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  1. <?xml version="1.0" encoding="utf-8" ?>
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  3. <channel>
  4.  <title><![CDATA[ Featured Projects]]></title>
  5.  <link>http://www.behance.net</link>
  6.  <description><![CDATA[The latest projects featured on the ]]></description>
  7.  <pubDate>Thu, 28 Mar 2024 13:41:24 +0000</pubDate>
  8.  <language>en-us</language>
  9.        <item>
  10.        <title><![CDATA[MODERN CARTOON]]></title>
  11.        <link><![CDATA[https://www.behance.net/gallery/194545557/MODERN-CARTOON]]></link>
  12.        <guid><![CDATA[https://www.behance.net/gallery/194545557/MODERN-CARTOON]]></guid>
  13.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c00a53194545557.Y3JvcCw1Mjg1LDQxMzQsMTQ5MSww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  14.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c00a53194545557.Y3JvcCw1Mjg1LDQxMzQsMTQ5MSww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  15.        <pubDate><![CDATA[Thu, 28 Mar 2024 13:00:06 +0000]]></pubDate>
  16.      </item>
  17.        <item>
  18.        <title><![CDATA[MODWOOD FONT]]></title>
  19.        <link><![CDATA[https://www.behance.net/gallery/194772609/MODWOOD-FONT]]></link>
  20.        <guid><![CDATA[https://www.behance.net/gallery/194772609/MODWOOD-FONT]]></guid>
  21.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/8ef3a0194772609.Y3JvcCwxNjE2LDEyNjQsOCww.png' style='float:left; margin-right:15px;' /><br /> Modwood is an eclectic display font with many personalities. It's designed to be a mix between modern, wood, geometric, organic and just plain old fun. It can be playful, serious, rebellious, tribal, artsy-fartsy or just weird depending on how you work it.
  22.  
  23. There are several glyphs, alternatives and an easter egg or two. Be sure to check your glyphs palette in order to use them!]]></description>
  24.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/8ef3a0194772609.Y3JvcCwxNjE2LDEyNjQsOCww.png' style='float:left; margin-right:15px;' /><br /> Modwood is an eclectic display font with many personalities. It's designed to be a mix between modern, wood, geometric, organic and just plain old fun. It can be playful, serious, rebellious, tribal, artsy-fartsy or just weird depending on how you work it.
  25.  
  26. There are several glyphs, alternatives and an easter egg or two. Be sure to check your glyphs palette in order to use them!]]></content:encoded>
  27.        <pubDate><![CDATA[Thu, 28 Mar 2024 09:00:08 +0000]]></pubDate>
  28.      </item>
  29.        <item>
  30.        <title><![CDATA[Unveiling the Depths]]></title>
  31.        <link><![CDATA[https://www.behance.net/gallery/194255383/Unveiling-the-Depths]]></link>
  32.        <guid><![CDATA[https://www.behance.net/gallery/194255383/Unveiling-the-Depths]]></guid>
  33.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/15bcee194255383.Y3JvcCwxNTU0LDEyMTUsMjI2LDExNQ.jpg' style='float:left; margin-right:15px;' /><br /> In this project, a collection of textures is presented, which remain on my work surface after completing experimental shoots using paints, water and other substances. 
  34.   Usually, I just wash it all away, clean the dried paint from the surface of the plate, and start working with a clean slate. But at one point, I caught myself thinking that this imprint on the work surface is not just a layered mess of paints resulting from hours of work, but rather a reflection of my inner chaos. It is a multi-layered semblance of my emotions and experiences.
  35.   Pigments settle, layer upon layer, with some colors vividly splashing, explosively overlapping old layers of paint, forming intricate textures much like how the ocean floor accumulates various elements and creates its unique formations.
  36.   I strive to portray the ideal emotional essence through my abstract works, which are created in fleeting moments. They serve as links of an anchor immersed in the depths of my subconscious.]]></description>
  37.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/15bcee194255383.Y3JvcCwxNTU0LDEyMTUsMjI2LDExNQ.jpg' style='float:left; margin-right:15px;' /><br /> In this project, a collection of textures is presented, which remain on my work surface after completing experimental shoots using paints, water and other substances. 
  38.   Usually, I just wash it all away, clean the dried paint from the surface of the plate, and start working with a clean slate. But at one point, I caught myself thinking that this imprint on the work surface is not just a layered mess of paints resulting from hours of work, but rather a reflection of my inner chaos. It is a multi-layered semblance of my emotions and experiences.
  39.   Pigments settle, layer upon layer, with some colors vividly splashing, explosively overlapping old layers of paint, forming intricate textures much like how the ocean floor accumulates various elements and creates its unique formations.
