Congratulations!

[Valid RSS] This is a valid RSS feed.

Recommendations

This feed is valid, but interoperability with the widest range of feed readers could be improved by implementing the following recommendations.

Source: https://www.milkandlead.com/feed/

  1. <?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
  2. xmlns:content="http://purl.org/rss/1.0/modules/content/"
  3. xmlns:wfw="http://wellformedweb.org/CommentAPI/"
  4. xmlns:dc="http://purl.org/dc/elements/1.1/"
  5. xmlns:atom="http://www.w3.org/2005/Atom"
  6. xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
  7. xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
  8. >
  9.  
  10. <channel>
  11. <title>MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</title>
  12. <atom:link href="https://www.milkandlead.com/feed/" rel="self" type="application/rss+xml" />
  13. <link>https://www.milkandlead.com</link>
  14. <description>MILKandLEAD provides art facilities, exhibitions, festivals, and public performances to advance education and promote arts.</description>
  15. <lastBuildDate>Mon, 18 May 2020 04:19:24 +0000</lastBuildDate>
  16. <language>en-GB</language>
  17. <sy:updatePeriod>
  18. hourly </sy:updatePeriod>
  19. <sy:updateFrequency>
  20. 1 </sy:updateFrequency>
  21. <generator>https://wordpress.org/?v=5.8.9</generator>
  22.  
  23. <image>
  24. <url>https://www.milkandlead.com/wp-content/uploads/2016/08/MILKANDLEAD_-Site_Icon-150x150.png</url>
  25. <title>MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</title>
  26. <link>https://www.milkandlead.com</link>
  27. <width>32</width>
  28. <height>32</height>
  29. </image>
  30. <item>
  31. <title>AHSAN &#124; HTBX &#124; DELIQUIUM 2018</title>
  32. <link>https://www.milkandlead.com/ahsan-htbx/</link>
  33. <dc:creator><![CDATA[MILKandLEAD]]></dc:creator>
  34. <pubDate>Sun, 04 Feb 2018 23:21:08 +0000</pubDate>
  35. <category><![CDATA[DELIQUIUM]]></category>
  36. <category><![CDATA[Performance]]></category>
  37. <category><![CDATA[Dark Electronic]]></category>
  38. <category><![CDATA[Techno]]></category>
  39. <guid isPermaLink="false">https://www.milkandlead.com/?p=15926</guid>
  40.  
  41. <description><![CDATA[<p>DELIQUIUM SOUND ART TRIENNIAL 8th, 9th, 10th February 2018 &#8211; Electrowerkz, London AHSAN &#124; HTBX (UK) ➣ Dark Electronic / Techno London-based Ahsan Malik will play a tailored, cutting-edge range</p>
  42. <p>The post <a rel="nofollow" href="https://www.milkandlead.com/ahsan-htbx/">AHSAN | HTBX | DELIQUIUM 2018</a> appeared first on <a rel="nofollow" href="https://www.milkandlead.com">MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</a>.</p>
  43. ]]></description>
  44. <content:encoded><![CDATA[<h3 style="text-align: center;"><a href="http://www.milkandlead.com/deliquium2018">DELIQUIUM</a></h3>
  45. <h5 style="text-align: center;"><strong>SOUND ART TRIENNIAL</strong></h5>
  46. <h6 style="text-align: center;">8th, 9th, 10th February 2018 &#8211; Electrowerkz, London</h6>
  47. <div>
  48. <p><img loading="lazy" class="size-full wp-image-15927 aligncenter" src="https://www.milkandlead.com/wp-content/uploads/2018/02/AHSAN-HTBX.png" alt="" width="960" height="540" srcset="https://www.milkandlead.com/wp-content/uploads/2018/02/AHSAN-HTBX.png 960w, https://www.milkandlead.com/wp-content/uploads/2018/02/AHSAN-HTBX-300x169.png 300w, https://www.milkandlead.com/wp-content/uploads/2018/02/AHSAN-HTBX-768x432.png 768w" sizes="(max-width: 960px) 100vw, 960px" /></p>
  49. <h4 style="text-align: center;">AHSAN | HTBX</h4>
  50. <h5 style="text-align: center;">(UK) ➣ Dark Electronic / Techno</h5>
  51. <div>
  52. <div>London-based <a href="https://www.facebook.com/ahsan.malik.754">Ahsan Malik</a> will play a tailored, cutting-edge range of hard electronic music, from techno to rhythmic noise to dark electro. He is known for his skilled vinyl sessions at London&#8217;s infamous <a href="https://www.facebook.com/htbxldn/">HTBX</a>.</div>
  53. </div>
  54. </div>
  55. <div>
  56. <div></div>
  57. </div>
  58. <div>
  59. <blockquote>
  60. <div><em>These are artists who want to push you as a listener, viewer, toucher, taster. They feel the competing powers that define human and inhuman experience and press this open the audience. This is work that requires the presence of the artist and the engagement &#8211; sometimes submission &#8211; of the public. Your senses will thank you for the embrace that is DELIQUIUM.</em></div>
  61. </blockquote>
  62. <div style="text-align: right;">Prof. Paul Hegarty | Sound Art Curator</div>
  63. <div>
  64. <h5><strong>PRESS</strong></h5>
  65. <p>Alexei Monroe | Sound Theorist</p>
  66. <p><span style="color: #8e0d18;"><strong><a style="color: #8e0d18;" href="mailto:press@milkandlead.com">press@milkandlead.com</a></strong></span></p>
  67. </div>
  68. </div>
  69. <div>
  70. <hr />
  71. <h5><strong>PRE-SALE TICKETS</strong></h5>
  72. <p style="text-align: left;"><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">3-DAY PASS</a> / EARLY BIRD | <strong>£23  </strong><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018#!/"><em>Sold Out!</em></a></p>
  73. <p><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">3-DAY PASS</a> / LIMITED | <strong>£30</strong></p>
  74. <p style="text-align: left;">ACT 1 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">THU 8TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  75. <p style="text-align: left;">ACT 2 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">FRI 9TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  76. <p style="text-align: left;">ACT 3 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">SAT 10TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  77. <p>WORKSHOP • <a href="https://milkandlead.charitycheckout.co.uk/HardwareHacking"><strong>Hardware Hacking</strong> by TASOS STAMOU</a> (UK)  [Fri, 9th Feb 2018 &#8211; 1pm/7pm] | <strong>£40</strong></p>
  78. </div>
  79. <p>The post <a rel="nofollow" href="https://www.milkandlead.com/ahsan-htbx/">AHSAN | HTBX | DELIQUIUM 2018</a> appeared first on <a rel="nofollow" href="https://www.milkandlead.com">MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</a>.</p>
  80. ]]></content:encoded>
  81. </item>
  82. <item>
  83. <title>TASOS STAMOU &#124; DELIQUIUM 2018</title>
  84. <link>https://www.milkandlead.com/tasos-stamou/</link>
  85. <dc:creator><![CDATA[MILKandLEAD]]></dc:creator>
  86. <pubDate>Thu, 01 Feb 2018 17:09:55 +0000</pubDate>
  87. <category><![CDATA[DELIQUIUM]]></category>
  88. <category><![CDATA[Performance]]></category>
  89. <category><![CDATA[Electroacoustic]]></category>
  90. <category><![CDATA[Sonic Atmospheres]]></category>
  91. <guid isPermaLink="false">https://www.milkandlead.com/?p=15914</guid>
  92.  
