Congratulations!

[Valid RSS] This is a valid RSS feed.

Recommendations

This feed is valid, but interoperability with the widest range of feed readers could be improved by implementing the following recommendations.

Source: http://feeds.feedburner.com/behance/vorr

  1. <?xml version="1.0" encoding="utf-8" ?>
  2. <rss xmlns:content="http://purl.org/rss/1.0/modules/content/" version="2.0">
  3. <channel>
  4.  <title><![CDATA[ Featured Projects]]></title>
  5.  <link>http://www.behance.net</link>
  6.  <description><![CDATA[The latest projects featured on the ]]></description>
  7.  <pubDate>Thu, 16 May 2024 05:27:49 +0000</pubDate>
  8.  <language>en-us</language>
  9.        <item>
  10.        <title><![CDATA[Plywood Paradise]]></title>
  11.        <link><![CDATA[https://www.behance.net/gallery/198013327/Plywood-Paradise]]></link>
  12.        <guid><![CDATA[https://www.behance.net/gallery/198013327/Plywood-Paradise]]></guid>
  13.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/fa90fb198013327.Y3JvcCwxNTk4LDEyNDksMCww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  14.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/fa90fb198013327.Y3JvcCwxNTk4LDEyNDksMCww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  15.        <pubDate><![CDATA[Thu, 16 May 2024 04:30:13 +0000]]></pubDate>
  16.      </item>
  17.        <item>
  18.        <title><![CDATA[Glimmerock | Branding &amp; Visual Identity]]></title>
  19.        <link><![CDATA[https://www.behance.net/gallery/198492353/Glimmerock-Branding-Visual-Identity]]></link>
  20.        <guid><![CDATA[https://www.behance.net/gallery/198492353/Glimmerock-Branding-Visual-Identity]]></guid>
  21.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/bd72e5198492353.Y3JvcCwxNDAwLDEwOTUsMCwyNA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  22.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/bd72e5198492353.Y3JvcCwxNDAwLDEwOTUsMCwyNA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  23.        <pubDate><![CDATA[Thu, 16 May 2024 00:00:41 +0000]]></pubDate>
  24.      </item>
  25.        <item>
  26.        <title><![CDATA[Microsoft Illustration Library]]></title>
  27.        <link><![CDATA[https://www.behance.net/gallery/198436079/Microsoft-Illustration-Library]]></link>
  28.        <guid><![CDATA[https://www.behance.net/gallery/198436079/Microsoft-Illustration-Library]]></guid>
  29.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/e68b15198436079.Y3JvcCwyODc2LDIyNTAsMjI3LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  30.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/e68b15198436079.Y3JvcCwyODc2LDIyNTAsMjI3LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  31.        <pubDate><![CDATA[Wed, 15 May 2024 20:00:18 +0000]]></pubDate>
  32.      </item>
  33.        <item>
  34.        <title><![CDATA[Salt Flows]]></title>
  35.        <link><![CDATA[https://www.behance.net/gallery/198376215/Salt-Flows]]></link>
  36.        <guid><![CDATA[https://www.behance.net/gallery/198376215/Salt-Flows]]></guid>
  37.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/01da7a198376215.Y3JvcCwxMzc4LDEwNzgsNiwxMjY.jpg' style='float:left; margin-right:15px;' /><br /> Salt Flows - Aerial Photography
  38.  
  39. On the surface of salt lakes in different countries you can find small particles of salt which can almost only be seen from an aerial perspective. Formed through the process of evaporation, where water evaporates and leaves behind the dissolved salts, these particles appear as a thin crust in various shapes.
  40.  
  41. Under certain lighting conditions and weather circumstances, these salt particles can create pretty surreal appearances. They can refract incoming light, thus producing different colors and patterns on the water surface. Depending on the position of the sun and the wind, these salt particles can also come together to form interesting formations that captivate the eye.
  42.  
  43. To show the unique salt formations all works were shot from helicopter by using high resolution cameras. The details and fine particles seems to be endless when seen on a large print.]]></description>
  44.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/01da7a198376215.Y3JvcCwxMzc4LDEwNzgsNiwxMjY.jpg' style='float:left; margin-right:15px;' /><br /> Salt Flows - Aerial Photography
  45.  
  46. On the surface of salt lakes in different countries you can find small particles of salt which can almost only be seen from an aerial perspective. Formed through the process of evaporation, where water evaporates and leaves behind the dissolved salts, these particles appear as a thin crust in various shapes.
  47.  
  48. Under certain lighting conditions and weather circumstances, these salt particles can create pretty surreal appearances. They can refract incoming light, thus producing different colors and patterns on the water surface. Depending on the position of the sun and the wind, these salt particles can also come together to form interesting formations that captivate the eye.
