Sorry

This feed does not validate.

In addition, interoperability with the widest range of feed readers could be improved by implementing the following recommendations.

Source: https://www.mosaicrecords.com/feed/

  1. <?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
  2. xmlns:content="http://purl.org/rss/1.0/modules/content/"
  3. xmlns:wfw="http://wellformedweb.org/CommentAPI/"
  4. xmlns:dc="http://purl.org/dc/elements/1.1/"
  5. xmlns:atom="http://www.w3.org/2005/Atom"
  6. xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
  7. xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
  8. >
  9.  
  10. <channel>
  11. <title>Mosaic Records &#8211; Home for Jazz fans!</title>
  12. <atom:link href="https://www.mosaicrecords.com/feed/" rel="self" type="application/rss+xml" />
  13. <link></link>
  14. <description>Exclusive &#38; insightful writing from best jazz writers covering Louis Armstrong to John Coltrane.</description>
  15. <lastBuildDate>Thu, 20 Jan 2022 16:42:00 +0000</lastBuildDate>
  16. <language>en-US</language>
  17. <sy:updatePeriod>
  18. hourly </sy:updatePeriod>
  19. <sy:updateFrequency>
  20. 1 </sy:updateFrequency>
  21. <generator>https://wordpress.org/?v=6.4.3</generator>
  22.  
  23. <image>
  24. <url>https://www.mosaicrecords.com/wp-content/uploads/2020/12/cropped-mosaci-fav-temp-32x32.png</url>
  25. <title>Mosaic Records &#8211; Home for Jazz fans!</title>
  26. <link></link>
  27. <width>32</width>
  28. <height>32</height>
  29. </image>
  30. <item>
  31. <title>Nat King Cole Songs</title>
  32. <link>https://www.mosaicrecords.com/nat-king-cole-songs/</link>
  33. <dc:creator><![CDATA[Mosaic Records]]></dc:creator>
  34. <pubDate>Wed, 10 Nov 2021 20:44:42 +0000</pubDate>
  35. <category><![CDATA[Best Jazz Albums]]></category>
  36. <category><![CDATA[Best Jazz Albums: Early/Trad Jazz]]></category>
  37. <category><![CDATA[Best jazz posts]]></category>
  38. <category><![CDATA[Big Band]]></category>
  39. <category><![CDATA[Bunny Berigan]]></category>
  40. <category><![CDATA[Coleman Hawkins]]></category>
  41. <category><![CDATA[Donald Byrd]]></category>
  42. <category><![CDATA[Duke Ellington]]></category>
  43. <category><![CDATA[Earl Hines]]></category>
  44. <category><![CDATA[James P Johnson]]></category>
  45. <category><![CDATA[Lionel Hampton]]></category>
  46. <category><![CDATA[Louis Armstrong]]></category>
  47. <category><![CDATA[Small Group Swing]]></category>
  48. <category><![CDATA[Thelonious Monk]]></category>
  49. <guid isPermaLink="false">https://www.mosaicrecords.com/?p=13756</guid>
  50.  
  51. <description><![CDATA[<p>The post <a href="https://www.mosaicrecords.com/nat-king-cole-songs/">Nat King Cole Songs</a> appeared first on <a href="https://www.mosaicrecords.com">Mosaic Records - Home for Jazz fans!</a>.</p>
  52. ]]></description>
  53. <content:encoded><![CDATA[
  54. <div id="fws_6605a546b5329"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row top-level standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  55. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  56. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  57. <div class="wpb_wrapper">
  58. <div class="img-with-aniamtion-wrap " data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  59.      <div class="inner">
  60.        <div class="hover-wrap" data-hover-animation="none">
  61.          <div class="hover-wrap-inner">
  62.            <img fetchpriority="high" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="338" width="447" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/11/Screen-Shot-2021-11-10-at-3.44.02-PM.png" alt="" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/11/Screen-Shot-2021-11-10-at-3.44.02-PM.png 447w, https://www.mosaicrecords.com/wp-content/uploads/2021/11/Screen-Shot-2021-11-10-at-3.44.02-PM-300x227.png 300w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
  63.          </div>
  64.        </div>
  65.      </div>
  66.    </div>
  67. </div>
  68. </div>
  69. </div>
  70.  
  71. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  72. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  73. <div class="wpb_wrapper">
  74. <div class="divider-wrap" data-alignment="default"><div style="height: 75px;" class="divider"></div></div>
  75. <div class="wpb_text_column wpb_content_element " >
  76. <div class="wpb_wrapper">
  77. <h1 style="text-align: center;">Nat King Cole&#8217;s Greatest Songs</h1>
  78. </div>
  79. </div>
  80.  
  81.  
  82.  
  83.  
  84. </div>
  85. </div>
  86. </div>
  87. </div></div>
  88. <div id="fws_6605a546b5e25"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  89. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  90. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  91. <div class="wpb_wrapper">
  92. <div id="fws_6605a546b6a75" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  93. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  94. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  95. <div class="wpb_wrapper">
  96. <div class="wpb_text_column wpb_content_element " >
  97. <div class="wpb_wrapper">
  98. <p>Coming on the heels of the big-band era, the Nat King Cole trio proved you didn&#8217;t have to shout to really swing, and the Nat King Cole songs laid the foundation for countless piano-guitar-bass combos. Also, Nat King Cole&#8217;s influence as a pianist can not be overestimated. His harmonic awareness, supple phrasing, dynamics, taste and just plain delicious music had a profound effect on Oscar Peterson, Bill Evans and many others.</p>
  99. <p>Nat King Cole was aptly named. Just as surely as Duke Ellington and Count Basie, Nat King Cole was musical royalty. He was totally unique, and not the least of his accomplishments was his success in reaching millions while not compromising his musical standards. Listening to Nat King Cole songs satisfies on every level.</p>
  100. </div>
  101. </div>
  102.  
  103.  
  104.  
  105.  
  106. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 60%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  107. <div class="wpb_text_column wpb_content_element " >
  108. <div class="wpb_wrapper">
  109. <h2 style="text-align: center;">Straighten Up And Fly Right</h2>
  110. </div>
  111. </div>
  112.  
  113.  
  114.  
  115.  
  116. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  117. <div class="wpb_wrapper">
  118. <div class="wpb_video_wrapper"><iframe title="Straighten Up And Fly Right (Remastered)" width="1080" height="810" src="https://www.youtube.com/embed/o-4VTlQlros?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  119. </div>
  120. </div>
  121.  
  122. <div class="wpb_text_column wpb_content_element " >
  123. <div class="wpb_wrapper">
  124. <p>This tune signifies, in many ways, an early climax of Nat King Cole&#8217;s career. It’s the ultimate trio unison vocal number, in both senses of the word, although a few more were recorded, and a new beginning for his series of &#8220;punchline&#8221; comedy pieces that would continue throughout the trio&#8217;s existence. A perfect structural balance of riff, story, gags and solos and the most-performed number of the whole trio period. It&#8217;s also Nat King Cole’s best known original composition, the narrative inspired by a sermon from his preacher father.<span class="Apple-converted-space"> </span></p>
  125. </div>
  126. </div>
  127.  
  128.  
  129.  
  130.  
  131. </div>
  132. </div>
  133. </div>
  134. </div></div><div id="fws_6605a546b734d" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  135. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  136. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  137. <div class="wpb_wrapper">
  138. <div class="wpb_text_column wpb_content_element " >
  139. <div class="wpb_wrapper">
  140. <h2 style="text-align: center;">Gee, Baby Ain&#8217;t I Good To You</h2>
  141. </div>
  142. </div>
  143.  
  144.  
  145.  
  146.  
  147. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  148. <div class="wpb_wrapper">
  149. <div class="wpb_video_wrapper"><iframe title="Gee Baby, Ain&#039;t I Good to You (Remastered)" width="1080" height="810" src="https://www.youtube.com/embed/My3j_2N4g4g?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  150. </div>
  151. </div>
  152.  
  153. <div class="wpb_text_column wpb_content_element " >
  154. <div class="wpb_wrapper">
  155. <p><i>Gee, Baby Ain&#8217;t I Good To You</i> also made it to number one in the race records stakes and to 15 on the across-the-board pop charts. The trio takes it at such a good-feeling, relaxed tempo that there&#8217;s only time for two and a half choruses: one chorus strictly vocal, 16 bars of vocal, a further sixteen of piano, and a final half-chorus of reprise vocal. And who but the King Cole Trio would play so long a break between “gee” and “baby, ain&#8217;t I good to you?” in the last line?</p>
  156. </div>
  157. </div>
  158.  
  159.  
  160.  
  161.  
  162. </div>
  163. </div>
  164. </div>
  165. </div></div><div id="fws_6605a546b78b7" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  166. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  167. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  168. <div class="wpb_wrapper">
  169. <div class="wpb_text_column wpb_content_element " >
  170. <div class="wpb_wrapper">
  171. <h2 style="text-align: center;">Jumping&#8217; At The Captiol</h2>
  172. </div>
  173. </div>
  174.  
  175.  
  176.  
  177.  
  178. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  179. <div class="wpb_wrapper">
  180. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Jumpin&#039; At Capitol (Remastered 1991)" width="1080" height="810" src="https://www.youtube.com/embed/6nT5hDolWt8?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  181. </div>
  182. </div>
  183.  
  184. <div class="wpb_text_column wpb_content_element " >
  185. <div class="wpb_wrapper">
  186. <p><i>Jumpin’ At The Capitol</i> seems inspired by the Benny Goodman Sextet&#8217;s 1939 <i>Shivers</i>. While the brief head may be similar, this 1943 number is in a minor key and about five times as fast. The resemblance occurs primarily in the chase section, which here occurs after the ensemble melody statement and then a modulation from D minor to B flat minor, and transpires between guitar and clarinet on the BG6 and between guitar and piano on the Nat King Cole Trio. Johnny Miller also gets his first featured solo on this piece. Blisteringly up and amazingly intricate, eventually exploding in a series of coda cadenzas, quoting <i>I Know That You Know</i> in the process (conversely, the classic Nat King Cole Trio version of <i>I Know That You Know</i> quotes <i>Rhapsody- In Blue</i> in its own coda), it&#8217;s impossible to imagine any other group playing this fast and this precise.</p>
  187. </div>
  188. </div>
  189.  
  190.  
  191.  
  192.  
  193. </div>
  194. </div>
  195. </div>
  196. </div></div><div id="fws_6605a546b7cbf" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  197. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  198. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  199. <div class="wpb_wrapper">
  200. <div class="wpb_text_column wpb_content_element " >
  201. <div class="wpb_wrapper">
  202. <h2 style="text-align: center;">If You Can’t Smile And Say Yes (Please Don’t Cry And Say No)</h2>
  203. </div>
  204. </div>
  205.  
  206.  
  207.  
  208.  
  209. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  210. <div class="wpb_wrapper">
  211. <div class="wpb_video_wrapper"><iframe loading="lazy" title="If You Can&#039;t Smile And Say Yes (Please Don&#039;t Cry And Say No)" width="1080" height="810" src="https://www.youtube.com/embed/A_ZLfYy0bfo?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  212. </div>
  213. </div>
  214.  
  215. <div class="wpb_text_column wpb_content_element " >
  216. <div class="wpb_wrapper">
  217. <p>While Capitol would eventually become famous for the sound of its recording studios, in the early days, the new company rented the studios owned by the MacGregor Transcription Service. The A&amp;R crew at MacGregor continued to record the trio for transcriptions prolifically well into 1945 and treated them as earlier companies had, almost randomly, assigning them up-tempos and jive numbers. The amazingly high level of material selected by Nat King Cole with Johnny Mercer and Paul Weston at Capitol shows that they had greater things in mind. All the Nat King Cole songs committed to vinyl on this and the next session of January 17, 1944 were either standards of the highest order or Nat King Cole&#8217;s own personally-hewn originals. The Nat King Cole Trio had already proved themselves in the jive department. Now they were inventing a new kind of pop, making them spiritual brothers to Frank Sinatra and Artie Shaw.</p>
  218. </div>
  219. </div>
  220.  
  221.  
  222.  
  223.  
  224. </div>
  225. </div>
  226. </div>
  227. </div></div><div id="fws_6605a546b8078" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  228. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  229. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  230. <div class="wpb_wrapper">
  231. <div class="wpb_text_column wpb_content_element " >
  232. <div class="wpb_wrapper">
  233. <h2 style="text-align: center;">Sweet Lorraine</h2>
  234. </div>
  235. </div>
  236.  
  237.  
  238.  
  239.  
  240. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  241. <div class="wpb_wrapper">
  242. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Sweet Lorraine" width="1080" height="810" src="https://www.youtube.com/embed/vGZlyQL1SO8?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  243. </div>
  244. </div>
  245.  
  246. <div class="wpb_text_column wpb_content_element " >
  247. <div class="wpb_wrapper">
  248. <p>The Capitol <i>Sweet Lorraine</i> marks the trio&#8217;s third version of the Parrish-Burwell tune, closely associated with Nat King Cole’s earliest influence, Earl “Fatha” Hines. All of them feature Nat King Cole solo vocals in ballad time. The same jazz inventiveness that characteristically went into a swing chart, such as Nat King Cole&#8217;s liberal reharmonization of the standard chord sequence, was now going into a ballad. He found a way to use jazz devices to support and not undercut the romantic mood.</p>
  249. <p>Neither Nat King Cole nor his audiences ever tired of the arrangement, as codified here on the Capitol, and Nat King Cole continued to perform it for the rest of his life, recording it again in stereo for <i>The Nat King Cole Story</i> package in 1961.</p>
  250. </div>
  251. </div>
  252.  
  253.  
  254.  
  255.  
  256. </div>
  257. </div>
  258. </div>
  259. </div></div><div id="fws_6605a546b8460" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  260. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  261. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  262. <div class="wpb_wrapper">
  263. <div class="wpb_text_column wpb_content_element " >
  264. <div class="wpb_wrapper">
  265. <h2 style="text-align: center;">Embraceable You</h2>
  266. </div>
  267. </div>
  268.  
  269.  
  270.  
  271.  
  272. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  273. <div class="wpb_wrapper">
  274. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Embraceable You" width="1080" height="810" src="https://www.youtube.com/embed/15MYlx2PQvc?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  275. </div>
  276. </div>
  277.  
  278. <div class="wpb_text_column wpb_content_element " >
  279. <div class="wpb_wrapper">
  280. <p><i>Embraceable You</i>, another ballad routine&#8217;d like a swing novelty, is so tender and simple it belies the work that obviously went into it. Nat King Cole&#8217;s solo is so intricate and precise when he tiptoes in double-time after Moore&#8217;s more languorous chorus. The routine becomes clearer in comparing the two takes (the second issued on a V-Disc), especially his building to a mini-climax in the bridge and gently cascading downward on the phrase &#8220;gyp-sy in me.” The 1928 Gershwin tune was already considered a classic by then, having been revived by Judy Garland in her 1943 film of <i>Girl Crazy </i>and recorded in 1944 by Sinatra.</p>
  281. </div>
  282. </div>
  283.  
  284.  
  285.  
  286.  
  287. </div>
  288. </div>
  289. </div>
  290. </div></div><div id="fws_6605a546b88e1" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  291. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  292. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  293. <div class="wpb_wrapper">
  294. <div class="wpb_text_column wpb_content_element " >
  295. <div class="wpb_wrapper">
  296. <h2 style="text-align: center;">It’s Only A Paper Moon<span class="Apple-converted-space"> </span></h2>
  297. </div>
  298. </div>
  299.  
  300.  
  301.  
  302.  
  303. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  304. <div class="wpb_wrapper">
  305. <div class="wpb_video_wrapper"><iframe loading="lazy" title="It&#039;s Only A Paper Moon" width="1080" height="810" src="https://www.youtube.com/embed/pBgCAyr7QDI?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  306. </div>
  307. </div>
  308.  
  309. <div class="wpb_text_column wpb_content_element " >
  310. <div class="wpb_wrapper">
  311. <p><i>It’s Only A Paper Moon</i> showcases Nat King Cole&#8217;s most famous vocal and instrumental devices, the beat-hugging expanded contraction, as in “it is only a paper moon,” with a hard “a”, and a brilliantly arranged and executed block chord opening chorus. Generally done in slow-dance time up to this point, Nat King Cole forever turned the Arlen-Rose classic into an uptempo vehicle, as in subsequent versions by Sinatra (1950) and even Arlen himself. One of several dance-style arrangements, it sets Nat King Cole&#8217;s vocal chorus like a “vocal refrain” on a big band record (<i>I’m In The Mood For Love</i> was another) which modulates to a higher key for Nat King Cole&#8217;s vocal. Nat King Cole&#8217;s later, more conventionally chorded half-chorus (after Moore) swings even harder, closing with an a cappella-like stop-time riff by Nat King Cole and Moore in tight harmony.</p>
  312. </div>
  313. </div>
  314.  
  315.  
  316.  
  317.  
  318. </div>
  319. </div>
  320. </div>
  321. </div></div><div id="fws_6605a546b8d4f" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  322. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  323. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  324. <div class="wpb_wrapper">
  325. <div class="wpb_text_column wpb_content_element " >
  326. <div class="wpb_wrapper">
  327. <h2 style="text-align: center;">I Can’t See For Lookin&#8217;</h2>
  328. </div>
  329. </div>
  330.  
  331.  
  332.  
  333.  
  334. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  335. <div class="wpb_wrapper">
  336. <div class="wpb_video_wrapper"><iframe loading="lazy" title="I Can&#039;t See for Lookin&#039;" width="1080" height="810" src="https://www.youtube.com/embed/93hyg8jXW5s?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  337. </div>
  338. </div>
  339.  
  340. <div class="wpb_text_column wpb_content_element " >
  341. <div class="wpb_wrapper">
  342. <p>Nat King Cole used his talent as an arranger, especially with his unforgettable introductions, to enhance his own tunes as well as those of other songwriters. <i>I Can’t See For Lookin&#8217;</i> is a textbook example of a topical expression turned into a love song punchline. Once more, Nat King Cole and Oscar contrast their solos with fast and slow feelings, while Moore&#8217;s turn incorporates a lick from Lester Young&#8217;s solo on <i>Jive At Five</i> which also turns up in the head to <i>Homeward Bound</i>. (Nat King Cole is believed to have written the songs published under the name of his first wife, dancer Nadine Robinson, Johnny Miller believes, probably was not capable of composing music.)</p>
  343. </div>
  344. </div>
  345.  
  346.  
  347.  
  348.  
  349. </div>
  350. </div>
  351. </div>
  352. </div></div><div id="fws_6605a546b9153" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  353. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  354. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  355. <div class="wpb_wrapper">
  356. <div class="wpb_text_column wpb_content_element " >
  357. <div class="wpb_wrapper">
  358. <h2 style="text-align: center;">It Is Better To Be By Yourself</h2>
  359. </div>
  360. </div>
  361.  
  362.  
  363.  
  364.  
  365. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  366. <div class="wpb_wrapper">
  367. <div class="wpb_video_wrapper"><iframe loading="lazy" title="It Is Better To Be By Yourself (1945 Version)" width="1080" height="810" src="https://www.youtube.com/embed/BMhyGzwLizU?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  368. </div>
  369. </div>
  370.  
  371. <div class="wpb_text_column wpb_content_element " >
  372. <div class="wpb_wrapper">
  373. <p>Though sarcastically chauvinistic in character, <i>It Is Better To Be By Yourself,</i> has a greater sense of self-deprecating humor which makes it more politically correct than the more sexist <i>If You Can’t Smile</i>&#8230; and <i>Bring Another Drink</i>. <i>It Is Better </i>takes the basic elements of <i>Straighten Up</i>&#8230; and re-arranges them: bluesy riff intro (similar to Amos Milburn&#8217;s <i>Bad, Bad Whiskey</i>), trio vocal on the punchline and Cole&#8217;s singing the &#8220;explanation” in solo. Nat King Cole&#8217;s greatest moments come in the very blue fills he inserts in the rather long pauses between the “it is better&#8221; and the “to be by yourself&#8221; in the ensemble chanting, while he and Moore both make twelve bars seem like a full 32 in their solo spots, ending with a second bridge, more verbal gags and the introduction recapitulated as a fade-out coda.</p>
  374. </div>
  375. </div>
  376.  
  377.  
  378.  
  379.  
  380. </div>
  381. </div>
  382. </div>
  383. </div></div><div id="fws_6605a546b94f1" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  384. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  385. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  386. <div class="wpb_wrapper">
  387. <div class="wpb_text_column wpb_content_element " >
  388. <div class="wpb_wrapper">
  389. <h2 style="text-align: center;">Come To Baby, Do</h2>
  390. </div>
  391. </div>
  392.  
  393.  
  394.  
  395.  
  396. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  397. <div class="wpb_wrapper">
  398. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Come to Baby, Do!" width="1080" height="810" src="https://www.youtube.com/embed/i1ylHJ090ew?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  399. </div>
  400. </div>
  401.  
