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... ted companies. All rights reserved. 2024</copyright>
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<dc:date>2024-05-06T06:08:44Z</dc:date>
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<dc:rights>Guardian News &amp; Media Limited or its affiliated compa ...
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... ted companies. All rights reserved. 2024</dc:rights>
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<title>The Guardian</title>
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<dc:date>2024-05-05T11:00:09Z</dc:date>
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<?xml version="1.0" encoding="utf-8"?><rss xmlns:media="http://search.yahoo.com/mrss/" xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"> <channel> <title>Photography | The Guardian</title> <link>https://www.theguardian.com/artanddesign/photography</link> <description>Latest news and features from theguardian.com, the world's leading liberal voice</description> <language>en-gb</language> <copyright>Guardian News &amp; Media Limited or its affiliated companies. All rights reserved. 2024</copyright> <pubDate>Mon, 06 May 2024 06:08:44 GMT</pubDate> <dc:date>2024-05-06T06:08:44Z</dc:date> <dc:language>en-gb</dc:language> <dc:rights>Guardian News &amp; Media Limited or its affiliated companies. All rights reserved. 2024</dc:rights> <image> <title>The Guardian</title> <url>https://assets.guim.co.uk/images/guardian-logo-rss.c45beb1bafa34b347ac333af2e6fe23f.png</url> <link>https://www.theguardian.com</link> </image> <item> <title>‘My role was to be a truthful witness’: photographer Jack Lueders-Booth’s Polaroids of American female prisoners</title> <link>https://www.theguardian.com/artanddesign/article/2024/may/05/photographer-jack-lueders-booth-polaroids-women-prison</link> <description><p>In the 1970s, the photographer began teaching in a progressive US women’s prison and made moving portraits of many of the inmates. Looking back, he sees how many of them actually felt safer in prison</p><p>In 1970, aged 35, Jack Lueders-Booth left a well-paid management job at an insurance company in his native Boston, Massachusetts, to pursue his interest in photography. “Until then, I was a serious hobbyist,” he tells me over the phone from the city where he still lives, “but my interest had deepened to the point where it was more and more difficult to do my day job. I needed something more stimulating. Photography was my real vocation.”</p><p>Soon afterwards he landed a job as an administrator for the fledgling photography department at Harvard University, where later he also enrolled as a student. For his master’s thesis, he submitted a proposal that would alter the course of his life. “I told them I wanted to teach photography in places of confinement such as prisons and mental hospitals,” he elaborates, “I thought it would be beneficial for the inmates in all sorts of ways, not least because they could share their experience with their families through the images they made.”</p> <a href="https://www.theguardian.com/artanddesign/article/2024/may/05/photographer-jack-lueders-booth-polaroids-women-prison">Continue reading...</a></description> <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category> <category domain="https://www.theguardian.com/books/art">Art and design books</category> <category domain="https://www.theguardian.com/us-news/us-prisons">US prisons</category> <category domain="https://www.theguardian.com/artanddesign/polaroid">Polaroid</category> <category domain="https://www.theguardian.com/books/books">Books</category> <category domain="https://www.theguardian.com/artanddesign/artanddesign">Art and design</category> <category domain="https://www.theguardian.com/culture/culture">Culture</category> <pubDate>Sun, 05 May 2024 11:00:09 GMT</pubDate> <guid>https://www.theguardian.com/artanddesign/article/2024/may/05/photographer-jack-lueders-booth-polaroids-women-prison</guid> <media:content width="140" url="https://i.guim.co.uk/img/media/9ea2d37070db11ad1acca52ec8cfc14bb1785894/229_309_1751_1050/master/1751.jpg?width=140&quality=85&auto=format&fit=max&s=f6d5191f6e52fd884c3984afc227df8e"> <media:credit scheme="urn:ebu">Photograph: Jack Lueders-Booth</media:credit> </media:content> <media:content width="460" url="https://i.guim.co.uk/img/media/9ea2d37070db11ad1acca52ec8cfc14bb1785894/229_309_1751_1050/master/1751.jpg?width=460&quality=85&auto=format&fit=max&s=695e0da91f29ed8535cad627b4ee1ec5"> <media:credit scheme="urn:ebu">Photograph: Jack Lueders-Booth</media:credit> </media:content> <dc:creator>Sean O’Hagan</dc:creator> <dc:date>2024-05-05T11:00:09Z</dc:date> </item> <item> <title>Madonna in Rio and a battle between Greek churches: photos of the weekend</title> <link>https://www.theguardian.com/uk-news/gallery/2024/may/05/madonna-in-rio-and-a-battle-between-greek-churches-photos-of-the-weekend</link> <description><p>The Guardian’s picture editors select photographs from around the world </p> <a href="https://www.theguardian.com/uk-news/gallery/2024/may/05/madonna-in-rio-and-a-battle-between-greek-churches-photos-of-the-weekend">Continue reading...</a></description> <category domain="https://www.theguardian.com/uk/uk">UK news</category> <category domain="https://www.theguardian.com/world/world">World news</category> <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category> <category domain="https://www.theguardian.com/music/madonna">Madonna</category> <pubDate>Sun, 05 May 2024 13:19:22 GMT</pubDate> <guid>https://www.theguardian.com/uk-news/gallery/2024/may/05/madonna-in-rio-and-a-battle-between-greek-churches-photos-of-the-weekend</guid> <media:content width="140" url="https://i.guim.co.uk/img/media/402f521036e818d8c2f0907e060c2f017dca89d2/660_641_2995_1797/master/2995.jpg?width=140&quality=85&auto=format&fit=max&s=3762fd1e9c8df2f7dea9c81e5ddd66ef"> <media:credit scheme="urn:ebu">Photograph: Pablo Porciúncula/AFP/Getty Images</media:credit> </media:content> <media:content width="460" url="https://i.guim.co.uk/img/media/402f521036e818d8c2f0907e060c2f017dca89d2/660_641_2995_1797/master/2995.jpg?width=460&quality=85&auto=format&fit=max&s=60f35e0fa07e424bc2796c3914086333"> <media:credit scheme="urn:ebu">Photograph: Pablo Porciúncula/AFP/Getty Images</media:credit> </media:content> <dc:creator>Arnel Hecimovic</dc:creator> <dc:date>2024-05-05T13:19:22Z</dc:date> </item> <item> <title>‘Every Dylan song could be improved’: is perfection possible, or even desirable?