  40.   I strive to portray the ideal emotional essence through my abstract works, which are created in fleeting moments. They serve as links of an anchor immersed in the depths of my subconscious.]]></content:encoded>
  41.        <pubDate><![CDATA[Thu, 28 Mar 2024 05:00:08 +0000]]></pubDate>
  42.      </item>
  43.        <item>
  44.        <title><![CDATA[Revista Barraquer]]></title>
  45.        <link><![CDATA[https://www.behance.net/gallery/192254895/Revista-Barraquer]]></link>
  46.        <guid><![CDATA[https://www.behance.net/gallery/192254895/Revista-Barraquer]]></guid>
  47.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/35b55f192254895.Y3JvcCwxNDI4LDExMTcsNTY1LDI5Nw.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  48.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/35b55f192254895.Y3JvcCwxNDI4LDExMTcsNTY1LDI5Nw.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  49.        <pubDate><![CDATA[Thu, 28 Mar 2024 01:00:06 +0000]]></pubDate>
  50.      </item>
  51.        <item>
  52.        <title><![CDATA[??? Back to Nature]]></title>
  53.        <link><![CDATA[https://www.behance.net/gallery/192628439/-Back-to-Nature]]></link>
  54.        <guid><![CDATA[https://www.behance.net/gallery/192628439/-Back-to-Nature]]></guid>
  55.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/aea336192628439.Y3JvcCwxOTE5LDE1MDEsMCww.jpg' style='float:left; margin-right:15px;' /><br /> ????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????
  56. ?????????????????????????????????????????????????????????????????????????????????????????????????????????????"??"????????"??""??""??""??""??""??"???????????????????????????
  57. ?????????????????????????????????????????????]]></description>
  58.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/aea336192628439.Y3JvcCwxOTE5LDE1MDEsMCww.jpg' style='float:left; margin-right:15px;' /><br /> ????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????
  59. ?????????????????????????????????????????????????????????????????????????????????????????????????????????????"??"????????"??""??""??""??""??""??"???????????????????????????
  60. ?????????????????????????????????????????????]]></content:encoded>
  61.        <pubDate><![CDATA[Wed, 27 Mar 2024 21:00:10 +0000]]></pubDate>
  62.      </item>
  63.        <item>
  64.        <title><![CDATA[British Pullman]]></title>
  65.        <link><![CDATA[https://www.behance.net/gallery/193628715/British-Pullman]]></link>
  66.        <guid><![CDATA[https://www.behance.net/gallery/193628715/British-Pullman]]></guid>
  67.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/cdbc19193628715.Y3JvcCwzMzQwLDI2MTIsMCww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  68.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/cdbc19193628715.Y3JvcCwzMzQwLDI2MTIsMCww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  69.        <pubDate><![CDATA[Wed, 27 Mar 2024 16:31:13 +0000]]></pubDate>
  70.      </item>
  71.        <item>
  72.        <title><![CDATA[CASETIFY X ARDHIRAPUTRA (MV)]]></title>
  73.        <link><![CDATA[https://www.behance.net/gallery/194720019/CASETIFY-X-ARDHIRAPUTRA-%28MV%29]]></link>
  74.        <guid><![CDATA[https://www.behance.net/gallery/194720019/CASETIFY-X-ARDHIRAPUTRA-%28MV%29]]></guid>
  75.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/e37659194720019.Y3JvcCwxMDAyLDc4NCwxODMsMA.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  76.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/e37659194720019.Y3JvcCwxMDAyLDc4NCwxODMsMA.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  77.        <pubDate><![CDATA[Wed, 27 Mar 2024 12:30:10 +0000]]></pubDate>
  78.      </item>
  79.        <item>
  80.        <title><![CDATA[Empório APC]]></title>
  81.        <link><![CDATA[https://www.behance.net/gallery/192267043/Emporio-APC]]></link>
  82.        <guid><![CDATA[https://www.behance.net/gallery/192267043/Emporio-APC]]></guid>
  83.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/2f4e91192267043.Y3JvcCwxMzgwLDEwODAsMjcwLDA.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  84.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/2f4e91192267043.Y3JvcCwxMzgwLDEwODAsMjcwLDA.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  85.        <pubDate><![CDATA[Wed, 27 Mar 2024 08:30:06 +0000]]></pubDate>
  86.      </item>
  87.        <item>
  88.        <title><![CDATA[Borax Studies]]></title>
  89.        <link><![CDATA[https://www.behance.net/gallery/194672691/Borax-Studies]]></link>
  90.        <guid><![CDATA[https://www.behance.net/gallery/194672691/Borax-Studies]]></guid>
  91.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/1fce10194672691.Y3JvcCwxNzAyLDEzMzIsMTQ3LDA.jpg' style='float:left; margin-right:15px;' /><br /> This projects shows a rarely used method of Borax mining from the air: Wells are drilled into the lakebed to reach the brine layer below the surface. Pumps are used to bring the brine solution to the surface. The extracted brine is then pumped into large evaporation ponds or pans. These ponds have a large surface area and allow the sun and natural evaporation to concentrate the minerals within the brine. Over time, as the water evaporates, the borax and other minerals become more concentrated and very saturated colors are visible on the surface. But in a region prone to water scarcity, the significant amount of water required for the mining process raises concerns about the depletion of local water sources. This can have implications for both the environment and local communities reliant on those water sources.]]></description>