  402. <div class="wpb_text_column wpb_content_element " >
  403. <div class="wpb_wrapper">
  404. <p>Long considered by Mel Torme, Carmen McRae and others as one of the trio&#8217;s most important numbers &#8211; although never available on LP &#8211; <i>Come To Baby, Do</i> spins a line out of <i>Embraceable You</i> into a chart that combines the catchiness of a riff number with the tenderness of a ballad. While also associated with Doris Day and Les Brown, the Nat King Cole piece uses an ingenious train-inference riff, replete with Ellington-Blanton style bass breaks, both behind the vocal and in the instrumental chorus, which was apparently suggested by the lyric’s devilishly clever use of repeated words (love-love, try-try…). Moore&#8217;s filigrees behind Nat King Cole in his last four bars of the vocal remain one of the highlights of their relationship.</p>
  405. <p>Perhaps <i>Come To Baby, Do</i> became so familiar because the train it depicted rode on the coat-tails of the hit on it’s flipside, <i>The Frim Fram Sauce</i>. <i>Come To Baby</i> was a hit on the race charts, while <i>Frim Fram</i> made it on the pop charts. Both numbers were filmed as soundies as well. There&#8217;s plenty of meat in both Nat King Cole and Moore&#8217;s solos, tactfully cramming lots of notes in small spaces where the vocal had been comparatively spare. Some older musicians contend that while the title made as much sense as <i>Shoo Fly Pie</i>, in fact there really was an “Ausen” bakery that served something called “chefafa” on the side. Nat King Cole biographer #2, Jim Haskins, reports that a food mass marketer approached Nat King Cole about selling the rights to the title, but the deal didn&#8217;t go through.</p>
  406. </div>
  407. </div>
  408.  
  409.  
  410.  
  411.  
  412. </div>
  413. </div>
  414. </div>
  415. </div></div><div id="fws_6605a546b98f0" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  416. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  417. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  418. <div class="wpb_wrapper">
  419. <div class="wpb_text_column wpb_content_element " >
  420. <div class="wpb_wrapper">
  421. <h2 style="text-align: center;">I’m In The Mood For Love<span class="Apple-converted-space"> </span></h2>
  422. </div>
  423. </div>
  424.  
  425.  
  426.  
  427.  
  428. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  429. <div class="wpb_wrapper">
  430. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Nat King Cole - &quot;I&#039;m In The Mood For Love&quot;" width="1080" height="608" src="https://www.youtube.com/embed/MxBCO5LOp54?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  431. </div>
  432. </div>
  433.  
  434. <div class="wpb_text_column wpb_content_element " >
  435. <div class="wpb_wrapper">
  436. <p>Although never issued on LP domestically, the issued take of <i>I’m In The Mood For Love</i> marks the tune&#8217;s most significant jazz presentation prior to its Moody/Pleasure/Jefferson incarnation some years later.</p>
  437. </div>
  438. </div>
  439.  
  440.  
  441.  
  442.  
  443. </div>
  444. </div>
  445. </div>
  446. </div></div><div id="fws_6605a546b9cff" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  447. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  448. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  449. <div class="wpb_wrapper">
  450. <div class="wpb_text_column wpb_content_element " >
  451. <div class="wpb_wrapper">
  452. <h2 style="text-align: center;">I Don’t Know Why (I Just Do)<span class="Apple-converted-space"> </span></h2>
  453. </div>
  454. </div>
  455.  
  456.  
  457.  
  458.  
  459. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  460. <div class="wpb_wrapper">
  461. <div class="wpb_video_wrapper"><iframe loading="lazy" title="I Don&#039;t Know Why (I Just Do)" width="1080" height="810" src="https://www.youtube.com/embed/MPg8TUOymTY?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  462. </div>
  463. </div>
  464.  
  465. <div class="wpb_text_column wpb_content_element " >
  466. <div class="wpb_wrapper">
  467. <p>Frank Sinatra had revived interest in the 1931 Turk &amp; Ahlert tune <i>I Don’t Know Why (I Just Do)</i> by recording it the previous July in a subdued Axel Stordahl arrangement very much in the Nat King Cole Trio style. Here Nat King Cole states the melody delicately in block chords with guitar punctuation, then sings it as if he were dancing at the same time. Realizing that there’s no limit of ways to dance with this great tune, Moore then plays it largely with single notes, giving the bridge of his solo to the piano. Nat King Cole returns vocally for the final eight. Both takes, the first (the alternate) and the second (the issued, wherein Moore pops a little more aggressively) follow the same pattern.</p>
  468. </div>
  469. </div>
  470.  
  471.  
  472.  
  473.  
  474. </div>
  475. </div>
  476. </div>
  477. </div></div><div id="fws_6605a546ba0d3" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  478. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  479. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  480. <div class="wpb_wrapper">
  481. <div class="wpb_text_column wpb_content_element " >
  482. <div class="wpb_wrapper">
  483. <h2 style="text-align: center;">Everyone Is Saying Hello Again</h2>
  484. </div>
  485. </div>
  486.  
  487.  
  488.  
  489.  
  490. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  491. <div class="wpb_wrapper">
  492. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Everyone Is Saying Hello Again" width="1080" height="810" src="https://www.youtube.com/embed/hMzRPiqgYI4?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  493. </div>
  494. </div>
  495.  
  496. <div class="wpb_text_column wpb_content_element " >
  497. <div class="wpb_wrapper">
  498. <p>Nat King Cole could handle the most minimal of tunes with his particular kind of voice, whereas Sinatra had a style that demanded a higher caliber of material. Case in point, I doubt that either Young or Ol’ Blue Eyes could have done much with <i>Everyone Is Saying Hello Again</i>, but it suits Nat King Cole just right, especially as he beefs it up with a guitar-piano-unison block chord interlude in the instrumental portion, Moore taking the bridge in solo. Where the first two tunes of this date, <i>I’m In The Mood For Love</i> and <i>I Don’t Know Why</i> seem designed for dancers only, the latter two key into different aspects of the immediate post-war mood.</p>
  499. <p><i>Everyone Is Saying Hello Again</i> has obvious relevance for 1946. Bobby Troup&#8217;s <i>Route 66</i> reflects post-war and post-depression optimism, the need to re-explore this country, find new places, build new homes. In one of Cole&#8217;s simplest arrangements, they balance Troup&#8217;s tune off an equally grabbing countermelody, insert guitar and piano solos in the center, and that&#8217;s it. Yet its driving simplicity helped make it a hit, charting at #11 in the pop stakes and in the rhythm and blues area where it reached #3 on the race charts.</p>
  500. </div>
  501. </div>
  502.  
  503.  
  504.  
  505.  
  506. </div>
  507. </div>
  508. </div>
  509. </div></div><div id="fws_6605a546ba481" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  510. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  511. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  512. <div class="wpb_wrapper">
  513. <div class="wpb_text_column wpb_content_element " >
  514. <div class="wpb_wrapper">
  515. <h2 style="text-align: center;">The Christmas Song</h2>
  516. </div>
  517. </div>
  518.  
  519.  
  520.  
  521.  
  522. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  523. <div class="wpb_wrapper">
  524. <div class="wpb_video_wrapper"><iframe loading="lazy" title="The Christmas Song (Merry Christmas To You)" width="1080" height="810" src="https://www.youtube.com/embed/g8UmqvOqB1A?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  525. </div>
  526. </div>
  527.  
  528. <div class="wpb_text_column wpb_content_element " >
  529. <div class="wpb_wrapper">
  530. <p>Each of the four Nat King Cole songs Capitol masters of <i>The Christmas Song</i> contains progressively more strings, from none (1), to some (2), to a lot (3), to even more (4). The first three are all part of the trio&#8217;s history and thus included here, although on the last, the 1961 stereo version for <i>The Nat King Cole Story</i>, Nat King Cole relinquishes his piano part to Paul Smith or Hank Jones. Here also, Collins takes over Moore&#8217;s original guitar part and <i>Jingle Bells</i> coda.</p>
  531. </div>
  532. </div>
  533.  
  534.  
  535.  
  536.  
  537. </div>
  538. </div>
  539. </div>
  540. </div></div><div id="fws_6605a546ba837" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  541. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  542. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  543. <div class="wpb_wrapper">
  544. <div class="wpb_text_column wpb_content_element " >
  545. <div class="wpb_wrapper">
  546. <h2 style="text-align: center;">(I Love You) For Sentimental Reasons</h2>
  547. </div>
  548. </div>
  549.  
  550.  
  551.  
  552.  
  553. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  554. <div class="wpb_wrapper">
  555. <div class="wpb_video_wrapper"><iframe loading="lazy" title="[I Love You] For Sentimental Reasons" width="1080" height="810" src="https://www.youtube.com/embed/uUnguqPxzNU?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  556. </div>
  557. </div>
  558.  
  559. <div class="wpb_text_column wpb_content_element " >
  560. <div class="wpb_wrapper">
  561. <p><i>(I Love You) For Sentimental Reasons</i>, the first of Nat King Cole&#8217;s ballads to hit so big, charting even before <i>The Christmas Song</i>, made it to number one for six weeks and remained on the charts for a total of 25. Thus, in tandem with <i>The Christmas Song</i>, Nat King Cole was truly double-whammying the pop charts that fall, due in part to the increased exposure on the <i>Kraft Music Hall</i> show and to Nat King Cole&#8217;s ever-sharpening skills as a balladeer.</p>
  562. <p>Although it&#8217;s a good tune, the bridge being reminiscent of Adamson and McHugh&#8217;s <i>A Lovely Way To Spend An Evening</i>, one would be hard pressed to say the quality of the song itself made it a hit; rather that Capitol and Nat King Cole had persisted with so many of these minimal, though tender ballads that almost by the law of averages, one was bound to catch on eventually.</p>
  563. </div>
  564. </div>
  565.  
  566.  
  567.  
  568.  
  569. </div>
  570. </div>
  571. </div>
  572. </div></div><div id="fws_6605a546babed" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  573. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  574. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  575. <div class="wpb_wrapper">
  576. <div class="wpb_text_column wpb_content_element " >
  577. <div class="wpb_wrapper">
  578. <h2 style="text-align: center;">There’s A Train Out For Dreamland</h2>
  579. </div>
  580. </div>
  581.  
  582.  
  583.  
  584.  
  585. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  586. <div class="wpb_wrapper">
  587. <div class="wpb_video_wrapper"><iframe loading="lazy" title="There&#039;s a Train out for Dreamland" width="1080" height="810" src="https://www.youtube.com/embed/lPSFSONWRBc?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  588. </div>
  589. </div>
  590.  
  591. <div class="wpb_text_column wpb_content_element " >
  592. <div class="wpb_wrapper">
  593. <p>Oddly, the surefire traditional material in the <i>Cole For Kids </i>package was all given low-budget trio-only treatment. They brought in Frank De Vol and his superlush ensemble solely on several untested new tunes by completely unknown songwriters. Carl Kress, composer of <i>There’s A Train Out For Dreamland</i> was a well known jazz guitarist and New York A&amp;R man for Capitol.</p>
  594. </div>
  595. </div>
  596.  
  597.  
  598.  
  599.  
  600. </div>
  601. </div>
  602. </div>
  603. </div></div><div id="fws_6605a546baf66" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  604. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  605. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  606. <div class="wpb_wrapper">
  607. <div class="wpb_text_column wpb_content_element " >
  608. <div class="wpb_wrapper">
  609. <h2 style="text-align: center;">(Go To Sleep) My Sleepy Head</h2>
  610. </div>
  611. </div>
  612.  
  613.  
  614.  
  615.  
  616. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  617. <div class="wpb_wrapper">
  618. <div class="wpb_video_wrapper"><iframe loading="lazy" title="[Go To Sleep] My Sleepy Head" width="1080" height="810" src="https://www.youtube.com/embed/A1H814wATVY?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  619. </div>
  620. </div>
  621.  
  622. <div class="wpb_text_column wpb_content_element " >
  623. <div class="wpb_wrapper">
  624. <p>While celeste (played by Buddy Cole) backs Nat King Cole in the intro and bridge to <i>Dreamland</i>, an even odder electronic device &#8211; the theramin &#8211; introduces Nat King Cole on the even dreamier <i>(Go To Sleep) My Sleepy Head</i>, singing and soloing in a wash of strings and surreal winds. The trio is more prominent here, like on past and future Nat King Cole Trio + orchestra outings, playing back and forth with the big string section as if one was Nat King Cole and the other was Moore. We end with a “goodnight” coda that places the piece firmly in a trio context. With the Nat King Cole Trio, as on <i>Ke Mo Ky Mo</i>, Cole works harder to make the magic happen. Surrounded by an orchestra he&#8217;s just another element as the things happen around him.</p>
  625. </div>
  626. </div>
  627.  
  628.  
  629.  
  630.  
  631. </div>
  632. </div>
  633. </div>
  634. </div></div><div id="fws_6605a546bb307" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  635. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  636. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  637. <div class="wpb_wrapper">
  638. <div class="wpb_text_column wpb_content_element " >
  639. <div class="wpb_wrapper">
  640. <h2 style="text-align: center;">Brahm’s Lullaby</h2>
  641. </div>
  642. </div>
  643.  
  644.  
  645.  
  646.  
  647. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  648. <div class="wpb_wrapper">
  649. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Brahams Lullaby" width="1080" height="810" src="https://www.youtube.com/embed/I36PQJTq6NY?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  650. </div>
  651. </div>
  652.  
  653. <div class="wpb_text_column wpb_content_element " >
  654. <div class="wpb_wrapper">
  655. <p>If there&#8217;s more trio in the mixture on <i>Sleepy Head</i>, there’s none on the unsuccessful <i>Brahm’s Lullaby</i> (first released on the 1990 CD release <i>Cole, Kids And Christmas</i> Capitol CDP 794685 2),<span class="Apple-converted-space"> </span>which is given entirely to flutes and celeste. In 1991, Frank De Vol barely remembers the first two titles (only that they were kids&#8217;s songs) and has completely forgotten the until-recently-unissued <i>Brahm’s Lullaby</i>. But he carries with him the most minute details of the next track, which was the first big hit he had been involved with and a major career boost.</p>
  656. </div>
  657. </div>
  658.  
  659.  
  660.  
  661.  
  662. </div>
  663. </div>
  664. </div>
  665. </div></div><div id="fws_6605a546bb672" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  666. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  667. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  668. <div class="wpb_wrapper">
  669. <div class="wpb_text_column wpb_content_element " >
  670. <div class="wpb_wrapper">
  671. <h2 style="text-align: center;">Nature Boy</h2>
  672. </div>
  673. </div>
  674.  
  675.  
  676.  
  677.  
  678. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  679. <div class="wpb_wrapper">
  680. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Nature Boy" width="1080" height="810" src="https://www.youtube.com/embed/ZpF1J9FnD4E?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  681. </div>
  682. </div>
  683.  
  684. <div class="wpb_text_column wpb_content_element " >
  685. <div class="wpb_wrapper">
  686. <p>In 1944 Somerset Maugham had published his smash bestselling novel <i>The Razor’s Edge</i>, which was made into a film about the time of <i>Nature Boy</i> and introduced the cliche of spiritual searching to American audiences.</p>
  687. <p>Nat King Cole liked the number enough to record it, apparently getting the idea himself of waiting for Capitol to give him a second string session to slip it into. When Nat King Cole played <i>Nature Boy</i> for him, De Vol decided to use flutes again, not only to suggest birds and nature but the exotic Eastern philosophies described in the lyric.</p>
  688. <p>&#8220;Finally,&#8221; Nat King Cole told Leonard Feather, Capitol “let me try a session using Frank De Vol, and that was how we made <i>Nature Boy</i>.” “Nat was playing at a club upstairs over a restaurant (probably the Bocage),” DeVol remembers, “(Jim Conkling) and I went up there and set the key. Because in those days, the artist didn&#8217;t have anything to do with the arrangement. You just set the key with them, and then you brought the arrangement in. So when we brought it in, it was a waltz, and we played it down, and Nat said&#8230; I&#8217;m sure it was Nat, because I don&#8217;t think that Jim would have made this move on his own. Nat said, “Why don&#8217;t we do this out of tempo?&#8217; So what we did, then, was I did the introduction, and then, instead of going into tempo, we did it rubato.</p>
  689. <p>“But it was very interesting, and it didn&#8217;t go into tempo until Buddy Cole&#8217;s piano solo. Nat did not play that. It was a very simple, one-finger thing, I think. And that is where we went into tempo, the rhythm. Then he sang it out rubato again. I think that the combination of doing it rubato plus with the lyrics was what made it a hit. I don&#8217;t think it would have been a hit as a waltz.</p>
  690. <p>&#8220;And in sorting through some music recently, I went through clippings and so forth, I ran across some of the reviews of the record, and I couldn&#8217;t believe the kind of reviews they were. They were so wonderful from the stand-point that the critics analyzed the lyric and the melody and the arrangement in such a way that they felt it was a standard immediately. But it had religious overtones — (though) not of – any particular religion. But it was such a wonderful lyric that I don&#8217;t think the melody would have meant anything without the lyric.”</p>
  691. </div>
  692. </div>
  693.  
  694.  
  695.  
  696.  
  697. </div>
  698. </div>
  699. </div>
  700. </div></div><div id="fws_6605a546bba6a" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  701. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  702. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  703. <div class="wpb_wrapper">
  704. <div class="wpb_text_column wpb_content_element " >
  705. <div class="wpb_wrapper">
  706. <h2 style="text-align: center;">Wildroot Charlie</h2>
  707. </div>
  708. </div>
  709.  
  710.  
  711.  
  712.  
  713. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  714. <div class="wpb_wrapper">
  715. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Wildroot Charlie" width="1080" height="810" src="https://www.youtube.com/embed/_R4n9m5CyeU?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  716. </div>
  717. </div>
  718.  
  719. <div class="wpb_text_column wpb_content_element " >
  720. <div class="wpb_wrapper">
  721. <p>Nat King Cole composed this jingle for the <i>Wildroot</i> series and dutifully sang it every week. He fleshed it out with an introduction and additional solos by himself and Moore, so where he usually did it in less than a minute &#8211; even with the unison exclamation of &#8220;hi ya baldy!&#8221; &#8211; here it takes up two and a half.</p>
  722. <p>Stan Kenton&#8217;s year-long retirement at the end of 1948 not only freed up Jack Costanzo but also provided Nat King Cole with his first regular arranger in Pete Rugolo. “When we came back into town one day,” Rugolo remembered recently “Carlos said, ‘Nat would like you to make some records with him, and, I said, ‘Gee, I&#8217;d love to.’ Like Stan, Nat was another wonderful man to work for, he was just so nice. I&#8217;d go to his house and he&#8217;d give me some tunes. We&#8217;d talk about them and and I’d take them home and write them, whatever I thought they should be. I don&#8217;t know if I came up with anything special, but I just wrote what I thought would be good for the song. Of course, I just admired Nat so much.”</p>
  723. </div>
  724. </div>
  725.  
  726.  
  727.  
  728.  
  729. </div>
  730. </div>
  731. </div>
  732. </div></div><div id="fws_6605a546bbde4" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  733. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  734. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  735. <div class="wpb_wrapper">
  736. <div class="wpb_text_column wpb_content_element " >
  737. <div class="wpb_wrapper">
  738. <h2 style="text-align: center;">Land Of Love</h2>
  739. </div>
  740. </div>
  741.  
  742.  
  743.  
  744.  
  745. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  746. <div class="wpb_wrapper">
  747. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Land Of Love (Come My Love And Live With Me)" width="1080" height="810" src="https://www.youtube.com/embed/BzniLpAFDAo?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  748. </div>
  749. </div>
  750.  
  751. <div class="wpb_text_column wpb_content_element " >
  752. <div class="wpb_wrapper">
  753. <p>Throughout Nat King Cole&#8217;s career, triumphs continually arose out of the shadows of lost dogs. Capitol clearly expected <i>Land Of Love</i>, Eden Ahbez&#8217;s sequel to <i>Nature Boy</i> to do boffo biz, yet it was a throwaway tune done on the same date as Lush Life which became an instant classic. Though not a first-class tune, <i>Land Of Love</i> benefits from an exceptionally resplendent orchestration by Pete Rugolo, effectively using an angular string background and exotic woodwinds, oboes and bongos in place of brass and reeds, as well as terrific singing and a brief-piano solo by Nat King Cole.</p>
  754. </div>
  755. </div>
  756.  
  757.  
  758.  
  759.  
  760. </div>
  761. </div>
  762. </div>
  763. </div></div><div id="fws_6605a546bc171" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  764. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  765. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  766. <div class="wpb_wrapper">
  767. <div class="wpb_text_column wpb_content_element " >
  768. <div class="wpb_wrapper">
  769. <h2 style="text-align: center;">Lush Life</h2>
  770. </div>
  771. </div>
  772.  
  773.  
  774.  
  775.  
  776. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  777. <div class="wpb_wrapper">
  778. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Lush Life" width="1080" height="810" src="https://www.youtube.com/embed/oTSVj7PRgU8?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  779. </div>
  780. </div>
  781.  