</title> <link>https://www.theguardian.com/culture/article/2024/may/05/geoff-dyer-perfection-bob-dylan-tennis-darts-littler</link> <description><p>Much art, from Bob Dylan to Robert Frank, derives its greatness from its flaws. But sporting perfection is a whole different ball game</p><p>I’m not one to boast but on a recent Sunday morning I achieved perfection. To be precise – and there is no perfection without precision – I was half of something perfectly achieved. On the second version of the song Love Sick – which only saw the light of day last year as part of the continuing series of official Bootleg releases – Bob Dylan says he’s “struggling, striving / For perfection”. Proof of the struggle and strife is the way that this declaration was absent from the first take and deleted from the subsequent version selected for the album <em>Time Out of Mind </em>(1997). Despite what he claims, Dylan is not – and never has been – interested in perfection. He’s always been plunging on to the next line, the next verse, the next song. Yes, he looks forward, in another song, to the day when he’ll paint his masterpiece but on several occasions potential masterpieces were abandoned – She’s Your Lover Now, I’m Not There – because other imperfect masterpieces were soon jostling for attention.</p><p>Dylan has written more great songs than anyone in history but a condition of that greatness is that he was not hung up on perfecting any of them. Every version of every Dylan song could be improved. For each enhancement made to a song’s lyrics there’s a corresponding loss. He throws in wonderful lines, chucks out great lines and leaves terrible ones intact. His constant tampering with the lyrics is evidence not of perfectionism but of a restless hunger that is in some ways its opposite. In this respect he’s similar to the <a href="https://www.theguardian.com/artanddesign/2019/sep/10/robert-frank-obituary">photographer Robert Frank</a>, who said that a book of photographs by Hermann Eidenbenz (in whose studio he worked) “put me off perfection for life”.</p> <a href="https://www.theguardian.com/culture/article/2024/may/05/geoff-dyer-perfection-bob-dylan-tennis-darts-littler">Continue reading...</a></description> <category domain="https://www.theguardian.com/culture/culture">Culture</category> <category domain="https://www.theguardian.com/sport/sport">Sport</category> <category domain="https://www.theguardian.com/books/geoff-dyer">Geoff Dyer</category> <category domain="https://www.theguardian.com/music/music">Music</category> <category domain="https://www.theguardian.com/books/books">Books</category> <category domain="https://www.theguardian.com/sport/darts">Darts</category> <category domain="https://www.theguardian.com/sport/cricket">Cricket</category> <category domain="https://www.theguardian.com/music/bobdylan">Bob Dylan</category> <category domain="https://www.theguardian.com/sport/gymnastics">Gymnastics</category> <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category> <category domain="https://www.theguardian.com/artanddesign/artanddesign">Art and design</category> <pubDate>Sun, 05 May 2024 09:00:05 GMT</pubDate> <guid>https://www.theguardian.com/culture/article/2024/may/05/geoff-dyer-perfection-bob-dylan-tennis-darts-littler</guid> <media:content width="140" url="https://i.guim.co.uk/img/media/1fe1f76022868338fa0c77cb934bcb685e3151b3/886_0_4488_2693/master/4488.jpg?width=140&quality=85&auto=format&fit=max&s=829962d9bea0bac4a6043ff8f2621dcd"> <media:credit scheme="urn:ebu">Illustration: Matt Murphy/The Observer</media:credit> </media:content> <media:content width="460" url="https://i.guim.co.uk/img/media/1fe1f76022868338fa0c77cb934bcb685e3151b3/886_0_4488_2693/master/4488.jpg?width=460&quality=85&auto=format&fit=max&s=99d3893627b4fd081009b6f44cf606d6"> <media:credit scheme="urn:ebu">Illustration: Matt Murphy/The Observer</media:credit> </media:content> <dc:creator>Geoff Dyer</dc:creator> <dc:date>2024-05-05T09:00:05Z</dc:date> </item> <item> <title>A picture’s worth a thousand words … but only some of them tell the whole truth</title> <link>https://www.theguardian.com/artanddesign/article/2024/may/05/a-pictures-worth-a-thousand-words-but-only-some-of-them-tell-the-whole-truth</link> <description><p>A new exhibition asks us to look again at classic images of war, protest and revolution, and sheds light on manipulated photographs</p><p>A Russian soldier raises a Soviet flag over Berlin’s Reichstag in Yevgeny Khaldei’s well-known 1945 photograph of wartime triumph.</p><p>But in the original image, the officer standing below can clearly be seen wearing a watch on both wrists. Khaldei’s shot, first printed in a Moscow magazine, was quickly withdrawn and the extra watch, which might actually have been a military compass, was removed for safety’s sake. Looting was not a good look and was punishable by death.</p> <a href="https://www.theguardian.com/artanddesign/article/2024/may/05/a-pictures-worth-a-thousand-words-but-only-some-of-them-tell-the-whole-truth">Continue reading...</a></description> <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category> <category domain="https://www.theguardian.com/uk/uk">UK news</category> <category domain="https://www.theguardian.com/artanddesign/exhibition">Exhibitions</category> <category domain="https://www.theguardian.com/artanddesign/artanddesign">Art and design</category> <category domain="https://www.theguardian.com/culture/culture">Culture</category> <pubDate>Sun, 05 May 2024 08:00:05 GMT</pubDate> <guid>https://www.theguardian.com/artanddesign/article/2024/may/05/a-pictures-worth-a-thousand-words-but-only-some-of-them-tell-the-whole-truth</guid> <media:content width="140" url="https://i.guim.co.uk/img/media/3b76e1fc3dd62e165b0db342380f57311087f054/0_871_2096_1257/master/2096.jpg?width=140&quality=85&auto=format&fit=max&s=eede7ed854241e0bcd76749c0407ede9"> <media:credit scheme="urn:ebu">Photograph: Sovfoto/Universal Images Group/Shutterstock</media:credit> </media:content> <media:content width="460" url="https://i.guim.co.uk/img/media/3b76e1fc3dd62e165b0db342380f57311087f054/0_871_2096_1257/master/2096.jpg?width=460&quality=85&auto=format&fit=max&s=3d5c218dc76d04abe426f2e86df3670e"> <media:credit scheme="urn:ebu">Photograph: Sovfoto/Universal Images Group/Shutterstock</media:credit> </media:content> <dc:creator>Vanessa Thorpe</dc:creator> <dc:date>2024-05-05T08:00:05Z</dc:date> </item> <item> <title>The big picture: author Paul Auster in his element</title> <link>https://www.theguardian.com/artanddesign/article/2024/may/05/the-big-picture-paul-auster-olympia-manual-typewriter-arnold-newman</link> <description><p>The celebrated writer, who died last week, is captured by Arnold Newman in his study in 1993 with his trusty Olympia manual typewriter</p><p>Few novelists ever inhabited their vocation with more conviction than <a href="https://www.theguardian.com/books/2024/may/01/paul-auster-dies-aged-77-death-american-author-new-york-trilogy">Paul Auster</a>, who died last week of lung cancer at the age of 77. This picture, taken in 1993 by Arnold Newman, captured the writer in his element and among the objects that defined him.