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<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" > <channel> <title>Flux Harbor</title> <atom:link href="https://www.fluxharbor.com/feed/" rel="self" type="application/rss+xml" /> <link>https://www.fluxharbor.com</link> <description>Elevate Your Perspective</description> <lastBuildDate>Mon, 02 Dec 2024 09:07:48 +0000</lastBuildDate> <language>en-US</language> <sy:updatePeriod> hourly </sy:updatePeriod> <sy:updateFrequency> 1 </sy:updateFrequency> <generator>https://wordpress.org/?v=6.7.1</generator> <item> <title>How to Buy Bitcoin in 2024: A Step-by-Step Tutorial for Everyone</title> <link>https://www.fluxharbor.com/how-to-buy-bitcoin-in-2024-a-step-by-step-tutorial-for-everyone/</link> <comments>https://www.fluxharbor.com/how-to-buy-bitcoin-in-2024-a-step-by-step-tutorial-for-everyone/#respond</comments> <dc:creator><![CDATA[admin]]></dc:creator> <pubDate>Mon, 02 Dec 2024 09:07:46 +0000</pubDate> <category><![CDATA[Finance]]></category> <guid isPermaLink="false">https://www.fluxharbor.com/?p=98</guid> <description><![CDATA[<p>Hey there, crypto enthusiasts! Are you ready to dive into the world of Bitcoin in 2024? If you’re reading this, I’m guessing you’ve heard about … </p><p><p>The post <a rel="nofollow" href="https://www.fluxharbor.com/how-to-buy-bitcoin-in-2024-a-step-by-step-tutorial-for-everyone/">How to Buy Bitcoin in 2024: A Step-by-Step Tutorial for Everyone</a> first appeared on <a rel="nofollow" href="https://www.fluxharbor.com">Flux Harbor</a>.</p></p>]]></description> <content:encoded><![CDATA[<p>Hey there, crypto enthusiasts! Are you ready to dive into the world of Bitcoin in 2024? If you’re reading this, I’m guessing you’ve heard about Bitcoin and you’re curious about how to buy it. Well, you’re in the right place. Let’s break down the process into simple steps that anyone can follow. No need to be a tech wizard or a financial guru to get started with Bitcoin. Just a bit of curiosity and a willingness to learn. Let’s get started!</p> <p><strong>Understanding Bitcoin Basics</strong></p> <p>Before we dive into the ‘<a href="https://www.bitget.com/how-to-buy/bitcoin" target="_blank" rel="noopener">How to buy bitcoin</a>‘ part, let’s quickly touch on what Bitcoin is. Bitcoin is a decentralized digital currency, without a central bank or single administrator, that can be sent from user to user on the peer-to-peer Bitcoin network without the need for intermediaries. It was created by an unknown person or group of people using the name Satoshi Nakamoto and released as open-source software in 2009. Now, it’s time to move on to the exciting part – how to buy bitcoin.</p> <p><strong>Choosing a Bitcoin Wallet</strong></p> <p>The first step in your Bitcoin journey is to get a Bitcoin wallet. A wallet is like your personal vault for storing your Bitcoin. There are many types of wallets available, from hardware wallets that are super secure to mobile wallets that are super convenient. Choose one that suits your needs. Remember, security is key when dealing with cryptocurrencies. So, take your time to research and pick a reliable wallet.</p> <p><strong>Selecting a Bitcoin Exchange</strong></p> <p>Now that you have your wallet, it’s time to find a place to buy your Bitcoin. This is where Bitcoin exchanges come in. These are platforms where you can buy, sell, and trade Bitcoin for other cryptocurrencies or fiat currencies. There are many exchanges out there, each with its own fees, features, and reputation. Do your homework and find one that fits your needs. Look for an exchange that has a good reputation, offers the features you want, and has reasonable fees.</p> <p><strong>Creating an Account</strong></p> <p>Once you’ve chosen your exchange, it’s time to create an account. This usually involves providing some personal information and verifying your identity. This process is known as Know Your Customer (KYC) and is a standard procedure in the financial industry to prevent fraud and money laundering. After you’ve completed the verification process, you’re ready to start buying Bitcoin.</p> <p><strong>Funding Your Account</strong></p> <p>Now that your account is set up, you need to fund it so you can buy Bitcoin. This usually involves linking your bank account or credit card to your exchange account. Once your account is funded, you’re ready to make your purchase. Keep in mind that there might be fees associated with depositing funds, so be sure to check the exchange’s fee structure.</p> <p><strong>Placing Your Order</strong></p> <p>Here comes the exciting part – buying Bitcoin! On your exchange, you’ll see options to buy Bitcoin. You can choose to buy at the market price, which means you’ll buy Bitcoin at the current price, or you can set a limit order, which allows you to specify the price at which you want to buy Bitcoin. If you’re new to this, buying at the market price might be the easiest option.</p> <p><strong>Securing Your Bitcoin</strong></p> <p>Once you’ve bought your Bitcoin, it’s important to secure it. This means transferring your Bitcoin from the exchange to your personal wallet. This is a crucial step because exchanges can be vulnerable to hacks. By keeping your Bitcoin in your personal wallet, you have more control over your investment.</p> <p><strong>Storing Your Bitcoin</strong></p> <p>Now that your Bitcoin is in your wallet, you need to make sure it’s stored safely. If you’re using a hardware wallet, make sure to keep it in a secure location. If you’re using a software wallet, make sure to back it up and keep your private keys safe. Remember, if you lose access to your wallet, you lose your Bitcoin.</p> <p><strong>Understanding the Market</strong></p> <p>The Bitcoin market is volatile, and prices can change rapidly. It’s important to stay informed about market trends and news that can affect the price of Bitcoin. This can help you make informed decisions about when to buy or sell. There are many resources available online to help you stay updated on the latest in the world of Bitcoin.</p> <p><strong>Staying Safe Online</strong></p> <p>When dealing with cryptocurrencies, safety is paramount. Make sure to use strong, unique passwords for your accounts and enable two-factor authentication (2FA) wherever possible. Be wary of phishing attempts and never share your private keys with anyone. Your security is in your hands, so take it seriously.</p> <p><strong>Conclusion</strong></p> <p>And there you have it! You now know how to buy Bitcoin in 2024. It’s a straightforward process once you break it down into steps. Remember, the key to success in the world of cryptocurrencies is education and staying informed. Keep learning, stay curious, and happy investing!</p><p><p>The post <a rel="nofollow" href="https://www.fluxharbor.com/how-to-buy-bitcoin-in-2024-a-step-by-step-tutorial-for-everyone/">How to Buy Bitcoin in 2024: A Step-by-Step Tutorial for Everyone</a> first appeared on <a rel="nofollow" href="https://www.fluxharbor.com">Flux Harbor</a>.</p></p>]]></content:encoded> <wfw:commentRss>https://www.fluxharbor.com/how-to-buy-bitcoin-in-2024-a-step-by-step-tutorial-for-everyone/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item> <title>The Settlers Review: An Epic Western with Stunning Visuals and Harsh Realities</title> <link>https://www.fluxharbor.com/the-settlers-review/</link> <comments>https://www.fluxharbor.com/the-settlers-review/#respond</comments> <dc:creator><![CDATA[fluxharbor_80idwq]]></dc:creator> <pubDate>Mon, 12 Aug 2024 13:31:54 +0000</pubDate> <category><![CDATA[Entertainment]]></category> <category><![CDATA[the settlers 2023]]></category> <category><![CDATA[the settlers 2023 film]]></category> <category><![CDATA[the settlers 2023 movie]]></category> <category><![CDATA[the settlers 2023 showtimes]]></category> <category><![CDATA[the settlers 2023 streaming]]></category> <category><![CDATA[watch the settlers 2023]]></category> <category><![CDATA[where to watch the settlers 2023]]></category> <guid isPermaLink="false">https://www.fluxharbor.com/?p=93</guid> <description><![CDATA[<p>In The Settlers (Los Colonos), Felipe Gálvez’s notable directorial debut, there is a point where the film transitions from a nearly traditional Western into something … </p><p><p>The post <a rel="nofollow" href="https://www.fluxharbor.com/the-settlers-review/">The Settlers Review: An Epic Western with Stunning Visuals and Harsh Realities</a> first appeared on <a rel="nofollow" href="https://www.fluxharbor.com">Flux Harbor</a>.</p></p>]]></description> <content:encoded><![CDATA[<p>In <em>The Settlers</em> (Los Colonos), Felipe Gálvez’s notable directorial debut, there is a point where the film transitions from a nearly traditional Western into something that verges on a harrowing horror story. Although Westerns and horror films might appear very different, both explore deep and often disturbing forms of violence. In <em>The Settlers</em>, the breathtaking beauty of the vast landscapes, expertly portrayed by cinematographer Simone D’Arcangelo, stands in stark contrast to the severe darkness of the historical narrative it presents.</p> <p>Chosen as Chile’s entry for Best International Feature Film at this year’s Academy Awards, <em>The Settlers</em> explores thematic similarities with Jennifer Kent’s harrowing <em>The Nightingale</em> and hints of Kelly Reichardt’s <em>Meek’s Cutoff</em>. However, the film unfolds unique aspects that set it apart. On one level, it tells a straightforward story of individuals tasked with “protecting” a large tract of land. On another, it examines the trajectories of violence and power that can obliterate those caught in their path. Gálvez’s approach ensures that we are compelled to confront the lingering impact of this violence head-on, demanding a thorough engagement with the film’s somber reality.