  782. <div class="wpb_text_column wpb_content_element " >
  783. <div class="wpb_wrapper">
  784. <p><i>Lush Life</i> had been kept under wraps for a decade and unheard by anybody before its 1948 Carnegie Hall debut by Ellington. Said Rugolo: “One day Nat handed <i>Lush Life</i> to me, and said “See what you can do with this. I&#8217;d never heard it before, but I liked it, and I created an orchestration)&#8230;I just studied the words and thought I&#8217;d make a little tone poem out of it, I tried to catch all the lyrics in there. The verse wasn’t written that way, it just went on bar by bar, and I added bars, like on “jazz and cocktails,” where I added a few extra bars in between. It turned out really great.&#8221;</p>
  785. <p>Those familiar with either the earlier document of <i>Lush Life</i>, the Carnegie &#8217;48 duo by Strayhorn and semi-classical contralto Kay Davis, or any of the later versions, will find Pete Rugolo&#8217;s orchestral treatment for Nat King Cole a revelation. Full of Latin percussion, it balances strings and pizzicato harps with bongo&#8217;d counter-rhythms, underscoring Nat King Cole&#8217;s narrative as if it were the background for a Shakespeare soliloquy. The contrast of light (flute, solo piano) and heavy (brass section) accompaniment points to, and at the same time surpasses, the entire jazz-and-poetry movement of the &#8217;50s, even Charles Mingus&#8217; <i>Scenes In The City</i> and the Jack Kerouac Zoot &amp; Al sessions. Nat King Cole finds more music in the song than any of its other interpreters; his is the most luscious of all lush lives. (portions of this paragraph excerpted from Jazz Singing (1990, MacMillan), used with permission).</p>
  786. <p>Rugolo continues, “Even after we recorded it, I had no idea what would happen because Capitol didn&#8217;t know what to do with it, it was so unusual. At least six months to a year later, they put it out as the B side of a terrible commercial thing, <i>Lillian</i>. However, the jockeys started playing it and it caught on. When I went to MGM Pictures in the &#8217;50s, I found out that all the movie stars loved it, especially Ava Gardner. Lana Turner said it was her favorite song. She told me, ‘God, I love that <i>Lush Life</i>. Word about it just went around.&#8217;</p>
  787. </div>
  788. </div>
  789.  
  790.  
  791.  
  792.  
  793. </div>
  794. </div>
  795. </div>
  796. </div></div><div id="fws_6605a546bc552" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  797. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  798. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  799. <div class="wpb_wrapper">
  800. <div class="wpb_text_column wpb_content_element " >
  801. <div class="wpb_wrapper">
  802. <h2 style="text-align: center;">Lillian</h2>
  803. </div>
  804. </div>
  805.  
  806.  
  807.  
  808.  
  809. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  810. <div class="wpb_wrapper">
  811. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Lillian" width="1080" height="810" src="https://www.youtube.com/embed/7YKwilp1MXU?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  812. </div>
  813. </div>
  814.  
  815. <div class="wpb_text_column wpb_content_element " >
  816. <div class="wpb_wrapper">
  817. <p>About the only two people who didn&#8217;t care for the Nat King Cole- Rugolo <i>Lush Life</i>, apparently, were Strayhorn and Ellington, who still thought the song should only be done with a very small group, as most subsequent versions were &#8211; most notably the more famous Chris Connor, John Coltrane and Coltrane- Johnny Hartman versions. As a team, Rugolo and Nat King Cole’s musical standards were so high that even <i>Lillian</i>, a number he dismissed as “a terrible, commercial thing” has a lot to offer musically. That is, apart from its rarity status as the only worthwhile tune by George Wiedler, who not only played Otto Hardwicke to Art Pepper&#8217;s Johnny Hodges in the Kenton Orchestra (in <i>Elegy For Alto</i>), but, while playing with Les Brown, became Doris Day&#8217;s second husband. The first of a series of Cole Trio numbers with vocal group backing only (sans strings or orchestra), <i>Lillian</i> employs the Alyce King Vokettes &#8211; an adhoc, studio-only unit contracted by Alyce King, one of Capitol&#8217;s popular King Sisters and arranged by Rugolo. The number is easy and breezy, and Rugolo actually gets a King Sister to “ow! ow! ee!&#8221; bop vocal style after the manner of another Capitol-Rugolo signee, the Dave Lambert singers.</p>
  818. </div>
  819. </div>
  820.  
  821.  
  822.  
  823.  
  824. </div>
  825. </div>
  826. </div>
  827. </div></div><div id="fws_6605a546bc919" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  828. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  829. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  830. <div class="wpb_wrapper">
  831. <div class="wpb_text_column wpb_content_element " >
  832. <div class="wpb_wrapper">
  833. <h2 style="text-align: center;">&#8216;Tis Autumn</h2>
  834. </div>
  835. </div>
  836.  
  837.  
  838.  
  839.  
  840. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  841. <div class="wpb_wrapper">
  842. <div class="wpb_video_wrapper"><iframe loading="lazy" title="&#039;Tis Autumn" width="1080" height="810" src="https://www.youtube.com/embed/hph8xZTq2ZY?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  843. </div>
  844. </div>
  845.  
  846. <div class="wpb_text_column wpb_content_element " >
  847. <div class="wpb_wrapper">
  848. <p>One of many transitional Nat King Cole songs that shifts from a variety of additives, we go from trio with orchestra and strings to trio with vocal group, to just plain trio and then to trio with bongos. The only “straight trio” number from the date, ’<i>Tis Autumn</i> takes the 1941 number away from its earlier associations with Les Brown and Woody Herman and completely claims it for the Nat King Cole kingdom. The first of those classic Nat King Cole intros we&#8217;ve heard in a while, the single-noted distraction that opens the piece is also one of Nat King Cole&#8217;s best, while the group’s treatment is characteristically delicate, and his short solo seems a direct extension of the intro. Nat King Cole could hardly go wrong with this “warm and willing” tune that has its scat-and-hum sequence written right into the libretto.</p>
  849. </div>
  850. </div>
  851.  
  852.  
  853.  
  854.  
  855. </div>
  856. </div>
  857. </div>
  858. </div></div><div id="fws_6605a546bccbc" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  859. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  860. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  861. <div class="wpb_wrapper">
  862. <div class="wpb_text_column wpb_content_element " >
  863. <div class="wpb_wrapper">
  864. <h2 style="text-align: center;">Yes Sir, That’s My Baby and I Used To Love You</h2>
  865. </div>
  866. </div>
  867.  
  868.  
  869.  
  870.  
  871. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  872. <div class="wpb_wrapper">
  873. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Yes Sir, That&#039;s My Baby" width="1080" height="810" src="https://www.youtube.com/embed/jd1AXpGp5WY?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  874. </div>
  875. </div>
  876.  
  877. <div class="wpb_text_column wpb_content_element " >
  878. <div class="wpb_wrapper">
  879. <p>The first two standards done with Costanzo, the roaring twenties numbers <i>Yes Sir, That’s My Baby</i> and <i>I Used To Love You</i> reveal that any disruption or dissension in the ranks was purely extra-musical. The unit here plays together tighter than ever. And especially with Nat King Cole&#8217;s vocal chops improving literally at each new session, the 1949 trio is every bit as frightening as before. <i>Yes Sir</i> opens with a wave of chords washing over bongos like the surf on the shore, and is highlighted by a brief exchange between Nat King Cole and Ashby, and an especially groovy retard in the final eight of the out-chorus, the line winding down and up again like an oval carousel. Both this and <i>I Used To Love You</i> illustrate how Costanzo has re-animated the trio components, from Nat King Cole&#8217;s vocal to his and Ashby&#8217;s solos (a full chorus of each on the second) and those ever-clever intros.</p>
  880. <p>By this point there was absolutely no commercial requirement to include the trio sound in any of Nat King Cole&#8217;s recordings, but creative writers like Rugolo, Shorty Rogers, and Neal Hefti were stimulated by the challenge of incorporating the trio into a larger context. As great arrangers, they also wanted to tip their hat to Nat King Cole, who was still regarded as one of the greatest small group sound inventors of them all.</p>
  881. </div>
  882. </div>
  883.  
  884.  
  885.  
  886.  
  887. </div>
  888. </div>
  889. </div>
  890. </div></div><div id="fws_6605a546bd072" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  891. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  892. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  893. <div class="wpb_wrapper">
  894. <div class="wpb_text_column wpb_content_element " >
  895. <div class="wpb_wrapper">
  896. <h2 style="text-align: center;">Orange Colored Sky</h2>
  897. </div>
  898. </div>
  899.  
  900.  
  901.  
  902.  
  903. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  904. <div class="wpb_wrapper">
  905. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Orange Colored Sky" width="1080" height="810" src="https://www.youtube.com/embed/c3e-3kvhSTU?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  906. </div>
  907. </div>
  908.  
  909. <div class="wpb_text_column wpb_content_element " >
  910. <div class="wpb_wrapper">
  911. <p>In <i>Orange Colored Sky</i>, Pete Rugolo combines the trademarks of his two major employers, Stan Kenton and Nat King Cole, and finally brings to commercial fruition their decade of rising to the top together.</p>
  912. <p>Opening with a trio sound &#8211; first the three instruments on an ace trio intro, then Nat King Cole&#8217;s voice &#8211; then the whole cacophonous Kenton brash brass section comes crashing in to help underscore not even the payoff line but the line before the payoff line. Rugolo even uses the Kenton band-as-choir technique he had brought to the band in hits like <i>And Her Tears Flowed Like Wine</i> and <i>Tampico</i>, and the technique of alternating between the very specific dynamics of crashing Kenton and cool Cole works even better instrumentally in the second chorus.</p>
  913. <p>Those waiting for a Kenton-Nat King Cole collaboration, and one of the all-time great pop records, can finally say, “This is it! This is it! This is it! I-T it!”</p>
  914. <p>Where <i>Orange Colored Sky</i> combines the Nat King Cole Trio and the SKO by using their most characteristic devices, Shorty Rogers&#8217; <i>Jam-Bo</i> comes off like a marriage where both parties act completely differently in the presence of the other. Except for an occasional soaring sock in the high trumpets, Kenton doesn&#8217;t quite sound like Kenton. More than any of his other works for that orchestra, this resembles Rogers&#8217; own classic later big band sessions for RCA of half a decade later. And what&#8217;s more, Nat King Cole doesn&#8217;t sound at all like Nat King Cole, but is playing a jazzy solo with a distinctly Latin piano texture.</p>
  915. </div>
  916. </div>
  917.  
  918.  
  919.  
  920.  
  921. </div>
  922. </div>
  923. </div>
  924. </div></div>
  925. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 80%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  926. </div>
  927. </div>
  928. </div>
  929. </div></div>
  930. <div id="fws_6605a546bd954"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  931. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  932. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  933. <div class="wpb_wrapper">
  934. <div class="wpb_text_column wpb_content_element " >
  935. <div class="wpb_wrapper">
  936. <h2 style="text-align: center;"><strong>Frank Sinatra</strong></h2>
  937. </div>
  938. </div>
  939.  
  940.  
  941.  
  942. <div class="img-with-aniamtion-wrap " data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  943.      <div class="inner">
  944.        <div class="hover-wrap" data-hover-animation="none">
  945.          <div class="hover-wrap-inner">
  946.            <a href="https://www.mosaicrecords.com/frank-sinatra-songs/" target="_self" class="">
  947.              <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="339" width="350" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/10/Frank_Sinatra_1957_studio_portrait_close-up-copy-e1633360867341.jpg" alt="" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/10/Frank_Sinatra_1957_studio_portrait_close-up-copy-e1633360867341.jpg 350w, https://www.mosaicrecords.com/wp-content/uploads/2021/10/Frank_Sinatra_1957_studio_portrait_close-up-copy-e1633360867341-300x291.jpg 300w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
  948.            </a>
  949.          </div>
  950.        </div>
  951.      </div>
  952.      </div>
  953. </div>
  954. </div>
  955. </div>
  956.  
  957. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  958. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  959. <div class="wpb_wrapper">
  960. <div class="wpb_text_column wpb_content_element " >
  961. <div class="wpb_wrapper">
  962. <h2 style="text-align: center;"><strong>Satchmo</strong></h2>
  963. </div>
  964. </div>
  965.  
  966.  
  967.  
  968. <div class="img-with-aniamtion-wrap " data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  969.      <div class="inner">
  970.        <div class="hover-wrap" data-hover-animation="none">
  971.          <div class="hover-wrap-inner">
  972.            <a href="https://www.mosaicrecords.com/best-jazz-recordings-louis-armstrong/" target="_self" class="">
  973.              <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="500" width="500" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/04/Louis-Armstrong-e1696781828198.jpg" alt=""  />
  974.            </a>
  975.          </div>
  976.        </div>
  977.      </div>
  978.      </div>
  979. </div>
  980. </div>
  981. </div>
  982.  
  983. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  984. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  985. <div class="wpb_wrapper">
  986. <div class="wpb_text_column wpb_content_element " >
  987. <div class="wpb_wrapper">
  988. <h2 style="text-align: center;"><strong>Best Jazz Songs</strong></h2>
  989. </div>
  990. </div>
  991.  
  992.  
  993.  
  994. <div class="img-with-aniamtion-wrap " data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  995.      <div class="inner">
  996.        <div class="hover-wrap" data-hover-animation="none">
  997.          <div class="hover-wrap-inner">
  998.            <a href="https://www.mosaicrecords.com/jazz-songs/%20" target="_self" class="">
  999.              <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="300" width="300" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/10/square-album-image.png" alt="" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/10/square-album-image.png 300w, https://www.mosaicrecords.com/wp-content/uploads/2021/10/square-album-image-150x150.png 150w, https://www.mosaicrecords.com/wp-content/uploads/2021/10/square-album-image-100x100.png 100w, https://www.mosaicrecords.com/wp-content/uploads/2021/10/square-album-image-140x140.png 140w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
  1000.            </a>
  1001.          </div>
  1002.        </div>
  1003.      </div>
  1004.      </div>
  1005. </div>
  1006. </div>
  1007. </div>
  1008. </div></div>
  1009. <div id="fws_6605a546be31e"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  1010. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  1011. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  1012. <div class="wpb_wrapper">
  1013. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 80%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1014. </div>
  1015. </div>
  1016. </div>
  1017. </div></div>
  1018. <p>The post <a href="https://www.mosaicrecords.com/nat-king-cole-songs/">Nat King Cole Songs</a> appeared first on <a href="https://www.mosaicrecords.com">Mosaic Records - Home for Jazz fans!</a>.</p>
  1019. ]]></content:encoded>
  1020. </item>
  1021. <item>
  1022. <title>25 Jazz Songs</title>
  1023. <link>https://www.mosaicrecords.com/jazz-songs/</link>
  1024. <dc:creator><![CDATA[Mosaic Records]]></dc:creator>
  1025. <pubDate>Sat, 30 Oct 2021 22:38:00 +0000</pubDate>
  1026. <category><![CDATA[Best Jazz Albums: Early/Trad Jazz]]></category>
  1027. <category><![CDATA[Best jazz posts]]></category>
  1028. <category><![CDATA[Big Band]]></category>
  1029. <category><![CDATA[Bunny Berigan]]></category>
  1030. <category><![CDATA[Coleman Hawkins]]></category>
  1031. <category><![CDATA[Duke Ellington]]></category>
  1032. <category><![CDATA[Earl Hines]]></category>
  1033. <category><![CDATA[Featured Jazz Album]]></category>
  1034. <category><![CDATA[James P Johnson]]></category>
  1035. <category><![CDATA[Lester Young]]></category>
  1036. <category><![CDATA[Lionel Hampton]]></category>
  1037. <category><![CDATA[Louis Armstrong]]></category>
  1038. <guid isPermaLink="false">https://www.mosaicrecords.com/?p=13612</guid>
  1039.  
  1040. <description><![CDATA[<p>"For the first time in my life, I have the whole album from beginning to end" - John Coltrane</p>
  1041. <p>The post <a href="https://www.mosaicrecords.com/jazz-songs/">25 Jazz Songs</a> appeared first on <a href="https://www.mosaicrecords.com">Mosaic Records - Home for Jazz fans!</a>.</p>
  1042. ]]></description>
  1043. <content:encoded><![CDATA[
  1044. <div id="fws_6605a546c0b47"  data-column-margin="90px" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row  vc_row-o-equal-height vc_row-flex  vc_row-o-content-middle standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  1045. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col padding-2-percent inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="top-bottom" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  1046. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  1047. <div class="wpb_wrapper">
  1048. <div class="img-with-aniamtion-wrap center" data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  1049.      <div class="inner">
  1050.        <div class="hover-wrap" data-hover-animation="none">
  1051.          <div class="hover-wrap-inner">
  1052.            <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="525" width="700" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/10/12-album-plain-grid-2-2.png" alt="" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/10/12-album-plain-grid-2-2.png 700w, https://www.mosaicrecords.com/wp-content/uploads/2021/10/12-album-plain-grid-2-2-300x225.png 300w, https://www.mosaicrecords.com/wp-content/uploads/2021/10/12-album-plain-grid-2-2-600x450.png 600w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
  1053.          </div>
  1054.        </div>
  1055.      </div>
  1056.    </div>
  1057. <div class="wpb_text_column wpb_content_element " >
  1058. <div class="wpb_wrapper">
  1059. <h1 style="text-align: center;">25 Great Jazz Songs<br />
  1060. 100 Year History of Jazz</h1>
  1061. <p><strong>By Scott Yanow</strong><br />
  1062. The evolution of jazz from the time of its first recordings in 1917 up until the end of the 1970s was a rapid race towards freedom with a new approach being developed every 5-10 years. During that period such new styles were born as Dixieland (an outgrowth of early New Orleans jazz), classic jazz of the 1920s, swing, bebop, cool West Coast jazz, hard bop, soul jazz, bossa novas, avant-garde or free jazz, and fusion just to name ten. And within each style were innovative individualists who formed their own musical world that was, in Duke Ellington’s phrase, “beyond category.” <span class="Apple-converted-space"> </span></p>
  1063. <p>One aspect that all of these styles had in common was that new jazz songs were utilized that helped spread the joy of the music. Many of the jazz standards were drawn from the compositions of the prolific songwriters who helped form the “Great American Songbook” such as George Gershwin, Cole Porter, Irving Berlin and a dozen others, but quite a few were written by the jazz artists themselves.</p>
  1064. <p>This article looks at 25 popular jazz songs that received superb recordings during a 50-year period. One can trace the history of jazz through these performances which cover most of the main jazz styles and feature many of its innovators. <span class="Apple-converted-space"> </span></p>
  1065. </div>
  1066. </div>
  1067.  
  1068.  
  1069.  
  1070.  
  1071. </div>
  1072. </div>
  1073. </div>
  1074. </div></div>
  1075. <div id="fws_6605a546c1062"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  1076. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  1077. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  1078. <div class="wpb_wrapper">
  1079. <div class="wpb_text_column wpb_content_element " >
  1080. <div class="wpb_wrapper">
  1081. <h2 style="text-align: center;">Bix Beiderbecke<br />
  1082. Singin&#8217; The Blues (1927)</h2>
  1083. </div>
  1084. </div>
  1085.  
  1086.  
  1087.  
  1088.  
  1089. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1090. <div class="wpb_wrapper">
  1091. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Singin&#039; The Blues" width="1080" height="810" src="https://www.youtube.com/embed/r9GxhyxV8DI?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1092. </div>
  1093. </div>
  1094.  
  1095. <div class="wpb_text_column wpb_content_element " >
  1096. <div class="wpb_wrapper">
  1097. <p><span style="color: #0000ff;"><a style="color: #0000ff;" href="https://www.mosaicrecords.com/the-great-jazz-artists/bix-beiderbecke/"><span style="text-decoration: underline;">Bix Beiderbecke</span></a></span>, whose cornet playing in the 1920s was the epitome of cool, had a brief life and only appeared on records for six years. One of jazz’s first cult heroes, every recording of Bix is treasured by his more ardent fans for his playing even if the setting was unfavorable and his contribution to that particular recording was minimal.</p>
  1098. <p>“Singin’ The Blues” is universally considered Beiderbecke’s greatest recording, and it was one of the first jazz ballads (although taken at a medium-tempo pace). Composed by J. Russell Robinson, the song first appeared briefly on a 1920 record by the Original Dixieland Jazz Band for a chorus in the middle of a version of “Margie.” Otherwise it was largely unknown when it was recorded by a group led by C-melody saxophonist Frank Trumbauer on Feb. 4, 1927. Trumbauer plays his variations of the theme on his soon-to-be nearly extinct C-melody before Beiderbecke improvises a perfect chorus, one filled with drama and subtle surprises. Guitarist Eddie Lang is prominent in the ensemble and plays a break that leads to Beiderbecke’s closing musical comment which is a trademark phrase that has been quoted by classic jazz musicians a countless number of times since then.</p>
  1099. </div>
  1100. </div>
  1101.  
  1102.  
  1103.  
