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  1. <?xml version="1.0" encoding="utf-8"?>
  2. <rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:media="http://search.yahoo.com/mrss/"><channel><title>No Film School</title><link>https://nofilmschool.com/</link><description>No Film School</description><atom:link href="https://nofilmschool.com/feeds/feed.rss" rel="self"></atom:link><language>en-us</language><lastBuildDate>Wed, 24 Apr 2024 21:33:03 -0000</lastBuildDate><image><url>https://nofilmschool.com/media-library/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8zNDM0MjQxMy9vcmlnaW4ucG5nIiwiZXhwaXJlc19hdCI6MTc1Nzc2NzgwNH0.qhX7ZWubDjZEnjMXAc6bhocup5SCA9QnI3VdhfPoXe4/image.png?width=210</url><link>https://nofilmschool.com/</link><title>No Film School</title></image><item><title>Get the Perfect Color Reference with Flander's New XMP Monitor</title><link>https://nofilmschool.com/nab-demo-model-flanders</link><description><![CDATA[
  3. <img src="https://nofilmschool.com/media-library/get-the-perfect-color-reference-with-flander-s-new-xmp-monitor.png?id=52097309&width=1200&height=800&coordinates=0%2C0%2C200%2C0"/><br/><br/><p>Whether you're on set and need to see picture as crystal clear as possible or in your editing bay trying to color match a shot that's driving you mad, you need a good monitor for picture. Luckily Flanders Scientific is around to help.</p><p>Flanders Scientific dropped by <a href="https://nofilmschool.com/search/?q=nab" target="_blank">NAB 2024</a> this year to show off their color critical reference monitors, specifically the XMP310 complete with true UHD and volumetric auto calibration.</p><p>Check out our video from NAB on more from Flanders Scientific. </p><h3>NAB 2024: What's New at Flanders Scientific</h3><br/><span class="rm-shortcode" data-rm-shortcode-id="146db8759fb54eee00c8f34801b6f31d" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/gavFLstLYjo?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>In our interview conducted by Cinematography for Actors we get a close look at the powerful monitors Flanders Scientific is putting on the market using all the latest in color technology to get a picture perfect look for any shoot. </p><p>Check out the vid for a more in depth look at their new XMP310 monitors and let us know what you think in the comments. </p><p><br/></p><p><em><img alt="" src="https://nofilmschool.com/media-library/image.jpg?id=51959500&width=980"/>No Film School's coverage of <a href="https://nofilmschool.com/tag/nab-2024" target="_self">NAB 2024</a> is brought to you by <a href="https://www.blackmagicdesign.com/" target="_blank">Blackmagic Design</a>.</em></p>]]></description><pubDate>Wed, 24 Apr 2024 21:33:03 +0000</pubDate><guid>https://nofilmschool.com/nab-demo-model-flanders</guid><category>Nab</category><category>Monitors</category><category>Flanders scientific</category><category>Color science</category><category>Nab 2024</category><dc:creator>Grant Vance</dc:creator><media:content medium="image" type="image/png" url="https://nofilmschool.com/media-library/get-the-perfect-color-reference-with-flander-s-new-xmp-monitor.png?id=52097309&amp;width=980"></media:content></item><item><title>ARRI is Bringing Live Broadcast Features to the ALEXA 35</title><link>https://nofilmschool.com/arri-alexa-broadcast</link><description><![CDATA[
  4. <img src="https://nofilmschool.com/media-library/image.png?id=52097013&width=1200&height=800&coordinates=0%2C0%2C200%2C0"/><br/><br/><p>Despite all the buzz around the Sony VENICE and <a data-linked-post="2667462233" href="https://nofilmschool.com/sony-burano-release-date" target="_blank">BURANO</a> gunning for the indie cinematic camera throne, <a data-linked-post="2667035386" href="https://nofilmschool.com/arri-360-evo" target="_blank">ARRI</a> is still a leading choice for filmmakers aiming for an affordable cinematic look. Considering their focus on cinema cameras, this NAB news might be surprising. </p><p>At NAB 2024 this year ARRI was showing off their new LIVE attachment for the ALEXA 35. This attachment can link up to your traditional ALEXA 35 camera body, but super powers it up for live broadcast specific shoots like sporting events and concert shoots. </p><p>Let's learn a little bit more with our first-hand <a href="https://nofilmschool.com/search/?q=nab" target="_blank">NAB</a> coverage in the video below. </p><h3>NAB 2024: Hands On With the Brand New Arri Alexa 35 Live</h3><br/><span class="rm-shortcode" data-rm-shortcode-id="f8102867d46fef0345d147c3cb2d49a0" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/R31BpiMC5Dg?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>Continuing our coverage with Cinematography for Actors, we get to check the live attachment called the LPS1. </p><p>As you can see in the video, the attachment enhances the ALEXA 35 with 17 stops, brand new ARRI color features, multiple video return features, and a ton more. What's especially cool is that this is simply an attachment, so you don't have to buy or rent an entirely new broadcast camera for specific shoots—just an all-in-one removable attachment. </p><p>Enjoy the video and let us know what you think in the comments. </p><p><em><img alt="" src="https://nofilmschool.com/media-library/image.jpg?id=51959500&width=980"/>No Film School's coverage of <a href="https://nofilmschool.com/tag/nab-2024" target="_self">NAB 2024</a> is brought to you by <a href="https://www.blackmagicdesign.com/" target="_blank">Blackmagic Design</a>.</em></p>]]></description><pubDate>Wed, 24 Apr 2024 21:33:03 +0000</pubDate><guid>https://nofilmschool.com/arri-alexa-broadcast</guid><category>Arri</category><category>Arri alexa</category><category>Nab</category><category>Burano</category><category>Broadcast camera</category><category>Nab 2024</category><dc:creator>Grant Vance</dc:creator><media:content medium="image" type="image/png" url="https://nofilmschool.com/media-library/image.png?id=52097013&amp;width=980"></media:content></item><item><title>Meet the New Vortex Lineup from Creamsource at NAB 2024</title><link>https://nofilmschool.com/creamsource-nab-2024</link><description><![CDATA[
  5. <img src="https://nofilmschool.com/media-library/image.jpg?id=52093563&width=1200&height=800&coordinates=0%2C0%2C354%2C0"/><br/><br/><p>Our <a href="https://nofilmschool.com/tag/nab-2024" target="_self"><u>coverage of the NAB Show</u></a> in Vegas this year had to make a stop at the <a href="https://creamsource.com/" rel="noopener noreferrer" target="_blank"><u>Creamsource</u></a> booth to see how they’ve continued on their journey to tackle the complex world of color LEDs. And while the big camera and AI news might take the majority of the focus for many from this year’s conference, rest assured the coolest stuff came from the lighting and film gear brands.</p>
  6. <p>In a conversation with Creamsource, we got to go hands-on with the new Vortex lineup, which includes V24, V8 and V4 models. Check out our full interview and video below.</p><hr/><h3>Creamsource at NAB 2024</h3><br/><span class="rm-shortcode" data-rm-shortcode-id="fd4f3310017a51fb4444c1c5d08db674" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/xDriFjgJKlI?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>In what starts, at least, as a sit-down interview with Creamsource and our video hosts from Cinematography for Actors at this year’s NAB Show, our video feature eventually gets up and goes around the Creamsource booth to check out the latest from the Australian lighting company.</p>
  7. <p>Check out our full interview and the latest products from Creamsource in the video below.</p><p><img alt="" src="https://nofilmschool.com/media-library/image.jpg?id=51959500&width=980"/><small></small><small></small></p><p><em>No Film School's coverage of <a href="https://nofilmschool.com/tag/nab-2024" target="_self">NAB 2024</a> is brought to you by <a href="https://www.blackmagicdesign.com/" target="_blank">Blackmagic Design</a>.</em></p>]]></description><pubDate>Wed, 24 Apr 2024 20:33:04 +0000</pubDate><guid>https://nofilmschool.com/creamsource-nab-2024</guid><category>Nab</category><category>Nab show</category><category>Creamsource</category><category>Creamsource vortex4</category><category>Creamsource vortex8</category><category>Creamsource vortex24</category><category>Nab 2024</category><dc:creator>Jourdan Aldredge</dc:creator><media:content medium="image" type="image/jpeg" url="https://nofilmschool.com/media-library/image.jpg?id=52093563&amp;width=980"></media:content></item><item><title>Peek Inside the Inflatable AIRGLOW Cover from DoPchoice</title><link>https://nofilmschool.com/dopchoice-nab-2024</link><description><![CDATA[
  8. <img src="https://nofilmschool.com/media-library/image.png?id=52093465&width=1200&height=800&coordinates=0%2C0%2C356%2C0"/><br/><br/><p>As <a href="https://nofilmschool.com/tag/nab-2024" target="_blank">NAB 2024</a> is finally in our rearview mirror, it’s fun to look back at some of our favorite booth visits from this year’s conference in Vegas. We saw lots of cool new cameras and pieces of film tech and gear. And we made some friends along the way.</p>
  9. <p>One notable stop worth highlighting was our chat with the team at <a href="https://www.dopchoice.com/" target="_blank">DoPchoice</a> as they showcased their SNAPBAG AIRGLOW for 1x1 lights, as well as some other cool new products and features. Check it all out below.</p><hr/><h3>DOP Choice at NAB 2024</h3><br/><span class="rm-shortcode" data-rm-shortcode-id="607652e7b630542b19eccb6b4618b442" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/cxYqh_bu_bU?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>Speaking with our video team from Cinematography for Actors at the NAB Show this year, we got up close and personal with the latest AIRGLOW products from DoPchoice. In particular, the SNAPGLOW for 1x1 lights provides a nice and easy way to soften your LEDs without packing your bags with tons of heavy equipment.</p>
  10. <p>Check out our full interview with the DoPchoice team below.</p><p><img alt="" src="https://nofilmschool.com/media-library/image.jpg?id=51959500&width=980"/><small></small><small></small></p><p><em>No Film School's coverage of <a href="https://nofilmschool.com/tag/nab-2024" target="_self">NAB 2024</a> is brought to you by <a href="https://www.blackmagicdesign.com/" target="_blank">Blackmagic Design</a>.</em></p>]]></description><pubDate>Wed, 24 Apr 2024 20:03:03 +0000</pubDate><guid>https://nofilmschool.com/dopchoice-nab-2024</guid><category>Nab</category><category>Nab show</category><category>Dopchoice</category><category>Dopchoice airglow</category><category>Airglow</category><category>Light cover</category><category>Lighting</category><category>Nab 2024</category><dc:creator>Jourdan Aldredge</dc:creator><media:content medium="image" type="image/png" url="https://nofilmschool.com/media-library/image.png?id=52093465&amp;width=980"></media:content></item><item><title>amaran Takes Us Through Their New Line for Content Creators</title><link>https://nofilmschool.com/amaran-content-creators-nab-2024</link><description><![CDATA[