</p> <hr class="wp-block-separator has-alpha-channel-opacity"/> <h3 class="wp-block-heading"><strong><em>The Settlers</em> (2023)</strong></h3> <p>Western<br>Crime<br>Drama<br>History</p> <p>In Chile in 1901, three horsemen are hired to guard a vast estate. Accompanied by a British soldier and an American mercenary, the group includes a mixed-race sniper who discovers that his true mission is to exterminate the indigenous population.</p> <p><strong>Release Date<br></strong>December 20, 2023<br><strong>Director<br></strong>Felipe Gálvez Haberle<br><strong>Cast</strong><br>Sam Spruell, Alfredo Castro, Mariano Llinás, Emily Orueta<br><strong>Runtime<br></strong>97 minutes<br><strong>Main Genre<br></strong>Western<br><strong>Writers<br></strong>Antonia Girardi, Felipe Gálvez Haberle, Mariano Llinás</p> <h4 class="wp-block-heading"><strong>What Is ‘The Settlers’ About?</strong></h4> <p>Set in Chile at the dawn of the 20th century, the film immerses us in an environment that feels almost apocalyptic. We begin by witnessing laborers constructing a fence under the watchful eye of a horseback overseer. After a brutal accident causes one worker to lose a hand, the overseer, unmoved by the man’s pleas, executes him. This act of casual violence establishes a grim tone for the film. The overseer, former soldier Alexander MacLennan (Mark Stanley), and Segundo (Camilo Arancibia), a mestizo with exceptional shooting skills, are then tasked with patrolling the land and eliminating any Indigenous people they encounter. Their mission unfolds with relentless brutality.</p> <p><a href="https://www.fluxharbor.com/" target="_blank" rel="noreferrer noopener">The settlers</a> remains steadfast in its portrayal of violence, whether in its immediate execution or its lingering effects. During a brief encounter with other ruthless individuals, one character remarks on the current peace, which is then countered by another’s desire to inflict harm. These moments evolve from displays of strength into bare-knuckle brawls, revealing an existential boredom among those who are not actively dominating others. </p> <p>The hierarchical nature of their interactions illustrates how Segundo is trapped within this cycle, driven to become an agent of death out of fear for his own survival. The film’s harrowing sequences, marked by screams and gunfire, evoke a sense of dread similar to Cormac McCarthy’s <em>Blood Meridian</em>, while grounding its narrative in a specific historical context. The film’s surprising yet fitting conclusion underscores the pervasive impact of its harrowing story.</p> <h4 class="wp-block-heading"><strong>The Conclusion of The Settlers Confronts Us Directly</strong><span class="" data-state="closed"><span class="flex h-[30px] w-[30px] items-center justify-center"><path fill="currentColor" fill-rule="evenodd" d="M11 4.91a.5.5 0 0 0-.838-.369L6.676 7.737A1 1 0 0 1 6 8H4a1 1 0 0 0-1 1v6a1 1 0 0 0 1 1h2a1 1 0 0 1 .676.263l3.486 3.196A.5.5 0 0 0 11 19.09zM8.81 3.067C10.415 1.597 13 2.735 13 4.91v14.18c0 2.175-2.586 3.313-4.19 1.843L5.612 18H4a3 3 0 0 1-3-3V9a3 3 0 0 1 3-3h1.611zm11.507 3.29a1 1 0 0 1 1.355.401A10.96 10.96 0 0 1 23 12c0 1.85-.458 3.597-1.268 5.13a1 1 0 1 1-1.768-.934A8.96 8.96 0 0 0 21 12a8.96 8.96 0 0 0-1.085-4.287 1 1 0 0 1 .402-1.356M15.799 7.9a1 1 0 0 1 1.4.2 6.48 6.48 0 0 1 1.3 3.9c0 1.313-.39 2.537-1.06 3.56a1 1 0 0 1-1.673-1.096A4.47 4.47 0 0 0 16.5 12a4.47 4.47 0 0 0-.9-2.7 1 1 0 0 1 .2-1.4" clip-rule="evenodd"></path><path fill="currentColor" fill-rule="evenodd" d="M7 5a3 3 0 0 1 3-3h9a3 3 0 0 1 3 3v9a3 3 0 0 1-3 3h-2v2a3 3 0 0 1-3 3H5a3 3 0 0 1-3-3v-9a3 3 0 0 1 3-3h2zm2 2h5a3 3 0 0 1 3 3v5h2a1 1 0 0 0 1-1V5a1 1 0 0 0-1-1h-9a1 1 0 0 0-1 1zM5 9a1 1 0 0 0-1 1v9a1 1 0 0 0 1 1h9a1 1 0 0 0 1-1v-9a1 1 0 0 0-1-1z" clip-rule="evenodd"></path><path fill="currentColor" d="M3.07 10.876C3.623 6.436 7.41 3 12 3a9.15 9.15 0 0 1 6.012 2.254V4a1 1 0 1 1 2 0v4a1 1 0 0 1-1 1H15a1 1 0 1 1 0-2h1.957A7.15 7.15 0 0 0 12 5a7 7 0 0 0-6.946 6.124 1 1 0 1 1-1.984-.248m16.992 1.132a1 1 0 0 1 .868 1.116C20.377 17.564 16.59 21 12 21a9.15 9.15 0 0 1-6-2.244V20a1 1 0 1 1-2 0v-4a1 1 0 0 1 1-1h4a1 1 0 1 1 0 2H7.043A7.15 7.15 0 0 0 12 19a7 7 0 0 0 6.946-6.124 1 1 0 0 1 1.116-.868"></path><path fill="currentColor" fill-rule="evenodd" d="M11.873 21.496a1 1 0 0 1-.992.496l-.454-.056A4 4 0 0 1 7.1 16.79L7.65 15h-.718c-2.637 0-4.553-2.508-3.859-5.052l1.364-5A4 4 0 0 1 8.296 2h9.709a3 3 0 0 1 3 3v7a3 3 0 0 1-3 3h-2c-.26 0-.5.14-.628.364zM14.005 4h-5.71a2 2 0 0 0-1.929 1.474l-1.363 5A2 2 0 0 0 6.933 13h2.072a1 1 0 0 1 .955 1.294l-.949 3.084a2 2 0 0 0 1.462 2.537l3.167-5.543a2.72 2.72 0 0 1 1.364-1.182V5a1 1 0 0 0-1-1m3 9V5c0-.35-.06-.687-.171-1h1.17a1 1 0 0 1 1 1v7a1 1 0 0 1-1 1z" clip-rule="evenodd"></path></span><path fill="currentColor" d="M13.091 4.246 4.682 14H11a1 1 0 0 1 .973 1.23l-1.064 4.524L19.318 10H13a1 1 0 0 1-.973-1.229l1.064-4.525Zm-.848-2.08c1.195-1.386 3.448-.238 3.029 1.544L14.262 8h5.056c1.711 0 2.632 2.01 1.514 3.306l-9.075 10.528c-1.195 1.386-3.448.238-3.029-1.544L9.738 16H4.681c-1.711 0-2.632-2.01-1.514-3.306l9.075-10.527Z"></path><span class="overflow-hidden text-clip whitespace-nowrap text-sm"></span></span></h4> <p>As the film nears its conclusion, there’s a shift to exploring the aftermath of the violence. Gálvez, with co-writers <a href="https://www.imdb.com/name/nm9849369/" target="_blank" rel="noreferrer noopener">Antonia Girardi</a> and Mariano Llinás, highlights how historical atrocities can be superficially addressed by those who claim to confront them. This critical perspective is brought to life by Mishell Guaña’s performance as Kiepja, a Selk’nam woman caught in a forced reconciliation that obscures the true extent of the ongoing suffering. The film challenges viewers to confront the uncomfortable realities behind the superficial attempts at peace, revealing the futility of such gestures in addressing deep-seated pain.</p><p><p>The post <a rel="nofollow" href="https://www.fluxharbor.com/the-settlers-review/">The Settlers Review: An Epic Western with Stunning Visuals and Harsh Realities</a> first appeared on <a rel="nofollow" href="https://www.fluxharbor.com">Flux Harbor</a>.</p></p>]]></content:encoded> <wfw:commentRss>https://www.fluxharbor.com/the-settlers-review/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item> <title>“The Promised Land” Review: Mads Mikkelsen Delivers a Masterclass in This Danish Western Epic</title> <link>https://www.fluxharbor.com/the-promised-land-review/</link> <comments>https://www.fluxharbor.com/the-promised-land-review/#respond</comments> <dc:creator><![CDATA[fluxharbor_80idwq]]></dc:creator> <pubDate>Mon, 12 Aug 2024 13:07:10 +0000</pubDate> <category><![CDATA[Entertainment]]></category> <category><![CDATA[the promised land 2024]]></category> <category><![CDATA[the promised land 2024 movie]]></category> <category><![CDATA[the promised land 2024 series]]></category> <category><![CDATA[the promised land 2024 streaming]]></category> <guid isPermaLink="false">https://www.fluxharbor.com/?p=89</guid> <description><![CDATA[<p>The Promised Land Review: When a film needs a leading actor who can exude a powerful presence marked by intense stoicism, hidden empathy, and a … </p><p><p>The post <a rel="nofollow" href="https://www.fluxharbor.com/the-promised-land-review/">“The Promised Land” Review: Mads Mikkelsen Delivers a Masterclass in This Danish Western Epic</a> first appeared on <a rel="nofollow" href="https://www.fluxharbor.com">Flux Harbor</a>.</p></p>]]></description> <content:encoded><![CDATA[<p><strong>The Promised Land Review:</strong> When a film needs a leading actor who can exude a powerful presence marked by intense stoicism, hidden empathy, and a touch of menace, Mads Mikkelsen is often the ideal choice. His latest venture, Nikolaj Arcel’s historical epic <em>The Promised Land</em>, showcases a more personal touch that stands in stark contrast to the uneven franchise roles he’s recently tackled. </p> <p>This Danish Western feels distinctively traditional in both its tone and Mikkelsen’s restrained portrayal. It’s a somber historical drama, where moments of levity are rare and the film is enveloped in a cold, unyielding atmosphere, complemented by Dan Romer’s sweeping score. While the film often captivates with its visual splendor, it also reflects the persistent bleakness of its setting, akin to the unsteady quest for stability in our own lives. The Promised Land was a term used in the Bible to describe the land God promised to the descendants of Abraham.</p> <h3 class="wp-block-heading"><strong>The Promised Land</strong>(2024)</h3> <p>R<br>Drama, Biography, History</p> <p>The story of Ludvig Kahlen, who aspires to transform the heath into a source of wealth and honor. In Nikolaj Arcel’s film, The Promised Land becomes a metaphor for the relentless pursuit of a dream against overwhelming odds. The settlers faced harsh conditions as they ventured into what they hoped would be The Promised Land.