</p><p>The author of <em>The New York Trilogy</em> is pictured in his basement study in the Brooklyn brownstone house that he shared with his wife, novelist<a href="https://theguardian.com/books/2019/mar/03/siri-hustvedt-i-am-writing-for-my-life-memories-of-the-future-interview"> Siri Hustvedt </a>(she wrote in a room in the attic). The white walls and bare lightbulbs cast the 19th-century workspace in 20th-century light; you are reminded that his contemporary and friend <a href="https://www.theguardian.com/books/2020/oct/18/don-delillo-i-wondered-what-would-happen-if-power-failed-everywhere">Don DeLillo</a> had, the previous year, described Auster’s fictional method as “building a traditional storytelling architecture with sharply modern interiors”. There is the ever-present authorial cigarette – Auster’s 1995 film <em>Smoke</em> was set in a Brooklyn tobacconist (he belatedly switched to a vape in 2018) – and, centre stage, the Olympia manual typewriter on which he produced every word of his novels and which was itself the subject of a short 2002 book.</p> <a href="https://www.theguardian.com/artanddesign/article/2024/may/05/the-big-picture-paul-auster-olympia-manual-typewriter-arnold-newman">Continue reading...</a></description> <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category> <category domain="https://www.theguardian.com/books/paulauster">Paul Auster</category> <category domain="https://www.theguardian.com/artanddesign/artanddesign">Art and design</category> <category domain="https://www.theguardian.com/books/books">Books</category> <category domain="https://www.theguardian.com/culture/culture">Culture</category> <pubDate>Sun, 05 May 2024 06:00:01 GMT</pubDate> <guid>https://www.theguardian.com/artanddesign/article/2024/may/05/the-big-picture-paul-auster-olympia-manual-typewriter-arnold-newman</guid> <media:content width="140" url="https://i.guim.co.uk/img/media/7584976ba5a5df2843b320c8427869dd0e19e6df/0_1715_2220_1332/master/2220.jpg?width=140&quality=85&auto=format&fit=max&s=6c61fdf8fa9804864bdfcb8bf89b3323"> <media:credit scheme="urn:ebu">Photograph: Arnold Newman/Arnold Newman Collection/Getty Images</media:credit> </media:content> <media:content width="460" url="https://i.guim.co.uk/img/media/7584976ba5a5df2843b320c8427869dd0e19e6df/0_1715_2220_1332/master/2220.jpg?width=460&quality=85&auto=format&fit=max&s=c50712d47f0d28f4d887ea3d4b3fa8cd"> <media:credit scheme="urn:ebu">Photograph: Arnold Newman/Arnold Newman Collection/Getty Images</media:credit> </media:content> <dc:creator>Tim Adams</dc:creator> <dc:date>2024-05-05T06:00:01Z</dc:date> </item> <item> <title>Tractor Joys: Ipswich Town are promoted to the Premier League – in pictures</title> <link>https://www.theguardian.com/football/gallery/2024/may/04/tractor-joys-ipswich-town-promoted-premier-league-in-pictures</link> <description><p>Our photographer Tom Jenkins was at Portman Road to witness the scenes as the Tractor Boys’ victory meant a return to the Premier League for the first time since 2002</p> <a href="https://www.theguardian.com/football/gallery/2024/may/04/tractor-joys-ipswich-town-promoted-premier-league-in-pictures">Continue reading...</a></description> <category domain="https://www.theguardian.com/football/ipswichtown">Ipswich Town</category> <category domain="https://www.theguardian.com/football/championship">Championship</category> <category domain="https://www.theguardian.com/football/football">Football</category> <category domain="https://www.theguardian.com/sport/sport">Sport</category> <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category> <pubDate>Sat, 04 May 2024 21:30:53 GMT</pubDate> <guid>https://www.theguardian.com/football/gallery/2024/may/04/tractor-joys-ipswich-town-promoted-premier-league-in-pictures</guid> <media:content width="140" url="https://i.guim.co.uk/img/media/4cff5f6f5f59ee4de86e60201f0363a59d720c0d/0_377_5659_3396/master/5659.jpg?width=140&quality=85&auto=format&fit=max&s=330f0ff1041e0c1cf479df0583f5582f"> <media:credit scheme="urn:ebu">Photograph: Tom Jenkins/The Observer</media:credit> </media:content> <media:content width="460" url="https://i.guim.co.uk/img/media/4cff5f6f5f59ee4de86e60201f0363a59d720c0d/0_377_5659_3396/master/5659.jpg?width=460&quality=85&auto=format&fit=max&s=c83daec73ef78f06ede7aeb19d0a58d3"> <media:credit scheme="urn:ebu">Photograph: Tom Jenkins/The Observer</media:credit> </media:content> <dc:creator>Tom Jenkins</dc:creator> <dc:date>2024-05-04T21:30:53Z</dc:date> </item> <item> <title>Faux Native American costumes and clothing reconsidered – in pictures</title> <link>https://www.theguardian.com/artanddesign/gallery/2024/may/04/faux-native-american-costumes-and-clothing-reconsidered-in-pictures</link> <description><p>Artist <a href="https://www.selenakearney.com/">Selena Kearney</a> was raised on the Chehalis reservation in Washington state and began photographing fake native regalia after a chance encounter with a young woman in a grocery store on Halloween. “She was wearing a skimpy faux-Native American costume,” she says. “I couldn’t begin to understand how that cheap outfit had anything to do with me, or my heritage.” Curious about the power of these objects, she started to collect and consider them, sourcing sports paraphernalia, traditional headdresses and vintage and new costumes from eBay and Amazon. Over the course of five years, Kearney photographed them and the resulting series is now featured in a book, <a href="https://minormattersbooks.com/products/every-object-has-a-ritual-by-selena-kearney?variant=42110115938469">Every Object Has a Ritual (published by Minor Matters)</a>, and an exhibition at the <a href="https://suquamish.nsn.us/suquamish_museum/">Suquamish Museum in Washington state</a> (Object/Ritual, 18 May-January 2025). “Collecting masks felt the hardest of all,” she says. One featuring a woman with two braids was particularly unsettling. “A parody of me, looking back at me.”