  93. <description><![CDATA[<p>DELIQUIUM SOUND ART TRIENNIAL 8th, 9th, 10th February 2018 &#8211; Electrowerkz, London TASOS STAMOU (UK) ➣ Electroacoustic / Sonic Atmospheres Electroacoustic music composer and performer, alternative electronic music instrument maker,</p>
  94. <p>The post <a rel="nofollow" href="https://www.milkandlead.com/tasos-stamou/">TASOS STAMOU | DELIQUIUM 2018</a> appeared first on <a rel="nofollow" href="https://www.milkandlead.com">MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</a>.</p>
  95. ]]></description>
  96. <content:encoded><![CDATA[<h3 style="text-align: center;"><a href="http://www.milkandlead.com/deliquium2018">DELIQUIUM</a></h3>
  97. <h5 style="text-align: center;"><strong>SOUND ART TRIENNIAL</strong></h5>
  98. <h6 style="text-align: center;">8th, 9th, 10th February 2018 &#8211; Electrowerkz, London</h6>
  99. <div>
  100. <p><img loading="lazy" class="size-large wp-image-15915 aligncenter" src="https://www.milkandlead.com/wp-content/uploads/2018/02/TASOS-STAMOU.png" alt="" width="960" height="540" srcset="https://www.milkandlead.com/wp-content/uploads/2018/02/TASOS-STAMOU.png 960w, https://www.milkandlead.com/wp-content/uploads/2018/02/TASOS-STAMOU-300x169.png 300w, https://www.milkandlead.com/wp-content/uploads/2018/02/TASOS-STAMOU-768x432.png 768w" sizes="(max-width: 960px) 100vw, 960px" /></p>
  101. <h4 style="text-align: center;">TASOS STAMOU</h4>
  102. <h5 style="text-align: center;">(UK) ➣ Electroacoustic / Sonic Atmospheres</h5>
  103. <div>
  104. <div>Electroacoustic music composer and performer, alternative electronic music instrument maker, tutor and sound technologist.</div>
  105. <div></div>
  106. <div>During a decade of sound performances and recordings, Tasos Stamou has developed a unique style of live electroacoustic composition. Long and continuous pieces are created on stage or in the studio using a “portable electroacoustic music studio”. His gear consists of acoustic (prepared zither, reeds, recorders, objects) and electronic instruments (handmade electronics, modular synthesizer systems and live processed feedback loops). Based on sustained tonal textures and free improvised instrumental solos, his live compositions create a particular and unique atmosphere of ritual noise.</div>
  107. <div></div>
  108. <div>Although mainly a solo performer and recording artist, he frequently collaborates with other sound artists, improvisers and experimentalists (such as Adam Bohman, Alan Wilkinson, London Improvisers Orchestra, Mike Cooper, Andrea Parkins, Kuupuu &amp; Lau Nau, Terry Day, Adachi Tomomi, Ilan Manouach, Ignaz Schick, Magda Mayas, Arma Agharta, Thodoris Ziarkas, etc.) at various venues and festivals for innovative music.</div>
  109. <div></div>
  110. <div>He is currently leading a workshop series exploring circuit bending &amp; hardware hacking for experimental sound production.</div>
  111. <div></div>
  112. <div><a href="http://www.tasosstamou.com">www.tasosstamou.com</a></div>
  113. </div>
  114. </div>
  115. <div>
  116. <div></div>
  117. </div>
  118. <div>
  119. <blockquote>
  120. <div><em>These are artists who want to push you as a listener, viewer, toucher, taster. They feel the competing powers that define human and inhuman experience and press this open the audience. This is work that requires the presence of the artist and the engagement &#8211; sometimes submission &#8211; of the public. Your senses will thank you for the embrace that is DELIQUIUM.</em></div>
  121. </blockquote>
  122. <div style="text-align: right;">Prof. Paul Hegarty | Sound Art Curator</div>
  123. <div>
  124. <h5><strong>PRESS</strong></h5>
  125. <p>Alexei Monroe | Sound Theorist</p>
  126. <p><span style="color: #8e0d18;"><strong><a style="color: #8e0d18;" href="mailto:press@milkandlead.com">press@milkandlead.com</a></strong></span></p>
  127. </div>
  128. </div>
  129. <div>
  130. <hr />
  131. <h5><strong>PRE-SALE TICKETS</strong></h5>
  132. <p style="text-align: left;"><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">3-DAY PASS</a> / EARLY BIRD | <strong>£23  </strong><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018#!/"><em>Sold Out!</em></a></p>
  133. <p><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">3-DAY PASS</a> / LIMITED | <strong>£30</strong></p>
  134. <p style="text-align: left;">ACT 1 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">THU 8TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  135. <p style="text-align: left;">ACT 2 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">FRI 9TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  136. <p style="text-align: left;">ACT 3 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">SAT 10TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  137. <p>WORKSHOP • <a href="https://milkandlead.charitycheckout.co.uk/HardwareHacking"><strong>Hardware Hacking</strong> by TASOS STAMOU</a> (UK)  [Fri, 9th Feb 2018 &#8211; 1pm/7pm] | <strong>£40</strong></p>
  138. </div>
  139. <p>The post <a rel="nofollow" href="https://www.milkandlead.com/tasos-stamou/">TASOS STAMOU | DELIQUIUM 2018</a> appeared first on <a rel="nofollow" href="https://www.milkandlead.com">MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</a>.</p>
  140. ]]></content:encoded>
  141. </item>
  142. <item>
  143. <title>MOTHAX &#124; DELIQUIUM 2018</title>
  144. <link>https://www.milkandlead.com/mothax/</link>
  145. <dc:creator><![CDATA[MILKandLEAD]]></dc:creator>
  146. <pubDate>Wed, 31 Jan 2018 12:12:15 +0000</pubDate>
  147. <category><![CDATA[DELIQUIUM]]></category>
  148. <category><![CDATA[Performance]]></category>
  149. <category><![CDATA[Noise]]></category>
  150. <guid isPermaLink="false">https://www.milkandlead.com/?p=15903</guid>
  151.  
