955Eng_vf0nlQ3WIHoz9PUEEhwYC0YKByz5PjTUSLp1lA1sz2-koJtlU-hgN16pjPk97XbmIO0qy9Z/w393-h400/R-14887885-1675800223-4349.jpg&quot; width=&quot;393&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST CD:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;01. &lt;b&gt;Suite #1&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;a) Antartide&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;b) Metamorfosi&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;c) Pathos&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;d) Senza un perché&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;e) Nessuna scelta&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;f) Murple Rock&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;02. &lt;b&gt;Suite #2&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;a) Preludio e Scherzo&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;b) Tra i fili&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;c) Variazioni in 6/8&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;d) Fratello&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;e) Un mondo cosi&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;f) Antarplastic&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;i&gt;Bonus Tracks (solo su ristampa 2011)&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;03. Il vecchio castello (live in studio 2010)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;04. Il ballo dei pulcini (live in studio 2010)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;05. Limoges (live in studio 2010)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Nani e Clown (Live Be-In, Napoli 1973)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeRgf5iUy0xiHVeJB0Ezik82rvpVAVoRTrwxnip34aOrfcC8ZS0_aROLL6IPRQlZkCSJ5R7jF2i3bSrVabwIIEj60f7hjE4zA2FqGITHnP1jd7Q_AxNC9-_h-Ex8qKsVpeBf6h554BbZMaVYKGy0r-FN1XQaZ87eOnQAZ-e8oUHyKrjxEZICB6-GIowiA1/s599/R-14887885-1675800226-5024.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;597&quot; data-original-width=&quot;599&quot; height=&quot;399&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeRgf5iUy0xiHVeJB0Ezik82rvpVAVoRTrwxnip34aOrfcC8ZS0_aROLL6IPRQlZkCSJ5R7jF2i3bSrVabwIIEj60f7hjE4zA2FqGITHnP1jd7Q_AxNC9-_h-Ex8qKsVpeBf6h554BbZMaVYKGy0r-FN1XQaZ87eOnQAZ-e8oUHyKrjxEZICB6-GIowiA1/w400-h399/R-14887885-1675800226-5024.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyTqYht5l69n6lTFYOV-K1-1_8HSEp-L-yJ8gb5mdYoJIYtqVmsDcAkeFjPpN2Wiixg3vZ5Lz-AJa8POjearAnjQa4zFg6YqqUJ02fv1lRS4OVv2SFjs9BBlE3EdFpk8F1ysfbdDfvBx7nby892egI6feQiHMCpXV2VkbW88dIICBYNJxonqRv23e94IMP/s598/R-3672170-1738729041-4008.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;298&quot; data-original-width=&quot;598&quot; height=&quot;199&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyTqYht5l69n6lTFYOV-K1-1_8HSEp-L-yJ8gb5mdYoJIYtqVmsDcAkeFjPpN2Wiixg3vZ5Lz-AJa8POjearAnjQa4zFg6YqqUJ02fv1lRS4OVv2SFjs9BBlE3EdFpk8F1ysfbdDfvBx7nby892egI6feQiHMCpXV2VkbW88dIICBYNJxonqRv23e94IMP/w400-h199/R-3672170-1738729041-4008.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEho_03KTsd0LDyct2vdAj2i87l9ogPMhaNc-i1uGkaxsODFNqutbtQZyI_Af7Zx0W14_at7raZY4zAV2F0wPnkdw8HPs887ujY0sKDHJhyphenhyphentHCYv-tpOkY4Iu9TdnNF_Y3wrCdRlk30CrcAAqwfprSw4tTpWRxh1Qr4OoVbVvpeS7UGbp4pS9qjV-4GpemrO/s280/R-4502758-1366712954-1154.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;280&quot; data-original-width=&quot;280&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEho_03KTsd0LDyct2vdAj2i87l9ogPMhaNc-i1uGkaxsODFNqutbtQZyI_Af7Zx0W14_at7raZY4zAV2F0wPnkdw8HPs887ujY0sKDHJhyphenhyphentHCYv-tpOkY4Iu9TdnNF_Y3wrCdRlk30CrcAAqwfprSw4tTpWRxh1Qr4OoVbVvpeS7UGbp4pS9qjV-4GpemrO/w400-h400/R-4502758-1366712954-1154.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST DVD (audio files)&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;Murple Live At Crossroads, Roma, 21.03.2010&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;01. Io sono Murple - Suite #1&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;a) Antartide&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;b) Metamorfosi&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;c) Pathos&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;d) Senza un perché&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;e) Nessuna sscelta&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;f) Murple Rock&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;02. Quadri di un&#39;esposizione (estratti)&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;a) Promenade &amp;amp; Gnomus&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;b) Bydlo&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;c) Baba Yaga&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;d) Rondò (inedito)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;e) Outro&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST DVD (video file)&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;La stessa del CD&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXUtP81gS31WlF68hXY18xjvdeU53HKXR5SPepoKXE7MUc_AYEwiVjCgkH4AzurZSbFlElr34EgSUoIaTUEQyLNOeLaMXOu4ffuBx__z3L41f4t0nKj5hbDBAAoI5MNWpbxM-5ti-XuDqwzO6V3hUJpZxrnJXPOD5iy2FZFyDfrE_poMgp-uhMFlGZ-DFT/s599/R-14887885-1675800168-4329.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;594&quot; data-original-width=&quot;599&quot; height=&quot;396&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXUtP81gS31WlF68hXY18xjvdeU53HKXR5SPepoKXE7MUc_AYEwiVjCgkH4AzurZSbFlElr34EgSUoIaTUEQyLNOeLaMXOu4ffuBx__z3L41f4t0nKj5hbDBAAoI5MNWpbxM-5ti-XuDqwzO6V3hUJpZxrnJXPOD5iy2FZFyDfrE_poMgp-uhMFlGZ-DFT/w400-h396/R-14887885-1675800168-4329.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE (1974):&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Pino Santamaria - chitarra, voce&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Piercarlo Zanco - tastiere, voce&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Mario Garbarino - basso, percussioni&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Duilio Sorrenti - batteria, percussioni&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifzUmCLL8dyXIP8rVi909Gr3rORwiOu2920iaWMukZw5_17_tbBnrbHAag80RmDhBO3OB8RMojpaK5NFpQTQj7u4o-k6fZW2i7_u3b-z9SFGO-it4QuOvydwnjAJ0VNI_7Ndt1i3Wo8uxiIJdLhiLTiMl-y8bTdUrOzBAp8oRdaiLTqxrx9n-4NfTyj72X/s600/R-14887885-1675800169-3877.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;596&quot; data-original-width=&quot;600&quot; height=&quot;398&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifzUmCLL8dyXIP8rVi909Gr3rORwiOu2920iaWMukZw5_17_tbBnrbHAag80RmDhBO3OB8RMojpaK5NFpQTQj7u4o-k6fZW2i7_u3b-z9SFGO-it4QuOvydwnjAJ0VNI_7Ndt1i3Wo8uxiIJdLhiLTiMl-y8bTdUrOzBAp8oRdaiLTqxrx9n-4NfTyj72X/w400-h398/R-14887885-1675800169-3877.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE (2010)&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Piercarlo Zanco - voce, tastiere&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Duilio Sorrenti - batteria&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Mario Garbarino - basso&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Maurizio Campagnano - chitarra&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Claudia D&#39;Ottavi - voce&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Giulia Menici - danza scenica&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxN86NYOQcSGY_Yl09DKGEWacKLLUkaZKfl-Rp5UePIXR-2WLSRrSCBOEiT77-ZGwccucHEEMI2m6jv_4lhA2tYffueV-Rs6WrwP0HtUw1AcNOn-lm1vK8TaQjjMCfZhMhtrDZUZMfIde-hrxpVfxI03zh-vS4C1LR5enki1iKOlbsXC5yJXhjMG-K9D9y/s300/murple-roma-21032010-cover.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;300&quot; data-original-width=&quot;300&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxN86NYOQcSGY_Yl09DKGEWacKLLUkaZKfl-Rp5UePIXR-2WLSRrSCBOEiT77-ZGwccucHEEMI2m6jv_4lhA2tYffueV-Rs6WrwP0HtUw1AcNOn-lm1vK8TaQjjMCfZhMhtrDZUZMfIde-hrxpVfxI03zh-vS4C1LR5enki1iKOlbsXC5yJXhjMG-K9D9y/w400-h400/murple-roma-21032010-cover.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigMh_DxpttrWHLRvims05e2dzIo9NHktH6-QaTb8p5_irzVkQOpd9WztI5OxeJSmYrx6gFPBPPuGKiQ4hmN8xNnLUDGpQKf59yqs_9-sYoZEWfxTxl4_r6UWW_8lGlIRcw7zmjt_Jx9-Hyv86aPSPc7ehj3_BUezMlgouzoxLO1ngL7PodhA4dPz-SC8gC/s2048/471352851_10233662577896918_3158517800705594374_n.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2048&quot; data-original-width=&quot;1364&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigMh_DxpttrWHLRvims05e2dzIo9NHktH6-QaTb8p5_irzVkQOpd9WztI5OxeJSmYrx6gFPBPPuGKiQ4hmN8xNnLUDGpQKf59yqs_9-sYoZEWfxTxl4_r6UWW_8lGlIRcw7zmjt_Jx9-Hyv86aPSPc7ehj3_BUezMlgouzoxLO1ngL7PodhA4dPz-SC8gC/w266-h400/471352851_10233662577896918_3158517800705594374_n.jpg&quot; width=&quot;266&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;la bella e brava Claudia D&#39;Ottavi&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&quot;Io sono Murple&quot; è stato oggetto, nel corso del tempo, di numerose ristampe. La prima, in CD, venne pubblicata dalla Mellow nel 1992; ne seguirono due (2002 in CD e 2003 in vinile) ad opera della Akarma. La più interessante è sicuramente quella che vi propongo quest&#39;oggi, pubblicata dalla AMS Records nel 2011, contenente la versione rimasterizzata dell&#39;album originale con 4 bonus tracks, 3 delle quali registrate dal vivoin studio nel 2010, la quarta dal vivo al Be-In di Napoli nel 1973. Insieme al CD era presente un DVD con la registrazione del concerto che i Murple tennero a Roma,il 21 marzo 2010 in occasione del Crossroads Festival. In questa circostanza il gruppo presentò l&#39;intera prima parte della suite &quot;Io sono Murple&quot;, seguita da alcuni estratti da &quot;Quadri di un&#39;esposizione&quot;, album pubblicato nel 2008. Il concerto si chiuse con &quot;Rondò&quot;, la celebre composizione di Dave Brubeck (titolo originale &quot;&lt;i&gt;Blue Rondò à la Turk&lt;/i&gt;&quot;) uno dei cavalli di battaglia dei Nice di Keith Emerson. Seguirono altre ristampe nel 2018 e nel 2020, rispettivamente a cura della AMS per il mercato italiano e della Belle Antique per quello giapponese. La nuova line up comprende tre membri storici (Zanco, Sorrenti e Garbarino) accompagnati da Maurizio Campagnano alla chitarra (al posto dello storico chitarrista Pino Santamaria) e dalla vocalist Claudia D&#39;Ottavi (la quale meriterebbe un discorso a sé). Sul palco anche una danzatrice, Giulia Menici. &lt;b&gt;&lt;a href=&quot;https://www.artistsandbands.org/ver2/recensioni/recensioni-live/2410-murple-roma-21-marzo-2010&quot;&gt;Qui &lt;/a&gt;&lt;/b&gt;troverete una bella recensione del concerto. Di seguito alcuni scatti fotografici del Murple al Crossroads 2010.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipcVSJ98GLRSfBzJTBZuBtjtVNbYvMqw87kfYKSOAA7xu4416M6vwhVYt9_32GfS2QyovHt9BxD0GddK4qd8L-5Jkk1NH-ls3M2HwNMV9LwCGTEbxwsZWqTvN12qbuN6CqUX3f2rExPJaLOHEWFWYvbrpyHK3NodXGrPv-MTAPFG7ixbcYLhDLaXdigeK1/s500/murple-roma-21032010.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;366&quot; data-original-width=&quot;500&quot; height=&quot;293&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipcVSJ98GLRSfBzJTBZuBtjtVNbYvMqw87kfYKSOAA7xu4416M6vwhVYt9_32GfS2QyovHt9BxD0GddK4qd8L-5Jkk1NH-ls3M2HwNMV9LwCGTEbxwsZWqTvN12qbuN6CqUX3f2rExPJaLOHEWFWYvbrpyHK3NodXGrPv-MTAPFG7ixbcYLhDLaXdigeK1/w400-h293/murple-roma-21032010.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNzFLjLtWyC9y89xDsN0j60DL71fZvRrQ3Mi0DJUEL5t7D-CIaQJ2ft4d6sEw2Ra1VXCQv6YcExyzKmU4GpAMEmUxggW9InjdwpdNiqYgEQu8_c53U0pJzU5sfC-wDz-AHUdmRKZVb5XElvTQ-8KZvDclLvyms4_k7NL7R_8sywL_Xfk5tR_pRK01BqZ6M/s686/hq720.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;386&quot; data-original-width=&quot;686&quot; height=&quot;225&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNzFLjLtWyC9y89xDsN0j60DL71fZvRrQ3Mi0DJUEL5t7D-CIaQJ2ft4d6sEw2Ra1VXCQv6YcExyzKmU4GpAMEmUxggW9InjdwpdNiqYgEQu8_c53U0pJzU5sfC-wDz-AHUdmRKZVb5XElvTQ-8KZvDclLvyms4_k7NL7R_8sywL_Xfk5tR_pRK01BqZ6M/w400-h225/hq720.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdidY_UwqhXJUFho2YN4XSfSXFmLJhBEHodDW3v-UrMPNLowBlsDhcRZnTiMCMzhxC7b9J_xfbZslbaT4AwhmK3sK2znbHH5RU6qbEyyCGwQAWnp1OKoLYTwk3Ommv13q8nrvyXweb-sBlrxsh_-fQtftmq67OpfAW9xzAvGtXQXaCHIyV0WG9iBxhJJ-2/s480/hqdefault.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;360&quot; data-original-width=&quot;480&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdidY_UwqhXJUFho2YN4XSfSXFmLJhBEHodDW3v-UrMPNLowBlsDhcRZnTiMCMzhxC7b9J_xfbZslbaT4AwhmK3sK2znbHH5RU6qbEyyCGwQAWnp1OKoLYTwk3Ommv13q8nrvyXweb-sBlrxsh_-fQtftmq67OpfAW9xzAvGtXQXaCHIyV0WG9iBxhJJ-2/w400-h300/hqdefault.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Proseguiamo con la biografia musicale del gruppo. Come già ricordato i Murple si sciolsero formalmente nel 1974 dopo la pubblicazione di &quot;Io sono Murple&quot; e di un 45 giri con due brani già pubblicati sul 33 giri, ovvero &lt;i&gt;Tra i fili &lt;/i&gt;(lato A) e &lt;i&gt;Murple Rock&lt;/i&gt; (lato B). Di seguito la copertina. Oggi questo 45 giri raggiunge sul mercato dell&#39;usato la ragguardevole quotazione di circa 80 euro.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY_iAMpQrs5l1H9ou7sLSHR0jm28NpfQJ3z5Urz1NV-YVJyz8YSBxlfpe7IuoZ2elw2PS-KrZzryHwxlaPgssY_ePGnLq0uBLgjtIpC29MOAIY1KP6a1oegvZufijRSjY65UpFtJRb4tfQz1X8Vordvdr45zOazkwaPKk_mcR6EU34_fzOm8sz8wvs3jqw/s599/R-7178025-1709478356-9107.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;598&quot; data-original-width=&quot;599&quot; height=&quot;399&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY_iAMpQrs5l1H9ou7sLSHR0jm28NpfQJ3z5Urz1NV-YVJyz8YSBxlfpe7IuoZ2elw2PS-KrZzryHwxlaPgssY_ePGnLq0uBLgjtIpC29MOAIY1KP6a1oegvZufijRSjY65UpFtJRb4tfQz1X8Vordvdr45zOazkwaPKk_mcR6EU34_fzOm8sz8wvs3jqw/w400-h399/R-7178025-1709478356-9107.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Per quanto riguarda l&#39;attività live, oltre a prendere parte al già citato Be-In di Napoli nel 1973, i Murple furono tra i protagonisti del Festival Pop di Villa Pamphili a Roma del 1974. Gli stessi si esibirono anche come gruppo di accompagnamento nei concerti di Mal (sich!) e di Gianfranca Montedoro (sia dal vivo che in studio). E qui apro una parentesi. L&#39;album &quot;&lt;b&gt;Donna Circo&lt;/b&gt;&quot; della Montedoro venne postato sulla Stratosfera nel 2014 (cliccate&amp;nbsp;&lt;a href=&quot;https://verso-la-stratosfera.blogspot.com/search/label/Gianfranca%20Montedoro&quot; style=&quot;font-weight: bold;&quot;&gt;qui&amp;nbsp;&lt;/a&gt;per leggere la recensione) ma il link venne a suo tempo bloccato a seguito di precise richieste. Oggi ritengo che, a distanza di 11 anni, si possa&amp;nbsp; riattivare con grande serenità, anche perché l&#39;album è presente su parecchie piattaforme online, ad iniziare da YT. Quindi, per completare la discografia dei Murple, ecco &quot;Donna Circo&quot;, unico album pubblicato (anch&#39;esso) dalla Basf nel 1974 in vinile (e mai ristampato, almeno, così a me risulta).&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAn3l_NJlRaqPZRCEurva8EebH_QKlK7oUOVH0W52W3LiIW1B-OtoBiVEuzzFFMtTtXnHmgaiQ1Tka1KOyEYUDeLk1TVNqw8b1o75bY7bEMD-mgN1OTSNI40X_UfMKkX-wRzsUtGncIishZVBeCuXRHtJUYjpJ-wKEUbXAZ3Yt1SiA5LNm-Vz622DG6jGg/s589/garbarino.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;589&quot; data-original-width=&quot;467&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAn3l_NJlRaqPZRCEurva8EebH_QKlK7oUOVH0W52W3LiIW1B-OtoBiVEuzzFFMtTtXnHmgaiQ1Tka1KOyEYUDeLk1TVNqw8b1o75bY7bEMD-mgN1OTSNI40X_UfMKkX-wRzsUtGncIishZVBeCuXRHtJUYjpJ-wKEUbXAZ3Yt1SiA5LNm-Vz622DG6jGg/w318-h400/garbarino.jpg&quot; width=&quot;318&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Gianfranca Montedoro (con i Murple)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Donna Circo (vinile, 1974)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVvf0GfVkpBcBH-29UUeMeaPstnyFZbpT3fa7_eT37zwvgSh7aMWHFY4B1s88b2cuwTn7-SfbeilWsicWdJakrvsTXOyl17JL4whencUqErco8E1aTgHSA5Q2J5bS7otQ9_LRILh5WS5_ehqRg4XW8lILi4vB7k0X5awYecOg8O0lr-JoVkkXdt-DZbpXI/s524/R-4502988-1366719887-4248.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;524&quot; data-original-width=&quot;500&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVvf0GfVkpBcBH-29UUeMeaPstnyFZbpT3fa7_eT37zwvgSh7aMWHFY4B1s88b2cuwTn7-SfbeilWsicWdJakrvsTXOyl17JL4whencUqErco8E1aTgHSA5Q2J5bS7otQ9_LRILh5WS5_ehqRg4XW8lILi4vB7k0X5awYecOg8O0lr-JoVkkXdt-DZbpXI/w381-h400/R-4502988-1366719887-4248.jpg&quot; width=&quot;381&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;Lato A&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;01. Donna circo - 2:30&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;02. A cuore aperto - 2:40&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;03. A dodici metri - 2:33&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;04. Che pazzi i pagliacci - 2:26&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;05. I due giocolieri - 2:37&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;06. La cavallerizza - 3:20&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;Lato B&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;07. Trenta coltelli - 3:14&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;08. Gli elefanti sono tanti - 2:49&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;09. La tigre del Bengala - 2:38&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;10. Ma per fortuna al circo c&#39;è la banda - 1:43&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;11. Lo scontorsionista - 2:28&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;12. La grande parata - 3:08&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheXxBEOI1QTz_GrKmQ19VZ2K-AxRhRLUaYQmW3nNH9RDi0PzlGS8Jk-LAiom-pB_0HPuklcXodtXblyVAyOLp8p9A3Ymn47W_d6rTmxE_h5OlB-vPykxfwMy2FX93Ly4OkyCg81HL4rpNOyWh-SZp5OI57CeNjZaNywU4rPP-g0ZecmMphD2MxrQYoYUCb/s1280/-disco-circo-suz-donna-registrato-artiste-donna-femminista-po-poesia-ppyc.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;846&quot; data-original-width=&quot;1280&quot; height=&quot;265&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheXxBEOI1QTz_GrKmQ19VZ2K-AxRhRLUaYQmW3nNH9RDi0PzlGS8Jk-LAiom-pB_0HPuklcXodtXblyVAyOLp8p9A3Ymn47W_d6rTmxE_h5OlB-vPykxfwMy2FX93Ly4OkyCg81HL4rpNOyWh-SZp5OI57CeNjZaNywU4rPP-g0ZecmMphD2MxrQYoYUCb/w400-h265/-disco-circo-suz-donna-registrato-artiste-donna-femminista-po-poesia-ppyc.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Gianfranca Montedoro – voce&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Costantino Albini – chitarra acustica, chitarra a 6 corde, chitarra a 12 corde, chitarra elettrica, armonica, melodica, tabla&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Pino Santamaria – basso, chitarra elettrica&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Piercarlo Zanco – pianoforte, basso, Fender Rhodes, sintetizzatore&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Duilio Sorrenti – batteria&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Mario Garbarino – basso&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Alex Serra – tam tam&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9A7KBDOe5KfTrE1IjRelfJeHhSLJlEXM50Jza_Ah0eni78ABMcWiXY0hY8j-F1JHkx6zGlTJfURccJkVOfOJdz3rD7ovbxVFsBVkI3HdeN6xcj89hzVuuQJ1c82UQL8cGrVNMGtVdjADBTLsEMtBZn4q6KolUftZa5VaYgyYN4Zf6oPgY83ysj90pp2_B/s201/A-1460061-1397257435-6381.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;183&quot; data-original-width=&quot;201&quot; height=&quot;364&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9A7KBDOe5KfTrE1IjRelfJeHhSLJlEXM50Jza_Ah0eni78ABMcWiXY0hY8j-F1JHkx6zGlTJfURccJkVOfOJdz3rD7ovbxVFsBVkI3HdeN6xcj89hzVuuQJ1c82UQL8cGrVNMGtVdjADBTLsEMtBZn4q6KolUftZa5VaYgyYN4Zf6oPgY83ysj90pp2_B/w400-h364/A-1460061-1397257435-6381.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Gianfranca Montedoro&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn7qiKkEHAjHCKoOSqNqJBfFiuCLmBqyqSwkL2qzI0017TnyDKtvQ4pii4EUKXDGVxE5ecAnYwY4tv9qwmBS8fO1I-vdPmDUef4zQlkitxU1LKg7IkTFZOBx0M86frdsob2d5sU_w2eaOaKP5r8pnH5hpQ5RFyVZQg35D3lSGDpg5CFkivMR1lH8TpIIUT/s517/zanco.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;441&quot; data-original-width=&quot;517&quot; height=&quot;341&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn7qiKkEHAjHCKoOSqNqJBfFiuCLmBqyqSwkL2qzI0017TnyDKtvQ4pii4EUKXDGVxE5ecAnYwY4tv9qwmBS8fO1I-vdPmDUef4zQlkitxU1LKg7IkTFZOBx0M86frdsob2d5sU_w2eaOaKP5r8pnH5hpQ5RFyVZQg35D3lSGDpg5CFkivMR1lH8TpIIUT/w400-h341/zanco.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfiaCnFYUv_fuXl9MnO4Jt6-bSCdX7JwtdBtrcEN70IyUKJQAsDay4JEH5sj-LE6-LHKbplZ1zSTtaydKhYjhvSSy6iI_zHZaG_5fCO_ElDJTJyzsvdbjJ5hBSYSn2GDaABAINv9b6pdWEcv6lLsSshg-KqT3Cc3uUztkfqDL-IRCAYLa7nWEJEBgAVELM/s595/sorenti.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;595&quot; data-original-width=&quot;451&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfiaCnFYUv_fuXl9MnO4Jt6-bSCdX7JwtdBtrcEN70IyUKJQAsDay4JEH5sj-LE6-LHKbplZ1zSTtaydKhYjhvSSy6iI_zHZaG_5fCO_ElDJTJyzsvdbjJ5hBSYSn2GDaABAINv9b6pdWEcv6lLsSshg-KqT3Cc3uUztkfqDL-IRCAYLa7nWEJEBgAVELM/w304-h400/sorenti.jpg&quot; width=&quot;304&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;In merito a questo album non aggiungo nulla di più a quanto già scritto nella vecchia pagina della Stratosfera sopra indicata. Procedendo con la biografia dei Murple giungiamo agli anni 2000 e qui, come spesso è accaduto alle storiche band anni &#39;70, anche nel caso specifico si profila la reunion. Infatti, nel 2007, tre dei componenti originali, Zanco, Garbarino e Sorrenti (che abbiamo già trovato nel concerto di Roma del 2010), si sono riuniti per la registrazione di un nuovo album intitolato&amp;nbsp;&lt;b&gt;Quadri di un&#39;esposizione&lt;/b&gt;, pubblicato nel 2008 dalla AMS Records. Si tratta di un concept album, un lavoro ambizioso realizzato con musiche originali, come evidenziato in copertina..&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Murple - Quadi di un&#39;esposizione (2008)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyScKcZ6oWYLTY-wkfddItO2P7NULouJINVVzjwYN5I1vzxtZveP6-waiAK8TNLcCwbT_46yJZOhdFCN2dBqGr1mc4YNtEqC52LeC5lCfWbS6Xc98OYbp7GuNAO_NhiLU1mpeAUyAo1_HDoxgaDkGj_a1zHiDWFr7bIXtwk11QRjxG_pgFYgJwaufzaYvM/s600/R-4570912-1433356634-4922.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyScKcZ6oWYLTY-wkfddItO2P7NULouJINVVzjwYN5I1vzxtZveP6-waiAK8TNLcCwbT_46yJZOhdFCN2dBqGr1mc4YNtEqC52LeC5lCfWbS6Xc98OYbp7GuNAO_NhiLU1mpeAUyAo1_HDoxgaDkGj_a1zHiDWFr7bIXtwk11QRjxG_pgFYgJwaufzaYvM/w400-h400/R-4570912-1433356634-4922.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;01.Promenade &amp;amp; Gnomus&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;02. Promenade &amp;amp; il vecchio castello&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;03. Tuileries&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;04. Bydlo&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;05. Il ballo dei pulcini&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;06. Samuel Goldemberg &amp;amp; Schmuyle&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;07. Promenade &amp;amp; Limoges&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;08. Catacombae&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;09. Baba Yaga&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;10. La grande porta di Kiev &amp;amp; Promenade&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhP_3I9cvdMdlyE_0oLMmXs8SpF3leOdmxA0F_WKfi3YRqdMTpXMWox6ZvEfnAWGTlaIm9E1BFruujHe_DCgByajZIv3bhyphenhyphenMtubRqrNXQlzZKZ0wlkknH-GnUVy1E_yvwEG3Wz5EnNnbbY22sWus8yYT_XwXy2BAK7cud2P6zs6T7Jlef2z2HgFAEWERPv3/s600/R-4570912-1433356642-1233.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhP_3I9cvdMdlyE_0oLMmXs8SpF3leOdmxA0F_WKfi3YRqdMTpXMWox6ZvEfnAWGTlaIm9E1BFruujHe_DCgByajZIv3bhyphenhyphenMtubRqrNXQlzZKZ0wlkknH-GnUVy1E_yvwEG3Wz5EnNnbbY22sWus8yYT_XwXy2BAK7cud2P6zs6T7Jlef2z2HgFAEWERPv3/w400-h400/R-4570912-1433356642-1233.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Pier Carlo Zanco - voce, piano, tastiere, arrangiamenti e orchestrazione&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Mario Garbarino - basso&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Duilio Sorrenti - batteria, percussioni&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;i&gt;con&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Sabina Gagliardi - voce&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Edoardo Massimi - chitarra&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Il Diletto - ensemble&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Sergio Siminovich -&amp;nbsp; conduttore&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhToG1m2wmzcymQ4ePvW3GZR7eHDOQrK78-9gNKN2sTDZRZeyetKDRlhnqLpx3996bXveYwxj4WahuPsL7jAoWVYG5SSjgdm7T8F29ZLCsLfjAr5_yYjyWpzcnG5QlSy0IXeFUh8mQgMD7A-6CPebVj1ueTllLxDe2ZiBasxWY468rciF069Px7NwKTl7dc/s600/R-4570912-1433356637-3059.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhToG1m2wmzcymQ4ePvW3GZR7eHDOQrK78-9gNKN2sTDZRZeyetKDRlhnqLpx3996bXveYwxj4WahuPsL7jAoWVYG5SSjgdm7T8F29ZLCsLfjAr5_yYjyWpzcnG5QlSy0IXeFUh8mQgMD7A-6CPebVj1ueTllLxDe2ZiBasxWY468rciF069Px7NwKTl7dc/w400-h400/R-4570912-1433356637-3059.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOcKJ-g18KK6kD8Lvz559Y1ZCTIqlqFHKJWQV92_Uf9ivOSL5BXfN5VjS4eFpgRUFG1kPX-9gRuSE2avDfzK0Fm1z-wjOwi8RxBGeZ_EcKjBea7AiXOf883hqIfLXtJgnrmRM-lcoC0kpm1HJjmdWMFh1mooz8dVR3NAfA9dFgeSVTNeJsTd1igRt0zK7V/s600/R-4570912-1433356676-1820.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOcKJ-g18KK6kD8Lvz559Y1ZCTIqlqFHKJWQV92_Uf9ivOSL5BXfN5VjS4eFpgRUFG1kPX-9gRuSE2avDfzK0Fm1z-wjOwi8RxBGeZ_EcKjBea7AiXOf883hqIfLXtJgnrmRM-lcoC0kpm1HJjmdWMFh1mooz8dVR3NAfA9dFgeSVTNeJsTd1igRt0zK7V/w400-h400/R-4570912-1433356676-1820.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Nel 1874 si tenne a San Pietroburgo una mostra dedicata all&#39;opera del pittore russo Viktor Aleksandrovič Hartmann. Modest Musorgskij, amico del pittore, compose la sua suite per pianoforte &quot;Quadri di un&#39;esposizione&quot; sull&#39;onda emotiva suscitata dai dipinti. Ebbene, l&#39;opera dei Murple non è un&#39;interpretazione rock della musica di Musorgskij (come quella di EL&amp;amp;P in &quot;Pictures At An Exhibition&quot;), ma un&#39;opera originale ispirata agli stessi dipinti. Sul booklet interno al CD si trovano le immagini dei dipinti con un breve commento, così da poter abbinare musica e immagini e fare una &quot;passeggiata&quot; tra i brani dell&#39;album. &quot;Quadri di un&#39;esposizione&quot; è un ottimo&amp;nbsp; lavoro, a cavallo tra suoni vintage e moderni dove la musica scorre fluida per tutti i 34 minuti di durata.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1LYijPFI1QO3VJ_syLIhjlQYTjb4Mr2XyteVOjTp_ZLlkEC3jbViMKi6f5a3T0Xdfbl31oorM0nkpfwYm_rLNP_8UCPR5XhzRz8U_IfOz5kLubGI_gqt024wFufB6ShCbmn-lLYCwL5HTV4y3mba0nhjBLAS6lNN3SjkZQjqePDF4QDiRmNzeBAxG0Rps/s600/R-4570912-1433356671-3785.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1LYijPFI1QO3VJ_syLIhjlQYTjb4Mr2XyteVOjTp_ZLlkEC3jbViMKi6f5a3T0Xdfbl31oorM0nkpfwYm_rLNP_8UCPR5XhzRz8U_IfOz5kLubGI_gqt024wFufB6ShCbmn-lLYCwL5HTV4y3mba0nhjBLAS6lNN3SjkZQjqePDF4QDiRmNzeBAxG0Rps/w400-h400/R-4570912-1433356671-3785.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Prendiamone uno come esempio (&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;fonte Prog Archives&lt;/span&gt;&lt;/i&gt;). Il primo dipinto, &quot;Promenade &amp;amp; Gnomus&quot;, rappresenta un nano malvagio che vaga in una foresta e il suono di tastiere spaziali introduce una bellissima breve traccia sinfonica. La seconda scena &quot;Promenade &amp;amp; il vecchio castello&quot; è ambientata in Italia dove un trovatore canta la sua canzone davanti alle mura di un vecchio castello medievale in un paesaggio triste. L&#39;atmosfera sognante e barocca è arricchita dalla voci femminili e da un buon intervallo strumentale in stile &quot;anni Settanta&quot;. La terza scena &quot;Tuileries&quot; è ambientata a Parigi dove alcuni bambini felici giocano in un giardino mentre la musica è una breve e gioiosa base strumentale guidata da chitarra classica e pianoforte. E avanti così. Mi permetto di terminare qui l&#39;elenco per non cadere nella noia . Un disco nel complesso forse un po&#39; troppo pomposo, ma è un peccato che si può perdonare ai ritrovati Murple.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCifwFJo-y8H0mTaE5zHkX6huhmk8SIVPzWamqAynh2JcwRbEJTmrcvEExS3jQEndSlDIbPZV2ElfLtOkolOuABYWKxeMFIh60cnbMkuLimquXh9SfG5wTZM46zXzzhp_Zgp0nGYB-pH2w7OiiM0ej2yFPZqhRT4NVY0c_2KhE1zM5amFrpls_OsBaKyGz/s600/R-4570912-1433356674-5226.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCifwFJo-y8H0mTaE5zHkX6huhmk8SIVPzWamqAynh2JcwRbEJTmrcvEExS3jQEndSlDIbPZV2ElfLtOkolOuABYWKxeMFIh60cnbMkuLimquXh9SfG5wTZM46zXzzhp_Zgp0nGYB-pH2w7OiiM0ej2yFPZqhRT4NVY0c_2KhE1zM5amFrpls_OsBaKyGz/w400-h400/R-4570912-1433356674-5226.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Il 2010 vede i Murple tra i protagonisti del Crossroads Festival di Roma, di cui abbiamo già parlato &quot;in abundantia&quot;. Passimo invece all&#39;ultimo lavoro in ordine di tempo, datato 2014. Augusto Croce lo presenta in modo stringato ma efficace: &quot;La stessa formazione base, con l&#39;ausilio di Mauro Arnò alla chitarra e Claudia D&#39;Ottavi alla voce ha realizzato nel 2014 &lt;b&gt;Il viaggi&lt;/b&gt;o, uscito in CD ed LP, album molto ispirato dalle atmosfere degli anni &#39;70, pur con qualche escursione verso un pop più moderno nelle parti cantate&quot;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Murple - Il viaggio (2014)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4Ff9EO9sSnTygCIkyr_Nirfmc8NA8sK80efjgqvzxXHCNKFxek2wBrLmWBmdN5N3TcPuPwLoZgm5GxD222h8LkTFdFdSJJUkHKUufVDcLqtg47dPaFPK4NqQdnMxxQTvYmaPwJFaWQLGkjymi4HaFFOH1WlD1WnuwCn3jAI8lKxtPSwGnh2v6-lzlhi0h/s600/R-7960904-1452460940-7625.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4Ff9EO9sSnTygCIkyr_Nirfmc8NA8sK80efjgqvzxXHCNKFxek2wBrLmWBmdN5N3TcPuPwLoZgm5GxD222h8LkTFdFdSJJUkHKUufVDcLqtg47dPaFPK4NqQdnMxxQTvYmaPwJFaWQLGkjymi4HaFFOH1WlD1WnuwCn3jAI8lKxtPSwGnh2v6-lzlhi0h/w400-h400/R-7960904-1452460940-7625.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;01. Il viaggio - 3:33&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;02. Alexandra - 5:33&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;03. Nani &amp;amp; Clown - 7:45&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;04. Angelika - 5:12&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;05. Per una volta - 5:48&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;06. La battaglia - 3:28&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;07. Sirene - 3:20&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEZQAngi3BCX75HUx851HbN7ssKCRtYeq4gUYcFdPeAgkiljJfCWfHRUagSTRiGKmgYSFZ5hwbS0UvRMuPc0qmCzsco6avI9xiV2ADPvg2G_Zzq5TFHoQrH4k7MvUm8ZexSKxpZJXvM7hwP-V7phGT6Msc1mSBkVYMihP22cBhhzRtIx43AWIiXQKiuMLu/s600/R-7960904-1452461661-5797.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;593&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEZQAngi3BCX75HUx851HbN7ssKCRtYeq4gUYcFdPeAgkiljJfCWfHRUagSTRiGKmgYSFZ5hwbS0UvRMuPc0qmCzsco6avI9xiV2ADPvg2G_Zzq5TFHoQrH4k7MvUm8ZexSKxpZJXvM7hwP-V7phGT6Msc1mSBkVYMihP22cBhhzRtIx43AWIiXQKiuMLu/w395-h400/R-7960904-1452461661-5797.jpg&quot; width=&quot;395&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Pier Carlo Zanco - voce, piano, tastiere, arrangiamenti&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Mario Garbarino - basso&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Duilio Sorrenti - batteria, percussioni&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Mauro Arnò - chitarra&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Claudia D&#39;Ottavi - voce&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5HKRLNArpNg_NJxP-Mc6nj6zpGceNBMXMvChyphenhyphenk10zUcKyq6PSLNcnIHIkpckWHzsDxXIqAdjK5eoL7-Wx3dzOwUeylpuzKyHM2vHhXgNb409m0BRaTakdjy6tp_nNqm_CHBK4pRIRWF9ObAkPQeM8w2IKDpwyZet5z68unsuUv_BsJEff2e1csdxU8F6V/s600/R-7960904-1452461686-7538.