  1104. <div id="fws_6605a546c1763" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  1105. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  1106. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  1107. <div class="wpb_wrapper">
  1108. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1109. </div>
  1110. </div>
  1111. </div>
  1112. </div></div>
  1113. <div class="wpb_text_column wpb_content_element " >
  1114. <div class="wpb_wrapper">
  1115. <h2 style="text-align: center;">Louis Armstrong<br />
  1116. West End Blues (1928)</h2>
  1117. </div>
  1118. </div>
  1119.  
  1120.  
  1121.  
  1122.  
  1123. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1124. <div class="wpb_wrapper">
  1125. <div class="wpb_video_wrapper"><iframe loading="lazy" title="West End Blues" width="1080" height="810" src="https://www.youtube.com/embed/BTxhgmk_ofk?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1126. </div>
  1127. </div>
  1128.  
  1129. <div class="wpb_text_column wpb_content_element " >
  1130. <div class="wpb_wrapper">
  1131. <p><span class="Apple-converted-space">  </span>“West End Blues” was composed by cornetist Joe “King” Oliver who made its debut recording on June 11, 1928 with his Dixie Syncopators.<span class="Apple-converted-space">  </span>The always hustling and enterprising pianist-composer Clarence Williams added lyrics to the song and recorded it several times during the era including with Ethel Waters. But in reality, there is only one classic version.</p>
  1132. <p>On June 28, 1928, <span style="text-decoration: underline; color: #0000ff;"><a style="color: #0000ff; text-decoration: underline;" href="https://www.mosaicrecords.com/the-great-jazz-artists/louis-armstrong/">Louis Armstrong</a></span> and his Savoy Ballroom Five recorded what Armstrong always regarded as his favorite personal recording. Starting with a magnificent out-of-time cadenza and continuing with a wordless vocal and a superb trumpet solo, Armstrong makes a statement for the ages.<span class="Apple-converted-space">           </span></p>
  1133. <p>While <span style="text-decoration: underline; color: #0000ff;"><a style="color: #0000ff; text-decoration: underline;" href="https://www.mosaicrecords.com/the-great-jazz-artists/earl-hines/">Earl Hines</a></span> also contributes some memorable piano and the band plays well on the slow blues, this is very much a showcase for Louis Armstrong. His playing and singing are both way ahead of their time and timeless. His recording became so famous that, during a live performance by Charlie Parker more than 20 years later, Bird quoted Satch’s complete cadenza during his solo on an unrelated song.<span class="Apple-converted-space"> </span></p>
  1134. </div>
  1135. </div>
  1136.  
  1137.  
  1138.  
  1139.  
  1140. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1141. <div class="wpb_text_column wpb_content_element " >
  1142. <div class="wpb_wrapper">
  1143. <h2 style="text-align: center;">Duke Ellington<br />
  1144. It Don&#8217;t Mean A Thing (1932)</h2>
  1145. </div>
  1146. </div>
  1147.  
  1148.  
  1149.  
  1150.  
  1151. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1152. <div class="wpb_wrapper">
  1153. <div class="wpb_video_wrapper"><iframe loading="lazy" title="It Don&#039;t Mean a Thing (If It Ain&#039;t Got That Swing)" width="1080" height="810" src="https://www.youtube.com/embed/C2dFdNs_Zwk?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1154. </div>
  1155. </div>
  1156.  
  1157. <div class="wpb_text_column wpb_content_element " >
  1158. <div class="wpb_wrapper">
  1159. <p>It was not the first song to have “swing” in its title (Jelly Roll Morton’s “Georgia Swing” dates from 1928), but <span style="text-decoration: underline;"><span style="color: #0000ff; text-decoration: underline;"><a style="color: #0000ff; text-decoration: underline;" href="https://www.mosaicrecords.com/the-great-jazz-artists/duke-ellington/">Duke Ellington</a></span></span>’s “It Don’t Mean A Thing (If It Ain’t Got That Swing)” can be seen as predicting the swing era three years ahead of time.</p>
  1160. <p>Composed in 1931 by Ellington with some basic lyrics by Irving Mills, it was first recorded on Feb. 2, 1932. The versatile vocalist Ivie Anderson, in her recording debut, sings and scats joyfully and there are superior solos by trombonist Tricky Sam Nanton (the master of the plunger mute) and altoist Johnny Hodges.</p>
  1161. <p>The song was a hit as soon as it was released with at least six other bands recording it before 1932 ended. Duke Ellington kept it in his repertoire, later recorded it with Ella Fitzgerald, and used it as part of his hits medley for decades.</p>
  1162. </div>
  1163. </div>
  1164.  
  1165.  
  1166.  
  1167.  
  1168. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1169. <div class="wpb_text_column wpb_content_element " >
  1170. <div class="wpb_wrapper">
  1171. <h2 style="text-align: center;">Count Basie with Lester Young<br />
  1172. Oh, Lady Be Good (1936)</h2>
  1173. </div>
  1174. </div>
  1175.  
  1176.  
  1177.  
  1178.  
  1179. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1180. <div class="wpb_wrapper">
  1181. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Oh, Lady Be Good! (78rpm Version)" width="1080" height="810" src="https://www.youtube.com/embed/w1vmct8H5SA?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1182. </div>
  1183. </div>
  1184.  
  1185. <div class="wpb_text_column wpb_content_element " >
  1186. <div class="wpb_wrapper">
  1187. <p><span class="Apple-converted-space"> </span>“Oh, Lady Be Good” (also more commonly known as “Lady Be Good”) was written by George Gershwin in 1924 for the play “Lady Be Good.” Due to its memorable melody and its swinging chord changes, it became a jazz standard within a year with its popularity increasingly steadily throughout the 1930s. Ella Fitzgerald had a hit with her scat-filled version in 1947 and Charlie Parker took a perfectly-conceived solo at a 1946 Jazz At The Philharmonic concert that Eddie Jefferson would turn into vocalese a few years later.</p>
  1188. <p>“Lady Be Good” was also recorded on Nov. 9, 1936 by a quintet taken from the Count Basie Orchestra (billed as “Jones-Smith Incorporated”) that was comprised of tenor-saxophonist <span style="text-decoration: underline; color: #0000ff;"><a style="color: #0000ff; text-decoration: underline;" href="https://www.mosaicrecords.com/the-great-jazz-artists/lester-young/">Lester Young</a></span>, trumpeter Carl “Tatti” Smith, bassist Walter Page, and drummer Jo Jones in addition to Basie on piano. It was the recording debut for Young and, out of the four songs recorded that day, his two choruses on “Lady Be Good” were the highpoint. His solo was flawless, filled with exciting ideas, and swung up a storm. Altoist Lee Konitz was one of many later jazz artists who delighted in recreating it note-for-note.</p>
  1189. <p>Young’s solo is so perfect that it sounded like it must have been worked out in advance. But a few years ago, for the first time, the alternate take of “Lady Be Good” from the session was released on the <span style="text-decoration: underline;"><span style="color: #0000ff; text-decoration: underline;">Mosaic box set Classic 1937-1947 Count Basie &amp; Lester Young Studio Sessions</span></span>. The alternate Young solo, while rewarding, is almost completely different, meaning that Lester Young actually did create his remarkable improvisation on the spot.<span class="Apple-converted-space"> </span></p>
  1190. </div>
  1191. </div>
  1192.  
  1193.  
  1194.  
  1195.  
  1196. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1197. <div class="wpb_text_column wpb_content_element " >
  1198. <div class="wpb_wrapper">
  1199. <h2 style="text-align: center;">Benny Goodman<br />
  1200. Sing, Sing, Sing (1938)</h2>
  1201. </div>
  1202. </div>
  1203.  
  1204.  
  1205.  
  1206.  
  1207. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1208. <div class="wpb_wrapper">
  1209. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Benny Goodman and His Orchestra - Sing, Sing, Sing (Audio)" width="1080" height="608" src="https://www.youtube.com/embed/u_E0UVNtJ9Y?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1210. </div>
  1211. </div>
  1212.  
  1213. <div class="wpb_text_column wpb_content_element " >
  1214. <div class="wpb_wrapper">
  1215. <p><span class="Apple-converted-space"> </span>“Sing, Sing, Sing,” which was composed by Louis Prima, was originally a happy vocal number about the joy of singing and swinging. Prima first recorded it on Feb. 28, 1936 and the earliest version of Benny Goodman performing the song (from a radio broadcast a month later) had Helen Ward taking the vocal. Other bands (including <span style="text-decoration: underline;"><span style="color: #0000ff; text-decoration: underline;">Bunny Berigan</span></span>, Fletcher Henderson, and Jimmy Dorsey) made recordings, all with singing.</p>
  1216. <p>In the summer of 1937, Jimmy Mundy wrote a fresh instrumental arrangement of the song, designing it as a feature for Goodman’s drummer Gene Krupa. The two-sided July 6 studio version was so popular that the clarinetist also performed a brief version of the song in the film Hollywood Hotel.</p>
  1217. <p>At Benny Goodman’s fabled Carnegie Hall concert of Jan. 16, 1938, “Sing, Sing, Sing” was scheduled as his orchestra’s final number. The rollicking ensembles (which quoted the song “Christopher Columbus”) and the solos of Harry James and Goodman were quite stirring. The clarinetist spontaneously had pianist Jess Stacy take a spot and Stacy responded with a memorable and impressionistic improvisation that was a complete surprise. But throughout the piece, the main star was the forceful and exciting playing of the first superstar drummer, Gene Krupa.</p>
  1218. <p>“Sing, Sing, Sing” would be a permanent part of the repertoires of both Benny Goodman and Gene Krupa for the rest of their careers.</p>
  1219. </div>
  1220. </div>
  1221.  
  1222.  
  1223.  
  1224.  
  1225. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1226. <div class="wpb_text_column wpb_content_element " >
  1227. <div class="wpb_wrapper">
  1228. <h2 style="text-align: center;">Artie Shaw<br />
  1229. Begin The Beguine (1938)</h2>
  1230. </div>
  1231. </div>
  1232.  
  1233.  
  1234.  
  1235.  
  1236. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1237. <div class="wpb_wrapper">
  1238. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Begin The Beguine" width="1080" height="810" src="https://www.youtube.com/embed/rK3eKEsL5W4?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1239. </div>
  1240. </div>
  1241.  
  1242. <div class="wpb_text_column wpb_content_element " >
  1243. <div class="wpb_wrapper">
  1244. <p>Cole Porter composed “Begin The Beguine” in 1935. Although Porter often utilized unusual lengths for his songs during an era when a 32-bar tune was very common, “Begin The Beguine” was a bit eccentric even for him. Each chorus was comprised of 108 bars.</p>
  1245. <p>The song first appeared in the 1935 musical Jubilee but seemed doomed to obscurity until <a href="https://www.mosaicrecords.com/the-great-jazz-artists/artie-shaw/"><span style="text-decoration: underline; color: #0000ff;">Artie Shaw</span></a> recorded it in 1938 with a Jerry Gray arrangement. Shaw had been struggling with his second orchestra (his first had broken up the previous year) but believed in the song even if the executives at Bluebird record label insisted on putting it on the ‘B’ side of the clarinetist’s 78. To everyone’s surprise, it became such a major hit that Shaw was launched on his way to the top of the swing world.</p>
  1246. <p>Swinging in an infectious and relaxed manner, the original Artie Shaw version put an emphasis on the melody with the clarinet and tenor solos being closely attached to the theme. The entire three-minute record consists of just one chorus but it was enough to make Artie Shaw a household name and “Begin The Beguine” an unlikely standard.</p>
  1247. </div>
  1248. </div>
  1249.  
  1250.  
  1251.  
  1252.  
  1253. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1254. <div class="wpb_text_column wpb_content_element " >
  1255. <div class="wpb_wrapper">
  1256. <h2 style="text-align: center;">Billie Holiday<br />
  1257. God Bless The Child (1941)</h2>
  1258. </div>
  1259. </div>
  1260.  
  1261.  
  1262.  
  1263.  
  1264. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1265. <div class="wpb_wrapper">
  1266. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Billie Holiday - God bless the child" width="1080" height="810" src="https://www.youtube.com/embed/sunpvbnNYlw?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1267. </div>
  1268. </div>
  1269.  
  1270. <div class="wpb_text_column wpb_content_element " >
  1271. <div class="wpb_wrapper">
  1272. <p>Billie Holiday occasionally wrote the lyrics to songs throughout her career including “Fine And Mellow,” “Don’t Explain,” “Billie’s Blues,” and “Now Or Never.”. “God Bless The Child,” written with Arthur Herzog Jr, is easily the most recorded of her originals. The song originated during an argument with her mother over money who, in turning Lady Day down, said “God bless the child who’s got her own.”</p>
  1273. <p>Always performed as a medium-tempo ballad, “God Bless The Child” was first recorded by Billie Holiday on May 9, 1941 while joined by a backup group led by pianist Eddie Heywood. She would record it again (with strings and a vocal group) in 1950 and on a more jazz-oriented date in 1956, and she was filmed in 1950 singing her song with the Count Basie Septet.</p>
  1274. <p>“God Bless The Child” has steadily grown in popularity since then with a countless number of young singers using it, often on auditions. However no one has sung it with as much credibility and understated feeling as Billie Holiday.</p>
  1275. </div>
  1276. </div>
  1277.  
  1278.  
  1279.  
  1280.  
  1281. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1282. <div class="wpb_text_column wpb_content_element " >
  1283. <div class="wpb_wrapper">
  1284. <h2 style="text-align: center;">Woody Herman<br />
  1285. Caldonia (1945)</h2>
  1286. </div>
  1287. </div>
  1288.  
  1289.  
  1290.  
  1291.  
  1292. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1293. <div class="wpb_wrapper">
  1294. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Caldonia" width="1080" height="810" src="https://www.youtube.com/embed/gmw20JPChb0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1295. </div>
  1296. </div>
  1297.  
  1298. <div class="wpb_text_column wpb_content_element " >
  1299. <div class="wpb_wrapper">
  1300. <p>A riotous uptempo blues, “Caldonia” was composed by Louis Jordan (registering it under his wife’s name Fleecie Moore) in late-1944. An uptempo blues with catchy if slightly nonsensical lyrics, the song was recorded by Jordan in Jan. 1945 and soon became a major seller.<span class="Apple-converted-space"> </span></p>
  1301. <p><a href="https://www.mosaicrecords.com/the-great-jazz-artists/woody-herman/"><span style="text-decoration: underline; color: #0000ff;">Woody Herman</span></a> noticed and quickly recorded his own rambunctious version on Feb. 26. At the time he was leading his most extroverted big band, the Herd which later became known as the First Herd. The outfit, which could be considered the last great big band to come out of the swing era,<span class="Apple-converted-space">  </span>included a screaming trumpet section, distinctive soloists in trombonist Bill Harris and tenor-saxophonist Flip Phillips,<span class="Apple-converted-space">  </span>and a spirited rhythm section with bassist Chubby Jackson often acting as a shouting cheerleader.</p>
  1302. <p>“Caldonia” has Herman on clarinet and vocal, spots for Phillips, Harris, and pianist-arranger Ralph Burns, and blasts from the trumpet section that hint at Dizzy Gillespie. This band must have been a riot to see live.</p>
  1303. </div>
  1304. </div>
  1305.  
  1306.  
  1307.  
  1308.  
  1309. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1310. <div class="wpb_text_column wpb_content_element " >
  1311. <div class="wpb_wrapper">
  1312. <h2 style="text-align: center;">Charlie Parker<br />
  1313. Bloomdido (1950)</h2>
  1314. </div>
  1315. </div>
  1316.  
  1317.  
  1318.  
  1319.  
  1320. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1321. <div class="wpb_wrapper">
  1322. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Bloomdido" width="1080" height="810" src="https://www.youtube.com/embed/wAGFm8uUtY8?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1323. </div>
  1324. </div>
  1325.  
  1326. <div class="wpb_text_column wpb_content_element " >
  1327. <div class="wpb_wrapper">
  1328. <p>Talk about all-star bands, it would be difficult to top the quintet that producer Norman Granz put together in 1950. Altoist Charlie Parker and trumpeter Dizzy Gillespie, the co-founders of bebop and arguably the greatest ever on their instruments, had been playing together on and off since 1943. While bassist Curly Russell (who was in Parker’s earlier group) was a natural choice, neither Bird nor Diz had ever recorded with pianist <a href="https://www.mosaicrecords.com/the-great-jazz-artists/thelonious-monk/"><span style="text-decoration: underline; color: #0000ff;">Thelonious Monk</span></a> before (although Monk had briefly been in Gillespie’s big band). <a href="https://www.mosaicrecords.com/the-great-jazz-artists/buddy-rich/"><span style="text-decoration: underline; color: #0000ff;">Buddy Rich</span></a> was thought by some critics as a controversial choice for the drum chair (preferring Max Roach) but his inclusion made this date even more unique and, besides, he played perfectly in this setting.</p>
  1329. <p>“Bloomdido,” one of Parker’s catchier original blues, has typically superb statements by the altoist (one can easily imagine someone singing Bird’s solo), a muted but blazing Gillespie, the very distinctive pianist, and Rich. If someone asked the question “What is bebop?” a listen to “Bloomdido” would supply some of the answers.</p>
  1330. </div>
  1331. </div>
  1332.  
  1333.  
  1334.  
  1335.  
  1336. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1337. <div class="wpb_text_column wpb_content_element " >
  1338. <div class="wpb_wrapper">
  1339. <h2 style="text-align: center;">Thelonious Monk<br />
  1340. Straight No Chaser (1951)</h2>
  1341. </div>
  1342. </div>
  1343.  
  1344.  
  1345.  
  1346.  
  1347. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1348. <div class="wpb_wrapper">
  1349. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Straight No Chaser" width="1080" height="810" src="https://www.youtube.com/embed/uJs2eCqhTN0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1350. </div>
  1351. </div>
  1352.  
  1353. <div class="wpb_text_column wpb_content_element " >
  1354. <div class="wpb_wrapper">
  1355. <p>As both a pianist and a composer, <a href="https://www.mosaicrecords.com/the-great-jazz-artists/thelonious-monk/"><span style="text-decoration: underline; color: #0000ff;">Thelonious Monk</span></a> was a true original. While often grouped with the innovators of the classic bebop era, Monk always stood apart. He hinted at both the past (the stride piano of <a href="https://www.mosaicrecords.com/the-great-jazz-artists/james-p-johnson/"><span style="text-decoration: underline;"><span style="color: #0000ff; text-decoration: underline;">James P. Johnson</span></span></a> and the percussive swing playing of <a href="https://www.mosaicrecords.com/the-great-jazz-artists/duke-ellington/"><span style="text-decoration: underline;"><span style="color: #0000ff; text-decoration: underline;">Duke Ellington</span></span></a>) and the future, and had a touch on the piano that was unlike anyone else’s. As a composer, he wrote many complex originals that had their own logic. Considered an eccentric outsider in the 1940s whose music was too “far out” even for many of the boppers, in 1957 when he led a quartet with tenor-saxophonist <a href="https://www.mosaicrecords.com/the-great-jazz-artists/john-coltrane/"><span style="text-decoration: underline; color: #0000ff;">John Coltrane</span></a>, his music finally began to become appreciated. Monk eventually became one of the most popular of all jazz artists, simply by being his own unique self.</p>
  1356. <p><a href="https://www.mosaicrecords.com/thelonious-monk-criss-cross-straight-nochase/"><span style="text-decoration: underline; color: #0000ff;">“Straight No Chaser”</span></a> is a blues with a Monkish melody. It was first recorded in 1951with a quintet that included altoist Sahib Shihab, vibraphonist Milt Jackson, bassist Al McKibbon, and drummer <a href="https://www.mosaicrecords.com/the-great-jazz-artists/art-blakey/"><span style="text-decoration: underline; color: #0000ff;">Art Blakey</span></a> but did not catch on as a standard until it was recorded in 1958 by both <a href="https://www.mosaicrecords.com/the-great-jazz-artists/miles-davis/"><span style="text-decoration: underline; color: #0000ff;">Miles Davis</span></a> and Cannonball Adderley. It has been performed by nearly every jazz musician somewhere along the way since that time.</p>
  1357. </div>
  1358. </div>
  1359.  
  1360.  
  1361.  
  1362.  
  1363. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1364. <div class="wpb_text_column wpb_content_element " >
  1365. <div class="wpb_wrapper">
  1366. <h2 style="text-align: center;">Ella Fitzgerald &amp; Louis Armstrong<br />
  1367. Summertime (1957)</h2>
  1368. </div>
  1369. </div>
  1370.  
  1371.  
  1372.  
  1373.  
  1374. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1375. <div class="wpb_wrapper">
  1376. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Summertime" width="1080" height="810" src="https://www.youtube.com/embed/VZRgiuAXRAs?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1377. </div>
  1378. </div>
  1379.  