  49.  
  50. To show the unique salt formations all works were shot from helicopter by using high resolution cameras. The details and fine particles seems to be endless when seen on a large print.]]></content:encoded>
  51.        <pubDate><![CDATA[Wed, 15 May 2024 16:00:08 +0000]]></pubDate>
  52.      </item>
  53.        <item>
  54.        <title><![CDATA[Rotermann ? The Bold Town of Tallinn]]></title>
  55.        <link><![CDATA[https://www.behance.net/gallery/189065713/Rotermann-The-Bold-Town-of-Tallinn]]></link>
  56.        <guid><![CDATA[https://www.behance.net/gallery/189065713/Rotermann-The-Bold-Town-of-Tallinn]]></guid>
  57.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c85757189065713.Y3JvcCwxMTkyLDkzMywyLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  58.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c85757189065713.Y3JvcCwxMTkyLDkzMywyLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  59.        <pubDate><![CDATA[Wed, 15 May 2024 12:00:07 +0000]]></pubDate>
  60.      </item>
  61.        <item>
  62.        <title><![CDATA[Summer vibes]]></title>
  63.        <link><![CDATA[https://www.behance.net/gallery/198114723/Summer-vibes]]></link>
  64.        <guid><![CDATA[https://www.behance.net/gallery/198114723/Summer-vibes]]></guid>
  65.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a0fd16198114723.Y3JvcCw3MTgsNTYyLDM3NSwyMTU.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  66.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a0fd16198114723.Y3JvcCw3MTgsNTYyLDM3NSwyMTU.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  67.        <pubDate><![CDATA[Wed, 15 May 2024 08:00:06 +0000]]></pubDate>
  68.      </item>
  69.        <item>
  70.        <title><![CDATA[Green Growth Futura]]></title>
  71.        <link><![CDATA[https://www.behance.net/gallery/196059457/Green-Growth-Futura]]></link>
  72.        <guid><![CDATA[https://www.behance.net/gallery/196059457/Green-Growth-Futura]]></guid>
  73.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/6b62b6196059457.Y3JvcCwxNzc1LDEzODksNTAxLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  74.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/6b62b6196059457.Y3JvcCwxNzc1LDEzODksNTAxLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  75.        <pubDate><![CDATA[Wed, 15 May 2024 04:00:11 +0000]]></pubDate>
  76.      </item>
  77.        <item>
  78.        <title><![CDATA[Collection of colorful Lifestyle illustration 03]]></title>
  79.        <link><![CDATA[https://www.behance.net/gallery/198443287/Collection-of-colorful-Lifestyle-illustration-03]]></link>
  80.        <guid><![CDATA[https://www.behance.net/gallery/198443287/Collection-of-colorful-Lifestyle-illustration-03]]></guid>
  81.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/0a2390198443287.Y3JvcCwxMDgwLDg0NSwxMDYsMTQx.jpg' style='float:left; margin-right:15px;' /><br /> This project merges digitally crafted characters with analog techniques such as acrylic markers and watercolours resulting in vibrant, lively, and energetic artwork suitable for campaigns and magazine editorials. 
  82.  
  83. This self-initiated endeavour was crafted using Adobe Fresco and Adobe Illustrator, with additional patterns created using acrylic markers and watercolour.]]></description>
  84.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/0a2390198443287.Y3JvcCwxMDgwLDg0NSwxMDYsMTQx.jpg' style='float:left; margin-right:15px;' /><br /> This project merges digitally crafted characters with analog techniques such as acrylic markers and watercolours resulting in vibrant, lively, and energetic artwork suitable for campaigns and magazine editorials. 
  85.  