  152. <description><![CDATA[<p>DELIQUIUM SOUND ART TRIENNIAL 8th, 9th, 10th February 2018 &#8211; Electrowerkz, London MOTHAX (UK) ➣ Noise Mothax is a London based artist exploring dream time landscapes using a mixture of</p>
  153. <p>The post <a rel="nofollow" href="https://www.milkandlead.com/mothax/">MOTHAX | DELIQUIUM 2018</a> appeared first on <a rel="nofollow" href="https://www.milkandlead.com">MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</a>.</p>
  154. ]]></description>
  155. <content:encoded><![CDATA[<h3 style="text-align: center;"><a href="http://www.milkandlead.com/deliquium2018">DELIQUIUM</a></h3>
  156. <h5 style="text-align: center;"><strong>SOUND ART TRIENNIAL</strong></h5>
  157. <h6 style="text-align: center;">8th, 9th, 10th February 2018 &#8211; Electrowerkz, London</h6>
  158. <div>
  159. <p><img loading="lazy" class="size-large wp-image-15904 aligncenter" src="https://www.milkandlead.com/wp-content/uploads/2018/01/MOTHAX-1024x576.png" alt="" width="1024" height="576" srcset="https://www.milkandlead.com/wp-content/uploads/2018/01/MOTHAX-1024x576.png 1024w, https://www.milkandlead.com/wp-content/uploads/2018/01/MOTHAX-300x169.png 300w, https://www.milkandlead.com/wp-content/uploads/2018/01/MOTHAX-768x432.png 768w, https://www.milkandlead.com/wp-content/uploads/2018/01/MOTHAX.png 1920w" sizes="(max-width: 1024px) 100vw, 1024px" /></p>
  160. <h4 style="text-align: center;">MOTHAX</h4>
  161. <h5 style="text-align: center;">(UK) ➣ Noise</h5>
  162. <div>Mothax is a London based artist exploring dream time landscapes using a mixture of audio and visual techniques. His sonic textures are influenced by a combination of circuit bending, handmade instruments and eurorack.</div>
  163. </div>
  164. <div>Part I ➣ 17:30 &#8211; 18:15 [opening]<br />
  165. Part II ➣ 6:30 &#8211; 07:00 [closing]</div>
  166. <div>
  167. <div><a href="https://soundcloud.com/mothax">https://soundcloud.com/mothax</a></div>
  168. <div></div>
  169. </div>
  170. <div>
  171. <blockquote>
  172. <div><em>These are artists who want to push you as a listener, viewer, toucher, taster. They feel the competing powers that define human and inhuman experience and press this open the audience. This is work that requires the presence of the artist and the engagement &#8211; sometimes submission &#8211; of the public. Your senses will thank you for the embrace that is DELIQUIUM.</em></div>
  173. </blockquote>
  174. <div style="text-align: right;">Prof. Paul Hegarty | Sound Art Curator</div>
  175. <div>
  176. <h5><strong>PRESS</strong></h5>
  177. <p>Alexei Monroe | Sound Theorist</p>
  178. <p><span style="color: #8e0d18;"><strong><a style="color: #8e0d18;" href="mailto:press@milkandlead.com">press@milkandlead.com</a></strong></span></p>
  179. </div>
  180. </div>
  181. <div>
  182. <hr>
  183. <h5><strong>PRE-SALE TICKETS</strong></h5>
  184. <p style="text-align: left;"><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">3-DAY PASS</a>&nbsp;/ EARLY BIRD | <strong>£23&nbsp; </strong><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018#!/"><em>Sold Out!</em></a></p>
  185. <p><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">3-DAY PASS</a> / LIMITED |&nbsp;<strong>£30</strong></p>
  186. <p style="text-align: left;">ACT 1 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">THU 8TH FEB 2018</a>&nbsp;/ LIMITED | <strong>£13</strong></p>
  187. <p style="text-align: left;">ACT 2 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">FRI 9TH FEB 2018</a>&nbsp;/ LIMITED | <strong>£13</strong></p>
  188. <p style="text-align: left;">ACT 3 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">SAT 10TH FEB 2018</a>&nbsp;/ LIMITED | <strong>£13</strong></p>
  189. <p>WORKSHOP&nbsp;• <a href="https://milkandlead.charitycheckout.co.uk/HardwareHacking"><strong>Hardware Hacking</strong> by&nbsp;TASOS STAMOU</a> (UK)&nbsp; [Fri, 9th Feb 2018 &#8211; 1pm/7pm] | <strong>£40</strong></p>
  190. </div>
  191. <p>The post <a rel="nofollow" href="https://www.milkandlead.com/mothax/">MOTHAX | DELIQUIUM 2018</a> appeared first on <a rel="nofollow" href="https://www.milkandlead.com">MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</a>.</p>
  192. ]]></content:encoded>
  193. </item>
  194. <item>
  195. <title>NEO FUNG &#124; DELIQUIUM 2018</title>
  196. <link>https://www.milkandlead.com/neo-fung/</link>
  197. <dc:creator><![CDATA[MILKandLEAD]]></dc:creator>
  198. <pubDate>Tue, 30 Jan 2018 11:30:13 +0000</pubDate>
  199. <category><![CDATA[DELIQUIUM]]></category>
  200. <category><![CDATA[Installation]]></category>
  201. <category><![CDATA[installation]]></category>
  202. <guid isPermaLink="false">https://www.milkandlead.com/?p=15898</guid>
  203.  
  204. <description><![CDATA[<p>DELIQUIUM SOUND ART TRIENNIAL 8th, 9th, 10th February 2018 &#8211; Electrowerkz, London NEO FUNG (UK) ➣ Installation Neo Fung is Piotr Bockowski (1983, Poland). He has lived and worked between</p>
  205. <p>The post <a rel="nofollow" href="https://www.milkandlead.com/neo-fung/">NEO FUNG | DELIQUIUM 2018</a> appeared first on <a rel="nofollow" href="https://www.milkandlead.com">MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</a>.</p>
  206. ]]></description>
  207. <content:encoded><![CDATA[<h3 style="text-align: center;"><a href="http://www.milkandlead.com/deliquium2018">DELIQUIUM</a></h3>
  208. <h5 style="text-align: center;"><strong>SOUND ART TRIENNIAL</strong></h5>
  209. <h6 style="text-align: center;">8th, 9th, 10th February 2018 &#8211; Electrowerkz, London</h6>
  210. <div>
  211. <p><img loading="lazy" class="size-large wp-image-15899 aligncenter" src="https://www.milkandlead.com/wp-content/uploads/2018/01/NEO-FUNG-1024x576.png" alt="" width="1024" height="576" srcset="https://www.milkandlead.com/wp-content/uploads/2018/01/NEO-FUNG-1024x576.png 1024w, https://www.milkandlead.com/wp-content/uploads/2018/01/NEO-FUNG-300x169.png 300w, https://www.milkandlead.com/wp-content/uploads/2018/01/NEO-FUNG-768x432.png 768w, https://www.milkandlead.com/wp-content/uploads/2018/01/NEO-FUNG.png 1920w" sizes="(max-width: 1024px) 100vw, 1024px" /></p>
  212. <h4 style="text-align: center;">NEO FUNG</h4>
  213. <h5 style="text-align: center;">(UK) ➣ Installation</h5>
  214. <div>
  215. <div>Neo Fung is Piotr Bockowski (1983, Poland). He has lived and worked between London and Hong Kong since 2008. Since 2009 he has worked as a body performer and art model and has worked at Goldsmiths College since 2017.</div>
  216. <div></div>
  217. <div>Synthetic Organs explores an idea of body-therapy that links psychopathology with physiological deformities. Recognition of the monstrous glands through TOUCH &amp; SCREAM is the new body identity as well as an expression of an imaginary trauma.</div>
  218. <div></div>
  219. <div>The sound of the traumatic body of the performer Neo Fung is amplified &amp; deformed by noise artist Richard Crow.</div>
  220. <div></div>
  221. <div>Synthetic organs are discharged as miscarried brood, retarded bastard problem-children, lured by aggressive rage and desperate cries of perverted cannibalism or semi-erotic tenderness of breastfeeding the ancestral parasite.</div>
  222. <div></div>
  223. <div><a href="http://neofung.tumblr.com">http://neofung.tumblr.com</a></div>
  224. <p>&nbsp;</p>
  225. </div>
  226. </div>
  227. <div>
  228. <blockquote>