  92.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/1fce10194672691.Y3JvcCwxNzAyLDEzMzIsMTQ3LDA.jpg' style='float:left; margin-right:15px;' /><br /> This projects shows a rarely used method of Borax mining from the air: Wells are drilled into the lakebed to reach the brine layer below the surface. Pumps are used to bring the brine solution to the surface. The extracted brine is then pumped into large evaporation ponds or pans. These ponds have a large surface area and allow the sun and natural evaporation to concentrate the minerals within the brine. Over time, as the water evaporates, the borax and other minerals become more concentrated and very saturated colors are visible on the surface. But in a region prone to water scarcity, the significant amount of water required for the mining process raises concerns about the depletion of local water sources. This can have implications for both the environment and local communities reliant on those water sources.]]></content:encoded>
  93.        <pubDate><![CDATA[Wed, 27 Mar 2024 04:30:07 +0000]]></pubDate>
  94.      </item>
  95.        <item>
  96.        <title><![CDATA[Torres Import | Catalogue 2024-2025]]></title>
  97.        <link><![CDATA[https://www.behance.net/gallery/194560001/Torres-Import-Catalogue-2024-2025]]></link>
  98.        <guid><![CDATA[https://www.behance.net/gallery/194560001/Torres-Import-Catalogue-2024-2025]]></guid>
  99.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/59d6dc194560001.Y3JvcCw5NTQsNzQ2LDIyMiw4NQ.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  100.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/59d6dc194560001.Y3JvcCw5NTQsNzQ2LDIyMiw4NQ.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  101.        <pubDate><![CDATA[Wed, 27 Mar 2024 00:30:09 +0000]]></pubDate>
  102.      </item>
  103.        <item>
  104.        <title><![CDATA[Obscure Art Gallery - Visual Identity, Naming]]></title>
  105.        <link><![CDATA[https://www.behance.net/gallery/193908445/Obscure-Art-Gallery-Visual-Identity-Naming]]></link>
  106.        <guid><![CDATA[https://www.behance.net/gallery/193908445/Obscure-Art-Gallery-Visual-Identity-Naming]]></guid>
  107.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/694e81193908445.Y3JvcCwyNDI0LDE4OTYsMCww.png' style='float:left; margin-right:15px;' /><br /> Naming and Visual Identity Design for Obscure Art Gallery, a gallery showcasing the works of unknown artists based in London, UK.
  108. The concept revolves around themes of distortion, blur and ambiguity. Symbolising the unconventional nature of the gallery, this aesthetic unfolds through the intriguing logo, eccentric typographic shapes and mesmerising colour palette. The visual narrative exudes an air of mystery, inviting viewers to immerse themselves in a world where the extraordinary and unexpected awaits at every turn.]]></description>
  109.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/694e81193908445.Y3JvcCwyNDI0LDE4OTYsMCww.png' style='float:left; margin-right:15px;' /><br /> Naming and Visual Identity Design for Obscure Art Gallery, a gallery showcasing the works of unknown artists based in London, UK.
  110. The concept revolves around themes of distortion, blur and ambiguity. Symbolising the unconventional nature of the gallery, this aesthetic unfolds through the intriguing logo, eccentric typographic shapes and mesmerising colour palette. The visual narrative exudes an air of mystery, inviting viewers to immerse themselves in a world where the extraordinary and unexpected awaits at every turn.]]></content:encoded>
  111.        <pubDate><![CDATA[Tue, 26 Mar 2024 20:30:31 +0000]]></pubDate>
  112.      </item>
  113.        <item>
  114.        <title><![CDATA[A THOUSAND YEARS UNDER THE EARTH]]></title>
  115.        <link><![CDATA[https://www.behance.net/gallery/194160277/A-THOUSAND-YEARS-UNDER-THE-EARTH]]></link>
  116.        <guid><![CDATA[https://www.behance.net/gallery/194160277/A-THOUSAND-YEARS-UNDER-THE-EARTH]]></guid>
  117.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/79a9ea194160277.Y3JvcCwxNTAwLDExNzMsMCwyMjI.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  118.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/79a9ea194160277.Y3JvcCwxNTAwLDExNzMsMCwyMjI.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  119.        <pubDate><![CDATA[Tue, 26 Mar 2024 16:30:07 +0000]]></pubDate>
  120.      </item>
  121.        <item>
  122.        <title><![CDATA[Design Dissolve]]></title>
  123.        <link><![CDATA[https://www.behance.net/gallery/194493165/Design-Dissolve]]></link>
  124.        <guid><![CDATA[https://www.behance.net/gallery/194493165/Design-Dissolve]]></guid>
  125.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/4d7e9e194493165.Y3JvcCw4MDgsNjMyLDAsMA.png' style='float:left; margin-right:15px;' /><br /> [PT-BR] Desenvolvimento de identidade visual para Design Dissolve, instituição educacional independente de design com sede no Peru.
  126.  
  127. [EN] Visual identity development for Design Dissolve, an independent design educational institution based in Peru.]]></description>
  128.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/4d7e9e194493165.Y3JvcCw4MDgsNjMyLDAsMA.png' style='float:left; margin-right:15px;' /><br /> [PT-BR] Desenvolvimento de identidade visual para Design Dissolve, instituição educacional independente de design com sede no Peru.
  129.  
