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  1. <?xml version="1.0" encoding="utf-8" ?>
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  3. <channel>
  4.  <title><![CDATA[ Featured Projects]]></title>
  5.  <link>http://www.behance.net</link>
  6.  <description><![CDATA[The latest projects featured on the ]]></description>
  7.  <pubDate>Mon, 19 May 2025 20:17:53 +0000</pubDate>
  8.  <language>en-us</language>
  9.        <item>
  10.        <title><![CDATA[Minna no Tsukemono ?????]]></title>
  11.        <link><![CDATA[https://www.behance.net/gallery/226113945/Minna-no-Tsukemono-]]></link>
  12.        <guid><![CDATA[https://www.behance.net/gallery/226113945/Minna-no-Tsukemono-]]></guid>
  13.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/e7d221226113945.Y3JvcCw1MzE4LDQxNjAsNDYwLDA.jpg' style='float:left; margin-right:15px;' /><br /> "Minna no Tsukemono"  means The Pickles created by Everyone, it is a community cultural project for the Japan Echigo Tsumari Art Triennale - Hong Kong House 2024.
  14.  
  15. The design concept is inspired by the Chinese character for "pickle ?," which consists of three essential elements for pickle-making: water, containers, and pressure. The Chinese character itself encapsulates these elements, with the water drops representing not just moisture but also the most crucial element - the "heart (effort)" - in pickle-making. By visualizing the water droplet symbolizing the heart and moisture in containers, the design expresses the traditional wisdom of pickling.
  16. The various shapes of containers reflect the different rice-eating cultures in Japan and Hong Kong, extending into changes in the overall visual system, carrying the stories of the two regions. Audiences can also create their own containers on different media, bridging tradition with modern techniques.]]></description>
  17.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/e7d221226113945.Y3JvcCw1MzE4LDQxNjAsNDYwLDA.jpg' style='float:left; margin-right:15px;' /><br /> "Minna no Tsukemono"  means The Pickles created by Everyone, it is a community cultural project for the Japan Echigo Tsumari Art Triennale - Hong Kong House 2024.
  18.  
  19. The design concept is inspired by the Chinese character for "pickle ?," which consists of three essential elements for pickle-making: water, containers, and pressure. The Chinese character itself encapsulates these elements, with the water drops representing not just moisture but also the most crucial element - the "heart (effort)" - in pickle-making. By visualizing the water droplet symbolizing the heart and moisture in containers, the design expresses the traditional wisdom of pickling.
  20. The various shapes of containers reflect the different rice-eating cultures in Japan and Hong Kong, extending into changes in the overall visual system, carrying the stories of the two regions. Audiences can also create their own containers on different media, bridging tradition with modern techniques.]]></content:encoded>
  21.        <pubDate><![CDATA[Mon, 19 May 2025 17:30:07 +0000]]></pubDate>
  22.      </item>
  23.        <item>
  24.        <title><![CDATA[Portraits - Illustrated Stories of Faces]]></title>
  25.        <link><![CDATA[https://www.behance.net/gallery/226013419/Portraits-Illustrated-Stories-of-Faces]]></link>
  26.        <guid><![CDATA[https://www.behance.net/gallery/226013419/Portraits-Illustrated-Stories-of-Faces]]></guid>
  27.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/fdc756226013419.Y3JvcCwxNTMyLDExOTgsMCww.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  28.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/fdc756226013419.Y3JvcCwxNTMyLDExOTgsMCww.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  29.        <pubDate><![CDATA[Mon, 19 May 2025 13:00:43 +0000]]></pubDate>
  30.      </item>
  31.        <item>
  32.        <title><![CDATA[Koen Residences]]></title>
  33.        <link><![CDATA[https://www.behance.net/gallery/226051197/Koen-Residences]]></link>
  34.        <guid><![CDATA[https://www.behance.net/gallery/226051197/Koen-Residences]]></guid>
  35.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/78adb4226051197.Y3JvcCwyNzYxLDIxNjAsOTUwLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  36.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/78adb4226051197.Y3JvcCwyNzYxLDIxNjAsOTUwLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  37.        <pubDate><![CDATA[Mon, 19 May 2025 05:30:24 +0000]]></pubDate>
  38.      </item>
  39.        <item>
  40.        <title><![CDATA[The Green Island, Pt. III]]></title>
  41.        <link><![CDATA[https://www.behance.net/gallery/204325247/The-Green-Island-Pt-III]]></link>
  42.        <guid><![CDATA[https://www.behance.net/gallery/204325247/The-Green-Island-Pt-III]]></guid>
  43.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/cb324b204325247.Y3JvcCwxOTE3LDE1MDAsMTY2LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  44.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/cb324b204325247.Y3JvcCwxOTE3LDE1MDAsMTY2LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  45.        <pubDate><![CDATA[Mon, 19 May 2025 01:30:40 +0000]]></pubDate>