  229. <div><em>These are artists who want to push you as a listener, viewer, toucher, taster. They feel the competing powers that define human and inhuman experience and press this open the audience. This is work that requires the presence of the artist and the engagement &#8211; sometimes submission &#8211; of the public. Your senses will thank you for the embrace that is DELIQUIUM.</em></div>
  230. </blockquote>
  231. <div style="text-align: right;">Prof. Paul Hegarty | Sound Art Curator</div>
  232. <div>
  233. <h5><strong>PRESS</strong></h5>
  234. <p>Alexei Monroe | Sound Theorist</p>
  235. <p><span style="color: #8e0d18;"><strong><a style="color: #8e0d18;" href="mailto:press@milkandlead.com">press@milkandlead.com</a></strong></span></p>
  236. </div>
  237. </div>
  238. <div>
  239. <hr>
  240. <h5><strong>PRE-SALE TICKETS</strong></h5>
  241. <p style="text-align: left;"><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">3-DAY PASS</a>&nbsp;/ EARLY BIRD | <strong>£23&nbsp; </strong><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018#!/"><em>Sold Out!</em></a></p>
  242. <p><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">3-DAY PASS</a> / LIMITED |&nbsp;<strong>£30</strong></p>
  243. <p style="text-align: left;">ACT 1 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">THU 8TH FEB 2018</a>&nbsp;/ LIMITED | <strong>£13</strong></p>
  244. <p style="text-align: left;">ACT 2 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">FRI 9TH FEB 2018</a>&nbsp;/ LIMITED | <strong>£13</strong></p>
  245. <p style="text-align: left;">ACT 3 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">SAT 10TH FEB 2018</a>&nbsp;/ LIMITED | <strong>£13</strong></p>
  246. <p>WORKSHOP&nbsp;• <a href="https://milkandlead.charitycheckout.co.uk/HardwareHacking"><strong>Hardware Hacking</strong> by&nbsp;TASOS STAMOU</a> (UK)&nbsp; [Fri, 9th Feb 2018 &#8211; 1pm/7pm] | <strong>£40</strong></p>
  247. </div>
  248. <p>The post <a rel="nofollow" href="https://www.milkandlead.com/neo-fung/">NEO FUNG | DELIQUIUM 2018</a> appeared first on <a rel="nofollow" href="https://www.milkandlead.com">MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</a>.</p>
  249. ]]></content:encoded>
  250. </item>
  251. <item>
  252. <title>2nd GEN &#124; DELIQUIUM 2018</title>
  253. <link>https://www.milkandlead.com/2nd-gen/</link>
  254. <dc:creator><![CDATA[MILKandLEAD]]></dc:creator>
  255. <pubDate>Tue, 30 Jan 2018 11:05:36 +0000</pubDate>
  256. <category><![CDATA[DELIQUIUM]]></category>
  257. <category><![CDATA[Performance]]></category>
  258. <category><![CDATA[Ambient-Noise]]></category>
  259. <category><![CDATA[Dark Industrial]]></category>
  260. <guid isPermaLink="false">https://www.milkandlead.com/?p=15891</guid>
  261.  
  262. <description><![CDATA[<p>DELIQUIUM SOUND ART TRIENNIAL 8th, 9th, 10th February 2018 &#8211; Electrowerkz, London 2nd GEN (UK) ➣ Dark Industrial / Ambient-Noise 2nd GEN ( Wajid Yaseen ) is a British noise</p>
  263. <p>The post <a rel="nofollow" href="https://www.milkandlead.com/2nd-gen/">2nd GEN | DELIQUIUM 2018</a> appeared first on <a rel="nofollow" href="https://www.milkandlead.com">MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</a>.</p>
  264. ]]></description>
  265. <content:encoded><![CDATA[<h3 style="text-align: center;"><a href="http://www.milkandlead.com/deliquium2018">DELIQUIUM</a></h3>
  266. <h5 style="text-align: center;"><strong>SOUND ART TRIENNIAL</strong></h5>
  267. <h6 style="text-align: center;">8th, 9th, 10th February 2018 &#8211; Electrowerkz, London</h6>
  268. <div>
  269. <p><img loading="lazy" class="size-full wp-image-15892 aligncenter" src="https://www.milkandlead.com/wp-content/uploads/2018/01/2nd-GEN.png" alt="" width="960" height="540" srcset="https://www.milkandlead.com/wp-content/uploads/2018/01/2nd-GEN.png 960w, https://www.milkandlead.com/wp-content/uploads/2018/01/2nd-GEN-300x169.png 300w, https://www.milkandlead.com/wp-content/uploads/2018/01/2nd-GEN-768x432.png 768w" sizes="(max-width: 960px) 100vw, 960px" /></p>
  270. <h4 style="text-align: center;">2nd GEN</h4>
  271. <h5 style="text-align: center;">(UK) ➣ Dark Industrial / Ambient-Noise</h5>
  272. <div>
  273. <div>2nd GEN ( Wajid Yaseen ) is a British noise artist whose work draws on an inter-disciplinary approach to develop sound-based works including installations, live performance, acousmatic music, graphic scores and sound sculptures.</div>
  274. <div></div>
  275. <div>2nd Gen is an evolving experimental project started in London in 1997 with the 12” EP Noise Sculptures. This was followed by his challenging releases on Nova Mute. His blistering, confrontational approach will be showcased in this rare special appearance at Deliquium.</div>
  276. <div></div>
  277. <div><a href="http://www.wajidyaseen.com/2nd-gen">www.wajidyaseen.com/2nd-gen</a></div>
  278. </div>
  279. </div>
  280. <div>
  281. <blockquote>
  282. <div><em>These are artists who want to push you as a listener, viewer, toucher, taster. They feel the competing powers that define human and inhuman experience and press this open the audience. This is work that requires the presence of the artist and the engagement &#8211; sometimes submission &#8211; of the public. Your senses will thank you for the embrace that is DELIQUIUM.</em></div>
  283. </blockquote>
  284. <div style="text-align: right;">Prof. Paul Hegarty | Sound Art Curator</div>
  285. <div>
  286. <h5><strong>PRESS</strong></h5>
  287. <p>Alexei Monroe | Sound Theorist</p>
  288. <p><span style="color: #8e0d18;"><strong><a style="color: #8e0d18;" href="mailto:press@milkandlead.com">press@milkandlead.com</a></strong></span></p>
  289. </div>
  290. </div>
  291. <div>
  292. <hr />
  293. <h5><strong>PRE-SALE TICKETS</strong></h5>
  294. <p style="text-align: left;"><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">3-DAY PASS</a> / EARLY BIRD | <strong>£23  </strong><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018#!/"><em>Sold Out!</em></a></p>
  295. <p><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">3-DAY PASS</a> / LIMITED | <strong>£30</strong></p>
  296. <p style="text-align: left;">ACT 1 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">THU 8TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  297. <p style="text-align: left;">ACT 2 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">FRI 9TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  298. <p style="text-align: left;">ACT 3 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">SAT 10TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  299. <p>WORKSHOP • <a href="https://milkandlead.charitycheckout.co.uk/HardwareHacking"><strong>Hardware Hacking</strong> by TASOS STAMOU</a> (UK)  [Fri, 9th Feb 2018 &#8211; 1pm/7pm] | <strong>£40</strong></p>
  300. </div>
  301. <p>The post <a rel="nofollow" href="https://www.milkandlead.com/2nd-gen/">2nd GEN | DELIQUIUM 2018</a> appeared first on <a rel="nofollow" href="https://www.milkandlead.com">MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</a>.</p>
  302. ]]></content:encoded>
  303. </item>
  304. <item>
  305. <title>ITALIAN BOOKS &#124; DELIQUIUM 2018</title>
  306. <link>https://www.milkandlead.com/italian-books/</link>
  307. <dc:creator><![CDATA[MILKandLEAD]]></dc:creator>
  308. <pubDate>Mon, 29 Jan 2018 18:54:54 +0000</pubDate>
  309. <category><![CDATA[DELIQUIUM]]></category>
  310. <category><![CDATA[Performance]]></category>
  311. <category><![CDATA[Harsh Noise]]></category>
  312. <category><![CDATA[Power Electronics]]></category>
  313. <guid isPermaLink="false">https://www.milkandlead.com/?p=15887</guid>
  314.  