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;599&quot; data-original-width=&quot;600&quot; height=&quot;399&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5HKRLNArpNg_NJxP-Mc6nj6zpGceNBMXMvChyphenhyphenk10zUcKyq6PSLNcnIHIkpckWHzsDxXIqAdjK5eoL7-Wx3dzOwUeylpuzKyHM2vHhXgNb409m0BRaTakdjy6tp_nNqm_CHBK4pRIRWF9ObAkPQeM8w2IKDpwyZet5z68unsuUv_BsJEff2e1csdxU8F6V/w400-h399/R-7960904-1452461686-7538.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;Questo CD rappresenta il canto del cigno (almeno per il momento, poi...chissà) per i gloriosi Murple. Vi riporto quanto ha scritto la AMS Records all&#39;atto della pubblicazione dell&#39;album.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;“Il viaggio” segna il ritorno dei leggendari Murple sulle scene del rinnovato panorama del rock progressivo italiano, a ben sei anni di distanza da quel “Quadri di un’esposizione” che li vide riformarsi nel 2008. Lo storico nucleo, costituito da Pier Carlo Zanco (tastiere e voce), Duilio Sorrenti (batteria) e Mario Garbarino (basso), è oggi accompagnato in veste ufficiale dal giovane chitarrista Mauro Arnò e dalla cantante Claudia D’Ottavi, inseriti in organico inizialmente nelle date dal vivo e oggi parte integrante del gruppo. Un gradito ritorno, che nella sua semplicità riesce a rievocare suoni e atmosfere degli anni d’oro del prog italiano, come solo chi li ha vissuti in pieno è in grado di fare con disarmante naturalezza&quot;.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Passiamo ora all&#39;analisi delle 7 tracce che compongono quest&#39;ultimo lavoro&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;(&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;liberamente tratta da &quot;Prog Archives&quot;).&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPdlozK08ZmjnlCzmO1D0MVPL5skybSvf5G-I9SGwfK3WdpfYA69JqzFIvYupau-ATFuI2RUm8mEByVfQFzcZNs5C0L2lRZo99_FrYMHh6Kd-itQv8WWO1Xn4v0d0AauZlE5Pjrbl7fA3NlRdO1lS4x72KWboIUJsVtMv6d5r5LlvXe3Q4VSSp1pE7nHbD/s600/R-7960904-1452461668-8627.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;593&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPdlozK08ZmjnlCzmO1D0MVPL5skybSvf5G-I9SGwfK3WdpfYA69JqzFIvYupau-ATFuI2RUm8mEByVfQFzcZNs5C0L2lRZo99_FrYMHh6Kd-itQv8WWO1Xn4v0d0AauZlE5Pjrbl7fA3NlRdO1lS4x72KWboIUJsVtMv6d5r5LlvXe3Q4VSSp1pE7nHbD/w395-h400/R-7960904-1452461668-8627.jpg&quot; width=&quot;395&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&quot;Dopo una breve apertura di chitarra acustica suonata col bottleneck si entra nel vivo de &quot;Il viaggio&quot;, con gli altri strumenti chiamati ad evocare in bianco e nero una vecchia stazione ferroviaria. Il testo paragona la vita a un viaggio metaforico in cui ognuno ha un treno da prendere. Segue la bellissima e misteriosa &quot;Alejandra&quot;, brano strumentale il cui titolo sembra riferirsi a un&#39;affascinante donna di origini ispaniche. Grandi passaggi di chitarra elettrica e sintetizzatore che rendono il brano decisamente suggestivo.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0FHbO00Yo_2PKrBMNS7U84zjHcVRhU-tFIA14l5qoBSvNQDqTtKEmJnYDD1HG774xcx5NVsr6eqsT9df-xwgpT_NcEwungkxoZJZifrFnPOi6gzD29xnmbFM1ilAbW6meNoRQrEBjPo9yKoyk_ZeajcbjzCz4KHKHR6XWSpdwQmL7eMkesEwsNb9FZoJJ/s1300/Duilio-Sorrenti.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;865&quot; data-original-width=&quot;1300&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0FHbO00Yo_2PKrBMNS7U84zjHcVRhU-tFIA14l5qoBSvNQDqTtKEmJnYDD1HG774xcx5NVsr6eqsT9df-xwgpT_NcEwungkxoZJZifrFnPOi6gzD29xnmbFM1ilAbW6meNoRQrEBjPo9yKoyk_ZeajcbjzCz4KHKHR6XWSpdwQmL7eMkesEwsNb9FZoJJ/w400-h266/Duilio-Sorrenti.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Come confermato dalla band, il brano &quot;Nani e Clown&quot; venne composto nel 1973 ed eseguito dal vivo al festival Be-In di Napoli. Questa versione live l&#39;avete già trovata tra le bonus tracks di &quot;Io sono Murple&quot; - ristampa 2011. Partendo da un vecchio nastro, la band lo ha riarrangiato e registrato a regola d&#39;arte in studio, dando nuova vita a questo brano che descrive in musica e parole un acrobata che cammina su una corda tesa durante uno spettacolo circense. Nani e clown sono la sua unica famiglia e si gode la ribalta quando mette a repentaglio la sua vita per la gioia del pubblico. La musica attraversa numerosi cambi di tono e ritmo, sottolineando i sentimenti dell&#39;acrobata e le emozioni della folla riunita sotto di lui. Semplicemente grandioso.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRvQ9Zfgd0iztQCc67Pk7no4MW3-GvxdXFxJ7NQv_ZrNSf81n4DrjcccWWYeEJBxhIoHxUMT9U10ljauAZJxBOOknjoFgBK3V7yF2x62a94yGPGRQFYDlzTXUkx2O44S6NXxFz-77zZI7FVvrR8p1wfCwAAqhggy4F5mKvjANCFS8rgnQUSctxaj4zvmn7/s1300/Mario-Garbarino-e-Claudia-D-Ottavi.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;865&quot; data-original-width=&quot;1300&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRvQ9Zfgd0iztQCc67Pk7no4MW3-GvxdXFxJ7NQv_ZrNSf81n4DrjcccWWYeEJBxhIoHxUMT9U10ljauAZJxBOOknjoFgBK3V7yF2x62a94yGPGRQFYDlzTXUkx2O44S6NXxFz-77zZI7FVvrR8p1wfCwAAqhggy4F5mKvjANCFS8rgnQUSctxaj4zvmn7/w400-h266/Mario-Garbarino-e-Claudia-D-Ottavi.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Segue la calma e sognante &quot;Angelika&quot;, un brano strumentale che potrebbe far pensare a una donna meravigliosa nell&#39;atmosfera eterea e mozzafiato di un paesaggio nordico. Si giunge poi alla malinconica &quot;Per una volta&quot;, dove musica e testo descrivono un uomo orgoglioso, vanitoso e senza ideali che spreca i suoi giorni alla ricerca di qualcosa che non esiste. La voce incantevole di Claudia D&#39;Ottavi lo esorta a cambiare e ad abbattere il muro che ha costruito intorno a sé prima che sia troppo tardi. Poi è il turno di &quot;La battaglia&quot;, un sontuoso brano strumentale con echi barocchi e un ritmo vivace che evoca l&#39;immagine di un esercito in cammino verso il campo di battaglia. La conclusiva &quot;Sirene&quot; è incentrata ancora una volta sulla voce di Claudia che avverte che oggi le sirene non sono mezze donne e mezze pesce come nelle antiche tradizioni e leggende, ma possono ancora minacciare e uccidere gli uomini malvagi con i loro incantesimi.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHGguv7sd39J0ST1ojU8dfOT-vivcrPL-RAXPk3t-2p7TC39t_LF5z55whdOJ9GsqraSNEnjsdAqsKnAhEMCPae1qwTK7_p-Hpux5DC0-mbepAaMQKWn1yJsBNI4EWKaHoHQGlSUM_iKvBK1xO1QCKWvuYI-RxgquWUlv5i6OsZPiHG8f1PCtXAOn_hwW2/s1300/Pier-Carlo-Zanco.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;865&quot; data-original-width=&quot;1300&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHGguv7sd39J0ST1ojU8dfOT-vivcrPL-RAXPk3t-2p7TC39t_LF5z55whdOJ9GsqraSNEnjsdAqsKnAhEMCPae1qwTK7_p-Hpux5DC0-mbepAaMQKWn1yJsBNI4EWKaHoHQGlSUM_iKvBK1xO1QCKWvuYI-RxgquWUlv5i6OsZPiHG8f1PCtXAOn_hwW2/w400-h266/Pier-Carlo-Zanco.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Ancora una annotazione riguardante la copertina, realizzata da Cesare Pietroiusti, che ritrae le sagome di tre uomini, tre fantasmi provenienti da lontano ma comunque capaci di regalarci ancora dell&#39;ottima musica. Speriamo veramente che il viaggio dei Myrple non si concluda qui&quot;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;In conclusione mi auguro che questo lungo e articolato post sia stato di vostro gradimento. Credo che possa piacere anche alle giovani generazioni che ci seguono con attenzione. E&#39; sempre una grande soddisfazione riportare in superficie gruppi e musicisti che hanno segnato il tempo lasciando delle tracce indelebili al loro passaggio. Non mi resta che augurarvi buona ascolto,.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Un po&#39; alla volta, mi raccomando.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqsLH5khyt4mbUAlt6h4DVqo0C-ihOngiGmh5diUhjRhd4UqUfehzuQr_BFWATI9xviG1aUDgUX0SWUhkFzMHPxf0PlryZvEvyS-ILwRQC6zrZVszODLHH4A-wRhEONyXB1bf_8Q6IXmFWbZedBdJrIF57hAgOn5w5zIKGHE1od564LG9ydAPzoWur8iKT/s1300/la-bobina-originale-di-Io-sono-Murple.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;940&quot; data-original-width=&quot;1300&quot; height=&quot;289&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqsLH5khyt4mbUAlt6h4DVqo0C-ihOngiGmh5diUhjRhd4UqUfehzuQr_BFWATI9xviG1aUDgUX0SWUhkFzMHPxf0PlryZvEvyS-ILwRQC6zrZVszODLHH4A-wRhEONyXB1bf_8Q6IXmFWbZedBdJrIF57hAgOn5w5zIKGHE1od564LG9ydAPzoWur8iKT/w400-h289/la-bobina-originale-di-Io-sono-Murple.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/TJJUHRLI#oFj2Z5BXBgHQyBL4_Co8ZrRIUToYEtNzEVB99SEed4Q&quot;&gt;LINK &lt;/a&gt;Io sono Murple (con bonus tracks - 1974/2011)&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/mNpWCToK#-0Fb-nahNXzH2EmGBaOfhAb5ABxW0asvmgAiQ2Pnlw4&quot;&gt;LINK &lt;/a&gt;Live At Crossroads, Roma 2010 (audio)&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/rZBQCBrJ#F6hLuhDqFPizxxVs8LNfo1Fu3XI9Np3oM2SMONQ6ISg&quot;&gt;LINK &lt;/a&gt;Live At Crossroads, Roma 2010 (video)&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/rZIklTZJ#TyRP7OwsTWmdp6Ms6tadW5-N30C8SVVPAvjoRbhiTR4&quot;&gt;LINK &lt;/a&gt;Gianfranca Montedoro (con i Murple) - Donna Circo (1974)&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/KM4iRSjY#69hI3k9jPcD4BFgxWGxlDw3K2-e8l_tkiRt10kyWGyw&quot;&gt;LINK &lt;/a&gt;Quadri di un&#39;esposizione (2008)&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/6U5HnDzS#P4PEh3trkuT9z2gEifH9PFdqvfc2_9-tpa8GTUSVbAg&quot;&gt;LINK &lt;/a&gt;Il viaggio (2014)&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;Super Post by George&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/4311573649997898224/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/le-antologie-della-stratosfera-vol-55.html#comment-form' title='2 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/4311573649997898224'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/4311573649997898224'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/le-antologie-della-stratosfera-vol-55.html' title='Le Antologie della Stratosfera vol. 55 - Murple (opera omnia 1974-2014)'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg_xQ93nmRGARVUCtgVfn1LJyTQunf9jp96-uzDW6h1o4NwHr5esV4n6BQLt-J1H7ZyKXVuc2CuoqxCS525wDFHSnG7Qkq25M82J0CwR7sDPzw-7IcLunw0Jn450WKhxfbEYmvtOjC3gS9eTlx_DE3FGNrnJKHalvGLC4_vVA-PxI3PKAv7WcAYrMjGHgX/s72-w320-h400-c/fd77ca0f5110e7721ad58666e874ff4e.webp" height="72" width="72"/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-7262791076803733091</id><published>2025-04-10T11:35:00.000+02:00</published><updated>2025-04-10T11:35:15.580+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="2009"/><category scheme="http://www.blogger.com/atom/ns#" term="Clepsydra"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="New Italian Prog"/><category scheme="http://www.blogger.com/atom/ns#" term="Osel"/><title type='text'>Clepsydra - In Other Sunsets (2009)</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&amp;nbsp;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPTEA3uKwyJAj9xNiybBxdlzOisRChXmiankFlcjj_6kbSMg3ZxAF9CnvSWONqmq-K3eV9ume7-Iwh9ouHG2LdavTWmeOxxqx3GvUAONUE488pvnlvcvwUHcSB9514lCzjJF51-0QnRxi4gtzONHy02v-tR26_8TvUXNmGYlqxWrHeuM1HHQpyBWxUenuf/s400/fronte.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;400&quot; data-original-width=&quot;400&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPTEA3uKwyJAj9xNiybBxdlzOisRChXmiankFlcjj_6kbSMg3ZxAF9CnvSWONqmq-K3eV9ume7-Iwh9ouHG2LdavTWmeOxxqx3GvUAONUE488pvnlvcvwUHcSB9514lCzjJF51-0QnRxi4gtzONHy02v-tR26_8TvUXNmGYlqxWrHeuM1HHQpyBWxUenuf/w400-h400/fronte.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;01. Open Your Eyes (2:28)&lt;/div&gt;&lt;div&gt;02. Clouds (2:58)&lt;/div&gt;&lt;div&gt;03. Majestic 12 \ Eyes Only (4:00)&lt;/div&gt;&lt;div&gt;04. Sometimes In July (5:17)&lt;/div&gt;&lt;div&gt;05. Exotica (10:01)&lt;/div&gt;&lt;div&gt;06. Albuquerque (6:04)&lt;/div&gt;&lt;div&gt;07. Tabasco At Sunrise (3:16)&lt;/div&gt;&lt;div&gt;08. Along The Cam Nothing More (3:09)&lt;/div&gt;&lt;div&gt;09. Acid Moon (6:03)&lt;/div&gt;&lt;div&gt;10. Dreamcatcher (2:10)&lt;/div&gt;&lt;div&gt;11. Last Night On Vega (8:05)&lt;/div&gt;&lt;div&gt;12. Lost In The Universe (9:13)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvBnYqvqZtPqHt9H6tL6zMV2P_c89URg-bgMDWAO6hz-NyEmA1-0CCR6j_VoAS4WfODOr3WTVgE0UwjUTuHdPQlwGchd103mCgSv2SyEpyU4mi8o762rutNLzHKtZ6sR-vurOAafFkIi0-zclkGxUN0nHYIKzI-sHOG1RB-NAwuQUAHwWjpU7AAIgt5V9D/s516/retro.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;400&quot; data-original-width=&quot;516&quot; height=&quot;310&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvBnYqvqZtPqHt9H6tL6zMV2P_c89URg-bgMDWAO6hz-NyEmA1-0CCR6j_VoAS4WfODOr3WTVgE0UwjUTuHdPQlwGchd103mCgSv2SyEpyU4mi8o762rutNLzHKtZ6sR-vurOAafFkIi0-zclkGxUN0nHYIKzI-sHOG1RB-NAwuQUAHwWjpU7AAIgt5V9D/w400-h310/retro.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Fabio Di Gialluca - voce, chitare, percussioni&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Luca Trifoni - voce, basso, chitarra&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Danilo Ricci - batteria, percussioni, cori&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEdT2I0ihc5yqDRGuemXC3yTH5OLylVQEVjk_tk5WOiv2N126f55MIwd5RNcLAp8WgmNHSbUoakgZSl5AQmh6mTpl7pTkbZuKLJThORhJ5qNjqxVCQ2ukVgeCpL45ltgQ16YVMU0diwjEWgqZ1MDRC9LLOPtBzvqgvRiKUVhmnaXKLteTXsGXMS0flT9pT/s403/interno.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;400&quot; data-original-width=&quot;403&quot; height=&quot;398&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEdT2I0ihc5yqDRGuemXC3yTH5OLylVQEVjk_tk5WOiv2N126f55MIwd5RNcLAp8WgmNHSbUoakgZSl5AQmh6mTpl7pTkbZuKLJThORhJ5qNjqxVCQ2ukVgeCpL45ltgQ16YVMU0diwjEWgqZ1MDRC9LLOPtBzvqgvRiKUVhmnaXKLteTXsGXMS0flT9pT/w400-h398/interno.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Con i Clepsydra rientriamo nei canoni del vecchio e sano progressive rock &quot;made in Italy&quot; intriso di qualche spruzzo di psichedelia . Ringrazio fin da subito il nostro grande amico e collaboratore Marco&amp;nbsp; &lt;b&gt;Osel &lt;/b&gt;per avermi inviato i file dell&#39;album per poterlo condividere con tutti voi. Le fonti informative che ho utilizzato per realizzare questo articolo appartengono ai due siti &quot;Rockit&quot; e Prog Archives&quot;. Per conoscere meglio questa band originaria&amp;nbsp; di Teramo mi sono basato su alcune parti della biografia pubblicata su &quot;Rockit&quot;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin8uMKT69GX-VJV1NG8OYBdMCmtB0PjxFz3Zd5Cy_8TcoYBwNwDnApqs4RaAXONyfocF6bRyxQ_5VoqGlMwdxdG-Yo4gug95MszR8kPH1RdMRHEUYLZdJQMmWwzIOb-YoMgu66Xj45PhhjCqLqZo1T-gKRvFbY9A-FJuTVltZUqPnajK2yqusAE9tkD0Xw/s720/52157.jpg-720x541.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;541&quot; data-original-width=&quot;720&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin8uMKT69GX-VJV1NG8OYBdMCmtB0PjxFz3Zd5Cy_8TcoYBwNwDnApqs4RaAXONyfocF6bRyxQ_5VoqGlMwdxdG-Yo4gug95MszR8kPH1RdMRHEUYLZdJQMmWwzIOb-YoMgu66Xj45PhhjCqLqZo1T-gKRvFbY9A-FJuTVltZUqPnajK2yqusAE9tkD0Xw/w400-h300/52157.jpg-720x541.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;I Clepsydra si formano nel 2002 grazie a Fabio Di Gialluca (voce e chitarra elettrica) e Danilo Ricci (batteria). Il loro stile musicale comprende generi come il rock psichedelico, lo space rock ed il rock progressivo. Sebbene agli inizi siano stati influenzati prevalentemente dal rock progressivo, il genere al quale appartengono è in prevalenza il rock psichedelico e comunque la band è fondata sulle basi di un&#39;assoluta libertà stilistica. Caratterizzati da testi introspettivi e filosofici, dilatazioni musicali e improvvisazioni, dal vivo l&#39;interesse per la sperimentazione si traduce nella reinterpretazione dei brani in modi di volta in volta differenti, con forte enfasi sul jamming. Dopo aver passato i primi anni nei circuiti live locali, nel 2005 e nel 2006 registrano due EP autoprodotti che fruttano loro il primo contratto discografico.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz0Bv9ewr-bmYIZAQaXxZkYXS8AKVyd9YS_epnmznGavFo2IYcYt3gcwELEX146QGrQudL_stBkS6jj7SHkDin_7pO7NAOK8u1Id3aUm44fttH5EuT5wx3NxOsQy8QIVUFINk1pTll5UelLmrXTGwFwCh-4dNZN2kfjTrRee-Cq-Y2cjkuUEL5LbLhlW80/s250/clepsydra%20italy.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;164&quot; data-original-width=&quot;250&quot; height=&quot;262&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz0Bv9ewr-bmYIZAQaXxZkYXS8AKVyd9YS_epnmznGavFo2IYcYt3gcwELEX146QGrQudL_stBkS6jj7SHkDin_7pO7NAOK8u1Id3aUm44fttH5EuT5wx3NxOsQy8QIVUFINk1pTll5UelLmrXTGwFwCh-4dNZN2kfjTrRee-Cq-Y2cjkuUEL5LbLhlW80/w400-h262/clepsydra%20italy.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;I Clepsydra (attenzione a non confonderli con l&#39;omonimia prog band svizzera originaria di Locarno) esordiscono nel 2007 con l&#39;album &quot;&lt;b&gt;Second Era Of Stonehenge&lt;/b&gt;&quot;, con al basso Filippo De Rubeis , edito per M.P. Records di Padova. Durante il tour che seguirà l&#39;album, iniziano a rodare dal vivo nuovo materiale per un concept album, a cui aggiungono in studio di registrazione al classico power trio parti di sintetizzatore, violino, tromba, percussioni. &quot;&lt;b&gt;In Other Sunset&lt;/b&gt;&quot;, il CD che vi proponiamo quest&#39;oggi, viene pubblicato nel 2009, due anni dopo il debut album, e coincide con l&#39;inizio del tour che li porterà in giro per l&#39;Italia. Partecipano come strumentisti Luca Trifoni al basso elettrico, Piero Montebello al violino, Maurizio Allonsi al sintetizzatore e&amp;nbsp; Tony Lisciani alla tromba.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheSiAn33hcqjcQ5MxsQLL_gwusuYqpXzhFSxE09J3CxkaNvSDjCw3RkYXFv88ZFT7JplRzi2L4KE29PLpQvN1k_J9DeKQgho9sFvzrLTEKuNxJmtYXpU4Ba-6VyFn9Q9XQnOhLfqBT7oZTmV98ctx1AO3ESg3eRWXn6Ip33zS1o7By7Ns1XVKEQOqXqJEU/s1184/0022134270_10.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;888&quot; data-original-width=&quot;1184&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheSiAn33hcqjcQ5MxsQLL_gwusuYqpXzhFSxE09J3CxkaNvSDjCw3RkYXFv88ZFT7JplRzi2L4KE29PLpQvN1k_J9DeKQgho9sFvzrLTEKuNxJmtYXpU4Ba-6VyFn9Q9XQnOhLfqBT7oZTmV98ctx1AO3ESg3eRWXn6Ip33zS1o7By7Ns1XVKEQOqXqJEU/w400-h300/0022134270_10.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Il 2011 è l&#39;anno di &quot;&lt;b&gt;Marmalade Sky&lt;/b&gt;&quot; su Go Down Records, prodotto in collaborazione con Amaury Cambuzat degli Ulan Bator che partecipa anche come session man e backing vocal, mentre al basso, in studio, tornerà Phil De Rubeis. La band parte nuovamente in tournée con al basso elettrico ed alle voci Mattia Di Bernardo che entra stabile in formazione. Il lavoro è distribuito da Audioglobe per il territorio nazionale e da Cargo per quello europeo. La band parte nuovamente in tournée lungo tutto lo stivale. Partecipano all&#39;edizione 2013 del &#39;&#39;Maximum Festival&#39;&#39; di Treviso dividendo il palco con band quali Fatso Jetson, Vibravoid e Yawning Man.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx8oDIJcJYehardrw6ks85ta0XPXlV7F-9nThh3K66W_hoYSx1f6hKynhpUM5GdvL3SuiPozSZnvm_N1hNn5K8Ib8uqosEvh9OZcfiAFZpDgbNVoe-U0FMSE-ARogUo-YW5bN_cIhoDn52z2SOBeyPob3w8UBQaihWuwj5ipIoPgpn4DCmpr5yf1Sp7d1p/s1923/52164.jpg-1923x1356.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1356&quot; data-original-width=&quot;1923&quot; height=&quot;283&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx8oDIJcJYehardrw6ks85ta0XPXlV7F-9nThh3K66W_hoYSx1f6hKynhpUM5GdvL3SuiPozSZnvm_N1hNn5K8Ib8uqosEvh9OZcfiAFZpDgbNVoe-U0FMSE-ARogUo-YW5bN_cIhoDn52z2SOBeyPob3w8UBQaihWuwj5ipIoPgpn4DCmpr5yf1Sp7d1p/w400-h283/52164.jpg-1923x1356.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Giungiamo al 2015, anno in cui vede la luce &quot; &lt;b&gt;Tropicarium&lt;/b&gt;” quarto e ultimo lavoro della band, su Go Down Records, album che accoglie in formazione Sandro Abbondanza all’organo ed al Fender Rhodes. Durante la relativa tournée promozionale il gruppo si esibisce anche all&#39;&#39;&#39;Home Festival&#39;&#39; di Treviso, aprendo per gli Interpol e i Franz Ferdinand. Nel 2017 concludono il tour con l&#39;apertura del concerto dei Primal Scream al &lt;i&gt;Festival Acieloaperto&lt;/i&gt; di San Mauro Pascoli. Dopo di che il silenzio cala sulla band.&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgh3g953kzG8vAd2nQ_Hk2Hmacy00Cjz_TUDfe442PPOgs6-Z9WC2iVhAlIYRw4Kw5mIcWEPREgAjr2g1WtuvGHBSHIoYnGcLu6RGXzs8nsWgE-FKnF0LvXcUZxNn_yRhAFESqvifh39EDe0Qx4VyhmVVtEQiiVFfAiOui1uGRmUsU60XMbHMiWm-LXqDRk/s270/band_fabio.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;270&quot; data-original-width=&quot;270&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgh3g953kzG8vAd2nQ_Hk2Hmacy00Cjz_TUDfe442PPOgs6-Z9WC2iVhAlIYRw4Kw5mIcWEPREgAjr2g1WtuvGHBSHIoYnGcLu6RGXzs8nsWgE-FKnF0LvXcUZxNn_yRhAFESqvifh39EDe0Qx4VyhmVVtEQiiVFfAiOui1uGRmUsU60XMbHMiWm-LXqDRk/w400-h400/band_fabio.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Fabio Di Gialluca&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Per tornare a bomba a &quot;In Other Sunsets&quot;, un concept album molto atteso da critica e pubblico, le ispirazioni musicali, almeno nei due brani di apertura, devono molto ai Pink Floyd di &quot;Shine On&quot;. Il cambio repentini arriva con &quot;Majestic 12/ Eyes Only&quot; con la chitarra graffiante di Fabio Di Gialluca a dettare un ritmo sostenuto e un suono più robusto. Le 12 tracce inglobano un viaggio&amp;nbsp; di 65 minuti che ondeggia tra psichedelia e progressive. I suoni prodotti dal trio abruzzese, come già ricordatoin precedenza, sono stati arricchiti in studio con arrangiamenti di sinth, hammond, violino, tromba e percussioni che&amp;nbsp; danno vita ad un lavoro ambizioso e ricco di sfumature. Un grande album che, a mio avviso, sintetizza in pieno la potenza e la creatività di questa band che - purtroppo - è oggi nel cassetto dei ricordi. &lt;b&gt;Buon ascolto.&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbqSf4iVBH5ALPGvh9YUFb3tzDxik1w1rj5iY2wq8KmlRTRPJWNldLk3Z2y6IySXJ1JAQaWu1YlV577RBs9MXGtvb7esY29JYjRtHz0UXqzuB3k9PjkFW8DSpznlVPJJqaWHb2OeQdrl8FNSLvkC70ZjOayFV7LN6pctwRufDXOZMCBcA8AO1j35mE6ryi/s720/52160.jpg-720x541.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;541&quot; data-original-width=&quot;720&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbqSf4iVBH5ALPGvh9YUFb3tzDxik1w1rj5iY2wq8KmlRTRPJWNldLk3Z2y6IySXJ1JAQaWu1YlV577RBs9MXGtvb7esY29JYjRtHz0UXqzuB3k9PjkFW8DSpznlVPJJqaWHb2OeQdrl8FNSLvkC70ZjOayFV7LN6pctwRufDXOZMCBcA8AO1j35mE6ryi/w400-h300/52160.jpg-720x541.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/6M4j2CCA#W_B6DhNWUqf3s9F4PYWfFu76EM2COji7S-MZ-LkGCGQ&quot;&gt;LINK&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;Post by George - Music by Osel&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/7262791076803733091/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/clepsydra-in-other-sunsets-2009.html#comment-form' title='1 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/7262791076803733091'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/7262791076803733091'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/clepsydra-in-other-sunsets-2009.html' title='Clepsydra - In Other Sunsets (2009)'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPTEA3uKwyJAj9xNiybBxdlzOisRChXmiankFlcjj_6kbSMg3ZxAF9CnvSWONqmq-K3eV9ume7-Iwh9ouHG2LdavTWmeOxxqx3GvUAONUE488pvnlvcvwUHcSB9514lCzjJF51-0QnRxi4gtzONHy02v-tR26_8TvUXNmGYlqxWrHeuM1HHQpyBWxUenuf/s72-w400-h400-c/fronte.jpg" height="72" width="72"/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-7268978894700709007</id><published>2025-04-08T12:44:00.000+02:00</published><updated>2025-04-08T12:44:20.040+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="1992"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="Just One Record"/><category scheme="http://www.blogger.com/atom/ns#" term="New Italian Prog"/><category scheme="http://www.blogger.com/atom/ns#" term="rare"/><category scheme="http://www.blogger.com/atom/ns#" term="Roberto"/><category scheme="http://www.blogger.com/atom/ns#" term="Vitalba"/><title type='text'>Serie &quot;Just One Record&quot; - Vitalba - Genesi (1992)</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&amp;nbsp;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFbAZjS0XXKOkNSgo8qb8ZTBaMKpAYP75ejKL72arJmiIopgwrIVyLNrUpVeBZtSGR542-4cc0DL4wjgtKkQT2nN-vcn-bnpup40QL4QT942t41JzDNLpGVcpEl3WJ94S18VsIamgawkPKcwWIMywjdMNRf8cfXMOTF9lcmJQcS8Qk_VCN40FR6QVqpq4c/s958/front.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;958&quot; data-original-width=&quot;945&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFbAZjS0XXKOkNSgo8qb8ZTBaMKpAYP75ejKL72arJmiIopgwrIVyLNrUpVeBZtSGR542-4cc0DL4wjgtKkQT2nN-vcn-bnpup40QL4QT942t41JzDNLpGVcpEl3WJ94S18VsIamgawkPKcwWIMywjdMNRf8cfXMOTF9lcmJQcS8Qk_VCN40FR6QVqpq4c/w395-h400/front.jpg&quot; width=&quot;395&quot; /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;01. Genesi&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;02. L&#39;aquila&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;03. Autunno&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;04. Grande sole rosso&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;05. Metamorfosi&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;06. I falsi profeti&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;07. Emozioni notturne&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;08. Cielo Sole Animale&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;09. Culla del mio io&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;10. Quarta dimensione&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimfINxW1wF6MvlKjY8XX2dSqt2d8NY0df6PEDLCjZhjIVLt4fCxyBj0L-3B6VSJLI3KmUtAaWCOlCaRyAip62TPKn8r-mvJSSi-Wk5l1bIrAeUHxVHoFeEEnYx3QBRQmc6YlcgoZMV64gJkXRPhuWcViZd3kyCtuyDJ4v9vQU3wGKZZ2C7izsXx9aTFSTR/s967/back.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;967&quot; data-original-width=&quot;942&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimfINxW1wF6MvlKjY8XX2dSqt2d8NY0df6PEDLCjZhjIVLt4fCxyBj0L-3B6VSJLI3KmUtAaWCOlCaRyAip62TPKn8r-mvJSSi-Wk5l1bIrAeUHxVHoFeEEnYx3QBRQmc6YlcgoZMV64gJkXRPhuWcViZd3kyCtuyDJ4v9vQU3wGKZZ2C7izsXx9aTFSTR/w390-h400/back.jpg&quot; width=&quot;390&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Cari amici, qui ci troviamo di fronte ad un album decisamente raro. Non cercatelo perché non troverete alcuna informazione al riguardo. I file me li ha inviati qualche tempo fa l&#39;amico &lt;b&gt;Roberto&lt;/b&gt;, che ringrazio, come sempre. Come già detto, le informazioni sia sul gruppo, i Vitalba, sia sull&#39;album, intitolato &quot;Genesi&quot;, sono del tutto inesistenti. Qualche stringatissima notizia appare su un testo che Roberto mi ha inviato insieme ai file e che vi riporto qui di seguito:&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&quot;La band di Pietralunga (PG) si compone nel 1991 grazie a Nicola Polchi (tastiere) e Andrea Pauselli (chitarra). Vengono coadiuvati alla batteria da Costantino Natali e da Paolo Picconi al basso. Suonano un prog influenzato da Pink Floyd e Genesis in primis. Incidono un album nel 1992 (autoprodotto) e dopo cambi di line up, split e reunion, nel 2010 producono un DVD dal titolo &quot;The Return&quot;, registrato al &quot;Musica e Poesia&quot; organizzato dall&#39;Associazione Orfeo Vitali&quot;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Questo è tutto ciò che siamo riusciti a recuperare in merito al gruppo e al loro album. Anche le copertine non mi sono state inviate (Roberto possedeva solo i file), al punto che le ho realizzate io, con i miei mezzi di fortuna. Certo, non sono quelle dello Studio Hipgnosis, ma in questo caso dobbiamo accontentarci.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjijsEK9p-RaePQZGQvMLmibptYDQ2QWckHAdwat9SifFZWlybCEkBVQL1QzWqm1-m4FQZO2WSSB14jeULA3DnpSL6zrT-qpSSmq5XPanPbc37jCWLkvOhqeXQqKU2mXOSS_Jr6QiO5FZrHcMwi7pn6wF2XMeCSIBcXo6cy3KRPGW3ZYjneEA6L67eOqU56/s800/Arca-di-No%C3%A8-800x576.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;576&quot; data-original-width=&quot;800&quot; height=&quot;288&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjijsEK9p-RaePQZGQvMLmibptYDQ2QWckHAdwat9SifFZWlybCEkBVQL1QzWqm1-m4FQZO2WSSB14jeULA3DnpSL6zrT-qpSSmq5XPanPbc37jCWLkvOhqeXQqKU2mXOSS_Jr6QiO5FZrHcMwi7pn6wF2XMeCSIBcXo6cy3KRPGW3ZYjneEA6L67eOqU56/w400-h288/Arca-di-No%C3%A8-800x576.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Come indicato nel testo soprariportato, le 10 tracce risentono dell&#39;influenza dei grandi maestri del progressive anni &#39;70, con ampi spazi dedicati alle tastiere e alla chitarre. Anche le voci e le parti corali hanno la loro dignità. Insomma, un album che non sfigurerebbe al fianco di altri CD di gruppi di new italian prog. Il resto lo lascio al vostro giudizio, sempre utile e ben gradito. Chissà che non ci scriva anche qualche componente dei Vitalba per chiarire meglio la loro storia musicale. E&#39; un auspicio.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/GRAHlRgC#RQHcT-p8XOD40abQ1TEdjdqx83SV8xRzb34ql9k33Zw&quot;&gt;LINK&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;Post by George - Music by Roberto&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/7268978894700709007/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/serie-just-one-record-vitalba-genesi.html#comment-form' title='4 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/7268978894700709007'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/7268978894700709007'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/serie-just-one-record-vitalba-genesi.html' title='Serie &quot;Just One Record&quot; - Vitalba - Genesi (1992)'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFbAZjS0XXKOkNSgo8qb8ZTBaMKpAYP75ejKL72arJmiIopgwrIVyLNrUpVeBZtSGR542-4cc0DL4wjgtKkQT2nN-vcn-bnpup40QL4QT942t41JzDNLpGVcpEl3WJ94S18VsIamgawkPKcwWIMywjdMNRf8cfXMOTF9lcmJQcS8Qk_VCN40FR6QVqpq4c/s72-w395-h400-c/front.jpg" height="72" width="72"/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-588853850936530018</id><published>2025-04-05T09:47:00.001+02:00</published><updated>2025-04-05T09:47:28.978+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="2014"/><category scheme="http://www.blogger.com/atom/ns#" term="Bonus tracks"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="Hexperos"/><title type='text'>Hexperos - Lost In The Great Sea (2014)</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&amp;nbsp;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixZkK_MV4T0Z6ItuSpF0c0bkchodG0db8tBuzaU02bmybtjQgK6QmeTYb_ysco6rnYcTiOki1DSOV59PsN_4Hcjbghtd0m90pXk_9ORpaC3pqT9n05nfz06kf1CMZdbgU0ZRjOCi0bHD0_6vGDDS_d3AyqUp3a0CtklC9dmqZw-hqqsyJvrCcqAjbEm3J3/s537/R-5811607-1403347450-2993.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;478&quot; data-original-width=&quot;537&quot; height=&quot;356&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixZkK_MV4T0Z6ItuSpF0c0bkchodG0db8tBuzaU02bmybtjQgK6QmeTYb_ysco6rnYcTiOki1DSOV59PsN_4Hcjbghtd0m90pXk_9ORpaC3pqT9n05nfz06kf1CMZdbgU0ZRjOCi0bHD0_6vGDDS_d3AyqUp3a0CtklC9dmqZw-hqqsyJvrCcqAjbEm3J3/w400-h356/R-5811607-1403347450-2993.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div&gt;01. Autumnus&lt;/div&gt;&lt;div&gt;02. Lost In The Great Sea&lt;/div&gt;&lt;div&gt;03. A Wish&lt;/div&gt;&lt;div&gt;04. Aine&#39;s Ballad&lt;/div&gt;&lt;div&gt;05. Giant&#39;s Causeway&lt;/div&gt;&lt;div&gt;06. Song - She Sat And Sang Away&lt;/div&gt;&lt;div&gt;07. A Sparkle Of This Mysterious Universe&lt;/div&gt;&lt;div&gt;08. To Autumn&lt;/div&gt;&lt;div&gt;09. The Traveller&lt;/div&gt;&lt;div&gt;10. Spring Thaw&lt;/div&gt;&lt;div&gt;11. Reflection&lt;/div&gt;&lt;div&gt;12. Proserpina&lt;/div&gt;&lt;div&gt;13. The Eye Of The Sybil (&lt;b&gt;bonus track&lt;/b&gt;)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiSftjROkKKOLqzz7Ks7BJwSPv8zzMWVt9a70DTODbMan2hmSZC36Mnc63sY6fFYPRNhIztKl8MwdGBzsjQJV7i4i58mvdbTnhFyKZzMMqBtK3atSDeu8PGFEueTEnpLi9wuP_nr6h0LI3cWBJVBMYV3UlowIEN1bWAOTryY51gzq-LfetzFXoDEZDx2s9/s599/R-5811607-1700681477-4505.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;262&quot; data-original-width=&quot;599&quot; height=&quot;175&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiSftjROkKKOLqzz7Ks7BJwSPv8zzMWVt9a70DTODbMan2hmSZC36Mnc63sY6fFYPRNhIztKl8MwdGBzsjQJV7i4i58mvdbTnhFyKZzMMqBtK3atSDeu8PGFEueTEnpLi9wuP_nr6h0LI3cWBJVBMYV3UlowIEN1bWAOTryY51gzq-LfetzFXoDEZDx2s9/w400-h175/R-5811607-1700681477-4505.