  130. [EN] Visual identity development for Design Dissolve, an independent design educational institution based in Peru.]]></content:encoded>
  131.        <pubDate><![CDATA[Tue, 26 Mar 2024 12:30:09 +0000]]></pubDate>
  132.      </item>
  133.        <item>
  134.        <title><![CDATA[Adobe]]></title>
  135.        <link><![CDATA[https://www.behance.net/gallery/194683071/Adobe]]></link>
  136.        <guid><![CDATA[https://www.behance.net/gallery/194683071/Adobe]]></guid>
  137.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/240991194683071.Y3JvcCw3MTAsNTU1LDcsMTMz.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  138.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/240991194683071.Y3JvcCw3MTAsNTU1LDcsMTMz.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  139.        <pubDate><![CDATA[Tue, 26 Mar 2024 08:30:08 +0000]]></pubDate>
  140.      </item>
  141.        <item>
  142.        <title><![CDATA[Quantum Fiber]]></title>
  143.        <link><![CDATA[https://www.behance.net/gallery/194227605/Quantum-Fiber]]></link>
  144.        <guid><![CDATA[https://www.behance.net/gallery/194227605/Quantum-Fiber]]></guid>
  145.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/fc6756194227605.Y3JvcCwyNjQ1LDIwNjgsNjc0LDI1NQ.jpg' style='float:left; margin-right:15px;' /><br /> Quantum Fiber Key Visuals for new ultra fast internet speeds!
  146.  
  147. Client: Quantum
  148. Agency: PeterMayer
  149. Photography: Tim Tadder
  150. 3d, Motion, and Post Production: Mike Campau]]></description>
  151.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/fc6756194227605.Y3JvcCwyNjQ1LDIwNjgsNjc0LDI1NQ.jpg' style='float:left; margin-right:15px;' /><br /> Quantum Fiber Key Visuals for new ultra fast internet speeds!
  152.  
  153. Client: Quantum
  154. Agency: PeterMayer
  155. Photography: Tim Tadder
  156. 3d, Motion, and Post Production: Mike Campau]]></content:encoded>
  157.        <pubDate><![CDATA[Tue, 26 Mar 2024 04:30:07 +0000]]></pubDate>
  158.      </item>
  159.        <item>
  160.        <title><![CDATA[Gibberish #34 - Hangout in Space]]></title>
  161.        <link><![CDATA[https://www.behance.net/gallery/194650749/Gibberish-34-Hangout-in-Space]]></link>
  162.        <guid><![CDATA[https://www.behance.net/gallery/194650749/Gibberish-34-Hangout-in-Space]]></guid>
  163.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/53c65c194650749.Y3JvcCw5MTIsNzEzLDE2OSw1ODc.jpg' style='float:left; margin-right:15px;' /><br /> Personal work Q1 2024]]></description>
  164.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/53c65c194650749.Y3JvcCw5MTIsNzEzLDE2OSw1ODc.jpg' style='float:left; margin-right:15px;' /><br /> Personal work Q1 2024]]></content:encoded>
  165.        <pubDate><![CDATA[Tue, 26 Mar 2024 00:30:12 +0000]]></pubDate>
  166.      </item>
  167.        <item>
  168.        <title><![CDATA[Babycare | brand identity &amp;packaging]]></title>
  169.        <link><![CDATA[https://www.behance.net/gallery/194703851/Babycare-brand-identity-packaging]]></link>
  170.        <guid><![CDATA[https://www.behance.net/gallery/194703851/Babycare-brand-identity-packaging]]></guid>
  171.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3c8d57194703851.Y3JvcCwzNjgyLDI4ODAsODI5LDIwMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  172.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3c8d57194703851.Y3JvcCwzNjgyLDI4ODAsODI5LDIwMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  173.        <pubDate><![CDATA[Mon, 25 Mar 2024 20:30:08 +0000]]></pubDate>
  174.      </item>
  175.        <item>
  176.        <title><![CDATA[NËMORA]]></title>
  177.        <link><![CDATA[https://www.behance.net/gallery/194223669/NEMORA]]></link>
  178.        <guid><![CDATA[https://www.behance.net/gallery/194223669/NEMORA]]></guid>
  179.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3f163f194223669.Y3JvcCw5NTEsNzQ0LDExODksNTA4.jpg' style='float:left; margin-right:15px;' /><br /> "Nemora" could be defined as a crucible of metaphysical exploration where natural materials, from metals to ceramics, engage in an intimate and abstract dialogue, delving into the very essence of the materials and their potential for transformation. Metals, imbued with history and strength, converse with rocks, bearers of geological memory, while ceramics provide a counterpoint of delicacy and fragility.
  180.  
  181. Beyond materiality, "Nemora" plays with light, perspective, and space as essential elements. The rugged textures of stone contrast with the smoothness of organic forms, creating a play of contrasts. Light has been carefully modulated to enhance shapes and volumes, generating an atmosphere that is almost mystical.]]></description>
  182.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3f163f194223669.Y3JvcCw5NTEsNzQ0LDExODksNTA4.jpg' style='float:left; margin-right:15px;' /><br /> "Nemora" could be defined as a crucible of metaphysical exploration where natural materials, from metals to ceramics, engage in an intimate and abstract dialogue, delving into the very essence of the materials and their potential for transformation. Metals, imbued with history and strength, converse with rocks, bearers of geological memory, while ceramics provide a counterpoint of delicacy and fragility.