  11. <img src="https://nofilmschool.com/media-library/image.png?id=52079902&width=1200&height=800&coordinates=176%2C0%2C176%2C0"/><br/><br/><p><a data-linked-post="2667771502" href="https://nofilmschool.com/amaran-lights" target="_blank">amaran</a> is formally the sister brand of Aputure, which is a filmmaker forward company. but amaran, is now going to focus on content creators to help them develop products for the new social media age. </p><p>Check out everything we learned below. </p><h3>Newly Independent amaran On What's in Store For the Future</h3><br/><span class="rm-shortcode" data-rm-shortcode-id="0cc18f98c94fb6258c417b4e7f64a231" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/RWDI2DemkwU?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>We catch up with amaran on their split from Aputure at NAB 2024. The lovely ladies from <a href="https://www.cinematographyforactors.com/" rel="noopener noreferrer" target="_blank">Cinematography for Actors</a> conducted an incredibly informative interview. </p><p>They dug into how accessible it is for a content creator to work with these lighting kits on mobile and in studios. </p><p>The lights are large for studios and then they have compact ones for mobile users. They're working actively to develop new products with influencers themselves, creating stuff based on situations they find themselves in every day. </p><p>the UX and UI is way more intuitive as well, so not-as-advanced filmmakers can use them with ease. </p><p>Let me know what you think in the comments. </p><p><img alt="" src="https://nofilmschool.com/media-library/image.jpg?id=51959500&width=980"/><small></small><small></small></p><p><em>No Film School's coverage of <a href="https://nofilmschool.com/tag/nab-2024" target="_self">NAB 2024</a> is brought to you by <a href="https://www.blackmagicdesign.com/" target="_blank">Blackmagic Design</a>.</em></p>]]></description><pubDate>Wed, 24 Apr 2024 19:33:33 +0000</pubDate><guid>https://nofilmschool.com/amaran-content-creators-nab-2024</guid><category>Nab</category><category>Nab 2024</category><category>Movies</category><category>Film</category><category>Filmmaking</category><category>Amaran</category><category>Social media</category><category>Content</category><category>Content creation</category><category>Content creators</category><dc:creator>Jason Hellerman</dc:creator><media:content medium="image" type="image/png" url="https://nofilmschool.com/media-library/image.png?id=52079902&amp;width=980"></media:content></item><item><title>Going the Distance With First Mile Tech</title><link>https://nofilmschool.com/first-mile-tech-nab-2024</link><description><![CDATA[
  12. <img src="https://nofilmschool.com/media-library/image.png?id=52075987&width=1200&height=800&coordinates=167%2C0%2C189%2C0"/><br/><br/><p>First Mile Technologies has the goal to revolutionize film and media production workflows through innovative solutions. </p><p>One such solution is transforming the way image files and metadata are gathered, shared, and moved.</p><p>We ran into them at <a href="https://nofilmschool.com/search/?q=nab" target="_blank">NAB 2024</a>, and got some insights on all of this stuff. </p><p>Check it out below. </p><hr/><h3>We Check in With First Mile Tech</h3><br/><span class="rm-shortcode" data-rm-shortcode-id="60b5296f305a8302f83bea2fef917709" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/9q-iUUc5Sdo?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>New episode! In this shocking conclusion of day one coverage, the <a href="https://www.cinematographyforactors.com/" rel="noopener noreferrer" target="_blank">Cinematography for Actors</a> and NFS team interviews Brandon Cooper of First Mile Technology live at NAB. </p><p>We loved hearing about the portable internet they provide on location for film productions, and the power behind them, which allows people on sets, even remote sets, to send huge files to the cloud. </p><p>This then allows editors to produce dailies and speeds up a workflow that can get log jammed if you have slow speeds or no ability to upload. </p><p>Let me know what you think in the comments. </p><p class="shortcode-media shortcode-media-rebelmouse-image">
  13. <img alt="" class="rm-shortcode" data-rm-shortcode-id="be56bdc77301e4096915171457ec6bbb" data-rm-shortcode-name="rebelmouse-image" id="31c78" loading="lazy" src="https://nofilmschool.com/media-library/image.jpg?id=51959500&width=980"/>
  14. </p><p><em>No Film School's coverage of <a href="https://nofilmschool.com/tag/nab-2024" target="_blank">NAB 2024</a> is brought to you by <a href="https://www.blackmagicdesign.com/" target="_blank">Blackmagic Design</a>.</em><em></em></p>]]></description><pubDate>Wed, 24 Apr 2024 19:08:28 +0000</pubDate><guid>https://nofilmschool.com/first-mile-tech-nab-2024</guid><category>Film</category><category>Filmmaking</category><category>Movies</category><category>Nab</category><category>Nab 2024</category><category>First mile tech</category><dc:creator>Jason Hellerman</dc:creator><media:content medium="image" type="image/png" url="https://nofilmschool.com/media-library/image.png?id=52075987&amp;width=980"></media:content></item><item><title>Mastering Lens Flares Once and For All with CINEFLARES</title><link>https://nofilmschool.com/cineflares-nab-2024</link><description><![CDATA[
  15. <img src="https://nofilmschool.com/media-library/image.jpg?id=52093668&width=1200&height=800&coordinates=203%2C0%2C153%2C0"/><br/><br/><p>While we’ve given a lot of coverage this year to new cameras, video editing app updates, and the ever-changing world of AI in video, the working cinematographers are still out there grinding with whatever cameras and rigs are needed for the various shoots they’re tasked to take on.</p>
  16. <p>If you’ve ever wanted to better master how to use lens flares in your shots though, one of our last stops at the <a href="https://nofilmschool.com/tag/nab-2024" target="_blank">NAB Show</a> this year showcased a new app that aims to help DPs master their lens flares once and for all. Let’s look at CINEFLARES aims to offer a resource for creatives to make the most informed decisions in support of their artistic visions.</p>
  17. <p>Check out our full interview with the team at NAB below.</p><hr/><h3>CINEFLARES at NAB 2024</h3><br/><span class="rm-shortcode" data-rm-shortcode-id="8d61ba49242c8c79a7722c55d8ffc6bc" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/ZjpTkgPCHtE?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>In a conversation with our video hosts from Cinematography for Actors at the NAB Show this year, we got a first-hand demo of how the new CINEFLARES website aims to give users access to a comprehensive collection of all of the cinema lens choices available—including vintage, anamorphic, large format, and more.</p>
  18. <p>If you’re in search of a clean, neutral lens for VFX plates, or one with a specific flare pattern reminiscent of a certain period, this program is here to instantly reveal these lens characteristics and to help you make informed decisions.</p>
  19. <p>Check out our full demo of CINEFLARES and conversation with the team below.</p><p><img alt="" src="https://nofilmschool.com/media-library/image.jpg?id=51959500&width=980"/><small></small><small></small></p><p><em>No Film School's coverage of <a href="https://nofilmschool.com/tag/nab-2024" target="_self">NAB 2024</a> is brought to you by <a href="https://www.blackmagicdesign.com/" target="_blank">Blackmagic Design</a>.</em></p>]]></description><pubDate>Wed, 24 Apr 2024 18:33:03 +0000</pubDate><guid>https://nofilmschool.com/cineflares-nab-2024</guid><category>Nab</category><category>Nab show</category><category>Cineflares</category><category>Cinematography</category><category>Lens flares</category><category>Nab 2024</category><dc:creator>Jourdan Aldredge</dc:creator><media:content medium="image" type="image/jpeg" url="https://nofilmschool.com/media-library/image.jpg?id=52093668&amp;width=980"></media:content></item><item><title>What Was Going to be The Plot of Tarantino's 'The Movie Critic'?</title><link>https://nofilmschool.com/the-movie-critic-plot</link><description><![CDATA[
  20. <img src="https://nofilmschool.com/media-library/the-plot-of-tarantino-s-the-movie-critic.webp?id=52093170&width=1200&height=800&coordinates=0%2C1%2C0%2C1"/><br/><br/><p>It's always sad when we lose a movie from an auteur. And with Tarantino's personal limit on the number of movies he's going to direct, it's especially sad to miss out on a movie that he was putting together. </p><p>When <em>The Movie Critic</em> was announced as Tarantino's tenth and final film, it was the subject of a tornado of rumors. Everyone wanted to know what note the famed director would go out on. </p><p>We had a fervor of casting ideas and plot elements, and then the heartbreaking story that the movie was scrapped. </p><p>So today, I want to go through what we had learned and what the plot of the perspective movie was going to be. </p><p>Let's dive in. </p><hr/><h3>Quentin Tarantino Passing on 'The Movie Critic' as Final Film</h3><br/><span class="rm-shortcode" data-rm-shortcode-id="dc9190a15c0487cdf8c63a6163f8ef0b" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/VMb8c5LY0XI?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>When Quentin Tarantino announced his plans for <em>The Movie Critic</em>, we were teased with a story about a cynical, disillusioned movie critic writing for a pornographic magazine in the 1970s. It might have followed his journey towards redemption or a deeper exploration of his psyche.</p><p>People compared the idea to<em> Taxi Driver</em> and proposed that it would star Paul Walter Hauser or comedian Shane Gillis. We know that he met with Olivia Wilde for an undisclosed reasons, was it to star in this movie or just chat? Hard to tell.  </p><p>But then we got an attachment of Brad Pitt, and people wondered if he was coming back to play Cliff Booth, from <em>Once Upon a Time...in Hollywood</em> later in life. </p><p>Now, <a href="https://www.hollywoodreporter.com/movies/movie-features/quentin-tarantino-movie-critic-what-happened-1235879479/" target="_blank">The Hollywood Reporter</a> has an entire breakdown where it shows the pivot from that kind of movie, into a possible metafilm with a Tarantino "goodbye metaverse". </p><p>So, how would that have looked? </p><p>Well, Tarantino could have included actors from his past films reprising roles or appearing as fictional versions of themselves, perhaps even crossing over into new narratives via "movies within a movie".</p><p>And as the owner of a couple theaters in Los Angeles, we might have seen them all reuniting at the New Beverly or Vista. Or maybe there would be a younger Tarantino character in this, who gets influenced by the people he meets and then grows up to make movies. </p><p>The sky was the limit on what this could be, and it appears that after some thought, Tarantino decided to scrap the project entirely, and go back to the drawing board for his tenth film. </p><p>That means we have no real ideas about what he wants to do. And we cannot be sure when he'll come back out with another idea. </p><p>Tarantino is one of the most important working filmmakers, and part of a generation of original filmmakers  that will be sad to lose. I hope he takes his time and makes whatever he wants next, whether it's next year or in a decade. </p><p>I am not eager for the era of Quentin Tarantino to be over. </p><p class="">Let me know what you think in the comments! </p>]]></description><pubDate>Wed, 24 Apr 2024 18:03:03 +0000</pubDate><guid>https://nofilmschool.com/the-movie-critic-plot</guid><category>Quentin tarantino</category><category>Plot</category><category>Story</category><category>Brad pitt</category><category>Reservoir dogs</category><category>Pulp fiction</category><category>Jackie brown</category><category>Inglorious basterds</category><category>Kill bill</category><category>Django unchained</category><category>The hateful eight</category><category>Once upon a time in hollywood</category><category>Death proof</category><category>The movie critic</category><dc:creator>Jason Hellerman</dc:creator><media:content medium="image" type="image/jpeg" url="https://nofilmschool.com/media-library/the-plot-of-tarantino-s-the-movie-critic.webp?id=52093170&amp;width=980"></media:content></item><item><title>We Chat With Open Drives at NAB 2024</title><link>https://nofilmschool.com/open-drives-nab-2024</link><description><![CDATA[
  21. <img src="https://nofilmschool.com/media-library/image.png?id=52073989&width=1200&height=800&coordinates=151%2C0%2C151%2C0"/><br/><br/><p>Open Drives is one of the leading companies in custom data and content storage solutions that are built for <span style="background-color: initial;">performance. </span></p><p><span style="background-color: initial;">Their actual storage platform, storage platform, <a href="https://opendrives.com/atlas/" target="_blank">Atlas</a>, empowers users to work collaboratively at speed and deliver seamless business outcomes, no matter where they are or what tools they prefer.</span></p><p><span style="background-color: initial;">When we ran into them at NAB 2024, they had a lot to say about the future of the industry. </span></p><p><span style="background-color: initial;">Let's dig in. </span></p><hr/><p><em><br/></em></p><h3>We Chat With Open Drives at NAB</h3><br/><span class="rm-shortcode" data-rm-shortcode-id="1693c122d6e643feacd66f15ab19f7c3" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/vAERISLmZJ8?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>Featuring our hosts from <a href="https://www.cinematographyforactors.com/" rel="noopener noreferrer" target="_blank"><u>Cinematography for Actors</u></a>, our visit with Open Drives was really interesting. They basically are focusing on solving the problems filmmakers have on a daily basis, which is storage capabilities that enable faster editing. <br/></p><p>This year, they're featuring commercial versions of their products that can be used by regular people or businesses, not just filmmakers. </p><p>Let us know what you think in the comments. </p><p class="shortcode-media shortcode-media-rebelmouse-image">