  1380. <div class="wpb_text_column wpb_content_element " >
  1381. <div class="wpb_wrapper">
  1382. <p>Ella Fitzgerald and <a href="https://www.mosaicrecords.com/the-great-jazz-artists/louis-armstrong/"><span style="text-decoration: underline; color: #0000ff;">Louis Armstrong</span></a> first recorded together on two songs in 1946 and six in 1950-51. Most famous are their delightful Verve albums of 1956-57:<span class="Apple-converted-space">  </span>Ella and Louis, and Ella and Louis Again. Their final and most elaborate joint album was Porgy and Bess which featured them accompanied by a large string orchestra arranged by Russ Garcia.<span class="Apple-converted-space"> </span></p>
  1383. <p>“Summertime” was composed in 1934 by George Gershwin with lyrics by Ira Gershwin and DuBose Heyward for the famed folk opera Porgy and Bess. Billie Holiday’s 1936 recording helped make it into one of the most popular of all jazz standards.</p>
  1384. <p>While much of their Porgy and Bess project featured solo performances, Ella and Louis sang four songs together, including “Summertime.” After Satch plays the melody on trumpet, the two immortal performers take turns singing the famous melody, putting their own personalities into the music without losing the essence of the song. Their final chorus is exquisite.</p>
  1385. </div>
  1386. </div>
  1387.  
  1388.  
  1389.  
  1390.  
  1391. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1392. <div class="wpb_text_column wpb_content_element " >
  1393. <div class="wpb_wrapper">
  1394. <h2 style="text-align: center;">Frank Sinatra<br />
  1395. Come Fly With Me (1957)</h2>
  1396. </div>
  1397. </div>
  1398.  
  1399.  
  1400.  
  1401.  
  1402. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1403. <div class="wpb_wrapper">
  1404. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Frank Sinatra – “Come Fly With Me” (Capitol) 1958" width="1080" height="608" src="https://www.youtube.com/embed/jpMUQ7kMEJ0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1405. </div>
  1406. </div>
  1407.  
  1408. <div class="wpb_text_column wpb_content_element " >
  1409. <div class="wpb_wrapper">
  1410. <p>There will always be a debate whether <a href="https://www.mosaicrecords.com/frank-sinatra-songs/"><span style="text-decoration: underline; color: #0000ff;">Frank Sinatra</span></a> was a jazz singer since he did not improvise much, but he certainly could swing.</p>
  1411. <p>“Come Fly With Me” was composed by Jimmy Van Heusen specifically for Sinatra with Sammy Cahn providing the lyrics. It was the title track for one of the singer’s most swinging albums. Joined for the first time in his career by arranger Billy May, Sinatra clearly enjoyed singing with the top-notch big band and, at the age of 41, he is heard at the peak of his powers.</p>
  1412. <p>While always associated with Frank Sinatra (who sang the song regularly during the next three decades), “Come Fly With Me” would also be recorded in later years by the likes of Ruby Braff, Richie Cole, Shirley Horn, Bob Wilber, and James Moody.</p>
  1413. </div>
  1414. </div>
  1415.  
  1416.  
  1417.  
  1418.  
  1419. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1420. <div class="wpb_text_column wpb_content_element " >
  1421. <div class="wpb_wrapper">
  1422. <h2 style="text-align: center;">Miles Davis<br />
  1423. Milestones (1958)</h2>
  1424. </div>
  1425. </div>
  1426.  
  1427.  
  1428.  
  1429.  
  1430. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1431. <div class="wpb_wrapper">
  1432. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Miles Davis - Milestones (Official Audio)" width="1080" height="608" src="https://www.youtube.com/embed/k94zDsJ-JMU?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1433. </div>
  1434. </div>
  1435.  
  1436. <div class="wpb_text_column wpb_content_element " >
  1437. <div class="wpb_wrapper">
  1438. <p>While <a href="https://www.mosaicrecords.com/the-great-jazz-artists/miles-davis/"><span style="text-decoration: underline; color: #0000ff;">Miles Davis</span></a> led several very influential bands including his two classic quintets (1955-56 and 1965-68), his super sextet of 1958-59 should never be overlooked. It teamed the trumpeter with tenor-saxophonist <a href="https://www.mosaicrecords.com/the-great-jazz-artists/john-coltrane/"><span style="text-decoration: underline; color: #0000ff;">John Coltrane</span></a>, altoist Cannonball Adderley, pianist Red Garland (succeeded by Bill Evans and Wynton Kelly), bassist Paul Chambers, and Philly Joe Jones or Jimmy Cobb on drums.</p>
  1439. <p>At the time that he recorded “Milestones” (which is no relation to a 1947 song of the same name) as the title cut of an album in 1958, Davis’ group included Garland and Jones. One of the first songs that the trumpeter performed that was built off of scales (rather than chords) in a modal style, “Milestones” moves along at a fast yet relaxed pace with Jones driving the band while playing lightly. Adderley takes a jubilant solo (quoting “I Can’t Get Started” and “Fascinatin’ Rhythm”) that contrasts with Davis’ thoughtful statement and Coltrane’s typically explorative improvising. This performance helped make Milestones one of the top jazz records of 1958.</p>
  1440. </div>
  1441. </div>
  1442.  
  1443.  
  1444.  
  1445.  
  1446. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1447. <div class="wpb_text_column wpb_content_element " >
  1448. <div class="wpb_wrapper">
  1449. <h2 style="text-align: center;">Art Blakey<br />
  1450. Moanin&#8217; (1958)</h2>
  1451. </div>
  1452. </div>
  1453.  
  1454.  
  1455.  
  1456.  
  1457. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1458. <div class="wpb_wrapper">
  1459. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Moanin&#039; (Remastered)" width="1080" height="810" src="https://www.youtube.com/embed/fsJ3JjpZyoA?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1460. </div>
  1461. </div>
  1462.  
  1463. <div class="wpb_text_column wpb_content_element " >
  1464. <div class="wpb_wrapper">
  1465. <p>After a few years of on-and-off success, <a href="https://www.mosaicrecords.com/the-great-jazz-artists/art-blakey/"><span style="text-decoration: underline;"><span style="color: #0000ff; text-decoration: underline;">Art Blakey</span></span></a>’s Jazz Messengers made it big in 1958. The quintet with trumpeter <a href="https://www.mosaicrecords.com/the-great-jazz-artists/lee-morgan/"><span style="text-decoration: underline; color: #0000ff;">Lee Morgan</span></a>, tenor-saxophonist Benny Golson, pianist Bobby Timmons, bassist Jymie Merritt, and the drummer-leader was becoming a swinging institution that would define hard bop for the next 30 years.</p>
  1466. <p>In Golson, Morgan and Timmons, Blakey had three masterful songwriters. Timmons’ had a knack for writing infectious compositions with “Moanin’” becoming one of his biggest successes. While based in bebop, Timmons often looked towards the soulful music of the church, particularly on the gospellish “Moanin.” Morgan’s famous trumpet break, which was echoed by Golson, along with Timmons’ piano playing are among the highlights of this popular and influential performance which helped usher in Soul Jazz.</p>
  1467. <p>While the original version cannot really be topped, “Moanin’,” would be played regularly by Art Blakey’s Jazz Messengers and other hard bop groups for decades.</p>
  1468. </div>
  1469. </div>
  1470.  
  1471.  
  1472.  
  1473.  
  1474. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1475. <div class="wpb_text_column wpb_content_element " >
  1476. <div class="wpb_wrapper">
  1477. <h2 style="text-align: center;">Charles Mingus<br />
  1478. Goodbye Pork Pie Hat (1959)</h2>
  1479. </div>
  1480. </div>
  1481.  
  1482.  
  1483.  
  1484.  
  1485. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1486. <div class="wpb_wrapper">
  1487. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Goodbye Pork Pie Hat" width="1080" height="810" src="https://www.youtube.com/embed/H2x3jbX0ePk?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1488. </div>
  1489. </div>
  1490.  
  1491. <div class="wpb_text_column wpb_content_element " >
  1492. <div class="wpb_wrapper">
  1493. <p>Bassist-leader-composer Charles Mingus created his own world of music during his life, one that was influenced by his passionate emotions, superb musicianship, and creative powers. While he wrote many colorful pieces, his most popular number was a relatively soothing ballad that was dedicated to the recently deceased <a href="https://www.mosaicrecords.com/the-great-jazz-artists/lester-young/"><span style="text-decoration: underline; color: #0000ff;">Lester Young</span></a>, “Goodbye Pork Pie Hat.”</p>
  1494. <p>First recorded by Mingus on May 12, 1959 and revived for a 1963 session (where it was temporarily renamed “Theme For Lester Young”), “Goodbye Pork Pie Hat” would later be recorded by John McLaughlin (a solo guitar version in 1971), the duo of Ralph Towner &amp; Gary Burton, and Jeff Beck among others. After Joni Mitchell sang it in 1979 for her Mingus album, it became a standard that reached beyond the jazz world.</p>
  1495. <p>The original version by Charles Mingus with Booker Ervin and John Handy on tenors features a memorable interpretation of one of his most haunting and atmospheric melodies.<span class="Apple-converted-space"> </span></p>
  1496. </div>
  1497. </div>
  1498.  
  1499.  
  1500.  
  1501.  
  1502. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1503. <div class="wpb_text_column wpb_content_element " >
  1504. <div class="wpb_wrapper">
  1505. <h2 style="text-align: center;">John Coltrane<br />
  1506. Giant Steps (1959)</h2>
  1507. </div>
  1508. </div>
  1509.  
  1510.  
  1511.  
  1512.  
  1513. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1514. <div class="wpb_wrapper">
  1515. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Giant Steps" width="1080" height="810" src="https://www.youtube.com/embed/30FTr6G53VU?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1516. </div>
  1517. </div>
  1518.  
  1519. <div class="wpb_text_column wpb_content_element " >
  1520. <div class="wpb_wrapper">
  1521. <p>While still a member of the Miles Davis Quintet, John Coltrane composed and recorded “<span style="text-decoration: underline;"><span style="color: #0000ff; text-decoration: underline;">Giant Steps</span></span>,” an original with so many chords that it took the chordal improvising of bebop to its logical extreme. It was a composition that forced soloists to keep moving so as not to conflict with the chord changes. It received its name due to the wide intervals that had to be played by the bassist who on the original recording was Paul Chambers.</p>
  1522. <p>While Coltrane played with typical brilliance and fluidity on the originally released recording of “Giant Steps” (having worked out some of the patterns beforehand), it was more of a struggle for pianist Tommy Flanagan, who had thought that the piece was a ballad rather than one that would be taken at a racehorse tempo.</p>
  1523. <p>Just as “Cherokee” had been a test piece for musicians of the bebop generation, the musicians that came up after 1960 have been expected to master “Giant Steps” which has continued to challenge and inspire players up to the present time.</p>
  1524. </div>
  1525. </div>
  1526.  
  1527.  
  1528.  
  1529.  
  1530. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1531. <div class="wpb_text_column wpb_content_element " >
  1532. <div class="wpb_wrapper">
  1533. <h2 style="text-align: center;">Ornette Coleman<br />
  1534. Lonely Woman (1959)</h2>
  1535. </div>
  1536. </div>
  1537.  
  1538.  
  1539.  
  1540.  
  1541. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1542. <div class="wpb_wrapper">
  1543. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Lonely Woman" width="1080" height="810" src="https://www.youtube.com/embed/bqrLqD0VEKY?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1544. </div>
  1545. </div>
  1546.  
  1547. <div class="wpb_text_column wpb_content_element " >
  1548. <div class="wpb_wrapper">
  1549. <p><span class="Apple-converted-space"> </span>When altoist Ornette Coleman moved from Los Angeles to New York in 1959 and began a long-time stint at the Five Spot, his radical playing upset many veteran jazz players who thought that they were jazz’s pacesetters. Coleman improvised without using repeated chord changes, instead often creating speechlike solos over a single chord. While the melodies that he played with pocket trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins had a connection to Charlie Parker and bebop, they were largely discarded after the first chorus in favor of freer improvising that broke new ground and paved the way towards the rise of avant-garde jazz.</p>
  1550. <p>Of Coleman’s original compositions, his emotional ballad “Lonely Woman” is his most famous. Its haunting melody, played by the two horns with musical comments from Haden, is the inspiration for the solos and melody statements that follow which continue the somber and melancholy mood without ever being predictable.</p>
  1551. <p>While the original version cannot really be topped, “Moanin’,” would be played regularly by Art Blakey’s Jazz Messengers and other hard bop groups for decades.</p>
  1552. </div>
  1553. </div>
  1554.  
  1555.  
  1556.  
  1557.  
  1558. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1559. <div class="wpb_text_column wpb_content_element " >
  1560. <div class="wpb_wrapper">
  1561. <h2 style="text-align: center;">Ella Fitzgerald<br />
  1562. Mack The Knife (1960)</h2>
  1563. </div>
  1564. </div>
  1565.  
  1566.  
  1567.  
  1568.  
  1569. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1570. <div class="wpb_wrapper">
  1571. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Mack The Knife (Live at the Deutschlandhalle, Berlin, 1960)" width="1080" height="810" src="https://www.youtube.com/embed/M0mXle68qGM?list=OLAK5uy_lA42WhNI7cY0JcPnc0TsLX-ZOmIsGp1QM" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1572. </div>
  1573. </div>
  1574.  
  1575. <div class="wpb_text_column wpb_content_element " >
  1576. <div class="wpb_wrapper">
  1577. <p>“Mack The Knife” is a song composed by Kurt Weill with Bertoit Brecht’s lyrics for the 1928 play The Threepenny Opera. It was originally a dark tune discussing the life of a murderer, a highly unlikely vehicle for jazz musicians. All of that changed when Louis Armstrong in 1955 recorded a joyful and infectious version that became a hit. Bobby Darin’s big band version, released in 1959, reached #1 on the charts.</p>
  1578. <p>By 1960, many jazz artists were performing “Mack The Knife,” including Ella Fitzgerald. Her version, performed before a live audience on Feb. 13, 1960 (and released on the Ella In Berlin album), was quite a bit different than the others. Part of the way through an early chorus, she completely forgot the song’s words. Being a masterful scat singer, Ella could have easily covered up her miscue in a way not available to a pop or cabaret singer, but she did something else. Acknowledging that she messed up the lyrics (singing that “Ella and her fellas had made a wreck of Mack The Knife”), she made up new stanzas along the way that are not only funny but manage to perfectly fit both the song and her dilemma. The result was a new classic.</p>
  1579. </div>
  1580. </div>
  1581.  
  1582.  
  1583.  
  1584.  
  1585. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1586. <div class="wpb_text_column wpb_content_element " >
  1587. <div class="wpb_wrapper">
  1588. <h2 style="text-align: center;">Oliver Nelson<br />
  1589. Stolen Moments (1961)</h2>
  1590. </div>
  1591. </div>
  1592.  
  1593.  
  1594.  
  1595.  
  1596. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1597. <div class="wpb_wrapper">
  1598. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Oliver Nelson - Stolen Moments" width="1080" height="810" src="https://www.youtube.com/embed/I777BcgQL9o?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1599. </div>
  1600. </div>
  1601.  
  1602. <div class="wpb_text_column wpb_content_element " >
  1603. <div class="wpb_wrapper">
  1604. <p>Oliver Nelson’s “Stolen Moments” was originally called “The Stolen Moment” and recorded on a 1960 album led by tenor-saxophonist Eddie “Lockjaw” Davis with Bobby Bryant having a trumpet solo. However the second recording of the renamed “Stolen Moments” (for Nelson’s Blues And The Abstract Truth album) is the one that made the song famous. With Nelson on tenor, trumpeter Freddie Hubbard, and altoist Eric Dolphy in the frontline, the song’s memorable melody was impeccably played. Each of those three horn players created highly individual solos in their own style with Hubbard representing hard bop, Nelson’s thoughtful approach recalling Benny Carter a bit, and Dolphy looking towards the future with his wide interval jumps and emotional playing.<span class="Apple-converted-space"> </span></p>
  1605. <p>The song caught on fast. The Quincy Jones Big Band, Clark Terry, Billy Taylor, <a href="https://www.mosaicrecords.com/the-great-jazz-artists/ahmad-jamal/"><span style="text-decoration: underline; color: #0000ff;">Ahmad Jamal</span></a>, J.J. Johnson and Herbie Mann were among those who recorded “Stolen Moments” by the mid-1960s and there have been hundreds of versions in the years since.</p>
  1606. </div>
  1607. </div>
  1608.  
  1609.  
  1610.  
  1611.  
  1612. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1613. <div class="wpb_text_column wpb_content_element " >
  1614. <div class="wpb_wrapper">
  1615. <h2 style="text-align: center;">Stan Getz and Joao and Astrud Gilberto<br />
  1616. The Girl From Ipanema (1963)</h2>
  1617. </div>
  1618. </div>
  1619.  
  1620.  
  1621.  
  1622.  
  1623. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1624. <div class="wpb_wrapper">
  1625. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Stan Getz ft João Gilberto ft Astrud Gilberto - The Girl From Ipanema (Verve Records 1963)" width="1080" height="608" src="https://www.youtube.com/embed/w3altAnNJIY?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1626. </div>
  1627. </div>
  1628.  
  1629. <div class="wpb_text_column wpb_content_element " >
  1630. <div class="wpb_wrapper">
  1631. <p>Antonio Carlos Jobim composed “Menina que Passsa” (“The Girl Who Passed By”) for a musical comedy in the early 1960s with lyrics by Vinicius de Moraes. After it evolved into “The Girl From Ipanema” it was first recorded by Pery Ribeiro in 1962.</p>
  1632. <p>At the famous 1963 recording session that teamed together Stan Getz with Jobim (on piano) and guitarist-singer Joao Gilberto, resulting in the Getz/Gilberto album, it was decided that the song (which had new English lyrics by Norman Gimbel) should be sung in both Portuguese and English. Since Joao Gilberto did not speak English, his wife Astrud Gilberto was pressed into service even though she was a housewife who had never sung professionally before. The result was the biggest hit of all the bossa-novas. The song matches together a simple melody with surprisingly complex chord changes and has been performed constantly ever since.</p>
  1633. </div>
  1634. </div>
  1635.  
  1636.  
  1637.  
  1638.  
  1639. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1640. <div class="wpb_text_column wpb_content_element " >
  1641. <div class="wpb_wrapper">
  1642. <h2 style="text-align: center;">Kenny Burrell<br />
  1643. Chitlins con Carne (1963)</h2>
  1644. </div>
  1645. </div>
  1646.  
  1647.  
  1648.  
  1649.  
  1650. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1651. <div class="wpb_wrapper">
  1652. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Chitlins Con Carne" width="1080" height="810" src="https://www.youtube.com/embed/ylGjvwXV3HA?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1653. </div>
  1654. </div>
  1655.  
  1656. <div class="wpb_text_column wpb_content_element " >
  1657. <div class="wpb_wrapper">
  1658. <p>Kenny Burrell has always been known as a tasteful straight ahead jazz guitarist based in bebop, a lover of <a href="https://www.mosaicrecords.com/the-great-jazz-artists/duke-ellington/"><span style="text-decoration: underline; color: #0000ff;">Duke Ellington</span></a>’s music, and a flexible soloist who could match soulful wits with organist Jimmy Smith.</p>
  1659. <p>Burrell composed “Chitlins con Carne” in 1963 and included it on his album Midnight Blue. It is the kind of song that one could imagine the guitarist playing with Smith although his original recording does not include an organ or even a piano. With tenor-saxophonist Stanley Turrentine, bassist Major Holley, drummer Billy English, and Ray Barretto on congas, Burrell plays the type of medium-tempo soulful blues that was popular in the mid-1960s.</p>
  1660. <p>The tune was so accessible that it would be recorded by such soul jazz and blues artists as Horace Silver, Buddy Guy, Big John Patton, Otis Rush, Junior Wells, and Stevie Ray Vaughan.</p>
  1661. <p>While the original version cannot really be topped, “Moanin’,” would be played regularly by Art Blakey’s Jazz Messengers and other hard bop groups for decades.</p>
  1662. </div>
  1663. </div>
  1664.  
  1665.  
  1666.  
  1667.  
  1668. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1669. <div class="wpb_text_column wpb_content_element " >
  1670. <div class="wpb_wrapper">
  1671. <h2 style="text-align: center;">John Coltrane<br />
  1672. A Love Supreme (1964)</h2>
  1673. </div>
  1674. </div>
  1675.  
  1676.  
  1677.  
  1678.  
  1679. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1680. <div class="wpb_wrapper">
  1681. <div class="wpb_video_wrapper"><iframe loading="lazy" title="A Love Supreme, Pt. I – Acknowledgement" width="1080" height="810" src="https://www.youtube.com/embed/vMCHDC2Lurk?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1682. </div>
  1683. </div>
  1684.  