  86. This self-initiated endeavour was crafted using Adobe Fresco and Adobe Illustrator, with additional patterns created using acrylic markers and watercolour.]]></content:encoded>
  87.        <pubDate><![CDATA[Wed, 15 May 2024 00:00:07 +0000]]></pubDate>
  88.      </item>
  89.        <item>
  90.        <title><![CDATA[Krallerhof - Branding]]></title>
  91.        <link><![CDATA[https://www.behance.net/gallery/198526047/Krallerhof-Branding]]></link>
  92.        <guid><![CDATA[https://www.behance.net/gallery/198526047/Krallerhof-Branding]]></guid>
  93.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/55a073198526047.Y3JvcCw5OTksNzgyLDAsNA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  94.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/55a073198526047.Y3JvcCw5OTksNzgyLDAsNA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  95.        <pubDate><![CDATA[Tue, 14 May 2024 19:30:45 +0000]]></pubDate>
  96.      </item>
  97.        <item>
  98.        <title><![CDATA[Hinterland II]]></title>
  99.        <link><![CDATA[https://www.behance.net/gallery/198214471/Hinterland-II]]></link>
  100.        <guid><![CDATA[https://www.behance.net/gallery/198214471/Hinterland-II]]></guid>
  101.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/43d118198214471.Y3JvcCwxMTkyLDkzMywyMDMsMA.jpg' style='float:left; margin-right:15px;' /><br /> Scars of human presence punctuate this hostile environment, where unknown chemical elements now surface from their captivity.]]></description>
  102.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/43d118198214471.Y3JvcCwxMTkyLDkzMywyMDMsMA.jpg' style='float:left; margin-right:15px;' /><br /> Scars of human presence punctuate this hostile environment, where unknown chemical elements now surface from their captivity.]]></content:encoded>
  103.        <pubDate><![CDATA[Tue, 14 May 2024 06:30:08 +0000]]></pubDate>
  104.      </item>
  105.        <item>
  106.        <title><![CDATA[Colorau]]></title>
  107.        <link><![CDATA[https://www.behance.net/gallery/198214097/Colorau]]></link>
  108.        <guid><![CDATA[https://www.behance.net/gallery/198214097/Colorau]]></guid>
  109.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/759346198214097.Y3JvcCw3MjUsNTY3LDM1MSwxMDQ.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  110.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/759346198214097.Y3JvcCw3MjUsNTY3LDM1MSwxMDQ.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  111.        <pubDate><![CDATA[Tue, 14 May 2024 02:00:51 +0000]]></pubDate>
  112.      </item>
  113.        <item>
  114.        <title><![CDATA[City Kickboxing for Europop / Tbilisi Design Festival]]></title>
  115.        <link><![CDATA[https://www.behance.net/gallery/196544737/City-Kickboxing-for-Europop-Tbilisi-Design-Festival]]></link>
  116.        <guid><![CDATA[https://www.behance.net/gallery/196544737/City-Kickboxing-for-Europop-Tbilisi-Design-Festival]]></guid>
  117.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/b4dd4a196544737.Y3JvcCw2NjQ4LDUyMDAsMTY3OCww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  118.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/b4dd4a196544737.Y3JvcCw2NjQ4LDUyMDAsMTY3OCww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  119.        <pubDate><![CDATA[Mon, 13 May 2024 21:30:42 +0000]]></pubDate>
  120.      </item>
  121.        <item>
  122.        <title><![CDATA[Peden + Munk]]></title>
  123.        <link><![CDATA[https://www.behance.net/gallery/198255887/Peden-Munk]]></link>
  124.        <guid><![CDATA[https://www.behance.net/gallery/198255887/Peden-Munk]]></guid>
  125.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/0b23b3198255887.Y3JvcCwxNDAwLDEwOTUsMCw4Mw.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  126.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/0b23b3198255887.Y3JvcCwxNDAwLDEwOTUsMCw4Mw.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  127.        <pubDate><![CDATA[Mon, 13 May 2024 13:30:09 +0000]]></pubDate>
  128.      </item>
  129.        <item>
  130.        <title><![CDATA[NIKE CNY Zodiac Avatars ????]]></title>
  131.        <link><![CDATA[https://www.behance.net/gallery/197391111/NIKE-CNY-Zodiac-Avatars-]]></link>
  132.        <guid><![CDATA[https://www.behance.net/gallery/197391111/NIKE-CNY-Zodiac-Avatars-]]></guid>
  133.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/9154e8197391111.Y3JvcCwxMzgwLDEwODAsMjAsMA.jpg' style='float:left; margin-right:15px;' /><br /> Zodiac CNY Avatars for NIKE Membership]]></description>
  134.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/9154e8197391111.Y3JvcCwxMzgwLDEwODAsMjAsMA.jpg' style='float:left; margin-right:15px;' /><br /> Zodiac CNY Avatars for NIKE Membership]]></content:encoded>
  135.        <pubDate><![CDATA[Mon, 13 May 2024 09:30:12 +0000]]></pubDate>
  136.      </item>
  137.        <item>
  138.        <title><![CDATA[Woohoop]]></title>
  139.        <link><![CDATA[https://www.behance.net/gallery/197730331/Woohoop]]></link>
  140.        <guid><![CDATA[https://www.behance.net/gallery/197730331/Woohoop]]></guid>
  141.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/246470197730331.Y3JvcCwxNzg0LDEzOTUsMTA1LDUy.jpg' style='float:left; margin-right:15px;' /><br /> Woohoop is a leading company in the customized packaging sector and for this reason they called us to do their rebranding. Since they work with clients from all over the world, including Coca Cola, Siemens, Instagram Disney and many others, their catalog is obviously immense.