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;i&gt;MUSICISTI:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Francesco Forgione - tastiere, viola da gamba], bouzouki, dulcimer&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;Alessandra Santovito - voce, flauto medievale &amp;amp; orientale&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;con&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;Francesco Savoretti - percussioni&lt;/div&gt;&lt;div&gt;Domenico Mancini - violino&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEherw8IBNjbUxF95lRGAoV-CyRBCQVahDcq7zGhxdlawq5NI2yKv3EGS24utTSoljC2c4fRa7n5xo2qM4ejWE_daRUVxqMv3tfQo2YFjKOKdh3o_uYcwLmc8JiKtGDLS3P2sHW7LQmm88vReV_TOfq5tf4kHfxaCOYhEea4PwEb_2FCfjE_RgR9-MMnsbM6/s599/R-5811607-1700681320-2129.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;301&quot; data-original-width=&quot;599&quot; height=&quot;201&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEherw8IBNjbUxF95lRGAoV-CyRBCQVahDcq7zGhxdlawq5NI2yKv3EGS24utTSoljC2c4fRa7n5xo2qM4ejWE_daRUVxqMv3tfQo2YFjKOKdh3o_uYcwLmc8JiKtGDLS3P2sHW7LQmm88vReV_TOfq5tf4kHfxaCOYhEea4PwEb_2FCfjE_RgR9-MMnsbM6/w400-h201/R-5811607-1700681320-2129.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGpXZ6w7Elk-FqouTgBlLp4Ayh5RqSXfu_bC2zo97Drml4RVc24Y_wn0QgybOJabwlkrKsGoWCfHwVOJJLH06qOSD2b2cxIl5BQRTicaddzU3Dv2Wrjh4pelGCmHoVelMtVi9IhzDc1EKELg1_8QtUlREpdiWrTXSbPO710J5vuww48uBdts2ibS2qlEnI/s599/R-5811607-1700681386-8333.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;301&quot; data-original-width=&quot;599&quot; height=&quot;201&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGpXZ6w7Elk-FqouTgBlLp4Ayh5RqSXfu_bC2zo97Drml4RVc24Y_wn0QgybOJabwlkrKsGoWCfHwVOJJLH06qOSD2b2cxIl5BQRTicaddzU3Dv2Wrjh4pelGCmHoVelMtVi9IhzDc1EKELg1_8QtUlREpdiWrTXSbPO710J5vuww48uBdts2ibS2qlEnI/w400-h201/R-5811607-1700681386-8333.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVVJDwMHSoDL267ZI8_kNj5VFzD7pw6QettbNORLIxQhzF91I-A_vBI2wCm3kyh749U_3WEUciu4W7HDXKV143zsTaSZ2FTo6_d1uKtKFfqLqlHcxlp9Lk9imrsP2jjKlfr-CHFLX7PfUBfzpjnwugMYCRqyzZ_hRioohr68lK4m44CH49mGni_uhi7WSt/s598/R-5811607-1700681404-9414.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;299&quot; data-original-width=&quot;598&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVVJDwMHSoDL267ZI8_kNj5VFzD7pw6QettbNORLIxQhzF91I-A_vBI2wCm3kyh749U_3WEUciu4W7HDXKV143zsTaSZ2FTo6_d1uKtKFfqLqlHcxlp9Lk9imrsP2jjKlfr-CHFLX7PfUBfzpjnwugMYCRqyzZ_hRioohr68lK4m44CH49mGni_uhi7WSt/w400-h200/R-5811607-1700681404-9414.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix7YESb4GAFeMkq0-kLw_EggvUZCpsSqiMgFz-3NyPHSIq7ZK6uyyqQLmcIeiyQNJluUGMdI-fY4TxPdgQ_1g40zcCdpq27-0uN9H4HQcE4Dm1ICtr2lEjmWRfHQ-f1J4Ktcqfb7VUra1xpM8nLxdpuWsrq6ER4e8TxoQg51KPaq5lk7DoOREwnZxCKq-h/s599/R-5811607-1700681421-9334.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;302&quot; data-original-width=&quot;599&quot; height=&quot;201&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix7YESb4GAFeMkq0-kLw_EggvUZCpsSqiMgFz-3NyPHSIq7ZK6uyyqQLmcIeiyQNJluUGMdI-fY4TxPdgQ_1g40zcCdpq27-0uN9H4HQcE4Dm1ICtr2lEjmWRfHQ-f1J4Ktcqfb7VUra1xpM8nLxdpuWsrq6ER4e8TxoQg51KPaq5lk7DoOREwnZxCKq-h/w400-h201/R-5811607-1700681421-9334.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;E&#39; possibile che a molti di voi questo nome non dica nulla o quasi. In realtà avevamo &quot;sfiorato&quot; gli Experos in occasione del post relativo alla compilation &quot;Progressivamente Story 1970-2014&quot; dove il duo appariva con &quot;Autumnus&quot;. Se devo essere sincero li ho scoperti anch&#39;io in quel frangente. Bene, con gli Hexperos entriamo in terreni musicali fino ad oggi poco esplorati sulla Stratosfera, ovvero quelli influenzati da sonorità celtiche, etniche, barocche, medievali e altre suggestioni di vasto respiro. Gli Hexperos non sono nuovi sulla scena musicale visto che nascono dalle ceneri dei &lt;b&gt;Gothica&lt;/b&gt;, un gruppo con all&#39;attivo due album registrati nel 2000 e nel 2003, I Gothica proponevano un sound piuttosto oscuro che ebbe un discreto successo tra la cerchia degli appassionati del genere. Le informazioni che seguono, riguardanti la biografia degli Hexperos, le ho tratte da &lt;i&gt;wikipedia&lt;/i&gt;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7kZUo-0yNC7wiWEbMoBk2yfHArj-U8Mgx-L0LiaJV2BQuPssxQIapo2yu5wJPoa-GwabgQW2DzogeTCuVWwQvSNM-b3QmZH5UuLGwiawHi6cB804vWKa5IZ2zx4mzqIFQiDPb3LVZAgnPX8y9-EvyNj6CZCcZl35SevENou1H0OPgAa76ybDHp_ALgpQW/s800/Hexperos_01.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;533&quot; data-original-width=&quot;800&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7kZUo-0yNC7wiWEbMoBk2yfHArj-U8Mgx-L0LiaJV2BQuPssxQIapo2yu5wJPoa-GwabgQW2DzogeTCuVWwQvSNM-b3QmZH5UuLGwiawHi6cB804vWKa5IZ2zx4mzqIFQiDPb3LVZAgnPX8y9-EvyNj6CZCcZl35SevENou1H0OPgAa76ybDHp_ALgpQW/w400-h266/Hexperos_01.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Il progetto musicale Hexperos prese corpo nel 2004 ad opera&amp;nbsp;di due virtuosi polistrumentisti: Alessandra Santovito (soprano, flauto traverso, traversa medievale, whistles, hammer dulcimer, tastiere, lira greca, arpa medievale e percussioni) e Francesco Forgione (contrabbasso, violoncello, arpa bardica, viola da gamba, bouzouki, hammer dulcimer, percussioni e tastiere). In studio si avvalsero della collaborazione di altri musicisti di grande talento. Ne cito alcuni: i violinisti Domenico Mancini ed Alessandro Pensa, il percussionisti Francesco Savoretti e Marco Molino, Simone Ranieri alla chitarra acustica, il coro di voci bianche Stella Maris, le arpiste Francesca Romana Di Nicola, Valentina Locci e Lucia Antonacci. Insomma, soprattutto una grande quantità di strumenti antichi. Piccola curiosità: il nome Hexperos proviene da Esperidi, figure della mitologia greca che, secondo le leggende, custodivano il giardino dei pomi d&#39;oro di Era e cantavano con voce melodiosa, e da Hesperos, stella vespertina, preferita da Venere, la dea dell&#39;amore.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUNucRZwhhLbqBvZg9UiqC-We-C28D6ybdFyzx6n2OXQpeQiydZNrQWG5B8A8YwHNcp_-0hw_zfeYdkzyJhTDQ90jh7g0mM2vKKe9rD9_qPTVd0XyWozS0oHsGC-oincc9vs3TU3Gt-Rt3u_1bcEqTFwFcyBFGx_fn6lLJZVIMjKjuHW5lk6aMzEz4-xI9/s599/A-942440-1401381322-6427.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;599&quot; data-original-width=&quot;542&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUNucRZwhhLbqBvZg9UiqC-We-C28D6ybdFyzx6n2OXQpeQiydZNrQWG5B8A8YwHNcp_-0hw_zfeYdkzyJhTDQ90jh7g0mM2vKKe9rD9_qPTVd0XyWozS0oHsGC-oincc9vs3TU3Gt-Rt3u_1bcEqTFwFcyBFGx_fn6lLJZVIMjKjuHW5lk6aMzEz4-xI9/w363-h400/A-942440-1401381322-6427.jpg&quot; width=&quot;363&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;La loro discografia consiste in quattro album registrato tra il 2007 e il 2021. &quot;Lost In The Great Sea&quot; è il terzo&amp;nbsp; in ordine cronologico, pubblicato nel 2014 dalla Moringside Records. Nello stesso anno venne estratto un singolo contenente &quot;Autumnus &quot; e l&#39;inedita &quot;The Eye Of The Sybil&quot; (che troverete qui come bonus track). Alcuni loro brani sono presenti in numerose compilation. &quot;Lost in the Great Sea&quot; segna una svolta rispetto al passato e riflette il nuovo sound degli Hexperos, maggiormente intriso di sonorità celtiche, e soprattutto il legame con le epoche passate. Dai solchi emerge il grande impatto delle donne nel mondo dell&#39;arte ed i loro viaggi immaginari.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWFvFJOKCVaSgn27BIH9ywoqFfJ74Pveo9Qle_lPkUp0UFEUwZgidWqYmihUANC5AjZ5lLN2aw-7qtO0V6nFzf8Ly5XFxoQExVu12hN3c5BGPloFjMiNDaNceT0sK44oScF6-Vq_ZROA1Z7lpZ6fKvIOH14ogma3Dtz0sjy-ak1qXn8OkIyGEgjlSoCoPX/s600/R-5886637-1405432968-5196.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWFvFJOKCVaSgn27BIH9ywoqFfJ74Pveo9Qle_lPkUp0UFEUwZgidWqYmihUANC5AjZ5lLN2aw-7qtO0V6nFzf8Ly5XFxoQExVu12hN3c5BGPloFjMiNDaNceT0sK44oScF6-Vq_ZROA1Z7lpZ6fKvIOH14ogma3Dtz0sjy-ak1qXn8OkIyGEgjlSoCoPX/w400-h400/R-5886637-1405432968-5196.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;La copertina del singolo &quot;Autumnus&quot; (2014)&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;La maggior parte dei testi, scritti in lingua inglese, sono composti da Alessandra Santovito, così come le musiche che sono quasi tutte originali. In alcuni album sono presenti cover di brani preferiti dal duo come l&#39;Ave Maria di Giulio Caccini, A Time Fr Us di Nino Rota, Le Siete Canciones Populares Españolas di Manuel de Falla. Capita altresì che vengano scelte alcune pagine, fra le più belle della nostra letteratura, per essere poi musicate. La loro musica è strettamente legata all&#39;arte e soprattutto alla letterature, prova ne è che nei testi vengono citati o utilizzati versi di Apuleio, Shakespeare, Alda Merini, D.H. Lawrence, Rubén Darío. Grazie alle atmosfere ricercate, a volte oscure, altre volte sognanti, i brani degli Hexperos sono stati spesso presi a prestito per colonne sonore e&amp;nbsp; cortometraggi.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFuS68ZHvyq7WiNpE4DzVq13pe8c-oks1aZYa-_5isHKciWgKtlNi9xLXg9uBGa8Vq6hUEC3O0j5eknM7MrUUKBMTMNzcyKABYNuEcgwpchWS4ElS2cTTlkEIAhQ2BGOSWCIaPVkmYVe__ui5WAEDLcNIjtH928_TRKSLQtIY8wJVyFQKM-abmiKeNAX5J/s256/A-942440-1203340946.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;192&quot; data-original-width=&quot;256&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFuS68ZHvyq7WiNpE4DzVq13pe8c-oks1aZYa-_5isHKciWgKtlNi9xLXg9uBGa8Vq6hUEC3O0j5eknM7MrUUKBMTMNzcyKABYNuEcgwpchWS4ElS2cTTlkEIAhQ2BGOSWCIaPVkmYVe__ui5WAEDLcNIjtH928_TRKSLQtIY8wJVyFQKM-abmiKeNAX5J/w400-h300/A-942440-1203340946.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Gli Hexperos non si sono limitati all&#39;attività in sala di registrazione: hanno all&#39;attivo numerosi concerti in Italia e all&#39;estero, alcuni dei quali in sedi prestigiose come il concerto del 6 ottobre 2012 tenutosi presso I Mercati di Traiano – Museo dei Fori Imperiali a Roma, all&#39;interno dell&#39;importante manifestazione &quot;La Notte dei Musei&quot;; e ancora la 23ᵃ edizione del &quot;Wave Gotik Treffen&quot; svoltosi a Lipsia nel giugno del 2014; l&#39; &quot;Elfia Fantasy Festival&quot; di Arcen in Olanda nel 2015 con quattro performance. Da segnalare, in ultimo, la loro presenza anche alla 26ᵃ edizione del &quot;Wave Gotik Treffen&quot; nel 2017, con due performance al Pagan Village Heidnisches Dorf e allo Schauspielhaus Theatre.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Credo di avervi raccontato tutto. Non mi reta che augurarvi il consueto buon ascolto.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1B3nk2fBnTvsqQRF_6EwFB2cog3Xe5sBwXVag56Lm8jTZwcww01WdaQxtjcSlSa5arHSTiH8uptinvNrfflUfzGHKK90qr1Uey4fCAXUMrjbpJrmVAwab8JlhEH1tb3QwCFp0DAb5fsJ6TNoJgbKBBaOlBnmUxkAovWsOAQDZhuxzgUEJ3FTfHUK79uZX/s800/Hexperos_02.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;509&quot; data-original-width=&quot;800&quot; height=&quot;255&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1B3nk2fBnTvsqQRF_6EwFB2cog3Xe5sBwXVag56Lm8jTZwcww01WdaQxtjcSlSa5arHSTiH8uptinvNrfflUfzGHKK90qr1Uey4fCAXUMrjbpJrmVAwab8JlhEH1tb3QwCFp0DAb5fsJ6TNoJgbKBBaOlBnmUxkAovWsOAQDZhuxzgUEJ3FTfHUK79uZX/w400-h255/Hexperos_02.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/iJ4SmaxI#VY4K_On8M5s0sHZs-YjgTFOHU8H0Dpw4PQg_YLomePI&quot;&gt;LINK&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;i&gt;Post by George&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/588853850936530018/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/hexperos-lost-in-great-sea-2014.html#comment-form' title='8 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/588853850936530018'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/588853850936530018'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/hexperos-lost-in-great-sea-2014.html' title='Hexperos - Lost In The Great Sea (2014)'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixZkK_MV4T0Z6ItuSpF0c0bkchodG0db8tBuzaU02bmybtjQgK6QmeTYb_ysco6rnYcTiOki1DSOV59PsN_4Hcjbghtd0m90pXk_9ORpaC3pqT9n05nfz06kf1CMZdbgU0ZRjOCi0bHD0_6vGDDS_d3AyqUp3a0CtklC9dmqZw-hqqsyJvrCcqAjbEm3J3/s72-w400-h356-c/R-5811607-1403347450-2993.jpg" height="72" width="72"/><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-2441980029304816385</id><published>2025-04-03T16:47:00.000+02:00</published><updated>2025-04-03T16:47:38.983+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="2025"/><category scheme="http://www.blogger.com/atom/ns#" term="Banco del mutuo soccorso"/><category scheme="http://www.blogger.com/atom/ns#" term="Bootleg"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="live"/><category scheme="http://www.blogger.com/atom/ns#" term="Vittorio Nocenzi"/><title type='text'>Serie &quot;Bootleg&quot; n. 351 - Banco del Mutuo Soccorso - Teatro Alessandrino, Alessandria, 22 marzo 2025 - &quot;Storie Invisibili Tour&quot;</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv5Z_tkQIYdy53hQumucVNw6VJoq9swzPF-w0V228ligtMI2uA2hP87m5xKkVcwJx0QX382rFAx60AB8Wpl39l9oBsUbLjo-M5uocI8WxIdwjHNwN8kICLEYbvRVJD3fr2EVr4toTkGXTyQ4t29UHm24-9BNFp01a4FMifhBFNwjYUjyCeDfjJWdRVGy0x/s269/images.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;187&quot; data-original-width=&quot;269&quot; height=&quot;278&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv5Z_tkQIYdy53hQumucVNw6VJoq9swzPF-w0V228ligtMI2uA2hP87m5xKkVcwJx0QX382rFAx60AB8Wpl39l9oBsUbLjo-M5uocI8WxIdwjHNwN8kICLEYbvRVJD3fr2EVr4toTkGXTyQ4t29UHm24-9BNFp01a4FMifhBFNwjYUjyCeDfjJWdRVGy0x/w400-h278/images.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST CD 1:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;01. Introduzione - Vittorio speech&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;02. Metamorfosi&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;03.Il ragno&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;04. Lontano da&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;05. Studenti&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;06, Presentazione della band e dell&#39;album &quot;Storie invisibili&quot;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;07. Eterna Transiberiana&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;08. Il giardino del mago&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST CD 2:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;09. R.I.P.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;10. Il mietitore&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;11. Non mi spaventa più l&#39;amore - Vittorio speech&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;12. Paolo Pa&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;13. Moby Dick&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;14. Traccia - encore&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;15. Tanti auguri&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;16. Non mi rompete&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMgoomLVgJ8PCVFiZtOaGj-BiDHU2G8PdY5YkdnNQDfc8krVgGv1B0aR2yjLrrU3bPy1qOq4LgF2ho13opF66N4pNokqUiOo2Cn_YiiBf6UI-hcll4kBFNeAe-186xfHo6h8tV4EUlCkR0ASQdsDYNpyLPwZJ3bTiQVU4g1f-43wKVTQuMSK7-kIQikoPY/s1200/R6RB9289_w-ppfmvtlt9gri2uu82m5tq9lxhopugigi7p0n80pfls.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;800&quot; data-original-width=&quot;1200&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMgoomLVgJ8PCVFiZtOaGj-BiDHU2G8PdY5YkdnNQDfc8krVgGv1B0aR2yjLrrU3bPy1qOq4LgF2ho13opF66N4pNokqUiOo2Cn_YiiBf6UI-hcll4kBFNeAe-186xfHo6h8tV4EUlCkR0ASQdsDYNpyLPwZJ3bTiQVU4g1f-43wKVTQuMSK7-kIQikoPY/w400-h266/R6RB9289_w-ppfmvtlt9gri2uu82m5tq9lxhopugigi7p0n80pfls.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Vittorio Nocenzi – tastiere, voce&lt;/div&gt;&lt;div&gt;Filippo Marcheggiani – chitarra&lt;/div&gt;&lt;div&gt;Tony D&#39;Alessio – voce&lt;/div&gt;&lt;div&gt;Marco Capozi – basso&lt;/div&gt;&lt;div&gt;Michelangelo Nocenzi – tastiere&lt;/div&gt;&lt;div&gt;Andrea Bruni – batteria&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCl7HSNbIknBjs24nbn5Lfr4gjuZgC8BRnSutn8WrdvCe89zD3X7UsIhd_Z0pbEvE8gfIxKs4prFhW32smaoTkAjmjy8u8yjtQnkeyzk7-bHMJdxOaJjW5vlcQaAvNUy8lHpRxHXjLh_4KelwnicovwGpOn11cWUZkuuNtZfs-fPq7ndOZD9nyYz14v_nf/s300/banco-mutuo-soccorso-colore-verticale-2025-1.webp&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;300&quot; data-original-width=&quot;300&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCl7HSNbIknBjs24nbn5Lfr4gjuZgC8BRnSutn8WrdvCe89zD3X7UsIhd_Z0pbEvE8gfIxKs4prFhW32smaoTkAjmjy8u8yjtQnkeyzk7-bHMJdxOaJjW5vlcQaAvNUy8lHpRxHXjLh_4KelwnicovwGpOn11cWUZkuuNtZfs-fPq7ndOZD9nyYz14v_nf/w400-h400/banco-mutuo-soccorso-colore-verticale-2025-1.webp&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;b&gt;Immortale&lt;/b&gt;. Esiste forse un altro aggettivo per definire il Banco del Mutuo Soccorso? Nel 2025 sono ancora qui, dopo avere attraversato quasi sei decenni di storia. La nuova formazione gravita intorno al leader storico Vittorio Nocenzi, fondatore del primo embrione del Banco nel lontano 1968 insieme al fratello Gianni, occasionalmente ospite in qualche concerto. Vittorio Nocenzi (da un po&#39; di tempo col suo immancabile cappellino) è una vera e propria icona della musica rock italiana che con il suo Banco del Mutuo Soccorso ha attraversato periodi musicali splendidi ma anche difficili (quali gli anni &#39;80) e ha subito lutti gravissimi, come la morte di Francesco Di Giacomo e di Rodolfo Maltese. Ma non si è lasciato prendere dallo sconforto, anzi, affiancato da nuovi e virtuosi musicisti ha realizzato negli ultimi anni una trilogia di album di altissimo livello, da &quot;Transiberiana&quot; del 2019, passando attraverso &quot;Orlando le forme dell&#39;amore&quot; (2022) per giungere al recentissimo &quot;Storie invisibili&quot;. Ed è proprio dedicato a quest&#39;ultima fatica il nuovo tour preparato da Nocenzi e soci che ha preso avvio in questo scorcio iniziale del 2025.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfjEdK8K6KFVFGcpCgSrYpyiKTW6qQqE3wBmnYfNDXUzmjSAVgGC_mEU2wVoy70MtGtN0b1gJXa22fLSqccV5MRthUF8GW3Ny9zP3zY8VCR32akMlg-15IfsNQR581IZd_iWlH-WXwQKI2-TNj6NA8PP7HHlfBRCCsiwydZgqYiXpOpb-ri7wjAG0ibSLz/s1200/325946332_660338205890157_464285137344213657_n-1-q2ja1jw7xzkatgi2yoa07iyhnsllxpimkyp09amzi8.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;800&quot; data-original-width=&quot;1200&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfjEdK8K6KFVFGcpCgSrYpyiKTW6qQqE3wBmnYfNDXUzmjSAVgGC_mEU2wVoy70MtGtN0b1gJXa22fLSqccV5MRthUF8GW3Ny9zP3zY8VCR32akMlg-15IfsNQR581IZd_iWlH-WXwQKI2-TNj6NA8PP7HHlfBRCCsiwydZgqYiXpOpb-ri7wjAG0ibSLz/w400-h266/325946332_660338205890157_464285137344213657_n-1-q2ja1jw7xzkatgi2yoa07iyhnsllxpimkyp09amzi8.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;Ho voluto realizzare questo post per due ragioni: la prima risiede senza dubbio nel grande affetto e rispetto che ho da sempre nei confronti di questa storica band; la seconda è che non volevo lasciarmi sfuggire questo recentissimo concerto del &quot;nuovo&quot; Banco del Mutuo Soccorso (risale al 22 marzo scorso) che denota - ancora e sempre - la potenza musicale del sestetto e il forte impatto scenico. Oggi, al fianco di Vittorio Nocenzi, troviamo il cantante Tony D&#39;Alessio (in formazione dal 2016), l&#39;oramai storico chitarrista Filippo Marcheggiani (con il Banco da ben 31 anni), che ha sostituito più che degnamente Rudy Maltese, il figlio di Vittorio, Michelangelo, anche lui alle tastiere a supportare con abilità i virtuosismi di cotanto padre, Il bassista Marco Capozi e per finire la new entry, il batterista Andrea Bruni, da poco entrato nell&#39;organico. Per tornare alla trilogia discografica (di cui Vittorio parlerà nel corso del concerto)&amp;nbsp; ed, in particolare, a &quot;Storie invisibili&quot;, sono quasi certo che a qualcuno avrà lasciato un po&#39; di amaro in bocca. Confesso di non averlo apprezzato più di tanto al primo ascolto. Ma come dirà Vittorio nel corso del concerto, i tempi cambiano e le suite oggi non vanno più. I nuovi brani sono brevi, veloci, come delle fotografie istantanee che immortalano un personaggio o un evento. Io per primo, e con me coloro che hanno seguito l&#39;evoluzione del Banco fin dagli albori, dobbiamo imparare a prendere le distanze dalla pura e semplice nostalgia. Come si dice...i tempi cambiano e il mondo va avanti. E il Banco del Mutuo Soccorso ha avuto la capacità di rigenerarsi.&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOlBou_AYhd8w_-iOYrTcw9O9snei-w-q_j8e9kpI_Vr3_R05_C77rCjjl74IkeqnXeW81plJ_0QJT3hia7XXV0BLxl4CoeTSGg6ZXzjiMIxXmq6T1myYWpZd9ez7R7GDxC2Qjn3LcFpJ59mU_9O3lNMKvCypRvkuLewUo7l0UhkYJ93SQawsJTyOAzsln/s1200/325961623_673051684504737_2322149023766976507_n-1-q2ja2fuqecs1s77ns23bkaw5uw837f1i1cvikpblmo.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;800&quot; data-original-width=&quot;1200&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOlBou_AYhd8w_-iOYrTcw9O9snei-w-q_j8e9kpI_Vr3_R05_C77rCjjl74IkeqnXeW81plJ_0QJT3hia7XXV0BLxl4CoeTSGg6ZXzjiMIxXmq6T1myYWpZd9ez7R7GDxC2Qjn3LcFpJ59mU_9O3lNMKvCypRvkuLewUo7l0UhkYJ93SQawsJTyOAzsln/w400-h266/325961623_673051684504737_2322149023766976507_n-1-q2ja2fuqecs1s77ns23bkaw5uw837f1i1cvikpblmo.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Il concerto qui proposto è stato registrato (con ottima qualità sonora) al Teatro Alessandrino di Alessandria il 22 marzo 2025. L&#39;autore, al quale vanno i nostri ringraziamenti, è M&lt;span style=&quot;text-align: left;&quot;&gt;ax Zarucchi che ha altresì postato l&#39;intero video su YouTube. Ringrazio Max anche per averlo pubblicato nella sua integrità, lasciando i numerosi dialoghi di Vittorio, grande affabulatore e &quot;chiacchierone&quot;, come lui stesso si è definito: i suoi ricordi spaziamo dagli anni &#39;70 (&quot;ero vestito con la pelliccia di mia madre, i jeans a zampa di elefante e gli stivaletti tacco 12 acquistati a Londra...e in ogni cantina, garage o sala c&#39;era qualcuno che suonava&quot;) all&#39;analisi degli ultimo tre album. C&#39;è anche spazio per festeggiare il compleanno di Michelangelo Nocenzi, con una improvvisata &quot;tanti auguri a te&quot;.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu5KAFyPhOzOfJS8tuzd0CNwEYHVpOVaWLnBJXQBxn5KXSZ9DLFJcQcDGG3cSCTqNMoO4Dgy0wdHo4uJykqrmn0pCd55jG3ASQ9tsO7W6grkCrPwO3eFCRSP4SEXQUtJ2S9To__uATdTTmBMJHFuahtRrB9riQIpIT0MfmokssKcBMGqItlTZnGg4zdKKT/s1080/474234392_1176809407135417_3336015729456958264_n.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;712&quot; data-original-width=&quot;1080&quot; height=&quot;264&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu5KAFyPhOzOfJS8tuzd0CNwEYHVpOVaWLnBJXQBxn5KXSZ9DLFJcQcDGG3cSCTqNMoO4Dgy0wdHo4uJykqrmn0pCd55jG3ASQ9tsO7W6grkCrPwO3eFCRSP4SEXQUtJ2S9To__uATdTTmBMJHFuahtRrB9riQIpIT0MfmokssKcBMGqItlTZnGg4zdKKT/w400-h264/474234392_1176809407135417_3336015729456958264_n.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;Veniamo ai contenuti del concerto, costituito da 16 tracce da me suddivise e ripartite in due CD (per chi volesse ancora masterizzarli). L&#39;apertura è all&#39;insegna della potenza, con la classica &quot;Metamorfosi&quot; tratta dal Salvadanaio. Seguono altri brani storici quali &quot;Il ragno&quot;, &quot;Lontano da&quot;, &quot;R.I.P.&quot; , &quot;Traccia&quot; e &quot;Moby Dick&quot;. Ma la vera sorpresa è la riproposta integrale de &quot;Il giardino del mago&quot;, dal 1° album del 1972, dove Filippo Marcheggiani, in particolare nel segmento finale, sfodera tutta la sua tecnica e la sua abilità chitarristica. Dalla recente trilogia vengono presentati solo quattro brani: &quot;Studenti&quot; e &quot;Il mietitore&quot;, da &quot;Storie invisibili&quot;, &quot;Eterna Transiberiana&quot;, da &quot;Transiberiana&quot; e &quot;Non mi spaventa più l&#39;amore&quot; da &quot;Orlando&quot;. Un buon equilibrio tra storia e attualità. Il finale non poteva che essere l&#39;onnipresente &quot;Non mi rompete&quot;, brano iconico, divenuto nel tempo un vero e proprio inno negli spettacoli del Banco.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjek1iCpcSt7AUzIwT_-TN9VQAInnj9xFJoKqrBn2oC7maA7lJDA4-Yr6rsRboiJ3BYNoKgdt5nHzI72tttA-JqbQrxpHm6xLI8ONP1io-odAKbojU1ZlsebogHLSunj1xsEOUIIFNb5LLrU5iKjAfbUo-7YcHQCHNaJU-ggF4cr0bPe3XXUAmOsAFljX3W/s1200/R6RB9350_w-ppfmv63uilvc0lscvu05hxjen1xo42v7sgpi83o9xc.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;800&quot; data-original-width=&quot;1200&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjek1iCpcSt7AUzIwT_-TN9VQAInnj9xFJoKqrBn2oC7maA7lJDA4-Yr6rsRboiJ3BYNoKgdt5nHzI72tttA-JqbQrxpHm6xLI8ONP1io-odAKbojU1ZlsebogHLSunj1xsEOUIIFNb5LLrU5iKjAfbUo-7YcHQCHNaJU-ggF4cr0bPe3XXUAmOsAFljX3W/w400-h266/R6RB9350_w-ppfmv63uilvc0lscvu05hxjen1xo42v7sgpi83o9xc.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfS2w8wH2hb5Adc5YiHR9aAdptwrRgXeaG3ro2Qce2qFQKHpeg3txI0kRUH2uOP81r7-P9c265w6EVaHaIFmRALG5DDrnbDM-zoVgTl1R2UtEer-Jf9Ta_RznbISEUKaVY4yvyyWYKE7I2HrbDrKW01im_3zmbcYy6F3w9-eb7qCBmIZIlzzztI-CFTiot/s1200/R6RB9309_w-ppfmvgg2ls9hkbdc7gh1rcxh6aipgr09hvvui58y0w.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;800&quot; data-original-width=&quot;1200&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfS2w8wH2hb5Adc5YiHR9aAdptwrRgXeaG3ro2Qce2qFQKHpeg3txI0kRUH2uOP81r7-P9c265w6EVaHaIFmRALG5DDrnbDM-zoVgTl1R2UtEer-Jf9Ta_RznbISEUKaVY4yvyyWYKE7I2HrbDrKW01im_3zmbcYy6F3w9-eb7qCBmIZIlzzztI-CFTiot/w400-h266/R6RB9309_w-ppfmvgg2ls9hkbdc7gh1rcxh6aipgr09hvvui58y0w.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Io ho concluso, Lascio ora a voi lo spazio per esprimere le vostre considerazioni e i vostri commenti.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;Buon ascolto.&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWmYMVDBz0qJvBpHnp7tbdVZWRrc4hIitKr3HXULb_evUheY-mec8SmwLPaQgrHKbIKoMXVk5G1clUyIhyphenhyphen0oDBA14jBfRMehP8240FpfB463EGSZ9a01ZthQEYNCr04bx4qSZcXqIzNQdt2e441vH0PR_sg_Zw9XofXScoLRk8bd3fOBvICXNpmG2nndiP/s1333/WhatsApp-Image-2024-07-16-at-16.36.00-1000x1333.jpeg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1333&quot; data-original-width=&quot;1000&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWmYMVDBz0qJvBpHnp7tbdVZWRrc4hIitKr3HXULb_evUheY-mec8SmwLPaQgrHKbIKoMXVk5G1clUyIhyphenhyphen0oDBA14jBfRMehP8240FpfB463EGSZ9a01ZthQEYNCr04bx4qSZcXqIzNQdt2e441vH0PR_sg_Zw9XofXScoLRk8bd3fOBvICXNpmG2nndiP/w300-h400/WhatsApp-Image-2024-07-16-at-16.36.00-1000x1333.jpeg&quot; width=&quot;300&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd6ZtlGHet2bq69TA2BvG_Okv1oHhhAE54XZ5yS82sQj7sRTP6bFf78tyj4Pobc9UKsBSyAJOR1zrDA7De1hZ5-quomt68ydkyGVbeYLlDIOPeOvgizY184nj6I1YN3fCiAfa4x2U4L6zKSM_9_iSqdcu6O7UJsT-D4f6OM10tvaVajp0w3uqegsiPjL7a/s1333/WhatsApp-Image-2024-07-16-at-16.36.03-2-1-1000x1333.jpeg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1333&quot; data-original-width=&quot;1000&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd6ZtlGHet2bq69TA2BvG_Okv1oHhhAE54XZ5yS82sQj7sRTP6bFf78tyj4Pobc9UKsBSyAJOR1zrDA7De1hZ5-quomt68ydkyGVbeYLlDIOPeOvgizY184nj6I1YN3fCiAfa4x2U4L6zKSM_9_iSqdcu6O7UJsT-D4f6OM10tvaVajp0w3uqegsiPjL7a/w300-h400/WhatsApp-Image-2024-07-16-at-16.36.03-2-1-1000x1333.jpeg&quot; width=&quot;300&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/SVIVGT4S#-p01y0OnouakHRZ5NZrTGFpjp1TWjthJpa6onyLJluA&quot;&gt;LINK &lt;/a&gt;CD 1&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/2RJhQDjT#17LuIwoAIaz1iXW10j3f-C60QI54KqEhMfRcXXgqvOU&quot;&gt;LINK&lt;/a&gt; CD 2&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;Post by George - Music by Max&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKK4PibE2xGDvy9-v4mbwPgmnwyw1nWXTuN4aMfbJakJXjzHPUV5lAxLI5fw3vniok0PeTJVLpBwMaf_dJ1vbnca8VaqyaCPXPvYXJsj3dVVqdArbm-YDdUNPOrA7seRRl_EZbhyphenhyphenapKXwbMqSEwpzt4Unp0jVFcaJkJJdzsxLey4AVns1pM_5JPqBr5xph/s309/LOGO%20bootlegs.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;160&quot; data-original-width=&quot;309&quot; height=&quot;207&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKK4PibE2xGDvy9-v4mbwPgmnwyw1nWXTuN4aMfbJakJXjzHPUV5lAxLI5fw3vniok0PeTJVLpBwMaf_dJ1vbnca8VaqyaCPXPvYXJsj3dVVqdArbm-YDdUNPOrA7seRRl_EZbhyphenhyphenapKXwbMqSEwpzt4Unp0jVFcaJkJJdzsxLey4AVns1pM_5JPqBr5xph/w400-h207/LOGO%20bootlegs.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/b&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/2441980029304816385/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/serie-bootleg-n-351-banco-del-mutuo.html#comment-form' title='3 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/2441980029304816385'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/2441980029304816385'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/serie-bootleg-n-351-banco-del-mutuo.html' title='Serie &quot;Bootleg&quot; n. 351 - Banco del Mutuo Soccorso - Teatro Alessandrino, Alessandria, 22 marzo 2025 - &quot;Storie Invisibili Tour&quot;'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv5Z_tkQIYdy53hQumucVNw6VJoq9swzPF-w0V228ligtMI2uA2hP87m5xKkVcwJx0QX382rFAx60AB8Wpl39l9oBsUbLjo-M5uocI8WxIdwjHNwN8kICLEYbvRVJD3fr2EVr4toTkGXTyQ4t29UHm24-9BNFp01a4FMifhBFNwjYUjyCeDfjJWdRVGy0x/s72-w400-h278-c/images.jpg" height="72" width="72"/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-788357109701085758</id><published>2025-04-01T19:43:00.001+02:00</published><updated>2025-04-07T11:22:44.519+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="1972"/><category scheme="http://www.blogger.com/atom/ns#" term="1973"/><category scheme="http://www.blogger.com/atom/ns#" term="1974"/><category scheme="http://www.blogger.com/atom/ns#" term="1977"/><category scheme="http://www.blogger.com/atom/ns#" term="2007"/><category scheme="http://www.blogger.com/atom/ns#" term="Bonus tracks"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="Officina Meccanica"/><category scheme="http://www.blogger.com/atom/ns#" term="Singoli"/><category scheme="http://www.blogger.com/atom/ns#" term="vinile"/><title type='text'>Retrospettiva: Officina Meccanica - La follia del mimo di fuoco (CD 2007) with bonus tracks  - POST AGGIORNATO NELLA SEZIONE &quot;SINGOLI&quot;</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim92yI1IyNLCVvAZy-S3OaKkoGD6yTmpUSs_iAe2cxs33XSl3s8i5aJZWFFDdxe4Vx3C_QysHQjHnKkleOa-mOq64jB6p3G5nV1YLzF0ou24plkK5PTh0Q-nzuaoDx1bFv79F5v5VTtz-QQUrh_TRoENyNZcr9hWB4okxhkLJ55m8V6nWYLPFpv2i2gMx1/s600/R-4420850-1395348413-2247.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim92yI1IyNLCVvAZy-S3OaKkoGD6yTmpUSs_iAe2cxs33XSl3s8i5aJZWFFDdxe4Vx3C_QysHQjHnKkleOa-mOq64jB6p3G5nV1YLzF0ou24plkK5PTh0Q-nzuaoDx1bFv79F5v5VTtz-QQUrh_TRoENyNZcr9hWB4okxhkLJ55m8V6nWYLPFpv2i2gMx1/w400-h400/R-4420850-1395348413-2247.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;01. Suite bambini innocenti - 6:50&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;02. Primo turno - 6:23&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;03. Via non esiste - 10:33&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;04. Insieme al Sole - 3:11&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;05. Nel grattacielo delle idee il pensiero più alto è la pazzia - 10:51&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;06. Amanti di ieri - 5:06&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;07. Il viaggio di un uomo non più uomo nella valle del tempo - 13:33&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;08. Angelo - 3:12&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;i&gt;Bonus tracks&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;09. Nel grattacielo delle idee il pensiero più alto è la pazzia (versione alternativa, 1973)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;dalla compilation &quot;This Is Italian Progressive Rock - Collection Of Rare Prog Tracks (2010)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;10. Bambini innocenti (versione integrale) 09:54 - dalla compilation &quot;Progressivamente Story 1970-2014 (2014)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioED6Tl5NAz73y17LeDhfCtbIHEO5gaQTpwvHH-jABmn935dH3hTw9o0MuThx-apS1C7YbYJ64hvXiA9IiGJofAhiRNAyjRpAivIE5NuIa1M3itYBgcCpcK0YcCa7pqExTSxxg_bJFytpRJivmQvfAfbGrGUsMe8g9EFnesm96lWGg2quQefog_AjrMMC-/s600/R-4420850-1395348413-7857.