</p> <p><strong>Release Date</strong><br>February 2, 2024</p> <p><strong>Director</strong><br>Nikolaj Arcel</p> <p><strong>Cast</strong><br>Mads Mikkelsen, Amanda Collin, Gustav Lindh, Søren Malling</p> <p><strong>Runtime</strong><br>127 minutes</p> <p><strong>Writers</strong><br>Nikolaj Arcel, Anders Thomas Jensen, Ida Jessen</p> <p>Initially viewed at the Toronto International Film Festival, Mikkelsen’s compelling performance stood out even as the film’s narrative sometimes felt rigid. With its upcoming wide release through Magnolia Pictures, the film’s strengths become more apparent, largely due to Mikkelsen’s portrayal. Like his character, Mikkelsen infuses life into a desolate world marked by death and hardship. His penetrating gaze invites us into the turmoil he struggles to control. </p> <p>Through this lens, we witness a portrayal of a harsh historical era and an ordinary man carving out a place in it. Mikkelsen’s performance anchors the film, making it resonate despite its occasional flaws. The concept of <a href="https://www.fluxharbor.com/" target="_blank" rel="noreferrer noopener">The Promised Land</a> is central to many historical and religious narratives, representing an ideal state of prosperity and fulfillment.</p> <h4 class="wp-block-heading"><strong>What Is ‘The Promised Land’ About?</strong></h4> <p>Set in 1755, the film introduces Ludvig Kahlen (Mikkelsen), who seeks to build a new life in Denmark after his service in the German Army. With minimal resources, he aims to cultivate the remote Jutland Heath and make it suitable for settlement. Initially dismissed as an impossible venture for someone of his stature, Ludvig persists, facing both a harsh environment and Frederik de Schinkel (Simon Bennebjerg), a brutish landowner who views Ludvig’s efforts as a threat. </p> <p>Ludvig’s limited options lead him to rely on Johannes Eriksen (Morten Hee Andersen) and Ann Barbara (Amanda Collin), two laborers escaping de Schinkel’s oppression, and Anmai Mus (Melina Hagberg), a Roma orphan. The film reveals its core through this group of characters amidst the looming threats to their endeavor.</p> <p>A more conventional version of this story could portray Ludvig as a flawless underdog against antagonistic forces. Instead, the film invests in Ludvig’s flaws, similar to <em>The Settlers</em>, which addressed the harsh realities of “progress.” Although <em>The Promised Land</em> may tread familiar emotional paths, it does not shy away from the complex darkness beneath. Ludvig’s early harshness towards those who assist him is a deliberate choice by Mikkelsen, aiming to present a more genuine character. His gradual shift towards compassion feels earned, rather than contrived, portraying Ludvig as a multi-dimensional figure rather than a superficial hero.</p> <p>In a particularly unsettling mid-point development, Ludvig’s willingness to compromise his values to placate racist biases is revealed. The film does not idealize its protagonist but explores him as deeply as he explores the land. <a href="https://en.wikipedia.org/wiki/Amanda_Collin" target="_blank" rel="noreferrer noopener">Amanda Collin</a>’s performance as Ann Barbara provides a crucial counterpoint to Ludvig, and her actions illuminate his shortcomings, sparking a significant narrative upheaval. Although the film’s engagement may wane when she’s not featured, her role adds depth to the story. Mikkelsen’s return maintains the film’s intensity, delivering a powerful final act.</p> <h4 class="wp-block-heading"><strong>Mads Mikkelsen Shines in ‘The Promised Land’</strong></h4> <p>As the film progresses, it deepens into melancholic themes, questioning Ludvig’s motivations. Despite achieving his goals, the emotional cost is evident in Mikkelsen’s portrayal. His character’s outward gruffness hides internal doubts about whether the sacrifices were worthwhile. Mikkelsen’s commanding presence contrasts with the grim world around him, infusing the film with the necessary intensity and impact. As the story concludes, it offers a thought-provoking ending that prompts reflection on the true cost of Ludvig’s journey. The film’s portrayal of history encourages a deeper contemplation of its underlying themes.</p><p><p>The post <a rel="nofollow" href="https://www.fluxharbor.com/the-promised-land-review/">“The Promised Land” Review: Mads Mikkelsen Delivers a Masterclass in This Danish Western Epic</a> first appeared on <a rel="nofollow" href="https://www.fluxharbor.com">Flux Harbor</a>.</p></p>]]></content:encoded> <wfw:commentRss>https://www.fluxharbor.com/the-promised-land-review/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item> <title>“Kill Your Lover” Review: The Underrated Horror Gem with Heartfelt Terror</title> <link>https://www.fluxharbor.com/kill-your-lover-movie-review/</link> <comments>https://www.fluxharbor.com/kill-your-lover-movie-review/#respond</comments> <dc:creator><![CDATA[fluxharbor_80idwq]]></dc:creator> <pubDate>Mon, 12 Aug 2024 12:44:59 +0000</pubDate> <category><![CDATA[Entertainment]]></category> <category><![CDATA[kill your lover]]></category> <category><![CDATA[kill your lover 2024]]></category> <category><![CDATA[kill your lover film]]></category> <category><![CDATA[kill your lover movie]]></category> <category><![CDATA[kill your lover Review]]></category> <guid isPermaLink="false">https://www.fluxharbor.com/?p=86</guid> <description><![CDATA[<p>A film like Kill Your Lover truly exemplifies what makes the horror genre unique. While traditional films may depict toxic relationships with Hollywood endings or … </p><p><p>The post <a rel="nofollow" href="https://www.fluxharbor.com/kill-your-lover-movie-review/">“Kill Your Lover” Review: The Underrated Horror Gem with Heartfelt Terror</a> first appeared on <a rel="nofollow" href="https://www.fluxharbor.com">Flux Harbor</a>.</p></p>]]></description> <content:encoded><![CDATA[<p>A film like <em>Kill Your Lover</em> truly exemplifies what makes the horror genre unique. While traditional films may depict toxic relationships with Hollywood endings or through a lens shaped by societal norms, Alix Austin and Keir Siewert’s body horror film breaks away from these clichés. This film moves beyond melodrama to explore the terrifying aspects of failing relationships. By portraying “toxic relationships” as a virulent infection, <em>Kill Your Lover</em> reveals the physical horror of emotional dysfunction in a way that highlights the pain and fear that can arise from shared experiences.</p> <h3 class="wp-block-heading"><strong>Kill Your Lover (2023)</strong></h3> <p><strong>Genre:</strong> Horror<br><strong>Release Date:</strong> October 12, 2023<br><strong>Director:</strong> Alix Austin, Keir Siewert<br><strong>Cast:</strong> Paige Gilmor, Shane Quigley Murphy, May Kelly, Joshua Whincup, Chloe Wigmore, Eva-Marie Kung, Rachael James, Joanna Lusua<br><strong>Runtime:</strong> 77 Minutes<br><strong>Writers:</strong> Alix Austin, Keir Siewert</p> <h4 class="wp-block-heading"><strong>What Is <em>Kill Your Lover</em> About?</strong></h4> <p><em>Kill Your Lover</em> unfolds by revealing key details gradually, starting with Dakota’s pivotal choice before delving into her and Axel’s intertwined past. The screenplay by Austin and Siewert explores how quickly a relationship can devolve from passionate intimacy into a grotesque and unsettling anti-romance. </p> <p>The film highlights how we often ignore warning signs, tolerate imperfections, and rationalize red flags due to the fear of losing a “secure” relationship. Axel, the film’s antagonist, exhibits abusive and manipulative behavior, but Dakota’s insecurities and her role in sustaining Axel’s fantasy are also critically examined. <em>Kill Your Lover</em> addresses the complexities of emotional entrapment and one-sided relationships, providing a nuanced perspective on blame and the inherent messiness of emotional flaws.</p> <p>Regarding its visual and visceral aspects, <em><a href="https://www.fluxharbor.com/">Kill Your Lover</a></em> excels as a low-budget horror film. Axel’s dark, veiny appearance might resemble amateur cosmetic effects, but this doesn’t detract from the overall impact. The sound design enhances the sense of bodily horror, with sticky fluids and raw, bloody lesions intensifying the grotesque atmosphere. Austin and Siewert effectively convey Axel’s affliction as a spreading infection, embodying the concept that “hurt people hurt people.” The film leverages its horror influences, particularly in its intense and graphic scenes, to portray the devastating effects of its characters’ fate.</p> <h4 class="wp-block-heading"><strong><em>Kill Your Lover</em> Benefits From Great Performances</strong></h4> <p><a href="https://www.imdb.com/name/nm11334434/" target="_blank" rel="noreferrer noopener">Paige Gilmour</a> and <a href="https://en.wikipedia.org/wiki/Shane_Quigley_Murphy" target="_blank" rel="noreferrer noopener">Shane Quigley-Murphy</a> deliver powerful performances, driving the narrative from start to finish. Their dynamic, marked by constant bickering and resentment, brings depth to the film. Quigley-Murphy portrays Axel with a menacing intensity, occasionally revealing moments of vulnerability as he seeks to salvage their doomed relationship. Gilmour’s Dakota exhibits a blend of external bravery and internal conflict, making her performance compelling. Their interactions, both confrontational and tender, showcase a complex blend of affection and revulsion.</p> <p><em>Kill Your Lover</em> exceeds expectations, proving to be more than just an intriguing concept. Despite some apparent flaws, such as a somewhat forced runtime and predictable outcomes, these issues don’t detract from the film’s originality and impact. At just under 80 minutes, Austin and Siewert craft a succinct and effective portrayal of a tumultuous relationship. </p> <p>The film’s authenticity shines through in its depiction of Axel and Dakota’s behavior, revealing the motivations and consequences beneath the surface of their horrific experiences. With its blend of fantastical elements and raw emotional depth, <em>Kill Your Lover</em> offers a uniquely poignant take on a familiar experience, making it a standout in the horror genre.