  142. They therefore asked us to be able to divide their vastness of products into subcategories and we, obviously following our unmistakable style, decided that for each category a color and a geometric shape are used which, repeating themselves to form a pattern, give life to an almost infinite number of possible combinations. The shapes and colors are instead mixed together for the web page and presentations, in order to represent the true essence of the company.]]></description>
  143.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/246470197730331.Y3JvcCwxNzg0LDEzOTUsMTA1LDUy.jpg' style='float:left; margin-right:15px;' /><br /> Woohoop is a leading company in the customized packaging sector and for this reason they called us to do their rebranding. Since they work with clients from all over the world, including Coca Cola, Siemens, Instagram Disney and many others, their catalog is obviously immense.
  144. They therefore asked us to be able to divide their vastness of products into subcategories and we, obviously following our unmistakable style, decided that for each category a color and a geometric shape are used which, repeating themselves to form a pattern, give life to an almost infinite number of possible combinations. The shapes and colors are instead mixed together for the web page and presentations, in order to represent the true essence of the company.]]></content:encoded>
  145.        <pubDate><![CDATA[Mon, 13 May 2024 05:30:06 +0000]]></pubDate>
  146.      </item>
  147.        <item>
  148.        <title><![CDATA[Ireland]]></title>
  149.        <link><![CDATA[https://www.behance.net/gallery/198274315/Ireland]]></link>
  150.        <guid><![CDATA[https://www.behance.net/gallery/198274315/Ireland]]></guid>
  151.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/ecbc17198274315.Y3JvcCwxMTkyLDkzMywxMDMsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  152.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/ecbc17198274315.Y3JvcCwxMTkyLDkzMywxMDMsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  153.        <pubDate><![CDATA[Mon, 13 May 2024 01:30:08 +0000]]></pubDate>
  154.      </item>
  155.        <item>
  156.        <title><![CDATA[Expanded]]></title>
  157.        <link><![CDATA[https://www.behance.net/gallery/197618351/Expanded]]></link>
  158.        <guid><![CDATA[https://www.behance.net/gallery/197618351/Expanded]]></guid>
  159.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/4c0a9e197618351.Y3JvcCwxNzAxLDEzMzAsNjQ4LDEzOA.png' style='float:left; margin-right:15px;' /><br /> Illustration and digital motion graphics were used to craft captivating visuals for the Baby Audio BA-1 synthesizer expansion sound packs, which are now distributed alongside the updated release of the software plugin.
  160.  
  161. Baby Audio is California based audio/ai software company behind the BA-1 analog-modeled synth that brings you closer than ever to pure and authentic 1980s textures in a plugin. Just like the real hardware, it's dead-simple to program, surprisingly versatile, and dripping with sonic color.]]></description>
  162.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/4c0a9e197618351.Y3JvcCwxNzAxLDEzMzAsNjQ4LDEzOA.png' style='float:left; margin-right:15px;' /><br /> Illustration and digital motion graphics were used to craft captivating visuals for the Baby Audio BA-1 synthesizer expansion sound packs, which are now distributed alongside the updated release of the software plugin.
  163.  