  46.      </item>
  47.        <item>
  48.        <title><![CDATA[O Globo]]></title>
  49.        <link><![CDATA[https://www.behance.net/gallery/225619495/O-Globo]]></link>
  50.        <guid><![CDATA[https://www.behance.net/gallery/225619495/O-Globo]]></guid>
  51.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/086476225619495.Y3JvcCwxOTk5LDE1NjQsMCw0.png' style='float:left; margin-right:15px;' /><br /> O Globo is an iconic newspaper with 100 years of history, consistently innovating to remain memorable and relevant. To celebrate this milestone, the new graphic design reflects the newspaper's ability to adapt to transformations in news consumption. Through the redefinition of its brand, the refresh introduced shapes that convey different angles and perspectives, essential in times of change. Inspired by the diversity of the Brazilian people, the project incorporates a vibrant and inclusive color palette, connecting the newspaper to new consumption habits and reaffirming its position as a global and contemporary media outlet.]]></description>
  52.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/086476225619495.Y3JvcCwxOTk5LDE1NjQsMCw0.png' style='float:left; margin-right:15px;' /><br /> O Globo is an iconic newspaper with 100 years of history, consistently innovating to remain memorable and relevant. To celebrate this milestone, the new graphic design reflects the newspaper's ability to adapt to transformations in news consumption. Through the redefinition of its brand, the refresh introduced shapes that convey different angles and perspectives, essential in times of change. Inspired by the diversity of the Brazilian people, the project incorporates a vibrant and inclusive color palette, connecting the newspaper to new consumption habits and reaffirming its position as a global and contemporary media outlet.]]></content:encoded>
  53.        <pubDate><![CDATA[Sun, 18 May 2025 21:30:08 +0000]]></pubDate>
  54.      </item>
  55.        <item>
  56.        <title><![CDATA[K Bank Money Tree - 'Grow Your Wealth']]></title>
  57.        <link><![CDATA[https://www.behance.net/gallery/207011093/K-Bank-Money-Tree-Grow-Your-Wealth]]></link>
  58.        <guid><![CDATA[https://www.behance.net/gallery/207011093/K-Bank-Money-Tree-Grow-Your-Wealth]]></guid>
  59.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/50a9cf207011093.Y3JvcCwxNTAwLDExNzMsMCw3MjQ.jpg' style='float:left; margin-right:15px;' /><br /> We crafted the character design, level-up system, 3D icons, and artwork for K Bank's gamified finance mission, "Grow Your Money Tree". Each visual element was meticulously developed in layered APNG format, enabling seamless in-app performance with minimal file size. Our goal was to balance a playful user experience with efficient mobile rendering, bringing life to every tap and growth stage.
  60.  
  61. ??? K Bank? ??? ?? ??, '??? ???'? ??? ???, ??? ???, 3D ???, ????? ???????.
  62. ?? ?? ??? APNG? ?????? ? ??? ?? ????? ?? ?? ??? ? ??? ???????.]]></description>
  63.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/50a9cf207011093.Y3JvcCwxNTAwLDExNzMsMCw3MjQ.jpg' style='float:left; margin-right:15px;' /><br /> We crafted the character design, level-up system, 3D icons, and artwork for K Bank's gamified finance mission, "Grow Your Money Tree". Each visual element was meticulously developed in layered APNG format, enabling seamless in-app performance with minimal file size. Our goal was to balance a playful user experience with efficient mobile rendering, bringing life to every tap and growth stage.
  64.  
  65. ??? K Bank? ??? ?? ??, '??? ???'? ??? ???, ??? ???, 3D ???, ????? ???????.
  66. ?? ?? ??? APNG? ?????? ? ??? ?? ????? ?? ?? ??? ? ??? ???????.]]></content:encoded>
  67.        <pubDate><![CDATA[Sun, 18 May 2025 17:30:14 +0000]]></pubDate>
  68.      </item>
  69.        <item>
  70.        <title><![CDATA[Blink*]]></title>
  71.        <link><![CDATA[https://www.behance.net/gallery/201157781/Blink]]></link>
  72.        <guid><![CDATA[https://www.behance.net/gallery/201157781/Blink]]></guid>
  73.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/6dc780201157781.Y3JvcCw3MzEsNTcxLDIwNCwzOTA.jpg' style='float:left; margin-right:15px;' /><br /> Branding and UI for Blink* by Blink*.
  74.  
  75. Blink* has excelled as a completely remote company since its inception, emerging as a prominent employer in the creative industry. While some contend with physical office spaces, we've harnessed global brilliance. Why? Because creativity transcends geographical boundaries. We are looking for the top talents around the globe.
  76.  
  77. Joining us means more than just expanding your design capabilities and creative prowess; it means integrating efficient and effective innovation to enhance your brand. Each of our designer has at least 5 years of experience and worked with companies from different industries, so we fastly understand what you need to exceed your expectations anytime.