  315. <description><![CDATA[<p>DELIQUIUM SOUND ART TRIENNIAL 8th, 9th, 10th February 2018 &#8211; Electrowerkz, London ITALIAN BOOKS (UK) ➣ Power Electronics / Harsh Noise Italian Books began as an electronic solo Harsh Noise</p>
  316. <p>The post <a rel="nofollow" href="https://www.milkandlead.com/italian-books/">ITALIAN BOOKS | DELIQUIUM 2018</a> appeared first on <a rel="nofollow" href="https://www.milkandlead.com">MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</a>.</p>
  317. ]]></description>
  318. <content:encoded><![CDATA[<h3 style="text-align: center;"><a href="http://www.milkandlead.com/deliquium2018">DELIQUIUM</a></h3>
  319. <h5 style="text-align: center;"><strong>SOUND ART TRIENNIAL</strong></h5>
  320. <h6 style="text-align: center;">8th, 9th, 10th February 2018 &#8211; Electrowerkz, London</h6>
  321. <div>
  322. <p><img loading="lazy" class="size-full wp-image-15888 aligncenter" src="https://www.milkandlead.com/wp-content/uploads/2018/01/ITALIAN-BOOKS.png" alt="" width="960" height="540" srcset="https://www.milkandlead.com/wp-content/uploads/2018/01/ITALIAN-BOOKS.png 960w, https://www.milkandlead.com/wp-content/uploads/2018/01/ITALIAN-BOOKS-300x169.png 300w, https://www.milkandlead.com/wp-content/uploads/2018/01/ITALIAN-BOOKS-768x432.png 768w" sizes="(max-width: 960px) 100vw, 960px" /></p>
  323. <h4 style="text-align: center;">ITALIAN BOOKS</h4>
  324. <h5 style="text-align: center;">(UK) ➣ Power Electronics / Harsh Noise</h5>
  325. <div>
  326. <div>Italian Books began as an electronic solo Harsh Noise project, a disposable show opener for a local D.I.Y. Punk gig in rural Suffolk. The experimental improvised chaos was well received, and the seeds were sewn for the more uniformed approach that followed. To date, the act has performed in a number of locations, such as music venues and small art spaces. A debut C20 cassette ‘Liquid’ was released in July 2017. Italian Books are currently performing work in progress with a new collection of tracks to be released early 2018.</div>
  327. <div></div>
  328. <div>Using cassette samples, synthesisers, feedback loops, and angry distorted vocals, Italian Books explores the topics of confirmation bias and the idea of progress in a seemingly ever changing world.</div>
  329. <div></div>
  330. <div><a href="https://trenchartnoise.bandcamp.com">https://trenchartnoise.bandcamp.com</a></div>
  331. </div>
  332. </div>
  333. <div>
  334. <blockquote>
  335. <div><em>These are artists who want to push you as a listener, viewer, toucher, taster. They feel the competing powers that define human and inhuman experience and press this open the audience. This is work that requires the presence of the artist and the engagement &#8211; sometimes submission &#8211; of the public. Your senses will thank you for the embrace that is DELIQUIUM.</em></div>
  336. </blockquote>
  337. <div style="text-align: right;">Prof. Paul Hegarty | Sound Art Curator</div>
  338. <div>
  339. <h5><strong>PRESS</strong></h5>
  340. <p>Alexei Monroe | Sound Theorist</p>
  341. <p><span style="color: #8e0d18;"><strong><a style="color: #8e0d18;" href="mailto:press@milkandlead.com">press@milkandlead.com</a></strong></span></p>
  342. </div>
  343. </div>
  344. <div>
  345. <hr />
  346. <h5><strong>PRE-SALE TICKETS</strong></h5>
  347. <p style="text-align: left;"><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">3-DAY PASS</a> / EARLY BIRD | <strong>£23  </strong><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018#!/"><em>Sold Out!</em></a></p>
  348. <p><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">3-DAY PASS</a> / LIMITED | <strong>£30</strong></p>
  349. <p style="text-align: left;">ACT 1 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">THU 8TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  350. <p style="text-align: left;">ACT 2 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">FRI 9TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  351. <p style="text-align: left;">ACT 3 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">SAT 10TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  352. <p>WORKSHOP • <a href="https://milkandlead.charitycheckout.co.uk/HardwareHacking"><strong>Hardware Hacking</strong> by TASOS STAMOU</a> (UK)  [Fri, 9th Feb 2018 &#8211; 1pm/7pm] | <strong>£40</strong></p>
  353. </div>
  354. <p>The post <a rel="nofollow" href="https://www.milkandlead.com/italian-books/">ITALIAN BOOKS | DELIQUIUM 2018</a> appeared first on <a rel="nofollow" href="https://www.milkandlead.com">MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</a>.</p>
  355. ]]></content:encoded>
  356. </item>
  357. <item>
  358. <title>OF MIRTH AND MISERY &#124; DELIQUIUM 2018</title>
  359. <link>https://www.milkandlead.com/of-mirth-and-misery/</link>
  360. <dc:creator><![CDATA[MILKandLEAD]]></dc:creator>
  361. <pubDate>Sun, 28 Jan 2018 18:47:01 +0000</pubDate>
  362. <category><![CDATA[DELIQUIUM]]></category>
  363. <category><![CDATA[Installation]]></category>
  364. <category><![CDATA[installation]]></category>
  365. <category><![CDATA[video]]></category>
  366. <guid isPermaLink="false">https://www.milkandlead.com/?p=15878</guid>
  367.  