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioED6Tl5NAz73y17LeDhfCtbIHEO5gaQTpwvHH-jABmn935dH3hTw9o0MuThx-apS1C7YbYJ64hvXiA9IiGJofAhiRNAyjRpAivIE5NuIa1M3itYBgcCpcK0YcCa7pqExTSxxg_bJFytpRJivmQvfAfbGrGUsMe8g9EFnesm96lWGg2quQefog_AjrMMC-/w400-h400/R-4420850-1395348413-7857.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Luciano Maiozzi - voce&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Gianni Barbati - chitarra&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Luigi Canini - tromba&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Vincenzo &quot;Bitto&quot; Bentivegna - sax&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Randolfo Canini - basso&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Bruno Dionisi - batteria&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhihhFMFgpgaXKAZulmFBvq5wzCGvkaGlU-s4pvAtGRx8FPT7bo4i9TsDvKEs06ZkOquzWhmAQHtw6TDAXrChWrFy-LTKXoSelYDdaN00_B8Zhpf_hK1dG6vrf4WObjiRhkOzfdbcDC9X9tKbBgpySoVh7_3s7cTNTm9nz5JOFabrhKs4mHCa5bWg1K3LHp/s600/R-4420850-1395348438-7276.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;297&quot; data-original-width=&quot;600&quot; height=&quot;198&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhihhFMFgpgaXKAZulmFBvq5wzCGvkaGlU-s4pvAtGRx8FPT7bo4i9TsDvKEs06ZkOquzWhmAQHtw6TDAXrChWrFy-LTKXoSelYDdaN00_B8Zhpf_hK1dG6vrf4WObjiRhkOzfdbcDC9X9tKbBgpySoVh7_3s7cTNTm9nz5JOFabrhKs4mHCa5bWg1K3LHp/w400-h198/R-4420850-1395348438-7276.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqc_PYDXjAMrs2w-UgQ-lT5z-nU6wze14iLpXvyZycMJ-U2_l5IDsa_hcFdungqRF4ziBc-RgjjhyphenhyphenJrFxbJnMXtIvLaM8fXb3AeatoVHJazjsUEPT2HiwMrqQ_THufSEhzVHjn9MtnOy_1wwHIFx85MHlGkPlvhsuJ8iB-dsJyn2Ub2K9pcglsr-pOdzP6/s600/R-4420850-1395348452-8588.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;301&quot; data-original-width=&quot;600&quot; height=&quot;201&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqc_PYDXjAMrs2w-UgQ-lT5z-nU6wze14iLpXvyZycMJ-U2_l5IDsa_hcFdungqRF4ziBc-RgjjhyphenhyphenJrFxbJnMXtIvLaM8fXb3AeatoVHJazjsUEPT2HiwMrqQ_THufSEhzVHjn9MtnOy_1wwHIFx85MHlGkPlvhsuJ8iB-dsJyn2Ub2K9pcglsr-pOdzP6/w400-h201/R-4420850-1395348452-8588.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjkQffBleOaYzBnMMDWgaU0z8HE7YSom5dApsAr1bMEdczlT_Sm1YTdBLqZFmHXmBqJTAxs-02EtdRx9OKK0zRD7oEsHFEcHGSu5ZXbAW-Na2FnXlFcaHrfN_j0Y994zIZExlwFiusa3nabomam7OfoRrAqU5IUXdE9hIGGNLe-sWG0elopSThl8jrvxVw/s600/R-4420850-1395348452-8907.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;299&quot; data-original-width=&quot;600&quot; height=&quot;199&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjkQffBleOaYzBnMMDWgaU0z8HE7YSom5dApsAr1bMEdczlT_Sm1YTdBLqZFmHXmBqJTAxs-02EtdRx9OKK0zRD7oEsHFEcHGSu5ZXbAW-Na2FnXlFcaHrfN_j0Y994zIZExlwFiusa3nabomam7OfoRrAqU5IUXdE9hIGGNLe-sWG0elopSThl8jrvxVw/w400-h199/R-4420850-1395348452-8907.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzoGujC5nk_f_IMWKPKLVnnCBUckmd3rzAbmfkvVeU3C7NCSmqQr8ppxcPJhEGfFZeCrArm2rfQvTuuNo-OVLBXr1M2NP10hxHg0INSiQFZo04HWGg13hNoKddQ_uLECr5qmzWbHlSTemOp_TwzgJDnXAYiVPNICknsvzklpVqvrhA8TSXiOS9mS2Haq9V/s600/inside4.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;293&quot; data-original-width=&quot;600&quot; height=&quot;195&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzoGujC5nk_f_IMWKPKLVnnCBUckmd3rzAbmfkvVeU3C7NCSmqQr8ppxcPJhEGfFZeCrArm2rfQvTuuNo-OVLBXr1M2NP10hxHg0INSiQFZo04HWGg13hNoKddQ_uLECr5qmzWbHlSTemOp_TwzgJDnXAYiVPNICknsvzklpVqvrhA8TSXiOS9mS2Haq9V/w400-h195/inside4.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;L&#39;Officina Meccanica è uno di quei gruppi storici del progressive italiano che finora non abbiamo mai trattato direttamente. Sono apparsi su numerose compilation pubblicate nel corso di questi anni, a volte con qualche brano inedito, ma il loro unico album non lo avevamo ancora proposto. Come si dice...c&#39;è sempre tempo per rimediare. Vediamo innanzitutto cosa dice Augusto Croce su &quot;Italian Prog&quot; in merito a questo sestetto.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf5GF3DOLMN1GNLGYikPlszw8HBTlNzp8NFuR-ghq7V8LSUlvA_c_mHvUeIcbRBQEgACUKav5sg1Tgd27784wBZy_2Fi77SunfW2AV3o1lJkcx6p3HqpL0p8pkN37ddEXejFXKVreco7lp4OxtASo9sAJcaTIcHfaCqjj5FqL6oTnLDgKTgo0eKjbmj2G6/s600/A-2985654-1351477435-7586.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;412&quot; data-original-width=&quot;600&quot; height=&quot;275&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf5GF3DOLMN1GNLGYikPlszw8HBTlNzp8NFuR-ghq7V8LSUlvA_c_mHvUeIcbRBQEgACUKav5sg1Tgd27784wBZy_2Fi77SunfW2AV3o1lJkcx6p3HqpL0p8pkN37ddEXejFXKVreco7lp4OxtASo9sAJcaTIcHfaCqjj5FqL6oTnLDgKTgo0eKjbmj2G6/w400-h275/A-2985654-1351477435-7586.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&quot;Gruppo della provincia di Roma, l&#39;Officina Meccanica merita una citazione perché a giudicare dal singolo &lt;i&gt;Bambini innocenti&lt;/i&gt; e dal filmato televisivo prodotto all&#39;epoca, sarebbero potuti diventare un gruppo molto importante se avessero potuto incidere un album. Il gruppo ha pubblicato cinque singoli, i primi tre sull&#39;etichetta Picci, che ha anche prodotto &lt;i&gt;La Seconda Genesi&lt;/i&gt;. Il loro genere univa influenze di rock fiatistico (la formazione comprendeva un sassofonista ed un trombettista) come in&lt;i&gt; Stranger in his&lt;/i&gt; &lt;i&gt;country&lt;/i&gt; o &lt;i&gt;Signora Marisa&lt;/i&gt;, con un genere prog dalle atmosfere drammatiche, come nella meravigliosa &lt;i&gt;Bambini innocenti&lt;/i&gt; o in &lt;i&gt;Un prato e poi sognare.&lt;/i&gt; Il primo singolo comprendeva anche il secondo chitarrista Roberto Morvillo, assente nei dischi successivi.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLG8kjOGb519jx3gO8ymBMl7RpIfFlDaX1wySSxfirxIImZfoBciZKnfltZw2hir2ZHhSTufhaitOrVgYSMTivIII3bJ7ncMkMi2cUPlVIFgFAhO8D1aFscwYiAM2f_tnSRktlUKCece5wILklNgk4N99QXGlWKbwv61_Qgqg9E5kzSfXpgA1FWZM8rDNJ/s495/A-2985654-1351477457-8468.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;461&quot; data-original-width=&quot;495&quot; height=&quot;373&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLG8kjOGb519jx3gO8ymBMl7RpIfFlDaX1wySSxfirxIImZfoBciZKnfltZw2hir2ZHhSTufhaitOrVgYSMTivIII3bJ7ncMkMi2cUPlVIFgFAhO8D1aFscwYiAM2f_tnSRktlUKCece5wILklNgk4N99QXGlWKbwv61_Qgqg9E5kzSfXpgA1FWZM8rDNJ/w400-h373/A-2985654-1351477457-8468.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Il gruppo si sciolse nel 1978, e tre dei musicisti (Maiozzi, Barbati e Bentivegna) formarono il gruppo rock &lt;b&gt;Stazione Termini&lt;/b&gt; con tre altri componenti, a cui si aggiunse anche l&#39;ex bassista dell&#39;Officina Meccanica, Randolfo Canini nel 1985. Il chitarrista Gianni Barbati suona oggi negli Estro, cover-band dei Genesis. Un giusto tributo a questo ottimo gruppo è arrivato nel 2007 con la pubblicazione del CD &lt;i&gt;La follia del mimo di fuoco&lt;/i&gt; (realizzato anche in vinile nel 2015, ma con soli 5 brani rispetto agli 8 presenti sul CD), comprendente alcuni brani dai singoli e diversi inediti, che dimostrano il loro notevole valore, purtroppo non abbastanza apprezzato all&#39;epoca&quot;.&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKhMB02L3lwlMmw8RbP7xBSUNi6Kvk4eJYZ6ZjZzRlJo37lBAr7Rw4IWiRgZprkoRfdKTOGsWfYHASB0ETz80GQZuJLo4SHJhz3SyVEsuewyhE-beUOiNZXAgwNoNttM4HkQUdmpjEaZ0KX17Up1p-GhYFROOPnB9Epeb6xYZmD8_VZFKcuf81vrlagy9c/s469/A-2985654-1351479304-5080.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;390&quot; data-original-width=&quot;469&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKhMB02L3lwlMmw8RbP7xBSUNi6Kvk4eJYZ6ZjZzRlJo37lBAr7Rw4IWiRgZprkoRfdKTOGsWfYHASB0ETz80GQZuJLo4SHJhz3SyVEsuewyhE-beUOiNZXAgwNoNttM4HkQUdmpjEaZ0KX17Up1p-GhYFROOPnB9Epeb6xYZmD8_VZFKcuf81vrlagy9c/s320/A-2985654-1351479304-5080.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Il gruppo non si limitò all&#39;attività in sala di registrazione ma si si esibì anche in numerosi tour, sia in Italia che in altri stati (anche in Tunisia). Nei corso dei concerti davano ampio spazio all&#39;aspetto teatrale, dipingendosi il viso ed usando costumi di scena, un po&#39; come gli Osanna. In alcune occasioni suonarono come gruppo spalla di formazioni quali Banco del Mutuo Soccorso e Premiata Forneria Marconi. Purtroppo fecero la triste fine di altre band italiane in attività agli inizi degli anni &#39;70: nonostante l&#39;innegabile bravura non riuscirono a trovare una casa discografica che li lanciasse in modo serio, favorendo altresì la registrazione del &quot;fatidico&quot; primo album. Peccato veramente.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4FX-qlUXGDnelIqg0mHxpZJ9NrI0VFpVvRD_BB8tmIZsRyIVS7lQOASxa9UZCJ2MmW0uFIx7bV8Bs9iwMX28X_NZaG3azTU0O3POZLck6Pi0sG4zM83twn38IjKVHetFlA0KcU6D8i8GPTm8-TZ-8cCHZgmyCm75IBpSwNCnf00heUj05WwOaLs6z9H6r/s516/A-2985654-1351479252-1602.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;363&quot; data-original-width=&quot;516&quot; height=&quot;281&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4FX-qlUXGDnelIqg0mHxpZJ9NrI0VFpVvRD_BB8tmIZsRyIVS7lQOASxa9UZCJ2MmW0uFIx7bV8Bs9iwMX28X_NZaG3azTU0O3POZLck6Pi0sG4zM83twn38IjKVHetFlA0KcU6D8i8GPTm8-TZ-8cCHZgmyCm75IBpSwNCnf00heUj05WwOaLs6z9H6r/w400-h281/A-2985654-1351479252-1602.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;Di seguito vi propongo i singoli registrati dal gruppo dal 1972 al 1977. Alcuni purtroppo non sono riuscito a trovarli da nessuna parte. Li evidenzio, nella speranza che qualche amico mi aiuti a completare la discografia. Anche s sarà dura!!&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Officina Meccanica - Singoli 1972-1977&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKg6TeXETINnOzjAokkcfBA6NasGEz_-ysZVHqb4J8pZm_A7Tmkq0CXwBMV9lCcmffILWWHTYSB2Tij9DoBLe1oL9oTokkDf-3Ht0PcVxRHeTpdWYUjDrZt9WTbYHywn09qPgVhqeAFRrydEYSM-HJFBB8GqS1oM0te2d1Pwh6m93K-unotl2pzbHakmpe/s278/A-2985654-1351477480-8254.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;240&quot; data-original-width=&quot;278&quot; height=&quot;345&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKg6TeXETINnOzjAokkcfBA6NasGEz_-ysZVHqb4J8pZm_A7Tmkq0CXwBMV9lCcmffILWWHTYSB2Tij9DoBLe1oL9oTokkDf-3Ht0PcVxRHeTpdWYUjDrZt9WTbYHywn09qPgVhqeAFRrydEYSM-HJFBB8GqS1oM0te2d1Pwh6m93K-unotl2pzbHakmpe/w400-h345/A-2985654-1351477480-8254.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;01. Signora Marisa (lato A, 1972)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;02. La mia strada in periferia (lato B, 1972)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;03. The Land Of A Thousand Dance&lt;i&gt; (&lt;/i&gt;lato A, 1973)&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;04. Un prato e poi sognare (lato B, 1973)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;05. Bambini innocenti (lato A, 1973)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;06. Bambini innocenti (strumentale) (lato B, 1973)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;07. Stranger In His Country (lato A, 1974)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;i&gt;Un attimo di vita&lt;/i&gt; (lato B, 1974) &lt;b&gt;introvabile&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;08. Amanti di ieri ( (lato A, 1977)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;09. Insieme al sole (lato B, 1977)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhScPdMcX12GPQbffY-gODFxLhw_3jh4nK2moTg76TIhrUEhwLaT2BlqFbJsz7P2Y9wE-rze56vtzBxlqtQTVVW0YQ4Rqee4145q8C-ZoqVcI2TWPJd1tnzkUDlVu7rTPJZeYJX4JlmgNE2fuV0Vq5t_xYsCiTLxtQi3cThhv0BEhVH3k2akPWO_b8Ziia7/s600/signora.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;594&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhScPdMcX12GPQbffY-gODFxLhw_3jh4nK2moTg76TIhrUEhwLaT2BlqFbJsz7P2Y9wE-rze56vtzBxlqtQTVVW0YQ4Rqee4145q8C-ZoqVcI2TWPJd1tnzkUDlVu7rTPJZeYJX4JlmgNE2fuV0Vq5t_xYsCiTLxtQi3cThhv0BEhVH3k2akPWO_b8Ziia7/w396-h400/signora.jpg&quot; width=&quot;396&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5s3lXp0R6lifVOpl3-9CnmwNbt6xgAatycakEQXcbYfjYos5yRSYltvS58l2wXsRXcpaGztuMUAbTQMkad9ZBzRGrhgWK96-YKuG-wjr4I6Wf1AmizYyQMA1owjXUBm58HGc-TY65Bk1ED-IswTswrthTPblgsghMHhEPVGFmSEqIVzV7xmDtl-cYU-Pi/s600/the%20land.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5s3lXp0R6lifVOpl3-9CnmwNbt6xgAatycakEQXcbYfjYos5yRSYltvS58l2wXsRXcpaGztuMUAbTQMkad9ZBzRGrhgWK96-YKuG-wjr4I6Wf1AmizYyQMA1owjXUBm58HGc-TY65Bk1ED-IswTswrthTPblgsghMHhEPVGFmSEqIVzV7xmDtl-cYU-Pi/w400-h400/the%20land.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEingc6AwFOyRQYFdjWkSl-UNFUz1l5mGZVw9c2yjgMjQeyEeQaPBaIYQLa1GDc0IOJiToh0GAaQ0MCFvjXrBV_s-F379TC5v7r4MVQ6dotTIiEFgPJij3uPhj7bMHt6XeZX4Vg9M731zFL4VrZvKzet_AnYmdsfuHkuYrYeL1ws_suZowGCfJZESKsDdtyl/s600/bambini%20innocenti.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;593&quot; data-original-width=&quot;600&quot; height=&quot;395&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEingc6AwFOyRQYFdjWkSl-UNFUz1l5mGZVw9c2yjgMjQeyEeQaPBaIYQLa1GDc0IOJiToh0GAaQ0MCFvjXrBV_s-F379TC5v7r4MVQ6dotTIiEFgPJij3uPhj7bMHt6XeZX4Vg9M731zFL4VrZvKzet_AnYmdsfuHkuYrYeL1ws_suZowGCfJZESKsDdtyl/w400-h395/bambini%20innocenti.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCV99lsgwywvJQWCaTkI5j98v_r3cdbka8w01iV1NsEIx6GPsHrnmXpp_Drrbb_h9MqcWcEDJQhteduXRsnBqm-__I-5SCTqepJt9rDGjYzzngn9D5-2OHYMLOgYloD_MUwvNz6j01KEMwGlHALPTykh3goS1O17Ta2oJJ8gPEDOIA0DxI31UP7Dap6ez-/s600/stranger.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCV99lsgwywvJQWCaTkI5j98v_r3cdbka8w01iV1NsEIx6GPsHrnmXpp_Drrbb_h9MqcWcEDJQhteduXRsnBqm-__I-5SCTqepJt9rDGjYzzngn9D5-2OHYMLOgYloD_MUwvNz6j01KEMwGlHALPTykh3goS1O17Ta2oJJ8gPEDOIA0DxI31UP7Dap6ez-/w400-h400/stranger.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkRp5gNcQ8zKEroq5H0N_PzfFxnPoEraGHRBBuhk8YupTfxrexskAKJTmqumc6tAZ5Dq5fNsT4EHMu8lLOha78Oo8Bb3cuMqUbtmv9hBoPYeGsC69uGvFlHgUkJRrwn0lhvjwUpLA_PS61kevURfFLjcaTo4mHSPjWKAPvaJmOGut7kUPBt561Actqp0nS/s508/amanti.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;508&quot; data-original-width=&quot;500&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkRp5gNcQ8zKEroq5H0N_PzfFxnPoEraGHRBBuhk8YupTfxrexskAKJTmqumc6tAZ5Dq5fNsT4EHMu8lLOha78Oo8Bb3cuMqUbtmv9hBoPYeGsC69uGvFlHgUkJRrwn0lhvjwUpLA_PS61kevURfFLjcaTo4mHSPjWKAPvaJmOGut7kUPBt561Actqp0nS/w394-h400/amanti.jpg&quot; width=&quot;394&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;AGGIORNAMENTO DEL 7 APRILE 2025&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Grazie al provvidenziale (è il caso di dirlo) intervento di un amico della Stratosfera, abbiamo la possibilità di ascoltare il raro lato A del singolo &quot;&lt;b&gt;The Land Of A Thousand Dance&lt;/b&gt;&lt;i&gt;&quot;, &lt;/i&gt;pubblicato nel 1973. Fino a ieri lo avevo definito &quot;introvabile&quot;. Grazie ancora al nostro amico per questo prezioso contributo, La canzone è decisamente atipica rispetto agli standard dell&#39;Officina Meccanica: si tratta, infatti, della cover di un classico rhythm &#39;n blies portato al successo da Wilson Pickett nel 1966. Resta ancora da reperire &quot;Un attimo di vita&quot;, lato B del singolo del 1974, anche se - per dirla tutta - non è così importante. Quello raro lo abbiamo trovato.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;I 45 giri di più difficile reperibilità (ce lo ricorda Augusto Croce) sono i primi tre, registrati per la Picci. Come potete vedere, nella tracklist ho definito un brano come &quot;introvabili&quot;. Purtroppo l&#39;ultimo singolo del 1977 è decisamente commerciale (così come &lt;i&gt;Angelo&lt;/i&gt;, posto a chiusura dell&#39;album), segno che il gruppo aveva oramai perso l&#39;originalità e la vena creativa degli esordi.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Bene, cari amici, con questo è tutto. Vi auguro, come sempre, buon ascolto.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw64hOViKgMmH-4RrDusscAlOTQZRxRQwg8H7XcKLFi2wHe3mJabnhDcg4Ba0FgBuW-YnR-4FfaxOQzzFNZcz5WD1W0cmnxYG5xVLKFu6JY5C92cY26lZDQ_OmyRuhLRSfuea3FSOpIgqUWdRXs19t2a7CJLGJBNgQVain7QMxdi2cVJJyfrTUDTfGbfQd/s461/A-2985654-1351479348-4690.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;461&quot; data-original-width=&quot;362&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw64hOViKgMmH-4RrDusscAlOTQZRxRQwg8H7XcKLFi2wHe3mJabnhDcg4Ba0FgBuW-YnR-4FfaxOQzzFNZcz5WD1W0cmnxYG5xVLKFu6JY5C92cY26lZDQ_OmyRuhLRSfuea3FSOpIgqUWdRXs19t2a7CJLGJBNgQVain7QMxdi2cVJJyfrTUDTfGbfQd/w314-h400/A-2985654-1351479348-4690.jpg&quot; width=&quot;314&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/yMhSQawD#jens5d7MNXOk3gY4rIaWWXpo22dLPGJk9SmJJ-qJFOM&quot;&gt;LINK &lt;/a&gt;La follia del mimo di fuoco (2007)&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&amp;nbsp;&lt;a href=&quot;https://mega.nz/file/aQYHkRrD#GEufGpSUtGc1M_POVnw0FehgEclx99FFpuHROdiJVPU&quot;&gt;NEW LINK&lt;/a&gt; Singoli 1972-1977&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;Post by George&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/788357109701085758/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/retrospettiva-officina-meccanica-la.html#comment-form' title='2 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/788357109701085758'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/788357109701085758'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/04/retrospettiva-officina-meccanica-la.html' title='Retrospettiva: Officina Meccanica - La follia del mimo di fuoco (CD 2007) with bonus tracks  - POST AGGIORNATO NELLA SEZIONE &quot;SINGOLI&quot;'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim92yI1IyNLCVvAZy-S3OaKkoGD6yTmpUSs_iAe2cxs33XSl3s8i5aJZWFFDdxe4Vx3C_QysHQjHnKkleOa-mOq64jB6p3G5nV1YLzF0ou24plkK5PTh0Q-nzuaoDx1bFv79F5v5VTtz-QQUrh_TRoENyNZcr9hWB4okxhkLJ55m8V6nWYLPFpv2i2gMx1/s72-w400-h400-c/R-4420850-1395348413-2247.jpg" height="72" width="72"/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-7675743555923302095</id><published>2025-03-29T16:32:00.000+01:00</published><updated>2025-03-29T16:32:13.424+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="1995"/><category scheme="http://www.blogger.com/atom/ns#" term="A Sud di Nogales"/><category scheme="http://www.blogger.com/atom/ns#" term="Agorá"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="Rarità"/><category scheme="http://www.blogger.com/atom/ns#" term="Roberto"/><title type='text'>A Sud di Nogales - Canzoni allargate (1995)</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCe9EbT0lAkaBxIYRu_gWjQOxV5-WKLlBKO1-pNIXsRokZ1Fkrliap8SO_VdLf-DibGgqVVpaVHO9u9nW_CfHmLrF9bgilbOFD0ID1MJCid0oal2IJmpsTEWWpvyLkvfAWvQksgfvpV7qxQ6_VtrYtUmNvd52GJlW_JiX5LkHiYcSkrxeI8slOIo0-rPpI/s599/Canzoni%20allargate.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;598&quot; data-original-width=&quot;599&quot; height=&quot;399&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCe9EbT0lAkaBxIYRu_gWjQOxV5-WKLlBKO1-pNIXsRokZ1Fkrliap8SO_VdLf-DibGgqVVpaVHO9u9nW_CfHmLrF9bgilbOFD0ID1MJCid0oal2IJmpsTEWWpvyLkvfAWvQksgfvpV7qxQ6_VtrYtUmNvd52GJlW_JiX5LkHiYcSkrxeI8slOIo0-rPpI/w400-h399/Canzoni%20allargate.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRCKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;01. Arizona&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;02. Un giorno di più&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;03. Immensi draghi&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;04. Sconvolgendo&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;05. La battuta Scafia&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;06. Soffia il vento&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;07. Matrix&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;08. Fantasmi&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;09. Cat. n. 2 (potere fare tutto)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;10. Io per sempre&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;11. Sssss&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizpLFvP7M_iZS7yT5IaNwVu6GWLz4JdSXCtg2crFWDRLDUD-Bigi-Nup5d-GpBIPR-ip1XSLjZnIxpezCu4D8OAztkpogoja-z-zjpnLQxU9z_fU5ky2iuu_dHDJqOerBCexRtEbbFJw0kmtvh1I8J1vQipPz45vgTnIj5Ahed2c3jfWkpDF2vyxX7Q-5N/s599/R-9995811-1587720496-1136.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;597&quot; data-original-width=&quot;599&quot; height=&quot;399&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizpLFvP7M_iZS7yT5IaNwVu6GWLz4JdSXCtg2crFWDRLDUD-Bigi-Nup5d-GpBIPR-ip1XSLjZnIxpezCu4D8OAztkpogoja-z-zjpnLQxU9z_fU5ky2iuu_dHDJqOerBCexRtEbbFJw0kmtvh1I8J1vQipPz45vgTnIj5Ahed2c3jfWkpDF2vyxX7Q-5N/w400-h399/R-9995811-1587720496-1136.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Eleonora Bruni - voce&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Errico de Fabritiis - sassofoni&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Paolo Saolini - piano, tastiere&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Mauro Di Rienzo - batteria&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Gianni Pieri - basso elettrico, voce, violoncello&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMUcVfvtXkftLSAAd2S8WK3cjZIQzV91JGgPVauikeQSaF9ZJbnc7JD4jGnGzTQgtKbnu2YmiWpE2rSrv_VqkZicjKYB7sfMpiOtBECWBgMJZiExkAuYjD7p266ZrO8SRR0bcoeUZ1OsNMYFoqcwAyte25XcseC41ar4UGaSQKg50oawFNXF26n9snYjQr/s600/R-9995811-1587720465-8257.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMUcVfvtXkftLSAAd2S8WK3cjZIQzV91JGgPVauikeQSaF9ZJbnc7JD4jGnGzTQgtKbnu2YmiWpE2rSrv_VqkZicjKYB7sfMpiOtBECWBgMJZiExkAuYjD7p266ZrO8SRR0bcoeUZ1OsNMYFoqcwAyte25XcseC41ar4UGaSQKg50oawFNXF26n9snYjQr/w400-h400/R-9995811-1587720465-8257.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;Cari amici stratosferici, oggi abbiamo in cartellone un disco decisamente raro, così come sono rari tutti i CD realizzati da questa band dal curioso nome, A Sud di Nogales. Il regalo proviene dall&#39;amico &lt;b&gt;Roberto&lt;/b&gt;, che ringrazio per avermi inviato i file e darmi così la possibilità di condividerli con tutti voi. Grazie Roberto per le rarità che continui a proporci.&amp;nbsp; Sul web e (meno che mai) sulla carta stampata le notizie riguardanti questa band sono praticamente nulle. Iniziamo intanto dal nome di questo quintetto romano, preso a prestito da un volumetto del leggendario Tex Willer di Sergio Bonelli. Nogales è una città a sud dell&#39;Arizona, al confine tra Stati Uniti e Messico. Qui sotto la copertina del fumetto, giusto per non farci mancare niente.&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw62Ts-67OYIVwCpaPYLpAXT8fgx2hUHu9SOsZ3QdfUVdZSNOUOqpU5UE-jnAIAPKRdUerCApvaapDA_9zhrKcKjNQJbbbNizGV8-uZ0I1rIwcU9INvjkUO9vE3W2gCNHWf7d6f-vBTK4Vv720FnDrfH_rqrzfZoz4WsgdG8shqK7bRs8ZQGEVNGOwLHjc/s500/TEX_199.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;500&quot; data-original-width=&quot;381&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw62Ts-67OYIVwCpaPYLpAXT8fgx2hUHu9SOsZ3QdfUVdZSNOUOqpU5UE-jnAIAPKRdUerCApvaapDA_9zhrKcKjNQJbbbNizGV8-uZ0I1rIwcU9INvjkUO9vE3W2gCNHWf7d6f-vBTK4Vv720FnDrfH_rqrzfZoz4WsgdG8shqK7bRs8ZQGEVNGOwLHjc/w305-h400/TEX_199.jpg&quot; width=&quot;305&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: center;&quot;&gt;Il fondatore della band è Gianni Pieri, bassista, violoncellista e cantante, che ricorderete come membro degli Agorà nell&#39;era della loro reincarnazione, quella di &quot;Ichinen&quot; (2014) e &quot;Bombook&quot; (2016),&amp;nbsp; Con lui, come co-fondatore del gruppo, il batterista Mauro Di Rienzo. Gianni Pieri, oltre all&#39;esperienza A Sud di Nogales, sarà anche membro dei Nu Indaco e della Solar Orchestra, oltre che degli Agorà, naturalmente. Nel corso di una intervista, Gianni Pieri ha così ricordato la sua esperienza nel gruppo: &quot;&lt;i&gt;Nel corso degli anni ho avuto molte collaborazioni in diversi contesti: jazz, rock, pop, sia come bassista, sia come violoncellista. Tuttavia, mi sono principalmente dedicato a miei progetti personali tra i quali, la band A SUD DI NOGALES, indubbiamente la realtà a cui più sono legato. Si trattava di una formazione aperta per la quale&amp;nbsp; curavo testi e musiche, che spaziava tra i generi e che si inseriva in un discorso di musica progressiva italiana. Con loro ho suonato per tutti gli anni novanta&lt;/i&gt;&quot;.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_oMekIUiX84dpBVeGQHtstwruKzuew1eGnk8VED-DobMl5u9eh4FJ1QgeGZghpTES0sBQDYiyGlfhtX51A02hI-9_RMM_oqkaHmvGqBT2yDvsapN1y8AisMdk30MfinajPh46gYtGRI_gj2b1oxYbaZWDDNpgXBtZbGjQT_7HPwq86sOe8tBMjV8BpuYN/s500/gianni%20pieri-2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;340&quot; data-original-width=&quot;500&quot; height=&quot;272&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_oMekIUiX84dpBVeGQHtstwruKzuew1eGnk8VED-DobMl5u9eh4FJ1QgeGZghpTES0sBQDYiyGlfhtX51A02hI-9_RMM_oqkaHmvGqBT2yDvsapN1y8AisMdk30MfinajPh46gYtGRI_gj2b1oxYbaZWDDNpgXBtZbGjQT_7HPwq86sOe8tBMjV8BpuYN/w400-h272/gianni%20pieri-2.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Difficile classificare la musica proposta dal gruppo: troviamo una matrice jazz alla base contaminata da sonorità progressive e atmosfere contemporanee, che vanno nella direzione della musica oltre confine. Da sottolineare la bellissima voce della cantante Eleonora Bruni. La discografia di A Sud di Nogales si compone di sei album, tutti autoprodotti, tutti di difficile reperibilità. E&#39; già un miracolo avere questo disco tra le mani. Gianni Pieri è presente in tutti gli album. Questa la discografia:&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Sonate in stile dark fusion (1992)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Potere fare tutto (1994)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Canzoni allargate (1995)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Suona per Cuba (1995)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Altrimodi (1997)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Ai limiti dei confini (2000)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Da notare che allo stesso Gianni Pieri è attribuita la registrazione di una cassetta (data di pubblicazione ignota) intitolata &quot;A Sud di Nogales&quot;, (la stessa copertina apparirà sul primo album del 1992), con ogni probabilità prodromica alla nascita ufficiale del gruppo. Non a caso al suo fianco vi sono gli amici Di Rienzo e Fabritiis. Di seguito la cover.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQV5ubG7AVlGZGiSWzMy2GM0ewbJXSxYEAHnUSFtWYcMICCby47wEC4mMkh_TpL7sfugFALwygNfmGjb_bOGq4YZMsWSYzwyi-gexI09Ne9XF-PbgC-zeIa7CgBTGEqRpP_8nLX2bMaETnZFGbULlKLfrgdkdqClSPCXbq3_hjdzGJjeUA7-aL761VxLJd/s600/R-9586777-1483204836-4836.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;555&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQV5ubG7AVlGZGiSWzMy2GM0ewbJXSxYEAHnUSFtWYcMICCby47wEC4mMkh_TpL7sfugFALwygNfmGjb_bOGq4YZMsWSYzwyi-gexI09Ne9XF-PbgC-zeIa7CgBTGEqRpP_8nLX2bMaETnZFGbULlKLfrgdkdqClSPCXbq3_hjdzGJjeUA7-aL761VxLJd/w370-h400/R-9586777-1483204836-4836.jpg&quot; width=&quot;370&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Con questo è tutto. Vi auguro il mio consueto buon ascolto.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/jMwEiTiQ#Gp2eG9-wxHPwAjA4uzYo7MTa7lTnmUu3CEervestl44&quot;&gt;LINK&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;i&gt;Post by George - Music by Roberto&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/7675743555923302095/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/03/a-sud-di-nogales-canzoni-allargate-1995.html#comment-form' title='4 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/7675743555923302095'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/7675743555923302095'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/03/a-sud-di-nogales-canzoni-allargate-1995.html' title='A Sud di Nogales - Canzoni allargate (1995)'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCe9EbT0lAkaBxIYRu_gWjQOxV5-WKLlBKO1-pNIXsRokZ1Fkrliap8SO_VdLf-DibGgqVVpaVHO9u9nW_CfHmLrF9bgilbOFD0ID1MJCid0oal2IJmpsTEWWpvyLkvfAWvQksgfvpV7qxQ6_VtrYtUmNvd52GJlW_JiX5LkHiYcSkrxeI8slOIo0-rPpI/s72-w400-h399-c/Canzoni%20allargate.jpg" height="72" width="72"/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-204425944623107111</id><published>2025-03-26T17:12:00.000+01:00</published><updated>2025-03-26T17:12:03.172+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="2025"/><category scheme="http://www.blogger.com/atom/ns#" term="Bootleg"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="live"/><category scheme="http://www.blogger.com/atom/ns#" term="Treves Blues Band"/><title type='text'>Serie &quot;Bootleg&quot; n. 350 - Treves Blues Band live in Saint-Vincent (AO), Grand Hotel Billia - Blues &amp; Soul Spring Festival - 22.03.2025</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&amp;nbsp;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs66pEzmPbauol7BARE5iFwHT7PNBv48FBpU-RX6rVKhARPFelaW6HnGTQqc-xIEInuei3lQNVxP6xwX5HHdXGs1CUKXun16RZoffXy5JcAfcXiGnbjnIJCd6_whcZUyTTnFMiLky5ckXpKypK1OVLY0V8DqPr6Q2MvNkWPsl62fHzfCpCInrj0ynYls2K/s4032/Stratosfera%2010.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;3024&quot; data-original-width=&quot;4032&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs66pEzmPbauol7BARE5iFwHT7PNBv48FBpU-RX6rVKhARPFelaW6HnGTQqc-xIEInuei3lQNVxP6xwX5HHdXGs1CUKXun16RZoffXy5JcAfcXiGnbjnIJCd6_whcZUyTTnFMiLky5ckXpKypK1OVLY0V8DqPr6Q2MvNkWPsl62fHzfCpCInrj0ynYls2K/w400-h300/Stratosfera%2010.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;01. No&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;02. Can&#39;t Let Go&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;03. Instrumental (composed by Larry Carlton)&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;04. Between The Devil And The Deep Blue Sea&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;05. Don&#39;t Start Me Talkin&#39;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;06. Unknown (composed by Alex Garlazzo)&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;07. Wrecking Ball&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;08. Marbletown&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;09. Take The Hammer&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;10. From Four Till Late&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;11. Nashvegas&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;12. The Midnight Special&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;13. Bring It On Home To Me&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;14. Flip Flop And Fly&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;15. Final and Band Intro&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilRHl2sJ7UcexHBLGx5VZcJArzE0jB1g2gIGXUWKjjeusv5fxopZ-RanPqTNfNlxKcA7cyCDJYQ5fGO2_jdcvWOAJq3QsKBoFV5gGYif57j1K692MIUVBKmGNzO7lhlu8kIZieYpKbpCES7LZjPbieBa4UfC-AE-ESt5hCLkICjsm-eLkrfz53daJqSiWd/s4032/Stratosfera%202.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;3024&quot; data-original-width=&quot;4032&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilRHl2sJ7UcexHBLGx5VZcJArzE0jB1g2gIGXUWKjjeusv5fxopZ-RanPqTNfNlxKcA7cyCDJYQ5fGO2_jdcvWOAJq3QsKBoFV5gGYif57j1K692MIUVBKmGNzO7lhlu8kIZieYpKbpCES7LZjPbieBa4UfC-AE-ESt5hCLkICjsm-eLkrfz53daJqSiWd/w400-h300/Stratosfera%202.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Fabio Treves - voce, armonica&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Alessandro &quot;Kid&quot; Garlazzo - chitarra, banjo, mandolino, voce&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Gabriele Delle Piane - basso&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Massimo Serra - batteria&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimNMWMpy3rtrPEZ2yINr2qhEnXG33FjxknlwohhE1BENeZhRRoUb1wUqKY9_XKzCAhIBDHlkt_2nD_qAUul2AfYTme5oT8anCtsxQFKMneBz42uqFYWRQi0gwV-f9p0Gxwy39FAy_IG7jXS4uuNObM0remfq-XhxU8EIpN5lB8GLzo87aMRnotqmi3bq3M/s4032/Stratosfera%201.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;3024&quot; data-original-width=&quot;4032&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimNMWMpy3rtrPEZ2yINr2qhEnXG33FjxknlwohhE1BENeZhRRoUb1wUqKY9_XKzCAhIBDHlkt_2nD_qAUul2AfYTme5oT8anCtsxQFKMneBz42uqFYWRQi0gwV-f9p0Gxwy39FAy_IG7jXS4uuNObM0remfq-XhxU8EIpN5lB8GLzo87aMRnotqmi3bq3M/w400-h300/Stratosfera%201.