  1685. <div class="wpb_text_column wpb_content_element " >
  1686. <div class="wpb_wrapper">
  1687. <p><a href="https://www.mosaicrecords.com/the-great-jazz-artists/john-coltrane/"><span style="text-decoration: underline; color: #0000ff;">John Coltrane</span></a> was the leading figure in jazz from the time he put together his quartet after leaving <a href="https://www.mosaicrecords.com/the-great-jazz-artists/miles-davis/"><span style="text-decoration: underline;"><span style="color: #0000ff; text-decoration: underline;">Miles Davis</span></span></a> in mid-1960 up until his premature death in 1967. Like Davis, Coltrane steadily evolved throughout his career, never being content to rest on his considerable laurels. After mastering chordal improvisation, he cut back to a minimum of chords, expanded the emotional intensity of his playing, and essentially broke the sound barrier during his last years. He left some of his longtime fans behind but, taken as a whole, his development was quite logical even if his death left it incomplete.</p>
  1688. <p>The project dearest to John Coltrane’s heart was his four-part album-long suite “<a href="https://www.mosaicrecords.com/john-coltrane-a-love-supreme/"><span style="text-decoration: underline;"><span style="color: #0000ff; text-decoration: underline;">A Love Supreme</span></span></a>” which he regarded as his gift to God. With his classic quartet (pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones) he recorded “Acknowledgment,” (which has the famous “A Love Supreme” chant), “Resolution,” “Pursuance,” and “Psalm” (the latter based on a poem that he states in his phrasing on the tenor). This is a monumental work that grows in interest with each listen. Two live versions from 1965 (one recently discovered) add to the legacy of Coltrane’s “A Love Supreme.</p>
  1689. </div>
  1690. </div>
  1691.  
  1692.  
  1693.  
  1694.  
  1695. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1696. <div class="wpb_text_column wpb_content_element " >
  1697. <div class="wpb_wrapper">
  1698. <h2 style="text-align: center;">Eric Dolphy<br />
  1699. Hat and Beard (1964)</h2>
  1700. </div>
  1701. </div>
  1702.  
  1703.  
  1704.  
  1705.  
  1706. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1707. <div class="wpb_wrapper">
  1708. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Hat And Beard" width="1080" height="810" src="https://www.youtube.com/embed/u1lWpLFGhjE?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1709. </div>
  1710. </div>
  1711.  
  1712. <div class="wpb_text_column wpb_content_element " >
  1713. <div class="wpb_wrapper">
  1714. <p>One of the most unique improvisers in jazz history, Eric Dolphy had his own sound and style on alto-sax, bass clarinet, and flute. He came out of the bebop tradition and played cool West Coast jazz with the Chico Hamilton Quintet during 1958-59 but, once he arrived in New York in 1960, he had developed his own very individual musical personality. Technically skilled, Dolphy was able to make wide interval jumps with ease, could switch from a boppish melody to free form playing on a moment’s notice, and had his own sound on each of his instruments. A diabetic, his life was cut short in 1964 when he was only 36, but he left behind a series of recordings that have been studied ever since.</p>
  1715. <p>“Hat And Beard” from his 1964 Blue Note album Out To Lunch was designed by Dolphy as a tribute to <a href="https://www.mosaicrecords.com/the-great-jazz-artists/thelonious-monk/"><span style="text-decoration: underline; color: #0000ff;">Thelonious Monk</span></a>. The theme hints at Monk but Dolphy’s explosive alto solo would not be mistaken for anyone else. He is joined by a young all-star group (trumpeter Freddie Hubbard, vibraphonist Bobby Hutcherson, bassist Richard Davis, and 18-year old drummer Tony Williams), all of whom are inspired to play at their most creative by Dolphy’s example.</p>
  1716. </div>
  1717. </div>
  1718.  
  1719.  
  1720.  
  1721.  
  1722. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1723. <div class="wpb_text_column wpb_content_element " >
  1724. <div class="wpb_wrapper">
  1725. <h2 style="text-align: center;">Cannonball Adderley<br />
  1726. Mercy, Mercy, Mercy (1966)</h2>
  1727. </div>
  1728. </div>
  1729.  
  1730.  
  1731.  
  1732.  
  1733. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1734. <div class="wpb_wrapper">
  1735. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Mercy, Mercy, Mercy" width="1080" height="810" src="https://www.youtube.com/embed/y7FFLYXEOqA?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1736. </div>
  1737. </div>
  1738.  
  1739. <div class="wpb_text_column wpb_content_element " >
  1740. <div class="wpb_wrapper">
  1741. <p>During the second half of the 1960s, altoist Cannonball Adderley led one of the most popular bands in jazz. Part of its success was due to his willingness to talk intelligently (and with natural hipness) to his audience about his music. Another factor was his open-minded attitude towards contemporary music. Adderley was not reluctant to stretch his music (which had formerly been hard-driving bop) into soul jazz that utilized aspects of r&amp;b.<span class="Apple-converted-space"> </span></p>
  1742. <p>At the time that the Adderley Quintet recorded Joe Zawinul’s “Mercy, Mercy, Mercy,” Zawinul had just begun playing the electric piano. He composed the simple but effective theme which was used as a background for the altoist’s narration and then repeated several times to the delight of the audience. The members of the quintet (which also included cornetist Nat Adderley, bassist Victor Gaskin, and drummer Roy McCurdy) play spirited ensembles without anyone taking a solo.<span class="Apple-converted-space"> </span></p>
  1743. <p>“Mercy, Mercy, Mercy” would soon be a popular record for the Buckinghams and be recorded by the Buddy Rich Big Band. It still sounds soulful today.</p>
  1744. </div>
  1745. </div>
  1746.  
  1747.  
  1748.  
  1749.  
  1750. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1751. <div class="wpb_text_column wpb_content_element " >
  1752. <div class="wpb_wrapper">
  1753. <h2 style="text-align: center;">Weather Report<br />
  1754. Birdland (1977)</h2>
  1755. </div>
  1756. </div>
  1757.  
  1758.  
  1759.  
  1760.  
  1761. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1762. <div class="wpb_wrapper">
  1763. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Birdland" width="1080" height="810" src="https://www.youtube.com/embed/JI1QCXIXlp8?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1764. </div>
  1765. </div>
  1766.  
  1767. <div class="wpb_text_column wpb_content_element " >
  1768. <div class="wpb_wrapper">
  1769. <p>After leaving Cannonball Adderley in the late 1960s, Joe Zawinul formed Weather Report with tenor and soprano-saxophonist Wayne Shorter. By then he was on his way to becoming an innovator on electric keyboards and synthesizers, not playing them as an extension of the piano but as entirely new instruments.</p>
  1770. <p>One of the great fusion bands of the 1970s, Weather Report had a style that Zawinul described as having everyone and no one soloing.<span class="Apple-converted-space">  </span>Their music was ensemble-oriented and frequently unpredictable with Zawinul’s keyboards being a major part of the group’s sound along with Shorter’s soprano.</p>
  1771. <p>Weather Report reached its greatest level of popularity when they recorded Joe Zawinul’s “Birdland.” While paying homage in its title to the legendary 1950s/60s club, the celebratory song was very much up to date with a singable melody and exuberant playing that made it into an instant hit. The Manhattan Transfer also had a best-selling record with their vocal version.</p>
  1772. <p>50 years after “Singin’ The Blues,” “Birdland” became a new jazz standard and one of the highpoints of the fusion era.</p>
  1773. </div>
  1774. </div>
  1775.  
  1776.  
  1777.  
  1778.  
  1779. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1780. </div>
  1781. </div>
  1782. </div>
  1783. </div></div>
  1784. <div id="fws_6605a546c5c2d"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  1785. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  1786. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  1787. <div class="wpb_wrapper">
  1788. <div class="wpb_text_column wpb_content_element " >
  1789. <div class="wpb_wrapper">
  1790. <h2 style="text-align: center;"><strong>Duke</strong></h2>
  1791. </div>
  1792. </div>
  1793.  
  1794.  
  1795.  
  1796. <div class="img-with-aniamtion-wrap " data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  1797.      <div class="inner">
  1798.        <div class="hover-wrap" data-hover-animation="none">
  1799.          <div class="hover-wrap-inner">
  1800.            <a href="https://www.mosaicrecords.com/the-great-jazz-artists/duke-ellington/" target="_self" class="">
  1801.              <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="457" width="450" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/07/Screen-Shot-2021-07-09-at-9.28.10-PM-e1702220485747.png" alt=""  />
  1802.            </a>
  1803.          </div>
  1804.        </div>
  1805.      </div>
  1806.      </div>
  1807. </div>
  1808. </div>
  1809. </div>
  1810.  
  1811. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  1812. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  1813. <div class="wpb_wrapper">
  1814. <div class="wpb_text_column wpb_content_element " >
  1815. <div class="wpb_wrapper">
  1816. <h2 style="text-align: center;"><strong>Satchmo</strong></h2>
  1817. </div>
  1818. </div>
  1819.  
  1820.  
  1821.  
  1822. <div class="img-with-aniamtion-wrap " data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  1823.      <div class="inner">
  1824.        <div class="hover-wrap" data-hover-animation="none">
  1825.          <div class="hover-wrap-inner">
  1826.            <a href="https://www.mosaicrecords.com/the-great-jazz-artists/louis-armstrong/" target="_self" class="">
  1827.              <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="495" width="500" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/03/Louis-Armstrong-Gottlieb-e1699809661127.jpg" alt=""  />
  1828.            </a>
  1829.          </div>
  1830.        </div>
  1831.      </div>
  1832.      </div>
  1833. </div>
  1834. </div>
  1835. </div>
  1836.  
  1837. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  1838. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  1839. <div class="wpb_wrapper">
  1840. <div class="wpb_text_column wpb_content_element " >
  1841. <div class="wpb_wrapper">
  1842. <h2 style="text-align: center;"><strong>Frank</strong></h2>
  1843. </div>
  1844. </div>
  1845.  
  1846.  
  1847.  
  1848. <div class="img-with-aniamtion-wrap " data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  1849.      <div class="inner">
  1850.        <div class="hover-wrap" data-hover-animation="none">
  1851.          <div class="hover-wrap-inner">
  1852.            <a href="https://www.mosaicrecords.com/frank-sinatra-songs/" target="_self" class="">
  1853.              <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="339" width="350" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/10/Frank_Sinatra_1957_studio_portrait_close-up-copy-e1633360867341.jpg" alt="" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/10/Frank_Sinatra_1957_studio_portrait_close-up-copy-e1633360867341.jpg 350w, https://www.mosaicrecords.com/wp-content/uploads/2021/10/Frank_Sinatra_1957_studio_portrait_close-up-copy-e1633360867341-300x291.jpg 300w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
  1854.            </a>
  1855.          </div>
  1856.        </div>
  1857.      </div>
  1858.      </div>
  1859. </div>
  1860. </div>
  1861. </div>
  1862. </div></div>
  1863. <div id="fws_6605a546c65d7"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  1864. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  1865. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  1866. <div class="wpb_wrapper">
  1867. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1868. </div>
  1869. </div>
  1870. </div>
  1871. </div></div>
  1872. <p>The post <a href="https://www.mosaicrecords.com/jazz-songs/">25 Jazz Songs</a> appeared first on <a href="https://www.mosaicrecords.com">Mosaic Records - Home for Jazz fans!</a>.</p>
  1873. ]]></content:encoded>
  1874. </item>
  1875. <item>
  1876. <title>Blues Songs</title>
  1877. <link>https://www.mosaicrecords.com/blues-songs/</link>
  1878. <dc:creator><![CDATA[Mosaic Records]]></dc:creator>
  1879. <pubDate>Wed, 20 Oct 2021 20:48:51 +0000</pubDate>
  1880. <category><![CDATA[Bunny Berigan]]></category>
  1881. <category><![CDATA[Duke Ellington]]></category>
  1882. <category><![CDATA[Earl Hines]]></category>
  1883. <category><![CDATA[Featured Jazz Album]]></category>
  1884. <category><![CDATA[James P Johnson]]></category>
  1885. <guid isPermaLink="false">https://www.mosaicrecords.com/?p=13511</guid>
  1886.  
  1887. <description><![CDATA[<p>"For the first time in my life, I have the whole album from beginning to end" - John Coltrane</p>
  1888. <p>The post <a href="https://www.mosaicrecords.com/blues-songs/">Blues Songs</a> appeared first on <a href="https://www.mosaicrecords.com">Mosaic Records - Home for Jazz fans!</a>.</p>
  1889. ]]></description>
  1890. <content:encoded><![CDATA[
  1891. <div id="fws_6605a546c8bde"  data-column-margin="90px" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row  vc_row-o-equal-height vc_row-flex  vc_row-o-content-middle standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  1892. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col padding-2-percent inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="top-bottom" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  1893. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  1894. <div class="wpb_wrapper">
  1895. <div class="img-with-aniamtion-wrap center" data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  1896.      <div class="inner">
  1897.        <div class="hover-wrap" data-hover-animation="none">
  1898.          <div class="hover-wrap-inner">
  1899.            <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="598" width="599" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/10/Blues-Songs.jpg" alt="" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/10/Blues-Songs.jpg 599w, https://www.mosaicrecords.com/wp-content/uploads/2021/10/Blues-Songs-300x300.jpg 300w, https://www.mosaicrecords.com/wp-content/uploads/2021/10/Blues-Songs-150x150.jpg 150w, https://www.mosaicrecords.com/wp-content/uploads/2021/10/Blues-Songs-100x100.jpg 100w, https://www.mosaicrecords.com/wp-content/uploads/2021/10/Blues-Songs-140x140.jpg 140w, https://www.mosaicrecords.com/wp-content/uploads/2021/10/Blues-Songs-500x500.jpg 500w, https://www.mosaicrecords.com/wp-content/uploads/2021/10/Blues-Songs-350x350.jpg 350w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
  1900.          </div>
  1901.        </div>
  1902.      </div>
  1903.    </div>
  1904. </div>
  1905. </div>
  1906. </div>
  1907.  
  1908. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  1909. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  1910. <div class="wpb_wrapper">
  1911. <div class="wpb_text_column wpb_content_element " >
  1912. <div class="wpb_wrapper">
  1913. <h1 style="text-align: center;">Greatest Blues Songs</h1>
  1914. </div>
  1915. </div>
  1916.  
  1917.  
  1918.  
  1919.  
  1920. </div>
  1921. </div>
  1922. </div>
  1923. </div></div>
  1924. <div id="fws_6605a546c9121"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  1925. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  1926. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  1927. <div class="wpb_wrapper">
  1928. <div class="wpb_text_column wpb_content_element " >
  1929. <div class="wpb_wrapper">
  1930. <p><strong>By: Billy Vera</strong><br />
  1931. What constitutes a “great” blues song? Since the melodies can vary depending on the singer’s personal choices, blues songwriting is primarily about the lyrics.</p>
  1932. <p>Most knowledgeable fans would agree that, among blues songwriters, there are two who tower above all others: Willie Dixon and Percy Mayfield, each of whom worked in a different arena, Dixon in the lexicon of the displaced 20<sup>th</sup> Century Southern Negro, recently up from the country, finding his way in the big city, and Mayfield, the more urbane hipster, his couplets filled with metaphors that reflect a more savvy, streetwise author.</p>
  1933. </div>
  1934. </div>
  1935.  
  1936.  
  1937.  
  1938.  
  1939. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 60%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div><div id="fws_6605a546c95c6" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  1940. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  1941. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  1942. <div class="wpb_wrapper">
  1943. <div class="wpb_text_column wpb_content_element " >
  1944. <div class="wpb_wrapper">
  1945. <h3 style="text-align: center;">Willie Dixon/Muddy Waters &#8211; Hoochie Coochie Man</h3>
  1946. </div>
  1947. </div>
  1948.  
  1949.  
  1950.  
  1951.  
  1952. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1953. <div class="wpb_wrapper">
  1954. <div class="wpb_video_wrapper"><iframe loading="lazy" title="[I&#039;m Your] Hoochie Coochie Man" width="1080" height="810" src="https://www.youtube.com/embed/sSnxwnPkgas?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1955. </div>
  1956. </div>
  1957.  
  1958. <div class="wpb_text_column wpb_content_element " >
  1959. <div class="wpb_wrapper">
  1960. <p>In one of his greatest tunes, Dixon delves into the dark world of voodoo with lines such as:<br />
  1961. <i>I got a black cat bone, I got a mojo too</i><br />
  1962. <i>I got the John the Conqueror root, I’m gonna mess with you</i><br />
  1963. <i>I’m gonna make you girls lead me by my hand</i><br />
  1964. <i>Then the world will know, I’m the Hoochie Coochie Man</i></p>
  1965. <p>As sung by Muddy Waters, the song is a recitation of the weapons the singer has in his arsenal that will make himself irresistible to any and all of the women for whom he has eyes.</p>
  1966. <p>The audience for this song is not a second generation urban dweller in a city such as Chicago, the place where Willie and Muddy plied their craft. To fully understand the song’s meaning, one would have to have come from an environment where one might seek the help and advice of a “gypsy woman” of the kind mentioned in the song’s first verse.</p>
  1967. <p><i>The gypsy woman told my mother, before I was born</i><br />
  1968. <i>You got a boy child coming, he’s gonna be a son of a gun</i><br />
  1969. <i>He’s gonna make pretty women, jump and shout</i><br />
  1970. <i>Then the world wanna know, what this all about</i></p>
  1971. </div>
  1972. </div>
  1973.  
  1974.  
  1975.  
  1976.  
  1977. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  1978. </div>
  1979. </div>
  1980. </div>
  1981. </div></div>
  1982. <div class="wpb_text_column wpb_content_element " >
  1983. <div class="wpb_wrapper">
  1984. <h3 style="text-align: center;"><b>Wllie Dixon/ Koko Taylor &amp; Howlin’ Wolf – Wang Dang Doodle</b></h3>
  1985. </div>
  1986. </div>
  1987.  
  1988.  
  1989.  
  1990.  
  1991. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  1992. <div class="wpb_wrapper">
  1993. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Wang Dang Doodle-Koko Taylor (THE BEST VERSION)" width="1080" height="810" src="https://www.youtube.com/embed/_w6IY0v-0pA?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  1994. </div>
  1995. </div>
  1996.  
  1997. <div class="wpb_text_column wpb_content_element " >
  1998. <div class="wpb_wrapper">
  1999. <p>Dixon’s greatest blues could fill a book of their own. One tune that celebrates the joys of partying on the weekend is “Wang Dang Doodle,” as recorded by Koko Taylor and Howlin’ Wolf.</p>
  2000. <p><i>Tell Automatic Slim, tell razor-totin’ Jim</i><br />
  2001. <i>Tell butcher knife totin’ Annie, tell fast talkin’ Fannie</i><br />
  2002. <i>We gonna pitch a ball, down at the union hall</i><br />
  2003. <i>We gonna romp and stomp at midnight</i><br />
  2004. <i>We gonna fuss and fight till daylight</i><br />
  2005. <i>We gonna pitch a wang dang doodle all night long</i></p>
  2006. </div>
  2007. </div>
  2008.  
  2009.  
  2010.  
  2011.  
  2012. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  2013. <div class="wpb_text_column wpb_content_element " >
  2014. <div class="wpb_wrapper">
  2015. <h3 style="text-align: center;"><b>Percy Mayfield/Ray Charles &#8211; Two Years Of Torture</b></h3>
  2016. <p>Percy Mayfield, on the other hand, has more musical variety in his work. Indeed, his best-known songs, “Please Send Me Someone To Love” and “Hit The Road, Jack,” stray from the usual blues form, the former written in the blues ballad idiom while the latter is a novelty he wrote for a planned stage musical that never came to pass.</p>
  2017. <p>He did, however, come up with at least two of the great straight blues of all time.<span class="Apple-converted-space"> </span></p>
  2018. </div>
  2019. </div>
  2020.  
  2021.  
  2022.  
  2023.  
  2024. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  2025. <div class="wpb_wrapper">
  2026. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Two Years of Torture" width="1080" height="810" src="https://www.youtube.com/embed/CIz28tRMkQY?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  2027. </div>
  2028. </div>
  2029.  
  2030. <div class="wpb_text_column wpb_content_element " >
  2031. <div class="wpb_wrapper">
  2032. <p>In “Two Years Of Torture,” he writes:<br />
  2033. <i>I had a real fine woman, fine as she could be</i><br />
  2034. <i>But the syndicators and back-biters</i><br />
  2035. <i>Stole that little girl away from me</i></p>
  2036. <p>And,</p>
  2037. <p><i>Two years of being without her</i><br />
  2038. <i>Seven hundred and thirty days</i><br />
  2039. <i>But I still remember her little brown body</i><br />
  2040. <i>And sweet little baby ways</i><br />
  2041. <i>Two years of torture and my heart’s in misery</i><br />
  2042. <i>But I’m doomed as a lover until she comes back to me</i></p>
  2043. <p>As a staff songwriter for Ray Charles, he said that he had to write with Ray’s real life in mind, “…’cause, you see, Ray had a habit at the time,” he said, referring to the star’s well-known heroin addiction. One example, in “But On The Other Hand, Baby.”</p>
  2044. </div>
  2045. </div>
  2046.  
  2047.  
  2048.  
  2049.  
  2050. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  2051. <div class="wpb_wrapper">
  2052. <div class="wpb_video_wrapper"><iframe loading="lazy" title="But on the Other Hand Baby" width="1080" height="810" src="https://www.youtube.com/embed/cJFytZvzBRc?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  2053. </div>
  2054. </div>
  2055.  