  183.  
  184. Beyond materiality, "Nemora" plays with light, perspective, and space as essential elements. The rugged textures of stone contrast with the smoothness of organic forms, creating a play of contrasts. Light has been carefully modulated to enhance shapes and volumes, generating an atmosphere that is almost mystical.]]></content:encoded>
  185.        <pubDate><![CDATA[Mon, 25 Mar 2024 16:30:35 +0000]]></pubDate>
  186.      </item>
  187.        <item>
  188.        <title><![CDATA[Gallery Sohe | Brand Identity]]></title>
  189.        <link><![CDATA[https://www.behance.net/gallery/194503037/Gallery-Sohe-Brand-Identity]]></link>
  190.        <guid><![CDATA[https://www.behance.net/gallery/194503037/Gallery-Sohe-Brand-Identity]]></guid>
  191.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/b0302e194503037.Y3JvcCwzMDAwLDIzNDYsMCwzNjM.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  192.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/b0302e194503037.Y3JvcCwzMDAwLDIzNDYsMCwzNjM.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  193.        <pubDate><![CDATA[Mon, 25 Mar 2024 12:30:13 +0000]]></pubDate>
  194.      </item>
  195.        <item>
  196.        <title><![CDATA[Barcelona Metròpolis]]></title>
  197.        <link><![CDATA[https://www.behance.net/gallery/194531515/Barcelona-Metropolis]]></link>
  198.        <guid><![CDATA[https://www.behance.net/gallery/194531515/Barcelona-Metropolis]]></guid>
  199.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/f677fd194531515.Y3JvcCwxMDkyLDg1NCw1NCwyODY.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  200.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/f677fd194531515.Y3JvcCwxMDkyLDg1NCw1NCwyODY.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  201.        <pubDate><![CDATA[Mon, 25 Mar 2024 08:30:08 +0000]]></pubDate>
  202.      </item>
  203.        <item>
  204.        <title><![CDATA[PROJECT #97 CANYONLANDS]]></title>
  205.        <link><![CDATA[https://www.behance.net/gallery/193931161/PROJECT-97-CANYONLANDS]]></link>
  206.        <guid><![CDATA[https://www.behance.net/gallery/193931161/PROJECT-97-CANYONLANDS]]></guid>
  207.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/080b37193931161.Y3JvcCwxMjAwLDkzOCwwLDI1OA.jpg' style='float:left; margin-right:15px;' /><br /> Aerial images taken while flying over the western half of the US. Locations include but not limited to canyonlands, death valley, badlands, grand canyons and many beautiful spots in between.]]></description>
  208.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/080b37193931161.Y3JvcCwxMjAwLDkzOCwwLDI1OA.jpg' style='float:left; margin-right:15px;' /><br /> Aerial images taken while flying over the western half of the US. Locations include but not limited to canyonlands, death valley, badlands, grand canyons and many beautiful spots in between.]]></content:encoded>
  209.        <pubDate><![CDATA[Mon, 25 Mar 2024 04:30:10 +0000]]></pubDate>
  210.      </item>
  211.        <item>
  212.        <title><![CDATA[GHTK Rebrand]]></title>
  213.        <link><![CDATA[https://www.behance.net/gallery/194529759/GHTK-Rebrand]]></link>
  214.        <guid><![CDATA[https://www.behance.net/gallery/194529759/GHTK-Rebrand]]></guid>
  215.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/fb2afa194529759.Y3JvcCwzMDc5LDI0MDgsMTEyMCwxMDEz.jpg' style='float:left; margin-right:15px;' /><br /> Giao Hàng Ti?t Ki?m (GHTK) is the biggest and leading logistics and delivery service providers in Vietnam. GHTK plays a pivotal role in the logistics ecosystem of Vietnam, offering cost-effective, reliable, and efficient delivery services that cater to the diverse needs of businesses and individuals across the country. In January 2022, GHTK was made the Vietnam National Brand, proudly recognized for its reliable and affordable delivery services.]]></description>
  216.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/fb2afa194529759.Y3JvcCwzMDc5LDI0MDgsMTEyMCwxMDEz.jpg' style='float:left; margin-right:15px;' /><br /> Giao Hàng Ti?t Ki?m (GHTK) is the biggest and leading logistics and delivery service providers in Vietnam. GHTK plays a pivotal role in the logistics ecosystem of Vietnam, offering cost-effective, reliable, and efficient delivery services that cater to the diverse needs of businesses and individuals across the country. In January 2022, GHTK was made the Vietnam National Brand, proudly recognized for its reliable and affordable delivery services.]]></content:encoded>
  217.        <pubDate><![CDATA[Mon, 25 Mar 2024 00:30:09 +0000]]></pubDate>
  218.      </item>
  219.        <item>
  220.        <title><![CDATA[Spring Illustrations 2024]]></title>
  221.        <link><![CDATA[https://www.behance.net/gallery/193713663/Spring-Illustrations-2024]]></link>
  222.        <guid><![CDATA[https://www.behance.net/gallery/193713663/Spring-Illustrations-2024]]></guid>
  223.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/421284193713663.Y3JvcCwyNDgwLDE5MzksMCw3ODU.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  224.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/421284193713663.Y3JvcCwyNDgwLDE5MzksMCw3ODU.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  225.        <pubDate><![CDATA[Sun, 24 Mar 2024 20:30:12 +0000]]></pubDate>
  226.      </item>
  227.        <item>