  164. Baby Audio is California based audio/ai software company behind the BA-1 analog-modeled synth that brings you closer than ever to pure and authentic 1980s textures in a plugin. Just like the real hardware, it's dead-simple to program, surprisingly versatile, and dripping with sonic color.]]></content:encoded>
  165.        <pubDate><![CDATA[Sun, 12 May 2024 18:30:11 +0000]]></pubDate>
  166.      </item>
  167.        <item>
  168.        <title><![CDATA[Slomo Streetwear]]></title>
  169.        <link><![CDATA[https://www.behance.net/gallery/197921359/Slomo-Streetwear]]></link>
  170.        <guid><![CDATA[https://www.behance.net/gallery/197921359/Slomo-Streetwear]]></guid>
  171.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a5fa59197921359.Y3JvcCwxMDA3LDc4OCwyMDQsMA.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  172.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a5fa59197921359.Y3JvcCwxMDA3LDc4OCwyMDQsMA.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  173.        <pubDate><![CDATA[Sun, 12 May 2024 14:30:08 +0000]]></pubDate>
  174.      </item>
  175.        <item>
  176.        <title><![CDATA[RANDOM ILLUSTRATIONS]]></title>
  177.        <link><![CDATA[https://www.behance.net/gallery/197287403/RANDOM-ILLUSTRATIONS]]></link>
  178.        <guid><![CDATA[https://www.behance.net/gallery/197287403/RANDOM-ILLUSTRATIONS]]></guid>
  179.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/74e0d7197287403.Y3JvcCw4NjAsNjczLDE3MCwyMTA.jpg' style='float:left; margin-right:15px;' /><br /> Some random illustrations.]]></description>
  180.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/74e0d7197287403.Y3JvcCw4NjAsNjczLDE3MCwyMTA.jpg' style='float:left; margin-right:15px;' /><br /> Some random illustrations.]]></content:encoded>
  181.        <pubDate><![CDATA[Sun, 12 May 2024 10:30:05 +0000]]></pubDate>
  182.      </item>
  183.        <item>
  184.        <title><![CDATA[LG Family]]></title>
  185.        <link><![CDATA[https://www.behance.net/gallery/197889277/LG-Family]]></link>
  186.        <guid><![CDATA[https://www.behance.net/gallery/197889277/LG-Family]]></guid>
  187.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/76670e197889277.Y3JvcCwyMzk3LDE4NzUsNTMsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  188.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/76670e197889277.Y3JvcCwyMzk3LDE4NzUsNTMsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  189.        <pubDate><![CDATA[Sun, 12 May 2024 06:30:07 +0000]]></pubDate>
  190.      </item>
  191.        <item>
  192.        <title><![CDATA[Enterprise magazine]]></title>
  193.        <link><![CDATA[https://www.behance.net/gallery/197912225/Enterprise-magazine]]></link>
  194.        <guid><![CDATA[https://www.behance.net/gallery/197912225/Enterprise-magazine]]></guid>
  195.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/66a550197912225.Y3JvcCwyMTU4LDE2ODgsMjE5LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  196.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/66a550197912225.Y3JvcCwyMTU4LDE2ODgsMjE5LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  197.        <pubDate><![CDATA[Sun, 12 May 2024 02:30:10 +0000]]></pubDate>
  198.      </item>
  199.        <item>
  200.        <title><![CDATA[Pesquera Diez]]></title>
  201.        <link><![CDATA[https://www.behance.net/gallery/197898285/Pesquera-Diez]]></link>
  202.        <guid><![CDATA[https://www.behance.net/gallery/197898285/Pesquera-Diez]]></guid>
  203.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/2551ec197898285.Y3JvcCwyMDQ1LDE2MDAsMTc3LDA.jpg' style='float:left; margin-right:15px;' /><br /> Pesquera Diez (P10) is an architecture studio based in Spain and Mexico that believes in the power of architecture to transform, inspire, and elevate. P10 is committed to innovation, sustainability, and the unique story of each client, weaving these elements into the fabric of their architectural designs.]]></description>
  204.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/2551ec197898285.Y3JvcCwyMDQ1LDE2MDAsMTc3LDA.jpg' style='float:left; margin-right:15px;' /><br /> Pesquera Diez (P10) is an architecture studio based in Spain and Mexico that believes in the power of architecture to transform, inspire, and elevate. P10 is committed to innovation, sustainability, and the unique story of each client, weaving these elements into the fabric of their architectural designs.]]></content:encoded>
  205.        <pubDate><![CDATA[Sat, 11 May 2024 22:01:09 +0000]]></pubDate>
  206.      </item>
  207.        <item>
  208.        <title><![CDATA[Illustration series for UNESCO Uzbekistan]]></title>
  209.        <link><![CDATA[https://www.behance.net/gallery/197708329/Illustration-series-for-UNESCO-Uzbekistan]]></link>
  210.        <guid><![CDATA[https://www.behance.net/gallery/197708329/Illustration-series-for-UNESCO-Uzbekistan]]></guid>