  22. <img alt="" class="rm-shortcode" data-rm-shortcode-id="be56bdc77301e4096915171457ec6bbb" data-rm-shortcode-name="rebelmouse-image" id="31c78" loading="lazy" src="https://nofilmschool.com/media-library/image.jpg?id=51959500&width=980"/>
  23. </p><p><em>No Film School's coverage of <a href="https://nofilmschool.com/tag/nab-2024" target="_blank">NAB 2024</a> is brought to you by <a href="https://www.blackmagicdesign.com/" target="_blank">Blackmagic Design</a>.</em><em></em></p>]]></description><pubDate>Wed, 24 Apr 2024 17:33:03 +0000</pubDate><guid>https://nofilmschool.com/open-drives-nab-2024</guid><category>Film</category><category>Filmmaking</category><category>Movies</category><category>Nab</category><category>Nab 2024</category><category>Open drives</category><dc:creator>Jason Hellerman</dc:creator><media:content medium="image" type="image/png" url="https://nofilmschool.com/media-library/image.png?id=52073989&amp;width=980"></media:content></item><item><title>Why Does Jerry Seinfeld Think the Movie Business is Over?</title><link>https://nofilmschool.com/seinfeld-movies-over</link><description><![CDATA[
  24. <img src="https://nofilmschool.com/media-library/why-does-jerry-seinfeld-think-the-movie-business-is-over.jpg?id=52073702&width=1200&height=800&coordinates=113%2C0%2C137%2C0"/><br/><br/><p>Jerry Seinfeld is one of the most important and influential comedians to ever live. He helped create argueably the greatest sitcom of all time with Larry David, <em>Seinfeld</em>, and has left an indelible mark on the entertainment industry as a whole.  </p><p>Now, he's branching out into feature films with <em>Unfrosted</em>, a Pop-Tart movie that debuts on Netflix. </p><p class="shortcode-media shortcode-media-youtube">
  25. <span class="rm-shortcode" data-rm-shortcode-id="dd1e173163424f7d521218c51ac2ee4b" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/2lqRPUhPfho?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span>
  26. <small class="image-media media-caption" placeholder="Add Photo Caption...">Unfrosted | Official Trailer | Netflix</small>
  27. <small class="image-media media-photo-credit" placeholder="Add Photo Credit...">
  28. <a href="https://www.youtube.com/watch?v=2lqRPUhPfho" target="_blank">www.youtube.com</a>
  29. </small>
  30. </p><p>Seinfeld recently sat down with <a href="https://www.gq.com/story/jerry-seinfeld-gq-hype?utm_medium=social&mbid=social_twitter&utm_brand=gq&utm_social-type=owned&utm_source=twitter" target="_blank">GQ</a> to talk about his career and in the interview, he had a lot to say about Hollywood. </p><p>When asked about choosing filmmaking later in his career, Seinfeld said, “It was totally new to me. I thought I had done some cool stuff, but it was nothing like the way these people work. They’re so dead serious! They don’t have any idea that the movie business is over. They have no idea.”</p><p>After being pushed to elaborate on the part about movies being over, Seinfeld replied, “Film doesn’t occupy the pinnacle in the social, cultural hierarchy that it did for most of our lives. When a movie came out, if it was good, we all went to see it. We all discussed it. We quoted lines and scenes we liked. Now we’re walking through a fire hose of water, just trying to see.”</p><p>I thought this was an interesting quote. I do think, in some sense, the movie business of old is over. and I totally get the firehose metaphor. In the past, our entertainment came from voices and TV. </p><p>Everyone went to see the big movies and watched the big TV shows, and they talked about them at the water cooler. </p><p>That still happens, to some degree, but with the advent of the iPhone and social media, we've become absorbed in so many other things now. </p><p>We're constantly sprayed in the face with entertainment. Whether that's sharing reels or memes or just tweeting and posting. </p><p>But I also think that movies like last year's <em>Barbie</em> and <em>Oppenheimer</em> still proved that cinema can dominate culture. In fact, movies have to be much more impactful now to break through all of that. </p><p>Let me know what you think in the comments. </p>]]></description><pubDate>Wed, 24 Apr 2024 17:03:03 +0000</pubDate><guid>https://nofilmschool.com/seinfeld-movies-over</guid><category>Hugh grant</category><category>Peter dinklage</category><category>James marsden</category><category>Fred armisen</category><category>Amy schumer</category><category>Unfrosted</category><category>Cereal</category><category>Saturday night live</category><category>Ronny chieng</category><category>Breakfast</category><category>Pop-tarts</category><category>Seinfeld</category><category>Christian slater</category><category>Jim gaffigan</category><category>What to watch on netflix</category><category>Bill burr</category><category>Melissa mccarthy</category><category>Comedy movies</category><category>Cedric the entertainer</category><category>Netflix trailers</category><category>Jon hamm</category><category>Kellogg’s</category><category>Dan levy</category><category>Jerry seinfeld</category><dc:creator>Jason Hellerman</dc:creator><media:content medium="image" type="image/jpeg" url="https://nofilmschool.com/media-library/why-does-jerry-seinfeld-think-the-movie-business-is-over.jpg?id=52073702&amp;width=980"></media:content></item><item><title>We Got the Scoop From Wooden Camera on Their Burano Build</title><link>https://nofilmschool.com/wooden-camera-nab-2024</link><description><![CDATA[
  31. <img src="https://nofilmschool.com/media-library/image.png?id=52078634&width=1200&height=800&coordinates=0%2C0%2C358%2C0"/><br/><br/><p>Wooden Camera is always pushing the envelope with its builds, and its work with the new <a data-linked-post="2667462233" href="https://nofilmschool.com/sony-burano-release-date" target="_blank">Sony Burano</a> is no exception. They got their hands on a brand new camera and already were creating something special for cinematographers. </p><p>It was so fun catching up with them at <a href="https://nofilmschool.com/search/?q=nab" target="_blank">NAB 2024</a> and seeing how they stay cutting-edge. </p><p>Check it out below. </p><hr/><p><br/></p><h3>What's Happening with Wooden Camera This Year? </h3><br/><span class="rm-shortcode" data-rm-shortcode-id="073c39ce1952e13914a2bdfe8f9c25f3" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/xOlENPkTggk?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>In a conversation between our video coverage hosts at NAB Show 2024 <a href="https://www.cinematographyforactors.com/" rel="noopener noreferrer" target="_blank">Cinematography for Actors </a>and Wooden Camera, we dug deep into the new Burano Build. </p><p>They worked with Sony to get the dimensions of the camera and then start conforming their accessories to the camera. They made sure there's no hard angles, and even have some vintage accessories like their ultra-handle and mounting points. </p><p>They also made it possible to add multiple rods with their new spacing. And adapted it for quick transfers to a cheese plate or a shoulder rig. </p><p>These varying components are so efficient and intuitive I can't wait to test them out. </p><p>Let me know what you think in the comments. </p><p><img alt="" src="https://nofilmschool.com/media-library/image.jpg?id=51959500&width=980"/><small></small><small></small></p><p><em>No Film School's coverage of <a href="https://nofilmschool.com/tag/nab-2024" target="_self">NAB 2024</a> is brought to you by <a href="https://www.blackmagicdesign.com/" target="_blank">Blackmagic Design</a>.</em></p>]]></description><pubDate>Wed, 24 Apr 2024 14:03:03 +0000</pubDate><guid>https://nofilmschool.com/wooden-camera-nab-2024</guid><category>Nab</category><category>Nab 2024</category><category>Film</category><category>Movies</category><category>Filmmaking</category><category>Wooden camera</category><category>Burano</category><category>Sony burano</category><dc:creator>Jason Hellerman</dc:creator><media:content medium="image" type="image/png" url="https://nofilmschool.com/media-library/image.png?id=52078634&amp;width=980"></media:content></item><item><title>Editing Tyler Perry's Life Story with Filmmaker Erick Sasso</title><link>https://nofilmschool.com/maxines-baby-tyler-perry-story</link><description><![CDATA[
  32. <img src="https://nofilmschool.com/media-library/maxine-s-baby.png?id=52050396&width=1200&height=800&coordinates=0%2C0%2C300%2C0"/><br/><br/><p>Erick Sasso is a multi-hyphenate creative and the editor of the film, <em><em>Maxine's Baby: The Tyler Perry Story</em></em>, which documents the life of Tyler Perry. Erick compares the making of documentaries to the making of a meal. You need to use the right ingredients…not too much, not too little. And everyone at the table has to enjoy it. </p><h3></h3><br/><iframe frameborder="0" height="200" scrolling="no" src="https://playlist.megaphone.fm/?e=NFS9793639759" width="100%"></iframe>
  33. <h3></h3><br/><p>In today’s episode, No Film School’s GG Hawkins speaks with filmmaker Erick Sasso to discuss: </p>
  34. <ul><li>Making music videos with his friends in high school</li><li>Realizing you can reverse engineer in the edit</li><li>The importance of charging adequately for your services</li><li>How he landed the editing job on <em><em>Maxine’s Baby</em></em></li><li>What it looks like to fall in love with the subject</li><li>Navigating topics such as abuse and childhood trauma </li><li>What it was like seeing emotional reactions from the audience</li><li>Important lessons he has learned about being a filmmaker</li><li>Setting up projects in Adobe Premiere</li><li>Overcoming tech fears and looking forward to new updates</li><li>Why editors make the best directors</li><li>Focusing on development and learning from others<br/><br/><strong>Mentioned:</strong><a href="https://www.youtube.com/watch?v=DjXlidHoPyU" rel="noopener noreferrer" target="_blank"><u>Maxine’s Baby: The Tyler Perry Story</u></a>
  35. <a href="https://ericksasso.com/" rel="noopener noreferrer" target="_blank"><u>Erick's website</u></a>
  36. <a href="https://www.instagram.com/sasso" rel="noopener noreferrer" target="_blank"><u>Connect with Erick on IG</u></a></li></ul><div></div><h3></h3><br><p><strong>Subscribe to the No Film School Podcast on:</strong></p><ul><li><a href="https://podcasts.apple.com/us/podcast/the-no-film-school-podcast/id1078804724" rel="noopener noreferrer" target="_blank">Apple Podcasts</a></li><li><a href="https://open.spotify.com/show/1vfyZ6hx3QJWS6etdDZZ5V" rel="noopener noreferrer" target="_blank">Spotify</a></li><li><a href="https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vTk5MTEMzMjI5NDg4NTcz" rel="noopener noreferrer" target="_blank">Google</a></li></ul>Get your question answered on the podcast by emailing <a href="https://nofilmschool.com/2025/06/editor@nofilmschool.com" rel="noopener noreferrer" target="_self">podcast@nofilmschool.com</a>.<h3></h3><br><iframe frameborder="0" height="482" src="https://playlist.megaphone.fm/?p=NNLLC3229488573" width="100%"></iframe><p><em>Listen to more episodes of the No Film School podcast right here:</em></p></br></br><p class=""><sub><em>This episode of The No Film School Podcast was produced by <a href="https://nofilmschool.com/u/lostingraceland" rel="noopener noreferrer" target="_self">GG Hawkins</a>.</em></sub></p>]]></description><pubDate>Wed, 24 Apr 2024 13:04:03 +0000</pubDate><guid>https://nofilmschool.com/maxines-baby-tyler-perry-story</guid><category>Podcast</category><category>No film school podcast</category><category>Tyler perry</category><category>Maxine's baby</category><category>Amazon</category><category>Editor</category><category>Editing</category><category>Adobe</category><category>Adobe pod</category><dc:creator>NFS Staff</dc:creator><media:content medium="image" type="image/png" url="https://nofilmschool.com/media-library/maxine-s-baby.png?id=52050396&amp;width=980"></media:content></item><item><title>NAB 2024: Checking Out the Latest Cameras and News from Sony</title><link>https://nofilmschool.com/sony-nab-2024</link><description><![CDATA[