  228.        <title><![CDATA[workshophospitality.com]]></title>
  229.        <link><![CDATA[https://www.behance.net/gallery/194381261/workshophospitalitycom]]></link>
  230.        <guid><![CDATA[https://www.behance.net/gallery/194381261/workshophospitalitycom]]></guid>
  231.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/77cde5194381261.Y3JvcCwxNjY3LDEzMDQsMTI3LDcw.jpg' style='float:left; margin-right:15px;' /><br /> Workshop shapes memorable spaces by creating custom seating and case goods for the hospitality industry.]]></description>
  232.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/77cde5194381261.Y3JvcCwxNjY3LDEzMDQsMTI3LDcw.jpg' style='float:left; margin-right:15px;' /><br /> Workshop shapes memorable spaces by creating custom seating and case goods for the hospitality industry.]]></content:encoded>
  233.        <pubDate><![CDATA[Sun, 24 Mar 2024 16:30:09 +0000]]></pubDate>
  234.      </item>
  235.        <item>
  236.        <title><![CDATA[Creative Endurance]]></title>
  237.        <link><![CDATA[https://www.behance.net/gallery/190065931/Creative-Endurance]]></link>
  238.        <guid><![CDATA[https://www.behance.net/gallery/190065931/Creative-Endurance]]></guid>
  239.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/50c540190065931.Y3JvcCwxMjAwLDkzOCwwLDE3Mg.png' style='float:left; margin-right:15px;' /><br /> Creative Edurance ? 56 Rules for overcoming obstacles and achieving your goals
  240. Author: Mike Schnaidt
  241. Art Direction: Author: Mike Schnaidt
  242. Publisher: Rockport Publishers
  243. Illustrations: Marco Goran Romano
  244. Year: 2024]]></description>
  245.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/50c540190065931.Y3JvcCwxMjAwLDkzOCwwLDE3Mg.png' style='float:left; margin-right:15px;' /><br /> Creative Edurance ? 56 Rules for overcoming obstacles and achieving your goals
  246. Author: Mike Schnaidt
  247. Art Direction: Author: Mike Schnaidt
  248. Publisher: Rockport Publishers
  249. Illustrations: Marco Goran Romano
  250. Year: 2024]]></content:encoded>
  251.        <pubDate><![CDATA[Sun, 24 Mar 2024 12:30:11 +0000]]></pubDate>
  252.      </item>
  253.        <item>
  254.        <title><![CDATA[LA COSTA]]></title>
  255.        <link><![CDATA[https://www.behance.net/gallery/181859811/LA-COSTA]]></link>
  256.        <guid><![CDATA[https://www.behance.net/gallery/181859811/LA-COSTA]]></guid>
  257.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/576c67181859811.Y3JvcCwxNjE2LDEyNjQsMCww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  258.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/576c67181859811.Y3JvcCwxNjE2LDEyNjQsMCww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  259.        <pubDate><![CDATA[Sun, 24 Mar 2024 08:30:08 +0000]]></pubDate>
  260.      </item>
  261.        <item>
  262.        <title><![CDATA[Thumbelina]]></title>
  263.        <link><![CDATA[https://www.behance.net/gallery/194537223/Thumbelina]]></link>
  264.        <guid><![CDATA[https://www.behance.net/gallery/194537223/Thumbelina]]></guid>
  265.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/64657e194537223.Y3JvcCwxNDAwLDEwOTUsMCw1MDI.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  266.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/64657e194537223.Y3JvcCwxNDAwLDEwOTUsMCw1MDI.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  267.        <pubDate><![CDATA[Sun, 24 Mar 2024 04:30:07 +0000]]></pubDate>
  268.      </item>
  269.        <item>
  270.        <title><![CDATA[Illustration Collection]]></title>
  271.        <link><![CDATA[https://www.behance.net/gallery/194500571/Illustration-Collection]]></link>
  272.        <guid><![CDATA[https://www.behance.net/gallery/194500571/Illustration-Collection]]></guid>
  273.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/104e02194500571.Y3JvcCwyNDI5LDE5MDAsNTcxLDUxMQ.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  274.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/104e02194500571.Y3JvcCwyNDI5LDE5MDAsNTcxLDUxMQ.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  275.        <pubDate><![CDATA[Sun, 24 Mar 2024 00:30:07 +0000]]></pubDate>
  276.      </item>
  277.        <item>
  278.        <title><![CDATA[Kilogram]]></title>
  279.        <link><![CDATA[https://www.behance.net/gallery/102647211/Kilogram]]></link>
  280.        <guid><![CDATA[https://www.behance.net/gallery/102647211/Kilogram]]></guid>
  281.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/56b0ea102647211.Y3JvcCwxNDY3LDExNDgsODY0LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  282.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/56b0ea102647211.Y3JvcCwxNDY3LDExNDgsODY0LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  283.        <pubDate><![CDATA[Sat, 23 Mar 2024 13:30:11 +0000]]></pubDate>
  284.      </item>
  285.        <item>
  286.        <title><![CDATA[POP&amp;ROLL ART TOILET / ART SHOP / ART GALLERY]]></title>
  287.        <link><![CDATA[https://www.behance.net/gallery/194187937/POP-ROLL-ART-TOILET-ART-SHOP-ART-GALLERY]]></link>
  288.        <guid><![CDATA[https://www.behance.net/gallery/194187937/POP-ROLL-ART-TOILET-ART-SHOP-ART-GALLERY]]></guid>
  289.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/db3813194187937.Y3JvcCwyMDAyLDE1NjUsODksMTU4.jpg' style='float:left; margin-right:15px;' /><br /> A public toilet meets art.