  78.  
  79. Founder note:
  80. I've always dreamed of creating a big design studio. Hiring all the legends I knew and had interacted with over the years. Develop amazing projects together. Sometimes to dream, you don't even need to close your eyes. Just Blink*.]]></description>
  81.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/6dc780201157781.Y3JvcCw3MzEsNTcxLDIwNCwzOTA.jpg' style='float:left; margin-right:15px;' /><br /> Branding and UI for Blink* by Blink*.
  82.  
  83. Blink* has excelled as a completely remote company since its inception, emerging as a prominent employer in the creative industry. While some contend with physical office spaces, we've harnessed global brilliance. Why? Because creativity transcends geographical boundaries. We are looking for the top talents around the globe.
  84.  
  85. Joining us means more than just expanding your design capabilities and creative prowess; it means integrating efficient and effective innovation to enhance your brand. Each of our designer has at least 5 years of experience and worked with companies from different industries, so we fastly understand what you need to exceed your expectations anytime.
  86.  
  87. Founder note:
  88. I've always dreamed of creating a big design studio. Hiring all the legends I knew and had interacted with over the years. Develop amazing projects together. Sometimes to dream, you don't even need to close your eyes. Just Blink*.]]></content:encoded>
  89.        <pubDate><![CDATA[Sun, 18 May 2025 13:30:09 +0000]]></pubDate>
  90.      </item>
  91.        <item>
  92.        <title><![CDATA[Vietnam Tales]]></title>
  93.        <link><![CDATA[https://www.behance.net/gallery/225745345/Vietnam-Tales]]></link>
  94.        <guid><![CDATA[https://www.behance.net/gallery/225745345/Vietnam-Tales]]></guid>
  95.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/1527c4225745345.Y3JvcCwxMzM2LDEwNDUsMCww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  96.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/1527c4225745345.Y3JvcCwxMzM2LDEwNDUsMCww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  97.        <pubDate><![CDATA[Sun, 18 May 2025 09:30:07 +0000]]></pubDate>
  98.      </item>
  99.        <item>
  100.        <title><![CDATA[SOYO HANNAM]]></title>
  101.        <link><![CDATA[https://www.behance.net/gallery/225753293/SOYO-HANNAM]]></link>
  102.        <guid><![CDATA[https://www.behance.net/gallery/225753293/SOYO-HANNAM]]></guid>
  103.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a847e6225753293.Y3JvcCwxMDU2LDgyNiw1LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  104.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a847e6225753293.Y3JvcCwxMDU2LDgyNiw1LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  105.        <pubDate><![CDATA[Sun, 18 May 2025 05:30:34 +0000]]></pubDate>
  106.      </item>
  107.        <item>
  108.        <title><![CDATA[Aiken Spring]]></title>
  109.        <link><![CDATA[https://www.behance.net/gallery/167703173/Aiken-Spring]]></link>
  110.        <guid><![CDATA[https://www.behance.net/gallery/167703173/Aiken-Spring]]></guid>
  111.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/f625a6167703173.Y3JvcCwxMTA5LDg2Nyw1MiwxNg.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  112.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/f625a6167703173.Y3JvcCwxMTA5LDg2Nyw1MiwxNg.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  113.        <pubDate><![CDATA[Sun, 18 May 2025 01:30:06 +0000]]></pubDate>
  114.      </item>
  115.        <item>
  116.        <title><![CDATA[Plus 24 - Pack 13]]></title>
  117.        <link><![CDATA[https://www.behance.net/gallery/225973569/Plus-24-Pack-13]]></link>
  118.        <guid><![CDATA[https://www.behance.net/gallery/225973569/Plus-24-Pack-13]]></guid>
  119.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3459ce225973569.Y3JvcCwxMDkyLDg1NCwxNTQsMzI.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  120.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3459ce225973569.Y3JvcCwxMDkyLDg1NCwxNTQsMzI.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  121.        <pubDate><![CDATA[Sat, 17 May 2025 21:30:08 +0000]]></pubDate>
  122.      </item>
  123.        <item>
  124.        <title><![CDATA[THE ONE CLUB FOR CREATIVITY YOUNG ONES BRAND IDENTITY]]></title>
  125.        <link><![CDATA[https://www.behance.net/gallery/225778813/THE-ONE-CLUB-FOR-CREATIVITY-YOUNG-ONES-BRAND-IDENTITY]]></link>
  126.        <guid><![CDATA[https://www.behance.net/gallery/225778813/THE-ONE-CLUB-FOR-CREATIVITY-YOUNG-ONES-BRAND-IDENTITY]]></guid>
  127.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/16e99a225778813.Y3JvcCwxMDA2LDc4NywxOTYsMA.jpg' style='float:left; margin-right:15px;' /><br /> YOUNG ONES ? BRAND IDENTITY
  128. They say we stand on the shoulders of giants. We tend to agree. The One Show has the iconic Pencil award designed by George Lois, and its logo was subsequently designed by COLLINS. The ADC's famous Cube award was designed by Gene Federico in 1978, and TDC's seal with interlocking letters was created by the legendary Gerard Huerta.