</p> <a href="https://www.theguardian.com/artanddesign/gallery/2024/may/04/faux-native-american-costumes-and-clothing-reconsidered-in-pictures">Continue reading...</a></description> <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category> <category domain="https://www.theguardian.com/world/native-americans">Native Americans</category> <category domain="https://www.theguardian.com/artanddesign/artanddesign">Art and design</category> <category domain="https://www.theguardian.com/books/books">Books</category> <category domain="https://www.theguardian.com/artanddesign/exhibition">Exhibitions</category> <category domain="https://www.theguardian.com/culture/culture">Culture</category> <pubDate>Sat, 04 May 2024 16:00:44 GMT</pubDate> <guid>https://www.theguardian.com/artanddesign/gallery/2024/may/04/faux-native-american-costumes-and-clothing-reconsidered-in-pictures</guid> <media:content width="140" url="https://i.guim.co.uk/img/media/65699a35aca389e87a3e9d2ae493080d178c0eee/26_22_4764_2859/master/4764.jpg?width=140&quality=85&auto=format&fit=max&s=92dbccf472521a5a250dc013b5cc2b67"> <media:credit scheme="urn:ebu">Photograph: NativeLayer3</media:credit> </media:content> <media:content width="460" url="https://i.guim.co.uk/img/media/65699a35aca389e87a3e9d2ae493080d178c0eee/26_22_4764_2859/master/4764.jpg?width=460&quality=85&auto=format&fit=max&s=29e7b62b4dbb5096211a07b111d30801"> <media:credit scheme="urn:ebu">Photograph: NativeLayer3</media:credit> </media:content> <dc:creator>Tess Reidy</dc:creator> <dc:date>2024-05-04T16:00:44Z</dc:date> </item> <item> <title>‘Is this an image of a sculpture or an invitation to a sexual encounter?’: Esteban Kuriel’s best phone picture</title> <link>https://www.theguardian.com/lifeandstyle/2024/may/04/esteban-kuriel-best-phone-picture</link> <description><p>The photographer on an ambiguous image inspired by Greek, Roman and Egyptian art</p><p>“A former mentor, Elinor Carucci, recommends taking pictures daily as a sort of gym for the photographic mind,” Esteban Kuriel says.</p><p>On this day, Kuriel was staying at St Ermin’s hotel in London and had visited the Sir John Soane’s Museum, which houses a collection of Greek, Roman and Egyptian figurative sculptures. “The fragmented, contorted bodies inspired me, and I returned to my room to make this image. Photographing daily trains my eye, just as one trains their body at the gym, so I must play with what is available. In this case, it was this space and its furniture.”</p> <a href="https://www.theguardian.com/lifeandstyle/2024/may/04/esteban-kuriel-best-phone-picture">Continue reading...</a></description> <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category> <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category> <category domain="https://www.theguardian.com/artanddesign/art">Art</category> <category domain="https://www.theguardian.com/artanddesign/artanddesign">Art and design</category> <category domain="https://www.theguardian.com/culture/culture">Culture</category> <category domain="https://www.theguardian.com/technology/mobilephones">Mobile phones</category> <category domain="https://www.theguardian.com/technology/smartphones">Smartphones</category> <category domain="https://www.theguardian.com/technology/photography">Photography</category> <pubDate>Sat, 04 May 2024 09:00:37 GMT</pubDate> <guid>https://www.theguardian.com/lifeandstyle/2024/may/04/esteban-kuriel-best-phone-picture</guid> <media:content width="140" url="https://i.guim.co.uk/img/media/49bd29bdc40b47331bafd932d186adecc73ed383/0_940_3024_1814/master/3024.jpg?width=140&quality=85&auto=format&fit=max&s=2ec46e579a738ab1ecd6ef15808dc0ae"> <media:credit scheme="urn:ebu">Photograph: Esteban Kuriel</media:credit> </media:content> <media:content width="460" url="https://i.guim.co.uk/img/media/49bd29bdc40b47331bafd932d186adecc73ed383/0_940_3024_1814/master/3024.jpg?width=460&quality=85&auto=format&fit=max&s=dada2c44b6f9be5088a66ab81a357d1a"> <media:credit scheme="urn:ebu">Photograph: Esteban Kuriel</media:credit> </media:content> <dc:creator>Grace Holliday</dc:creator> <dc:date>2024-05-04T09:00:37Z</dc:date> </item> <item> <title>The week around the world in 20 pictures</title> <link>https://www.theguardian.com/artanddesign/gallery/2024/may/03/the-week-around-the-world-in-20-pictures</link> <description><p>War in Gaza, US campus protests, missile strikes in Kharkiv and floods in Kenya: <a href="https://www.instagram.com/_twenty_photos_/">the last seven days as captured by the world’s leading photojournalists</a></p><p><strong><em>Warning: this gallery contains images that some readers may find distressing</em></strong></p> <a href="https://www.theguardian.com/artanddesign/gallery/2024/may/03/the-week-around-the-world-in-20-pictures">Continue reading...</a></description> <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category> <category domain="https://www.theguardian.com/artanddesign/artanddesign">Art and design</category> <category domain="https://www.theguardian.com/culture/culture">Culture</category> <category domain="https://www.theguardian.com/world/world">World news</category> <category domain="https://www.theguardian.com/world/israel-hamas-war">Israel-Gaza war</category> <category domain="https://www.theguardian.com/world/hamas">Hamas</category> <category domain="https://www.theguardian.com/world/israel">Israel</category> <category domain="https://www.theguardian.com/world/gaza">Gaza</category> <category domain="https://www.theguardian.com/world/palestinian-territories">Palestinian territories</category> <category domain="https://www.theguardian.com/world/middleeast">Middle East and north Africa</category> <category domain="https://www.theguardian.com/world/ukraine">Ukraine</category> <category domain="https://www.theguardian.com/environment/climate-crisis">Climate crisis</category> <pubDate>Fri, 03 May 2024 18:34:56 GMT</pubDate> <guid>https://www.theguardian.com/artanddesign/gallery/2024/may/03/the-week-around-the-world-in-20-pictures</guid> <media:content width="140" url="https://i.guim.co.uk/img/media/1c6d1bb68d6a3cb9fc5fe389f4a87f60815529cd/0_0_4500_2701/master/4500.jpg?width=140&quality=85&auto=format&fit=max&s=d54844d1091ed01087333ec42673a462"> <media:credit scheme="urn:ebu">Photograph: Luis Tato/AFP/Getty Images</media:credit> </media:content> <media:content width="460" url="https://i.guim.co.uk/img/media/1c6d1bb68d6a3cb9fc5fe389f4a87f60815529cd/0_0_4500_2701/master/4500.jpg?width=460&quality=85&auto=format&fit=max&s=5fb3fd13ff9fc2470fb9f8e016ef575d"> <media:credit scheme="urn:ebu">Photograph: Luis Tato/AFP/Getty Images</media:credit> </media:content> <dc:creator>Jim Powell</dc:creator> <dc:date>2024-05-03T18:34:56Z</dc:date> </item> <item> <title>A Star Wars marathon and a heatwave in Asia: photos of the day – Friday</title> <link>https://www.theguardian.com/news/gallery/2024/may/03/a-star-wars-marathon-and-a-heatwave-in-asia-photos-of-the-day-friday</link> <description><p>The Guardian’s picture editors select photographs from around the world </p> <a href="https://www.theguardian.com/news/gallery/2024/may/03/a-star-wars-marathon-and-a-heatwave-in-asia-photos-of-the-day-friday">Continue reading...