  211.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/46d6db197708329.Y3JvcCwyODAwLDIxOTAsMCw2.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  212.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/46d6db197708329.Y3JvcCwyODAwLDIxOTAsMCw2.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  213.        <pubDate><![CDATA[Sat, 11 May 2024 18:00:13 +0000]]></pubDate>
  214.      </item>
  215.        <item>
  216.        <title><![CDATA[Logos + Logotypes]]></title>
  217.        <link><![CDATA[https://www.behance.net/gallery/198041303/Logos-Logotypes]]></link>
  218.        <guid><![CDATA[https://www.behance.net/gallery/198041303/Logos-Logotypes]]></guid>
  219.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/f382ce198041303.Y3JvcCwyNzYxLDIxNjAsNTQwLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  220.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/f382ce198041303.Y3JvcCwyNzYxLDIxNjAsNTQwLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  221.        <pubDate><![CDATA[Sat, 11 May 2024 14:00:11 +0000]]></pubDate>
  222.      </item>
  223.        <item>
  224.        <title><![CDATA[STUDIO GHIBLI Posters Collection]]></title>
  225.        <link><![CDATA[https://www.behance.net/gallery/198024255/STUDIO-GHIBLI-Posters-Collection]]></link>
  226.        <guid><![CDATA[https://www.behance.net/gallery/198024255/STUDIO-GHIBLI-Posters-Collection]]></guid>
  227.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/0ad0a4198024255.Y3JvcCwxMDc1LDg0MSw0NzYsNw.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  228.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/0ad0a4198024255.Y3JvcCwxMDc1LDg0MSw0NzYsNw.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  229.        <pubDate><![CDATA[Sat, 11 May 2024 10:00:13 +0000]]></pubDate>
  230.      </item>
  231.        <item>
  232.        <title><![CDATA[ATLAS]]></title>
  233.        <link><![CDATA[https://www.behance.net/gallery/196268777/ATLAS]]></link>
  234.        <guid><![CDATA[https://www.behance.net/gallery/196268777/ATLAS]]></guid>
  235.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/e05fef196268777.Y3JvcCwxMDA2LDc4NiwwLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  236.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/e05fef196268777.Y3JvcCwxMDA2LDc4NiwwLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  237.        <pubDate><![CDATA[Sat, 11 May 2024 06:00:06 +0000]]></pubDate>
  238.      </item>
  239.        <item>
  240.        <title><![CDATA[Trending 2024]]></title>
  241.        <link><![CDATA[https://www.behance.net/gallery/198083951/Trending-2024]]></link>
  242.        <guid><![CDATA[https://www.behance.net/gallery/198083951/Trending-2024]]></guid>
  243.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/93285c198083951.Y3JvcCwxMjI1LDk1OCwzODgsMTIxMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  244.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/93285c198083951.Y3JvcCwxMjI1LDk1OCwzODgsMTIxMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  245.        <pubDate><![CDATA[Sat, 11 May 2024 02:00:07 +0000]]></pubDate>
  246.      </item>
  247.        <item>
  248.        <title><![CDATA[FH Lecturis (Font Family)]]></title>
  249.        <link><![CDATA[https://www.behance.net/gallery/198068245/FH-Lecturis-%28Font-Family%29]]></link>
  250.        <guid><![CDATA[https://www.behance.net/gallery/198068245/FH-Lecturis-%28Font-Family%29]]></guid>
  251.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/00825c198068245.Y3JvcCwxNjgzLDEzMTYsMCww.jpg' style='float:left; margin-right:15px;' /><br /> About FH Lecturis
  252.  
  253. A typeface is a journey that delves into the deepest layers of a language's visual landscape. Each letter, each line, emerges from the designer's mental landscape, transforming a text not only into something readable but also into a work of art. FH Lecturis is the expression of a creative dialogue where modernity and tradition intersect.
  254.  
  255. FH Lecturis, a typeface grounded in the robust foundations of Akzidenz Grotesk but inspired by Wim Crouwel's contemporary grid system, is more than just a collection of letters?it is a design manifesto. It gracefully exhibits a harmonic dance between classical cuts and rounded corners, navigating the delicate balance between traditional and modern aesthetics.]]></description>
  256.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/00825c198068245.Y3JvcCwxNjgzLDEzMTYsMCww.jpg' style='float:left; margin-right:15px;' /><br /> About FH Lecturis
  257.  
  258. A typeface is a journey that delves into the deepest layers of a language's visual landscape. Each letter, each line, emerges from the designer's mental landscape, transforming a text not only into something readable but also into a work of art. FH Lecturis is the expression of a creative dialogue where modernity and tradition intersect.
  259.  