  368. <description><![CDATA[<p>DELIQUIUM SOUND ART TRIENNIAL 8th, 9th, 10th February 2018 &#8211; Electrowerkz, London OF MIRTH AND MISERY (UK) ➣ Video / Installation Mirth and Misery is a film production company born</p>
  369. <p>The post <a rel="nofollow" href="https://www.milkandlead.com/of-mirth-and-misery/">OF MIRTH AND MISERY | DELIQUIUM 2018</a> appeared first on <a rel="nofollow" href="https://www.milkandlead.com">MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</a>.</p>
  370. ]]></description>
  371. <content:encoded><![CDATA[<h3 style="text-align: center;"><a href="http://www.milkandlead.com/deliquium2018">DELIQUIUM</a></h3>
  372. <h5 style="text-align: center;"><strong>SOUND ART TRIENNIAL</strong></h5>
  373. <h6 style="text-align: center;">8th, 9th, 10th February 2018 &#8211; Electrowerkz, London</h6>
  374. <div>
  375. <p><img loading="lazy" class="size-full wp-image-15879 aligncenter" src="https://www.milkandlead.com/wp-content/uploads/2018/01/OF-MIRTH-AND-MISERY.png" alt="" width="960" height="540" srcset="https://www.milkandlead.com/wp-content/uploads/2018/01/OF-MIRTH-AND-MISERY.png 960w, https://www.milkandlead.com/wp-content/uploads/2018/01/OF-MIRTH-AND-MISERY-300x169.png 300w, https://www.milkandlead.com/wp-content/uploads/2018/01/OF-MIRTH-AND-MISERY-768x432.png 768w" sizes="(max-width: 960px) 100vw, 960px" /></p>
  376. <h4 style="text-align: center;">OF MIRTH AND MISERY</h4>
  377. <h5 style="text-align: center;">(UK) ➣ Video / Installation</h5>
  378. <div>
  379. <p>Mirth and Misery is a film production company born out of the desire to produce provocative ‘art-house’ films with commercial appeal.</p>
  380. <p>Tom Metcalfe studied Film Directing at EICAR &#8211; the International Film School of Paris. John Rowley studied Film Production Technology at the University of Staffordshire before working as a cinematographer in film and television.</p>
  381. <p>Over the past decade, they have directed and produced numerous projects together. Their last feature film &#8211; &#8216;The Wick. Dispatches from the Isle of Wonder&#8217; was released through Indieflix to excellent reviews.</p>
  382. <p>&#8220;.<em>.. a reminder that film can be done differently</em>&#8221; &#8211; David Ollerton, London Film Review.</p>
  383. <p>&#8220;<em>Thrillingly unique. The sort of movie that demands someone throw a pile of money at its directors to see what they can do on an actual budget</em>&#8221; &#8211; Jordan Ferguson, Next Projection.</p>
  384. <p>‘Of Mirth and Misery’ is a feature-length film, set for production in 2018. An absurdist pitch-black tragicomedy that takes a surreal, satirical swipe at society and the human condition.</p>
  385. <p>A librarian is forced to embark upon a nightmarish odyssey to prove he exists when he is mistakenly declared dead by his bank.</p>
  386. <p>Balthazar Bardo inhabits a surreal, Kafkaesque world in which elusive powers determine and yet simultaneously oppose him at every step. Influenced by Film Noir and German Expressionism, this monochrome purgatory is brought to life using a highly stylised aesthetic.</p>
  387. <p>As well as being a vividly rendered, darkly humorous film that touches on topical issues, such as the continuing closure of our nation&#8217;s libraries, and the chronic recklessness and unchecked greed of the City’s bankers, the story also has universally applicable themes; such as the way in which our progress in life is impeded or aided by official decisions made for apparently random reasons by pen-pushers we never even meet.</p>
  388. <p>This post-humorous tragedy is a highly ambitious project presented in a distinct and utterly original manner.</p>
  389. </div>
  390. </div>
  391. <div>
  392. <blockquote>
  393. <div><em>These are artists who want to push you as a listener, viewer, toucher, taster. They feel the competing powers that define human and inhuman experience and press this open the audience. This is work that requires the presence of the artist and the engagement &#8211; sometimes submission &#8211; of the public. Your senses will thank you for the embrace that is DELIQUIUM.</em></div>
  394. </blockquote>
  395. <div style="text-align: right;">Prof. Paul Hegarty | Sound Art Curator</div>
  396. <div>
  397. <h5><strong>PRESS</strong></h5>
  398. <p>Alexei Monroe | Sound Theorist</p>
  399. <p><span style="color: #8e0d18;"><strong><a style="color: #8e0d18;" href="mailto:press@milkandlead.com">press@milkandlead.com</a></strong></span></p>
  400. </div>
  401. </div>
  402. <div>
  403. <hr />
  404. <h5><strong>PRE-SALE TICKETS</strong></h5>
  405. <p style="text-align: left;"><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">3-DAY PASS</a> / EARLY BIRD | <strong>£23  </strong><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018#!/"><em>Sold Out!</em></a></p>
  406. <p><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">3-DAY PASS</a> / LIMITED | <strong>£30</strong></p>
  407. <p style="text-align: left;">ACT 1 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">THU 8TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  408. <p style="text-align: left;">ACT 2 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">FRI 9TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  409. <p style="text-align: left;">ACT 3 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">SAT 10TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  410. <p>WORKSHOP • <a href="https://milkandlead.charitycheckout.co.uk/HardwareHacking"><strong>Hardware Hacking</strong> by TASOS STAMOU</a> (UK)  [Fri, 9th Feb 2018 &#8211; 1pm/7pm] | <strong>£40</strong></p>
  411. </div>
  412. <p>The post <a rel="nofollow" href="https://www.milkandlead.com/of-mirth-and-misery/">OF MIRTH AND MISERY | DELIQUIUM 2018</a> appeared first on <a rel="nofollow" href="https://www.milkandlead.com">MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</a>.</p>
  413. ]]></content:encoded>
  414. </item>
  415. <item>
  416. <title>CODEX EUROPA &#124; DELIQUIUM 2018</title>
  417. <link>https://www.milkandlead.com/codex-europa/</link>
  418. <dc:creator><![CDATA[MILKandLEAD]]></dc:creator>
  419. <pubDate>Sun, 28 Jan 2018 17:23:21 +0000</pubDate>
  420. <category><![CDATA[DELIQUIUM]]></category>
  421. <category><![CDATA[Performance]]></category>
  422. <category><![CDATA[post-industrial]]></category>
  423. <category><![CDATA[Retro-Futurist]]></category>
  424. <guid isPermaLink="false">https://www.milkandlead.com/?p=15872</guid>
  425.  