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;A volte ritornano. Questa volta è ritornato sul serio dopo anni di assenza dai palcoscenici della Valle d&#39;Aosta. Stiamo parlando di Fabio Treves, soprannominato &quot;Il Puma di Lambrate&quot; (chissà se a lui piace questo nomignolo), accompagnato da una ennesima incarnazione della celebre Blues Band. Al suo fianco tre musicisti di indiscusso valore e grande abilità tecnica, ad iniziare dal virtuoso chitarrista Alex Garlazzo e da Massimo Serra, quest&#39;ultimo al fianco di Fabio da ben 34 anni, sempre seduto dietro i suoi tamburi. Tra cover di grandi bluesmen americani e brani originali, sia acustici che elettrici, le 15 tracce di cui si compone il concerto ci riportano alle calde atmosfere del Delta e della più torrida Chicago blues. Non manca una grande cover di &quot;Bring It On Home To Me&quot; portata al successo dagli Animals. Fabio, quando scalda gli animi&amp;nbsp; con la sua voce graffiante e la sua armonica a bocca, sembra essersi scodato delle sue 76 primavere. Non è forse vero che il blues e i bluesmen non invecchiano mai?&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNfGwm9xDbpla7YVTIZ44BMgBFNfY_jh1sLXyaGMoid4NOMCi4db6kkAB9wV4cGLPNgeAFaaUaS9SH-aMp7FSJ6hNUP68HzC2fIPC89nrhzS8OVjdYloKPKgVyN0qQRlf834cBeSvARfhKMs-TQb6iHzI-p5M_PNVRzGAkLMV-7mY-pA08UHFBeNlcYmg2/s4032/Stratosfera%203.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;3024&quot; data-original-width=&quot;4032&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNfGwm9xDbpla7YVTIZ44BMgBFNfY_jh1sLXyaGMoid4NOMCi4db6kkAB9wV4cGLPNgeAFaaUaS9SH-aMp7FSJ6hNUP68HzC2fIPC89nrhzS8OVjdYloKPKgVyN0qQRlf834cBeSvARfhKMs-TQb6iHzI-p5M_PNVRzGAkLMV-7mY-pA08UHFBeNlcYmg2/w400-h300/Stratosfera%203.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Chi vi scrive purtroppo non era presente al concerto, ma ha avuto il piacere di ascoltare l&#39;ottima registrazione fornitami da un amico, che oggi voglio condividere con tutti voi. Vorrei sottolineare l&#39;ottima qualità audio paragonabile ad un album live ufficiale. Non c&#39;ero al concerto ma ho letto alcuni articoli sui giornali on line locali che lo recensivano. In particolare ho avuto modo di apprezzare, come sempre d&#39;altronde, quello scritto dal mio amico di lungo corso &lt;b&gt;Chris &lt;/b&gt;(giornalista professionista, che ricorderete come occasionale collaboratore della Stratosfera) sul quotidiano &quot;&lt;b&gt;AostaSera&lt;/b&gt;&quot; che vi invito ovviamente a leggere con attenzione. Per rispetto di quanto da lui scritto ho evitato di &quot;cannibalizzare&quot; i suoi testi per riportarli su queste pagine. Questo il &lt;b&gt;&lt;a href=&quot;https://aostasera.it/notizie/cultura-e-spettacolo/fabio-treves-al-bluessoul-spring-festival-il-puma-di-lambrate-graffia-ancora/&quot;&gt;link&lt;/a&gt;&lt;/b&gt;. con l&#39;articolo corredato da foto e video. A proposito di foto, tutte quelle pubblicate in questo post sono riferite al concerto di Saint-Vincent del 22 marzo. Ancora una informazione: il concerto era inserito nella rassegna musicale &quot;Blues &amp;amp; Soul Spring Festival&quot;. In cartellone anche Neal Black &amp;amp; The Healers, Black Gold e Joyce Yuille &amp;amp; The Soul Experience.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdnipAGRwyGzUAPe0me2HF9ztMbIbG75jSdbICGBuhLUHcXDYPX6huK-P0G94r5tBZ_HvbkPsojEuoLZ89jNivDDtBsFO8p4elF4vHW4aPCnUP_JblPob-7u8Odan06vQf38tvqawwDDI3lOsOTraCJGSuEb8TSffGWgdlLMDMLh5wDs9uj_q7IWaCKegn/s4032/Stratosfera%2016.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;3024&quot; data-original-width=&quot;4032&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdnipAGRwyGzUAPe0me2HF9ztMbIbG75jSdbICGBuhLUHcXDYPX6huK-P0G94r5tBZ_HvbkPsojEuoLZ89jNivDDtBsFO8p4elF4vHW4aPCnUP_JblPob-7u8Odan06vQf38tvqawwDDI3lOsOTraCJGSuEb8TSffGWgdlLMDMLh5wDs9uj_q7IWaCKegn/w400-h300/Stratosfera%2016.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Sono certo che questo freschissimo concerto della Treves Blues Band (sono solamente trascorsi 4 giorni dall&#39;esibizione) renderà felici molti amici della Stratosfera amanti del blues, ad iniziare dal mio storico amico Frank-One che, se non sbaglio, è legato a Fabio Treves da un rapporto di amicizia. Fatemi sapere cosa ne pensate nei commenti.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Vi lascio con altre immagini tratte dallo show. Buon ascolto.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-kpip0px9GuQ4ZyyphE0FE02Jt4m25ZRCeB82DHwPhOMTOVMyHtuLpXE-7Hzea8EG1H3vqsvFvdphJSuznk5vVn294_WWYy9jRFtoWIsrGtYiHFbfG7AYdLrq8Z2kyuHdtRQNQvqYn4iwbqdyMPbff-L7R4MRd2qvhM48YwhE6kHU78Rsgh5S3xf38jsK/s4032/Stratosfera%206.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;3024&quot; data-original-width=&quot;4032&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-kpip0px9GuQ4ZyyphE0FE02Jt4m25ZRCeB82DHwPhOMTOVMyHtuLpXE-7Hzea8EG1H3vqsvFvdphJSuznk5vVn294_WWYy9jRFtoWIsrGtYiHFbfG7AYdLrq8Z2kyuHdtRQNQvqYn4iwbqdyMPbff-L7R4MRd2qvhM48YwhE6kHU78Rsgh5S3xf38jsK/w400-h300/Stratosfera%206.jpg&quot; 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n. 350 - Treves Blues Band live in Saint-Vincent (AO), Grand Hotel Billia - Blues &amp; Soul Spring Festival - 22.03.2025'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs66pEzmPbauol7BARE5iFwHT7PNBv48FBpU-RX6rVKhARPFelaW6HnGTQqc-xIEInuei3lQNVxP6xwX5HHdXGs1CUKXun16RZoffXy5JcAfcXiGnbjnIJCd6_whcZUyTTnFMiLky5ckXpKypK1OVLY0V8DqPr6Q2MvNkWPsl62fHzfCpCInrj0ynYls2K/s72-w400-h300-c/Stratosfera%2010.jpg" height="72" width="72"/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-6112515428497449184</id><published>2025-03-25T10:42:00.000+01:00</published><updated>2025-03-25T10:42:39.154+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="1987"/><category scheme="http://www.blogger.com/atom/ns#" term="1988"/><category scheme="http://www.blogger.com/atom/ns#" term="1996"/><category scheme="http://www.blogger.com/atom/ns#" term="1999"/><category scheme="http://www.blogger.com/atom/ns#" term="Bootleg"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="live"/><category scheme="http://www.blogger.com/atom/ns#" term="The Sleeves"/><category scheme="http://www.blogger.com/atom/ns#" term="vinile"/><title type='text'>The Sleeves - The (almost) complete discography (1987-1996) plus bonus CD &quot;Live in Rovigo 1999&quot;</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&amp;nbsp;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimuVHSwRl38fyU1H7q1iB5R4xchhzNrtGA8IAPiXHWkb_YKe0FDTxDJ2Nbj8akx9hBisCVUVLmZB96IAPcBv5ierSJYbyHVPjkc00eLThJsH9i2_bdg1_ywHwuO_HNZTGPQgaROSqgyKj9gcHmlBgsEMthAXy0tmgEc2U-_YSggILltE0B9RzAWX4fdxSf/s600/A-1886186-1458923190-6798.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;400&quot; data-original-width=&quot;600&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimuVHSwRl38fyU1H7q1iB5R4xchhzNrtGA8IAPiXHWkb_YKe0FDTxDJ2Nbj8akx9hBisCVUVLmZB96IAPcBv5ierSJYbyHVPjkc00eLThJsH9i2_bdg1_ywHwuO_HNZTGPQgaROSqgyKj9gcHmlBgsEMthAXy0tmgEc2U-_YSggILltE0B9RzAWX4fdxSf/w400-h266/A-1886186-1458923190-6798.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;Quest&#39;oggi, con una bella sterzata rispetto alle usuali, o quasi, atmosfere progressive, vorrei occuparmi degli Sleeves, un r&#39;n&#39;r band genovese con all&#39;attivo una manciata di dischi registrati tra il 1987 e il 1996. Se ben ricordo la trattazione di questo gruppo mi era anche stata sollecitata da un nostro amico frequentatore del blog. Per documentarmi sulla biografia e sulla carriera artistica del gruppo mi sono affidato a quanto scritto nel 2016 dal noto giornalista, critico musicale e produttore discografico Federico Guglielmi sul suo blog &quot;L&#39;ultima Thule - dove la musica è ancora una ragione di vita&quot;. Per la lettura dell&#39;articolo completo vi rimando &lt;b&gt;&lt;a href=&quot;https://lultimathule.wordpress.com/2016/07/29/the-sleeves/&quot;&gt;qui&lt;/a&gt;&lt;/b&gt;. Guglielmi è una garanzia senza ombra di dubbio. Fatte le doverose citazioni e i riconoscimenti delle fonti informative passiamo ai nostri protagonisti. Troverete, di seguito, la loro intera discografia (3 album) ad eccezione del demo tape registrato nel 1986.&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzP23NHdyEz4cbKJgHshJYin3igPvF7RIKjywrEpcbHh5iXrMSvuB5sAQ32r19RcbEus4hOVpQKHuLHhyEdOaC_w-J1hPh7OZUPv2NYJGsIsz0Aqc4i2GQtZ6ZtzMBTJXy4A0uMxA9WjKloh8IlNWgK0E48TMr58sppwbctJfgVNhFmZtp-l-AFUxtmCzc/s768/sleeves-promo.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;508&quot; data-original-width=&quot;768&quot; height=&quot;265&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzP23NHdyEz4cbKJgHshJYin3igPvF7RIKjywrEpcbHh5iXrMSvuB5sAQ32r19RcbEus4hOVpQKHuLHhyEdOaC_w-J1hPh7OZUPv2NYJGsIsz0Aqc4i2GQtZ6ZtzMBTJXy4A0uMxA9WjKloh8IlNWgK0E48TMr58sppwbctJfgVNhFmZtp-l-AFUxtmCzc/w400-h265/sleeves-promo.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;LE ORIGINI - GETTING THE FEAR (demo tape, 1986)&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&quot;Sono di Genova, vantano una classicissima line-up r’n’r di tre elementi (chitarra/voce, basso e batteria) e hanno appena realizzato il demo-tape &lt;b&gt;Getting The Fear&lt;/b&gt;, inciso per metà in studio e per metà dal vivo: stiamo parlando degli Sleeves, figli naturali dei Dream Syndicate (non a caso propongono una cover di &lt;i&gt;Still Holding On To You&lt;/i&gt;) e del roots-rock statunitense. Il lato in studio, oltre alla già citata cover, contiene due originali del gruppo, validi seppure con qualche soluzione un po’ ingenua, mentre la facciata live raccoglie i tre pezzi di cui sopra più le riletture di &lt;i&gt;So You Want To Be A Rock’n’Roll Star&lt;/i&gt; (Byrds) e &lt;i&gt;I Had Too Much To Dream Last Night&lt;/i&gt; (Electric Prunes). Insomma, un buon biglietto da visita&quot;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;(&lt;i&gt;da Il Mucchio Selvaggio n.106 del novembre 1986&lt;/i&gt;)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Il 1987 è l&#39;anno della svolta per il gruppo genovese: registrano infatti il loro primo LP per la Cobra Records intitolato &quot;Five Days To Hell&quot;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKM3kTh9QNUhBBEKExPVvAhOwSphup9gSPlMk7D-m77LCLjVYI7TcnxnKR4qLPIQUyy8Qb8v_XJpq1nuKY2dyu1Ph7QPz0P2fuyInZ_5FneebgfQKHcB0OhxH_66lKMBrQXOHsAGozybx6mUyXWy45GQzT9eEsPeoMAOPbRyx3a5NUrVJkwH_Ur9Hk8FTl/s501/sleeves-cop-1.webp&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;501&quot; data-original-width=&quot;348&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKM3kTh9QNUhBBEKExPVvAhOwSphup9gSPlMk7D-m77LCLjVYI7TcnxnKR4qLPIQUyy8Qb8v_XJpq1nuKY2dyu1Ph7QPz0P2fuyInZ_5FneebgfQKHcB0OhxH_66lKMBrQXOHsAGozybx6mUyXWy45GQzT9eEsPeoMAOPbRyx3a5NUrVJkwH_Ur9Hk8FTl/w278-h400/sleeves-cop-1.webp&quot; width=&quot;278&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;The Sleeves - Five Days To Hell (1987 - vinile)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7MB_ay5lQ-kdNo4MocLqs91Q3vsqUuGrKOpf3TK-_0oeJ2AXJFD6jP3RStGlt5Pnf_0hGY_-wsbih9dNcSzuAA5eDne1C1a0VwvD4GHZR9vxZFDvbOi2oCtaWWfM5N4qvq1KGdy5E1Xzv6JDcgsYrxbL4hd50L6KbLVRRSnsDW54V6MbHSq-PHG0Y2gdo/s600/R-2363740-1456482396-9005.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;593&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7MB_ay5lQ-kdNo4MocLqs91Q3vsqUuGrKOpf3TK-_0oeJ2AXJFD6jP3RStGlt5Pnf_0hGY_-wsbih9dNcSzuAA5eDne1C1a0VwvD4GHZR9vxZFDvbOi2oCtaWWfM5N4qvq1KGdy5E1Xzv6JDcgsYrxbL4hd50L6KbLVRRSnsDW54V6MbHSq-PHG0Y2gdo/w395-h400/R-2363740-1456482396-9005.jpg&quot; width=&quot;395&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;Lato A&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;01. Five Days To Hell - 2:33&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;02. Love &amp;amp; Hate - 3:27&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;03. Under The Lights - 3:10&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;04. Cook Book - 3:39&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;05. Always The Sun Go Down - 4:00&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;Lato B&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;06. Beating The Grass - 4:39&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;07. Shadows Of The Trees - 4:26&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;08. Snared Souls - 3:55&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;09. (I Had) Too Much To Dream (Last Night) - 2:47&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;10. Lighting Struck The Granary (The First Thing I Saw) - 3:11&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyJLdpi2XM2E2ximIj72e-OUa5l-Tde2E4TqXqLjQaDAeZBiAf7YrJWb_7jP2fo1rTcA5oR-e8umA8Wc8fB7NFOGNGgnARvsgX-srRLBclftRDvR0e2MrnAvwNZX6kAtCpWI4JnMCcLXeEjNtykq_qtJH8ZGmnIsNiDzAS7bgAUpMTzANv-hc4vl03WMkj/s600/R-2363740-1456482402-7005.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyJLdpi2XM2E2ximIj72e-OUa5l-Tde2E4TqXqLjQaDAeZBiAf7YrJWb_7jP2fo1rTcA5oR-e8umA8Wc8fB7NFOGNGgnARvsgX-srRLBclftRDvR0e2MrnAvwNZX6kAtCpWI4JnMCcLXeEjNtykq_qtJH8ZGmnIsNiDzAS7bgAUpMTzANv-hc4vl03WMkj/w400-h400/R-2363740-1456482402-7005.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Marco Keldi - voce, chitarra&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Carlo Keldi - chitarra, voce&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Luciano Moriconi - basso&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Luciano Cerellini - batteria&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-V-PaTY1qtodubCYCABOqXSapsXVlOGe3PwSRwy0Plwarm4VWCrtJsQ7Vut8BTOhxvxu9KX8TTrkgwTy6PxHlF4LeY49oWackyT1FP4ZHTiwi_G4m-PbJLjCOCih2pa0kL79379auijsJ3yKIpl0rb9u-FBjAIfN-TBRA6q7_DVSWfG3si9XFgVgSeyvh/s960/1396076861_1493124510912803_1104440621_n__1_bb.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;639&quot; data-original-width=&quot;960&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-V-PaTY1qtodubCYCABOqXSapsXVlOGe3PwSRwy0Plwarm4VWCrtJsQ7Vut8BTOhxvxu9KX8TTrkgwTy6PxHlF4LeY49oWackyT1FP4ZHTiwi_G4m-PbJLjCOCih2pa0kL79379auijsJ3yKIpl0rb9u-FBjAIfN-TBRA6q7_DVSWfG3si9XFgVgSeyvh/w400-h266/1396076861_1493124510912803_1104440621_n__1_bb.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;“Dieci canzoni amare, acide, in cinque giorni, spesso cantate con le lacrime agli occhi. Me stesso, mio fratello, il mio migliore amico. Le due ore passate a Pisa con Paul Cutler, Los Angeles 1981, le tue recensioni, le tue parole ad Arezzo, tutto questo è tra i solchi del disco, un disco che probabilmente rimarrà negli scaffali del retrobottega di un negozio, ma che spero ti piacerà”. Non penso che me ne vorrai, Marco, se ho reso pubblico questo stralcio della lettera che mi hai inviato. Non so se mi crederai quando ti dirò che spesso, all’ascolto di &lt;i&gt;Five Days To Hell&lt;/i&gt;, gli occhi mi diventano lucidi. E che in esso ritrovo i nostri Dream Syndicate, i nostri Alley Cats, la nostra California, le nostre birre, i nostri sogni, soprattutto il nostro rock’n’roll. Sei nato dalla parte sbagliata dell’Oceano, caro Marco. Come tuo fratello Carlo, come il tuo migliore amico Luciano, forse come me. Ti accuseranno di imitare Steve Wynn, e ti ricorderanno che sei nato a Genova. Ma quei i – e chi dice che, invece, non saranno tanti? – che ascolteranno davvero il primo album dei tuoi Sleeves non lo lasceranno marcire in un magazzino polveroso. Perché è bello. Sincero. Ispirato. Coinvolgente. Perché – ed è il miglior complimento che possa farti – è puro e semplice r’n’r, di quello che grida al mondo il suo sentimento e la sua voglia di libertà.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbXUj8RZBMIguZ1ggLl-HEhu_S7Tix1n79q_ZaCf3Qss4jfn06i4IMN05BtmaotZKLgcMLmO7baJcPhqUKalpkAc8WXkfH4dQYK8-3p7ICw4QkJRwzLSaRkbU9nQ70dA2OjSQgqmWCPQUnLkheDlgQvVpfc-tlogGHVzxryc7eSj4GS41vlY0749UgEqBR/s600/DSC_0058_1274342888.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;398&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbXUj8RZBMIguZ1ggLl-HEhu_S7Tix1n79q_ZaCf3Qss4jfn06i4IMN05BtmaotZKLgcMLmO7baJcPhqUKalpkAc8WXkfH4dQYK8-3p7ICw4QkJRwzLSaRkbU9nQ70dA2OjSQgqmWCPQUnLkheDlgQvVpfc-tlogGHVzxryc7eSj4GS41vlY0749UgEqBR/w265-h400/DSC_0058_1274342888.jpg&quot; width=&quot;265&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;So già che non ti importa poi molto del suo futuro. Che per te è già un grosso risultato 1’aver trascorso cinque giorni della tua vita in uno studio di registrazione e averne tirato fuori queste dieci gemme, due delle quali “rubate” ai Damnations Of Adam Blessing (Cookbook) ed agli Electric Prunes (I Had Too Much To Dream (Last Night), addirittura!). Beh, sappi che a me, invece, interessa moltissimo, perché &lt;i&gt;Five Days To Hell&lt;/i&gt; dovrebbe trovare posto in ogni casa e mi dispiacerebbe immensamente vederlo giacere fra gli invenduti. Tranquillo, il disco mi è piaciuto, più di quanto non lascino intendere queste mie poche confuse parole. Auguri, Marco, che tu conosca altri “inferni” come questo. E che lo spirito del rock’n’roll continui ad assisterti. Quasi dimenticavo: che i lettori mi perdonino se ho trasformato una semplice recensione in un qualcosa che neanch’io so bene come definire. Ma, come direbbe un mio più famoso collega, “anche un giornalista è un uomo”. E agli uomini, persino a quelli più cinici, è concesso talvolta di commuoversi&quot;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;(&lt;i&gt;da Rockerilla n.89 del gennaio 1988&lt;/i&gt;)&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhv5XXvylaVwZQOQ7O7wM5obWK9VcjsNfVAskkve_XTehMsKmGdEk1pabOWajQR1C2hdXarOFUf7fVvIpSnwdjfQVDB7P94k_2ElRsJli2IHyoe9rQ-tDu4M-PfObjp2AN-fT_110dPWdfIL0JHObyPzgM-76ySm-VZuASua2zb9LJsvKNMMkfiGsIt0Qmu/s597/1395510638_659652657382778_1086847659_nmmm.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;421&quot; data-original-width=&quot;597&quot; height=&quot;283&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhv5XXvylaVwZQOQ7O7wM5obWK9VcjsNfVAskkve_XTehMsKmGdEk1pabOWajQR1C2hdXarOFUf7fVvIpSnwdjfQVDB7P94k_2ElRsJli2IHyoe9rQ-tDu4M-PfObjp2AN-fT_110dPWdfIL0JHObyPzgM-76ySm-VZuASua2zb9LJsvKNMMkfiGsIt0Qmu/w400-h283/1395510638_659652657382778_1086847659_nmmm.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&quot;Molto lussuoso (ma anche, purtroppo, un po’ kitsch) nella veste grafica, &lt;i&gt;Five Days To Hell&lt;/i&gt; allinea dieci episodi ad alto potenziale coinvolgente: dalla title track e dalla non meno affascinante &lt;i&gt;Shadows Of The&lt;/i&gt; &lt;i&gt;Trees&lt;/i&gt;, tese e vibranti, alle armonie grintose ma accattivanti di &lt;i&gt;Always The Sun Go Down&lt;/i&gt; e&lt;i&gt; Love &amp;amp; Hate&lt;/i&gt;, dalla passionalìtà di &lt;i&gt;Under The Lights&lt;/i&gt; e &lt;i&gt;Beating The Grass&lt;/i&gt; alle atmosfere più aggraziate e rarefatte di &lt;i&gt;Lighting Struck The Granary&lt;/i&gt; (solo voce, chitarra acustica e tamburello) e &lt;i&gt;Snared Souls&lt;/i&gt;. Infine, come fiore all’occhiello, gli eccitantissimi rifacimenti di &lt;i&gt;Cookbook&lt;/i&gt; e &lt;i&gt;I Had Too Much To Dream (Last Night&lt;/i&gt;), ai quali sarebbe forse stato il caso di aggiungere &lt;i&gt;Escape From The Planet Earth&lt;/i&gt; degli Alley Cats, che i Nostri sono soliti proporre in concerto. “Ascoltai per la prima volta &lt;i&gt;I Had Too Much To Dream&lt;/i&gt; - spiega Marco Keldi - in un disco da solista di Stiv Bators, Disconnected del 1981. Era devastante, iniziammo a provarla alla fine di ogni esibizione e soltanto molto dopo scoprimmo l’originale. L’abbiamo voluta nell’album perché è molto tirata, quasi punk, e perché non ci stanchiamo mai di suonarla. Per &lt;i&gt;Cookbook&lt;/i&gt; il discorso è diverso: i Damnation Of Adam Blessing li abbiamo conosciuti grazie a Giorgio Mangora, il proprietario della Cobra, e ci è piaciuta l’idea di riarrangìare quella vecchia canzone trasformandola in un hard~rock molto psichedelico”.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo38VrxL4vs9egBNYcJ8tqZLmkCYP6te-HouAn48NWC7cyN4vx178HCHU7HyIJRajUfBGrwBzJDxwG4TTaXkHo67K_vLSWuiLjqhyphenhyphenpOaAxhLGW_JyFOObpzFdMHFcpXArinyqxHQdfiQihMKA-DgyMfsAUKnGJH4Ntf7PxzdHLNHm9KnIBwlX9cb1_wYNb/s719/artist_783974-1550674663.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;477&quot; data-original-width=&quot;719&quot; height=&quot;265&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo38VrxL4vs9egBNYcJ8tqZLmkCYP6te-HouAn48NWC7cyN4vx178HCHU7HyIJRajUfBGrwBzJDxwG4TTaXkHo67K_vLSWuiLjqhyphenhyphenpOaAxhLGW_JyFOObpzFdMHFcpXArinyqxHQdfiQihMKA-DgyMfsAUKnGJH4Ntf7PxzdHLNHm9KnIBwlX9cb1_wYNb/w400-h265/artist_783974-1550674663.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;i&gt;Five Days To Hell&lt;/i&gt; ottiene un discreto successo, tanto che gli Sleeves mettono in cantiere un nuovo disco: un EP con 5 pezzi (che verrà pubblicato anch&#39;esso dalla Cobra Records), che segnerà l’esordio ufficiale del nuovo bassista, Italo Wochicevich (“un tipo molto deciso”, secondo Marco). Nel frattempo, la band prosegue senza soste la sua attività dal vivo, raccogliendo ovunque consensi grazie a uno show carico di potenza, vitalità e feeling.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;The Sleeves - Sadness Boulevard (EP 12&quot;, 1988 - vinile)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKEdKvUOlbu0uFC1kca7QhiPwN4drzSWGiXMxnWL5BBHX_rvaO4UQ2mVT3biSJko4j2gG6_IF71h9Hnp3Cy6hQBpHFDs8vfXTsQacYSqjWApallAGPEH7pGh3iPsDa7J8pzKgCSgpHjvdfnrQPbPE6hn83MwNQ-wmsWjQgWUujnpA_BlQVxGYmUXpJR1HG/s600/R-2971588-1458922510-4600.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;599&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKEdKvUOlbu0uFC1kca7QhiPwN4drzSWGiXMxnWL5BBHX_rvaO4UQ2mVT3biSJko4j2gG6_IF71h9Hnp3Cy6hQBpHFDs8vfXTsQacYSqjWApallAGPEH7pGh3iPsDa7J8pzKgCSgpHjvdfnrQPbPE6hn83MwNQ-wmsWjQgWUujnpA_BlQVxGYmUXpJR1HG/w399-h400/R-2971588-1458922510-4600.jpg&quot; width=&quot;399&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;Lato A&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;01. Mary&#39;S Hours&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;02. Last Friday Night&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;03. Have A Pleasant Trip&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;Lato B&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;04. Down In Mexico&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;05. Sadness Boulevard&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsCiJaqhc8YYmBh9eUTT0V8dk67r9PPArV33y32xiTGz30-5NbprOI8ji5ObFXuQpJeu6cLs_rVv94TZRA__6zEQSFyrQK8kDg-CEywtdE-KG8CKz6oAjo_ege-JUbaOx-Cmo8DkSG6qygvQgEXxtZKBEIdUKeg0tPZnbpdPG-J4tdHYOPmOdYgfU1wDqf/s599/R-2971588-1458922512-6626.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;595&quot; data-original-width=&quot;599&quot; height=&quot;398&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsCiJaqhc8YYmBh9eUTT0V8dk67r9PPArV33y32xiTGz30-5NbprOI8ji5ObFXuQpJeu6cLs_rVv94TZRA__6zEQSFyrQK8kDg-CEywtdE-KG8CKz6oAjo_ege-JUbaOx-Cmo8DkSG6qygvQgEXxtZKBEIdUKeg0tPZnbpdPG-J4tdHYOPmOdYgfU1wDqf/w400-h398/R-2971588-1458922512-6626.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&quot;Il secondo disco degli Sleeves sancisce l’ormai definitiva maturazione di una band che già con il suo precedente album &lt;i&gt;Five Days To Hell&lt;/i&gt; aveva messo in luce notevoli capacità di elaborare canzoni liriche e avvolgenti, di inequivocabile derivazione californiana; nei cinque pezzi di questo mini-LP, però, il terzetto genovese sembra avere affievolito gli aspetti più epici e graffianti del suo sound a favore di soluzioni più ricche e raffinate, con influenze blues più marcate che in passato. Ne è venuto fuori un lavoro meno irruente di quello dell’anno precedente, più ponderato anche se sempre emozionante, che denota l’accresciuta verve canora di Marco Cheldi, ma che pecca forse di “artificiosità”, pur nel rispetto di una vena compositiva e interpretativa che è poco definire brillante&quot;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;(&lt;i&gt;da Velvet n.4 del gennaio 1989&lt;/i&gt;)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBDYGNcHp-LPdXcEbp7C2mO0wbobr2auS6vrZtZ1Ki8wS54izhILuqhuD-JjPeLPGfwZD4LmIKeeP8F8QoGZd3b_W4O0M_JI5U1K-3uPz3EQyqrBSbdmDd6MouMMfRu3zoxLa_ztAf3lpU-rIGMQfsvEtr2_E9m28mCFe538s85X0AqkCcZF7GG7D4j4Xb/s600/R-2971588-1458922558-5684.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;595&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBDYGNcHp-LPdXcEbp7C2mO0wbobr2auS6vrZtZ1Ki8wS54izhILuqhuD-JjPeLPGfwZD4LmIKeeP8F8QoGZd3b_W4O0M_JI5U1K-3uPz3EQyqrBSbdmDd6MouMMfRu3zoxLa_ztAf3lpU-rIGMQfsvEtr2_E9m28mCFe538s85X0AqkCcZF7GG7D4j4Xb/w396-h400/R-2971588-1458922558-5684.jpg&quot; width=&quot;396&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSoyrWtjnNNvH5QQOFyUJqjZyCQ45KdTNSpZ4a8pSRAfFvzgJPtg53fM7q7Q7dmM3dUl3ZDd63v5I2CdH4EZa4SGZ7zAV64b_DAyAf1rBKJFdluco_BXgET50bHw4GyUDWZ_q_0212kMG91JMcUozefqhJEqw0t8QcZb6rZuyQKerQYYCEhYtOU6MUmKrs/s600/R-2971588-1458922505-5841.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSoyrWtjnNNvH5QQOFyUJqjZyCQ45KdTNSpZ4a8pSRAfFvzgJPtg53fM7q7Q7dmM3dUl3ZDd63v5I2CdH4EZa4SGZ7zAV64b_DAyAf1rBKJFdluco_BXgET50bHw4GyUDWZ_q_0212kMG91JMcUozefqhJEqw0t8QcZb6rZuyQKerQYYCEhYtOU6MUmKrs/w400-h400/R-2971588-1458922505-5841.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Sleeves - Estremo limite di niente (CD, 1996)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2iRvhi6SG-IZ434Y6XJsufOy9oXlJtXucOIdCDyiaIBhkX-kjE9pCg9lE9fQ29IIiDueSZ7xszdUVzEW9T3dFVCT0URU7wo6Bd8OExoNEcgxR3vSL0_VLp01pViOoUfCLjuQSv6idhcm89DDaLP_4mWvkni97DguDaw-RqeeAf_98s2IG1blVGWJDfH2q/s600/R-5468784-1394140690-4293.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;589&quot; data-original-width=&quot;600&quot; height=&quot;393&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2iRvhi6SG-IZ434Y6XJsufOy9oXlJtXucOIdCDyiaIBhkX-kjE9pCg9lE9fQ29IIiDueSZ7xszdUVzEW9T3dFVCT0URU7wo6Bd8OExoNEcgxR3vSL0_VLp01pViOoUfCLjuQSv6idhcm89DDaLP_4mWvkni97DguDaw-RqeeAf_98s2IG1blVGWJDfH2q/w400-h393/R-5468784-1394140690-4293.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;01. Tre colori - 3:51&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;02. Memorie - 2:59&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;03. Dio televisivo - 2:56&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;04. Il diritto a guardare il mare - 4:41&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;05. Estremo limite di niente - 5:18&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;06. I Don&#39;t Know What I Am - 2:54&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3GISaEuCceVaPWFSXBXTqqIOEqF3tfQIbkjAX4sJFfus8a0Duykub_tpM3Nm8TendLPF7DfBSsrQFAF1DBuDKiGA5jSJ9acgqUMBiEO1ERTtmqxOXXfLX5WSrWeOX-y9jbU-1A_NOm3p4cLKKvLUO3l3pMAoTYVn3-q4FLduMLEpkeS8o-B_UneTIWFrY/s959/52d4e73f39c1968c8d33c08bb9310883a4b80ec7.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;538&quot; data-original-width=&quot;959&quot; height=&quot;225&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3GISaEuCceVaPWFSXBXTqqIOEqF3tfQIbkjAX4sJFfus8a0Duykub_tpM3Nm8TendLPF7DfBSsrQFAF1DBuDKiGA5jSJ9acgqUMBiEO1ERTtmqxOXXfLX5WSrWeOX-y9jbU-1A_NOm3p4cLKKvLUO3l3pMAoTYVn3-q4FLduMLEpkeS8o-B_UneTIWFrY/w400-h225/52d4e73f39c1968c8d33c08bb9310883a4b80ec7.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Marco Cheldi - voce, chitarra&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Carlo Cheldi - chitarra, cori&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Fabio Reggio - basso&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Carlo De Bastiani - batteria&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Rocket de Johnny - chitarra solista (track 6)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Silvio Noto - piano, tastiere, cori&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Paolo Bonfanti - chitarra slide (track 1)&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4QJdbZpc8n0UI4toPh73_niCDs5T7X8YlMK7VE4ZNdOVFpRjv7GHqW-nFZoO7VQMRoJ9nizKQtkS-5IzwjI9guJuFRhGSAsY1bskZHKp-jRPE9PkhD9ahCcvMXoHtfaqooTjIwwVOBLXyCLdnHF_ZnY062RKsk76hxC3M3RwH56YiVOV4p17UM4Pr5zIH/s800/The_Sleeves_1996__foto_Fabio_Lombrici__1274193165.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;530&quot; data-original-width=&quot;800&quot; height=&quot;265&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4QJdbZpc8n0UI4toPh73_niCDs5T7X8YlMK7VE4ZNdOVFpRjv7GHqW-nFZoO7VQMRoJ9nizKQtkS-5IzwjI9guJuFRhGSAsY1bskZHKp-jRPE9PkhD9ahCcvMXoHtfaqooTjIwwVOBLXyCLdnHF_ZnY062RKsk76hxC3M3RwH56YiVOV4p17UM4Pr5zIH/w400-h265/The_Sleeves_1996__foto_Fabio_Lombrici__1274193165.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&quot;Non si facevano sentire da un bel po’ di tempo, gli Sleeves: più o meno dall’uscita di &lt;i&gt;Sadness Boulevard&lt;/i&gt;, il mini-LP che nel 1988 aveva fornito degno seguito a &lt;i&gt;Five Days To Hell&lt;/i&gt; – l’album d’esordio, anch’esso edito dalla Cobra Records – e alle partecipazioni alle raccolte &lt;b&gt;Eighties Colours&lt;/b&gt; &lt;b&gt;Vol.2&lt;/b&gt; (1987 - con &lt;i&gt;Beating The Grass&lt;/i&gt;) e &lt;b&gt;Arezzo Wave 1987&lt;/b&gt; (con &lt;i&gt;Always The Sun Go Down&lt;/i&gt;), confermando la band genovese come brillante interprete di un rock’n’roll filo-statunitense straordinario per ispirazione e forza evocativa. Marco e Carlo Cheldi, fratelli di sangue e di corde, non avevano però appeso al chiodo gli strumenti: avevano anzi proseguito a raccontare, seppur solo dal vivo, le loro storie di rabbia, malinconia e sentimenti forti, dove il roots-rock psichedelico di Dream Syndicate e Green On Red si sposa con il punk “evoluto” dei tanti più o meno misconosciuti eroi dell’epopea californiana, i Sixties, il rhythm’n’blues.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicfpPu2ze4KrWYP10DL4IgistLJrYn2xjV9N7rTOURW2sPQfmF_3MW0LGWAJhBV-3vrkeQ3FHktHdbxvuDjMY0R1K8Fx3qUdAU4hT4gaPgsv2Jtn9Q8LAuYPKy43qHmPKxBmig0nEbgIU-gFVUGYnpTPZ5zFG6_2GRK3PRg0VYxmNsAy_B8RX0dTw9DDKr/s130/30288_1369091319763_1606126251_2088247_1455653_s_1274193011.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;98&quot; data-original-width=&quot;130&quot; height=&quot;302&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicfpPu2ze4KrWYP10DL4IgistLJrYn2xjV9N7rTOURW2sPQfmF_3MW0LGWAJhBV-3vrkeQ3FHktHdbxvuDjMY0R1K8Fx3qUdAU4hT4gaPgsv2Jtn9Q8LAuYPKy43qHmPKxBmig0nEbgIU-gFVUGYnpTPZ5zFG6_2GRK3PRg0VYxmNsAy_B8RX0dTw9DDKr/w400-h302/30288_1369091319763_1606126251_2088247_1455653_s_1274193011.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Oggi, ben otto anni più tardi, gli Sleeves sono riapparsi sul mercato: con line-up rinnovata (accanto ai Cheldi bros, Silvio Noto alle tastiere, Fabio Reggio al basso e Carlo De Bastiani alla batteria) e forse con qualche capello bianco, ma con immutato desiderio di esprimere la propria anima attraverso canzoni che non vogliono sapere di avvilirsi nello scimmiottamento di questo o quel trend; canzoni che, rispetto al passato, presentano la sola differenza dei testi in italiano, ma che graffiano, trascinano e commuovono come le migliori del vecchio repertorio. Delle sei racchiuse nel recente mini-CD autoprodotto &lt;i&gt;Estremo limite di niente&lt;/i&gt;, quattro sono originali del gruppo (&lt;i&gt;Tre colori&lt;/i&gt;, la title track e le splendide &lt;i&gt;Dio televisivo&lt;/i&gt; e &lt;i&gt;Il diritto a guardare il mare&lt;/i&gt;), mentre le rimanenti due – &lt;i&gt;Memorie&lt;/i&gt;, ovvero Memories Are Made Of This, e &lt;i&gt;Don’t Know What I Am,&lt;/i&gt; rimasta in inglese – sono cover di classici degli australiani Saints e dei Wipers di Greg Sage: altamente consigliate, quasi inutile dirlo, per gli aficionados del vero rock e per chi ama affidare i propri sogni alle note per lo più ruvide di una chitarra elettrica&quot;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;(&lt;i&gt;da Il Mucchio Selvaggio n.222/223 del luglio/agosto 1996&lt;/i&gt;)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh01QUofM1HPQFDFbse3jj0EAMTijvTd94VDYDqePmORg7bUoluuLNWtUwLwYXQMcuepnZBpvZMS11Rtecig2jLVX_Pj_BvfIQ3yhR8opf3_meErLYU4tzWyEXfUAzf0FKgCoyYW-pf9k_2BSXcWX8AAIBdwGwOUU9KABMX6h5VBE_rChjGEj6xTwn3rNeh/s800/un_uomo_ed_il_suo_Hofner_1274192392.