</p><p><p>The post <a rel="nofollow" href="https://www.fluxharbor.com/kill-your-lover-movie-review/">“Kill Your Lover” Review: The Underrated Horror Gem with Heartfelt Terror</a> first appeared on <a rel="nofollow" href="https://www.fluxharbor.com">Flux Harbor</a>.</p></p>]]></content:encoded> <wfw:commentRss>https://www.fluxharbor.com/kill-your-lover-movie-review/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item> <title>Out of Darkness Review: Historical Horror Delivers a Ruthless Experience</title> <link>https://www.fluxharbor.com/out-of-darkness-review/</link> <comments>https://www.fluxharbor.com/out-of-darkness-review/#respond</comments> <dc:creator><![CDATA[fluxharbor_80idwq]]></dc:creator> <pubDate>Mon, 12 Aug 2024 12:23:11 +0000</pubDate> <category><![CDATA[Entertainment]]></category> <category><![CDATA[out of darkness]]></category> <category><![CDATA[out of darkness (2022 film)]]></category> <category><![CDATA[out of darkness (2022 film) showtimes]]></category> <category><![CDATA[out of darkness 2024]]></category> <category><![CDATA[out of darkness movie]]></category> <category><![CDATA[out of darkness movie 2024]]></category> <category><![CDATA[out of darkness showtimes]]></category> <guid isPermaLink="false">https://www.fluxharbor.com/?p=83</guid> <description><![CDATA[<p>In Out of Darkness, much like the trials of life, there is scant hope for salvation when confronting the terrors of the Stone Age on … </p><p><p>The post <a rel="nofollow" href="https://www.fluxharbor.com/out-of-darkness-review/">Out of Darkness Review: Historical Horror Delivers a Ruthless Experience</a> first appeared on <a rel="nofollow" href="https://www.fluxharbor.com">Flux Harbor</a>.</p></p>]]></description> <content:encoded><![CDATA[<p>In <strong>Out of Darkness</strong>, much like the trials of life, there is scant hope for salvation when confronting the terrors of the Stone Age on your own. The notion of escaping danger by abandoning others rather than standing united is futile against the pervasive darkness that inevitably engulfs all. Directed by Andrew Cumming in his debut feature and scripted by Ruth Greenberg, the film requires some subtlety in its storytelling, with the final act bringing a significant uplift to the narrative, enhancing much of what preceded it.</p> <h2 class="wp-block-heading"><strong>Out of Darkness (2024)</strong></h2> <p>Rated: R<br>Genres: Horror, Thriller<br>Release Date: February 9, 2024<br>Director: Andrew Cumming<br>Cast: Chuku Modu, Kit Young, Safia Oakley-Green, Iola Evans<br>Duration: 87 minutes</p> <p>Though not groundbreaking in its approach, <strong>Out of Darkness</strong> revolves around the fear of the unknown. The film often feels as though it’s meandering through its plot, yet it explores some compelling themes. Despite its flaws, it manages to deliver a substantial impact as it reaches its dark conclusion.</p> <h3 class="wp-block-heading"><strong>Synopsis of ‘Out of Darkness’</strong></h3> <p>Taking place 45,000 years ago, the film opens with a narrative shared around a campfire. We meet a group of six travelers—Beyah (Safia Oakley-Green), Adem (Chuku Modu), Geirr (<a href="https://en.wikipedia.org/wiki/Kit_Young" target="_blank" rel="noreferrer noopener">Kit Young</a>), Ave (Iola Evans), Odal (Arno Lüning), and Heron (Luna Mwezi)—who have arrived in an unfamiliar territory (filmed in Scotland) with hopes of finding a safe haven. They communicate in a fictional language crafted by Dr. Daniel Andersson, which the actors use convincingly. </p> <p>However, their attempt to survive becomes increasingly challenging. Besides grappling with shortages of food and shelter, they sense an ominous entity lurking in the darkness. Is it a stealthy monster or a malevolent spirit? The exact nature of the threat is unclear, leading the group to face mounting fears as they struggle to endure in a harsh environment. When a member disappears during the night, they venture to track down the mysterious being, unaware of the full extent of the peril they might encounter.</p> <p>Without revealing too much about the entity, it becomes evident that the early humans might be as dangerous as the lurking threat. Early in the film, a troubling moment exposes the leader’s selfish intentions, casting doubt on their true motives. Although the historical setup feels somewhat awkward, especially the initial campfire scene aimed at establishing character dynamics, the more unsettling revelations largely work. The film, just under ninety minutes long, occasionally feels stretched due to repetitive elements—characters running, disorienting shots, brief pauses, and then repeating the cycle.</p> <p>There are some creatively engaging moments, such as a scene where a character desperately tries to start a fire as darkness closes in. Although this scene uses a “day for night” technique that slightly undermines the fear, the lighting in dark scenes is well-executed. A striking practical gore effect provides a brief highlight within an otherwise basic narrative. The film’s strong finale, however, provides a much-needed lift.</p> <h4 class="wp-block-heading"><strong>‘Out of Darkness’ Concludes Strongly</strong></h4> <p>As the story moves out of the forest, the title gains a deeper significance, revealing that the darkness symbolizes not just physical absence but also ignorance threatening the group. The full extent of their lack of understanding is left unsaid, but it’s clear there was more happening than initially apparent. Once the pieces fall into place and the encounters with the entity are reexamined, the film gains a more existentially tragic dimension. Despite being hampered by some earlier aimless scenes, <strong><a href="https://www.fluxharbor.com/" target="_blank" rel="noreferrer noopener">Out of Darkness</a></strong> ultimately brings its scattered elements into a hauntingly clear focus, achieving a compelling conclusion.</p><p><p>The post <a rel="nofollow" href="https://www.fluxharbor.com/out-of-darkness-review/">Out of Darkness Review: Historical Horror Delivers a Ruthless Experience</a> first appeared on <a rel="nofollow" href="https://www.fluxharbor.com">Flux Harbor</a>.</p></p>]]></content:encoded> <wfw:commentRss>https://www.fluxharbor.com/out-of-darkness-review/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item> <title>“The Watchers” Review: Ishana Night Shyamalan’s Horror Film Delivers a Chilling Family Drama</title> <link>https://www.fluxharbor.com/the-watchers-movie-review/</link> <comments>https://www.fluxharbor.com/the-watchers-movie-review/#respond</comments> <dc:creator><![CDATA[fluxharbor_80idwq]]></dc:creator> <pubDate>Mon, 12 Aug 2024 12:04:27 +0000</pubDate> <category><![CDATA[Entertainment]]></category> <category><![CDATA[the watchers]]></category> <category><![CDATA[the watchers (film)]]></category> <category><![CDATA[the watchers (film) showtimes]]></category> <category><![CDATA[the watchers movie]]></category> <category><![CDATA[the watchers reviews]]></category> <category><![CDATA[the watchers showtimes]]></category> <guid isPermaLink="false">https://www.fluxharbor.com/?p=80</guid> <description><![CDATA[<p>Ishana Night Shyamalan’s The Watchers should be chilling, given its origins in A.M. Shine’s novel of the same name. However, this adaptation fails to capture … </p><p><p>The post <a rel="nofollow" href="https://www.fluxharbor.com/the-watchers-movie-review/">“The Watchers” Review: Ishana Night Shyamalan’s Horror Film Delivers a Chilling Family Drama</a> first appeared on <a rel="nofollow" href="https://www.fluxharbor.com">Flux Harbor</a>.</p></p>]]></description> <content:encoded><![CDATA[<p>Ishana Night Shyamalan’s <strong>The Watchers</strong> should be chilling, given its origins in A.M. Shine’s novel of the same name. However, this adaptation fails to capture the essence of its source material, leaving it lifeless and uninspiring. While Ishana, daughter of the renowned director M. Night Shyamalan, might have shown promise with her debut feature, it doesn’t measure up to her father’s work. </p> <p>Despite the Shyamalan family’s successful collaborations on projects like <em>Servant</em> and <em>Old</em>, <strong>The Watchers</strong> misses the mark, landing in a dismal abyss it struggles to escape. Although the cast, including Dakota Fanning and Olwen Fouéré, make commendable efforts, their performances can’t save the film from its uninspired execution. This film stands as a glaring example of a nepo baby movie failing to live up to expectations.</p> <p>The adaptation not only fails to honor the complexities of its source material—such as its nuanced characters, escalating tension, and impactful twists—but also falters as a standalone horror film. Unlike M. Night Shyamalan’s <em>Knock at the Cabin</em>, which successfully reimagined its source, <strong>The Watchers</strong> remains stuck in a superficial approach. The film’s adherence to the original narrative is superficial at best, with its PG-13 rating underscoring the film’s tame horror elements. </p> <p>The chilling atmosphere and depth of the book are lost in a polished but ultimately bland version of the story. Readers of the novel should consider sticking with the book, as it offers a richer and more satisfying experience. For those familiar with the source material, the film is likely to disappoint.