  37. <img src="https://nofilmschool.com/media-library/image.png?id=52067188&width=1200&height=800&coordinates=0%2C0%2C322%2C0"/><br/><br/><p>While there could be debate as to which brand “won” <a href="https://nofilmschool.com/tag/nab-2024" target="_blank">NAB 2024</a>, we do have official confirmation that the <a href="https://nofilmschool.com/tag/sony-burano" target="_blank">Sony BURANO</a> took down not just one, <a href="https://nofilmschool.com/nab-show-2024-winners" target="_blank">but two</a>, of the <a href="https://nofilmschool.com/sony-burano-nab-2024" target="_blank">top “Product of the Year” awards</a> given out by NAB Show this year.</p>
  38. <p>And while the BURANO wasn’t officially announced or unveiled at NAB 2024 for the first time or anything, it’s certainly been one of the most compelling storylines this year as its much-anticipated release pretty much exactly coincided with the conference this year in Vegas.</p>
  39. <p>But what else does Sony have to share? Let’s take a look at our booth visit with the Sony team from NAB 2024.</p><hr/><h3>Sony at NAB 2024</h3><br/><span class="rm-shortcode" data-rm-shortcode-id="26883d46c7b24c37a203f868da2fe08b" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/C2I19MX9n8E?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>From checking out the Sony VENICE 2 (which was <a href="https://www.youtube.com/watch?v=u6stKGspwKM" target="_blank"><u>showcased at previous NAB episodes</u></a>) to talking about the BURANO and its exciting possibilities, there was a lot to learn about and check out at this year’s Sony booth.</p>With our hosts from <a href="https://www.cinematographyforactors.com/" target="_blank"><u>Cinematography for Actors</u></a> leading the conversation, here are the highlights from our discussion with the Sony team at NAB 2024:<p><img alt="" src="https://nofilmschool.com/media-library/image.jpg?id=51959500&width=980"/><small></small><small></small></p><p><em>No Film School's coverage of <a href="https://nofilmschool.com/tag/nab-2024" target="_self">NAB 2024</a> is brought to you by <a href="https://www.blackmagicdesign.com/" target="_blank">Blackmagic Design</a>.</em></p>]]></description><pubDate>Wed, 24 Apr 2024 12:33:03 +0000</pubDate><guid>https://nofilmschool.com/sony-nab-2024</guid><category>Sony</category><category>Nab</category><category>Nab show</category><category>Sony burano</category><category>Sony venice 2</category><category>Nab 2024</category><dc:creator>Jourdan Aldredge</dc:creator><media:content medium="image" type="image/png" url="https://nofilmschool.com/media-library/image.png?id=52067188&amp;width=980"></media:content></item><item><title>Talking Remote Monitoring Workflows with SmallHD at NAB 2024</title><link>https://nofilmschool.com/smallhd-nab-2024</link><description><![CDATA[
  40. <img src="https://nofilmschool.com/media-library/image.png?id=52073390&width=1200&height=800&coordinates=344%2C0%2C0%2C0"/><br/><br/><p>While the big news from <a href="https://nofilmschool.com/search/?q=nab" target="_blank">NAB 2024</a> this year might have been the major camera announcements from Blackmagic Design and the insane generative AI video tools from Adobe, it’s also always nice to get a chance to check out some more production-minded tools and workflows from the rest of the conference floor.</p><p>At our stop at the <a data-linked-post="2667066450" href="https://nofilmschool.com/smallhd-ultra-7" target="_blank">SmallHD</a> booth, we were excited to check out their Ultra 7 touchscreen on-camera monitor, as well as chat about their recommendations for your remote monitoring workflows with the zero-delay Bolt 6 series from <a data-linked-post="2667281328" href="https://nofilmschool.com/teradek-tv" target="_blank">Teradek</a>.</p><p>Check out our full convo with SmallHD below.</p><hr/><h3>SmallHD at NAB 2024</h3><br/><span class="rm-shortcode" data-rm-shortcode-id="9e4b2088be77a5fa79696b05455d09c5" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/Sr2Gk-Ogfjs?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>Joined by our co-hosts from Cinematography for Actors for our video coverage this year, it’s always nice to catch up with the folks at SmallHD, who were sharing their booth with the Teradek team to showcase the latest and greatest in remote monitoring workflow technologies.</p><p>Take a look at the SmallHD ULTRA 7 UHD 4K On-Camera Touchscreen Monitor in action below.</p><p><img alt="" src="https://nofilmschool.com/media-library/image.jpg?id=51959500&width=980"/><small></small><small></small></p><p><em>No Film School's coverage of <a href="https://nofilmschool.com/tag/nab-2024" target="_self">NAB 2024</a> is brought to you by <a href="https://www.blackmagicdesign.com/" target="_blank">Blackmagic Design</a>.</em></p>]]></description><pubDate>Wed, 24 Apr 2024 12:03:03 +0000</pubDate><guid>https://nofilmschool.com/smallhd-nab-2024</guid><category>Nab</category><category>Nab show</category><category>Smallhd</category><category>Smallhd ultra 7</category><category>Teradek bolt 6</category><category>Remote monitoring</category><category>Nab 2024</category><dc:creator>Jourdan Aldredge</dc:creator><media:content medium="image" type="image/png" url="https://nofilmschool.com/media-library/image.png?id=52073390&amp;width=980"></media:content></item><item><title>NAB 2024: We Interview the Minds at Maxon</title><link>https://nofilmschool.com/maxon-nab</link><description><![CDATA[
  41. <img src="https://nofilmschool.com/media-library/image.png?id=52080570&width=1200&height=800&coordinates=100%2C0%2C100%2C0"/><br/><br/><p class="">Popular post production asset company <a data-linked-post="2667007297" href="https://nofilmschool.com/lens-flare-vfx-maxon" target="_blank">Maxon</a> is always keeping up with the latest trends in elevating pictures digitally—whether its generating a slick transition or the addition of particles. </p><p>Whether its Z Brush, Cinema, Red Shift, Forger, or Red Giant, Maxon's creative suite is robust for all kinds of digital work spaces. As an editor I've worked extensively with their different softwares and they're all pretty handy and user friendly. </p><p>We catch up with Maxon and get a sneak peak at what they're developing, as well as some hands on play with Cinema 4D at their <a href="https://nofilmschool.com/search/?q=nab" target="_blank">NAB</a> booth. </p><h3>CFA Checks in With Maxon at NAB and Plays Around With Cinema 4D</h3><br/><span class="rm-shortcode" data-rm-shortcode-id="e320f054b0bd09bbed2a8835d74662f4" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/bkzYSi8o3k4?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>Check out a quick interview with Steve Hogue, followed by a hands-on look at motion graphics software Cinema 4D's node-based system. We also get a little insight on to how powerful your machine might need to be to successfully run Maxon software. </p><p><img alt="" src="https://nofilmschool.com/media-library/image.jpg?id=51959500&width=980"/><small></small><small></small></p><p><em>No Film School's coverage of <a href="https://nofilmschool.com/tag/nab-2024" target="_self">NAB 2024</a> is brought to you by <a href="https://www.blackmagicdesign.com/" target="_blank">Blackmagic Design</a>.</em></p>]]></description><pubDate>Tue, 23 Apr 2024 23:01:04 +0000</pubDate><guid>https://nofilmschool.com/maxon-nab</guid><category>Nab</category><category>Maxon</category><category>Red giant</category><category>Cinema 4d</category><category>Steve hogue</category><category>Post production</category><category>Nab 2024</category><dc:creator>Grant Vance</dc:creator><media:content medium="image" type="image/png" url="https://nofilmschool.com/media-library/image.png?id=52080570&amp;width=980"></media:content></item><item><title>Seth MacFarlane Talks Restoring Animated Shorts at TCM Fest</title><link>https://nofilmschool.com/seth-macfarlane-tcm</link><description><![CDATA[
  42. <img src="https://nofilmschool.com/media-library/greedy-humpty-dumpty.jpg?id=52068969&width=1200&height=800&coordinates=45%2C0%2C46%2C0"/><br/><br/><p class="">If your a fan of comedy legend Seth MacFarlene you know the guy loves cartoons. Considering he's the showrunner of some of the biggest adult cartoon shows in history that's no surprise, but if you take a look deeper into his oeuvre his appreciation of the art form is apparent in almost everything he touches. </p><p>Macfarlane got his start working for Hanna-Barbera before creating and voice acting in his long-running shows <em>Family Guy </em>and <em>American Dad. </em>Not to mention he's quite talented as a jazz singer and songwriter to bat. </p><p>What may be oft overlooked due to the cruder nature of his comedy, MacFarlane is actually a super smart, super thoughtful guy. Recently, he worked with Martin Scorsese's archival film project to help restore classic cartoon short films from 1920 to 1940 that otherwise could have been lost.</p><p>We were lucky enough to see this shorts block screened at TCM this weekend where Macfarlane introduced the shorts and talked a bit about the restoration process a bit before the premiere of <em>Back From The Ink: Restored Animated Shorts</em> (2024).</p><p>Check out the intro below!</p><h3>Seth MacFarlane Introducing Restored Animated Shorts at TCM</h3><br/><video class="rm-shortcode" controls="" data-rm-shortcode-id="d78cf2356b65a2f21866cb5c2a6f0263" expand="1" feedbacks="true" id="bbb4a" mime_type="video/mp4" shortcode_id="1713833177742" site_id="26256498" url="https://roar-assets-auto.rbl.ms/runner%2FSethMacFarlane.mp4" videocontrols="true" width="100%"> <source src="https://roar-assets-auto.rbl.ms/runner%2FSethMacFarlane.mp4" type="video/mp4"/> Your browser does not support the video tag. </video><p>Seth Macfarlane on why he chose these films to restore:</p><blockquote>"It's it's it's high art in so many cases. And particularly when it comes to animation, you know, there's there's a there's a philosophy that I think Scorsese you mentioned this at one point.<br/><br/>I maybe attributed it to him at some point. I think it was him that said, look, you know, if there's a film that needs preserving or that he's restoring, and it's not necessarily the greatest film ever made that films like those first. <br/><br/>So, yeah, like <em>Gone With the Wind</em> and my, you know, <em>Attack of the Killer Tomatoes</em> and the ladder is, is deteriorating that that gets put in the oven for him.<br/>I kind of like that it just kind of so boldly because it's so subjective. You know, everyone has an opinion about the great film. So I always kind of appreciate and respect that, that, that philosophy.<br/><br/>If you're going to say that because some people imagine it was most important to save the most important films were really their own."<br/></blockquote><p><span></span><br/></p>]]></description><pubDate>Tue, 23 Apr 2024 22:01:13 +0000</pubDate><guid>https://nofilmschool.com/seth-macfarlane-tcm</guid><category>Tcm fest</category><category>Animated films</category><category>Film restoration</category><category>Martin scorsese</category><category>Seth macfarlane</category><dc:creator>Grant Vance</dc:creator><media:content medium="image" type="image/jpeg" url="https://nofilmschool.com/media-library/greedy-humpty-dumpty.jpg?id=52068969&amp;width=980"></media:content></item><item><title>We Drop By Teradek for the Latest in Wireless On-Set Solutions</title><link>https://nofilmschool.com/teradek-nab</link><description><![CDATA[