  129.  
  130. The Young Ones Student Awards, whose challenges are made up of all three of those competitions, has never had its own logo. We needed a simple way to bring the three show icons together. Luckily for us we had these brilliant marks as a starting point.
  131.  
  132. We chose to leverage these existing icons ? the historic Art Directors Club ADC Cube, The One Show Pencil, and Type Directors Club circular seal in order to develop a simple geometric dynamic new icon that incorporates all three shapes around the central "Y" representing Young Ones. Ensuring the mark both housed and highlighted the individual competitions that live within Young Ones]]></description>
  133.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/16e99a225778813.Y3JvcCwxMDA2LDc4NywxOTYsMA.jpg' style='float:left; margin-right:15px;' /><br /> YOUNG ONES ? BRAND IDENTITY
  134. They say we stand on the shoulders of giants. We tend to agree. The One Show has the iconic Pencil award designed by George Lois, and its logo was subsequently designed by COLLINS. The ADC's famous Cube award was designed by Gene Federico in 1978, and TDC's seal with interlocking letters was created by the legendary Gerard Huerta.
  135.  
  136. The Young Ones Student Awards, whose challenges are made up of all three of those competitions, has never had its own logo. We needed a simple way to bring the three show icons together. Luckily for us we had these brilliant marks as a starting point.
  137.  
  138. We chose to leverage these existing icons ? the historic Art Directors Club ADC Cube, The One Show Pencil, and Type Directors Club circular seal in order to develop a simple geometric dynamic new icon that incorporates all three shapes around the central "Y" representing Young Ones. Ensuring the mark both housed and highlighted the individual competitions that live within Young Ones]]></content:encoded>
  139.        <pubDate><![CDATA[Sat, 17 May 2025 17:30:09 +0000]]></pubDate>
  140.      </item>
  141.        <item>
  142.        <title><![CDATA[SET THE BAR]]></title>
  143.        <link><![CDATA[https://www.behance.net/gallery/225968595/SET-THE-BAR]]></link>
  144.        <guid><![CDATA[https://www.behance.net/gallery/225968595/SET-THE-BAR]]></guid>
  145.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/d89351225968595.Y3JvcCwxMDQwLDgxNCwxNTksNTU5.jpg' style='float:left; margin-right:15px;' /><br /> "Set The Bar" is a series of personal artwork that aims to explain my creative process through abstract 3D motion animations.
  146. The gallery is divided into 3 main steps:
  147. -Mindset
  148. -Ordered Disorder
  149. -Compositions in movement
  150. All motion design works strive to enhance the humanity, emotions, and inspiration that each of us experiences while developing an idea (or an artwork in this case), drawing upon our personal experiences, mood, and empathy for all the things that surround us.]]></description>
  151.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/d89351225968595.Y3JvcCwxMDQwLDgxNCwxNTksNTU5.jpg' style='float:left; margin-right:15px;' /><br /> "Set The Bar" is a series of personal artwork that aims to explain my creative process through abstract 3D motion animations.
  152. The gallery is divided into 3 main steps:
  153. -Mindset
  154. -Ordered Disorder
  155. -Compositions in movement
  156. All motion design works strive to enhance the humanity, emotions, and inspiration that each of us experiences while developing an idea (or an artwork in this case), drawing upon our personal experiences, mood, and empathy for all the things that surround us.]]></content:encoded>
  157.        <pubDate><![CDATA[Sat, 17 May 2025 13:30:10 +0000]]></pubDate>
  158.      </item>
  159.        <item>
  160.        <title><![CDATA[Brand redesign for ENISA]]></title>
  161.        <link><![CDATA[https://www.behance.net/gallery/222653909/Brand-redesign-for-ENISA]]></link>
  162.        <guid><![CDATA[https://www.behance.net/gallery/222653909/Brand-redesign-for-ENISA]]></guid>
  163.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/69f633222653909.Y3JvcCwxNjAwLDEyNTEsMCwxNQ.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  164.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/69f633222653909.Y3JvcCwxNjAwLDEyNTEsMCwxNQ.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  165.        <pubDate><![CDATA[Sat, 17 May 2025 09:30:14 +0000]]></pubDate>
  166.      </item>
  167.        <item>
  168.        <title><![CDATA[Randomix #15]]></title>
  169.        <link><![CDATA[https://www.behance.net/gallery/224321771/Randomix-15]]></link>
  170.        <guid><![CDATA[https://www.behance.net/gallery/224321771/Randomix-15]]></guid>