</p> <h2 class="wp-block-heading"><strong>The Watchers</strong> (2024)</h2> <p><strong>Genre:</strong> Horror, Fantasy, Mystery<br><strong>Release Date:</strong> June 7, 2024<br><strong>Director:</strong> Ishana Shyamalan<br><strong>Cast:</strong> Dakota Fanning, Georgina Campbell, Olwen Fouéré, Siobhan Hewlett<br><strong>Main Genre:</strong> Horror<br><strong>Writers:</strong> A.M. Shine, Ishana Shyamalan</p> <h3 class="wp-block-heading"><strong>What Is ‘The Watchers’ About?</strong></h3> <p>The story revolves around Mina (Fanning), who works at a pet store and leads a mundane life drawing and vaping. By night, she assumes a different identity with a wig. When her boss asks her to deliver a brightly colored bird, her journey takes a dark turn. Her car breaks down in the remote forests of western Ireland, and upon seeking help, she finds her vehicle gone. </p> <p>Mina encounters Madeline (Fouéré), who warns her to quickly enter the forest’s only structure or face being locked out overnight. Inside, Mina meets fellow residents Daniel (<a href="https://www.imdb.com/name/nm9148177/" target="_blank" rel="noreferrer noopener">Oliver Finnegan</a>) and Ciara (Georgina Campbell), and they find themselves trapped in a room with a two-way mirror. They are observed by the mysterious watchers each night, with any attempts to escape potentially deadly.</p> <p>The film starts with intriguing elements but quickly loses its edge once Mina is trapped. The adaptation reduces characters to mere caricatures, missing the book’s tension and depth. Daniel’s insecurity is flattened into a superficial trait, while Ciara’s recent loss feels like a mere plot device rather than a genuine character detail. Despite the talents of Fanning and Fouéré, the film squanders their abilities. The film’s lack of depth and texture leads to an unsatisfying experience, diverging significantly from the book’s compelling narrative.</p> <h3 class="wp-block-heading"><strong>How Does ‘The Watchers’ Compare to the Book?</strong></h3> <p>Adaptations don’t need to be verbatim replicas of their source material, but they should enhance the story. <strong><a href="https://www.fluxharbor.com/" target="_blank" rel="noreferrer noopener">The Watchers</a></strong> fails to do so, offering a version that lacks heart and nuance. The conflict between characters feels forced and out of place, and the watchers themselves are rendered only vaguely unsettling. The film’s horror elements come across as mild and unoriginal, failing to evoke the book’s fear and isolation. Characters’ motivations and emotions are oversimplified, and the film’s forced exposition undermines its effectiveness. </p> <p>The final revelation, which could have been pivotal, is mishandled, resulting in a conclusion that feels rushed and unsatisfying. The film’s attempts to add new elements, like Mina’s traumatic backstory, ultimately detract from its impact, leaving viewers with a sense of boredom rather than terror.</p><p><p>The post <a rel="nofollow" href="https://www.fluxharbor.com/the-watchers-movie-review/">“The Watchers” Review: Ishana Night Shyamalan’s Horror Film Delivers a Chilling Family Drama</a> first appeared on <a rel="nofollow" href="https://www.fluxharbor.com">Flux Harbor</a>.</p></p>]]></content:encoded> <wfw:commentRss>https://www.fluxharbor.com/the-watchers-movie-review/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item> <title>‘The Devil’s Bath’ Review: The Eeriest and Most Disturbing Horror Film You’ll Experience</title> <link>https://www.fluxharbor.com/the-devils-bath/</link> <comments>https://www.fluxharbor.com/the-devils-bath/#respond</comments> <dc:creator><![CDATA[fluxharbor_80idwq]]></dc:creator> <pubDate>Mon, 12 Aug 2024 11:51:27 +0000</pubDate> <category><![CDATA[Entertainment]]></category> <category><![CDATA[the devil’s bath]]></category> <category><![CDATA[the devil’s bath (des teufels bad) (2024)]]></category> <category><![CDATA[the devil’s bath 2024]]></category> <guid isPermaLink="false">https://www.fluxharbor.com/?p=75</guid> <description><![CDATA[<p>Shudder’s latest release, The Devil’s Bath, features a title that immediately grabs attention, but it is the film itself that tightens its grip on viewers, … </p><p><p>The post <a rel="nofollow" href="https://www.fluxharbor.com/the-devils-bath/">‘The Devil’s Bath’ Review: The Eeriest and Most Disturbing Horror Film You’ll Experience</a> first appeared on <a rel="nofollow" href="https://www.fluxharbor.com">Flux Harbor</a>.</p></p>]]></description> <content:encoded><![CDATA[<p>Shudder’s latest release, <em>The Devil’s Bath</em>, features a title that immediately grabs attention, but it is the film itself that tightens its grip on viewers, compelling them to remain riveted despite their discomfort. Crafted by Veronika Franz and Severin Fiala, the same minds behind the unsettling <em>Goodnight Mommy</em> and <em>The Lodge</em>, this film surpasses its predecessors. Rather than drawing from a novel or purely original concept, the film delves into some of the darkest themes imaginable, offering a narrative rooted in unsettling truths. <em>The Devil’s Bath</em> is not a film that leaves you easily; instead, it immerses you in its grim depths, leaving a lasting impact.</p> <p>A slow-burning horror film from Austria and Germany, <em>The Devil’s Bath</em> delves into themes of depression, and is best experienced in solitude, free from distractions like smartphones. Featuring a powerful performance by Anja Plaschg, an Austrian musician-turned-actor who appears throughout nearly the entire film, this movie is not for the faint-hearted. It is a study in darkness, with one shocking image following another in a relentless series. This film does not deal with supernatural elements or classic horror tropes but explores the bleak aspects of the human psyche. <em>The Devil’s Bath</em> will affect you deeply, leaving you with an indelible impression after just one viewing.</p> <h2 class="wp-block-heading"><strong>The Devil’s Bath (2024)</strong></h2> <figure class="wp-block-image size-large"><img fetchpriority="high" decoding="async" width="1024" height="554" src="https://www.fluxharbor.com/wp-content/uploads/2024/08/1ecaac8e-8b0c-4ceb-96ca-c39c31983c42-min-1024x554.png" alt="" class="wp-image-76" srcset="https://www.fluxharbor.com/wp-content/uploads/2024/08/1ecaac8e-8b0c-4ceb-96ca-c39c31983c42-min-1024x554.png 1024w, https://www.fluxharbor.com/wp-content/uploads/2024/08/1ecaac8e-8b0c-4ceb-96ca-c39c31983c42-min-300x162.png 300w, https://www.fluxharbor.com/wp-content/uploads/2024/08/1ecaac8e-8b0c-4ceb-96ca-c39c31983c42-min-768x416.png 768w, https://www.fluxharbor.com/wp-content/uploads/2024/08/1ecaac8e-8b0c-4ceb-96ca-c39c31983c42-min-1536x832.png 1536w, https://www.fluxharbor.com/wp-content/uploads/2024/08/1ecaac8e-8b0c-4ceb-96ca-c39c31983c42-min.png 1895w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure> <p><strong>Genre:</strong> Horror, Mystery, Historical Drama<br><strong>Setting:</strong> 18th Century Austria. Villages are surrounded by forests, and a woman sentenced to death for killing a baby faces a grim fate. Agnes prepares for her marriage, but her mental state deteriorates as she grapples with dark thoughts.</p> <p><strong>Release Date:</strong> June 8, 2024<br><strong>Directors:</strong> Veronika Franz, Severin Fiala<br><strong>Cast:</strong> Anja Plaschg, Maria Hofstätter, David Scheid, Natalija Baranova, Lukas Walcher, Agnes Lampl, Camilla Schilien, Lorenz Tröbinger<br><strong>Main Genre:</strong> Horror<br><strong>Writers:</strong> Veronika Franz, Severin Fiala</p> <h3 class="wp-block-heading"><strong>Plot Summary of ‘The Devil’s Bath’</strong></h3> <figure class="wp-block-image size-large"><img decoding="async" width="1024" height="561" src="https://www.fluxharbor.com/wp-content/uploads/2024/08/594805b1-82c0-4550-9706-7a59e0486308-min-1024x561.png" alt="" class="wp-image-78" srcset="https://www.fluxharbor.com/wp-content/uploads/2024/08/594805b1-82c0-4550-9706-7a59e0486308-min-1024x561.png 1024w, https://www.fluxharbor.com/wp-content/uploads/2024/08/594805b1-82c0-4550-9706-7a59e0486308-min-300x164.png 300w, https://www.fluxharbor.com/wp-content/uploads/2024/08/594805b1-82c0-4550-9706-7a59e0486308-min-768x421.png 768w, https://www.fluxharbor.com/wp-content/uploads/2024/08/594805b1-82c0-4550-9706-7a59e0486308-min-1536x841.png 1536w, https://www.fluxharbor.com/wp-content/uploads/2024/08/594805b1-82c0-4550-9706-7a59e0486308-min.png 1859w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure> <p>Set in 18th-century Austria, <em><a href="https://www.fluxharbor.com/" target="_blank" rel="noreferrer noopener">The Devil’s Bath</a></em> opens with a jarring scene: a woman discovers a baby in the woods and, with a grim determination, throws it off a cliff before confessing to a priest. Her subsequent execution is displayed in a chilling tableau, her body left on display in the woods. The story then shifts to a brief respite, highlighting the marriage of Agnes (Anja Plaschg) and Wolf (David Scheid). Wolf surprises Agnes with a home away from her family, which leads to her immediate disillusionment. Despite his good intentions, Wolf’s actions, including giving Agnes a grim token, contribute to her deepening depression.</p> <h3 class="wp-block-heading"><strong>Anja Plaschg’s Agnes: A Heartbreaking Portrayal</strong></h3> <p><em>The Devil’s Bath</em> avoids clichés by presenting Wolf not as an abusive husband but as a well-meaning yet ineffective partner. His mother frequently intervenes, and while she disparages Agnes, Wolf remains compassionate but clueless about how to help. The focus remains on Agnes, played by <a href="https://www.imdb.com/name/nm3914303/" target="_blank" rel="noreferrer noopener">Anja Plaschg</a>, whose performance is strikingly powerful for someone with limited acting experience. The film’s portrayal of Agnes’s descent into despair is portrayed through subtle, haunting visuals rather than overt dramatics, making her plight all the more affecting.