</a></description> <category domain="https://www.theguardian.com/world/world">World news</category> <category domain="https://www.theguardian.com/uk/uk">UK news</category> <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category> <pubDate>Fri, 03 May 2024 12:45:12 GMT</pubDate> <guid>https://www.theguardian.com/news/gallery/2024/may/03/a-star-wars-marathon-and-a-heatwave-in-asia-photos-of-the-day-friday</guid> <media:content width="140" url="https://i.guim.co.uk/img/media/6b22dd1368efd8994c5bb1cc7517439451d1baa6/505_0_7651_4593/master/7651.jpg?width=140&quality=85&auto=format&fit=max&s=66cdc883c0beff9941e45a4646ca88b0"> <media:credit scheme="urn:ebu">Photograph: Phil Nijhuis/EPA</media:credit> </media:content> <media:content width="460" url="https://i.guim.co.uk/img/media/6b22dd1368efd8994c5bb1cc7517439451d1baa6/505_0_7651_4593/master/7651.jpg?width=460&quality=85&auto=format&fit=max&s=096c86fda007ed3f28db6043fa4ba5a7"> <media:credit scheme="urn:ebu">Photograph: Phil Nijhuis/EPA</media:credit> </media:content> <dc:creator>Arnel Hecimovic</dc:creator> <dc:date>2024-05-03T12:45:12Z</dc:date> </item> <item> <title>X-ray visions, stately sculptures and swelling seas – the week in art</title> <link>https://www.theguardian.com/artanddesign/article/2024/may/03/x-ray-visions-stately-sculptures-and-swelling-seas-the-week-in-art</link> <description><p>Tony Cragg’s cosmic forms grace a Yorkshire manor, while the Lion of the Punjab roars back to life – <a href="https://www.theguardian.com/artanddesign/2015/oct/19/sign-up-to-the-art-weekly-email">all in your weekly dispatch</a></p><p><strong>Tony Cragg</strong><strong><br></strong>Wobbly cosmic abstract forms materialise around one of Britain’s most spectacular stately homes.<br>• <a href="https://www.castlehoward.co.uk/whats-on/tony-cragg-at-castle-howard">Castle Howard, North Yorkshire, until 22 September</a></p> <a href="https://www.theguardian.com/artanddesign/article/2024/may/03/x-ray-visions-stately-sculptures-and-swelling-seas-the-week-in-art">Continue reading...</a></description> <category domain="https://www.theguardian.com/artanddesign/art">Art</category> <category domain="https://www.theguardian.com/artanddesign/artanddesign">Art and design</category> <category domain="https://www.theguardian.com/artanddesign/painting">Painting</category> <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category> <category domain="https://www.theguardian.com/artanddesign/exhibition">Exhibitions</category> <category domain="https://www.theguardian.com/culture/culture">Culture</category> <category domain="https://www.theguardian.com/artanddesign/architecture">Architecture</category> <category domain="https://www.theguardian.com/artanddesign/sculpture">Sculpture</category> <pubDate>Fri, 03 May 2024 11:00:17 GMT</pubDate> <guid>https://www.theguardian.com/artanddesign/article/2024/may/03/x-ray-visions-stately-sculptures-and-swelling-seas-the-week-in-art</guid> <media:content width="140" url="https://i.guim.co.uk/img/media/87c99059d3993dcdcbf7a564ce325884603401bb/1329_575_2625_1575/master/2625.jpg?width=140&quality=85&auto=format&fit=max&s=8e3a9df5d449b279d665b710b86c0803"> <media:credit scheme="urn:ebu">Photograph: Oli Scarff/AFP/Getty Images</media:credit> </media:content> <media:content width="460" url="https://i.guim.co.uk/img/media/87c99059d3993dcdcbf7a564ce325884603401bb/1329_575_2625_1575/master/2625.jpg?width=460&quality=85&auto=format&fit=max&s=c1d8edfde5897a917d8f18f9e4968390"> <media:credit scheme="urn:ebu">Photograph: Oli Scarff/AFP/Getty Images</media:credit> </media:content> <dc:creator>Jonathan Jones</dc:creator> <dc:date>2024-05-03T11:00:17Z</dc:date> </item> <item> <title>Week in wildlife – in pictures: a giant hamster, a mustachioed deer and a zebra on the run</title> <link>https://www.theguardian.com/environment/gallery/2024/may/03/week-in-wildlife-in-pictures-a-giant-hamster-a-mustachoied-deer-and-a-zebra-on-the-run</link> <description><p>The best of this week’s wildlife photographs from around the world</p> <a href="https://www.theguardian.com/environment/gallery/2024/may/03/week-in-wildlife-in-pictures-a-giant-hamster-a-mustachoied-deer-and-a-zebra-on-the-run">Continue reading...</a></description> <category domain="https://www.theguardian.com/environment/wildlife">Wildlife</category> <category domain="https://www.theguardian.com/world/animals">Animals</category> <category domain="https://www.theguardian.com/science/zoology">Zoology</category> <category domain="https://www.theguardian.com/environment/environment">Environment</category> <category domain="https://www.theguardian.com/world/world">World news</category> <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category> <pubDate>Fri, 03 May 2024 07:00:31 GMT</pubDate> <guid>https://www.theguardian.com/environment/gallery/2024/may/03/week-in-wildlife-in-pictures-a-giant-hamster-a-mustachoied-deer-and-a-zebra-on-the-run</guid> <media:content width="140" url="https://i.guim.co.uk/img/media/2bea3d7fcc20bf7224783fcf3188a790de84d338/3_743_6829_4098/master/6829.jpg?width=140&quality=85&auto=format&fit=max&s=3e66799317991500ee81c971ae57a0a1"> <media:credit scheme="urn:ebu">Photograph: Oliver Berg/dpa</media:credit> </media:content> <media:content width="460" url="https://i.guim.co.uk/img/media/2bea3d7fcc20bf7224783fcf3188a790de84d338/3_743_6829_4098/master/6829.jpg?width=460&quality=85&auto=format&fit=max&s=35985c02dcd84f43f93550052a699983"> <media:credit scheme="urn:ebu">Photograph: Oliver Berg/dpa</media:credit> </media:content> <dc:creator>Joanna Ruck</dc:creator> <dc:date>2024-05-03T07:00:31Z</dc:date> </item> <item> <title>Yan Wang Preston review – gloriously confronting art history in the nude</title> <link>https://www.theguardian.com/artanddesign/article/2024/may/02/yan-wang-preston-review-messums-london-uk-based-chinese-artist</link> <description><p><strong>Messums, London Cork Street<br></strong>The artist braved the freezing Pennines to cast a Romantic painting in a bold new light, while her restaging of Manet’s Olympia is wonderfully subversive</p><p>A woman stands majestically on a rocky, icy precipice; she looks out at a vast frosty tract, covered in thick, flawless snow. Her back is turned to us, the mood is contemplative. She surveys her domain, straight-backed, black hair licking the back of her neck.