  171.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/b1d3b3224321771.Y3JvcCwxMDA2LDc4NywyNyww.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  172.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/b1d3b3224321771.Y3JvcCwxMDA2LDc4NywyNyww.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  173.        <pubDate><![CDATA[Sat, 17 May 2025 05:30:11 +0000]]></pubDate>
  174.      </item>
  175.        <item>
  176.        <title><![CDATA[Rosemary]]></title>
  177.        <link><![CDATA[https://www.behance.net/gallery/225802183/Rosemary]]></link>
  178.        <guid><![CDATA[https://www.behance.net/gallery/225802183/Rosemary]]></guid>
  179.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/2a5065225802183.Y3JvcCwxNDAwLDEwOTUsMCwzNzQ.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  180.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/2a5065225802183.Y3JvcCwxNDAwLDEwOTUsMCwzNzQ.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  181.        <pubDate><![CDATA[Sat, 17 May 2025 01:30:07 +0000]]></pubDate>
  182.      </item>
  183.        <item>
  184.        <title><![CDATA[Fortune Favours the Brave]]></title>
  185.        <link><![CDATA[https://www.behance.net/gallery/225593317/Fortune-Favours-the-Brave]]></link>
  186.        <guid><![CDATA[https://www.behance.net/gallery/225593317/Fortune-Favours-the-Brave]]></guid>
  187.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/f90b02225593317.Y3JvcCwxMDg3LDg1MCwxMjksMzQ.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  188.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/f90b02225593317.Y3JvcCwxMDg3LDg1MCwxMjksMzQ.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  189.        <pubDate><![CDATA[Fri, 16 May 2025 21:30:05 +0000]]></pubDate>
  190.      </item>
  191.        <item>
  192.        <title><![CDATA[Market ? ??????]]></title>
  193.        <link><![CDATA[https://www.behance.net/gallery/175605263/Market-]]></link>
  194.        <guid><![CDATA[https://www.behance.net/gallery/175605263/Market-]]></guid>
  195.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/cdbc67175605263.Y3JvcCwxMTg2LDkyOCwxMDUsMA.jpg' style='float:left; margin-right:15px;' /><br /> Electric Brand Consultants developed the full visual identity for Market ? ??????, a new cultural platform from Tbilisi that organizes design markets, festivals, and creative gatherings. We crafted a bilingual logo system?playful Latin lettering and a bold Georgian wordmark?designed to feel local yet globally relevant. Custom illustrations and a quirky mascot added personality, while the typography system balanced clarity with expressive energy. The result is a flexible, street-inspired identity that captures the raw, communal spirit of Georgia's emerging creative scene.]]></description>
  196.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/cdbc67175605263.Y3JvcCwxMTg2LDkyOCwxMDUsMA.jpg' style='float:left; margin-right:15px;' /><br /> Electric Brand Consultants developed the full visual identity for Market ? ??????, a new cultural platform from Tbilisi that organizes design markets, festivals, and creative gatherings. We crafted a bilingual logo system?playful Latin lettering and a bold Georgian wordmark?designed to feel local yet globally relevant. Custom illustrations and a quirky mascot added personality, while the typography system balanced clarity with expressive energy. The result is a flexible, street-inspired identity that captures the raw, communal spirit of Georgia's emerging creative scene.]]></content:encoded>
  197.        <pubDate><![CDATA[Fri, 16 May 2025 17:30:12 +0000]]></pubDate>
  198.      </item>
  199.        <item>
  200.        <title><![CDATA[STAR WARS JAPAN]]></title>
  201.        <link><![CDATA[https://www.behance.net/gallery/225839261/STAR-WARS-JAPAN]]></link>
  202.        <guid><![CDATA[https://www.behance.net/gallery/225839261/STAR-WARS-JAPAN]]></guid>
  203.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/2efbc9225839261.Y3JvcCw4MjAsNjQxLDAsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  204.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/2efbc9225839261.Y3JvcCw4MjAsNjQxLDAsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  205.        <pubDate><![CDATA[Fri, 16 May 2025 13:30:35 +0000]]></pubDate>
  206.      </item>
  207.        <item>
  208.        <title><![CDATA[Filmoteca d'estiu]]></title>
  209.        <link><![CDATA[https://www.behance.net/gallery/225696345/Filmoteca-destiu]]></link>
  210.        <guid><![CDATA[https://www.behance.net/gallery/225696345/Filmoteca-destiu]]></guid>
  211.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/859884225696345.Y3JvcCwxNTM0LDEyMDAsMTMyLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  212.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/859884225696345.Y3JvcCwxNTM0LDEyMDAsMTMyLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  213.        <pubDate><![CDATA[Fri, 16 May 2025 09:30:15 +0000]]></pubDate>