</p> <h3 class="wp-block-heading"><strong>A Distinctive Take on Depression</strong></h3> <p>While numerous films have tackled depression, <em>The Devil’s Bath</em> offers a unique perspective by setting its story in a historical context. The term “devil’s bath” reflects the period’s misunderstanding of mental illness, depicting depression as a form of supernatural affliction. Unlike modern depictions of grief or loss, this film explores the profound sense of personal loss and self-destruction experienced by Agnes. The film concludes with a poignant revelation that many throughout history faced similar despair, adding a layer of historical authenticity to the horror. <em>The Devil’s Bath</em> is a profoundly unsettling experience that lingers long after the credits roll, offering a powerful, if harrowing, cinematic journey.</p><p><p>The post <a rel="nofollow" href="https://www.fluxharbor.com/the-devils-bath/">‘The Devil’s Bath’ Review: The Eeriest and Most Disturbing Horror Film You’ll Experience</a> first appeared on <a rel="nofollow" href="https://www.fluxharbor.com">Flux Harbor</a>.</p></p>]]></content:encoded> <wfw:commentRss>https://www.fluxharbor.com/the-devils-bath/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item> <title>‘Kalki 2898 AD’ Review: A Bold Sci-Fi Adventure with a Captivating Universe</title> <link>https://www.fluxharbor.com/kalki-2898-ad-review/</link> <comments>https://www.fluxharbor.com/kalki-2898-ad-review/#respond</comments> <dc:creator><![CDATA[fluxharbor_80idwq]]></dc:creator> <pubDate>Mon, 12 Aug 2024 11:32:38 +0000</pubDate> <category><![CDATA[Entertainment]]></category> <category><![CDATA[kalki 2898 ad]]></category> <category><![CDATA[kalki 2898 ad box office collection]]></category> <category><![CDATA[kalki 2898 ad collection]]></category> <category><![CDATA[kalki 2898 ad near me]]></category> <category><![CDATA[kalki 2898 ad review]]></category> <category><![CDATA[kalki 2898 ad showtimes]]></category> <guid isPermaLink="false">https://www.fluxharbor.com/?p=72</guid> <description><![CDATA[<p>Kalki 2898 AD Review: At first glance, it might seem unusual for a sci-fi film to incorporate genuine supernatural elements. This likely arises from the … </p><p><p>The post <a rel="nofollow" href="https://www.fluxharbor.com/kalki-2898-ad-review/">‘Kalki 2898 AD’ Review: A Bold Sci-Fi Adventure with a Captivating Universe</a> first appeared on <a rel="nofollow" href="https://www.fluxharbor.com">Flux Harbor</a>.</p></p>]]></description> <content:encoded><![CDATA[<p><strong>Kalki 2898 AD Review:</strong> At first glance, it might seem unusual for a sci-fi film to incorporate genuine supernatural elements. This likely arises from the traditional genre boundaries: fantasy and horror often feature supernatural aspects, while science fiction typically adheres to natural laws and technological advancements. However, <em>Kalki 2898 AD</em>, directed by Nag Ashwin, seamlessly merges these two realms. The film presents a compelling narrative that integrates mythological themes with sci-fi concepts, creating a unique and cohesive world. The use of science fiction to explore the implications of reincarnating deities and historical epochs results in a distinct and imaginative setting.</p> <p><em>Kalki 2898 AD</em> is rife with grand ideas, clearly aiming to expand into a broader universe of stories. This approach is reminiscent of modern Hollywood’s tendency to build franchises and multi-part sagas. It’s refreshing to see an international film draw from significant world religions and folklore to create original, high-stakes worldbuilding. While some aspects of this ambitious project are exceptionally well-executed, others occasionally fall short. The film features strong performances and a rich narrative, though certain characters are either underdeveloped or side-tracked. Nonetheless, <em>Kalki 2898 AD</em> offers an engaging experience with a blend of grand concepts and robust character development.</p> <h2 class="wp-block-heading"><strong>Kalki 2898 AD</strong></h2> <p><strong>Action | Adventure | Drama</strong></p> <p>In a dystopian future teetering on the edge of collapse, corrupt rulers exploit technology and religion to maintain control. A mysterious figure emerges, believed to be the prophesied warrior destined to topple the tyrants and restore balance. As he amasses followers, his quest becomes a beacon of hope for the oppressed, challenging the corrupt regime’s very foundation.</p> <p><strong>Director:</strong> Nag Ashwin<br><strong>Writers:</strong> Nag Ashwin<br><strong>Budget:</strong> $75 Million<br><strong>Studio(s):</strong> Vyjayanthi Movies</p> <h3 class="wp-block-heading"><strong>What Is <em>Kalki 2898 AD</em> About?</strong></h3> <p>Set in a distant, dystopian future during the Kali Yuga, the most perilous of the world’s ages, <em><a href="https://www.fluxharbor.com/" target="_blank" rel="noreferrer noopener">Kalki 2898 AD</a></em> follows the aftermath of the Mahābhārata. Krishna’s curse on the warrior Ashwatthama (Amitabh Bachchan) ensures immortality and the protection of Kalki, the future avatar of Vishnu. The last surviving city, Kasi, is plagued by poverty and tyranny under the rule of Supreme Yaskin (Kamal Haasan), who experiments on women in search of a viable pregnancy. The rebel community of Shambala opposes Yaskin’s regime, seeking liberation.</p> <p>Bhairava (Prabhas), a skilled bounty hunter, and his robotic companion, Bujii, become entangled in the conflict when Sumati (Deepika Padukone), who survives Yaskin’s experiments, escapes. Sumati is destined to bear Kalki, awakening Ashwatthama’s dormant power. Bhairava, initially seeking to gain favor with Yaskin, gradually aligns with Ashwatthama and Sumati against the tyrant’s forces as he discovers his own heroic potential.</p> <h3 class="wp-block-heading"><strong><em>Kalki 2898 AD</em> Is an Engaging, High-Concept Sci-Fi Epic</strong></h3> <p>Creating a film based on ancient spiritual texts like the <a href="https://en.wikipedia.org/wiki/Mahabharata" target="_blank" rel="noreferrer noopener">Mahābhārata</a> presents significant challenges. As the longest epic poem ever written, it poses questions about which battles and eras to portray. <em>Kalki 2898 AD</em> excels in handling these challenges by setting its story in a futuristic context, allowing for inventive supernatural elements within a sci-fi framework. This blend results in intriguing worldbuilding and memorable scenes, such as Bhairava’s battle with a demigod in a makeshift mech suit. The film’s approach to mythological characters is refreshing and innovative, marking a notable entry in the international film landscape.</p> <h3 class="wp-block-heading"><strong>Despite some narrative missteps, <em>Kalki 2898 AD</em> excels in its worldbuilding.</strong></h3> <p>As the most expensive film produced in India to date, <em>Kalki 2898 AD</em> ambitiously aims to set the stage for future projects. The expansive lore, striking visuals, and grand battle sequences contribute to its appeal. The film effectively combines fantasy and sci-fi elements, offering a unique viewing experience. However, some narrative elements could benefit from tighter editing and clearer setup. The revelation of Bhairava’s heroic nature, for instance, might seem abrupt without sufficient buildup. Despite these issues, <em>Kalki 2898 AD</em> remains a compelling epic with a distinct genre fusion, strong performances, and an engaging story. It represents a promising new entry into the epic genre, showing potential for future installments.</p><p><p>The post <a rel="nofollow" href="https://www.fluxharbor.com/kalki-2898-ad-review/">‘Kalki 2898 AD’ Review: A Bold Sci-Fi Adventure with a Captivating Universe</a> first appeared on <a rel="nofollow" href="https://www.fluxharbor.com">Flux Harbor</a>.</p></p>]]></content:encoded> <wfw:commentRss>https://www.fluxharbor.com/kalki-2898-ad-review/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item> <title>‘Chlorophyll’ Review: The Poison Ivy Movie We’ve All Been Waiting For | KVIFF 2024</title> <link>https://www.fluxharbor.com/chlorophyll-movie-review/</link> <comments>https://www.fluxharbor.com/chlorophyll-movie-review/#respond</comments> <dc:creator><![CDATA[fluxharbor_80idwq]]></dc:creator> <pubDate>Mon, 12 Aug 2024 11:18:35 +0000</pubDate> <category><![CDATA[Entertainment]]></category> <category><![CDATA[Chlorophyll casts]]></category> <category><![CDATA[Chlorophyll KVIFF 2024]]></category> <category><![CDATA[Chlorophyll movie]]></category> <category><![CDATA[Chlorophyll release date]]></category> <category><![CDATA[Chlorophyll review]]></category> <guid isPermaLink="false">https://www.fluxharbor.com/?p=69</guid> <description><![CDATA[<p>Chlorophyll Review: Many will recognize the famous quote from Indian philosopher Osho that has made countless appearances on Instagram: “If you love a flower, don’t … </p><p><p>The post <a rel="nofollow" href="https://www.fluxharbor.com/chlorophyll-movie-review/">‘Chlorophyll’ Review: The Poison Ivy Movie We’ve All Been Waiting For | KVIFF 2024</a> first appeared on <a rel="nofollow" href="https://www.fluxharbor.com">Flux Harbor</a>.