  426. <description><![CDATA[<p>DELIQUIUM SOUND ART TRIENNIAL 8th, 9th, 10th February 2018 &#8211; Electrowerkz, London CODEX EUROPA (UK) ➣ Post-Industrial / Retro-Futurist Codex Europa is a cross-genre DJ who has played many London</p>
  427. <p>The post <a rel="nofollow" href="https://www.milkandlead.com/codex-europa/">CODEX EUROPA | DELIQUIUM 2018</a> appeared first on <a rel="nofollow" href="https://www.milkandlead.com">MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</a>.</p>
  428. ]]></description>
  429. <content:encoded><![CDATA[<h3 style="text-align: center;"><a href="http://www.milkandlead.com/deliquium2018">DELIQUIUM</a></h3>
  430. <h5 style="text-align: center;"><strong>SOUND ART TRIENNIAL</strong></h5>
  431. <h6 style="text-align: center;">8th, 9th, 10th February 2018 &#8211; Electrowerkz, London</h6>
  432. <div>
  433. <p><img loading="lazy" class="size-full wp-image-15873 aligncenter" src="https://www.milkandlead.com/wp-content/uploads/2018/01/CODEX-EUROPA.png" alt="" width="960" height="540" srcset="https://www.milkandlead.com/wp-content/uploads/2018/01/CODEX-EUROPA.png 960w, https://www.milkandlead.com/wp-content/uploads/2018/01/CODEX-EUROPA-300x169.png 300w, https://www.milkandlead.com/wp-content/uploads/2018/01/CODEX-EUROPA-768x432.png 768w" sizes="(max-width: 960px) 100vw, 960px" /></p>
  434. <h4 style="text-align: center;">CODEX EUROPA</h4>
  435. <h5 style="text-align: center;">(UK) ➣ Post-Industrial / Retro-Futurist</h5>
  436. <div>
  437. <div>Codex Europa is a cross-genre DJ who has played many London nights including Eurocore, Ill FM, Antagony, Level X, Klub V.E.B., Rosa Decidua, Noise Corruption and Fluid as well one-off gigs and festivals. Internationally, he has played at venues including a Belgrade shopping centre, former army barracks and air raid shelters in Ljubljana and the House of World Cultures in Berlin. He is a founder of the Klub V.E.B. collective, a member of the groups Sz. Berlin and The Party Machine and a techno reviewer for Trebuchet magazine. He plays an experimental and uncompromising blend of extreme electronics, setting up risky encounters between brutalist techno, industrial, gabber, EBM, soundtracks, samples and avant-garde elements.</div>
  438. <div><a href="https://soundcloud.com/codex-europa">https://soundcloud.com/codex-europa</a></div>
  439. <div><a href="http://codex-europa.blogspot.co.uk">http://codex-europa.blogspot.co.uk</a></div>
  440. </div>
  441. </div>
  442. <div>
  443. <blockquote>
  444. <div><em>These are artists who want to push you as a listener, viewer, toucher, taster. They feel the competing powers that define human and inhuman experience and press this open the audience. This is work that requires the presence of the artist and the engagement &#8211; sometimes submission &#8211; of the public. Your senses will thank you for the embrace that is DELIQUIUM.</em></div>
  445. </blockquote>
  446. <div style="text-align: right;">Prof. Paul Hegarty | Sound Art Curator</div>
  447. <div>
  448. <h5><strong>PRESS</strong></h5>
  449. <p>Alexei Monroe | Sound Theorist</p>
  450. <p><span style="color: #8e0d18;"><strong><a style="color: #8e0d18;" href="mailto:press@milkandlead.com">press@milkandlead.com</a></strong></span></p>
  451. </div>
  452. </div>
  453. <div>
  454. <hr />
  455. <h5><strong>PRE-SALE TICKETS</strong></h5>
  456. <p style="text-align: left;"><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">3-DAY PASS</a> / EARLY BIRD | <strong>£23  </strong><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018#!/"><em>Sold Out!</em></a></p>
  457. <p><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">3-DAY PASS</a> / LIMITED | <strong>£30</strong></p>
  458. <p style="text-align: left;">ACT 1 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">THU 8TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  459. <p style="text-align: left;">ACT 2 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">FRI 9TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  460. <p style="text-align: left;">ACT 3 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">SAT 10TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  461. <p>WORKSHOP • <a href="https://milkandlead.charitycheckout.co.uk/HardwareHacking"><strong>Hardware Hacking</strong> by TASOS STAMOU</a> (UK)  [Fri, 9th Feb 2018 &#8211; 1pm/7pm] | <strong>£40</strong></p>
  462. </div>
  463. <p>The post <a rel="nofollow" href="https://www.milkandlead.com/codex-europa/">CODEX EUROPA | DELIQUIUM 2018</a> appeared first on <a rel="nofollow" href="https://www.milkandlead.com">MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</a>.</p>
  464. ]]></content:encoded>
  465. </item>
  466. <item>
  467. <title>SATORI &#124; DELIQUIUM 2018</title>
  468. <link>https://www.milkandlead.com/satori/</link>
  469. <dc:creator><![CDATA[MILKandLEAD]]></dc:creator>
  470. <pubDate>Sat, 27 Jan 2018 12:33:38 +0000</pubDate>
  471. <category><![CDATA[DELIQUIUM]]></category>
  472. <category><![CDATA[Performance]]></category>
  473. <category><![CDATA[Dark Ambient]]></category>
  474. <category><![CDATA[Industrial]]></category>
  475. <guid isPermaLink="false">https://www.milkandlead.com/?p=15865</guid>
  476.  
  477. <description><![CDATA[<p>DELIQUIUM SOUND ART TRIENNIAL 8th, 9th, 10th February 2018 &#8211; Electrowerkz, London SATORI (UK) ➣ Industrial / Dark Ambient Continuing a project first started in the 1980&#8217;s founding member Dave</p>
  478. <p>The post <a rel="nofollow" href="https://www.milkandlead.com/satori/">SATORI | DELIQUIUM 2018</a> appeared first on <a rel="nofollow" href="https://www.milkandlead.com">MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</a>.</p>
  479. ]]></description>
  480. <content:encoded><![CDATA[<h3 style="text-align: center;"><a href="http://www.milkandlead.com/deliquium2018">DELIQUIUM</a></h3>
  481. <h5 style="text-align: center;"><strong>SOUND ART TRIENNIAL</strong></h5>
  482. <h6 style="text-align: center;">8th, 9th, 10th February 2018 &#8211; Electrowerkz, London</h6>
  483. <div>
  484. <p><img loading="lazy" class="size-full wp-image-15859 aligncenter" src="https://www.milkandlead.com/wp-content/uploads/2018/01/SATORI.png" alt="" width="960" height="540" srcset="https://www.milkandlead.com/wp-content/uploads/2018/01/SATORI.png 960w, https://www.milkandlead.com/wp-content/uploads/2018/01/SATORI-300x169.png 300w, https://www.milkandlead.com/wp-content/uploads/2018/01/SATORI-768x432.png 768w" sizes="(max-width: 960px) 100vw, 960px" /></p>
  485. <h4 style="text-align: center;">SATORI</h4>
  486. <h5 style="text-align: center;">(UK) ➣ Industrial / Dark Ambient</h5>
  487. <div>
  488. <div>
  489. <p>Continuing a project first started in the 1980&#8217;s founding member Dave Kirby brings an onslaught of industrial soundscapes, pounding drums and a dystopian vision of a world committed to destroying itself.</p>
  490. <p>Comprising a mixture of harsh noise and power electronics with a harder and heavier percussive beat than before Satori enter 2018 with a collection of new songs &#8220;dispossession&#8221; based on the physical and mental disconnect facing everyone in the modern world. A constant pervasive undercurrent of violence, the feeling of a society on the brink of a total meltdown and the fears and torments of the powerless individual.</p>
  491. <p>Satori was formed in Margate, Kent by Dave Kirby and Robert Maycock in 1984. Originally called Psychopath.</p>
  492. <p>Satori have released material on Zeal SS, Broken Flag, Functional Records, Cold Spring Records, Dogma Chase, Reverse Records, Attenuation Circuit and many more.</p>
  493. <p>Recent projects include collaborating with Lorenzo Abattoir (Nascitari) and a total remix of Dave Phillips&#8217; &#8220;Homo Animalis&#8221; cd.</p>
  494. <p><a href="https://satori-industrial.bandcamp.com">https://satori-industrial.bandcamp.com</a></p>
  495. </div>
  496. </div>
  497. </div>
  498. <div>
  499. <blockquote>
  500. <div><em>These are artists who want to push you as a listener, viewer, toucher, taster. They feel the competing powers that define human and inhuman experience and press this open the audience. This is work that requires the presence of the artist and the engagement &#8211; sometimes submission &#8211; of the public. Your senses will thank you for the embrace that is DELIQUIUM.</em></div>
  501. </blockquote>
  502. <div style="text-align: right;">Prof. Paul Hegarty | Sound Art Curator</div>
  503. <div>
  504. <h5><strong>PRESS</strong></h5>
  505. <p>Alexei Monroe | Sound Theorist</p>
  506. <p><span style="color: #8e0d18;"><strong><a style="color: #8e0d18;" href="mailto:press@milkandlead.com">press@milkandlead.com</a></strong></span></p>
  507. </div>
  508. </div>
  509. <div>
  510. <hr />
  511. <h5><strong>PRE-SALE TICKETS</strong></h5>
  512. <p style="text-align: left;"><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">3-DAY PASS</a> / EARLY BIRD | <strong>£23  </strong><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018#!/"><em>Sold Out!</em></a></p>
  513. <p><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">3-DAY PASS</a> / LIMITED | <strong>£30</strong></p>
  514. <p style="text-align: left;">ACT 1 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">THU 8TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  515. <p style="text-align: left;">ACT 2 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">FRI 9TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  516. <p style="text-align: left;">ACT 3 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">SAT 10TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  517. <p>WORKSHOP • <a href="https://milkandlead.charitycheckout.co.uk/HardwareHacking"><strong>Hardware Hacking</strong> by TASOS STAMOU</a> (UK)  [Fri, 9th Feb 2018 &#8211; 1pm/7pm] | <strong>£40</strong></p>
  518. </div>
  519. <p>The post <a rel="nofollow" href="https://www.milkandlead.com/satori/">SATORI | DELIQUIUM 2018</a> appeared first on <a rel="nofollow" href="https://www.milkandlead.com">MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</a>.</p>
  520. ]]></content:encoded>
  521. </item>
  522. <item>
  523. <title>RONCH &#124; DELIQUIUM 2018</title>
  524. <link>https://www.milkandlead.com/ronch/</link>
  525. <dc:creator><![CDATA[MILKandLEAD]]></dc:creator>
  526. <pubDate>Fri, 26 Jan 2018 19:40:44 +0000</pubDate>
  527. <category><![CDATA[DELIQUIUM]]></category>
  528. <category><![CDATA[Installation]]></category>
  529. <category><![CDATA[installation]]></category>
  530. <category><![CDATA[Post-Surreal]]></category>
  531. <guid isPermaLink="false">https://www.milkandlead.com/?p=15858</guid>
  532.  