  43. <img src="https://nofilmschool.com/media-library/image.png?id=52079977&width=1200&height=800&coordinates=200%2C0%2C0%2C0"/><br/><br/><p>If you've ever worked anywhere around video village or pulled focus as an AC then <a data-linked-post="2667281328" href="https://nofilmschool.com/teradek-tv" target="_blank">Teradek</a> is certainly no stranger to you—in fact, they might be your BFF. </p><p>When you're working with a monitor on set and can't afford to have miles of BNC running around then Teradek's zero delay wireless technology is designed to transmit directly from camera to monitor for quick responses. As described below, this is imperative for working on set when a transmission delay could crucially set you back on production.</p><p>Watch our interview with Teradek at <a href="https://nofilmschool.com/search/?q=nab" target="_blank">NAB 2024</a> below conducted by Cinematography for Actors and our very own Jourdan Aldredge. </p><h3>NAB 2024: Check in With the Latest From Teradek</h3><br/><span class="rm-shortcode" data-rm-shortcode-id="00f223ff76540147fe619e1dc88d959c" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/mi1Xenrr-5s?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>We check out the Bolt 6 and Ace 750 at Teradek's NAB booth and breakdown the differences between the two products. </p><p>Essentially, the Ace 750 is the more low budget, indie filmmaking option, while the Bolt 6 is more standard for studio filmmaking and television. </p><p>We also get to check out the model for Teradek TV—a less quick wireless option more suited for a client, less suited for a crew member that could benefit from their zero delay hardware. The difference here is that it's a Wi-Fi solution that can connect to iPads, iPhones, and other screens through Wi-Fi versus an RxTx connection. </p><p><img alt="" src="https://nofilmschool.com/media-library/image.jpg?id=51959500&width=980"/><small></small><small></small></p><p><em>No Film School's coverage of <a href="https://nofilmschool.com/tag/nab-2024" target="_self">NAB 2024</a> is brought to you by <a href="https://www.blackmagicdesign.com/" target="_blank">Blackmagic Design</a>.</em></p>]]></description><pubDate>Tue, 23 Apr 2024 21:41:09 +0000</pubDate><guid>https://nofilmschool.com/teradek-nab</guid><category>Nab</category><category>Teradek</category><category>Monitors</category><category>Wireless video</category><category>Nab 2024</category><dc:creator>Grant Vance</dc:creator><media:content medium="image" type="image/png" url="https://nofilmschool.com/media-library/image.png?id=52079977&amp;width=980"></media:content></item><item><title>These New Products From LitePanels Have to Be Seen to Believe</title><link>https://nofilmschool.com/litepanels-nab-2024</link><description><![CDATA[
  44. <img src="https://nofilmschool.com/media-library/image.png?id=52079383&width=1200&height=800&coordinates=0%2C0%2C316%2C0"/><br/><br/><p>If you didn't know, Litepanels are the original pioneers in <a data-linked-post="2662279883" href="https://nofilmschool.com/godox-knowled-p600bi-hard-led-panel-offers-lighting-power-you-need" target="_blank">LED panel lighting</a> for the television and motion picture industries. </p><p>Each year, I'm excited to see what they bring to <a href="https://nofilmschool.com/search/?q=NAB" target="_blank">NAB</a> because they seem to just keep making lighting easier and better. </p><p>Just a couple of these light kits can handle almost any job. </p><p>Check out all the new info they told us below. </p><h3>LitePanels Illuminates NAB 2024 </h3><br/><span class="rm-shortcode" data-rm-shortcode-id="0d203a04f674ea93294b54b60873142b" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/9NBEprmLRVk?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>In a conversation between our video coverage hosts at NAB Show 2024 <a href="https://www.cinematographyforactors.com/" rel="noopener noreferrer" target="_blank">Cinematography for Actors </a>and Litepanels, we learned a ton about what the company has in store. </p><p>The new lights have some new settings that cover skin tones, CRI, and actually using lights that fit in tight spaces. These lights switch color temps and have a lot of other modern abilities. </p><p>There's also an integration so you can see what happens in the light on the screen on the back of the light and customize as needed. The color temp is 2700k to 6500k. </p><p>They also have a DMX module and fan control as well. You can even delay the fans for a certain amount of time as well, for those shots you need that are quiet. </p><p>There's also are all weather and portable, so you can take it anywhere you need in a Pelican case. </p><p>Let me know what you think in the comments. </p><p><img alt="" src="https://nofilmschool.com/media-library/image.jpg?id=51959500&width=980"/><small></small><small></small></p><p><em>No Film School's coverage of <a href="https://nofilmschool.com/tag/nab-2024" target="_self">NAB 2024</a> is brought to you by <a href="https://www.blackmagicdesign.com/" target="_blank">Blackmagic Design</a>.</em></p>]]></description><pubDate>Tue, 23 Apr 2024 19:22:55 +0000</pubDate><guid>https://nofilmschool.com/litepanels-nab-2024</guid><category>Film</category><category>Filmmaking</category><category>Movies</category><category>Nab</category><category>Nab 2024</category><dc:creator>Jason Hellerman</dc:creator><media:content medium="image" type="image/png" url="https://nofilmschool.com/media-library/image.png?id=52079383&amp;width=980"></media:content></item><item><title>Matthew Studio Equipment Has A Lot of New Tech to Debut</title><link>https://nofilmschool.com/matthew-studio-nab-2024</link><description><![CDATA[
  45. <img src="https://nofilmschool.com/media-library/image.png?id=52074205&width=1200&height=800&coordinates=291%2C0%2C83%2C0"/><br/><br/><p>The thing I love about talking to the Matthew Studio people is that they love their work. After all, they get to work for a grip who made it big, designing equipment that helped all the needs of other grips in town. </p><p>And now they're one of the most trusted brands for filmmakers all over the world. </p><p>Let's see what they have in store of the new year. </p><hr/><h3>Matthew Studio Equipment Goes Through Their New Tech </h3><br/><span class="rm-shortcode" data-rm-shortcode-id="2828e1fb08d15cdc59f3878086aabad5" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/u0CVWa2qH9s?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>Our amazing hosts from <a href="https://www.cinematographyforactors.com/" rel="noopener noreferrer" target="_blank">Cinematography for Actors </a>caught up with Martin Torner, contenct director at Matthew Studio Equipment for their latest G&E supplies at NAB.</p><p>In our interview, we talked about the innovative and awesome gear they are debuting, like an air-driven 25-foot lighting lift and a new light with flood, spot, and reflector boards built in. </p><p>There's even a remote activated pan and tilt that can seamlessly integrate into pretty much any lighting or camera stand. </p><p>There was lots of useful tool in this video—which ones were your favorites? </p><p>Let us know what you think in the comments! </p><p><img alt="" src="https://nofilmschool.com/media-library/image.jpg?id=51959500&width=980"/><small></small><small></small></p><p><em>No Film School's coverage of <a href="https://nofilmschool.com/tag/nab-2024" target="_self">NAB 2024</a> is brought to you by <a href="https://www.blackmagicdesign.com/" target="_blank">Blackmagic Design</a>.</em></p>]]></description><pubDate>Tue, 23 Apr 2024 18:12:21 +0000</pubDate><guid>https://nofilmschool.com/matthew-studio-nab-2024</guid><category>Film</category><category>Filmmaking</category><category>Movies</category><category>Nab</category><category>Nab 2024</category><category>Matthew studio</category><dc:creator>Jason Hellerman</dc:creator><media:content medium="image" type="image/png" url="https://nofilmschool.com/media-library/image.png?id=52074205&amp;width=980"></media:content></item><item><title>Adobe Talks About the Future of AI in Premiere Pro at NAB 2024</title><link>https://nofilmschool.com/adobe-nab-2024</link><description><![CDATA[
  46. <img src="https://nofilmschool.com/media-library/image.png?id=52073197&width=1200&height=800&coordinates=0%2C0%2C316%2C0"/><br/><br/><p>Since being <a href="https://nofilmschool.com/premiere-pro-ai-tool" target="_self">announced here at NAB 2024</a>, Adobe’s new generative AI video tools have been one of the biggest topics of discussion at the <a href="https://nofilmschool.com/tag/nab-2024" target="_blank">NAB Show</a> this year in Vegas. That’s because, regardless of your thoughts of AI in general, these “generative fill” type tools are already starting to reshape how not just video editing—but all types of content creation—are being done.</p><p>Since Adobe launched their <a href="https://nofilmschool.com/adobe-generative-fill-video" target="_self">Firefly AI model</a>, we’ve known this day would come when these tools would make their way into their popular NLE. </p><p>So, with this revolutionary news just released, we were excited to sit down and chat with Adobe about these new generative AI video tools coming to Premiere Pro, as well as hear their thoughts as to how they believe AI will continue to shape the video editing and content creation landscape.</p><hr/><h3>Adobe Talks AI at NAB 2024</h3><br/><span class="rm-shortcode" data-rm-shortcode-id="68854128d74ef1334b0cfa52526b0f33" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/8HIL-t07qwQ?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>In a conversation between our video coverage hosts at NAB Show 2024 <a href="https://www.cinematographyforactors.com/" target="_blank">Cinematography for Actors </a>and Adobe representatives from their booth at this year’s conference, we got to pick Adobe’s brain a bit for more details about these coming generative AI video tools that are set to hit Premiere Pro beta.</p><p>Plus, we chatted more about Adobe’s push for better content authenticity, as well as how they see these generative AI tools evolving for video editors over the years, and how Premiere Pro in particular plans to stay at the forefront of this budding technology.</p><p>Check out our full conversation here below.</p><p><img alt="" src="https://nofilmschool.com/media-library/image.jpg?id=51959500&width=980"/><small></small><small></small></p><p><em>No Film School's coverage of <a href="https://nofilmschool.com/tag/nab-2024" target="_self">NAB 2024</a> is brought to you by <a href="https://www.blackmagicdesign.com/" target="_blank">Blackmagic Design</a>.</em></p>]]></description><pubDate>Tue, 23 Apr 2024 17:03:03 +0000</pubDate><guid>https://nofilmschool.com/adobe-nab-2024</guid><category>Adobe</category><category>Premiere pro</category><category>Ai</category><category>Firefly</category><category>Adobe creative cloud</category><category>Generative ai</category><category>Generative fill</category><category>Nab 2024</category><dc:creator>Jourdan Aldredge</dc:creator><media:content medium="image" type="image/png" url="https://nofilmschool.com/media-library/image.png?id=52073197&amp;width=980"></media:content></item><item><title>NAB 2024: Everything You Need to Know About Frame.io Version 4</title><link>https://nofilmschool.com/frameio-nab-2024</link><description><![CDATA[