  2056. <div class="wpb_text_column wpb_content_element " >
  2057. <div class="wpb_wrapper">
  2058. <p><i>You know I’m hooked for you mama</i><br />
  2059. <i>That’s why you sling your weight around</i></p>
  2060. </div>
  2061. </div>
  2062.  
  2063.  
  2064.  
  2065.  
  2066. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  2067. <div class="wpb_text_column wpb_content_element " >
  2068. <div class="wpb_wrapper">
  2069. <h3 style="text-align: center;"><b>Joe Turner/Billie Holiday – Fine and Mellow</b></h3>
  2070. </div>
  2071. </div>
  2072.  
  2073.  
  2074.  
  2075.  
  2076. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  2077. <div class="wpb_wrapper">
  2078. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Fine And Mellow" width="1080" height="810" src="https://www.youtube.com/embed/SwZNfeaEMds?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  2079. </div>
  2080. </div>
  2081.  
  2082. <div class="wpb_text_column wpb_content_element " >
  2083. <div class="wpb_wrapper">
  2084. <p>Sometimes, it only takes one single line to make a blues song great. Joe Turner once told me he wrote the song, “Fine and Mellow” as a gift for his friend Billie Holiday. The tune’s moment of greatness comes in verse two:<br />
  2085. <i>He wears high-drape pants, stripes are really yellow</i><br />
  2086. <i>But when he starts in to love me</i><br />
  2087. <i>He’s so fine and mellow</i></p>
  2088. <p>Contemporaneous colloquialisms can make a blues song stick in the mind. A line like the above grabbed many a 1939 juke box listener where he or she lived.</p>
  2089. <p>It was said that Big Joe could sing one song for an hour straight, never repeating verse after verse from his vast memory bank of lines from the blues canon, but does that constitute writing a blues song? I think not.</p>
  2090. </div>
  2091. </div>
  2092.  
  2093.  
  2094.  
  2095.  
  2096. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  2097. <div class="wpb_text_column wpb_content_element " >
  2098. <div class="wpb_wrapper">
  2099. <h3 style="text-align: center;"><b>Joe Turner – Roll ‘Em Pete</b></h3>
  2100. </div>
  2101. </div>
  2102.  
  2103.  
  2104.  
  2105.  
  2106. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  2107. <div class="wpb_wrapper">
  2108. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Roll &#039;Em Pete" width="1080" height="810" src="https://www.youtube.com/embed/lSwPqZy8qb8?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  2109. </div>
  2110. </div>
  2111.  
  2112. <div class="wpb_text_column wpb_content_element " >
  2113. <div class="wpb_wrapper">
  2114. <p>Although, two of these in particular, “Roll ‘Em Pete” and “Cherry Red,” became standards over the years. Whether the words came from Turner’s mind or from his memory bank is immaterial. They exist, now and forever, in the way he put them together, whether sung by himself, or Joe Williams or whomever.</p>
  2115. <p><i>She got eyes like diamonds, teeth shine like Klondike gold</i><br />
  2116. <i>Every time she kiss me, she sends my mellow soul</i><br />
  2117. <i>You so beautiful but you got to die one day</i><br />
  2118. <i>All I want’s a little lovin’ before you pass away</i></p>
  2119. <p>Or,</p>
  2120. <p><i>I never loved a woman, and I hope I never will</i><br />
  2121. <i>‘Cause a lovin’ proposition might get somebody killed</i><br />
  2122. <i>Now you can take me baby, put me in your big brass bed</i><br />
  2123. <i>I want you to rock me baby till my face turns cherry red</i></p>
  2124. <p>One of Joe’s biggest hit records was one that Jesse Stone compiled in just such a manner, “Shake, Rattle And Roll,”</p>
  2125. <p><i>Well you wear those dresses, sun comes shinin’ through</i><br />
  2126. <i>I can’t believe my eyes all that mess belongs to you</i></p>
  2127. <p>And,</p>
  2128. <p><i>I’m like a one-eyed cat, peepin’ in a seafood store</i><br />
  2129. <i>Well I can look at you and tell you ain’t no child no more</i></p>
  2130. </div>
  2131. </div>
  2132.  
  2133.  
  2134.  
  2135.  
  2136. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  2137. <div class="wpb_text_column wpb_content_element " >
  2138. <div class="wpb_wrapper">
  2139. <h3 style="text-align: center;"><b>T-Bone Walker</b></h3>
  2140. </div>
  2141. </div>
  2142.  
  2143.  
  2144.  
  2145.  
  2146. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  2147. <div class="wpb_wrapper">
  2148. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Call It Stormy Monday" width="1080" height="810" src="https://www.youtube.com/embed/xifoTGRBhg0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  2149. </div>
  2150. </div>
  2151.  
  2152. <div class="wpb_text_column wpb_content_element " >
  2153. <div class="wpb_wrapper">
  2154. <p>Let’s take a look at T-Bone Walker’s much-covered classic, “Call It Stormy Monday.” In his song, he cleverly takes the days of the week, describing each one’s singular properties. When he reaches the end of the work week, he is compelled to shout when he delivers the line,<span class="Apple-converted-space"> </span></p>
  2155. <p><i>The eagle flies on Friday and Saturday I go out to play</i><br />
  2156. <i>Sunday I go to church and I kneel down and pray</i><br />
  2157. <i>Lord have mercy, Lord have mercy on me</i></p>
  2158. <p>If a song’s greatness can be measured by its ubiquity, then “Stormy Monday” is indeed great.<span class="Apple-converted-space"> </span></p>
  2159. </div>
  2160. </div>
  2161.  
  2162.  
  2163.  
  2164.  
  2165. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  2166. <div class="wpb_text_column wpb_content_element " >
  2167. <div class="wpb_wrapper">
  2168. <h3 style="text-align: center;"><b>Lieber &amp; Stoller/Wilbert Harrison – Kansas City</b></h3>
  2169. </div>
  2170. </div>
  2171.  
  2172.  
  2173.  
  2174.  
  2175. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  2176. <div class="wpb_wrapper">
  2177. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Kansas City" width="1080" height="810" src="https://www.youtube.com/embed/Oj5drFXNnEI?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  2178. </div>
  2179. </div>
  2180.  
  2181. <div class="wpb_text_column wpb_content_element " >
  2182. <div class="wpb_wrapper">
  2183. <p>Judged by the same measure, “Kansas City,” composed by a pair of Jewish teenagers from Los Angeles would qualify as well. The boys were Jerry Leiber and Mike Stoller, who would soon become rich and famous for songs like “Charlie Brown,” “Yakety Yak,” “Is That All There Is,” “Jailhouse Rock” and 25 other tunes recorded by Elvis Presley.</p>
  2184. <p>In their early career, the duo wrote countless blues, blues by the pound, usually at the behest of record producer Ralph Bass or bandleader Johnny Otis. The most famous version of their song was by one Wilbert Harrison, who worked as a one-man band, sitting behind his drums and playing any number of instruments at the same time.</p>
  2185. <p>The song’s most memorable line:<br />
  2186. <i>They got some crazy little women there</i><br />
  2187. <i>And I’m gonna get me one</i></p>
  2188. </div>
  2189. </div>
  2190.  
  2191.  
  2192.  
  2193.  
  2194. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  2195. <div class="wpb_text_column wpb_content_element " >
  2196. <div class="wpb_wrapper">
  2197. <h3 style="text-align: center;"><b>Lieber &amp; Stoller/Big Mama Thorton – Hound Dog</b></h3>
  2198. </div>
  2199. </div>
  2200.  
  2201.  
  2202.  
  2203.  
  2204. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  2205. <div class="wpb_wrapper">
  2206. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Hound Dog" width="1080" height="810" src="https://www.youtube.com/embed/pam1eUkWfFM?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  2207. </div>
  2208. </div>
  2209.  
  2210. <div class="wpb_text_column wpb_content_element " >
  2211. <div class="wpb_wrapper">
  2212. <p>Leiber and Stoller’s other major contribution to the blues canon is a song commissioned by Johnny Otis for Willie Mae “Big Mama” Thornton. They named it “Hound Dog.” Again, Leiber’s earthy lyrics:<br />
  2213. <i>You ain’t nothin’ but a hound dog</i><br />
  2214. <i>Been snoopin’ ‘round my door</i><br />
  2215. <i>You can wag your tail</i><br />
  2216. <i>But I ain’t gonna feed you no more</i></p>
  2217. <p>It becomes, thanks to a misunderstanding by a Las Vegas lounge act named Freddie Bell &amp; the Bellboys and later copied by Elvis,<span class="Apple-converted-space"> </span></p>
  2218. <p><i>You ain’t nothin’ but a hound dog</i><br />
  2219. <i>Just cryin’ all the time</i><br />
  2220. <i>You ain’t never caught a rabbit</i><br />
  2221. <i>And you ain’t no friend of mine</i></p>
  2222. <p>Justly proud of the way he envisioned his words, Leiber was infuriated by the change in his masterpiece, but his fury didn’t stop him from cashing the check.</p>
  2223. </div>
  2224. </div>
  2225.  
  2226.  
  2227.  
  2228.  
  2229. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  2230. <div class="wpb_text_column wpb_content_element " >
  2231. <div class="wpb_wrapper">
  2232. <h3 style="text-align: center;"><b>Roy Alfred /Ray Charles &#8211; I’ve Got News For You</b></h3>
  2233. </div>
  2234. </div>
  2235.  
  2236.  
  2237.  
  2238.  
  2239. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  2240. <div class="wpb_wrapper">
  2241. <div class="wpb_video_wrapper"><iframe loading="lazy" title="I&#039;ve Got News For You" width="1080" height="810" src="https://www.youtube.com/embed/4nbOw4FYa3U?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  2242. </div>
  2243. </div>
  2244.  
  2245. <div class="wpb_text_column wpb_content_element " >
  2246. <div class="wpb_wrapper">
  2247. <p>Another great blues song was written by Roy Alfred, a lyricist best known for novelties like “The Hucklebuck” and “Rock And Roll Waltz,” as well as the lovely doo-wop ballad, “Wisdom Of A Fool.”<span class="Apple-converted-space">  </span>His contribution to the blues was one he wrote for Woody Herman in 1947, “I’ve Got News For You,” and revived in 1961 by Ray Charles.<span class="Apple-converted-space"> </span></p>
  2248. <p>The song became a genre standard with great lines like:<br />
  2249. <i>You said before we met</i><br />
  2250. <i>That your life was awful tame</i><br />
  2251. <i>When I took you to a night club<span class="Apple-converted-space"> </span></i><br />
  2252. <i>The whole band knew your name</i><br />
  2253. <i>Somehow your story don’t ring true little girl</i><br />
  2254. <i>I got news for you</i></p>
  2255. </div>
  2256. </div>
  2257.  
  2258.  
  2259.  
  2260.  
  2261. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  2262. <div class="wpb_text_column wpb_content_element " >
  2263. <div class="wpb_wrapper">
  2264. <h3 style="text-align: center;"><b>Memphis Slim/B.B. King &#8211; Everyday I Have The Blues</b></h3>
  2265. </div>
  2266. </div>
  2267.  
  2268.  
  2269.  
  2270.  
  2271. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  2272. <div class="wpb_wrapper">
  2273. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Everyday I Have The Blues" width="1080" height="810" src="https://www.youtube.com/embed/jWEeL__sMN0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  2274. </div>
  2275. </div>
  2276.  
  2277. <div class="wpb_text_column wpb_content_element " >
  2278. <div class="wpb_wrapper">
  2279. <p>John “Peter” Chatman aka Memphis Slim had a knack for writing great blues tunes. He first recorded in 1940 for OKeh, then for Bluebird under the aegis of music publisher Lester Melrose, who gave him his stage name. His best songs include “Messin’ Around,” “Mother Earth,” “The Comeback” and his most famous of all, “Everyday I Have The Blues,” first recorded by himself in 1947 under the title “Nobody Loves Me.”</p>
  2280. <p>The song became a hit several times, first by Lowell Fulson in 1950, then Joe Williams in 1952, B.B. King in 1955 and, one year later, again by Williams, this time with Count Basie. The latter version was inducted into the Grammy Hall of Fame in 1992.</p>
  2281. </div>
  2282. </div>
  2283.  
  2284.  
  2285.  
  2286.  
  2287. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  2288. <div class="wpb_text_column wpb_content_element " >
  2289. <div class="wpb_wrapper">
  2290. <h3 style="text-align: center;"><b>Mercy Dee Walton /Buddy Guy – One Room Country Shack</b></h3>
  2291. </div>
  2292. </div>
  2293.  
  2294.  
  2295.  
  2296.  
  2297. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  2298. <div class="wpb_wrapper">
  2299. <div class="wpb_video_wrapper"><iframe loading="lazy" title="One Room Country Shack" width="1080" height="810" src="https://www.youtube.com/embed/lAiW-nLzFDo?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  2300. </div>
  2301. </div>
  2302.  
  2303. <div class="wpb_text_column wpb_content_element " >
  2304. <div class="wpb_wrapper">
  2305. <p>Mercy Dee Walton seems to have had an interest in architecture, as revealed in his two songs of note, “Lonesome Cabin Blues” and “One Room Country Shack.” Here is the song as performed by Buddy Guy with Otis Spann.</p>
  2306. <p><i>Sitting here a thousand miles from nowhere</i><br />
  2307. <i>In this one room country little shack</i><br />
  2308. <i>My only worldly possession</i><br />
  2309. <i>Is a raggedy old little eleven foot cotton sack</i></p>
  2310. <p>Or,</p>
  2311. <p><i>I’m gonna leave here in the mornin’</i><br />
  2312. <i>I’m about to go out of my mind</i><br />
  2313. <i>I’m gonna find me some kind of a companion</i><br />
  2314. <i>Even if she’s dumb, deaf, crippled and blind</i></p>
  2315. <p>If Percy deals in the coin of urban ghetto poetry, then Mercy Dee’s poetry is that of the rural field hand, the cotton sack he sings of is the one he must fill with cotton balls in the hot, blinding sun.</p>
  2316. </div>
  2317. </div>
  2318.  
  2319.  
  2320.  
  2321.  
  2322. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  2323. <div class="wpb_text_column wpb_content_element " >
  2324. <div class="wpb_wrapper">
  2325. <h3 style="text-align: center;"><b>Charlie Singleton/Teddy McRae/Eddie “Cleanhead” Vinson &#8211; Person To Person</b></h3>
  2326. </div>
  2327. </div>
  2328.  
  2329.  
  2330.  
  2331.  
  2332. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  2333. <div class="wpb_wrapper">
  2334. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Person to Person" width="1080" height="810" src="https://www.youtube.com/embed/ECG9HJibxfs?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  2335. </div>
  2336. </div>
  2337.  
  2338. <div class="wpb_text_column wpb_content_element " >
  2339. <div class="wpb_wrapper">
  2340. <p>Big Joe Turner’s “Cherry Red,” referenced above, is an eight-bar blues, as opposed to the more common I-IV-V twelve bar variety. Along those same lines is “Person To Person,” composed by Charlie Singleton and saxophonist Teddy McRae and first recorded by Eddie “Cleanhead” Vinson and later revived by Little Willie John, Lou Rawls and others.</p>
  2341. <p>Person To Person contains some of Singleton’s finest lyrics:<br />
  2342. <i>Ain’t no use to telephone me, I can’t hug no telephone</i><br />
  2343. <i>All the time you telephonin’, you could be comin’ home</i><br />
  2344. <i></i></p>
  2345. <p><i>Ain’t no use to send no letter, I can’t hug no paper tight</i><br />
  2346. <i>Ain’t no use to send no message, it can’t talk to me at night</i><br />
  2347. <i></i></p>
  2348. <p><i>Ain’t no use to send your brother, I won’t talk to no one else</i><br />
  2349. <i>Ain’t no use to send your mother, you just got to come yourself</i><br />
  2350. <i></i></p>
  2351. <p><i>Little girl I have suffered each day since you’ve been gone</i><br />
  2352. <i>I need you person to person</i><br />
  2353. <i>Bring your big fine foxy self on home</i></p>
  2354. <ul>
  2355. <li>Billy Vera, Singer-songwriter and historian<a href="https://billyvera.com/"><span style="color: #0000ff;"> billyvera.com</span></a></li>
  2356. </ul>
  2357. </div>
  2358. </div>
  2359.  
  2360.  
  2361.  
  2362.  
  2363. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%232a2a2a%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  2364. <div class="wpb_text_column wpb_content_element " >
  2365. <div class="wpb_wrapper">
  2366. <h2 style="text-align: center;">Classic Blues Songs<br />
  2367. Recording &amp; Lyrics</h2>
  2368. </div>
  2369. </div>
  2370.  
  2371.  
  2372.  
  2373. <div id="fws_6605a546cb8c9" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  2374. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  2375. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2376. <div class="wpb_wrapper">
  2377. <div class="wpb_text_column wpb_content_element " >
  2378. <div class="wpb_wrapper">
  2379. <h3>Robert Johnson<br />
  2380. <em>Love In Vain</em></h3>
  2381. </div>
  2382. </div>
  2383.  
  2384.  
  2385.  
  2386.  
  2387. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  2388. <div class="wpb_wrapper">
  2389. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Love In Vain Blues (DAL.402-2)" width="1080" height="810" src="https://www.youtube.com/embed/R5l3imjFFpg?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  2390. </div>
  2391. </div>
  2392.  
  2393. </div>
  2394. </div>
  2395. </div>
  2396.  
  2397. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  2398. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2399. <div class="wpb_wrapper">
  2400. <div class="wpb_text_column wpb_content_element " >
  2401. <div class="wpb_wrapper">
  2402. <p><em>And I followed her to the station</em><br />
  2403. <em>With a suitcase in my hand</em><br />
  2404. <em>And I followed her to the station</em><br />
  2405. <em>With a suitcase in my hand</em><br />
  2406. <em>Well, it&#8217;s hard to tell, it&#8217;s hard to tell</em><br />
  2407. <em>When all your love&#8217;s in vain</em><br />
  2408. <em>All my love&#8217;s in vain</em></p>
  2409. <p><em>When the train rolled up to the station</em><br />
  2410. <em>I looked her in the eye</em><br />
  2411. <em>When the train rolled up to the station</em><br />
  2412. <em>And I looked her in the eye</em><br />
  2413. <em>Well, I was lonesome, I felt so lonesome</em><br />
  2414. <em>And I could not help but cry</em><br />
  2415. <em>All my love&#8217;s in vain</em></p>
  2416. </div>
  2417. </div>
  2418.  
  2419.  
  2420.  
  2421.  
  2422. </div>
  2423. </div>
  2424. </div>
  2425. </div></div>
  2426. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div><div id="fws_6605a546cbe5c" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  2427. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  2428. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2429. <div class="wpb_wrapper">
  2430. <div class="wpb_text_column wpb_content_element " >
  2431. <div class="wpb_wrapper">
  2432. <h3>Bessie Smith<em><br />
  2433. </em><em>Nobody Knows You When You&#8217;re Down And Out</em></h3>
  2434. </div>
  2435. </div>
  2436.  
  2437.  
  2438.  
  2439.  
  2440. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  2441. <div class="wpb_wrapper">
  2442. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Bessie Smith - Nobody Knows You When You&#039;re Down and Out (Official Audio)" width="1080" height="608" src="https://www.youtube.com/embed/kxTyV_cBz7o?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  2443. </div>
  2444. </div>
  2445.  
  2446. </div>
  2447. </div>
  2448. </div>
  2449.  
  2450. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  2451. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2452. <div class="wpb_wrapper">
  2453. <div class="wpb_text_column wpb_content_element " >
  2454. <div class="wpb_wrapper">
  2455. <p><em>Once I lived the life of a millionaire</em><br />
  2456. <em>Spent all my money, I just did not care</em><br />
  2457. <em>Took all my friends out for a good time</em><br />
  2458. <em>Bought bootleg whiskey, champagne and wine</em></p>
  2459. <p><em>Then I began to fall so low</em><br />
  2460. <em>Lost all my good friends, I did not have nowhere to go</em><br />
  2461. <em>If I get my hands on a dollar again</em><br />
  2462. <em>I&#8217;m gonna hang on to it till that eagle grins, yeah</em></p>
  2463. <p><em>&#8216;Cause no, no, nobody knows you w</em><em>hen you&#8217;re down and out</em><br />
  2464. <em>In your pocket, not one penny a</em><em>nd as for friends, you don&#8217;t have any</em></p>
  2465. <p><em>When you finally get back up on your feet again</em><br />
  2466. <em>Everybody wants to be your old long-lost friend</em><br />
  2467. <em>Said it&#8217;s mighty strange, without a doubt</em><br />
  2468. <em>Nobody knows you when you&#8217;re down and out, yeah</em></p>
  2469. <p><em>But when you finally get back up on your feet again</em><br />
  2470. <em>Everybody wants to be your good old long-lost friend&#8230;</em></p>
  2471. </div>
  2472. </div>
  2473.  
  2474.  
  2475.  
  2476.  