  214.      </item>
  215.        <item>
  216.        <title><![CDATA[Here and There]]></title>
  217.        <link><![CDATA[https://www.behance.net/gallery/225731003/Here-and-There]]></link>
  218.        <guid><![CDATA[https://www.behance.net/gallery/225731003/Here-and-There]]></guid>
  219.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a7275e225731003.Y3JvcCw5MjAsNzIwLDI3Nyww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  220.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a7275e225731003.Y3JvcCw5MjAsNzIwLDI3Nyww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  221.        <pubDate><![CDATA[Fri, 16 May 2025 05:30:06 +0000]]></pubDate>
  222.      </item>
  223.        <item>
  224.        <title><![CDATA[Street photo V]]></title>
  225.        <link><![CDATA[https://www.behance.net/gallery/225316349/Street-photo-V]]></link>
  226.        <guid><![CDATA[https://www.behance.net/gallery/225316349/Street-photo-V]]></guid>
  227.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/6037de225316349.Y3JvcCwxNzA0LDEzMzMsMTQ3LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  228.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/6037de225316349.Y3JvcCwxNzA0LDEzMzMsMTQ3LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  229.        <pubDate><![CDATA[Fri, 16 May 2025 01:30:07 +0000]]></pubDate>
  230.      </item>
  231.        <item>
  232.        <title><![CDATA[Minifundi - Brand identity]]></title>
  233.        <link><![CDATA[https://www.behance.net/gallery/225664075/Minifundi-Brand-identity]]></link>
  234.        <guid><![CDATA[https://www.behance.net/gallery/225664075/Minifundi-Brand-identity]]></guid>
  235.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/0ad9f4225664075.Y3JvcCwyMTI5LDE2NjUsMCw1.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  236.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/0ad9f4225664075.Y3JvcCwyMTI5LDE2NjUsMCw1.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  237.        <pubDate><![CDATA[Thu, 15 May 2025 21:30:09 +0000]]></pubDate>
  238.      </item>
  239.        <item>
  240.        <title><![CDATA[Mr. Kat x Typical Friends]]></title>
  241.        <link><![CDATA[https://www.behance.net/gallery/225722123/Mr-Kat-x-Typical-Friends]]></link>
  242.        <guid><![CDATA[https://www.behance.net/gallery/225722123/Mr-Kat-x-Typical-Friends]]></guid>
  243.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/ece560225722123.Y3JvcCwxODEwLDE0MTYsMTIzMiw0MjU.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  244.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/ece560225722123.Y3JvcCwxODEwLDE0MTYsMTIzMiw0MjU.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  245.        <pubDate><![CDATA[Thu, 15 May 2025 17:30:17 +0000]]></pubDate>
  246.      </item>
  247.        <item>
  248.        <title><![CDATA[Youtube Shopping]]></title>
  249.        <link><![CDATA[https://www.behance.net/gallery/224892309/Youtube-Shopping]]></link>
  250.        <guid><![CDATA[https://www.behance.net/gallery/224892309/Youtube-Shopping]]></guid>
  251.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/5d7f74224892309.Y3JvcCwxNjE2LDEyNjQsMCww.jpg' style='float:left; margin-right:15px;' /><br /> YouTube Shopping is an affiliate program that helps creators and brands earn money by sharing products their audience will love?and actually buy. Last year, the 'Holiday House' event brought together a group of creators to explore the program's newest features and learn how to integrate them into their content.
  252.  
  253. We produced a wide range of materials, including a main presentation and several motion pieces that captured the spirit of the brand while adding a fresh, dynamic layer.
  254.  
  255. By combining 3D elements, vibrant colors, and playful icons, we shaped an engaging visual system that elevated the content and made the overall experience more memorable and fun.]]></description>
  256.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/5d7f74224892309.Y3JvcCwxNjE2LDEyNjQsMCww.jpg' style='float:left; margin-right:15px;' /><br /> YouTube Shopping is an affiliate program that helps creators and brands earn money by sharing products their audience will love?and actually buy. Last year, the 'Holiday House' event brought together a group of creators to explore the program's newest features and learn how to integrate them into their content.
  257.  
  258. We produced a wide range of materials, including a main presentation and several motion pieces that captured the spirit of the brand while adding a fresh, dynamic layer.
  259.  