  47. <img src="https://nofilmschool.com/media-library/image.png?id=52073290&width=1200&height=800&coordinates=334%2C0%2C0%2C0"/><br/><br/><p>Since being <a href="https://nofilmschool.com/adobe-acquires-frameio-billion-dollar-deal" target="_self">acquired by Adobe</a> back in 2021, Frame.io has become more and more a part of the Adobe ecosystem, and a major part of many video professionals' and editors' workflows. </p><p>And while Frame.io has always been good at what it does best, which is collaboration and review, its latest update is by far its most major—and it could very well end up being a game-changer for all of us.</p><p>Back at NAB 2024, and part of the Adobe booth now, we caught up with Frame.io CEO Emery Wells to learn more about <a href="https://nofilmschool.com/frame-io-version-4-beta" target="_self">this latest version 4 update</a>, which promises to bring major new framework and folder system updates to the platform, plus many more new and exciting features as well.</p><p>Check it out below.</p><hr/><h3>Frame.io Chats Version 4 at NAB 2024</h3><br/><span class="rm-shortcode" data-rm-shortcode-id="6b826ee49bf62d6e314c37faf1eb0f4d" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/8-z1QBMW-AM?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>In a conversation with our video coverage hosts from <a href="https://www.cinematographyforactors.com/" target="_blank">Cinematography for Actors</a>, we got the chance to chat with Emery Wells about this latest update for Frame.io, which promises to be a complete redesign in many ways and represents perhaps the biggest shift for the company since its acquisition by Adobe.</p><p>Dubbed its “biggest update yet,” this version 4 update should bring about a new dynamic metadata framework, a smart collections folder system, and even multi-panel customization. Hear everything new and coming to Frame.io in our convo below.</p><p><img alt="" src="https://nofilmschool.com/media-library/image.jpg?id=51959500&width=980"/><small></small><small></small></p><p><em>No Film School's coverage of <a href="https://nofilmschool.com/tag/nab-2024" target="_self">NAB 2024</a> is brought to you by <a href="https://www.blackmagicdesign.com/" target="_blank">Blackmagic Design</a>.</em></p>]]></description><pubDate>Tue, 23 Apr 2024 16:18:30 +0000</pubDate><guid>https://nofilmschool.com/frameio-nab-2024</guid><category>Frame.io</category><category>Nab</category><category>Nab show</category><category>Emery wells</category><category>Adobe</category><category>Adobe premiere pro</category><category>Nab 2024</category><dc:creator>Jourdan Aldredge</dc:creator><media:content medium="image" type="image/png" url="https://nofilmschool.com/media-library/image.png?id=52073290&amp;width=980"></media:content></item><item><title>What is a The Thematic Echo in Screenwriting?</title><link>https://nofilmschool.com/what-is-a-thematic-echo</link><description><![CDATA[
  48. <img src="https://nofilmschool.com/media-library/what-is-a-the-thematic-echo-in-screenwriting.jpg?id=34063518&width=1200&height=800&coordinates=0%2C0%2C1%2C0"/><br/><br/><p>One of the things I love doing when writing is creating the same scene twice to show the evolution of the <a data-linked-post="2661197986" href="https://nofilmschool.com/character-arc" target="_blank">character arc</a> at its center. Until recently, I didn't know there was a term for this strategy. </p><p>It's called a 'thematic echo,' and it actually is a lot deeper than just writing something twice, with changes. </p><p>Today, I want to go over the term, look into its uses, and talk about how you can effectively add them to your screenplays. </p><p>Let's dive in. </p><hr/><h3>Defining Thematic Echo</h3><br/><img alt="Defining Thematic Echo" class="rm-shortcode" data-rm-shortcode-id="bfe39b6193923c25d3c2654df9a5a08b" data-rm-shortcode-name="rebelmouse-image" id="4486d" loading="lazy" src="https://nofilmschool.com/media-library/defining-thematic-echo.webp?id=52027472&width=980"/><p>A thematic echo is a powerful <a data-linked-post="2661203176" href="https://nofilmschool.com/2016/08/7-storytelling-techniques-you-can-learn-filmmaker-youtube-star-casey-neistat" target="_blank">storytelling technique</a> that reinforces a screenplay's central message by strategically repeating <a data-linked-post="2661197147" href="https://nofilmschool.com/motif-in-film" target="_blank">motifs</a>, <a data-linked-post="2662279776" href="https://nofilmschool.com/symbolism-film-and-tv-definition-and-examples" target="_blank">symbols</a>, or situations throughout the narrative.</p><p>These "echoes" deepen the audience's understanding of the <a data-linked-post="2661197308" href="https://nofilmschool.com/themes-in-a-film" target="_blank">theme</a> and its significance to the characters' journeys.</p><h3>The Key Elements of a Thematic Echo</h3><br/><img alt="The Key Elements of a Thematic Echo" class="rm-shortcode" data-rm-shortcode-id="ce1242ecb832bb95ff44117c53cfac00" data-rm-shortcode-name="rebelmouse-image" id="e7824" loading="lazy" src="https://nofilmschool.com/media-library/the-key-elements-of-a-thematic-echo.jpg?id=34075337&width=980"/><p>By weaving thematic echoes into the narrative, screenwriters can create a sense of cohesion and build a richer thematic tapestry.</p><p>Before you try to repeat a scene, you should think about these core parts so you can make sure it matters.  </p><ul><li><strong>Theme:</strong> The core idea or message your screenplay explores.</li><li><strong>Motif:</strong> A recurring element, image, or idea that contributes to the theme.</li><li><strong>Symbol:</strong> An object, character, or situation that represents a deeper meaning beyond its literal form.</li><li><strong>Echo:</strong> The repetition of a motif, symbol, or situation throughout the screenplay.</li></ul><h3>Examples of Thematic Echos</h3><br/><img alt="Examples of Thematic Echos" class="rm-shortcode" data-rm-shortcode-id="0a78f245c7b04b2c1fe755e0765f2317" data-rm-shortcode-name="rebelmouse-image" id="c312f" loading="lazy" src="https://nofilmschool.com/media-library/examples-of-thematic-echos.jpg?id=34063510&width=980"/><p>Sometimes, the easiest way to understand these terms is to look at them in action. so we should check out some clear examples of echos in action. </p><ul><li><strong><em>The Lion King:</em></strong> Simba's journey echoes his father Mufasa's, highlighting the importance of responsibility and facing challenges. And the idea of returning to pride rock as a child and as an adult layersi n the growth of the character. </li><li><strong><em>Breaking Bad:</em></strong> The constant use of blue throughout the series (clothing, meth, pool) echoes the corruption and descent of Walter White. And also, think about how we show the changes in Walt as we go back and forth at the car wash, from a place he's mistreated to a place he rules with an iron fist. </li><li><strong><em>Parasite</em>:</strong> The recurring image of stairs emphasizes the societal divide and the characters' struggle to climb the social ladder. </li></ul><h3>How to Formulate Your Own Thematic Echo</h3><br/><img alt="How to Formulate Your Own Thematic Echo" class="rm-shortcode" data-rm-shortcode-id="5c583f3aca83841d2da7027654208e69" data-rm-shortcode-name="rebelmouse-image" id="e6976" loading="lazy" src="https://nofilmschool.com/media-library/how-to-formulate-your-own-thematic-echo.jpg?id=34087732&width=980"/><p>If you want to make sure your screenplay has these moments, we have a few strategies that can help you on the path. </p><ol><li><strong>Identify Your Theme</strong>: What is the central message you want your screenplay to convey?</li><li><strong>Develop Motifs and Symbols</strong>: Brainstorm elements that visually or metaphorically represent your theme.</li><li><strong>Strategic Placement:</strong> Introduce your motifs and symbols early and then strategically repeat them throughout the story at key turning points or moments of character growth.</li><li><strong>Evolution and Variation:</strong> Don't simply repeat the echo verbatim. Allow it to evolve as the story progresses, reflecting the characters' journeys or the changing thematic weight.</li></ol><p class="">All of this feels like stuff you might add when rewriting the script. It's the accouterments you put in to take your story from good to great. And the flourishes that really showcase your writing abilities. </p><p>Hopefully, you can tackle these and make sure they help highlight the message inside your story. </p><p>Let me know what you think in the comments. </p>]]></description><pubDate>Tue, 23 Apr 2024 14:03:02 +0000</pubDate><guid>https://nofilmschool.com/what-is-a-thematic-echo</guid><category>Theme</category><category>Storytelling</category><category>Screenwriting terms</category><category>Ideation</category><category>Scene</category><category>Scene analysis</category><category>Scene writing</category><category>Thematic echo</category><dc:creator>Jason Hellerman</dc:creator><media:content medium="image" type="image/jpeg" url="https://nofilmschool.com/media-library/what-is-a-the-thematic-echo-in-screenwriting.jpg?id=34063518&amp;width=980"></media:content></item><item><title>Live from NAB 2024: Blackmagic's CEO on the URSA Cine 12K &amp; Future of AI</title><link>https://nofilmschool.com/ai-blackmagic-ursa-podcast</link><description><![CDATA[
  49. <img src="https://nofilmschool.com/media-library/live-from-nab-2024-blackmagic-s-ceo-on-the-ursa-cine-12k-future-of-ai.jpg?id=52073448&width=1200&height=800&coordinates=130%2C0%2C130%2C0"/><br/><br/><p>We had the chance to speak to <a href="https://nofilmschool.com/philosophy-grant-petty-and-future-blackmagic-design" target="_blank">Grant Petty of Blackmagic Design</a> at this year’s NAB conference. It was as much of a conversation about technology and innovation as it was a conversation about human nature. </p><h3></h3><br/><iframe frameborder="0" height="200" scrolling="no" src="https://playlist.megaphone.fm/?e=NFS4750963558" width="100%"></iframe>
  50. <h3></h3><br/><p>In today’s episode, No Film School’s Jourdan Aldredge speaks with Blackmagic CEO Grant Petty to discuss: </p>
  51. <ul><li>Developing the URSA Cine with a post-production mindset</li><li>Zero-cost options from Blackmagic for beginners</li><li>Why Grant doesn’t like to compete with others</li><li>PYXIS camera and its features</li><li>Creating products that lend to an efficient post-production workflow</li><li>Exciting new changes and updates to DaVinci Resolve 19</li><li>Grant’s opinion on AI and the future of editing </li><li>The moment he fell in love with color correction</li><li>Feeling lonely and misunderstood</li><li>Why you have to be a ruthless, yet empathetic product engineer</li></ul><h3></h3><br/><p><strong>Mentioned:</strong></p><p><a href="https://nofilmschool.com/blackmagic-ursa-cine-12k-nab" target="_self"><u>A First-Hand Look at the New Blackmagic URSA Cine 12K at NAB 2024</u></a> </p><p><a href="https://nofilmschool.com/u/jourdan" target="_self"><u>Check out Jourdan's article</u></a> </p><p><a href="https://www.blackmagicdesign.com/products/blackmagicursacine" rel="noopener noreferrer" target="_blank"><u>Blackmagic URSA Cine</u></a></p><p><a href="https://www.blackmagicdesign.com/products/blackmagicpyxis" rel="noopener noreferrer" target="_blank"><u>Blackmagic PYXIS</u></a></p><p><a href="https://www.blackmagicdesign.com/products/davinciresolve" rel="noopener noreferrer" target="_blank"><u>DaVinci Resolve 19</u></a></p><p><br/></p><p><strong>Subscribe to the No Film School Podcast on:</strong></p><ul><li><a href="https://podcasts.apple.com/us/podcast/the-no-film-school-podcast/id1078804724" rel="noopener noreferrer" target="_blank">Apple Podcasts</a></li><li><a href="https://open.spotify.com/show/1vfyZ6hx3QJWS6etdDZZ5V" rel="noopener noreferrer" target="_blank">Spotify</a></li><li><a href="https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vTk5MTEMzMjI5NDg4NTcz" rel="noopener noreferrer" target="_blank">Google</a></li></ul>Get your question answered on the podcast by emailing <a href="https://nofilmschool.com/2025/06/editor@nofilmschool.com" rel="noopener noreferrer" target="_self">podcast@nofilmschool.com</a>.<h3></h3><br><iframe frameborder="0" height="482" src="https://playlist.megaphone.fm/?p=NNLLC3229488573" width="100%"></iframe><p><em>Listen to more episodes of the No Film School podcast right here:</em></p></br><p class=""><sub><em>This episode of The No Film School Podcast was produced by <a href="https://nofilmschool.com/u/lostingraceland" rel="noopener noreferrer" target="_self">GG Hawkins</a>.</em></sub></p><p><img alt="" src="https://nofilmschool.com/media-library/image.jpg?id=51959500&width=980"/><small></small><small></small></p><p><em>No Film School's coverage of <a href="https://nofilmschool.com/tag/nab-2024" target="_self">NAB 2024</a> is brought to you by <a href="https://www.blackmagicdesign.com/" target="_blank">Blackmagic Design</a>.</em></p>]]></description><pubDate>Tue, 23 Apr 2024 13:03:03 +0000</pubDate><guid>https://nofilmschool.com/ai-blackmagic-ursa-podcast</guid><category>Podcast</category><category>No film school podcast</category><category>Nab</category><category>Nab 2024</category><category>Blackmagic design</category><category>Blackmagic</category><category>Ursa cine 12k</category><category>Ai</category><category>Artificial intelligence</category><dc:creator>NFS Staff</dc:creator><media:content medium="image" type="image/jpeg" url="https://nofilmschool.com/media-library/live-from-nab-2024-blackmagic-s-ceo-on-the-ursa-cine-12k-future-of-ai.jpg?id=52073448&amp;width=980"></media:content></item><item><title>Mobile-Friendly Filmmakers Will Love This New Gear From Tiffen</title><link>https://nofilmschool.com/tiffen-nab-2024</link><description><![CDATA[