  260. FH Lecturis, a typeface grounded in the robust foundations of Akzidenz Grotesk but inspired by Wim Crouwel's contemporary grid system, is more than just a collection of letters?it is a design manifesto. It gracefully exhibits a harmonic dance between classical cuts and rounded corners, navigating the delicate balance between traditional and modern aesthetics.]]></content:encoded>
  261.        <pubDate><![CDATA[Fri, 10 May 2024 22:00:10 +0000]]></pubDate>
  262.      </item>
  263.        <item>
  264.        <title><![CDATA[Personal work - April 2024]]></title>
  265.        <link><![CDATA[https://www.behance.net/gallery/198057823/Personal-work-April-2024]]></link>
  266.        <guid><![CDATA[https://www.behance.net/gallery/198057823/Personal-work-April-2024]]></guid>
  267.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/e5a817198057823.Y3JvcCwyMzgxLDE4NjIsMCwxMTA4.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  268.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/e5a817198057823.Y3JvcCwyMzgxLDE4NjIsMCwxMTA4.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  269.        <pubDate><![CDATA[Fri, 10 May 2024 18:00:08 +0000]]></pubDate>
  270.      </item>
  271.        <item>
  272.        <title><![CDATA[Lettering Series LXXXIII]]></title>
  273.        <link><![CDATA[https://www.behance.net/gallery/198099985/Lettering-Series-LXXXIII]]></link>
  274.        <guid><![CDATA[https://www.behance.net/gallery/198099985/Lettering-Series-LXXXIII]]></guid>
  275.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/49f72a198099985.Y3JvcCwxNTM0LDEyMDAsMzQsMA.png' style='float:left; margin-right:15px;' /><br /> A collection of some of my lettering work created for clients and personal projects.]]></description>
  276.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/49f72a198099985.Y3JvcCwxNTM0LDEyMDAsMzQsMA.png' style='float:left; margin-right:15px;' /><br /> A collection of some of my lettering work created for clients and personal projects.]]></content:encoded>
  277.        <pubDate><![CDATA[Fri, 10 May 2024 14:00:11 +0000]]></pubDate>
  278.      </item>
  279.        <item>
  280.        <title><![CDATA[Editorial illustrations p.2]]></title>
  281.        <link><![CDATA[https://www.behance.net/gallery/198109205/Editorial-illustrations-p2]]></link>
  282.        <guid><![CDATA[https://www.behance.net/gallery/198109205/Editorial-illustrations-p2]]></guid>
  283.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a31cbc198109205.Y3JvcCwyNDgwLDE5MzksMCw2MjY.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  284.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a31cbc198109205.Y3JvcCwyNDgwLDE5MzksMCw2MjY.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  285.        <pubDate><![CDATA[Fri, 10 May 2024 10:00:10 +0000]]></pubDate>
  286.      </item>
  287.        <item>
  288.        <title><![CDATA[TRUENO]]></title>
  289.        <link><![CDATA[https://www.behance.net/gallery/197962975/TRUENO]]></link>
  290.        <guid><![CDATA[https://www.behance.net/gallery/197962975/TRUENO]]></guid>
  291.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/6d2199197962975.Y3JvcCwxMDI3LDgwMywyMzMsODM.jpg' style='float:left; margin-right:15px;' /><br /> Inspired by Japanese drifting cartoon, 'Initial D', Toyota commissioned Alex to capture the new GR86 Trueno Edition in a moon-lit drive on an epic road. Of course we couldn't bet on the moon, so with lots of planning and an incredible team, we lit the car and environment using a massive helium balloon with HMI's in it. This provided a diffused but powerful light source, and being more mobile as well as sitting much higher than a standard lighting setup, it's exactly what we needed. The weather wasn't on our side, however -- we battled strong winds, rains and cold temperatures, but it all worked out in the end!
  292.  
  293. In another collaboration with Recom Farmhouse NY, we had artist Andrew Coleman on set with us to give us a head start on some rush imagery. Together, we worked through post, dialed in color, mood and some product updates in CG. ]]></description>
  294.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/6d2199197962975.Y3JvcCwxMDI3LDgwMywyMzMsODM.jpg' style='float:left; margin-right:15px;' /><br /> Inspired by Japanese drifting cartoon, 'Initial D', Toyota commissioned Alex to capture the new GR86 Trueno Edition in a moon-lit drive on an epic road. Of course we couldn't bet on the moon, so with lots of planning and an incredible team, we lit the car and environment using a massive helium balloon with HMI's in it. This provided a diffused but powerful light source, and being more mobile as well as sitting much higher than a standard lighting setup, it's exactly what we needed. The weather wasn't on our side, however -- we battled strong winds, rains and cold temperatures, but it all worked out in the end!
  295.  