</p><p>It’s a photograph by the UK-based Chinese artist<a href="https://www.yanwangpreston.com/"> Yan Wang Preston</a>. But there is another version of this image, a famous Romantic painting by the German artist Caspar David Friedrich. It is titled <a href="https://www.theguardian.com/travel/2024/jan/02/from-arctic-art-to-the-disgusting-food-museum-europes-top-10-culture-destinations-for-2024">Wanderer Above the Sea of Fog</a>, made circa 1817. In that work, a clothed, flame-haired male <em>Rückenfigur</em> (a person seen from behind) stands on a jagged ridge and gazes out over a foggy landscape; the painting is the epitome of 19th century liberalism and romanticism, the lone figure in the rugged landscape contemplating his place in the world.</p> <a href="https://www.theguardian.com/artanddesign/article/2024/may/02/yan-wang-preston-review-messums-london-uk-based-chinese-artist">Continue reading...</a></description> <category domain="https://www.theguardian.com/artanddesign/art">Art</category> <category domain="https://www.theguardian.com/artanddesign/artanddesign">Art and design</category> <category domain="https://www.theguardian.com/artanddesign/exhibition">Exhibitions</category> <category domain="https://www.theguardian.com/artanddesign/performance-art">Performance art</category> <category domain="https://www.theguardian.com/artanddesign/painting">Painting</category> <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category> <category domain="https://www.theguardian.com/world/feminism">Feminism</category> <category domain="https://www.theguardian.com/world/race">Race</category> <category domain="https://www.theguardian.com/culture/culture">Culture</category> <pubDate>Thu, 02 May 2024 11:02:00 GMT</pubDate> <guid>https://www.theguardian.com/artanddesign/article/2024/may/02/yan-wang-preston-review-messums-london-uk-based-chinese-artist</guid> <media:content width="140" url="https://i.guim.co.uk/img/media/4ede9b53321866ec15e1cbb66e6a5a936b1a8fc4/0_600_3000_1800/master/3000.jpg?width=140&quality=85&auto=format&fit=max&s=5a8c05f27f8dec6191c08a02370ecaba"> <media:credit scheme="urn:ebu">Photograph: Yan Wang Preston</media:credit> </media:content> <media:content width="460" url="https://i.guim.co.uk/img/media/4ede9b53321866ec15e1cbb66e6a5a936b1a8fc4/0_600_3000_1800/master/3000.jpg?width=460&quality=85&auto=format&fit=max&s=3e2e4a50eb532d066471a9036196d417"> <media:credit scheme="urn:ebu">Photograph: Yan Wang Preston</media:credit> </media:content> <dc:creator>Charlotte Jansen</dc:creator> <dc:date>2024-05-02T11:02:00Z</dc:date> </item> <item> <title>‘I was lying on the ground beside a wall of cops’: student photographers’ best images of the campus protests</title> <link>https://www.theguardian.com/us-news/2024/may/02/university-protests-gaza-student-pictures</link> <description><p>Nine photojournalists from across the US tell the stories behind their most powerful shots, as pro-Palestinian protesters face police crackdowns</p><p>As protests in support of Palestine <a href="https://www.theguardian.com/us-news/2024/apr/30/new-york-police-columbia-university-student-protests">sweep university campuses</a> across the US, student journalists from New York to Texas have documented the reality inside the encampments. They have risen to the occasion, capturing the quiet moments, the celebratory elements, the tense scenes and the violent police arrests.</p><p>We asked nine photographers – who have been covering the demonstrations at Columbia, Berkeley, the University of Texas and beyond – to tell the stories behind their most powerful photos.</p> <a href="https://www.theguardian.com/us-news/2024/may/02/university-protests-gaza-student-pictures">Continue reading...</a></description> <category domain="https://www.theguardian.com/us-news/us-campus-protests">US campus protests</category> <category domain="https://www.theguardian.com/world/israel-hamas-war">Israel-Gaza war</category> <category domain="https://www.theguardian.com/us-news/us-news">US news</category> <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category> <category domain="https://www.theguardian.com/us-news/us-universities">US universities</category> <pubDate>Thu, 02 May 2024 08:00:09 GMT</pubDate> <guid>https://www.theguardian.com/us-news/2024/may/02/university-protests-gaza-student-pictures</guid> <media:content width="140" url="https://i.guim.co.uk/img/media/5b5ebc2f1a6b145ff8eaa4ccd9237d578304edb7/0_118_2516_1510/master/2516.jpg?width=140&quality=85&auto=format&fit=max&s=fcfdd0e253ef811fbe7d04b6ed88af72"> <media:credit scheme="urn:ebu">Photograph: Manoo Sirivelu/The Daily Texan</media:credit> </media:content> <media:content width="460" url="https://i.guim.co.uk/img/media/5b5ebc2f1a6b145ff8eaa4ccd9237d578304edb7/0_118_2516_1510/master/2516.jpg?width=460&quality=85&auto=format&fit=max&s=a38daa93034fd54f2fe7e65c095c06df"> <media:credit scheme="urn:ebu">Photograph: Manoo Sirivelu/The Daily Texan</media:credit> </media:content> <dc:creator>Gail Fletcher and Julius Constantine Motal with text by Erum Salam</dc:creator> <dc:date>2024-05-02T08:00:09Z</dc:date> </item> <item> <title>Beauty, filth, violence and death: why still life art is more subversive than you think</title> <link>https://www.theguardian.com/artanddesign/article/2024/may/02/subversive-still-life-pallant-house-chichester</link> <description><p>Once dismissed as a lesser art form, the still life has been reinvented as a radical form of expression, as a thrilling new show makes clear</p><p>Still life is the lowest form of art. So declared the French Academy when it established its Hierarchy of Genres in the 17th century. Historical scenes and portraiture were the noblest genres, whereas landscapes and still lifes were considered lowly. According to the art institute, biblical frescoes required a&nbsp;higher level of mastery; an inanimate fruit bowl, or a bunch of wilting flowers? Anybody could paint those.