</p></p>]]></description> <content:encoded><![CDATA[<p><strong>Chlorophyll Review</strong>: Many will recognize the famous quote from Indian philosopher Osho that has made countless appearances on Instagram: “If you love a flower, don’t pick it up. Because if you pick it up it dies, and it ceases to be what you love. So if you love a flower, let it be. Love is not about possession. Love is about appreciation.” While this quote might seem clichéd, especially when spotted on a friend’s social media, it immediately came to mind while watching Ivana Gloria’s <em>Chlorophyll</em> (<em>Clorofilla</em> in Italian). </p> <p>In essence, this quote encapsulates the central theme of the entire film. <em>Chlorophyll</em> is a gentle and captivating exploration of one’s connection with nature and the ability to embrace change within oneself. Gloria, present to introduce the film, mentioned that the title revolves around the “fear of change,” something she has personally experienced. This personal touch is evident in every frame, whether focusing on the two main characters or highlighting the endless, enchanting beauty of nature.</p> <h2 class="wp-block-heading"><strong>Chlorophyll (2024)</strong></h2> <p><strong>Not Rated</strong><br><strong>Drama</strong><br><em>Chlorophyll</em> tells the story of a botanist who discovers a groundbreaking method to accelerate plant growth using a new form of chlorophyll. However, as her research advances, she faces unforeseen consequences that threaten the ecological balance and her own survival. Caught between ethical dilemmas and corporate greed, she must decide whether to save humanity or allow nature to take its course.</p> <p><strong>Release Date</strong><br><em>July 3, 2024</em><br><strong>Director</strong><br><em>Ivana Gloria</em><br><strong>Cast</strong><br><em>Sarah Short, Michele Ragno, Domenico De Meo</em><br><strong>Writers</strong><br><em>Marco Borromei</em><br><strong>Studio(s)</strong><br><em>Albedo Production</em></p> <h3 class="wp-block-heading"><strong>What Is ‘Chlorophyll’ About?</strong></h3> <p>Maia (Sarah Short), a green-haired woman in her twenties, is disillusioned with city life. She tries to escape it through partying, but after unfulfilling sexual experiences and vomiting bright green liquid, she decides she’s had enough. She abruptly announces that she won’t be sitting her university exams and takes a job picking oranges in a remote countryside area in exchange for food and lodging. There, she meets Teo (Michele Ragno), a loner of similar age who shuns human interaction. Maia’s employment was arranged without Teo’s consent by his brother and father, with whom he has a strained relationship. It takes time for Maia and Teo to connect; Teo resents losing his solitude, while Maia finds his solitary ways strange.</p> <p>They spend their days picking oranges, with Teo instructing Maia to be gentle with the fruit and even to speak to them tenderly. Slowly, they warm up to each other and form a unique friendship, marked by both unspoken and spoken understanding. Complications arise when Maia catches the eye of Teo’s more socially adept older brother, Arturo (Domenico De Meo). However, this becomes the least of her concerns. </p> <p>There’s a reason Maia has green hair, vomits green bile, and emits a scent Teo has never encountered before—she begins to sprout small blue flowers from her hair. Maia’s connection to nature goes beyond a need to escape urban noise. Through her friendship with Teo and their shared love of the natural world, Maia learns to accept the parts of herself she has always hidden.</p> <p>There are two central elements in <em>Chlorophyll</em>. The first is the friendship or quasi-romance between Maia and Teo. Both are lost souls whose past traumas shape how they live their lives. The death of Teo’s mother, who owned the farm, has led him to believe his purpose is to live in solitude, maintaining a fractured relationship with his brother and father. Since Maia’s first period, she has been in a constant state of confusion about her identity. </p> <p>She derives no pleasure from sexual encounters and keeps her naturally green hair short out of fear that people will discover her true nature—part woman, part flora. Though it may sound fantastical, <em>Chlorophyll</em>’s strength lies in how it grounds its magical realism. The revelation of Maia’s true nature is easy to accept because it unfolds gradually, without dramatic clichés. The film doesn’t focus on how Maia became this way; instead, it emphasizes her journey to self-acceptance—green vomit and all.</p> <h3 class="wp-block-heading"><strong>‘Chlorophyll’ Is a Personal Journey of Bonding and Embracing Oneself</strong><span class="" data-state="closed"><span class="flex h-[30px] w-[30px] items-center justify-center"><path fill="currentColor" fill-rule="evenodd" d="M11 4.91a.5.5 0 0 0-.838-.369L6.676 7.737A1 1 0 0 1 6 8H4a1 1 0 0 0-1 1v6a1 1 0 0 0 1 1h2a1 1 0 0 1 .676.263l3.486 3.196A.5.5 0 0 0 11 19.09zM8.81 3.067C10.415 1.597 13 2.735 13 4.91v14.18c0 2.175-2.586 3.313-4.19 1.843L5.612 18H4a3 3 0 0 1-3-3V9a3 3 0 0 1 3-3h1.611zm11.507 3.29a1 1 0 0 1 1.355.401A10.96 10.96 0 0 1 23 12c0 1.85-.458 3.597-1.268 5.13a1 1 0 1 1-1.768-.934A8.96 8.96 0 0 0 21 12a8.96 8.96 0 0 0-1.085-4.287 1 1 0 0 1 .402-1.356M15.799 7.9a1 1 0 0 1 1.4.2 6.48 6.48 0 0 1 1.3 3.9c0 1.313-.39 2.537-1.06 3.56a1 1 0 0 1-1.673-1.096A4.47 4.47 0 0 0 16.5 12a4.47 4.47 0 0 0-.9-2.7 1 1 0 0 1 .2-1.4" clip-rule="evenodd"></path><path fill="currentColor" fill-rule="evenodd" d="M7 5a3 3 0 0 1 3-3h9a3 3 0 0 1 3 3v9a3 3 0 0 1-3 3h-2v2a3 3 0 0 1-3 3H5a3 3 0 0 1-3-3v-9a3 3 0 0 1 3-3h2zm2 2h5a3 3 0 0 1 3 3v5h2a1 1 0 0 0 1-1V5a1 1 0 0 0-1-1h-9a1 1 0 0 0-1 1zM5 9a1 1 0 0 0-1 1v9a1 1 0 0 0 1 1h9a1 1 0 0 0 1-1v-9a1 1 0 0 0-1-1z" clip-rule="evenodd"></path><path fill="currentColor" d="M3.07 10.876C3.623 6.436 7.41 3 12 3a9.15 9.15 0 0 1 6.012 2.254V4a1 1 0 1 1 2 0v4a1 1 0 0 1-1 1H15a1 1 0 1 1 0-2h1.957A7.15 7.15 0 0 0 12 5a7 7 0 0 0-6.946 6.124 1 1 0 1 1-1.984-.248m16.992 1.132a1 1 0 0 1 .868 1.116C20.377 17.564 16.59 21 12 21a9.15 9.15 0 0 1-6-2.244V20a1 1 0 1 1-2 0v-4a1 1 0 0 1 1-1h4a1 1 0 1 1 0 2H7.043A7.15 7.15 0 0 0 12 19a7 7 0 0 0 6.946-6.124 1 1 0 0 1 1.116-.868"></path><path fill="currentColor" fill-rule="evenodd" d="M11.873 21.496a1 1 0 0 1-.992.496l-.454-.056A4 4 0 0 1 7.1 16.79L7.65 15h-.718c-2.637 0-4.553-2.508-3.859-5.052l1.364-5A4 4 0 0 1 8.296 2h9.709a3 3 0 0 1 3 3v7a3 3 0 0 1-3 3h-2c-.26 0-.5.14-.628.364zM14.005 4h-5.71a2 2 0 0 0-1.929 1.474l-1.363 5A2 2 0 0 0 6.933 13h2.072a1 1 0 0 1 .955 1.294l-.949 3.084a2 2 0 0 0 1.462 2.537l3.167-5.543a2.72 2.72 0 0 1 1.364-1.182V5a1 1 0 0 0-1-1m3 9V5c0-.35-.06-.687-.171-1h1.17a1 1 0 0 1 1 1v7a1 1 0 0 1-1 1z" clip-rule="evenodd"></path></span><path fill="currentColor" d="M19.898.855a.4.4 0 0 0-.795 0c-.123 1.064-.44 1.802-.943 2.305-.503.503-1.241.82-2.306.943a.4.4 0 0 0 .001.794c1.047.119 1.801.436 2.317.942.512.504.836 1.241.93 2.296a.4.4 0 0 0 .796 0c.09-1.038.413-1.792.93-2.308.515-.516 1.269-.839 2.306-.928a.4.4 0 0 0 .001-.797c-1.055-.094-1.792-.418-2.296-.93-.506-.516-.823-1.27-.941-2.317Z"></path><path fill="currentColor" d="M12.001 1.5a1 1 0 0 1 .993.887c.313 2.77 1.153 4.775 2.5 6.146 1.34 1.366 3.3 2.223 6.095 2.47a1 1 0 0 1-.003 1.993c-2.747.238-4.75 1.094-6.123 2.467-1.373 1.374-2.229 3.376-2.467 6.123a1 1 0 0 1-1.992.003c-.248-2.795-1.105-4.754-2.47-6.095-1.372-1.347-3.376-2.187-6.147-2.5a1 1 0 0 1-.002-1.987c2.818-.325 4.779-1.165 6.118-2.504 1.339-1.34 2.179-3.3 2.504-6.118A1 1 0 0 1 12 1.5ZM6.725 11.998c1.234.503 2.309 1.184 3.21 2.069.877.861 1.56 1.888 2.063 3.076.5-1.187 1.18-2.223 2.051-3.094.871-.87 1.907-1.55 3.094-2.05-1.188-.503-2.215-1.187-3.076-2.064-.885-.901-1.566-1.976-2.069-3.21-.505 1.235-1.19 2.3-2.081 3.192-.891.89-1.957 1.576-3.192 2.082Z"></path><span class="overflow-hidden text-clip whitespace-nowrap text-sm"></span></span></h3> <p>Returning to the Osho quote, the prevailing message of <em><a href="https://www.fluxharbor.com/" target="_blank" rel="noreferrer noopener">Chlorophyll</a></em> aligns closely with it. Flowers and people are meant to be appreciated, not possessed, in all their beauty, no matter how unfamiliar they may initially seem. While Maia’s journey is central, her relationship with Teo is pivotal to it. Initially, they seem to have little in common—Maia is more outspoken and confident, hailing from a big city, while Teo is shy and prefers solitude. </p> <p>However, Teo becomes the first person to appreciate Maia for who she truly is. He creates a fragrance from the flowers that sprout from her hair and tenderly comforts her when she feels overwhelmed by her condition. She, in turn, inspires him to be more open to human interaction. They lie side by side, sharing thoughts they’ve never expressed before. It’s a human connection both have longed for, born from the parts of themselves they believed no one would ever understand.</p> <p>At just 75 minutes, <em>Chlorophyll</em> is a film rich in intimacy. Director Ivana Gloria skillfully pairs Marco Borromei’s script with breathtaking visuals. Nearly every shot is infused with vibrant green hues, whether from Maia or the stunning Italian countryside. Indoors or outdoors, plants are woven throughout the setting, enveloping the actors and creating a sense of a world that is both infinite and entirely their own. The film exudes sensuality, reminiscent of Luca Guadagnino’s <em>Call Me By Your Name</em>, where the natural environment serves as the perfect backdrop for self-discovery and exploration. <em>Chlorophyll</em> interlaces humans and nature, with Gloria emphasizing this connection from beginning to end as Maia embraces the changes in her body.