  260. By combining 3D elements, vibrant colors, and playful icons, we shaped an engaging visual system that elevated the content and made the overall experience more memorable and fun.]]></content:encoded>
  261.        <pubDate><![CDATA[Thu, 15 May 2025 13:30:10 +0000]]></pubDate>
  262.      </item>
  263.        <item>
  264.        <title><![CDATA[Type in Motion - April '25]]></title>
  265.        <link><![CDATA[https://www.behance.net/gallery/225633569/Type-in-Motion-April-25]]></link>
  266.        <guid><![CDATA[https://www.behance.net/gallery/225633569/Type-in-Motion-April-25]]></guid>
  267.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/bdca80225633569.Y3JvcCw5MTksNzE5LDE4OCwxMDA.jpg' style='float:left; margin-right:15px;' /><br /> Another month of type scraps is here. Each month I collate any mixed type tests, experiments, failures and designs. After a busy few weeks this months selection of animated type tests this focusing mainly on social media along with it's positives and pitfalls.]]></description>
  268.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/bdca80225633569.Y3JvcCw5MTksNzE5LDE4OCwxMDA.jpg' style='float:left; margin-right:15px;' /><br /> Another month of type scraps is here. Each month I collate any mixed type tests, experiments, failures and designs. After a busy few weeks this months selection of animated type tests this focusing mainly on social media along with it's positives and pitfalls.]]></content:encoded>
  269.        <pubDate><![CDATA[Thu, 15 May 2025 09:30:06 +0000]]></pubDate>
  270.      </item>
  271.        <item>
  272.        <title><![CDATA[Labioris]]></title>
  273.        <link><![CDATA[https://www.behance.net/gallery/225507665/Labioris]]></link>
  274.        <guid><![CDATA[https://www.behance.net/gallery/225507665/Labioris]]></guid>
  275.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3988f7225507665.Y3JvcCwxMDQwLDgxMywxNDEsNzc.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  276.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3988f7225507665.Y3JvcCwxMDQwLDgxMywxNDEsNzc.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  277.        <pubDate><![CDATA[Thu, 15 May 2025 05:00:40 +0000]]></pubDate>
  278.      </item>
  279.        <item>
  280.        <title><![CDATA[Knight of Arrows]]></title>
  281.        <link><![CDATA[https://www.behance.net/gallery/224532353/Knight-of-Arrows]]></link>
  282.        <guid><![CDATA[https://www.behance.net/gallery/224532353/Knight-of-Arrows]]></guid>
  283.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/56d6b4224532353.Y3JvcCwxMTkxLDkzMSwxMDMsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  284.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/56d6b4224532353.Y3JvcCwxMTkxLDkzMSwxMDMsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  285.        <pubDate><![CDATA[Thu, 15 May 2025 01:00:10 +0000]]></pubDate>
  286.      </item>
  287.        <item>
  288.        <title><![CDATA[Best of Dallas]]></title>
  289.        <link><![CDATA[https://www.behance.net/gallery/220613629/Best-of-Dallas]]></link>
  290.        <guid><![CDATA[https://www.behance.net/gallery/220613629/Best-of-Dallas]]></guid>
  291.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/86cd74220613629.Y3JvcCwyMzI0LDE4MTgsMCww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  292.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/86cd74220613629.Y3JvcCwyMzI0LDE4MTgsMCww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  293.        <pubDate><![CDATA[Wed, 14 May 2025 21:00:36 +0000]]></pubDate>
  294.      </item>
  295.        <item>
  296.        <title><![CDATA[ART TAIPEI 2024 ?????????]]></title>
  297.        <link><![CDATA[https://www.behance.net/gallery/225323111/ART-TAIPEI-2024-]]></link>
  298.        <guid><![CDATA[https://www.behance.net/gallery/225323111/ART-TAIPEI-2024-]]></guid>
  299.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/313bf5225323111.681b344ed02e2.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  300.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/313bf5225323111.681b344ed02e2.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  301.        <pubDate><![CDATA[Wed, 14 May 2025 17:00:30 +0000]]></pubDate>
  302.      </item>
  303.        <item>
  304.        <title><![CDATA[Noodlz]]></title>
  305.        <link><![CDATA[https://www.behance.net/gallery/225052801/Noodlz]]></link>
  306.        <guid><![CDATA[https://www.behance.net/gallery/225052801/Noodlz]]></guid>
  307.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/70c350225052801.Y3JvcCwyMjM4LDE3NTEsOTM2LDI0Mw.jpg' style='float:left; margin-right:15px;' /><br /> A series of countless sketches, 3D renders and animations with a focus on dynamic, abstract compositions and movement brought to life through play and tons of iteration.
  308. Because making it is much better than daydreaming about it ?]]></description>
  309.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/70c350225052801.Y3JvcCwyMjM4LDE3NTEsOTM2LDI0Mw.jpg' style='float:left; margin-right:15px;' /><br /> A series of countless sketches, 3D renders and animations with a focus on dynamic, abstract compositions and movement brought to life through play and tons of iteration.