</p><p>This categorisation shaped the perception of still life as a marginal genre. Four centuries on, the discourse has pivoted. “The careful and meticulous depiction of objects has always been an element of art, but generally this was something you saw in the backdrop of a religious scene or a portrait,” says Melanie Vandenbrouck, chief curator at Pallant House Gallery in Chichester. This month, the Chichester museum will present a comprehensive survey of around 150 still lifes made in Britain. Chronologically charting its development, the exhibition presents it as a fundamental genre of British art, one that has historically grappled with the universal human experiences of love and grief, but also provided a radical commentary on gender inequality, the climate crisis and war.</p> <a href="https://www.theguardian.com/artanddesign/article/2024/may/02/subversive-still-life-pallant-house-chichester">Continue reading...</a></description> <category domain="https://www.theguardian.com/artanddesign/art">Art</category> <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category> <category domain="https://www.theguardian.com/artanddesign/artanddesign">Art and design</category> <category domain="https://www.theguardian.com/extra/pallant-house-gallery">Pallant House Gallery</category> <category domain="https://www.theguardian.com/artanddesign/painting">Painting</category> <category domain="https://www.theguardian.com/culture/culture">Culture</category> <pubDate>Thu, 02 May 2024 08:00:08 GMT</pubDate> <guid>https://www.theguardian.com/artanddesign/article/2024/may/02/subversive-still-life-pallant-house-chichester</guid> <media:content width="140" url="https://i.guim.co.uk/img/media/6b352330840111653dda59d15c3f33ccbadb894e/0_168_4647_2788/master/4647.jpg?width=140&quality=85&auto=format&fit=max&s=e5ae7a5bcb85799d3885e8ef791e1a82"> <media:credit scheme="urn:ebu">Photograph: Museum & Art Swindon</media:credit> </media:content> <media:content width="460" url="https://i.guim.co.uk/img/media/6b352330840111653dda59d15c3f33ccbadb894e/0_168_4647_2788/master/4647.jpg?width=460&quality=85&auto=format&fit=max&s=29493c742f03de3f386cfef56e985fb5"> <media:credit scheme="urn:ebu">Photograph: Museum & Art Swindon</media:credit> </media:content> <dc:creator>Marigold Warner</dc:creator> <dc:date>2024-05-02T08:00:08Z</dc:date> </item> <item> <title>Facing changes, changing faces: LensCulture portrait awards 2024 – in pictures</title> <link>https://www.theguardian.com/artanddesign/gallery/2024/may/02/the-eyes-have-it-lensculture-portrait-awards-2024-in-pictures</link> <description><p>Photographers talk us through the images – from confused parents to topless lovers – that wowed the judges for this year’s prize</p> <a href="https://www.theguardian.com/artanddesign/gallery/2024/may/02/the-eyes-have-it-lensculture-portrait-awards-2024-in-pictures">Continue reading...</a></description> <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category> <category domain="https://www.theguardian.com/artanddesign/artanddesign">Art and design</category> <category domain="https://www.theguardian.com/culture/culture">Culture</category> <category domain="https://www.theguardian.com/culture/awards-and-prizes">Awards and prizes</category> <category domain="https://www.theguardian.com/world/world">World news</category> <pubDate>Thu, 02 May 2024 06:00:51 GMT</pubDate> <guid>https://www.theguardian.com/artanddesign/gallery/2024/may/02/the-eyes-have-it-lensculture-portrait-awards-2024-in-pictures</guid> <media:content width="140" url="https://i.guim.co.uk/img/media/7e3592a380300b6ee576fc367f111f4dae7769cc/0_7_1808_1085/master/1808.jpg?width=140&quality=85&auto=format&fit=max&s=c9bdc026dab0b65d2229da9b9214af0a"> <media:credit scheme="urn:ebu">Photograph: Tony Dočekal</media:credit> </media:content> <media:content width="460" url="https://i.guim.co.uk/img/media/7e3592a380300b6ee576fc367f111f4dae7769cc/0_7_1808_1085/master/1808.jpg?width=460&quality=85&auto=format&fit=max&s=a47549f6367a54573a11866aa80a1052"> <media:credit scheme="urn:ebu">Photograph: Tony Dočekal</media:credit> </media:content> <dc:creator>Guardian Staff</dc:creator> <dc:date>2024-05-02T06:00:51Z</dc:date> </item> <item> <title>Sons, when did you last hold your father’s hand? Valery Poshtarov’s best photograph</title> <link>https://www.theguardian.com/artanddesign/2024/may/01/sons-fathers-hand-valery-poshtarovs-best-photograph</link> <description><p>‘I have photographed fathers and sons holding hands from Bulgaria to Armenia and beyond. I approached these two as a stranger – and had just seconds before it got too awkward’</p><p>A few years ago, while walking my sons to school, I found myself thinking that, although I held their hands daily, one day they wouldn’t need me alongside them, that we would lose that sense of physical closeness. I decided to photograph my own father and grandfather holding hands – but it was the start of the pandemic, my grandfather was 95 and we wanted to keep him safe. We couldn’t meet for over a year.</p><p>In the meantime, while walking around Bulgaria’s capital Sofia, where I live, I stopped to photograph a house that caught my eye and a woman came out pushing a man in a wheelchair. I assumed they were going to chase me away, but instead she showed me a framed picture of a young man, aged about 30. She said he was their only son and he had died eight months before. She asked if I would photograph her husband with the portrait.</p> <a href="https://www.theguardian.com/artanddesign/2024/may/01/sons-fathers-hand-valery-poshtarovs-best-photograph">Continue reading...