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;530&quot; data-original-width=&quot;800&quot; height=&quot;265&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh01QUofM1HPQFDFbse3jj0EAMTijvTd94VDYDqePmORg7bUoluuLNWtUwLwYXQMcuepnZBpvZMS11Rtecig2jLVX_Pj_BvfIQ3yhR8opf3_meErLYU4tzWyEXfUAzf0FKgCoyYW-pf9k_2BSXcWX8AAIBdwGwOUU9KABMX6h5VBE_rChjGEj6xTwn3rNeh/w400-h265/un_uomo_ed_il_suo_Hofner_1274192392.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Dal lontano 1996 gli Sleeves non sono più tornati in studio di registrazione, mentre è continuata, non so per quanto tempo, l&#39;attività concertistica. Dal tubo ho recuperato questa unica performance live avvenuta a Rovigo nel 1999.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;BONUS CD (bootleg)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;The Sleeves Live in Rovigo 1999&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEA9_EwcBoTsQGTjoy6MXQI2Y3KIbK9mQqcIWyEBpQZgJ3qNq987o1zrDto8EOBcfpIHi-QxbWAa-76QshhfqR2zCarDQKf7bdLzYdkpk9XGjig67RB_wWUwKFwAbzJQ0S0UB0TQxsrjbATPFB9DDHI0dexVb9fo8qiPpCIAPhUqd4Wk_zUqkCZXYH3OO7/s4608/20250324_163003.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2240&quot; data-original-width=&quot;4608&quot; height=&quot;195&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEA9_EwcBoTsQGTjoy6MXQI2Y3KIbK9mQqcIWyEBpQZgJ3qNq987o1zrDto8EOBcfpIHi-QxbWAa-76QshhfqR2zCarDQKf7bdLzYdkpk9XGjig67RB_wWUwKFwAbzJQ0S0UB0TQxsrjbATPFB9DDHI0dexVb9fo8qiPpCIAPhUqd4Wk_zUqkCZXYH3OO7/w400-h195/20250324_163003.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;01. L&#39;ultima danza (inedito)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;02. Down in Mexico (da Sadness Boulevard)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;03. Tre colori - Memorie (da Estremo limite di niente)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;04. Estremo limite di niente (da album omonimo)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;05. AmaraMente (inedito)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;06. Per te (inedito)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;07. Il diritto a guardare il mare (da Estremo limite di niente)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;08. La fabbrica del tempo perso (inedito)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;09. Black Magic (inedito)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;10. Sadness Boulevard (da album omonimo)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;11. Dio televisivo (da Estremo limite di niente)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgB-kzVzS3Jf_NKj_Oi9fz4UyWkskv58JS7kyRMENpH6rD8KbIWsuagT9XYXwa2A6M5MrEuBlmrj3U3jk9QkZmeKqvFar11JfJVHntzrCoRZocMzEvb8jNdeJAP4_9iR-dCpRoru77qpFXmjd5qkwuVWMmbPYDnTCVXUDF-oBjx67dUJQYI2fpSKh5My3P1/s4083/20250324_162924.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2240&quot; data-original-width=&quot;4083&quot; height=&quot;220&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgB-kzVzS3Jf_NKj_Oi9fz4UyWkskv58JS7kyRMENpH6rD8KbIWsuagT9XYXwa2A6M5MrEuBlmrj3U3jk9QkZmeKqvFar11JfJVHntzrCoRZocMzEvb8jNdeJAP4_9iR-dCpRoru77qpFXmjd5qkwuVWMmbPYDnTCVXUDF-oBjx67dUJQYI2fpSKh5My3P1/w400-h220/20250324_162924.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Marco Cheldi - basso, voce&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Carlo Cheldi - chitarra&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Cla Villa - batteria&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKl1m6w1ZJtHH1SlTrlKVSep-S9mxFG8KOQ9J2D6aZko3uipQSc2lIpi2grQnfaTJ7MoYgSygNz8M6CyN7goiXnAAM5365bflaiCVQ5Rat2X2o10VGS0f-E8SCEgoIANGe7PB0vdV_ZDXCIP0qpoHOndUm10zORH8RtXRwf9ic14FTqWP7w1XceZ_-mjDL/s4608/20250324_162917.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2240&quot; data-original-width=&quot;4608&quot; height=&quot;195&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKl1m6w1ZJtHH1SlTrlKVSep-S9mxFG8KOQ9J2D6aZko3uipQSc2lIpi2grQnfaTJ7MoYgSygNz8M6CyN7goiXnAAM5365bflaiCVQ5Rat2X2o10VGS0f-E8SCEgoIANGe7PB0vdV_ZDXCIP0qpoHOndUm10zORH8RtXRwf9ic14FTqWP7w1XceZ_-mjDL/w400-h195/20250324_162917.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;Grandissimo concerto suonato in trio, come alle origini, con il combo composto da chitarra, basso e batteria. La particolarità di questo concerto risiede nei numerosi inediti proposti dal gruppo, segno - forse - dell&#39;anticipazione di tracce che sarebbero confluite in un album, purtroppo mai pubblicato.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Bene, siamo giunti al termine di questa lunga retrospettiva dedicata agli Sleeves. Non mi resta che augurarvi il consueto buon ascolto.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCd4ecWik6W5sRmnu0yq6s0-4ZJ6DZ_Op4f-jplsfaDBYGMyJiNMg_lT0lQc1Uk6NT_A0VFjFglCn8sfEDQIctCTQ6S7Mw_A3sp6caRFwZudnTgFGyqCm4PxpAkJSz-ptHZjhFQySM_cNQypZiSmIeb-h_38bq2wswizczcC-wwnqYMBDDlqZ-aaD0B1mW/s600/Carlo_Cheldi_1274342641.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;398&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCd4ecWik6W5sRmnu0yq6s0-4ZJ6DZ_Op4f-jplsfaDBYGMyJiNMg_lT0lQc1Uk6NT_A0VFjFglCn8sfEDQIctCTQ6S7Mw_A3sp6caRFwZudnTgFGyqCm4PxpAkJSz-ptHZjhFQySM_cNQypZiSmIeb-h_38bq2wswizczcC-wwnqYMBDDlqZ-aaD0B1mW/w265-h400/Carlo_Cheldi_1274342641.jpg&quot; width=&quot;265&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/LNIUDYYa#DjPhNTg0H8Zxszgdluc9jdpoz5GkKRoITW4CGtMtP48&quot;&gt;LINK &lt;/a&gt;Five Days To Hell (1987)&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/2FYB1bLT#AgnfQ8A1S4cZx3O8l3v0kRhcup82UygD71heiC0_tM4&quot;&gt;LINK &lt;/a&gt;Sadness Boulevard (1988)&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/uIoVmDRb#Fzjoqdf1EHBMtdl8-OPFl-YNgsMP-ezcOg-_W64zZpQ&quot;&gt;LINK &lt;/a&gt;Estremo limite di niente (1996)&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/jZhCwbbZ#wjW86cnF5c-a2aiINKQgXucjesGMzRqejmF-a5Bg2w4&quot;&gt;LINK &lt;/a&gt;Live in Rovigo 1999 (bootleg)&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;Post by George&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/6112515428497449184/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/03/the-sleeves-almost-complete-discography.html#comment-form' title='1 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/6112515428497449184'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/6112515428497449184'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/03/the-sleeves-almost-complete-discography.html' title='The Sleeves - The (almost) complete discography (1987-1996) plus bonus CD &quot;Live in Rovigo 1999&quot;'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimuVHSwRl38fyU1H7q1iB5R4xchhzNrtGA8IAPiXHWkb_YKe0FDTxDJ2Nbj8akx9hBisCVUVLmZB96IAPcBv5ierSJYbyHVPjkc00eLThJsH9i2_bdg1_ywHwuO_HNZTGPQgaROSqgyKj9gcHmlBgsEMthAXy0tmgEc2U-_YSggILltE0B9RzAWX4fdxSf/s72-w400-h266-c/A-1886186-1458923190-6798.jpg" height="72" width="72"/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-4711849200963140920</id><published>2025-03-23T22:11:00.000+01:00</published><updated>2025-03-23T22:11:13.534+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="1973"/><category scheme="http://www.blogger.com/atom/ns#" term="1974"/><category scheme="http://www.blogger.com/atom/ns#" term="1982"/><category scheme="http://www.blogger.com/atom/ns#" term="Battiato Special Fan Collection"/><category scheme="http://www.blogger.com/atom/ns#" term="Bootleg"/><category scheme="http://www.blogger.com/atom/ns#" term="Franco Battiato"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="live"/><category scheme="http://www.blogger.com/atom/ns#" term="reload"/><category scheme="http://www.blogger.com/atom/ns#" term="Repost"/><category scheme="http://www.blogger.com/atom/ns#" term="Robi"/><title type='text'>I cancelli della memoria: gli 80 anni di Franco Battiato - RE-POST &amp; RE-LOAD</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&amp;nbsp;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVysSoTOt_j8ZyQbplu-N5Kef1XClaE9-EdO-n8Rg6lGOZwMHB7yv4YZ5SETWDOX6fmWI2J7e3extoyZbb8BcSOMUj7gkpoyLuIWXYC8uLL2X6AyCuLa-ZC3pWHEDUtntE0M00kF_H7R4rQO4Cz4lwm9sVTESWdTFiM16RcTqGsDqA8FFQb3uI8b9TNrD6/s992/10061-lg.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;841&quot; data-original-width=&quot;992&quot; height=&quot;339&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVysSoTOt_j8ZyQbplu-N5Kef1XClaE9-EdO-n8Rg6lGOZwMHB7yv4YZ5SETWDOX6fmWI2J7e3extoyZbb8BcSOMUj7gkpoyLuIWXYC8uLL2X6AyCuLa-ZC3pWHEDUtntE0M00kF_H7R4rQO4Cz4lwm9sVTESWdTFiM16RcTqGsDqA8FFQb3uI8b9TNrD6/w400-h339/10061-lg.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;Avrebbe compiuto oggi 80 anni. Il &quot;Maestro&quot; (lo scrivo tra virgolette perché non amava molto essere così definito) Franco Battiato era nato a Ionia (Catania) il 23 marzo 1945 e ci ha purtroppo lasciati il 18 maggio 2021. L&#39;amore per la sua musica e la sua genialità ha coinvolto tutti noi e i suoi album e i suoi concerti hanno letteralmente inondato il nostro blog. Credo che una tale concentrazione di bootleg che coprono praticamente tutta la sua carriera artistica sia ben difficile da reperire altrove sul web. Piccolo orgoglio della Stratosfera. Ho voluto ricordarlo per la sua grandezza. Questa mattina, nel corso di una trasmissione radiofonica, nel ricordare la sua figura, qualcuno ha detto con lui la musica italiana non è più stata la stessa. Forse è troppo, forse è proprio così, non lo so. Quel che so è che un artista con la creatività del calibro di Franco Battiato non ha mai calcato le scene del panorama musicale italiano. Franco ha attraversato più di cinque decenni mettendo in mostra la sua grande capacità di rinnovarsi di continuo, cavalcando stili e generi musicali assolutamente differenti.&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6g9bB4hQy-Cdv58eNhDOzLXpFsxNC7sL7Lg2KTWYAu5f3Gq5rMscOxM_98luj6tmtP1K472WfGJJfvBPPn8Lq-wK8KysUWhHgcmZVhPEOTyO6j3n7X0tHaqohYMKpgYwrHEow24EONKPj6POwJZP2HyzBemF03_zXn3wlH9Wol-I8Vyq-dcKWrHAefai5/s670/Franco-Battiato-anni-80.jpeg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;426&quot; data-original-width=&quot;670&quot; height=&quot;254&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6g9bB4hQy-Cdv58eNhDOzLXpFsxNC7sL7Lg2KTWYAu5f3Gq5rMscOxM_98luj6tmtP1K472WfGJJfvBPPn8Lq-wK8KysUWhHgcmZVhPEOTyO6j3n7X0tHaqohYMKpgYwrHEow24EONKPj6POwJZP2HyzBemF03_zXn3wlH9Wol-I8Vyq-dcKWrHAefai5/w400-h254/Franco-Battiato-anni-80.jpeg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: center;&quot;&gt;Non ve la sto a raccontare, perché conosciamo tutti molto bene le sue diverse fasi musicali ad iniziare da quella della sperimentazione elettronica agli albori degli anni &#39;70. Le collaborazioni con altri artisti non si contano e dietro di sé ha lasciato una lunga schiera di epigoni che ancora oggi a lui si rifanno stilisticamente. Ma veniamo al post odierno, o meglio al re-post. Per festeggiare virtualmente il suo compleanno ho scelto due concerti pubblicato anni fa su queste pagine, con link inattivi da tempo, che si riferiscono ai due periodi artistici da me preferiti (perdonatemi questo piccolo egoismo): la sperimentazione degli anni &#39;70 e la svolta &quot;pop intellettuale&quot; dei primi anni &#39;80. Via con la musica.&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Franco Battiato - 1973/1974 - Bootleg Selection&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNT-l1CffFVYruQTPeU0lnBw1916FOWo3ioPDiwBLme8tPnxAg8-vzAMoEMXAwYRVZe3Lm0uyt7pgthJwpXr8C0Tgf_X6XxFnMDQNcZb5BjAyHvSYBfvAQWcl7ZtACFeRT3Ippvq7F_INrSzEoeFchvV7Jwa8mlGH8N8zU7wrtlYrlL4OL-tX6C1A9rxOJ/s887/Cover%20boot%20selection.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;887&quot; data-original-width=&quot;887&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNT-l1CffFVYruQTPeU0lnBw1916FOWo3ioPDiwBLme8tPnxAg8-vzAMoEMXAwYRVZe3Lm0uyt7pgthJwpXr8C0Tgf_X6XxFnMDQNcZb5BjAyHvSYBfvAQWcl7ZtACFeRT3Ippvq7F_INrSzEoeFchvV7Jwa8mlGH8N8zU7wrtlYrlL4OL-tX6C1A9rxOJ/w400-h400/Cover%20boot%20selection.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;TRACKLIST CD 1 :&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;01 - Jam Session I (Napoli Be In 1973) - 12:57&quot;&lt;/div&gt;&lt;div&gt;02 - Jam Session II (Napoli Be In 1973) - 18:35&quot;&lt;/div&gt;&lt;div&gt;03 - Jam Session III (Napoli Be In 1973) - 02:12&quot;&lt;/div&gt;&lt;div&gt;04 - Jam Session IV (Napoli Be In 1973) - 00:47&quot;&lt;/div&gt;&lt;div&gt;05 - Sequenze E Frequenze Jam (Cavallermaggiore 1973) - 25:49&quot;&lt;/div&gt;&lt;div&gt;06 - Areknames (Cavallermaggiore 1973) - 08:41&quot;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;TRACKLIST CD 2:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;01 - I cancelli della memoria (Torino 1974) - 13:51&quot;&lt;/div&gt;&lt;div&gt;02 - Sequenze e frequenze (Torino 1974) - 09:58&quot;&lt;/div&gt;&lt;div&gt;03 - Aria di rivoluzione (Torino 1974) - 09:31&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjAaYdj2R4j2he8dFmDvx0zteSC4XszjAVCe2FjPyuS8HK0NGK_G7W22ez8T0nyfWJmpmeW1ZMQ3E0VUKcbZWSgAJgFq61Dn7ECFHw5ar1XbFcv00xiVwoixB4B1zHApkP6-Gjt-FOKMyv03zCzqrXyhZMkfQElFD_gucO9KiW-E3BW59mhxe7X7AccbGW/s567/aries.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;392&quot; data-original-width=&quot;567&quot; height=&quot;276&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjAaYdj2R4j2he8dFmDvx0zteSC4XszjAVCe2FjPyuS8HK0NGK_G7W22ez8T0nyfWJmpmeW1ZMQ3E0VUKcbZWSgAJgFq61Dn7ECFHw5ar1XbFcv00xiVwoixB4B1zHApkP6-Gjt-FOKMyv03zCzqrXyhZMkfQElFD_gucO9KiW-E3BW59mhxe7X7AccbGW/w400-h276/aries.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;Il primo bootleg consiste in una compilation di registrazioni live, alcune molto rare, relative agli esordi di Franco Battiato nei primi anni &#39;70. Non considero tra gli esordi il periodo precedente, quello dei primissimi 45 giri. Il post originale risale al 18 ottobre 2011 e venne realizzato dal caro amico Roby. Vi riporto quanto scritto a suo tempo.&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&quot;Un altro bootleg proiettato verso la Stratosfera, e stavolta è il &quot;Maestro&quot; Franco Battiato in persona il protagonista del post, con alcune rarissime registrazioni risalenti al biennio 73/74, penso tra le pochissime esistenti del periodo. Trattasi in realtà di una selezione da 3 bootlegs diversi, uno proposto per intero (&quot;Pollution Le Cupole Cavallermaggiore 26/12/1973&quot;), e due solo per le parti riguardanti Battiato (&quot;Be in di Napoli 73&quot; del 20/6/1973 e &quot;Torino Pop Meeting 74&quot; del 19/5/1974), quì riproposti in stretto ordine cronologico (e di qualità: le prime 4 canzoni dal Be In di Napoli sono purtroppo di mediocre qualità, si migliora leggermente con i pezzi 5 e 6 da Cavallermaggiore, con una notevolissima versione di Sequenze e Frequenze di oltre 25 minuti, per arrivare alla discreta qualità degli ultimi 3 pezzi, tratti dal Torino Pop Meeting del 74). La selezione delle songs, la loro riorganizzazione, i titoli e la cover a collage sono a cura del sottoscritto. Per le covers originali ci tengo invece molto a ringraziare i bellissimi blogs &quot;Rock Rare Collection Fetish&quot; e &quot;The Clock That Went Backwards Again&quot;.&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;Questo il link che vi riporta al post originale (&lt;b&gt;&lt;a href=&quot;VERSO LA STRATOSFERA: Serie &amp;quot;Battiato &amp;amp; Friends Special Fan Collection&amp;quot; n. meno 5 (Serie &amp;quot;Bootleg&amp;quot; n. 5) - Franco Battiato - 1973/1974 - Bootleg selection&quot;&gt;qui&lt;/a&gt;&lt;/b&gt;)&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;PS - come si dice &quot;io c&#39;ero&quot; al Pop Meeting di Torino del 1974 (e registrai pure il concerto).&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTtMpj8vPqUQgaLhhWmTvj3IgbV1YivQ8KElM_B1NiXKVmuvWqQO-HxWnr2ZsgjB7jbA__qnHpr60o7PeZ9i0fEiQtR-mofIUgacSBjk7Yvat595GOIWsqfNdLq-1Cs2sf0zJXLbWkJ2s7a3izBBhtFZEMZ83f6PQRjIHxMmYsuI9s-bv8PgJqPEB-tZmF/s595/divano%202.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;595&quot; data-original-width=&quot;554&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTtMpj8vPqUQgaLhhWmTvj3IgbV1YivQ8KElM_B1NiXKVmuvWqQO-HxWnr2ZsgjB7jbA__qnHpr60o7PeZ9i0fEiQtR-mofIUgacSBjk7Yvat595GOIWsqfNdLq-1Cs2sf0zJXLbWkJ2s7a3izBBhtFZEMZ83f6PQRjIHxMmYsuI9s-bv8PgJqPEB-tZmF/w373-h400/divano%202.jpg&quot; width=&quot;373&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Franco Battiato - Live in Santhià (VC), Sporting Club,&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;7 marzo 1982&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9bhuazvCQGHI31APZDKU2jCS_nsRti-vOUW9-28sCJoV8L2xhZFx5l56WOF1MN_zQ2nZyiqAnFOR670w_nUKv-E4zLpcGXzBlhBqSj1u1KBOq4upbAukfdUQ6BGZP6eHQ-K0eAzaVl9lYo3rE7ugFkJKT-RTRFmywi4FmV3OrZ83ZisnMGhrvk7NBta-e/s940/Battiato%20santhi%C3%A0%20FRONT.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;940&quot; data-original-width=&quot;940&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9bhuazvCQGHI31APZDKU2jCS_nsRti-vOUW9-28sCJoV8L2xhZFx5l56WOF1MN_zQ2nZyiqAnFOR670w_nUKv-E4zLpcGXzBlhBqSj1u1KBOq4upbAukfdUQ6BGZP6eHQ-K0eAzaVl9lYo3rE7ugFkJKT-RTRFmywi4FmV3OrZ83ZisnMGhrvk7NBta-e/w400-h400/Battiato%20santhi%C3%A0%20FRONT.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;TRACKLIST DISC 1 (traccia unica)&amp;nbsp;&lt;/i&gt;&lt;/b&gt;:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;01 - Summer on a solitary beach&lt;/div&gt;&lt;div&gt;02 - Venezia-Istanbul&lt;/div&gt;&lt;div&gt;03 - Le aquile&lt;/div&gt;&lt;div&gt;04 - Arabian song&lt;/div&gt;&lt;div&gt;05 - L&#39;era del cinghiale bianco&lt;/div&gt;&lt;div&gt;06 - Up patriots to arms&lt;/div&gt;&lt;div&gt;07 - Gli uccelli&lt;/div&gt;&lt;div&gt;08 - Sentimento nuevo&lt;/div&gt;&lt;div&gt;09 - Cuccurucucù&lt;/div&gt;&lt;div&gt;10 - Bandiera bianca&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;TRACKLIST DISC 2 (tracce suddivise):&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;01 - Segnali di vita&lt;/div&gt;&lt;div&gt;02 - Centro di gravità permanente&lt;/div&gt;&lt;div&gt;03 - Luna indiana (Giusto Pio)&lt;/div&gt;&lt;div&gt;04 - Legione straniera (Giusto Pio)&lt;/div&gt;&lt;div&gt;05 - Strade dell&#39;Est&lt;/div&gt;&lt;div&gt;06 - Aria di rivoluzione&lt;/div&gt;&lt;div&gt;07 - Areknames&lt;/div&gt;&lt;div&gt;08 - Legione straniera #2 (Giusto Pio)&lt;/div&gt;&lt;div&gt;09 - L&#39;era del cinghiale bianco&lt;/div&gt;&lt;div&gt;10 - Cuccurucucù #2&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfB2Pc5Eog4fjx7YqTSGlucs8IMJyCCJ_2MRgdtI0OiqdR0N2LgpcGdYx5NkgixtXlD8MzPJRlfhGCua3nlrgawGBFeNdCNhMVm43IkLGkY4AeWYNpx1hKN7qICKxdT5B-Gkj_78Exjo5wwQOcKHMHQim-xwrDaylIT4By4maD4ztJQXAG8CHIxZdvWXny/s1055/BACK%20COVER.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1055&quot; data-original-width=&quot;1055&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfB2Pc5Eog4fjx7YqTSGlucs8IMJyCCJ_2MRgdtI0OiqdR0N2LgpcGdYx5NkgixtXlD8MzPJRlfhGCua3nlrgawGBFeNdCNhMVm43IkLGkY4AeWYNpx1hKN7qICKxdT5B-Gkj_78Exjo5wwQOcKHMHQim-xwrDaylIT4By4maD4ztJQXAG8CHIxZdvWXny/w400-h400/BACK%20COVER.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Con FRANCO BATTIATO (voce, chitarra, tastiere) hanno suonato:&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Giusto Pio - tastiere, violino&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Donato Scolese - batteria, vibrafono&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Tony Dresti - basso&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Filippo Destrieri - tastiere&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8-hVdFPhXPx_A6JpFD6nP714vDwnLC6OnuOC3VXU_MGB4hGcaqm3SAFMKKm9rReVHhf1XUirDCuuvz4951kf3-bgNJhRv9vgtqp38rw8FrRlf4zyZYH__PPBU3NTbtMGyvszWXy31x0aoSvYsPRir7HxxUHjry3qZLPvBW3bSlXVcb3b-fW1dPZOqLE83/s915/Franco-Battiato_04_82%C2%A9Rossetti-PHOCUS.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;915&quot; data-original-width=&quot;610&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8-hVdFPhXPx_A6JpFD6nP714vDwnLC6OnuOC3VXU_MGB4hGcaqm3SAFMKKm9rReVHhf1XUirDCuuvz4951kf3-bgNJhRv9vgtqp38rw8FrRlf4zyZYH__PPBU3NTbtMGyvszWXy31x0aoSvYsPRir7HxxUHjry3qZLPvBW3bSlXVcb3b-fW1dPZOqLE83/w266-h400/Franco-Battiato_04_82%C2%A9Rossetti-PHOCUS.jpg&quot; width=&quot;266&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;Secondo grande concerto del 1982, risalente al tour della &quot;Voce del Padrone&quot;. A suo tempo si trattava di un inedito assoluto. Ricordo con affetto questo concerto da me registrato allo Sporting Club (una grande discoteca) di Santhià, in provincia di Vercelli. Fu questo uno dei miei primi contributi musicali alla Stratosfera. Il post originale, risalente al 13 dicembre 2011, anche in questo caso venne realizzato da Roby. &lt;b&gt;&lt;a href=&quot;VERSO LA STRATOSFERA: Serie &amp;quot;Battiato &amp;amp; Friends Special Fan Collection&amp;quot; n. meno 4 (Serie &amp;quot;Bootleg&amp;quot; n. 8) - Franco Battiato - 1982 - Live in Santhià&quot;&gt;Qui &lt;/a&gt;&lt;/b&gt;il link della pagina nonché il testo scritto allora.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&quot;Per prima cosa, un ringraziamento speciale va a George56, che in perfetta atmosfera natalizia fà un altro grande regalo al nostro blog. Come nel caso dei New Trolls 2011 in Aosta, anche in questo caso i due cd provengono da una registrazione privata del nostro Babbo Natale George, quindi in esclusiva per la Stratosfera. Dirò di più: questo bootleg ha per me un valore particolare perchè proviene dal tour de &quot;La voce del padrone&quot;, geniale album del 1982 che mi fece conoscere il maestro Battiato e mi fece innamorare della sua musica. Avevo 13 anni ed ascoltai quella cassetta nel mio walkman in modo ossessivo penso per un anno di fila, forse anche di più. Ricordo che odiai Pino Daniele quando, con il disco &quot;Bella &#39;mbriana&quot;, scalzò La voce del padrone dal primo posto nella superclassifica su TV Sorrisi e Canzoni dopo 54 settimane. Ma bando alle nostalgie adolescenziali e veniamo al succo del post, cioè alla spettacolare scaletta di questo bootleg: tutte le canzoni dell&#39;album che dà il nome al tour sono presenti, più altre gemme tratte dai due precedenti albums della svolta &quot;Pop&quot; del maestro (&quot;L&#39;era del cinghiale bianco&quot; e &quot;Patriots&quot;). Arricchiscono questa pregevolissima registrazione due pezzi del primo periodo &quot;progressive&quot;, ovvero Aria di rivoluzione ed una bellissima versione della sempreverde Areknames. Tra l&#39;altro, come ci ha abituato l&#39;amico George, la qualità sonora è davvero superlativa, tanto da far sembrare questo bootleg, a livello di registrazione e di pulizia del suono, quasi un disco live ufficiale&quot;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcn0ppk760VT59mPlm_BmCimAFsy65xjGBySxoQ4P0vZd2U0pYn5FHEYWC9TBOSKcBs9RXabd6BvcJVmINgnD-NVFQczdJnXJYvVcab6mJh5-XEFhK23nskXjAVsaA1oryL3KDv5ebF5xNnvahDwV-4nVGuN8QQAdMvsc9pA4k4vl1WwXX0ZZS4mR4Q04-/s540/172507715-29bc99ee-f011-4f48-b60a-9761f889882c.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;356&quot; data-original-width=&quot;540&quot; height=&quot;264&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcn0ppk760VT59mPlm_BmCimAFsy65xjGBySxoQ4P0vZd2U0pYn5FHEYWC9TBOSKcBs9RXabd6BvcJVmINgnD-NVFQczdJnXJYvVcab6mJh5-XEFhK23nskXjAVsaA1oryL3KDv5ebF5xNnvahDwV-4nVGuN8QQAdMvsc9pA4k4vl1WwXX0ZZS4mR4Q04-/w400-h264/172507715-29bc99ee-f011-4f48-b60a-9761f889882c.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;Nel ripercorrere questi concerti mi sale una grande nostalgia per cui mi fermo qui.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Auguri grande Maestro. Sarai sempre tra di noi. Buon ascolto, cari amici.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirZNTzuD0fcRMmoLTVNPK0dL1nD1Do_20OOCDNbXSbRuVDi_bwLNGyDJnoVX9LK86T1hKVfqGYBQes7MYyeyx0vr-USubpPlXklijNdUJ79U31gAsuVtqhOE24ppgSAOtDAAu1zzHeqvp67pc0FX2Fd-hBacTXYHEPvL1ckFymzKLQlrwGLCqO6sr-0D32/s1920/Franco_Battiato_-_23_July_2010_-_05_cropped-1.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1080&quot; data-original-width=&quot;1920&quot; height=&quot;225&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirZNTzuD0fcRMmoLTVNPK0dL1nD1Do_20OOCDNbXSbRuVDi_bwLNGyDJnoVX9LK86T1hKVfqGYBQes7MYyeyx0vr-USubpPlXklijNdUJ79U31gAsuVtqhOE24ppgSAOtDAAu1zzHeqvp67pc0FX2Fd-hBacTXYHEPvL1ckFymzKLQlrwGLCqO6sr-0D32/w400-h225/Franco_Battiato_-_23_July_2010_-_05_cropped-1.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/KYQSAbiK#qgK7CKFC5NVRF9DYzG45L9OYT8bkElVuCcVgJ_tiQu8&quot;&gt;NEW LINK&lt;/a&gt; 1973-74 Bootleg Selection CD 1&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/iAhiCJyC#9MTDIlXCuwT_26-zrdVrP91OrCYKn4L6LA6auMTWnh0&quot;&gt;NEW LINK&lt;/a&gt; 1973-74 Bootleg Selection CD 2&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/mMYUiB4S#2n4QEwsx2BiSZyO6g1_86O7XoGw2AG7SrBe82Bd5I5o&quot;&gt;NEW LINK&lt;/a&gt; Live Santhià 1982 CD 1&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/jVBCDQCJ#wxhz4YxBOSqo58u5NQuhT2fvWyPDGL2hd6m8HpAXElc&quot;&gt;NEW LINK&lt;/a&gt; Live Santhià 1982 CD 2&lt;span&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;Re-post &amp;amp; Re-load by George&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/4711849200963140920/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/03/i-cancelli-della-memoria-gli-80-anni-di.html#comment-form' title='4 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/4711849200963140920'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/4711849200963140920'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/03/i-cancelli-della-memoria-gli-80-anni-di.html' title='I cancelli della memoria: gli 80 anni di Franco Battiato - RE-POST &amp; RE-LOAD'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVysSoTOt_j8ZyQbplu-N5Kef1XClaE9-EdO-n8Rg6lGOZwMHB7yv4YZ5SETWDOX6fmWI2J7e3extoyZbb8BcSOMUj7gkpoyLuIWXYC8uLL2X6AyCuLa-ZC3pWHEDUtntE0M00kF_H7R4rQO4Cz4lwm9sVTESWdTFiM16RcTqGsDqA8FFQb3uI8b9TNrD6/s72-w400-h339-c/10061-lg.jpg" height="72" width="72"/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-6095026161414292973</id><published>2025-03-14T15:05:00.000+01:00</published><updated>2025-03-14T15:05:06.040+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="2001"/><category scheme="http://www.blogger.com/atom/ns#" term="Cristiano Roversi"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="New Italian Prog"/><category scheme="http://www.blogger.com/atom/ns#" term="Osel"/><category scheme="http://www.blogger.com/atom/ns#" term="Submarine Silence"/><title type='text'>Submarine Silence - Omonimo (2001)</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdwJEY9nBA2MkOTN6vjLJxARLALl16uGojOJfOaFTn3QLfujhIDbWK93nIsRBvdXzZsYhQLDJyHaAPRkJc6i8NveQHUZDfVWZPosM2k3Dktrfo7wTu1v2MtGawEp4yqyiaQJwiMWCOzJToLlGQY9oZXExGtk-AoIYX6EOeCT9Agq4tTUEkcg0G3hjsHo4r/s505/cover.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;505&quot; data-original-width=&quot;500&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdwJEY9nBA2MkOTN6vjLJxARLALl16uGojOJfOaFTn3QLfujhIDbWK93nIsRBvdXzZsYhQLDJyHaAPRkJc6i8NveQHUZDfVWZPosM2k3Dktrfo7wTu1v2MtGawEp4yqyiaQJwiMWCOzJToLlGQY9oZXExGtk-AoIYX6EOeCT9Agq4tTUEkcg0G3hjsHo4r/w396-h400/cover.jpg&quot; width=&quot;396&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;01. The Door (1:12)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;02. Bicycle Ride from Earth to Saturn (8:17)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;03. Elven&#39;s Lullaby (2:26)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;04. Mr. Submarine&#39;s Ordinary Day (Part 1) (8:29)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;05. Winter Glows (5:06)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;06. Venice, a Spooky Love Story (5:34)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;07. Mr. Submarine&#39;s Ordinary Day (Part 2) (1:45)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;08. Shores Where Time Stands Still (4:05)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;09. Red Sun (4:01)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;10. Porto di Venere (5:25)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5MkTt9_MO1_7ggAPYYcVx1ylsWfQr0naoeX3FHLyW4K50Pnd7nhDXkR_X6KEZFkDWS6r8Oi2OibFTTlxH0B6pZAEV7OZqTWoaeavMqY6NyHvz-QqTHr0WUesj5SgYVpj9gjya6rMPaJ4zDsb69i853SKFaNMcKq4WhF6clWkKCn5eS35FXNF7z0NKhHIA/s600/retro.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;466&quot; data-original-width=&quot;600&quot; height=&quot;311&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5MkTt9_MO1_7ggAPYYcVx1ylsWfQr0naoeX3FHLyW4K50Pnd7nhDXkR_X6KEZFkDWS6r8Oi2OibFTTlxH0B6pZAEV7OZqTWoaeavMqY6NyHvz-QqTHr0WUesj5SgYVpj9gjya6rMPaJ4zDsb69i853SKFaNMcKq4WhF6clWkKCn5eS35FXNF7z0NKhHIA/w400-h311/retro.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;FORMAZIONE:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&amp;nbsp;David Cremoni - 6 &amp;amp; 12 string acoustic guitars, electric guitars&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Cristiano Roversi - e-piano, Moog, Polymoog, Mellotron, keyboards, bass pedals, producer&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Emilio Pizzoccoli - drums &amp;amp; percussion, tambourine&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgxj5urUvhUkdSWGVs_Hn6gPl2EAJm3E97zlgwkLiT5aCyfWPPe792N5JLo13CIo_d-weQtWRLFzJcetDAP-f-g9yriv5h6PdCMLg1MGcmq66jDmM_OHlZeOQD4otEygOLaBqZ1ugb3xmFmwoNpIDCr35qzJazIGdU3CkP92UuIptSnXRHosOaRabg_pOl/s600/R-4442196-1734450393-1990.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;466&quot; data-original-width=&quot;600&quot; height=&quot;311&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgxj5urUvhUkdSWGVs_Hn6gPl2EAJm3E97zlgwkLiT5aCyfWPPe792N5JLo13CIo_d-weQtWRLFzJcetDAP-f-g9yriv5h6PdCMLg1MGcmq66jDmM_OHlZeOQD4otEygOLaBqZ1ugb3xmFmwoNpIDCr35qzJazIGdU3CkP92UuIptSnXRHosOaRabg_pOl/w400-h311/R-4442196-1734450393-1990.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Come prima cosa, assolutamente importante: ringrazio il nostro infaticabile amico e collaboratore Osel per l&#39;invio di questi file che ci permettono di conoscere e condividere un gruppo con i controfiocchi. E ora procediamo con la scoperta dei Submarine Silence e della loro prima prova discografica risalente al 2001. L&#39;album eponimo venne pubblicato dalla Mellow Records. Colpisce subito la copertina che ci riporta di filato all&#39;epoca dei primi Genesis (inevitabili i richiami a Foxtrot). Guarda caso l&#39;artwork è da attribuire nientemeno che a Paul Whitehead, autore di splendide e storiche copertine. E visto che ho citato i Genesis proprio lui è l&#39;autore delle cover di Trespass, Nursery Cryme e Foxtrot, giusto per citarne tre. E ancora Whitehead ha creato copertine per High Tide, Van Der Graaf, Peter Hammill, ma anche per gli italiani Aldo Tagliapietra, Le Orme e Barock Project. Per farla breve i Submarine Silence si presentano con un gran bel biglietto da visita.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0jllLH7DPbB5gAWjL-lX6VpsoQTe0TBuUO92Wph8B-k0UVTq1wJFe_FCY7Xzitd_nl3Aj06ty0B9lVHKVG4NzgoEOmMePrU1d0WUExMLJhfG-vOSvL6lbRAXheNeJCDhWN_fEqnVEuVAQjc_7xLspu4L5-1f4SxSc80fyy2kmvPHKeqxuqP5E4nJ1r0vu/s600/interno.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;587&quot; data-original-width=&quot;600&quot; height=&quot;391&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0jllLH7DPbB5gAWjL-lX6VpsoQTe0TBuUO92Wph8B-k0UVTq1wJFe_FCY7Xzitd_nl3Aj06ty0B9lVHKVG4NzgoEOmMePrU1d0WUExMLJhfG-vOSvL6lbRAXheNeJCDhWN_fEqnVEuVAQjc_7xLspu4L5-1f4SxSc80fyy2kmvPHKeqxuqP5E4nJ1r0vu/w400-h391/interno.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtqNAId1XvyGCksIUDowsxpJyjGVDn2PcFB7iKqUwmEZz2DEx3NU0fabkrCf4iuSgzkEmUAAqBfptUWHCTMI49AWlO42AHDkgRRc9CCdyLQ54roLnG6-Mw2i9uBjNYMDPVbvVVQZ23RXlv0b_kZ710VBvbLsDCCc46enPAkL7ImE7VwDxFpg7LG_FwRcXG/s591/A-1801673-1540706464-7214.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;392&quot; data-original-width=&quot;591&quot; height=&quot;265&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtqNAId1XvyGCksIUDowsxpJyjGVDn2PcFB7iKqUwmEZz2DEx3NU0fabkrCf4iuSgzkEmUAAqBfptUWHCTMI49AWlO42AHDkgRRc9CCdyLQ54roLnG6-Mw2i9uBjNYMDPVbvVVQZ23RXlv0b_kZ710VBvbLsDCCc46enPAkL7ImE7VwDxFpg7LG_FwRcXG/w400-h265/A-1801673-1540706464-7214.