  52. <img src="https://nofilmschool.com/media-library/image.png?id=52051319&width=1200&height=800&coordinates=200%2C0%2C0%2C0"/><br/><br/><p>Love shooting on your phone but missing the control lens filters? The Tiffen Company has a solution with their magsafe filters perfect for smartphone filmmakers. </p><p><a data-linked-post="2661196041" href="https://nofilmschool.com/need-variable-nd-filter-check-out-these-moment" target="_blank">The Tiffen Company</a> is widely respected for their production camera accessories, but now branching out to supply mobile-friendly options for filmmakers. </p><p>We got a chance to try out two new products—their filters, as well as their new steadicam for traditional cameras. </p><p>We stopped by their booth to check out what they had in store to show off at <a href="https://nofilmschool.com/search/?q=nab+2024" target="_blank">NAB 2024</a>. Check out the interviews below. </p><hr/><h3>The Tifffen Company at NAB Show 2024—Smartphone Filters</h3><br/><span class="rm-shortcode" data-rm-shortcode-id="cd80dcba365bb995794b9be45bc8ec48" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/tlrRzg7aWUA?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><h3>NAB 2024: Tiffen Booth Part Two—Steadicam </h3><br/><span class="rm-shortcode" data-rm-shortcode-id="73c12739f6498e75740d624da0ee5d44" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/9xNyi7PhAOY?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p><img alt="" src="https://nofilmschool.com/media-library/image.jpg?id=51959500&width=980"/><small></small><small></small></p><p><em>No Film School's coverage of <a href="https://nofilmschool.com/tag/nab-2024" target="_self">NAB 2024</a> is brought to you by <a href="https://www.blackmagicdesign.com/" target="_blank">Blackmagic Design</a>.</em></p>]]></description><pubDate>Tue, 23 Apr 2024 00:02:47 +0000</pubDate><guid>https://nofilmschool.com/tiffen-nab-2024</guid><category>Nab 2024</category><category>Tiffen</category><category>Smartphone filmmaking</category><category>Steadicam</category><category>The tiffen company</category><dc:creator>Grant Vance</dc:creator><media:content medium="image" type="image/png" url="https://nofilmschool.com/media-library/image.png?id=52051319&amp;width=980"></media:content></item><item><title>Why The 'Blood for Dust' Filmmakers Don't Wait for Permission</title><link>https://nofilmschool.com/blood-for-dust</link><description><![CDATA[
  53. <img src="https://nofilmschool.com/media-library/blood-for-dust.jpg?id=52064179&width=1200&height=800&coordinates=448%2C0%2C0%2C0"/><br/><br/><p>Rod Blackhurst and Noah Lang are the dynamic duo behind the film <em><em>Blood for Dust</em></em>, starring Kit Harington, Scooty McNairy, and Josh Lucas. These filmmakers share why leading with honesty, openness, and enthusiasm is the key to building strong relationships and creating successful films. You don’t have to be cutthroat in this industry in order to achieve your filmmaking dreams.</p><h3></h3><br/><iframe frameborder="0" height="200" scrolling="no" src="https://playlist.megaphone.fm/?e=NFS1110865778" width="100%"></iframe>
  54. <h3></h3><br/><p>In today’s episode, No Film School’s GG Hawkins speaks with director Rod Blackhurst and producer Noah Lang to discuss: </p>
  55. <ul><li>How Rod and Noah began working together</li><li>Why you should lead with honesty and enthusiasm</li><li>Making movies with the same people over and over again</li><li>Understanding what you have agency over in your career</li><li>How Scoot McNairy and Kit Harington came onto the project</li><li>How meeting David Gordon Green in 2012 eventually led to the making of <em><em>Blood for Dust</em></em></li><li>The power of self-awareness and being a kind filmmaker</li><li>The vibe on set - having fun amid stress</li><li>What it looks like to make an honest living in filmmaking </li></ul><h3></h3><br/><p><strong>Subscribe to the No Film School Podcast on:</strong></p><ul><li><a href="https://podcasts.apple.com/us/podcast/the-no-film-school-podcast/id1078804724" rel="noopener noreferrer" target="_blank">Apple Podcasts</a></li><li><a href="https://open.spotify.com/show/1vfyZ6hx3QJWS6etdDZZ5V" rel="noopener noreferrer" target="_blank">Spotify</a></li><li><a href="https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vTk5MTEMzMjI5NDg4NTcz" rel="noopener noreferrer" target="_blank">Google</a></li></ul>Get your question answered on the podcast by emailing <a href="https://nofilmschool.com/2025/06/editor@nofilmschool.com" rel="noopener noreferrer" target="_self">podcast@nofilmschool.com</a>.<h3></h3><br/><iframe frameborder="0" height="482" src="https://playlist.megaphone.fm/?p=NNLLC3229488573" width="100%"></iframe><p><em>Listen to more episodes of the No Film School podcast right here:</em></p><p class=""><sub><em>This episode of The No Film School Podcast was produced by <a href="https://nofilmschool.com/u/lostingraceland" rel="noopener noreferrer" target="_self">GG Hawkins</a>.</em></sub></p>]]></description><pubDate>Mon, 22 Apr 2024 18:00:07 +0000</pubDate><guid>https://nofilmschool.com/blood-for-dust</guid><category>Podcast</category><category>No film school podcast</category><dc:creator>NFS Staff</dc:creator><media:content medium="image" type="image/jpeg" url="https://nofilmschool.com/media-library/blood-for-dust.jpg?id=52064179&amp;width=980"></media:content></item><item><title>Aputure Unveils INFINIMAT Line and Updated Sidus Ecosystem at NAB 2024</title><link>https://nofilmschool.com/aputure-nab-2024</link><description><![CDATA[
  56. <img src="https://nofilmschool.com/media-library/image.jpg?id=52063554&width=1200&height=800&coordinates=100%2C0%2C100%2C0"/><br/><br/><p>As film festivals and trade shows continue to rebound back to pre-pandemic levels, the vibe at NAB this year was absolutely one that felt like brands were fully back in action and ready to send their newest products and gear innovations.</p>
  57. <p>One booth that brought as much pre-pandemic news and features as anyone else was the Aputure booth, which had three new products to showcase including the Aputure INFINIMAT line, Sidus One, and Sidus Link Pro.</p>
  58. <p>Let’s take a look at the latest from Aputure from our visit with the team at <a href="https://nofilmschool.com/tag/nab-2024" target="_blank">NAB 2024</a>.</p><hr/><h3>The Latest from Aputure at NAB 2024</h3><br/><span class="rm-shortcode" data-rm-shortcode-id="023b9e4ca12846f8750e7a3fb47337b5" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/z0xpxARsRiQ?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>As you can see in our video below where our video coverage hosts from Cinematography for Actors chats with the Aptuure team, there’s a lot to catch up on and go over from their booth this year. The big highlight is the new INFINIMAT line, which—according to Aputure—is basically their version of a mat light that everybody’s been waiting for.</p>
  59. <p>Here are the highlights:</p><h3>Aputure INFINIMAT</h3><br/><span class="rm-shortcode" data-rm-shortcode-id="793701d24ae03dfb8b9dc7858b16c147" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/jD_2wI_XS9E?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>With these new INFINIMATs in particular, Aputure was simply looking to build upon the already popular light mat form factor, but by adding more options to configure them in the conventional thin mat form, or to expand using the fixture's built-in inflatable diffusion.</p>
  60. <p>The INFINIMATs offer a mat system that is quick to set up and can be used either solo or with a team. Each panel also features pixel color control and the ability to control multiple lights from a single control box. They also offer multi-light versatility, which when combined with each panel's singular high output, will allow them to be both an everyday workhorse for small spaces or patched together with pixel-mapping to be a film set's largest specialty light.</p><h3>The Sidus Ecosystem</h3><br/><span class="rm-shortcode" data-rm-shortcode-id="6acaa36df785e284e69f9ff06afbfaf8" style="display:block;position:relative;padding-top:56.25%;"><iframe frameborder="0" height="auto" lazy-loadable="true" scrolling="no" src="https://www.youtube.com/embed/kZOfzowL5Tw?rel=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" width="100%"></iframe></span><p>Aputure also unveiled a new Sidus Link Pro that is set to build upon their Sidus Link app, further utilizing an intuitive graphical user interface instead of the dense command-line computer programming methods utilized by traditional lighting consoles to give creatives control of their lighting.</p>
  61. <p>Aputure users will also now have the ability to perform instantaneous cue-based controls across multiple lights with zero delay, a feature that was previously only possible through console control, and the ability to connect to any CRMX-enabled fixture (a capability expanded by Sidus One).</p>
  62. <p>The Sidus Link Pro app, when joined with the Sidus One, will further give smaller facilities and independent filmmakers a latency-free, intuitive, and powerful integrated control system without needing to spend huge amounts of time learning console programming. </p>
  63. <p>You can find full pricing and availability for these new Aputure products on <a href="https://www.aputure.com/" rel="noopener noreferrer" target="_blank"><u>their site here</u></a>.</p><p><img alt="" src="https://nofilmschool.com/media-library/image.jpg?id=51959500&width=980"/><small></small><small></small></p><p><em>No Film School's coverage of <a href="https://nofilmschool.com/tag/nab-2024" target="_self">NAB 2024</a> is brought to you by <a href="https://www.blackmagicdesign.com/" target="_blank">Blackmagic Design</a>.</em></p>]]></description><pubDate>Mon, 22 Apr 2024 17:29:13 +0000</pubDate><guid>https://nofilmschool.com/aputure-nab-2024</guid><category>Nab 2024</category><category>Nab</category><category>Nab show</category><category>Aputure infinimat</category><category>Aputure sidus link pro</category><category>Aputure sidus</category><category>Sidus one</category><category>Aputure</category><dc:creator>Jourdan Aldredge</dc:creator><media:content medium="image" type="image/jpeg" url="https://nofilmschool.com/media-library/image.jpg?id=52063554&amp;width=980"></media:content></item><item><title>Get Your Horror Feature Funded With Unknown Nightmare</title><link>https://nofilmschool.com/unknown-nightmare</link><description><![CDATA[