  533. <description><![CDATA[<p>DELIQUIUM SOUND ART TRIENNIAL 8th, 9th, 10th February 2018 &#8211; Electrowerkz, London RONCH (UK) ➣ Post-Surreal / Installation &#8220;The main feature of my work is meticulous attention to detail in</p>
  534. <p>The post <a rel="nofollow" href="https://www.milkandlead.com/ronch/">RONCH | DELIQUIUM 2018</a> appeared first on <a rel="nofollow" href="https://www.milkandlead.com">MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</a>.</p>
  535. ]]></description>
  536. <content:encoded><![CDATA[<h3 style="text-align: center;"><a href="http://www.milkandlead.com/deliquium2018">DELIQUIUM</a></h3>
  537. <h5 style="text-align: center;"><strong>SOUND ART TRIENNIAL</strong></h5>
  538. <h6 style="text-align: center;">8th, 9th, 10th February 2018 &#8211; Electrowerkz, London</h6>
  539. <div>
  540. <p><img loading="lazy" class="size-full wp-image-15867 aligncenter" src="https://www.milkandlead.com/wp-content/uploads/2018/01/RONCH.png" alt="" width="960" height="540" srcset="https://www.milkandlead.com/wp-content/uploads/2018/01/RONCH.png 960w, https://www.milkandlead.com/wp-content/uploads/2018/01/RONCH-300x169.png 300w, https://www.milkandlead.com/wp-content/uploads/2018/01/RONCH-768x432.png 768w" sizes="(max-width: 960px) 100vw, 960px" /></p>
  541. <h4 style="text-align: center;">RONCH</h4>
  542. <h5 style="text-align: center;">(UK) ➣ Post-Surreal / Installation</h5>
  543. <div>
  544. <div>&#8220;The main feature of my work is meticulous attention to detail in microcosms packed with different characters and full of fertile psychological situations. I use a miniaturist approach, supported by the use of a magnifying glass to define every square inch of the painting.</div>
  545. <div></div>
  546. <div>Urban contexts are dismembered in a dream-like swarm of architecture, forms and social relations disrupted, provocatively juxtaposed with no apparent order. Childhood memories and paranoid nightmares are recomposed with graphite or color on canvas and paper, often through pareidolia, returning a duel between the freedom of the absurd and arbitrariness of the rule.</div>
  547. <div></div>
  548. <div>The masters that have most influence on my work ranging from Leonardo to The Clash, Brueghel, Dali, from Hieronymus Bosch to Dead Kennedys&#8221;.</div>
  549. <div></div>
  550. <div><a href="http://www.ronch.co.uk">www.ronch.co.uk</a></div>
  551. </div>
  552. </div>
  553. <div>
  554. <blockquote>
  555. <div><em>These are artists who want to push you as a listener, viewer, toucher, taster. They feel the competing powers that define human and inhuman experience and press this open the audience. This is work that requires the presence of the artist and the engagement &#8211; sometimes submission &#8211; of the public. Your senses will thank you for the embrace that is DELIQUIUM.</em></div>
  556. </blockquote>
  557. <div style="text-align: right;">Prof. Paul Hegarty | Sound Art Curator</div>
  558. <div>
  559. <h5><strong>PRESS</strong></h5>
  560. <p>Alexei Monroe | Sound Theorist</p>
  561. <p><span style="color: #8e0d18;"><strong><a style="color: #8e0d18;" href="mailto:press@milkandlead.com">press@milkandlead.com</a></strong></span></p>
  562. </div>
  563. </div>
  564. <div>
  565. <hr />
  566. <h5><strong>PRE-SALE TICKETS</strong></h5>
  567. <p style="text-align: left;"><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">3-DAY PASS</a> / EARLY BIRD | <strong>£23  </strong><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018#!/"><em>Sold Out!</em></a></p>
  568. <p><a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">3-DAY PASS</a> / LIMITED | <strong>£30</strong></p>
  569. <p style="text-align: left;">ACT 1 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">THU 8TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  570. <p style="text-align: left;">ACT 2 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">FRI 9TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  571. <p style="text-align: left;">ACT 3 • <a href="https://milkandlead.charitycheckout.co.uk/deliquium2018">SAT 10TH FEB 2018</a> / LIMITED | <strong>£13</strong></p>
  572. <p>WORKSHOP • <a href="https://milkandlead.charitycheckout.co.uk/HardwareHacking"><strong>Hardware Hacking</strong> by TASOS STAMOU</a> (UK)  [Fri, 9th Feb 2018 &#8211; 1pm/7pm] | <strong>£40</strong></p>
  573. </div>
  574. <p>The post <a rel="nofollow" href="https://www.milkandlead.com/ronch/">RONCH | DELIQUIUM 2018</a> appeared first on <a rel="nofollow" href="https://www.milkandlead.com">MILKandLEAD Art Gallery | Subcultures &amp; Pioneering Arts</a>.</p>
  575. ]]></content:encoded>
  576. </item>
  577. </channel>
  578. </rss>
  579.  

If you would like to create a banner that links to this page (i.e. this validation result), do the following:

  1. Download the "valid RSS" banner.

  2. Upload the image to your own server. (This step is important. Please do not link directly to the image on this server.)

  3. Add this HTML to your page (change the image src attribute if necessary):

If you would like to create a text link instead, here is the URL you can use:

http://www.feedvalidator.org/check.cgi?url=https%3A//www.milkandlead.com/feed/

Copyright © 2002-9 Sam Ruby, Mark Pilgrim, Joseph Walton, and Phil Ringnalda