  290. This is an overall art project where kissmiklos has designed the concept, function, interior design, and graphic design around his fine art works. Nearly 100 artworks and 20 unique toilets await you in this special interior composed with the style elements of neo-pop art, where the spaces and art pieces unite as a public artwork, connecting functionality with art and design in a unique way. The extraordinary concept of the POP&amp;ROLL Art Toilet is complemented by the POP&amp;ROLL Art Shop, created by the successful artist, and a gallery that hosts temporary exhibitions of contemporary artists.
  291. POP BY.]]></description>
  292.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/db3813194187937.Y3JvcCwyMDAyLDE1NjUsODksMTU4.jpg' style='float:left; margin-right:15px;' /><br /> A public toilet meets art.
  293. This is an overall art project where kissmiklos has designed the concept, function, interior design, and graphic design around his fine art works. Nearly 100 artworks and 20 unique toilets await you in this special interior composed with the style elements of neo-pop art, where the spaces and art pieces unite as a public artwork, connecting functionality with art and design in a unique way. The extraordinary concept of the POP&amp;ROLL Art Toilet is complemented by the POP&amp;ROLL Art Shop, created by the successful artist, and a gallery that hosts temporary exhibitions of contemporary artists.
  294. POP BY.]]></content:encoded>
  295.        <pubDate><![CDATA[Sat, 23 Mar 2024 09:30:08 +0000]]></pubDate>
  296.      </item>
  297.        <item>
  298.        <title><![CDATA[Posh Robotics]]></title>
  299.        <link><![CDATA[https://www.behance.net/gallery/168157975/Posh-Robotics]]></link>
  300.        <guid><![CDATA[https://www.behance.net/gallery/168157975/Posh-Robotics]]></guid>
  301.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a4f596168157975.Y3JvcCwxNTgyLDEyMzgsMTUsMA.png' style='float:left; margin-right:15px;' /><br /> Posh Robotics is an environmental tech startup tackling the blackouts caused by climate change and outdated electrical grids with its plug-and-play domestic battery packs, making power backup and off-grid solar storage accessible to all households. The startup, selected by Y Combinator, also has developed a proprietary robotic system that disassembles, recycles, and repurposes top-tier retired Electric Vehicles battery cells ? fostering a circular electric economy. On this project Carthagos has worked on Branding, website and activation for both the B2B and B2C verticals of the business.]]></description>
  302.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a4f596168157975.Y3JvcCwxNTgyLDEyMzgsMTUsMA.png' style='float:left; margin-right:15px;' /><br /> Posh Robotics is an environmental tech startup tackling the blackouts caused by climate change and outdated electrical grids with its plug-and-play domestic battery packs, making power backup and off-grid solar storage accessible to all households. The startup, selected by Y Combinator, also has developed a proprietary robotic system that disassembles, recycles, and repurposes top-tier retired Electric Vehicles battery cells ? fostering a circular electric economy. On this project Carthagos has worked on Branding, website and activation for both the B2B and B2C verticals of the business.]]></content:encoded>
  303.        <pubDate><![CDATA[Sat, 23 Mar 2024 05:30:08 +0000]]></pubDate>
  304.      </item>
  305.        <item>
  306.        <title><![CDATA[La souffleuse]]></title>
  307.        <link><![CDATA[https://www.behance.net/gallery/191537119/La-souffleuse]]></link>
  308.        <guid><![CDATA[https://www.behance.net/gallery/191537119/La-souffleuse]]></guid>
  309.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/b4f241191537119.65cd2b03e00d9.jpg' style='float:left; margin-right:15px;' /><br /> La souffleuse, une histoire écrite par Larry Tremblay publiée aux éditions D'eux.]]></description>
  310.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/b4f241191537119.65cd2b03e00d9.jpg' style='float:left; margin-right:15px;' /><br /> La souffleuse, une histoire écrite par Larry Tremblay publiée aux éditions D'eux.]]></content:encoded>
  311.        <pubDate><![CDATA[Sat, 23 Mar 2024 01:30:07 +0000]]></pubDate>
  312.      </item>
  313.        <item>
  314.        <title><![CDATA[Sneaker Photo Composites (Jan-Mar 2024)]]></title>
  315.        <link><![CDATA[https://www.behance.net/gallery/194318529/Sneaker-Photo-Composites-%28Jan-Mar-2024%29]]></link>
  316.        <guid><![CDATA[https://www.behance.net/gallery/194318529/Sneaker-Photo-Composites-%28Jan-Mar-2024%29]]></guid>