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Cristiano Roversi&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;Per conoscere più da vicino la band ci affidiamo a questo interessante articolo scritto da Peppe Di Spirito, pubblicato sul sito &quot;Arlequins&quot;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&quot;Cristiano Roversi (NDR - &lt;b&gt;&lt;a href=&quot;https://verso-la-stratosfera.blogspot.com/2023/10/cristiano-roversi-e-i-primi-due-album.html&quot;&gt;qui &lt;/a&gt;&lt;/b&gt;sulla Stratosfera) e David Cremoni, membri dei Moongarden, si cimentano in un nuovo progetto denominato Submarine Silence. Quest&#39;album serve soprattutto a sfogare la voglia di realizzare un CD di prog sinfonico-romantico nella più comune accezione del termine. I brani, tutti strumentali, si dipanano infatti attraverso soluzioni che faranno la gioia di qualsiasi amante di gruppi quali Genesis e Camel. Certo, si tratta delle stesse influenze dei Moongarden, ma mentre questi ultimi cercano di personalizzare al massimo la loro proposta, con i Submarine Silence il tributo verso questi artisti è nettissimo. Ma, sia ben chiaro, il risultato finale è tutt&#39;altro che scontato, essendo composto da 10 ispiratissimi brani che sono veri gioielli di romanticismo.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX6qDkMI2PixAWlwmDw9NrmvceVNruZIzoh1DKm9R3mMabNhVy6UrSIw_ZEwskobU-nzfEs2-VG0rjHBs5K1qFAxuXoTQm9bcjlEex6FipffFGDWYLls0rO8MxJYdwqWJrpRBA2d7gmyMgCdXcDSpxbmIulE8SJnAh-HtaSSTE2XwHFW3waPKW7Vus6f8H/s715/1443%20(1)%20-%20Copia.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;694&quot; data-original-width=&quot;715&quot; height=&quot;389&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX6qDkMI2PixAWlwmDw9NrmvceVNruZIzoh1DKm9R3mMabNhVy6UrSIw_ZEwskobU-nzfEs2-VG0rjHBs5K1qFAxuXoTQm9bcjlEex6FipffFGDWYLls0rO8MxJYdwqWJrpRBA2d7gmyMgCdXcDSpxbmIulE8SJnAh-HtaSSTE2XwHFW3waPKW7Vus6f8H/w400-h389/1443%20(1)%20-%20Copia.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Davide Cremoni&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;I chiari riferimenti alla musica dei gruppi che influenzano questo progetto si avvertono nei tocchi banksiani di Roversi uniti alle chitarre di Cremoni, che a tratti si fa guidare dall&#39;amore per la grazia e l&#39;eleganza dei momenti acustici cari a Anthony Phillips, altre volte si lancia in epici solos alla Latimer. I due musicisti sono autori in coppia di tutti i brani, tranne della prima traccia &quot;The Door&quot;, accreditata al solo Roversi e che in pratica è una breve introduzione fatta col piano elettrico. A definire la line-up c&#39;è il batterista Emilio Pizzoccoli che collabora a questo progetto col suo drumming preciso e mai invadente, completando un meccanismo praticamente perfetto. Pur essendo un lavoro prettamente romantico, non manca qualche momento più dinamico con accenni new-prog presenti in alcune composizioni che non avrebbero affatto sfigurato su &quot;The gates of Omega&quot;. Tuttavia, si può tranquillamente affermare che i Submarine Silence si ispirano soprattutto agli anni &#39;70, sfruttando una produzione molto limpida e pulita, ma utilizzando anche strumenti molto in voga nei seventies come l&#39;organo Hammond, il mellotron e le chitarre acustiche a 6 e a 12 corde. E infatti la grande delicatezza del Phillips dei primi Genesis e di &quot;The Geese and the Ghost&quot; viene fuori continuamente durante l&#39;ascolto dell&#39;album, per merito degli arpeggi acustici di Cremoni e di quei sottofondi di mellotron che colpiranno diritto al cuore i nostalgici.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSiJBAIlAalVvXuFpItkf0zfcJKoq81NR8j8MLR42sZSpjm2bv687OuaRYZzEWzCDVGwn71ahbnEqMN5Jz-iFh3Pcy8Zdz9z_Qt527gHZrBiq-nhf9sl4yky2hS7BODbVUCX8zGExFTdAXubPGT9FFV-YUAfEmxC5sj_ISWzOkIIqnxq605Kkfvs3E0San/s715/1443%20(1)%20-%20Copia%20-%20Copia.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;674&quot; data-original-width=&quot;715&quot; height=&quot;378&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSiJBAIlAalVvXuFpItkf0zfcJKoq81NR8j8MLR42sZSpjm2bv687OuaRYZzEWzCDVGwn71ahbnEqMN5Jz-iFh3Pcy8Zdz9z_Qt527gHZrBiq-nhf9sl4yky2hS7BODbVUCX8zGExFTdAXubPGT9FFV-YUAfEmxC5sj_ISWzOkIIqnxq605Kkfvs3E0San/w400-h378/1443%20(1)%20-%20Copia%20-%20Copia.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Emilio Pizzoccoli&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;In poche parole si tratta di un album che stregherà sicuramente i molti fans del prog più romantico, lontano volutamente da qualsiasi ricerca di originalità e/o situazioni spigolose, ma capace di emozionare con una musica passionale che sarà apprezzata notevolmente da chi è alla ricerca di quel sound che ha reso popolari musicisti come Banks, Phillips, Hackett, Rutherford, Latimer, Gilmour, Rothery, etc.&quot;&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;A completamento della recensione di Peppe Di Spirito evidenzio la conclusiva &quot;Porto di Venere&quot; con un incedere che riporta direttamente alla sezione finale di &quot;Shadow of the Hierophant&quot;, compreso il crescendo iniziale, brano tratta dal primo album solo di Steve Hackett &quot;Voyage of the Acolyte&quot;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Altra annotazione: i Submarine Silence nacquero sul finire degli anni &#39;90 da una idea del proprietario della Mellow Records, Mauro Moroni, come progetto parallelo dei già citati Moongarden di cui Roversi era il tastierista. Tra l&#39;altro, se avete notato, nella formazione a tre manca il bassista, sostituito dai pedali Taurus utilizzati dallo stesso Roversi.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPeK58JHInszUrsM72vXSQeu17IbI4Bax_dpfjS_k1d4mTLNy9hl0JbOnXnUWh0bFYkNzL4cPv_Y4fpquxEtzX64YxSnSFcEH6rU48Y9_tQk1ocAGe9huzUZer18Ptczscd1iZOmUSWBZ3LphMJIIQ0TX-CD_i8i7r5eAApPTgRrjRYkewORYEWKFobOno/s715/1443%20(1).jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;531&quot; data-original-width=&quot;715&quot; height=&quot;297&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPeK58JHInszUrsM72vXSQeu17IbI4Bax_dpfjS_k1d4mTLNy9hl0JbOnXnUWh0bFYkNzL4cPv_Y4fpquxEtzX64YxSnSFcEH6rU48Y9_tQk1ocAGe9huzUZer18Ptczscd1iZOmUSWBZ3LphMJIIQ0TX-CD_i8i7r5eAApPTgRrjRYkewORYEWKFobOno/w400-h297/1443%20(1).jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;La prima apparizione ufficiale dei Submarine Silence è sull&#39;album &quot;The River of Constant Change - A Tribute to Genesis&quot; con la cover di&amp;nbsp;&lt;i&gt;Entangled &lt;/i&gt;in versione strumentale. Lo ritroverete &lt;b&gt;&lt;a href=&quot;https://verso-la-stratosfera.blogspot.com/2023/10/le-compilation-della-stratosfera-vol-28.html&quot;&gt;qui&lt;/a&gt;&lt;/b&gt;, sulla Stratosfera. Dopo questo debut album del 2001 dovranno trascorrere ben 12 anni prima di poter ascoltare il seguito dal titolo &quot;There&#39;s Something Very Strange In Her Little Room&quot; (2013, etichetta Ma.Ra.Cash), in formazione a quattro con il cantante Ricky Tonco e il nuovo (si fa pèr dire) batterista Gigi Cavalli Cocchi. Seguiranno ancora &quot;Joirney Through Mine&quot; (2016), &quot;Did Swans Ever See God?&quot; (2020) e il recente &quot;Atonement Of A Former Sailor Turned Painter&quot; (2024), ancora con formazione rimaneggiata. Titoli brevi, che non si scordano...&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Ho concluso. Un ultimo ringraziamento a Osel e a voi tutti auguro buon ascolto.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;ANNUNCIO FINALE:&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;la Stratosfera si ferma per una settimana. Appuntamento al 24 marzo.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_2l0OdgbmmVHPIGRmCwrUBunjGVuETh4slnceS0nAnb8IjeasuInlI4cdLM7PqkOO4rLIM8MvHUK5hPwjmnDwQwwsbIWy-09_ms854GeghM0cfgRapF7HbLpvQohx6vEoUou_9kGJ9jv7_WDvhvpJc9VCNF5nlN8nojdlhFcSfPhZoY-mxgCAQ4kufcbT/s960/subnew.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;351&quot; data-original-width=&quot;960&quot; height=&quot;146&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_2l0OdgbmmVHPIGRmCwrUBunjGVuETh4slnceS0nAnb8IjeasuInlI4cdLM7PqkOO4rLIM8MvHUK5hPwjmnDwQwwsbIWy-09_ms854GeghM0cfgRapF7HbLpvQohx6vEoUou_9kGJ9jv7_WDvhvpJc9VCNF5nlN8nojdlhFcSfPhZoY-mxgCAQ4kufcbT/w400-h146/subnew.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/uBp2mIYS#zaJWbJxp2muGLRlwAbHy4Pm9iA52F1Z-nmGliz2S9NM&quot;&gt;LINK&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;Post by George - Music by Osel&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/6095026161414292973/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/03/submarine-silence-omonimo-2001.html#comment-form' title='1 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/6095026161414292973'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/6095026161414292973'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/03/submarine-silence-omonimo-2001.html' title='Submarine Silence - Omonimo (2001)'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdwJEY9nBA2MkOTN6vjLJxARLALl16uGojOJfOaFTn3QLfujhIDbWK93nIsRBvdXzZsYhQLDJyHaAPRkJc6i8NveQHUZDfVWZPosM2k3Dktrfo7wTu1v2MtGawEp4yqyiaQJwiMWCOzJToLlGQY9oZXExGtk-AoIYX6EOeCT9Agq4tTUEkcg0G3hjsHo4r/s72-w396-h400-c/cover.jpg" height="72" width="72"/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-2162634296967631975</id><published>2025-03-13T11:53:00.000+01:00</published><updated>2025-03-13T11:53:31.366+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="1982"/><category scheme="http://www.blogger.com/atom/ns#" term="Cimabue"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="Marcello Giombini"/><category scheme="http://www.blogger.com/atom/ns#" term="reload"/><category scheme="http://www.blogger.com/atom/ns#" term="Repost"/><category scheme="http://www.blogger.com/atom/ns#" term="vinile"/><title type='text'>Marcello Giombini - Mondial Folk Synthesizer III (Estremo Oriente-Africa) Far East vol. 9 (1982, vinile) - RE-POST (post originale 08.06.2016)</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjem1tnwx4Bkx3YcJiI-Be2r-Qg2238RiIwR6J00UhZItAirO3hlB0cx-O2-O_ZM16Hdyfqpg2odnlE9IYRKXKKGwrbjCdUrYDHPh3GZKmOpREvgKQcEIEWPq-iLxCHYBngKCMo4UsXIIRWTxlmEod-2J33WIQt5Hj2RJKI0ShliqZEg1N1W16DyY2pkZuD/s600/R-1510881-1537767919-5356.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;599&quot; data-original-width=&quot;600&quot; height=&quot;399&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjem1tnwx4Bkx3YcJiI-Be2r-Qg2238RiIwR6J00UhZItAirO3hlB0cx-O2-O_ZM16Hdyfqpg2odnlE9IYRKXKKGwrbjCdUrYDHPh3GZKmOpREvgKQcEIEWPq-iLxCHYBngKCMo4UsXIIRWTxlmEod-2J33WIQt5Hj2RJKI0ShliqZEg1N1W16DyY2pkZuD/w400-h399/R-1510881-1537767919-5356.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;Lato A&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;A1 Sidi El Abbes (Algeria) 1:30&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;A2 Lucky Dance (Australia) 1:20&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;A3 Keta-Pang&#39; Bells (Borneo) 1:36&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;A4 Wedding Dance (China) 1:48&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;A5 Lions Dance (Congo) 1:34&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;A6 Yellow Secret (Korea) 1:42&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;A7 Manila, Sweet Manila (Philippines) 1:35&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;A8 Cherry-Trees In Kawasaki (Japan) 1:53&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;A9 Bali, Bali (Java) 1:46&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;b&gt;Lato B&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;B1 Sea Holiday (Hawaii) 1:35&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;B2 Coming Back To Nagpur (India) 1:35&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;B3 Fecundity Dance (Marquesas Islands) 1:45&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;B4 Rain Dance (Kenya) 2:06&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;B5 Dreaming Of Agadir (Morocco) 1:29&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;B6 Wait For Us Palembang (Sumatra) 1:32&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;B7 Forest Song (Thailand) 1:36&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;B8 Procession In Lhasa (Tibet) 2:03&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;B9 Hanoi, The Pearl (Vietnam) 1:35&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipFPCG75sIqE_bpjVWW1ALxpv0xaX2IkVH1Q5FLbxK97XDNT6vAxk3ZlTCVicCda74waMBn9zHs918_ytnejG0xfZwEV5rSrSHS-aF6qDGche2SCRU_YUKqfPtjRjO1nC7nei5Wo2GIFoJXJBJvDlWuXdA7KSa_XDyOnQDxn5zRndV5yK_FpRT3aZyTLDc/s599/R-1510881-1537767922-2584.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;593&quot; data-original-width=&quot;599&quot; height=&quot;396&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipFPCG75sIqE_bpjVWW1ALxpv0xaX2IkVH1Q5FLbxK97XDNT6vAxk3ZlTCVicCda74waMBn9zHs918_ytnejG0xfZwEV5rSrSHS-aF6qDGche2SCRU_YUKqfPtjRjO1nC7nei5Wo2GIFoJXJBJvDlWuXdA7KSa_XDyOnQDxn5zRndV5yK_FpRT3aZyTLDc/w400-h396/R-1510881-1537767922-2584.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Proseguiamo con i repost e relativi reload richiesti dai nostri amici. In questo caso l&#39;operazione è stata resa possibile grazie all&#39;intervento del nostro collaboratore &lt;b&gt;Cimabue&lt;/b&gt;, che ringrazio,&lt;b&gt;&amp;nbsp;&lt;/b&gt;in possesso dei file (io confesso di non essere riuscito a scaricarli a suo tempo). Il post originale era stato realizzato da Grog, un nostro vecchio collaboratore, in data 8 giugno 2016. L&#39;album di Marcello Giombini, già presente su queste pagine anche in tempi recenti (vedasi la Messa dei Giovani), pubblicato in versione vinile nel 1982 dall&#39;etichetta Forever Records e mai ristampato, è piuttosto difficile da reperire e sul mercato online raggiunge discrete quotazioni. Qui l&#39;unico protagonista è lo stesso Giombini alle prese con il sintetizzatore, come ben esplicitato in copertina. I due compositori, Pluto Kennedy e Satwich altro non sono che lo stesso Marcello Giombini e Dino Siani.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo4cpnKyFUQfEPLL8wkoOf24HJpdbFBEmNQ-WN_rspvvrSz2q_Ak4_i7t_CLvGxf5BF2317pWFcMLGAmuxAt43aH1L4UEabjk_k7aLyX092HDw7fx4mRDjkpk5Eo7DuGpuNLv0BW0H-5UncwDvRZZaY2hWTJNYPqRyfuOoDjPzjFAncsBUM1wuTVE9O0a2/s600/R-1510881-1696804340-2056.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo4cpnKyFUQfEPLL8wkoOf24HJpdbFBEmNQ-WN_rspvvrSz2q_Ak4_i7t_CLvGxf5BF2317pWFcMLGAmuxAt43aH1L4UEabjk_k7aLyX092HDw7fx4mRDjkpk5Eo7DuGpuNLv0BW0H-5UncwDvRZZaY2hWTJNYPqRyfuOoDjPzjFAncsBUM1wuTVE9O0a2/w400-h400/R-1510881-1696804340-2056.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;Marcello Giombini, nel corso della sua lunga carriera artistica, non si è occupato solamente della composizione di musica liturgica, ma si è dedicato, specie nel corso degli anni &#39;80, alla realizzazione di album di musica elettronica, come nel caso in oggetto. I 18 brani, 9 per ogni facciata, sono molto brevi: alcuni superano a malapena il minuto e solo 2 superano di poco i due minuti di lunghezza. Come ai intuisce dal titolo dell&#39;album si tratta di sonorità dedicate al folklore africano e dell&#39;Estremo Oriente. Giombini realizzò altri due dischi della serie &quot;Mondial Folk Synthesizer&quot;: il vol. 1 dedicato alle Americhe e il vol. 2 all&#39;Europa e al Medio Oriente. Siamo praticamente nel campo della library music. Chiudiamo qui il re-post. Buon ascolto.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgo2DRBnBwxb7ELGIhtNmN-cpo3Gi0ONXTn3BJx5U1LFA7u_HZ3PjmiKdvl1tc18GNz1d9dtCjq8z8YmaXTCNiv1HzfjsoHCLFDBFByaZHFQlh-lKrMrK1DwjijU2jBa5zOPbj19aaFNI-O5cj3lSRQSwq9Zu4qZyJ3I9tJOxnitZr3p4JsTFefOyCp2Xt/s305/foto-marcello-giombini-1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;228&quot; data-original-width=&quot;305&quot; height=&quot;299&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgo2DRBnBwxb7ELGIhtNmN-cpo3Gi0ONXTn3BJx5U1LFA7u_HZ3PjmiKdvl1tc18GNz1d9dtCjq8z8YmaXTCNiv1HzfjsoHCLFDBFByaZHFQlh-lKrMrK1DwjijU2jBa5zOPbj19aaFNI-O5cj3lSRQSwq9Zu4qZyJ3I9tJOxnitZr3p4JsTFefOyCp2Xt/w400-h299/foto-marcello-giombini-1.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/vJRAVYQD#v09LzcDt7DT7w7oWzN4XaXd0tQ8RH1RoM-WcUlJiad0&quot;&gt;NEW LINK&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;Re-post bt George &amp;amp; Cimabue&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/2162634296967631975/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/03/marcello-giombini-mondial-folk.html#comment-form' title='4 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/2162634296967631975'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/2162634296967631975'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/03/marcello-giombini-mondial-folk.html' title='Marcello Giombini - Mondial Folk Synthesizer III (Estremo Oriente-Africa) Far East vol. 9 (1982, vinile) - RE-POST (post originale 08.06.2016)'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjem1tnwx4Bkx3YcJiI-Be2r-Qg2238RiIwR6J00UhZItAirO3hlB0cx-O2-O_ZM16Hdyfqpg2odnlE9IYRKXKKGwrbjCdUrYDHPh3GZKmOpREvgKQcEIEWPq-iLxCHYBngKCMo4UsXIIRWTxlmEod-2J33WIQt5Hj2RJKI0ShliqZEg1N1W16DyY2pkZuD/s72-w400-h399-c/R-1510881-1537767919-5356.jpg" height="72" width="72"/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-8196158077532335117</id><published>2025-03-11T19:18:00.002+01:00</published><updated>2025-03-11T19:18:59.116+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="1972"/><category scheme="http://www.blogger.com/atom/ns#" term="2024"/><category scheme="http://www.blogger.com/atom/ns#" term="Albe"/><category scheme="http://www.blogger.com/atom/ns#" term="Bootleg"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="Historic prog bands live in Italy"/><category scheme="http://www.blogger.com/atom/ns#" term="live"/><category scheme="http://www.blogger.com/atom/ns#" term="Peter Hammill"/><category scheme="http://www.blogger.com/atom/ns#" term="Van Der Graaf Generator"/><category scheme="http://www.blogger.com/atom/ns#" term="Video"/><category scheme="http://www.blogger.com/atom/ns#" term="Yesterday Today"/><title type='text'>Serie &quot;Historic Prog Bands Live in Italy&quot; - Capitolo 94 - &quot;Yesterday and Today&quot; n. 19: Peter Hammill live in Padova 1972 &amp; 2024 (special gift by Albe)</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&amp;nbsp;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg58fQog6dnWB8uotTOL1FstH_rL1Zwm4TGn8eYV9aMypPUwob5sqAveoxBh0HuJaDQ43zW_MGOA6egXvqsmazYK7flpXQK1OPxme2uyEiJQsUlJvSn62C4yPGwU9j-6EPV2S78fa6RhYFNW40nSfydwzKgTUPtG7Tv4RtWCKPwh_qdF7Nj7pjYlFmsHgIW/s1600/s-l1600.webp&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1600&quot; data-original-width=&quot;1200&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg58fQog6dnWB8uotTOL1FstH_rL1Zwm4TGn8eYV9aMypPUwob5sqAveoxBh0HuJaDQ43zW_MGOA6egXvqsmazYK7flpXQK1OPxme2uyEiJQsUlJvSn62C4yPGwU9j-6EPV2S78fa6RhYFNW40nSfydwzKgTUPtG7Tv4RtWCKPwh_qdF7Nj7pjYlFmsHgIW/w300-h400/s-l1600.webp&quot; width=&quot;300&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;Cari amici, oggi siamo alle prese con uno splendido regalo ricevuto dal nostro storico amico e collaboratore &lt;b&gt;Albe&lt;/b&gt;, che ringrazio a nome mio e di di tutti i frequentatori di questo sito. Il protagonista dell&#39;episodio n. 94 della serie &quot;Historic Prog Bands Live in Italy&quot; è Peter Hammill, musicista e compositore da noi molto amato sia come solista che come componente/leader dei Van Der Graaf Generator. Proprio con i suoi VDGG, Peter Hammill apparve nel 2017 su queste pagine, insieme ad Arthur Brown che aprì il loro concerto, in quel meraviglioso spettacolo che ebbe luogo allo Stadio Flaminio di Rona il 27 maggio 1973 (&lt;b&gt;&lt;a href=&quot;https://verso-la-stratosfera.blogspot.com/2017/04/serie-historic-prog-bands-live-in-italy.html&quot;&gt;qui&lt;/a&gt;&lt;/b&gt;). Per questa &quot;operazione nostalgia&quot; ho scelto di aprire il post con una copertina del settimanale &lt;b&gt;Ciao 2001&lt;/b&gt; del1973 che ritrae il musicista seduto al suo pianoforte. I due concerti qui proposti, caratterizzati da una forbice temporale di ben 52 anni, risalgono rispettivamente all&#39;11.12.1972 e al 21.11.2024. Entrambi hanno avuto luogo a Padova (Padua, come scrivono gli inglesi). Non mi dilungo sulla figura di Peter Hammill, che non necessita di alcuna presentazione e passo subito alla musica.&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-ANHe1_0DLw0Te69w1cKZqir2RtpHYZ9JqKchzvZsyw97B4w2qJdRpHQIRCTtGNybmfsWqVUNpMiejRpPDqOmLJm6ShbrkWNJzvnBLJv1EweBMKC2YMZKOpC3GTd8XGC3P2QEjMQgOR1EvIfou0M5JyUA9xdBs3wf7dmZB6sn9ht7oHDccokGZEi8cQBm/s236/peter_hammill_3.webp&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;236&quot; data-original-width=&quot;200&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-ANHe1_0DLw0Te69w1cKZqir2RtpHYZ9JqKchzvZsyw97B4w2qJdRpHQIRCTtGNybmfsWqVUNpMiejRpPDqOmLJm6ShbrkWNJzvnBLJv1EweBMKC2YMZKOpC3GTd8XGC3P2QEjMQgOR1EvIfou0M5JyUA9xdBs3wf7dmZB6sn9ht7oHDccokGZEi8cQBm/w339-h400/peter_hammill_3.webp&quot; width=&quot;339&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;i&gt;Yesterday&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Peter Hammill - Teatro Corso, Padova, 11.12.1972&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzAeLZ4UHLo5CcvDGqyaECDc0VPaU5Pm-pC6KjFd6N_4EZcN73EzPCRC2fZgi1kWr6aj4Wud1guJUth_4zpWJD-zpSa9Ce4kZrj-Gm1yI0Gsf8DJ0UWdCun970lx6qYnBCjro4XfGeKtadylMWnikQ71X660fzfXaJVEw0J_JXGFKWvaiUTMqvU6t7eI4e/s640/sddefault.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;480&quot; data-original-width=&quot;640&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzAeLZ4UHLo5CcvDGqyaECDc0VPaU5Pm-pC6KjFd6N_4EZcN73EzPCRC2fZgi1kWr6aj4Wud1guJUth_4zpWJD-zpSa9Ce4kZrj-Gm1yI0Gsf8DJ0UWdCun970lx6qYnBCjro4XfGeKtadylMWnikQ71X660fzfXaJVEw0J_JXGFKWvaiUTMqvU6t7eI4e/w400-h300/sddefault.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;01-Solitude - 4:21 (vocals, guitar)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;02-The Birds - 3:00 (vocals, guitar)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;03-Tapeworm - 4:30 (vocals, guitar)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;04 German Overalls - 6:50 (vocals, guitar)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;05-Slender Threads - 5:46 (vocals, guitar)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;06-Easy To Slip Away - 3:32 (vocals, piano)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;07-Refugees - 5:01 (vocals, piano)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;08-Vision - 3:32 (vocals, piano)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;09-The Lie (Berini’s Saint Teresa) - 4:06 (vocals, piano)&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;10-In the End - 6:12 (vocals, piano)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhso8ktig-v4D33BLky1_IKUUqap6KZs67_eir-OrVCVMa85JWDnhZVUVMBMIrQd1oiy-Vy0JHtKk5nmncX9ENW3DPaJQjkVb4zqb37Q_s8ug4PJjRPa1hy82wFybCE7z8jS-5OzsqYRHzJT0kxtDaccaxOKNIWM7wL7-J1KqU5wwASRvAO3-Fnh33TP2Vs/s1280/back.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;720&quot; data-original-width=&quot;1280&quot; height=&quot;225&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhso8ktig-v4D33BLky1_IKUUqap6KZs67_eir-OrVCVMa85JWDnhZVUVMBMIrQd1oiy-Vy0JHtKk5nmncX9ENW3DPaJQjkVb4zqb37Q_s8ug4PJjRPa1hy82wFybCE7z8jS-5OzsqYRHzJT0kxtDaccaxOKNIWM7wL7-J1KqU5wwASRvAO3-Fnh33TP2Vs/w400-h225/back.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Nel 1972, con grande tristezza per gli amanti delle sonorità di quella grande band, i Van Der Graaf Generator decretarono il loro (primo) scioglimento. L&#39;anno prima, nel 1971, Peter Hammill realizzò il suo primo album solista, &quot;Fool&#39;s Mate&quot;, accompagnato da grandi musicisti, tra cui gli amici VDGG al completo e Robert Fripp alla chitarra. Il concerto qui proposto è interessante per le numerose anteprime di brani che confluiranno su dischi successivi. A parte quelli tratti da &quot;Foolì&#39;s Mate&quot; (&lt;i&gt;Solitude&lt;/i&gt;, &lt;i&gt;The Birds&lt;/i&gt;, &lt;i&gt;Vision&lt;/i&gt;), altri quali &lt;i&gt;German Overalls, Slender Threads, In The End, Easy To Slip Away&lt;/i&gt; verranno pubblicati su &quot;Chameleon In The Shadow Of The Night&quot; nel 1973. mentre &lt;i&gt;The Lie&lt;/i&gt; è addirittura una anteprima che finirà su &quot;The Silent Corner and The Empty Stage&quot; nel 1974, alla stregua di &lt;i&gt;Tapeworm &lt;/i&gt;.poi inclusa in &quot;In Camera&quot;, sempre nel 1974. Unica concessione al repertorio dei Van Der Graaf è rappresentata da&amp;nbsp;&lt;i&gt;Refugees tratta&amp;nbsp;&lt;/i&gt;dal glorioso &quot;The Least We Can Do Is Wave to Each Other&quot; pubblicato nel 1970.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE_sQu5uqKmysPx1V5gN33kAkODrfjMN9Eb_6BGp00fRwTCGX3Ua9m6qdfo_IMSm3Sc9xnTwUW14Z-iBKaS7HaMSTXdf5nR7COMtl2xsyGjhrEHqF3fI24-Cnub2SP2oUxMu9TaoDxtbNAcu5eUB6EuztLsDlx2UB3sm1BRW6HJtA1zj9Ylv4kaw8aGxZG/s275/PETER-HAMMIL.jpeg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;183&quot; data-original-width=&quot;275&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE_sQu5uqKmysPx1V5gN33kAkODrfjMN9Eb_6BGp00fRwTCGX3Ua9m6qdfo_IMSm3Sc9xnTwUW14Z-iBKaS7HaMSTXdf5nR7COMtl2xsyGjhrEHqF3fI24-Cnub2SP2oUxMu9TaoDxtbNAcu5eUB6EuztLsDlx2UB3sm1BRW6HJtA1zj9Ylv4kaw8aGxZG/w400-h266/PETER-HAMMIL.jpeg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;Il concerto, com&#39;è facile immaginare, è completamente acustico, con Peter Hammill alla voce e chitarra nella prima parte (tracce 1-5) mentre nella seconda parte (tracce 6-10) si accompagna dalle note del suo pianoforte. Certo, non siamo di fronte alla potenza di suono dei Van Der Graaf. Hammill da solo può risultare in alcune parti un po&#39; monotono, ma nonostante ciò il pubblico italiano è sempre caloroso. Gli applausi e i &quot;bravo Peter!&quot; non mancano sicuramente. Aggiungo, come nota finale, che Hammill fu l&#39;ospite delle Orme nel tour che nel corso del dicembre 1972 toccò numerose piazze italiane. Di seguito la locandina pubblicata sempre su Ciao 2001 e uno scatto fotografico che riprende Le Orme con Peter Hammill.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTiQ2yxNuKlx21ul37PjyiN0sAhKWq41wTUEupJAoVnAM7MYAx9eaH_EWL5-0EUMmCjnaGZmdLQp3Zeu-ZSXeX0TtVAI5OYkLJOyV_EASkB1CcEAhOj2qm8EHETA25IO906aWkxjtTq_IBa1cfoihLuTs9O-7zIzlpgHPFbaPdvGM2qFxpfCulIOTENCNh/s804/locandina%20tour%201972.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;794&quot; data-original-width=&quot;804&quot; height=&quot;395&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTiQ2yxNuKlx21ul37PjyiN0sAhKWq41wTUEupJAoVnAM7MYAx9eaH_EWL5-0EUMmCjnaGZmdLQp3Zeu-ZSXeX0TtVAI5OYkLJOyV_EASkB1CcEAhOj2qm8EHETA25IO906aWkxjtTq_IBa1cfoihLuTs9O-7zIzlpgHPFbaPdvGM2qFxpfCulIOTENCNh/w400-h395/locandina%20tour%201972.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjuYfi2VGRNK62W5-wteUj0Rk64N23fc-q6O3l-T4F0P_cxMsJeJIdGtur58DwEEiVuePzhAGIcJIKdO8H3veZaRZZ-oORjq70C9RpuRccDA5sEWDPOBhLxp0myaJBkj65lqECWIMCRvNDIcbFoAr0H8NQWIjQfU6eYafs377KRYEUkJp2TOWxcB3mwZxB/s725/PeterHammill1972-12-11TeatroCorsoPadovaItaly%2520(1).jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;466&quot; data-original-width=&quot;725&quot; height=&quot;258&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjuYfi2VGRNK62W5-wteUj0Rk64N23fc-q6O3l-T4F0P_cxMsJeJIdGtur58DwEEiVuePzhAGIcJIKdO8H3veZaRZZ-oORjq70C9RpuRccDA5sEWDPOBhLxp0myaJBkj65lqECWIMCRvNDIcbFoAr0H8NQWIjQfU6eYafs377KRYEUkJp2TOWxcB3mwZxB/w400-h258/PeterHammill1972-12-11TeatroCorsoPadovaItaly%2520(1).jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;i&gt;Today&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Peter Hammill - Sala dei Giganti, Padova, 21.11.2024&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHFPpn5z4o8L27NJ92hgkbkTEiS3o2931exzOVxo1K_5quS-c-xujEcAdL6supCV70Pzk6Crpn3gePQdkhya3um_yTsVWeYt3NpKwyqYyACRqg7kMBpkHJoCzaosVlCSXCGqYZpf_ZCjAWGK1-h5fnBH9PFpjeGG5UOUiTLWnPxkkEypXMvzPQgKbiWK2a/s960/locandina.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;503&quot; data-original-width=&quot;960&quot; height=&quot;210&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHFPpn5z4o8L27NJ92hgkbkTEiS3o2931exzOVxo1K_5quS-c-xujEcAdL6supCV70Pzk6Crpn3gePQdkhya3um_yTsVWeYt3NpKwyqYyACRqg7kMBpkHJoCzaosVlCSXCGqYZpf_ZCjAWGK1-h5fnBH9PFpjeGG5UOUiTLWnPxkkEypXMvzPQgKbiWK2a/w400-h210/locandina.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST CD 1 :&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;01. My Room&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;02. Just Good Friend&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;03. Easy To Slip Away&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;04. A Better Time&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;05. Comfortable&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;06. Shingle Song&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;07. Last Frame&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;08. Time For A Change&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhemDTXm3UXoKUFtBa8Q1OR4VacZ86n0CQccRsSlMN3_ZB-7LFEgeaAWwLQKG2JC1Fzb-M4hAH9YRrmcVlwwsEX16Ed82laKV3qjWQVD8TRUIyQJs95npdsbuI3MJ8189-UDGu34hC7aS9DlaK0soXfeXveZHmgWv6RU1ibP_Trms7KKVhswsDbyUTfUJR0/s900/peter_hammill_1732609160_1732623022.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;575&quot; data-original-width=&quot;900&quot; height=&quot;255&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhemDTXm3UXoKUFtBa8Q1OR4VacZ86n0CQccRsSlMN3_ZB-7LFEgeaAWwLQKG2JC1Fzb-M4hAH9YRrmcVlwwsEX16Ed82laKV3qjWQVD8TRUIyQJs95npdsbuI3MJ8189-UDGu34hC7aS9DlaK0soXfeXveZHmgWv6RU1ibP_Trms7KKVhswsDbyUTfUJR0/w400-h255/peter_hammill_1732609160_1732623022.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST CD 2:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;01. Patient&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;02. Modern&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;03. Time Heals&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;04. Gone Ahead&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;05. The Descent&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;06. Traintime&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;07. Stranger Still&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;08. Refugees&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4u8IqHW2X440mouMPFel4qtM9hl8ceWhMYQAfKbcwJPQ08dFE8wmKuGXBS6i5U8r-5nWiYI-TYw-DE_lXJTKs8ElxAwItt-2D2iySdYeY33SpMINtZBclc_kpxtOwpcxDkB2fH2ixqep5KcGaXqkhYTWcrknBeNtH7lLN0kI33ceUYPDikhAbsJ79lKTA/s2048/467574493_10162415466458255_4312112534122650812_n.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2048&quot; data-original-width=&quot;1536&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4u8IqHW2X440mouMPFel4qtM9hl8ceWhMYQAfKbcwJPQ08dFE8wmKuGXBS6i5U8r-5nWiYI-TYw-DE_lXJTKs8ElxAwItt-2D2iySdYeY33SpMINtZBclc_kpxtOwpcxDkB2fH2ixqep5KcGaXqkhYTWcrknBeNtH7lLN0kI33ceUYPDikhAbsJ79lKTA/w300-h400/467574493_10162415466458255_4312112534122650812_n.jpg&quot; width=&quot;300&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Ancora Peter Hammill, ancora Padova, ma a distanza di 52 anni dalla prima esibizione. La location è veramente splendida e le foro ne testimoniano la bellezza. Peter in questi decenni ha realizzato decine e decine di album e si è esibito sui palcoscenici di tutto il mondo. Cantautore e musicista decisamente prolisso, è difficile seguire tutte le sue uscite discografiche, da solo o con i pluriricostituiti Van Der Graaf. La voce di Hammill è sempre potente, all&#39;occorrenza duttile e delicata: pare proprio che il trascorrere del tempo non l&#39;abbia intaccata. Il concerto, qui composto da un doppio CD, ripercorre i tratti salienti della sua lunga carriera musicale, accompagnandosi sia col pianoforte che con la chitarra acustica.. Anche in questo caso, dulcis in fundo, l&#39;omaggio ai Van Der Graaf avviene con Refugees. Un must.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhysLWqcIME5LOrS4EHuhahTZWbM0bWn73ufU9NyWuKIiteNxSqkCiJUXbPefckn3YyFYxOqjyC3WP1awDuktZsNvZHB-UTATZPGfWIlIba1jqBvuT-qv01e-9uyquOkv6sV0q26Yu_DxUuZvvbHzSftfLFdiRKy-4dUSLFqluJRVk9pZCEQQv17a8FVNdl/s2048/467733018_10162415549353255_2243133968200441056_n.