  64. <img src="https://nofilmschool.com/media-library/unknown-iightmares-wefunder-cover-image.jpg?id=51970063&width=1200&height=800&coordinates=150%2C0%2C150%2C0"/><br/><br/><p class="">Need a new, not-so-scary way to get your horror feature funded but in a frightening spot? Luckily, Thomas Verdi (Founder of <a href="https://www.thefilmfund.co/" target="_blank">The Film Fund</a>) is here to save you from the beast of low funds. </p><p>Verdi's new AI-powered horror film development program <a href="https://www.unknownnightmare.com/" target="_blank">Unknown Nightmare</a> has a simple business model: </p><p>Submit a film pitch. Gain Equity. Produce a film.</p><p>The ultimate goal is to discover new screenwriters as well as find funding for their films, rather than staying within secular stages of the filmmaking process. </p><h3>How Does Unknown Nightmare Work? </h3><br/><img alt="" class="rm-shortcode" data-rm-shortcode-id="b246f697a65d45c74721c817082997ef" data-rm-shortcode-name="rebelmouse-image" id="becab" loading="lazy" src="https://nofilmschool.com/media-library/image.jpg?id=51970071&width=980"/><p>In a nutshell, Unknown Nightmare's goal is to equity crowdfund $250,000 from industry investor and producers who will submit a pitch package for an original horror film. </p><p>Unknown Nightmare uses patent-pending software called ProducerScore, written by The Film Fund founder Thomas Verdi, to project potential box-office revenue scores for submitted screenplays based on real-world, historical horror film box office data. </p><p>The AI angle? The software is trained on previously-produced screenplays and correlates submitted horror screenplays with real-world, historical box office performance. Essentially, aggregating date from box office numbers and seeing how scripts submitted to Unknown Nightmare compare on paper. </p><p>From there, ProducerScore software uses this trained AI model to analyze new horror screenplays and project box office revenues for each original horror screenplay submitted by interested investors and producers. </p><p>According to Verdi, the beauty of ProducerScore is that it can do this screenplay analysis in bulk, in a matter of minutes, and then rank the screenplays quickly and efficiently. </p><p>Finally, the ten screenplays with the highest-projected box office revenues will be pitched to horror distribution companies, and Unknown Nightmare will work with the distributor to select a film package to produce. Their goal is to raise enough funding to produce one film, but if a distributor wants to produce more, or if they are able to raise more money, ideally they will option the top ten screenplays.</p><h3>Explaining the Film Fund: From Shorts to Features </h3><br/><img alt="" class="rm-shortcode" data-rm-shortcode-id="ee1424747234474ed778fde8bcd8c9a7" data-rm-shortcode-name="rebelmouse-image" id="3301d" loading="lazy" src="https://nofilmschool.com/media-library/image.jpg?id=52001143&width=980"/><p>Verdi’s first company, The Film Fund, operates via a simple contest format: entrants write and submit one sentence pitching their short film along with a small entry fee for a chance to receive up to $10,000 in funding to help produce their short film. The prize funding comes from the entry fees submitted by the filmmakers with their pitches.</p><p>With Unknown Nightmare, The Film Fund’s existing community can finally get involved in feature film funding and development and gain real equity by doing so, not just enter a contest for a chance to get funding for a short film. The Film Fund will continue to operate with its same model for short films, but there’s a bigger market available for feature films. Filmmakers can get a real return on their investment when they submit a feature film package with Unknown Nightmare.</p><h3>What about that Scary-Sounding AI Program ProducerScore?</h3><br/><img alt="" class="rm-shortcode" data-rm-shortcode-id="6d2e75ee82a45e2cac3ab9c5cb20045f" data-rm-shortcode-name="rebelmouse-image" id="8e430" loading="lazy" src="https://nofilmschool.com/media-library/image.jpg?id=52001144&width=980"/><p>As the film community, AI scares us. </p><p>Unknown Nightmare promises that ProducerScore does not use AI to replace writers, directors, or producers, and the software does not generate screenplays.</p><p>What this ProducerScore software allows Unknown Nightmare to do is slim the number of screenplays read for easier selecting, trained on an extensive dataset of real horror screenplays that have been produced and released as theatrically-screened feature films. With this strategy, Unknown Nightmare can narrow a large stack of screenplays it will receive to the top-performing ones as evaluated by the software.</p><h3>But What If I Submit and I Don't Get Selected?</h3><br/><img alt="" class="rm-shortcode" data-rm-shortcode-id="035e29cff52a48c5726165d8f37ad1c3" data-rm-shortcode-name="rebelmouse-image" id="259ec" loading="lazy" src="https://nofilmschool.com/media-library/image.jpg?id=52001145&width=980"/><p>If you submit a package and it’s not selected to be produced, you still have equity in the film that does get produced. </p><p>Unknown Nightmare is an innovative investment production strategy, not a contest-based model like The Film Fund. If you're still interested in The Film Fund's shorts-based contest model it will very much still be active, but Unknown Nightmare is distinguishing itself with features so that filmmakers submitting have a more equity. </p><p>With features, the more skin in the game, the better. </p><h3>Unknown Nightmare Pitch</h3><br/>
  65. <iframe id="https://player.vimeo.com/video/888422627?badge=0&autopause=0&player_id=0&app_id=58479" src="https://player.vimeo.com/video/888422627?badge=0&autopause=0&player_id=0&app_id=58479"></iframe>
  66. <p class=""><em>Help fund Unknown Nightmare <a href="https://wefunder.com/unknownnightmare" target="_blank">here</a> with Wefunder. </em></p>]]></description><pubDate>Mon, 22 Apr 2024 17:03:03 +0000</pubDate><guid>https://nofilmschool.com/unknown-nightmare</guid><category>Thomas verdi</category><category>The fim fund</category><category>Crowdfunding</category><category>Horror</category><category>Unkown nighmare</category><dc:creator>Grant Vance</dc:creator><media:content medium="image" type="image/jpeg" url="https://nofilmschool.com/media-library/unknown-iightmares-wefunder-cover-image.jpg?id=51970063&amp;width=980"></media:content></item><item><title>Three XF and GF Lenses for Fujifilm Filmmakers</title><link>https://nofilmschool.com/fujifilm-lenses-deals</link><description><![CDATA[
  67. <img src="https://nofilmschool.com/media-library/image.jpg?id=52063273&width=1200&height=800&coordinates=137%2C0%2C138%2C0"/><br/><br/><p>While there's a lot to be said about brand loyalty from a cost-efficiency standpoint (not that adapters are that expensive, per se), it does make sense to pick a brand and go with their products for most of your needs. This helps streamline your workflows and ensures that all parts of your filmmaking process are optimized for one another.</p><p>That's why for this "<a href="https://nofilmschool.com/tag/filmmaking-deals-of-the-week" target="_self">Deals of the Week</a>," we're looking at three XF lenses that would be ideal for Fujifilm caemras being used by videography shooters and filmmakers. These lenses range from fast prime lenses to versatile zoom options so you hsould be covered for whatever your video needs end up being.</p><p>Let's dive in.</p><h3>FUJIFILM XF 33mm f/1.4 </h3><br/><p>The Fujifilm XF 33mm f/1.4 R LM WR is a 50mm-equivalent lens known for its bright and fast f/1.4 maximum aperture. This design benefits working in difficult lighting conditions and also affords greater control over depth of field for isolating subject matter and using selective focus techniques. </p><p>The optical design employs two aspherical elements, which reduces distortion and spherical aberrations in order to achieve higher sharpness and accurate rendering. Three ED elements are also featured, which reduce flare and ghosting for improved contrast and color accuracy. This ensures unmatched resolution and fresh, vibrant color.</p><h3>FUJIFILM XF 33mm f/1.4 R LM WR Lens</h3><br/><img alt="" class="rm-shortcode" data-rm-shortcode-id="e5a04d0edf8d6de12b2b98f40fe8a6d4" data-rm-shortcode-name="rebelmouse-image" id="82302" loading="lazy" src="https://nofilmschool.com/media-library/image.jpg?id=52063135&width=980"/><p>Offering a natural perspective along with a fast maximum aperture, the <strong>XF 33mm f/1.4 R LM WR</strong> from <strong>FUJIFILM</strong> is a 50mm-equivalent lens characterized by its bright f/1.4 maximum aperture.</p><h3>FUJIFILM XF 16-55mm f/2.8</h3><br/><p>Another XF option, the Fujifilm XF 16-55mm f/2.8 R LM WR<strong data-redactor-tag="strong" data-verified="redactor"> </strong>is an APS-C format standard zoom lens designed for the various FUJIFILM X-Mount mirrorless cameras. With a 24-84mm equivalent which can unlock shots from wide-angle to portrait-length range, this XF lens should give shooters plenty of versatility to get the shot the need in pretty much any situation.  </p><p><span>This Fujifilm XF 16-55mm f/2.8 R LM WR is also characterized by its bright f/2.8 constant maximum aperture, and should be quite capable in difficult lighting conditions and offers notable control over depth of field.</span><br/></p><h3>FUJIFILM XF 16-55mm f/2.8 R LM WR Lens</h3><br><img alt="" class="rm-shortcode" data-rm-shortcode-id="fbe65dd76f6691b2ba4b522038aad9ac" data-rm-shortcode-name="rebelmouse-image" id="97a71" loading="lazy" src="https://nofilmschool.com/media-library/image.jpg?id=52063146&width=980"/><p>The <strong>XF 16-55mm f/2.8 R LM WR</strong> from <strong>FUJIFILM</strong> is a versatile standard zoom lens designed for APS-C-format FUJIFILM X-Mount mirrorless cameras and offers a 24-84mm equivalent, wide-angle to portrait-length range.</p><h3>FUJIFILM GF 45-100mm f/4</h3><br/><p>The FUJIFILM GF 45-100mm f/4 R LM OIS WR is a standard zoom that would be great for all types of wide-angle and portrait-length shots thanks to its optical design that features a Super ED element, an ED element, and three aspherical elements, which all contribute to reducing a variety of aberrations in order to achieve greater sharpness and clarity.</p><p> Balancing the optics, this lens is also distinguished by its five stop-effective image stabilization system that minimizes the appearance of camera shake for sharper handheld imagery. A linear autofocus motor is also used to deliver fast, near-silent focusing performance to benefit both photos and videos. Additionally, the lens also features a dust-, freeze-, and weather-resistant construction to suit working in trying environmental conditions.</p><h3>FUJIFILM GF 45-100mm f/4 R LM OIS WR Lens</h3><br/><img alt="" class="rm-shortcode" data-rm-shortcode-id="0b0b39ed0b9cd010e4a3b43e07cd4d46" data-rm-shortcode-name="rebelmouse-image" id="db786" loading="lazy" src="https://nofilmschool.com/media-library/image.jpg?id=52063150&width=980"/><p>Prized for its versatility, the <strong>FUJIFILM GF 45-100mm f/4 R LM OIS WR</strong> is a standard zoom covering a useful wide-angle to portrait-length range to suit working in a variety of situations. </p></br>]]></description><pubDate>Mon, 22 Apr 2024 15:47:21 +0000</pubDate><guid>https://nofilmschool.com/fujifilm-lenses-deals</guid><category>Filmmaker deals</category><category>Filmmaking deals of the week</category><category>Deals</category><category>Fujifilm</category><category>Xf</category><category>Gf</category><category>Filmmaking deals of the week</category><dc:creator>Sponsored Content</dc:creator><media:content medium="image" type="image/jpeg" url="https://nofilmschool.com/media-library/image.jpg?id=52063273&amp;width=980"></media:content></item><item><title>FUJIFILM GF 45-100mm f/4 R LM OIS WR Lens</title><link>https://nofilmschool.com/fujifilm-gf-45-100mm-f-4-r-lm-ois-wr-lens</link><description><![CDATA[
  68. <img src="https://nofilmschool.com/media-library/image.jpg?id=52063150&width=1200&height=800&coordinates=0%2C83%2C0%2C84"/><br/><br/><p>Prized for its versatility, the <strong>FUJIFILM GF 45-100mm f/4 R LM OIS WR</strong> is a standard zoom covering a useful wide-angle to portrait-length range to suit working in a variety of situations. </p>]]></description><pubDate>Mon, 22 Apr 2024 15:27:50 +0000</pubDate><guid>https://nofilmschool.com/fujifilm-gf-45-100mm-f-4-r-lm-ois-wr-lens</guid><dc:creator>Jourdan Aldredge</dc:creator><media:content medium="image" type="image/jpeg" url="https://nofilmschool.com/media-library/image.jpg?id=52063150&amp;width=980"></media:content></item><item><title>FUJIFILM XF 16-55mm f/2.8 R LM WR Lens</title><link>https://nofilmschool.com/fujifilm-xf-16-55mm-f-2-8-r-lm-wr-lens</link><description><![CDATA[
  69. <img src="https://nofilmschool.com/media-library/image.jpg?id=52063146&width=1200&height=800&coordinates=0%2C83%2C0%2C84"/><br/><br/><p>The <strong>XF 16-55mm f/2.8 R LM WR</strong> from <strong>FUJIFILM</strong> is a versatile standard zoom lens designed for APS-C-format FUJIFILM X-Mount mirrorless cameras and offers a 24-84mm equivalent, wide-angle to portrait-length range.</p>]]></description><pubDate>Mon, 22 Apr 2024 15:26:34 +0000</pubDate><guid>https://nofilmschool.com/fujifilm-xf-16-55mm-f-2-8-r-lm-wr-lens</guid><dc:creator>Jourdan Aldredge</dc:creator><media:content medium="image" type="image/jpeg" url="https://nofilmschool.com/media-library/image.jpg?id=52063146&amp;width=980"></media:content></item></channel></rss>

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