  296. In another collaboration with Recom Farmhouse NY, we had artist Andrew Coleman on set with us to give us a head start on some rush imagery. Together, we worked through post, dialed in color, mood and some product updates in CG. ]]></content:encoded>
  297.        <pubDate><![CDATA[Fri, 10 May 2024 06:00:08 +0000]]></pubDate>
  298.      </item>
  299.        <item>
  300.        <title><![CDATA[Experiments 344-358]]></title>
  301.        <link><![CDATA[https://www.behance.net/gallery/198091887/Experiments-344-358]]></link>
  302.        <guid><![CDATA[https://www.behance.net/gallery/198091887/Experiments-344-358]]></guid>
  303.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/41f093198091887.Y3JvcCwxNDAwLDEwOTUsMCw0NDM.jpg' style='float:left; margin-right:15px;' /><br /> A series of personal visual experiments to discover new techniques and styles.]]></description>
  304.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/41f093198091887.Y3JvcCwxNDAwLDEwOTUsMCw0NDM.jpg' style='float:left; margin-right:15px;' /><br /> A series of personal visual experiments to discover new techniques and styles.]]></content:encoded>
  305.        <pubDate><![CDATA[Fri, 10 May 2024 01:30:52 +0000]]></pubDate>
  306.      </item>
  307.        <item>
  308.        <title><![CDATA[Casa Llimona Hotel]]></title>
  309.        <link><![CDATA[https://www.behance.net/gallery/197977207/Casa-Llimona-Hotel]]></link>
  310.        <guid><![CDATA[https://www.behance.net/gallery/197977207/Casa-Llimona-Hotel]]></guid>
  311.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c6f912197977207.Y3JvcCwyMjM3LDE3NTAsMjgyLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  312.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c6f912197977207.Y3JvcCwyMjM3LDE3NTAsMjgyLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  313.        <pubDate><![CDATA[Thu, 09 May 2024 21:30:10 +0000]]></pubDate>
  314.      </item>
  315.        <item>
  316.        <title><![CDATA[SPRENDO]]></title>
  317.        <link><![CDATA[https://www.behance.net/gallery/196931119/SPRENDO]]></link>
  318.        <guid><![CDATA[https://www.behance.net/gallery/196931119/SPRENDO]]></guid>
  319.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/2d8e25196931119.Y3JvcCwyNzYxLDIxNjAsNTQwLDA.png' style='float:left; margin-right:15px;' /><br /> "Sprendo" explores the complexity of human identity through distorted portraits that challenge the notion of a fixed and unitary identity, inspired by Gilles Deleuze's fascinating philosophical concept of the multiplicity of identities within each individual. Following the Deleuzian metaphor of the "rhizome," each piece is a network of connections and transformations, where the boundaries between self and other blur into a chaotic dance of shapes and colors.
  320.  
  321. Each portrait is a journey through the deep layers of being, where multiple identities coexist in a state of constant becoming. The distortion of form is not simply a visual manipulation, but an expression of the inherent multiplicity of the human experience.
  322.  
  323. What does it mean to be oneself in a world where identity is fluid and changing? How can we reconcile the multiple facets of our being in a single portrait?]]></description>
  324.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/2d8e25196931119.Y3JvcCwyNzYxLDIxNjAsNTQwLDA.png' style='float:left; margin-right:15px;' /><br /> "Sprendo" explores the complexity of human identity through distorted portraits that challenge the notion of a fixed and unitary identity, inspired by Gilles Deleuze's fascinating philosophical concept of the multiplicity of identities within each individual. Following the Deleuzian metaphor of the "rhizome," each piece is a network of connections and transformations, where the boundaries between self and other blur into a chaotic dance of shapes and colors.
  325.  
  326. Each portrait is a journey through the deep layers of being, where multiple identities coexist in a state of constant becoming. The distortion of form is not simply a visual manipulation, but an expression of the inherent multiplicity of the human experience.
  327.  
  328. What does it mean to be oneself in a world where identity is fluid and changing? How can we reconcile the multiple facets of our being in a single portrait?]]></content:encoded>
  329.        <pubDate><![CDATA[Thu, 09 May 2024 17:00:46 +0000]]></pubDate>
  330.      </item>
  331.        <item>
  332.        <title><![CDATA[Trio Coffee - Branding]]></title>
  333.        <link><![CDATA[https://www.behance.net/gallery/193991459/Trio-Coffee-Branding]]></link>
  334.        <guid><![CDATA[https://www.behance.net/gallery/193991459/Trio-Coffee-Branding]]></guid>
  335.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c4e4f9193991459.Y3JvcCwyNzAwLDIxMTEsMCww.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  336.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c4e4f9193991459.Y3JvcCwyNzAwLDIxMTEsMCww.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  337.        <pubDate><![CDATA[Thu, 09 May 2024 13:00:14 +0000]]></pubDate>
  338.      </item>
  339.  </channel>
  340. </rss>

If you would like to create a banner that links to this page (i.e. this validation result), do the following:

  1. Download the "valid RSS" banner.

  2. Upload the image to your own server. (This step is important. Please do not link directly to the image on this server.)

  3. Add this HTML to your page (change the image src attribute if necessary):

If you would like to create a text link instead, here is the URL you can use:

http://www.feedvalidator.org/check.cgi?url=http%3A//feeds.feedburner.com/behance/vorr

Copyright © 2002-9 Sam Ruby, Mark Pilgrim, Joseph Walton, and Phil Ringnalda