</p> <h3 class="wp-block-heading"><strong>Sarah Short and Michele Ragno Share Dynamic Chemistry in ‘Chlorophyll’</strong></h3> <p>The film relies on the chemistry between Short and Ragno, and it does not disappoint. Their sweet friendship carries an undercurrent of unrequited romance, with a classic love triangle adding drama to their relationship. However, this is where the film most closely aligns with the Osho quote—it’s not crucial whether the two end up together, as Maia is not meant to be possessed but appreciated, and Teo is the first to offer her that. </p> <p>Short delivers a passionate performance, portraying Maia’s journey from discontent to acceptance with raw vulnerability that permeates every scene. Ragno, as Teo, portrays a shy yet resilient young man who, despite lacking greenery in his hair, is just as lost as Maia. Together, they create a compelling on-screen duo, adding to the film’s sensuality and intimacy without needing physical romance.</p> <p><em>Chlorophyll</em> is a film to be savored. Like her Italian contemporaries, <a href="https://www.imdb.com/name/nm15415611/" target="_blank" rel="noreferrer noopener">Ivana Gloria</a> transforms the untamed outdoors into the ideal setting for a coming-of-age story. Saturated with sensual and vibrant natural imagery, <em>Chlorophyll</em> serves as a poignant reminder of the deep connection between humans and nature, emphasizing that both should be cherished, not controlled.</p><p><p>The post <a rel="nofollow" href="https://www.fluxharbor.com/chlorophyll-movie-review/">‘Chlorophyll’ Review: The Poison Ivy Movie We’ve All Been Waiting For | KVIFF 2024</a> first appeared on <a rel="nofollow" href="https://www.fluxharbor.com">Flux Harbor</a>.</p></p>]]></content:encoded> <wfw:commentRss>https://www.fluxharbor.com/chlorophyll-movie-review/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item> <title>‘Cabo Negro’ Review: A Battle Between Fear and Heart in a Unique Drama | KVIFF 2024</title> <link>https://www.fluxharbor.com/cabo-negro-review/</link> <comments>https://www.fluxharbor.com/cabo-negro-review/#respond</comments> <dc:creator><![CDATA[fluxharbor_80idwq]]></dc:creator> <pubDate>Mon, 12 Aug 2024 10:57:37 +0000</pubDate> <category><![CDATA[Entertainment]]></category> <category><![CDATA[cabo negro]]></category> <category><![CDATA[cabo negro beach]]></category> <category><![CDATA[cabo negro marruecos]]></category> <category><![CDATA[cabo negro morocco]]></category> <category><![CDATA[cabo negro movie]]></category> <category><![CDATA[location vacances cabo negro]]></category> <guid isPermaLink="false">https://www.fluxharbor.com/?p=66</guid> <description><![CDATA[<p>Cabo Negro Review: Slow cinema isn’t everyone’s cup of tea, and distinguishing between a slow-burn narrative and a film with a paper-thin plot can be … </p><p><p>The post <a rel="nofollow" href="https://www.fluxharbor.com/cabo-negro-review/">‘Cabo Negro’ Review: A Battle Between Fear and Heart in a Unique Drama | KVIFF 2024</a> first appeared on <a rel="nofollow" href="https://www.fluxharbor.com">Flux Harbor</a>.</p></p>]]></description> <content:encoded><![CDATA[<p><strong>Cabo Negro Review:</strong> Slow cinema isn’t everyone’s cup of tea, and distinguishing between a slow-burn narrative and a film with a paper-thin plot can be tricky. Abdellah Taïa’s <em>Cabo Negro</em>, a collaboration between France and Morocco, spends its initial half testing the audience’s patience, offering no plot exposition or backstory. This lack of immediate narrative direction might frustrate some viewers. However, as the story gradually unfolds and Taïa’s themes become clear, the film transforms into a poignant and heartbreaking exploration of individuals seeking their place in the world. </p> <p>While the plot might be sparse, Taïa compensates with breathtaking visuals and impactful sequences. I experienced a rare shift from disliking the film for its seemingly aimless progression to being deeply moved by its eventual message. It’s unfortunate that the first 45 minutes feel so barren, as an expanded plot could have elevated <em>Cabo Negro</em> to excellence. Nevertheless, there’s still much to admire in the film as it stands.</p> <h3 class="wp-block-heading">Cabo Negro (2024)</h3> <p><strong>Drama</strong><br>In <em>Cabo Negro</em>, Soundouss and Jaâfar, two young people from Casablanca, find themselves at a luxurious villa rented by Jaâfar’s American lover, who never appears. With no way to contact him, they decide to make the most of their holiday, reflecting on their lives and relationships in the process.</p> <p><strong>Director</strong><br>Abdellah Taïa<br><strong>Cast</strong><br>Oumaïma Barid, Youness Beyej, Julian Compan, Manal Fatah, Mohamed Amine Kihal<br><strong>Runtime</strong><br>76 Minutes</p> <h3 class="wp-block-heading">What Is ‘Cabo Negro’ About?</h3> <p>Jaafar (Youness Beyej) and Soundouss (Oumaima Barid), two friends in their late teens or early 20s, arrive at a pristine villa in Cabo Negro, Morocco, expecting to be hosted by Jonathan, a wealthy American who is also Jaafar’s seasonal lover. However, when Jonathan fails to show up and becomes unreachable, the two friends spend their days enjoying the beach and their luxurious surroundings. But as Jonathan continues to avoid contact and the villa owner grows hostile, their idyllic holiday is cut short. Running out of money, they resort to sex work to survive. What begins as a dream vacation turns into a harsh reminder of their realities and the inescapability of their past.</p> <h3 class="wp-block-heading">Cabo Negro’s First Half: A Test of Patience</h3> <p>The first 45 minutes of <em><a href="https://www.fluxharbor.com/" target="_blank" rel="noreferrer noopener">Cabo Negro</a></em> are a severe test of patience, with little plot setup or backstory provided. Jaafar and Soundouss speak sparingly, and scenes of silence or minimal dialogue stretch to the point of almost feeling absurd. The lack of apparent themes or ideas during this time can be frustrating. However, once the narrative kicks in, the film reveals its heart. This shift begins when a heartbroken Soundouss visits a shop to print photos of her ex-girlfriend, still deeply in love with her. As Soundouss adores the photos, the shop attendant looks at her with a mix of endearment and sympathy, wishing her “Good luck” as she leaves, happy.</p> <h3 class="wp-block-heading">The Subtle Moments That Define Cabo Negro</h3> <p><em>Cabo Negro</em> is built on these small, subtle moments, which accumulate to reveal the film’s true focus: community. Displaced and disenfranchised, Jaafar and Soundouss have no home and must work by any means necessary to maintain their temporary one. Despite their queer identities, they remain connected to their Muslim faith, even though it is intolerant of their sexuality. Jaafar, for instance, continues his daily prayers despite being gay. This conflict between faith and identity has clearly marked the two young people, leading to a disassociation as they turn to sex work. The film captures the darker aspects of their lives with a mundane detachment, emphasizing how much they have resigned themselves to a lifestyle forced upon them.</p> <h3 class="wp-block-heading">Cabo Negro’s Second Half: A Heartfelt Conclusion</h3> <p>The film’s most powerful scene, encapsulating its message, occurs when Soundouss prepares a large couscous and meat dish, bringing it outside to share with Jaafar, his new boyfriend Mounir, and other transient individuals. As they eat together, some using spoons, others with their hands, the silence speaks volumes. This moment of shared experience and community, captured beautifully by Taïa, offers a profound image that justifies the slow buildup of the film’s first half.</p> <p>In any slow-burn film, the weight of the story often falls on the performers. <a href="https://www.imdb.com/name/nm14871314/" target="_blank" rel="noreferrer noopener">Youness Beyej</a> and Oumaima Barid’s understated performances may not seem groundbreaking at first, but as the narrative unfolds, so do their characters. Jaafar’s dark past, filled with trauma, is revealed through their conversations, hinting at the difficulties they face due to their sexuality. Yet, they are not defined solely by their hardships. </p> <p>Barid brings a naive but infectious joy to her role, particularly in moments where she interacts with her girlfriend or prepares a meal for others. Beyej portrays Jaafar’s need for love with thoughtfulness, making the pair characters you can’t help but root for. Despite the tragic circumstances of their lives, they maintain a sense of hope that they will eventually find a place to call home.</p> <p><em>Cabo Negro</em> may not be a film for everyone, but those who can endure its slow pace and minimalist approach will discover a powerful story with heartfelt messages. Taïa’s storytelling is commendable for its restraint, avoiding melodrama or exploitation even in the film’s more uncomfortable and upsetting moments. Instead, he presents a slice of life that offers insight into the daily struggles some face to find a semblance of peace.</p><p><p>The post <a rel="nofollow" href="https://www.fluxharbor.com/cabo-negro-review/">‘Cabo Negro’ Review: A Battle Between Fear and Heart in a Unique Drama | KVIFF 2024</a> first appeared on <a rel="nofollow" href="https://www.fluxharbor.com">Flux Harbor</a>.</p></p>]]></content:encoded> <wfw:commentRss>https://www.fluxharbor.com/cabo-negro-review/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> </channel></rss> If you would like to create a banner that links to this page (i.e. this validation result), do the following:
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