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2048&quot; data-original-width=&quot;1536&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhysLWqcIME5LOrS4EHuhahTZWbM0bWn73ufU9NyWuKIiteNxSqkCiJUXbPefckn3YyFYxOqjyC3WP1awDuktZsNvZHB-UTATZPGfWIlIba1jqBvuT-qv01e-9uyquOkv6sV0q26Yu_DxUuZvvbHzSftfLFdiRKy-4dUSLFqluJRVk9pZCEQQv17a8FVNdl/w300-h400/467733018_10162415549353255_2243133968200441056_n.jpg&quot; width=&quot;300&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Ci tengo a ringraziare ancora una volta Albe che ha documentato questo concerto in modo magistrale: registrazione audio (di ottima qualità), fotografie e video completo. Un gran lavoro che vale la pena valorizzare inserendolo nella nostra serie &quot;Historic Prog Live in Italy&quot;, una serie dal sapore internazionale, molto seguita anche dagli amici residenti in altre parti del mondo. Di seguito altre immagini scattate da Albe nel corso del concerto.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIQ5cwusojAArDK3b7fYAdeCOAmRrblcVPpmRtvm29_hkzzjNlGq4IiPI0SBjURhIDIAUdZJsmpLX9iGXdQs7krfTFY55JJjZjzmamE3v_I-ORjQmd6_w788SqYPii8KnewHX8OMzJ-5D2vglX1xhmQdOT47c62JZ_ULA2jnO8_NmJQpwbiP0X3vJeVI8q/s768/4.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;511&quot; data-original-width=&quot;768&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIQ5cwusojAArDK3b7fYAdeCOAmRrblcVPpmRtvm29_hkzzjNlGq4IiPI0SBjURhIDIAUdZJsmpLX9iGXdQs7krfTFY55JJjZjzmamE3v_I-ORjQmd6_w788SqYPii8KnewHX8OMzJ-5D2vglX1xhmQdOT47c62JZ_ULA2jnO8_NmJQpwbiP0X3vJeVI8q/w400-h266/4.jpg&quot; 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width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAsTG6x57nmrMUkbAOHmL4F_BCZqIAQOoPawpQwaTWGLq1RgUhk2N09dGuKROopolV0uDQxK-qdqN471pYolwJmlge024YImAYGEahOmq3f98_Pw5deb1KeBMkE3RSzwwrsYV5STvxPwjM8aw9Ummjg6IyyMTPtfxljK7r3rWOiNgQMM02mW_O1JwJq5WF/s2048/1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1152&quot; data-original-width=&quot;2048&quot; height=&quot;225&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAsTG6x57nmrMUkbAOHmL4F_BCZqIAQOoPawpQwaTWGLq1RgUhk2N09dGuKROopolV0uDQxK-qdqN471pYolwJmlge024YImAYGEahOmq3f98_Pw5deb1KeBMkE3RSzwwrsYV5STvxPwjM8aw9Ummjg6IyyMTPtfxljK7r3rWOiNgQMM02mW_O1JwJq5WF/w400-h225/1.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGXeztnAYRJHCn-DjGLjamzrgiaLJiFM9-xus7d2FPP2mMSeCLNTw7ZzcRskQLUvXXniiRGa-49JrFknS_WfWro1sFkWC0BclaW4LBCI9ovDBcrz1HD-0Z4LiOH0QHCUK8brHMAfiV6GBS-FhuCG5NPvhEOsy1hpFMvVbfcrrWQb7pKeUT4eo0WnXJpQ5Z/s580/2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;326&quot; data-original-width=&quot;580&quot; height=&quot;225&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGXeztnAYRJHCn-DjGLjamzrgiaLJiFM9-xus7d2FPP2mMSeCLNTw7ZzcRskQLUvXXniiRGa-49JrFknS_WfWro1sFkWC0BclaW4LBCI9ovDBcrz1HD-0Z4LiOH0QHCUK8brHMAfiV6GBS-FhuCG5NPvhEOsy1hpFMvVbfcrrWQb7pKeUT4eo0WnXJpQ5Z/w400-h225/2.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmCMUm2f9JzV26-8nIchGTqgJ5i_rNlNd8XEn9o0xEvlMC7NFS9ofTzc3rZoiMcYL6kPz-Q0s8Id4FD3lJFb8KG-R5YfgqBqZZlC8lqSUzZyfc1ahTAiIaE97FLcBffFtlRID9qq_NvP-03wt_L7P9GPKHVP2pXGvZiputrF-wep-PS8CvXwwfVNk8sLL9/s768/3.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;511&quot; data-original-width=&quot;768&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmCMUm2f9JzV26-8nIchGTqgJ5i_rNlNd8XEn9o0xEvlMC7NFS9ofTzc3rZoiMcYL6kPz-Q0s8Id4FD3lJFb8KG-R5YfgqBqZZlC8lqSUzZyfc1ahTAiIaE97FLcBffFtlRID9qq_NvP-03wt_L7P9GPKHVP2pXGvZiputrF-wep-PS8CvXwwfVNk8sLL9/w400-h266/3.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Bene, spero che questi due concerti siano di vostro gradimento. Se qualche altro amico ha assistito in tempi recenti o in passato ad un concerto di Peter Hammill ci faccia sapere le sue impressioni attraverso i commenti, sempre ben graditi. Vi lascio col consueto buon ascolto (e buona visione).&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbVs08E1bj4NJC2C_CKVJZ7DZz5t3bpqKx1NEzqpKI6Tyi1Z0FvLFFnVPASmTysz3J2_Xt65Bhweg9k-nQw_C-Fk7TwdGh5vbROVcGgIq3cTqUCbHS0MUsxJS53T6ZbIAZ2_JARsfH1Q5PlRod4928i7agTxLG_mMWhsb9t-mTzqYQ_HC7ip1bKWzKuEoB/s252/Peter-Hammill-2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;252&quot; data-original-width=&quot;250&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbVs08E1bj4NJC2C_CKVJZ7DZz5t3bpqKx1NEzqpKI6Tyi1Z0FvLFFnVPASmTysz3J2_Xt65Bhweg9k-nQw_C-Fk7TwdGh5vbROVcGgIq3cTqUCbHS0MUsxJS53T6ZbIAZ2_JARsfH1Q5PlRod4928i7agTxLG_mMWhsb9t-mTzqYQ_HC7ip1bKWzKuEoB/w397-h400/Peter-Hammill-2.jpg&quot; width=&quot;397&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/aVIwGCwK#PwkXtFwBa6bwmiXWOOjcyHtmzgQ_cij9qDLB1URUWqM&quot;&gt;LINK &lt;/a&gt;Live in Padova 1972&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/XcoV2KTA#R3lMLHBssHb2wBxlsPH3CJi8ByE5ifmDjg_ttwGXYbQ&quot;&gt;LINK &lt;/a&gt;Live in Padova 2024 CD 1&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/zVZRxb6b#gNviyYnyeIzW6jH7_OxvwK3wPRhk6SwNPPwakU-g2cQ&quot;&gt;LINK &lt;/a&gt;Live in Padova 2024 CD 2&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/GYAlwATB#O-Gxflfs4tELCpNe63qsSiknkP0-SmBV7VChlNXYYX0&quot;&gt;LINK &lt;/a&gt;VIDEO Live in Padova 2024&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;Post by George - Music, Video &amp;amp; Pictures by Albe&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjze2dH370IZOquv60isHMIN_rkNTaU3tupGXlLH6A5m4gWHEdf8ydTKCTUIc3wMizicI4TQAyL9PtGPH02MOy24AJQ9bmSqqdLVbhEkM749Cfuor7dSm1WttbWLHmDOWjxOZjwNFVns9SBEOnK5ORHLN8qRMSlJo7hljopQjB5VSXrrp9z1mAdf6WqIP9/s320/historic.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;320&quot; data-original-width=&quot;318&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjze2dH370IZOquv60isHMIN_rkNTaU3tupGXlLH6A5m4gWHEdf8ydTKCTUIc3wMizicI4TQAyL9PtGPH02MOy24AJQ9bmSqqdLVbhEkM749Cfuor7dSm1WttbWLHmDOWjxOZjwNFVns9SBEOnK5ORHLN8qRMSlJo7hljopQjB5VSXrrp9z1mAdf6WqIP9/w398-h400/historic.jpg&quot; width=&quot;398&quot; /&gt;&lt;/a&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/8196158077532335117/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/03/serie-historic-prog-bands-live-in-italy.html#comment-form' title='6 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/8196158077532335117'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/8196158077532335117'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/03/serie-historic-prog-bands-live-in-italy.html' title='Serie &quot;Historic Prog Bands Live in Italy&quot; - Capitolo 94 - &quot;Yesterday and Today&quot; n. 19: Peter Hammill live in Padova 1972 &amp; 2024 (special gift by Albe)'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg58fQog6dnWB8uotTOL1FstH_rL1Zwm4TGn8eYV9aMypPUwob5sqAveoxBh0HuJaDQ43zW_MGOA6egXvqsmazYK7flpXQK1OPxme2uyEiJQsUlJvSn62C4yPGwU9j-6EPV2S78fa6RhYFNW40nSfydwzKgTUPtG7Tv4RtWCKPwh_qdF7Nj7pjYlFmsHgIW/s72-w300-h400-c/s-l1600.webp" height="72" width="72"/><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-5305161273561683228</id><published>2025-03-09T18:44:00.000+01:00</published><updated>2025-03-09T18:44:20.453+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="1971"/><category scheme="http://www.blogger.com/atom/ns#" term="Donatello"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="Giuliano Illiani"/><category scheme="http://www.blogger.com/atom/ns#" term="musicassetta"/><category scheme="http://www.blogger.com/atom/ns#" term="Rarità"/><title type='text'>Donatello - Com&#39;è dolce la sera (musicassetta compilation, 1971)</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&amp;nbsp;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBWICZazPSXuZCCAL6ZceE2OledfuU9fYwb1pcDJ2n_-0UO38juhoAPfzcfPAZcuTNh9_yED48fwuzPkmgb5puc0Sj72pq2L5JQR-WU6Xj6fzfidGKTFPTYhq5ylyRYZ3Ir1fJWmHMJrVvEtwhaLmRAM_-R1uCMziZWB5mK0iVO9FOt7zzDtYIX7roDun3/s600/R-22525358-1647387658-5464.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;377&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBWICZazPSXuZCCAL6ZceE2OledfuU9fYwb1pcDJ2n_-0UO38juhoAPfzcfPAZcuTNh9_yED48fwuzPkmgb5puc0Sj72pq2L5JQR-WU6Xj6fzfidGKTFPTYhq5ylyRYZ3Ir1fJWmHMJrVvEtwhaLmRAM_-R1uCMziZWB5mK0iVO9FOt7zzDtYIX7roDun3/w251-h400/R-22525358-1647387658-5464.jpg&quot; width=&quot;251&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;01. Com&#39;è dolce la sera&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;02. Io mi fermo qui&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;03. E&#39; bello&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;04. Quaggiù in città&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;05. Notte di verità&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;06. L&#39;ultimo tram&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;07. Malattia d&#39;amore&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;08. La vuoi&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;09. Storia di un fiore&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;10. Come il vento&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;11. Solo&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;12. Senza buona notte&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLTP71TPqcAWT2aI6hmnfM-5z_MetLbDVkzcd8bmIzPYz0TPGReZg0Bonb333uBkUjJQqi6BnRWnkLGJTSxo8fenfsm3GvtEdUqhSZew29eqM4N9IytklW6xMPzKJrZaz8pVcoxQUsfFmxcywsHF7nMlCQabnVQ6zvYkYQJRN36LGtgHdN3JDaOIiSe2xC/s600/R-22525358-1647387661-3853.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;360&quot; data-original-width=&quot;600&quot; height=&quot;240&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLTP71TPqcAWT2aI6hmnfM-5z_MetLbDVkzcd8bmIzPYz0TPGReZg0Bonb333uBkUjJQqi6BnRWnkLGJTSxo8fenfsm3GvtEdUqhSZew29eqM4N9IytklW6xMPzKJrZaz8pVcoxQUsfFmxcywsHF7nMlCQabnVQ6zvYkYQJRN36LGtgHdN3JDaOIiSe2xC/w400-h240/R-22525358-1647387661-3853.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;Questa compilation contenente i maggiori successi di Donatello, ben inteso quelli della prima ora, rientra in quella categoria di raccolte confinate esclusivamente su musicassetta, fenomeno piuttosto diffuso nel corso degli anni &#39;70. Donatello, vero nome Giuliano Illiani, nato a Tortona (AL) nel 1947, non è nuovo su queste pagine. Raccontiamola meglio: la sua comparsa sulla Stratosfera è legata al suo vero nome, quel Giuliano Illiani sopra menzionato: con un disco del 1977, in cui figura come componente del Canzoniere Popolare Tortonese (&quot;Cantà par no murì&quot;, quasi interamente cantato in dialetto tortonese - &lt;b&gt;&lt;a href=&quot;https://verso-la-stratosfera.blogspot.com/2015/03/canzioniere-popolare-tortonese-1977.html&quot;&gt;qui&lt;/a&gt;&lt;/b&gt;) e uno come solista, quel piccolo gioiello dal titolo &quot;A mio nonno ambulante&quot; pubblicato nel 1978 (&lt;b&gt;&lt;a href=&quot;https://verso-la-stratosfera.blogspot.com/2014/10/giulliano-illiani-1978-mio-nonno.html&quot;&gt;qui&lt;/a&gt;&lt;/b&gt;). Questa compilation, pubblicata dalla Ricordi nel 1971, copre, seppur parzialmente, gli esordi musicali del cantautore, che risalgono al 1970. I 12 brani contenuti nella cassettina ricalcano sostanzialmente la scaletta del primo album del 1970 (semplicemente intitolato &quot;Donatello&quot;), con l&#39;aggiunta di qualche canzone pubblicata solo su 45 giri tra cui &quot;Com&#39;è dolce la sera&quot; del 1971.&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0be6Ou6sGgXw2oFdz1vPdoSR0gq4WgetsMjgrAN_zJwMbieijxtru-hDkW8oIJpVQib9QuyGf5QHlrVKgwd3pHEbQhWeEAYG9Rvme4Wge0eaErr3XeXqOBLLqwjTMzhgI15ACoiKFqrGGBgZ65IoH36Y0f1pZ0cjPNpyu6s6QdfOxbx1Rkf3Qi0Pohe4O/s600/R-22525358-1647387656-3927.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;375&quot; data-original-width=&quot;600&quot; height=&quot;250&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0be6Ou6sGgXw2oFdz1vPdoSR0gq4WgetsMjgrAN_zJwMbieijxtru-hDkW8oIJpVQib9QuyGf5QHlrVKgwd3pHEbQhWeEAYG9Rvme4Wge0eaErr3XeXqOBLLqwjTMzhgI15ACoiKFqrGGBgZ65IoH36Y0f1pZ0cjPNpyu6s6QdfOxbx1Rkf3Qi0Pohe4O/w400-h250/R-22525358-1647387656-3927.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;La tracklist include anche la bellissima versione di &quot;Io mi fermo qui&quot;, portata al festival di Sanremo del 1970 in coppia con i Dik Dik. Sotto un profilo puramente musicale va riconosciuta la dolcezza del suo timbro vocale e la delicatezza con cui interpreta i brani scritti per lui da autori importanti quali Luca Albertelli e Maurizio Vandelli. Brani molto soft, sostenuti da chitarra acustica, pianoforte e archi. Abbandonerà presto la canzone &quot;leggera&quot; per approcciarsi ad altri stili musicali: dopo la collaborazione con il gruppo prog &lt;b&gt;Alberomotore&lt;/b&gt; (con i quali suona nell&#39;album &quot;Il grande gioco&quot; del 1974), collabora con Ricky Gianco, Gian Pieretti e Claudio Dentes. Nel 1975 la svolta con &quot;Il tempo degli dei&quot;, un buon album con musiche composte dallo stesso Donatello/Illiani, testi di Gianfranco Manfredi e con la presenza di musicisti quali Tullio De Piscopo, Gigi Cappellotto e i due vecchi amici Ricky Gianco e Claudio Dentes. Il resto è storia conosciuta. Un bel tuffo nel passato che vale la pena rivivere. Vi lascio col consueto &lt;b&gt;buon ascolto&lt;/b&gt;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVOndMDwxVp03VJxoITPNCY0sqy6UHO0AB2zUMq2kRBCXFHZvHmg2H3LzSyXTVGtBrclnWR917oOTSuwHKsTAQKYxs5cOf7-0xTKJbEw27I2GTvlD4fMHQHnj_PAWzntRaPEzx5X8CpLmjVwD5aylS7HWmNxkYUAmZtRRHw6wFFRc7NSBPE-5a9VFVTsIy/s992/Giuliano_Illiani_aka_Donatello.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;992&quot; data-original-width=&quot;752&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVOndMDwxVp03VJxoITPNCY0sqy6UHO0AB2zUMq2kRBCXFHZvHmg2H3LzSyXTVGtBrclnWR917oOTSuwHKsTAQKYxs5cOf7-0xTKJbEw27I2GTvlD4fMHQHnj_PAWzntRaPEzx5X8CpLmjVwD5aylS7HWmNxkYUAmZtRRHw6wFFRc7NSBPE-5a9VFVTsIy/w304-h400/Giuliano_Illiani_aka_Donatello.jpg&quot; width=&quot;304&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://mega.nz/file/bYYWAYYZ#yE7G7mUjuOZzUtXlqD1i8ij1YZf6l3mB8KIYCQ-dE0s&quot;&gt;LINK&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;Post by George&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/5305161273561683228/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/03/donatello-come-dolce-la-sera.html#comment-form' title='1 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/5305161273561683228'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/5305161273561683228'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/03/donatello-come-dolce-la-sera.html' title='Donatello - Com&#39;è dolce la sera (musicassetta compilation, 1971)'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBWICZazPSXuZCCAL6ZceE2OledfuU9fYwb1pcDJ2n_-0UO38juhoAPfzcfPAZcuTNh9_yED48fwuzPkmgb5puc0Sj72pq2L5JQR-WU6Xj6fzfidGKTFPTYhq5ylyRYZ3Ir1fJWmHMJrVvEtwhaLmRAM_-R1uCMziZWB5mK0iVO9FOt7zzDtYIX7roDun3/s72-w251-h400-c/R-22525358-1647387658-5464.jpg" height="72" width="72"/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-2089236268221880810</id><published>2025-03-07T10:06:00.000+01:00</published><updated>2025-03-07T10:06:07.309+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="1977"/><category scheme="http://www.blogger.com/atom/ns#" term="2009"/><category scheme="http://www.blogger.com/atom/ns#" term="Bonus tracks"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="Singoli"/><category scheme="http://www.blogger.com/atom/ns#" term="Toto Torquati"/><title type='text'>Toto Torquati - Vita, amore e musica (2009) with bonus tracks</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&amp;nbsp;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg32w0rnIMOkeFjYMXaUPTDaKVPDBE_KL9zd4ymr0YhgozDwn5AZ9gedA8tiOwb0ibokGqg-uUb_4-GvPAWy4bPQ_oNX5x2BnNtdnPlSQhP5yvr80XW5XWRwshMIw2mD3R0waSNJ0Uo-qZlW9L7jpQl5_xIMzv8uJPaf3Nsu2iR5DO7RgZMKyukSyw2E1Nn/s500/R-12070906-1527700351-8876.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;443&quot; data-original-width=&quot;500&quot; height=&quot;355&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg32w0rnIMOkeFjYMXaUPTDaKVPDBE_KL9zd4ymr0YhgozDwn5AZ9gedA8tiOwb0ibokGqg-uUb_4-GvPAWy4bPQ_oNX5x2BnNtdnPlSQhP5yvr80XW5XWRwshMIw2mD3R0waSNJ0Uo-qZlW9L7jpQl5_xIMzv8uJPaf3Nsu2iR5DO7RgZMKyukSyw2E1Nn/w400-h355/R-12070906-1527700351-8876.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;01. Inno (4:07)&lt;/div&gt;&lt;div&gt;02. Dance (7:34)&lt;/div&gt;&lt;div&gt;03. Tema per Giulia (3:48)&lt;/div&gt;&lt;div&gt;04. Ritratto (4:38)&lt;/div&gt;&lt;div&gt;05. Suonando a casa (5:46)&lt;/div&gt;&lt;div&gt;06. Viaggio (5:08)&lt;/div&gt;&lt;div&gt;07. Valzer (6:55)&lt;/div&gt;&lt;div&gt;08. Sogno (8:53)&lt;/div&gt;&lt;div&gt;09. Orizzonti (5:34)&lt;/div&gt;&lt;div&gt;10. Maestoso Pater Correndo (5:24)&lt;/div&gt;&lt;div&gt;11. Ninna nanna (4:03)&lt;/div&gt;&lt;div&gt;12. Jazz Paradise (4:02)&lt;/div&gt;&lt;div&gt;13. Vulcano (5:04)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;Bonus tracks&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;14. Tenera al cioccolato (45 giti, lato A, 1977)&lt;/div&gt;&lt;div&gt;15. La ragazza del piano di sopra (45 giri, lato B, 1977)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiHuyiU9NEno5Dv2YQdOB9a3Xf-61vn_ki49iHOZXqVAJ4AE3NiSebw6-qYDPwmw5i5A51o5oRom80aDs_ctjG16BJBwpkTaQGrxOLZL4h3R2Z5NllhyphenhyphenuXCAFlnYFTmhKFO0nfIvU53XPQfO8PAgIu-ZNArOrxRdbmVq2Pi4dHOVPHkdmo7Mhw_pTjh8cv/s501/s-l1600.webp&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;439&quot; data-original-width=&quot;501&quot; height=&quot;350&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiHuyiU9NEno5Dv2YQdOB9a3Xf-61vn_ki49iHOZXqVAJ4AE3NiSebw6-qYDPwmw5i5A51o5oRom80aDs_ctjG16BJBwpkTaQGrxOLZL4h3R2Z5NllhyphenhyphenuXCAFlnYFTmhKFO0nfIvU53XPQfO8PAgIu-ZNArOrxRdbmVq2Pi4dHOVPHkdmo7Mhw_pTjh8cv/w400-h350/s-l1600.webp&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;i&gt;MUSICISTI:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&amp;nbsp;Toto Torquati / keyboards, Hammond, piano, programming&lt;/div&gt;&lt;div&gt;Nicola Costa / electric guitar (2, 6, 9)&lt;/div&gt;&lt;div&gt;Mario Guarini / bass, contrabbasso (2, 6, 7, 9, 12)&lt;/div&gt;&lt;div&gt;Antonello Ruggiero / drums (2)&lt;/div&gt;&lt;div&gt;Valeria Scognamiglio / violin (3)&lt;/div&gt;&lt;div&gt;Ezio Zaccagnini / drums (3, 9, 12)&lt;/div&gt;&lt;div&gt;Mauro Battisti / contrabbasso (8)&lt;/div&gt;&lt;div&gt;Carlo Battisti / drums (8)&lt;/div&gt;&lt;div&gt;Simone Gianlorenzi / electric guitar (9)&lt;/div&gt;&lt;div&gt;Patrizia Salzano / vocals (10)&lt;/div&gt;&lt;div&gt;Alessandra Gualandri / vocals (10)&lt;/div&gt;&lt;div&gt;Stefano Napoli / vocals (10)&lt;/div&gt;&lt;div&gt;Fabio De Vincenti / vocals (10)&lt;/div&gt;&lt;div&gt;Roberto Smeraldi / vocals (10)&lt;/div&gt;&lt;div&gt;Ernesto Tretola / violoncello (11)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM1loaNLQblLjjAd9zlPfy36uU0NVbUAVuScRKFcnTWJ0lXy70wfT5uXIfGv28l785JBwjIO8WFmryZaCiz12EqN1wlbQk6Y_JcrP4QY-40EixjaA_lNZ01QViN5k9Qi-QhqEOmNx8xAmWVgq8OCQQFITRBnekbCeqZWIS33OUP7-JUYzMc7puMxcX3eG5/s500/619j9fjehzL.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;496&quot; data-original-width=&quot;500&quot; height=&quot;396&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM1loaNLQblLjjAd9zlPfy36uU0NVbUAVuScRKFcnTWJ0lXy70wfT5uXIfGv28l785JBwjIO8WFmryZaCiz12EqN1wlbQk6Y_JcrP4QY-40EixjaA_lNZ01QViN5k9Qi-QhqEOmNx8xAmWVgq8OCQQFITRBnekbCeqZWIS33OUP7-JUYzMc7puMxcX3eG5/w400-h396/619j9fjehzL.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;Per completare il trittico degli album di Toto Torquati mancava ancora questo &quot;Vita, amore e musica&quot;, pubblicato nel 2009 dalla Sepel, l&#39;ultimo in ordine di tempo realizzato dal musicista e compositore romano scomparso nel giugno 2023. Gli altri due dischi di Torquati li abbiamo già pubblicati su queste pagine, ovvero &quot;Antonio Torquati&quot;, primo raro album in vinile del 1972 (&lt;b&gt;&lt;a href=&quot;https://verso-la-stratosfera.blogspot.com/2025/01/antonio-torquati-omonimo-1972-vinyl.html&quot;&gt;qui&lt;/a&gt;&lt;/b&gt;) e &quot;Gli occhi di un bambino&quot; del 1973 (&lt;b&gt;&lt;a href=&quot;https://verso-la-stratosfera.blogspot.com/2011/09/toto-torquati-1973-gli-occhi-di-un.html&quot;&gt;qui&lt;/a&gt;&lt;/b&gt;). Collaboratore di decine e decine di musicisti (di lui abbiamo già parlato a lungo nei due post precedenti), Toto registrò nel 1977 un 45 giri (Vanilla Records) con i due brani qui inseriti come bonus tracks. &quot;Tenero al cioccolato&quot; è un grande brano, sostenuto da un ritmo possente. Stesso discorso per il lato B, ritmi incalzanti e il pianoforte a dominare i quasi 3 minuti di durata. Risentiremo parlare di lui un paio di anni dopo, nel 1979, quando compose la colonna sonora del film &quot;Speed Cross&quot;, diretto da Stelvio Massi e interpretato - tra gli altri - da Fabio Testi e Vittorio Mezzogiorno. Poi più nulla fino al 2009 quando, a sorpresa, pubblicò un CD con nuove registrazioni in studio intitolato &quot;Vita, amore e musica&quot;.&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic96NTf40lhsbhNLTiKMjryeYwshaWqseVO3DYouBzNK8pIWmngSfay5hRg5o07AunjOXKw7BLksYqb-5FCbAYHRpwauclHv0sYwEsWtEOn_t57j1gLRiVTJQBUoaDo4eYW9OKytS95zUHVLi_Y5s0jKVtDR9Iup2NXmDId5bcF8vF4nYZQcS1zQnmlBl2/s600/45.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;594&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic96NTf40lhsbhNLTiKMjryeYwshaWqseVO3DYouBzNK8pIWmngSfay5hRg5o07AunjOXKw7BLksYqb-5FCbAYHRpwauclHv0sYwEsWtEOn_t57j1gLRiVTJQBUoaDo4eYW9OKytS95zUHVLi_Y5s0jKVtDR9Iup2NXmDId5bcF8vF4nYZQcS1zQnmlBl2/w396-h400/45.jpg&quot; width=&quot;396&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;copertina del 45 giri del 1977&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4tguOnlqlnVWvY_hg6v5MlfsNIuI_2pfzXEl0e2v1u1SwY6huX9XfZ9KRKXFLwWuRpenp2zRLaMB9lCqVTbSKBlNE4vFbR012nFTzXxDknu8MwDU8TucwCdx85LElAb__sMRwQq2LYccbFDQ9CzqH2Zsc4IYPtrdfkXhxu9jXH76C_cOWY6Uh4scyuywQ/s506/45%20bis.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;502&quot; data-original-width=&quot;506&quot; height=&quot;396&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4tguOnlqlnVWvY_hg6v5MlfsNIuI_2pfzXEl0e2v1u1SwY6huX9XfZ9KRKXFLwWuRpenp2zRLaMB9lCqVTbSKBlNE4vFbR012nFTzXxDknu8MwDU8TucwCdx85LElAb__sMRwQq2LYccbFDQ9CzqH2Zsc4IYPtrdfkXhxu9jXH76C_cOWY6Uh4scyuywQ/w400-h396/45%20bis.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;L&#39;album contiene 13 tracce completamente strumentali, come ci ha abituati Toto Torquati, con sonorità che sconfinano nei generi più disparati, dal jazz allo swing alla musica mitteleuropea, con grande sfoggio di tastiere e, soprattutto, di pianoforte (che sono naturalmente gli strumenti suonati da Torquati). Nel libretto le composizioni sono descritte come &quot;musica acrobatica che si diffonde tra due maestose frontiere, la vita e la morte&quot; e Toto Torquati qui sembra davvero trasudare amore per la vita e la musica. Per farla breve nulla di particolarmente eclatante, ma nel complesso un album di buona levatura, ben suonato e assolutamente gradevole all&#39;ascolto. Sentiamo cosa ne pensate anche voi, cari amici. A presto.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhudwGKlgILcy3xeNDN1Tx76tw6UGXAGajj-L2cV_2xXHYk7e-iH5N_IQTkLM60pP53XrZQi-2Ct_4NTk6-5hLXcz53_ydCzetV0WBuhw0kFzGHC89SVSte8_Rt2bUaTevVga7YNGVh_HjHmVRGGv4YFxY9ba-GXLGbPKzOaXLxX95jf5sPHiTtaJf-Js-c/s320/A-372140-1584277185-8384.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;320&quot; data-original-width=&quot;214&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhudwGKlgILcy3xeNDN1Tx76tw6UGXAGajj-L2cV_2xXHYk7e-iH5N_IQTkLM60pP53XrZQi-2Ct_4NTk6-5hLXcz53_ydCzetV0WBuhw0kFzGHC89SVSte8_Rt2bUaTevVga7YNGVh_HjHmVRGGv4YFxY9ba-GXLGbPKzOaXLxX95jf5sPHiTtaJf-Js-c/w268-h400/A-372140-1584277185-8384.jpg&quot; width=&quot;268&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;a href=&quot;https://www.mediafire.com/file/ubxi18r4gudtrab/Toto_Torquati_-_Vita%252C_Amore_E_Musica_%25282009%2529.zip/file&quot;&gt;LINK&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;Post by George&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/2089236268221880810/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/03/toto-torquati-vita-amore-e-musica-2009.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/2089236268221880810'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/2089236268221880810'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/03/toto-torquati-vita-amore-e-musica-2009.html' title='Toto Torquati - Vita, amore e musica (2009) with bonus tracks'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg32w0rnIMOkeFjYMXaUPTDaKVPDBE_KL9zd4ymr0YhgozDwn5AZ9gedA8tiOwb0ibokGqg-uUb_4-GvPAWy4bPQ_oNX5x2BnNtdnPlSQhP5yvr80XW5XWRwshMIw2mD3R0waSNJ0Uo-qZlW9L7jpQl5_xIMzv8uJPaf3Nsu2iR5DO7RgZMKyukSyw2E1Nn/s72-w400-h355-c/R-12070906-1527700351-8876.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-336030683100262819.post-2753883883174419352</id><published>2025-03-04T12:52:00.000+01:00</published><updated>2025-03-04T12:52:44.039+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="2009"/><category scheme="http://www.blogger.com/atom/ns#" term="George"/><category scheme="http://www.blogger.com/atom/ns#" term="Roberto"/><category scheme="http://www.blogger.com/atom/ns#" term="Tarantàs"/><title type='text'>Tarantàs - La Corte dei Miracoli (2009)</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj261XBUCfkWG_CLaKjCJAZS-BpuUy3r0ayOBUMuwdn_yl5vuUEEeUjGsYQLWkfffNrz3MoEbzsQTy5cV8pfmqW_vIV8DCXDbA0PHV2lYy3eokn8rf1a-2xHjxHkgjmtTiqUxtCXS0MrNqXqhVN5cqzYoAtffO4GkVnLBahdfo47oNMmconIc4Abagu5jyq/s1000/12191.jpg-1000x1000.webp&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1000&quot; data-original-width=&quot;1000&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj261XBUCfkWG_CLaKjCJAZS-BpuUy3r0ayOBUMuwdn_yl5vuUEEeUjGsYQLWkfffNrz3MoEbzsQTy5cV8pfmqW_vIV8DCXDbA0PHV2lYy3eokn8rf1a-2xHjxHkgjmtTiqUxtCXS0MrNqXqhVN5cqzYoAtffO4GkVnLBahdfo47oNMmconIc4Abagu5jyq/w400-h400/12191.jpg-1000x1000.webp&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;TRACKLIST:&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;01. Uno a caso&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;02. Giochi d&#39;intrattenimento&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;03. Vicino&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;04. Dentro al mare&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;05. Nenti&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;06. Lo sbarco&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;07. Luna china&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;08. Lontano dal cielo&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;09. Il sole di notte&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;10. La corte dei miracoli&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj56b-z8IRV-NDO5W2C1bkxcOqwVbA8ZQEB3xFgvXlgw99Mz4bOyA4QIMRQgKg5pNCBX48GvWHgnZgA9-Gbu6NXwi2_WVfgwwuV5KDzf_LMLyYtkQmYvhJ_EPrRluw6fh5Y6uKWhUYEZxP-DdZLDpSwpBCow1DpXfJv3hNJMvFMVft3qP6LI9BT_3iA-s8/s333/28583.jpg-333x333.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;333&quot; data-original-width=&quot;333&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj56b-z8IRV-NDO5W2C1bkxcOqwVbA8ZQEB3xFgvXlgw99Mz4bOyA4QIMRQgKg5pNCBX48GvWHgnZgA9-Gbu6NXwi2_WVfgwwuV5KDzf_LMLyYtkQmYvhJ_EPrRluw6fh5Y6uKWhUYEZxP-DdZLDpSwpBCow1DpXfJv3hNJMvFMVft3qP6LI9BT_3iA-s8/w400-h400/28583.jpg-333x333.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;Quando alcune settimane fa presentai il primo lavoro discografico dei Tarantàs (&lt;b&gt;&lt;a href=&quot;https://verso-la-stratosfera.blogspot.com/2025/02/tarantas-la-possibilita-che-ha-il.html&quot;&gt;qui&lt;/a&gt;&lt;/b&gt;) dal titolo un po&#39; surreale (La possibilità che ha il coniglio di salvarsi la pelle - 2007) ricordo di avere chiuso il post auspicando l&#39;invio dei file del secondo album del gruppo, pubblicato nel 2009. Bene, detto fatto il nostro amico Roberto ha provveduto ad esaudire il mio desiderio, condividendo così con tutti gli amici navigatori questa seconda e ultima opera dei Tarantàs intitolata &quot;La Corte dei Miracoli&quot;. Abbiamo già parlato a lungo della band di Pordenone nel primo post a loro dedicato, pertanto in questa occasione eviterò di ripetermi e dilungarmi inutilmente. Le poche informazioni che seguono le ho carpite da Rockit.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3C_7xsybOOtafs8kLBBmT44OQa_j72q7Yxp-ZYBrEER9bjI8ZBO3W22ZCbWSioyy8Uz3LSc09JYkW_KNCIfbSXtvcv7La9mN-WjOs2jLqcRQkFYrlWYGRs6DOcfDqalGayBwTFwc21oYLWUBTPcfCx-qPA6LETywErurMz5aLg62D2CQ1p1xIpj9cdUaX/s276/images%20(1).jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;183&quot; data-original-width=&quot;276&quot; height=&quot;265&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3C_7xsybOOtafs8kLBBmT44OQa_j72q7Yxp-ZYBrEER9bjI8ZBO3W22ZCbWSioyy8Uz3LSc09JYkW_KNCIfbSXtvcv7La9mN-WjOs2jLqcRQkFYrlWYGRs6DOcfDqalGayBwTFwc21oYLWUBTPcfCx-qPA6LETywErurMz5aLg62D2CQ1p1xIpj9cdUaX/w400-h265/images%20(1).jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;“La Corte dei Miracoli”, edito da Folkest Dischi, segna la naturale evoluzione del sound grezzo e, per certi versi, ingenuo del primo lavoro. Il disco suona prevalentemente acustico ma decisamente molto meno folk o etnico del precedente. Si coglie, nell’arco dei dieci brani, una miscela più complessa e ricercata che abbina alla semplicità del suono acustico, atmosfere più maestose (come in “Dentro al mare” o in “Lontani dal cielo” ove si apprezzano echi progressive), talora molto vicine ai canoni del rock (negli episodi “Lo sbarco” o “Luna china”, remake del brano dei siciliani Tinturia). Trait d’union con il primo lavoro risulta l’attenzione per la parola e il contenuto del testo che configura &quot;La Corte dei Miracoli&quot; come un concept album a tutti gli effetti&quot;.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;Ringrazio ancora una volta Roberto per la preziosa collaborazione e auguro a tutti voi il consueto buon ascolto.&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUOrRY0PVXmUdzwrvFupaJYivgryjaHn092pybCc38gliF5mDheL86lYBVCUJRZPQWFn6qoKBdJr2cK2MbKbLBzmhqR9CIyS_IKsPpx5qGKG-rafnsnQeV96mejBKySrOmT61Ze1Xjga3Ni5PMXai3nO_h9GokyyKjUDQVSDI-FUfsPbBAs-gDVATrDS9K/s318/images.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;159&quot; data-original-width=&quot;318&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUOrRY0PVXmUdzwrvFupaJYivgryjaHn092pybCc38gliF5mDheL86lYBVCUJRZPQWFn6qoKBdJr2cK2MbKbLBzmhqR9CIyS_IKsPpx5qGKG-rafnsnQeV96mejBKySrOmT61Ze1Xjga3Ni5PMXai3nO_h9GokyyKjUDQVSDI-FUfsPbBAs-gDVATrDS9K/w400-h200/images.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;a href=&quot;https://www.mediafire.com/file/2d1carzb1xm0gdk/Tarantas_-_La_corte_dei_miracoli_%25282009%2529.zip/file&quot;&gt;LINK&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;b&gt;&lt;i&gt;Post by George - Music by Roberto&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://verso-la-stratosfera.blogspot.com/feeds/2753883883174419352/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/03/tarantas-la-corte-dei-miracoli-2009.html#comment-form' title='1 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/2753883883174419352'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/336030683100262819/posts/default/2753883883174419352'/><link rel='alternate' type='text/html' href='http://verso-la-stratosfera.blogspot.com/2025/03/tarantas-la-corte-dei-miracoli-2009.html' title='Tarantàs - La Corte dei Miracoli (2009)'/><author><name>George</name><uri>http://www.blogger.com/profile/02398830916277091419</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM8PtJj5WpEgYKSgFqrUyp-wS7qSoLNFpS4txn6WfBnPupvVwbk2vwzDswE0I_qMPzxPCBF6wAJNdRCOBfwXHhhDN9Ztwp9bCzTCavZ-QYdHmmxqqoZcflh6HkDlNTyw/s220/20190814_180256.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj261XBUCfkWG_CLaKjCJAZS-BpuUy3r0ayOBUMuwdn_yl5vuUEEeUjGsYQLWkfffNrz3MoEbzsQTy5cV8pfmqW_vIV8DCXDbA0PHV2lYy3eokn8rf1a-2xHjxHkgjmtTiqUxtCXS0MrNqXqhVN5cqzYoAtffO4GkVnLBahdfo47oNMmconIc4Abagu5jyq/s72-w400-h400-c/12191.jpg-1000x1000.webp" height="72" width="72"/><thr:total>1</thr:total></entry></feed>

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