  317.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/bfeda8194318529.Y3JvcCwxNDk1LDExNzAsMyww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  318.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/bfeda8194318529.Y3JvcCwxNDk1LDExNzAsMyww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  319.        <pubDate><![CDATA[Fri, 22 Mar 2024 21:30:08 +0000]]></pubDate>
  320.      </item>
  321.        <item>
  322.        <title><![CDATA[Nimona Part 1]]></title>
  323.        <link><![CDATA[https://www.behance.net/gallery/122160959/Nimona-Part-1]]></link>
  324.        <guid><![CDATA[https://www.behance.net/gallery/122160959/Nimona-Part-1]]></guid>
  325.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/9048d9122160959.Y3JvcCwxNTM4LDEyMDMsNDQ5LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  326.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/9048d9122160959.Y3JvcCwxNTM4LDEyMDMsNDQ5LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  327.        <pubDate><![CDATA[Fri, 22 Mar 2024 15:00:41 +0000]]></pubDate>
  328.      </item>
  329.        <item>
  330.        <title><![CDATA[Radion Amsterdam]]></title>
  331.        <link><![CDATA[https://www.behance.net/gallery/194191345/Radion-Amsterdam]]></link>
  332.        <guid><![CDATA[https://www.behance.net/gallery/194191345/Radion-Amsterdam]]></guid>
  333.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/acf6e6194191345.Y3JvcCwxNjgzLDEzMTYsMCww.jpg' style='float:left; margin-right:15px;' /><br /> New identity and website for Radion Amsterdam, one of Amsterdam's longest standing club venues.
  334.  
  335. In close collaboration with the team behind the club, we created a new identity that revolves around the multi-layered architectural structure of the building. The mission was to shed new life within the iconic 'R' symbol that has been around for almost a decade, while unifying the variety of events that are being hosted at the location.
  336.  
  337. Through a grid-based system, an animated visual language, and a holistic web-experience, we built a future-proof fundament while staying true to first-day recognizability.]]></description>
  338.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/acf6e6194191345.Y3JvcCwxNjgzLDEzMTYsMCww.jpg' style='float:left; margin-right:15px;' /><br /> New identity and website for Radion Amsterdam, one of Amsterdam's longest standing club venues.
  339.  
  340. In close collaboration with the team behind the club, we created a new identity that revolves around the multi-layered architectural structure of the building. The mission was to shed new life within the iconic 'R' symbol that has been around for almost a decade, while unifying the variety of events that are being hosted at the location.
  341.  
  342. Through a grid-based system, an animated visual language, and a holistic web-experience, we built a future-proof fundament while staying true to first-day recognizability.]]></content:encoded>
  343.        <pubDate><![CDATA[Fri, 22 Mar 2024 11:00:09 +0000]]></pubDate>
  344.      </item>
  345.        <item>
  346.        <title><![CDATA[ONE OF A KIND]]></title>
  347.        <link><![CDATA[https://www.behance.net/gallery/194350419/ONE-OF-A-KIND]]></link>
  348.        <guid><![CDATA[https://www.behance.net/gallery/194350419/ONE-OF-A-KIND]]></guid>
  349.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/88ab81194350419.Y3JvcCwxNDAwLDEwOTUsMCwxNTI.jpg' style='float:left; margin-right:15px;' /><br /> This artwork's collection shows my constant research for new handmade textures,
  350. compositions, shapes, maintaining my personal playful look&amp;feel.
  351. Why i called this collection "One of a kind"?
  352. Each abstract artwork shows a different mood and feeling i had while i was creating it, trying to communicate through each composition.
  353. I'm always in search for the perfect balance between forms, materials, lighting and color palettes.. or, at least, for what is my idea of perfection (that includes always human imperfections).]]></description>
  354.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/88ab81194350419.Y3JvcCwxNDAwLDEwOTUsMCwxNTI.jpg' style='float:left; margin-right:15px;' /><br /> This artwork's collection shows my constant research for new handmade textures,
  355. compositions, shapes, maintaining my personal playful look&amp;feel.
  356. Why i called this collection "One of a kind"?
  357. Each abstract artwork shows a different mood and feeling i had while i was creating it, trying to communicate through each composition.
  358. I'm always in search for the perfect balance between forms, materials, lighting and color palettes.. or, at least, for what is my idea of perfection (that includes always human imperfections).]]></content:encoded>
  359.        <pubDate><![CDATA[Fri, 22 Mar 2024 07:00:08 +0000]]></pubDate>
  360.      </item>
  361.  </channel>
  362. </rss>

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