</a></description> <category domain="https://www.theguardian.com/artanddesign/artanddesign">Art and design</category> <category domain="https://www.theguardian.com/culture/culture">Culture</category> <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category> <category domain="https://www.theguardian.com/world/georgia-news">Georgia</category> <pubDate>Wed, 01 May 2024 14:35:09 GMT</pubDate> <guid>https://www.theguardian.com/artanddesign/2024/may/01/sons-fathers-hand-valery-poshtarovs-best-photograph</guid> <media:content width="140" url="https://i.guim.co.uk/img/media/b257d9699986b84844c66fc8ca640363473534c2/0_1613_4721_2832/master/4721.jpg?width=140&quality=85&auto=format&fit=max&s=2e635a995c4b995b2f4c743d19b4bebb"> <media:credit scheme="urn:ebu">Photograph: Valery Poshtarov</media:credit> </media:content> <media:content width="460" url="https://i.guim.co.uk/img/media/b257d9699986b84844c66fc8ca640363473534c2/0_1613_4721_2832/master/4721.jpg?width=460&quality=85&auto=format&fit=max&s=845f1511740d08698ca2d91b6c1fe925"> <media:credit scheme="urn:ebu">Photograph: Valery Poshtarov</media:credit> </media:content> <dc:creator>Interview by Chris Broughton</dc:creator> <dc:date>2024-05-01T14:35:09Z</dc:date> </item> <item> <title>May Day protests, frolics and a volcano: photos of the day – Wednesday</title> <link>https://www.theguardian.com/news/gallery/2024/may/01/may-day-protests-frolics-volcano-photos-wednesday</link> <description><p>The Guardian’s picture editors select photographs from around the world</p> <a href="https://www.theguardian.com/news/gallery/2024/may/01/may-day-protests-frolics-volcano-photos-wednesday">Continue reading...</a></description> <category domain="https://www.theguardian.com/world/may-day">May Day</category> <category domain="https://www.theguardian.com/uk/uk">UK news</category> <category domain="https://www.theguardian.com/world/world">World news</category> <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category> <category domain="https://www.theguardian.com/world/protest">Protest</category> <pubDate>Wed, 01 May 2024 13:32:03 GMT</pubDate> <guid>https://www.theguardian.com/news/gallery/2024/may/01/may-day-protests-frolics-volcano-photos-wednesday</guid> <media:content width="140" url="https://i.guim.co.uk/img/media/c35da58489e7164ca459bc69f2ad42cc0b27571f/76_417_3739_2244/master/3739.jpg?width=140&quality=85&auto=format&fit=max&s=65dcd8811c240c11a1f2c967edaa5a75"> <media:credit scheme="urn:ebu">Photograph: Ben Stansall/AFP/Getty Images</media:credit> </media:content> <media:content width="460" url="https://i.guim.co.uk/img/media/c35da58489e7164ca459bc69f2ad42cc0b27571f/76_417_3739_2244/master/3739.jpg?width=460&quality=85&auto=format&fit=max&s=8b0dfc336bffe6554dc0861d514bfd15"> <media:credit scheme="urn:ebu">Photograph: Ben Stansall/AFP/Getty Images</media:credit> </media:content> <dc:creator>Selected by Natasha Rees-Bloor</dc:creator> <dc:date>2024-05-01T13:32:03Z</dc:date> </item> <item> <title>Dragons, diners and wheelie bins: a half decent matchday experience – in pictures</title> <link>https://www.theguardian.com/football/gallery/2024/may/01/at-the-match-when-saturday-comes-football-gallery</link> <description><p>To celebrate two decades of images captured by its team of photographers – Simon Gill, Colin McPherson and Paul Thompson - the independent, and self-proclaimed half decent football magazine, When Saturday Comes, has published a photobook entitled<a href="https://www.wsc.co.uk/shop/at-the-match-photobook/"> At The Match</a>. The photography captures the jubilation and despair of the ritual of attending games in the UK and Ireland.<br></p><p>• Order a copy of <a href="https://www.wsc.co.uk/shop/at-the-match-photobook/">the book here</a></p> <a href="https://www.theguardian.com/football/gallery/2024/may/01/at-the-match-when-saturday-comes-football-gallery">Continue reading...</a></description> <category domain="https://www.theguardian.com/football/football">Football</category> <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category> <category domain="https://www.theguardian.com/sport/sport">Sport</category> <pubDate>Wed, 01 May 2024 10:00:54 GMT</pubDate> <guid>https://www.theguardian.com/football/gallery/2024/may/01/at-the-match-when-saturday-comes-football-gallery</guid> <media:content width="140" url="https://i.guim.co.uk/img/media/77934f04c5258a5d9a7600bf5f49942363481fbc/0_35_2910_1746/master/2910.jpg?width=140&quality=85&auto=format&fit=max&s=43697a8b79fbb97db9a5cbdcb5bc53bb"> <media:credit scheme="urn:ebu">Photograph: Paul Thompson</media:credit> </media:content> <media:content width="460" url="https://i.guim.co.uk/img/media/77934f04c5258a5d9a7600bf5f49942363481fbc/0_35_2910_1746/master/2910.jpg?width=460&quality=85&auto=format&fit=max&s=49caccbb640988093ffa4f64ae332927"> <media:credit scheme="urn:ebu">Photograph: Paul Thompson</media:credit> </media:content> <dc:creator>Guardian Staff</dc:creator> <dc:date>2024-05-01T10:00:54Z</dc:date> </item> <item> <title>First class posts: David Hurn’s Instagram highlights – in pictures</title> <link>https://www.theguardian.com/artanddesign/gallery/2024/may/01/first-class-posts-david-hurns-instagram-highlights-in-pictures</link> <description><p>The Magnum photographer’s social media feed combines superb old images with modern reflections – on Brexit, bum thermometers and radical coffee shops</p> <a href="https://www.theguardian.com/artanddesign/gallery/2024/may/01/first-class-posts-david-hurns-instagram-highlights-in-pictures">Continue reading...</a></description> <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category> <category domain="https://www.theguardian.com/technology/instagram">Instagram</category> <category domain="https://www.theguardian.com/artanddesign/artanddesign">Art and design</category> <category domain="https://www.theguardian.com/books/art">Art and design books</category> <category domain="https://www.theguardian.com/culture/culture">Culture</category> <category domain="https://www.theguardian.com/books/books">Books</category> <pubDate>Wed, 01 May 2024 06:00:48 GMT</pubDate> <guid>https://www.theguardian.com/artanddesign/gallery/2024/may/01/first-class-posts-david-hurns-instagram-highlights-in-pictures</guid> <media:content width="140" url="https://i.guim.co.uk/img/media/f4fcb91d61c21698f51029aa58bf481774104d0d/374_955_8823_5295/master/8823.jpg?width=140&quality=85&auto=format&fit=max&s=f19c44dc92d0fb9f92b5b89c222dd469"> <media:credit scheme="urn:ebu">Photograph: David Hurn/MAGNUM PHOTOS</media:credit> </media:content> <media:content width="460" url="https://i.guim.co.uk/img/media/f4fcb91d61c21698f51029aa58bf481774104d0d/374_955_8823_5295/master/8823.jpg?width=460&quality=85&auto=format&fit=max&s=55072eaaeda056626b2162326206bf89"> <media:credit scheme="urn:ebu">Photograph: David Hurn/MAGNUM PHOTOS</media:credit> </media:content> <dc:creator>Guardian Staff</dc:creator> <dc:date>2024-05-01T06:00:48Z</dc:date> </item> </channel></rss> If you would like to create a banner that links to this page (i.e. this validation result), do the following:
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