  310. Because making it is much better than daydreaming about it ?]]></content:encoded>
  311.        <pubDate><![CDATA[Wed, 14 May 2025 12:30:47 +0000]]></pubDate>
  312.      </item>
  313.        <item>
  314.        <title><![CDATA[SleekCare Spa by DD.NYC® | Luxury Skincare Branding]]></title>
  315.        <link><![CDATA[https://www.behance.net/gallery/225359765/SleekCare-Spa-by-DDNYC-Luxury-Skincare-Branding]]></link>
  316.        <guid><![CDATA[https://www.behance.net/gallery/225359765/SleekCare-Spa-by-DDNYC-Luxury-Skincare-Branding]]></guid>
  317.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/141bf9225359765.Y3JvcCwyNzYxLDIxNjAsNTQwLDA.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  318.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/141bf9225359765.Y3JvcCwyNzYxLDIxNjAsNTQwLDA.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  319.        <pubDate><![CDATA[Wed, 14 May 2025 08:30:35 +0000]]></pubDate>
  320.      </item>
  321.        <item>
  322.        <title><![CDATA[OCEAN DRIVE]]></title>
  323.        <link><![CDATA[https://www.behance.net/gallery/225531141/OCEAN-DRIVE]]></link>
  324.        <guid><![CDATA[https://www.behance.net/gallery/225531141/OCEAN-DRIVE]]></guid>
  325.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/f7ef84225531141.Y3JvcCw1NTk0LDQzNzYsMTAxMCww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  326.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/f7ef84225531141.Y3JvcCw1NTk0LDQzNzYsMTAxMCww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  327.        <pubDate><![CDATA[Wed, 14 May 2025 04:30:06 +0000]]></pubDate>
  328.      </item>
  329.        <item>
  330.        <title><![CDATA[Sand hill III]]></title>
  331.        <link><![CDATA[https://www.behance.net/gallery/225584321/Sand-hill-III]]></link>
  332.        <guid><![CDATA[https://www.behance.net/gallery/225584321/Sand-hill-III]]></guid>
  333.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/f63b8c225584321.Y3JvcCwxMDQ5LDgyMCwyMDIsMjA.jpg' style='float:left; margin-right:15px;' /><br /> Traditional photography focuses on capturing or enhancing reality, while my digital art photography is a recreation beyond reality. From meticulous pre-shoot planning and concept development to refined post-production, compositing, and special effects, every step is a deliberate transformation of reality?crafted to present a bold new visual world that transcends traditional photography?a dreamlike realm never before seen, never existing in the real world.
  334. Ethereal and surreal, my work defies the laws of physics; fantasy and science fiction intertwine to construct an otherworldly dimension. Here, light, color, and form flow freely, no longer mere reflections of reality but vessels of emotion and thought. Each creation evolves into a surrealist masterpiece, inviting viewers to explore the boundless possibilities of art?where vision and imagination converge.]]></description>
  335.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/f63b8c225584321.Y3JvcCwxMDQ5LDgyMCwyMDIsMjA.jpg' style='float:left; margin-right:15px;' /><br /> Traditional photography focuses on capturing or enhancing reality, while my digital art photography is a recreation beyond reality. From meticulous pre-shoot planning and concept development to refined post-production, compositing, and special effects, every step is a deliberate transformation of reality?crafted to present a bold new visual world that transcends traditional photography?a dreamlike realm never before seen, never existing in the real world.
  336. Ethereal and surreal, my work defies the laws of physics; fantasy and science fiction intertwine to construct an otherworldly dimension. Here, light, color, and form flow freely, no longer mere reflections of reality but vessels of emotion and thought. Each creation evolves into a surrealist masterpiece, inviting viewers to explore the boundless possibilities of art?where vision and imagination converge.]]></content:encoded>
  337.        <pubDate><![CDATA[Wed, 14 May 2025 00:30:08 +0000]]></pubDate>
  338.      </item>
  339.        <item>
  340.        <title><![CDATA[PORTRAIT COMPILATION I]]></title>
  341.        <link><![CDATA[https://www.behance.net/gallery/225668679/PORTRAIT-COMPILATION-I]]></link>
  342.        <guid><![CDATA[https://www.behance.net/gallery/225668679/PORTRAIT-COMPILATION-I]]></guid>
  343.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/979991225668679.682252286260d.jpg' style='float:left; margin-right:15px;' /><br /> This a recent compilation of my last work. Some of them have been published at magazines, newspapers, books or billboards. Hope you like what I have done these past months.
  344. Mercedes.]]></description>
  345.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/979991225668679.682252286260d.jpg' style='float:left; margin-right:15px;' /><br /> This a recent compilation of my last work. Some of them have been published at magazines, newspapers, books or billboards. Hope you like what I have done these past months.
  346. Mercedes.]]></content:encoded>
  347.        <pubDate><![CDATA[Tue, 13 May 2025 20:30:08 +0000]]></pubDate>
  348.      </item>
  349.        <item>
  350.        <title><![CDATA[Augusta]]></title>
  351.        <link><![CDATA[https://www.behance.net/gallery/221181135/Augusta]]></link>
  352.        <guid><![CDATA[https://www.behance.net/gallery/221181135/Augusta]]></guid>
  353.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c8f7c6221181135.Y3JvcCw4MDgsNjMyLDAsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
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  355.        <pubDate><![CDATA[Tue, 13 May 2025 16:30:14 +0000]]></pubDate>
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  357.  </channel>
  358. </rss>

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