  2477. </div>
  2478. </div>
  2479. </div>
  2480. </div></div>
  2481. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div><div id="fws_6605a546cc3ae" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  2482. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  2483. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2484. <div class="wpb_wrapper">
  2485. <div class="wpb_text_column wpb_content_element " >
  2486. <div class="wpb_wrapper">
  2487. <h3>Son House<br />
  2488. <em>Death Letter Blues</em></h3>
  2489. </div>
  2490. </div>
  2491.  
  2492.  
  2493.  
  2494.  
  2495. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  2496. <div class="wpb_wrapper">
  2497. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Son House &quot;Death Letter Blues&quot;" width="1080" height="810" src="https://www.youtube.com/embed/NdgrQoZHnNY?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  2498. </div>
  2499. </div>
  2500.  
  2501. </div>
  2502. </div>
  2503. </div>
  2504.  
  2505. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  2506. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2507. <div class="wpb_wrapper">
  2508. <div class="wpb_text_column wpb_content_element " >
  2509. <div class="wpb_wrapper">
  2510. <p><em>I got a letter this morning, how do you reckon it read?</em><br />
  2511. <em>Well I got a letter this morning, how do you reckon it read?</em><br />
  2512. <em>It say, &#8220;Hurry, hurry! For the girl you love is dead.&#8221;</em></p>
  2513. <p><em>Well I packed up my suitcase, and took off down the road</em><br />
  2514. <em>When I got there, she was on the cooling board</em><br />
  2515. <em>I got a letter this morning, how do you reckon it read?</em><br />
  2516. <em>Well it say, &#8220;Hurry, hurry! For the girl you love is dead.&#8221;</em><br />
  2517. <em>Well well well well&#8230;</em></p>
  2518. <p><em>Well I walked &#8217;round her close, looked straight down in her face</em><br />
  2519. <em>Said good girl, you got to lay there till your Judgment Day</em><br />
  2520. <em>I will&#8230; right up, looked down in her face</em><br />
  2521. <em>Said you got to lay there till your Judgment Day</em><br />
  2522. <em>&#8216;Cause I got a letter this morning, how the hell do you reckon it read?</em></p>
  2523. </div>
  2524. </div>
  2525.  
  2526.  
  2527.  
  2528.  
  2529. </div>
  2530. </div>
  2531. </div>
  2532. </div></div>
  2533. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div><div id="fws_6605a546cc8b5" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  2534. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  2535. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2536. <div class="wpb_wrapper">
  2537. <div class="wpb_text_column wpb_content_element " >
  2538. <div class="wpb_wrapper">
  2539. <h3>Elmore James<br />
  2540. <em>Done Somebody Wrong</em></h3>
  2541. </div>
  2542. </div>
  2543.  
  2544.  
  2545.  
  2546.  
  2547. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  2548. <div class="wpb_wrapper">
  2549. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Done Somebody Wrong" width="1080" height="810" src="https://www.youtube.com/embed/tgt1EXbKbF0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  2550. </div>
  2551. </div>
  2552.  
  2553. </div>
  2554. </div>
  2555. </div>
  2556.  
  2557. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  2558. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2559. <div class="wpb_wrapper">
  2560. <div class="wpb_text_column wpb_content_element " >
  2561. <div class="wpb_wrapper">
  2562. <p><em>The bell just toned, my baby done caught that train and gone</em><br />
  2563. <em>Yes, the bell just toned, my baby done caught that train and gone</em><br />
  2564. <em>It&#8217;s all my fault, I must have done somebody wrong, oh yeah</em></p>
  2565. <p><em>Everything that happened, you know I am to blame</em><br />
  2566. <em>Everything that&#8217;s happened, you know I am to blame</em><br />
  2567. <em>I&#8217;m gonna find me a doctor, maybe my luck will change, oh yeah</em></p>
  2568. <p><em>My mother told me these days would surely come,</em><br />
  2569. <em>But I, wouldn&#8217;t listen to her, said, I gotta have some fun</em><br />
  2570. <em>Aah, I must-a did somebody wrong,</em><br />
  2571. <em>Uuh, it&#8217;s all my fault, I must-a did somebody wrong</em></p>
  2572. </div>
  2573. </div>
  2574.  
  2575.  
  2576.  
  2577.  
  2578. </div>
  2579. </div>
  2580. </div>
  2581. </div></div>
  2582. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div><div id="fws_6605a546cce13" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  2583. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  2584. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2585. <div class="wpb_wrapper">
  2586. <div class="wpb_text_column wpb_content_element " >
  2587. <div class="wpb_wrapper">
  2588. <h3>John Lee Hooker<br />
  2589. <em>Boogie Chillen&#8217;</em></h3>
  2590. </div>
  2591. </div>
  2592.  
  2593.  
  2594.  
  2595.  
  2596. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  2597. <div class="wpb_wrapper">
  2598. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Boogie Chillen" width="1080" height="810" src="https://www.youtube.com/embed/tusF57ZtyXc?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  2599. </div>
  2600. </div>
  2601.  
  2602. </div>
  2603. </div>
  2604. </div>
  2605.  
  2606. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  2607. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2608. <div class="wpb_wrapper">
  2609. <div class="wpb_text_column wpb_content_element " >
  2610. <div class="wpb_wrapper">
  2611. <p><em>Well, my mama &#8216;low me just to stay out all night long</em><br />
  2612. <em>Oh, Lord</em><br />
  2613. <em>Well, my mama &#8216;low me just to stay out all night long</em><br />
  2614. <em>I didn&#8217;t care she &#8216;low, I would boogie anyhow</em></p>
  2615. <p><em>When I first came to town, people, I was walkin&#8217; down Hastings Street</em><br />
  2616. <em>Everybody was talkin&#8217; about the Henry Swing Club</em><br />
  2617. <em>I decided I drop in there that night</em><br />
  2618. <em>When I got there, I say, &#8220;Yes, people&#8221;</em><br />
  2619. <em>They was really havin&#8217; a ball</em><br />
  2620. <em>Yes, I know</em></p>
  2621. <p><em>One night I was layin&#8217; down</em><br />
  2622. <em>I heard mama and papa talkin&#8217;</em><br />
  2623. <em>I heard papa tell mama let that boy boogie-woogie</em><br />
  2624. <em>It&#8217;s in him and it got to come out</em><br />
  2625. <em>And I felt so good</em><br />
  2626. <em>Went on boogin&#8217; just the same</em></p>
  2627. </div>
  2628. </div>
  2629.  
  2630.  
  2631.  
  2632.  
  2633. </div>
  2634. </div>
  2635. </div>
  2636. </div></div>
  2637. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div><div id="fws_6605a546cd374" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  2638. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  2639. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2640. <div class="wpb_wrapper">
  2641. <div class="wpb_text_column wpb_content_element " >
  2642. <div class="wpb_wrapper">
  2643. <h3>John Lee Hooker<br />
  2644. <em>Serves Me Right To Suffer</em></h3>
  2645. </div>
  2646. </div>
  2647.  
  2648.  
  2649.  
  2650.  
  2651. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  2652. <div class="wpb_wrapper">
  2653. <div class="wpb_video_wrapper"><iframe loading="lazy" title="John Lee Hooker - Serves Me Right To Suffer (American Folk Blues Festival, 18th October 1968)" width="1080" height="810" src="https://www.youtube.com/embed/5IpwwO6T1S0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  2654. </div>
  2655. </div>
  2656.  
  2657. </div>
  2658. </div>
  2659. </div>
  2660.  
  2661. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  2662. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2663. <div class="wpb_wrapper">
  2664. <div class="wpb_text_column wpb_content_element " >
  2665. <div class="wpb_wrapper">
  2666. <p><em>Every time I see a woman</em><br />
  2667. <em>And folks she make me think of mine<br />
  2668. </em><em>And that&#8217;s why, that&#8217;s why</em><br />
  2669. <em>And folks I just can&#8217;t keep from cryin&#8217;</em></p>
  2670. <p><em>It serves me right to suffer</em><br />
  2671. <em>It serves me right to be alone<br />
  2672. </em><em>Now I&#8217;m living in the memory</em><br />
  2673. <em>Of a woman that has passed and gone</em></p>
  2674. <p><em>My doctor put me on</em><br />
  2675. <em>Milk, cream and alcohol</em><br />
  2676. <em>Said, &#8220;Johnny your nerves is so bad, so bad, Johnny</em><br />
  2677. <em>Until you just can&#8217;t sleep at night&#8221;</em></p>
  2678. <p><em>It serves me right to suffer</em><br />
  2679. <em>It serves me right to be alone</em></p>
  2680. </div>
  2681. </div>
  2682.  
  2683.  
  2684.  
  2685.  
  2686. </div>
  2687. </div>
  2688. </div>
  2689. </div></div>
  2690. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div><div id="fws_6605a546cd861" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  2691. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  2692. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2693. <div class="wpb_wrapper">
  2694. <div class="wpb_text_column wpb_content_element " >
  2695. <div class="wpb_wrapper">
  2696. <h3>Albert King<br />
  2697. <em>Born Under A Bad Sign</em></h3>
  2698. </div>
  2699. </div>
  2700.  
  2701.  
  2702.  
  2703.  
  2704. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  2705. <div class="wpb_wrapper">
  2706. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Albert King - Born Under A Bad Sign" width="1080" height="608" src="https://www.youtube.com/embed/cUiP2iW30-M?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  2707. </div>
  2708. </div>
  2709.  
  2710. </div>
  2711. </div>
  2712. </div>
  2713.  
  2714. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  2715. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2716. <div class="wpb_wrapper">
  2717. <div class="wpb_text_column wpb_content_element " >
  2718. <div class="wpb_wrapper">
  2719. <p><em>Born under a bad sign, b</em><em>een down since I begin to crawl</em><br />
  2720. <em>If it wasn&#8217;t for bad luck, y</em><em>ou know I wouldn&#8217;t have no luck at all</em></p>
  2721. <p><em>Hard luck and trouble been my only friend</em><br />
  2722. <em>I been on my own ever since I was ten</em></p>
  2723. <p><em>Born under a bad sign, b</em><em>een down since I begin to crawl</em><br />
  2724. <em>If it wasn&#8217;t for bad luck, y</em><em>ou know I wouldn&#8217;t have no luck at all</em></p>
  2725. <p><em>I can&#8217;t read, I didn&#8217;t learn how to write</em><br />
  2726. <em>My whole life has been one big fight</em></p>
  2727. <p><em>Born under a bad sign&#8230;</em></p>
  2728. </div>
  2729. </div>
  2730.  
  2731.  
  2732.  
  2733.  
  2734. </div>
  2735. </div>
  2736. </div>
  2737. </div></div>
  2738. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  2739. </div>
  2740. </div>
  2741. </div>
  2742. </div></div>
  2743. <div id="fws_6605a546ce18c"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  2744. <div  class="vc_col-sm-1/5 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  2745. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2746. <div class="wpb_wrapper">
  2747. <div class="img-with-aniamtion-wrap " data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  2748.      <div class="inner">
  2749.        <div class="hover-wrap" data-hover-animation="none">
  2750.          <div class="hover-wrap-inner">
  2751.            <a href="https://www.mosaicrecords.com/the-great-jazz-artists/jazz-guitarists/" target="_self" class="">
  2752.              <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="346" width="350" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/09/Jazz-Guitar-best-scaled-e1631840424153.jpg" alt=""  />
  2753.            </a>
  2754.          </div>
  2755.        </div>
  2756.      </div>
  2757.      </div>
  2758. </div>
  2759. </div>
  2760. </div>
  2761.  
  2762. <div  class="vc_col-sm-1/5 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  2763. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2764. <div class="wpb_wrapper">
  2765. <div class="wpb_text_column wpb_content_element " >
  2766. <div class="wpb_wrapper">
  2767. <blockquote>
  2768. <h2 style="text-align: center;">Extraordinary Jazz Guitarists</h2>
  2769. </blockquote>
  2770. </div>
  2771. </div>
  2772.  
  2773.  
  2774.  
  2775.  
  2776. </div>
  2777. </div>
  2778. </div>
  2779.  
  2780. <div  class="vc_col-sm-1/5 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  2781. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2782. <div class="wpb_wrapper">
  2783. </div>
  2784. </div>
  2785. </div>
  2786.  
  2787. <div  class="vc_col-sm-1/5 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  2788. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2789. <div class="wpb_wrapper">
  2790. <div class="img-with-aniamtion-wrap " data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  2791.      <div class="inner">
  2792.        <div class="hover-wrap" data-hover-animation="none">
  2793.          <div class="hover-wrap-inner">
  2794.            <a href="https://www.mosaicrecords.com/the-great-jazz-artists/jazz-pianists/" target="_self" class="">
  2795.              <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="300" width="300" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/09/WHILLA14w_Andrew-Hill.jpg" alt="" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/09/WHILLA14w_Andrew-Hill.jpg 300w, https://www.mosaicrecords.com/wp-content/uploads/2021/09/WHILLA14w_Andrew-Hill-150x150.jpg 150w, https://www.mosaicrecords.com/wp-content/uploads/2021/09/WHILLA14w_Andrew-Hill-100x100.jpg 100w, https://www.mosaicrecords.com/wp-content/uploads/2021/09/WHILLA14w_Andrew-Hill-140x140.jpg 140w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
  2796.            </a>
  2797.          </div>
  2798.        </div>
  2799.      </div>
  2800.      </div>
  2801. </div>
  2802. </div>
  2803. </div>
  2804.  
  2805. <div  class="vc_col-sm-1/5 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  2806. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2807. <div class="wpb_wrapper">
  2808. <div class="wpb_text_column wpb_content_element " >
  2809. <div class="wpb_wrapper">
  2810. <blockquote>
  2811. <h2 style="text-align: center;">18 Extraordinary Jazz Pianists</h2>
  2812. </blockquote>
  2813. </div>
  2814. </div>
  2815.  
  2816.  
  2817.  
  2818.  
  2819. </div>
  2820. </div>
  2821. </div>
  2822. </div></div>
  2823. <div id="fws_6605a546ceab9"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  2824. <div  class="vc_col-sm-2 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  2825. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2826. <div class="wpb_wrapper">
  2827. <div class="img-with-aniamtion-wrap " data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  2828.      <div class="inner">
  2829.        <div class="hover-wrap" data-hover-animation="none">
  2830.          <div class="hover-wrap-inner">
  2831.            <a href="https://www.mosaicrecords.com/1920s-jazz/" target="_self" class="">
  2832.              <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="272" width="369" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/06/1920s-jazz-e1631850986568.jpg" alt="1920s Jazz" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/06/1920s-jazz-e1631850986568.jpg 369w, https://www.mosaicrecords.com/wp-content/uploads/2021/06/1920s-jazz-e1631850986568-300x221.jpg 300w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
  2833.            </a>
  2834.          </div>
  2835.        </div>
  2836.      </div>
  2837.      </div>
  2838. </div>
  2839. </div>
  2840. </div>
  2841.  
  2842. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  2843. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2844. <div class="wpb_wrapper">
  2845. <div class="wpb_text_column wpb_content_element " >
  2846. <div class="wpb_wrapper">
  2847. <blockquote>
  2848. <h2 style="text-align: center;">1920s Jazz</h2>
  2849. </blockquote>
  2850. </div>
  2851. </div>
  2852.  
  2853.  
  2854.  
  2855.  
  2856. </div>
  2857. </div>
  2858. </div>
  2859.  
  2860. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  2861. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2862. <div class="wpb_wrapper">
  2863. </div>
  2864. </div>
  2865. </div>
  2866.  
  2867. <div  class="vc_col-sm-2 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  2868. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2869. <div class="wpb_wrapper">
  2870. </div>
  2871. </div>
  2872. </div>
  2873. </div></div>
  2874. <p>The post <a href="https://www.mosaicrecords.com/blues-songs/">Blues Songs</a> appeared first on <a href="https://www.mosaicrecords.com">Mosaic Records - Home for Jazz fans!</a>.</p>
  2875. ]]></content:encoded>
  2876. </item>
  2877. <item>
  2878. <title>What A Wonderful World</title>
  2879. <link>https://www.mosaicrecords.com/what-a-wonderful-world-lyrics/</link>
  2880. <dc:creator><![CDATA[Mosaic Records]]></dc:creator>
  2881. <pubDate>Wed, 20 Oct 2021 17:46:07 +0000</pubDate>
  2882. <category><![CDATA[Best Jazz Albums]]></category>
  2883. <guid isPermaLink="false">https://www.mosaicrecords.com/?p=13530</guid>
  2884.  
  2885. <description><![CDATA[<p>The post <a href="https://www.mosaicrecords.com/what-a-wonderful-world-lyrics/">What A Wonderful World</a> appeared first on <a href="https://www.mosaicrecords.com">Mosaic Records - Home for Jazz fans!</a>.</p>
  2886. ]]></description>
  2887. <content:encoded><![CDATA[
  2888. <div id="fws_6605a546d0a96"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  2889. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  2890. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2891. <div class="wpb_wrapper">
  2892. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-80 vc_video-align-center" >
  2893. <div class="wpb_wrapper">
  2894. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Louis Armstrong - What A Wonderful World (Official Video)" width="1080" height="608" src="https://www.youtube.com/embed/rBrd_3VMC3c?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  2895. </div>
  2896. </div>
  2897.  
  2898. <div class="wpb_text_column wpb_content_element " >
  2899. <div class="wpb_wrapper">
  2900. <h1 style="text-align: center;"><strong>Louis Armstrong<br />
  2901. </strong>What A Wonderful World<br />
  2902. Lyrics &amp; Recording</h1>
  2903. <h1 style="text-align: center;"></h1>
  2904. </div>
  2905. </div>
  2906.  
  2907.  
  2908.  
  2909.  
  2910. </div>
  2911. </div>
  2912. </div>
  2913. </div></div>
  2914. <div id="fws_6605a546d0f98"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  2915. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  2916. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2917. <div class="wpb_wrapper">
  2918. <div id="fws_6605a546d124a" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  2919. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  2920. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2921. <div class="wpb_wrapper">
  2922. <div class="wpb_text_column wpb_content_element " >
  2923. <div class="wpb_wrapper">
  2924. <p><i>“Some years later, in the mid-1960s during the deepening national traumas, my co-writer George David Weiss and I had an idea to write a different song specifically for Louis Armstrong that would be called &#8216;What a Wonderful World. We wanted this immortal musician and performer to say, as only he could, the world really is great: full of the love and sharing people make possible for themselves and each other every day.”</i> – Bob Thiele</p>
  2925. <p>Joe Glaser approved the song, but according to Muranyi, Armstrong’s first reaction to What a Wonderful World was “What is this?” But Muranyi said that Armstrong began to warm to it, perhaps because he related it not so much to the social upheavals of the 1960s as to his own life. “There&#8217;s so much in What a Wonderful World&#8217; that brings me back to my neighborhood where I live in Corona, New York,” Louis Armstrong said in 1968.</p>
  2926. <p>Louis Armstrong managed to infuse the triteness of it all—the melody bears more than a passing resemblance to “Twinkle, Twinkle, Little Star”– with so much emotion as to have created one of his best-known songs. What is singular about his performance is that he stuck to the melody almost entirely throughout, something he rarely did. He occasionally plays with the rhythm, but for the most part he sings it as written—and beautifully, as What a Wonderful World lyrics seems to speak to his philosophy of life.</p>
  2927. <p><strong>A Magical Recording</strong><br />
  2928. Here there is also no trumpet playing and no scatting, though Armstrong&#8217;s inimitable “Oh yeah” is a definitively fitting conclusion. “What a Wonderful World” hardly changed the musical landscape like “West End Blues,&#8221; but, even though it&#8217;s been ubiquitous in recent years, there&#8217;s no denying that it is a magical recording.</p>
  2929. <p>Louis Armstrong was not only a musical genius, but he was also a once-in-a-lifetime character, a civil rights pioneer, an unimpeachable icon of entertainment, and one of the most unique human beings to ever grace the planet. The story of Louis Armstrong&#8217;s later years is the continuing saga of an American genius who beat all the odds, rising up from the lowest levels of poverty to become America&#8217;s “Ambassador of Goodwill.” Armstrong once addressed that title in the late 1960s, telling a friend that it made him feel good. “It&#8217;s nice to hear that,” he said, “because—I mean—the kid has come a long way.”</p>
  2930. <p><em>Lucille and I, ever since we&#8217;re married, we’ve been right there in that block. And everybody keeps their little homes up like we do and it&#8217;s just like one big family. I saw three generations come up on that block. And they&#8217;re all with their children, grandchildren, they come back to see Uncle Satchmo and Aunt Lucille.</em></p>
  2931. <p><em>And I can look at all them kids&#8217; faces. And I got pictures of them when they were five, six and seven years old. So when they hand me this “Wonderful World,” I didn&#8217;t look no further, that was it. And the music with it. So you can see, from the expression, them people dug it. It is a wonderful world.</em></p>
  2932. <p>Book excerpt from What A Wonderful World &#8211; Ricky Riccardi excerpt with permission (<a href="https://www.mosaicrecords.com/jazz-books/"><span style="color: #0000ff;">Click to purchase</span></a>)</p>
  2933. </div>
  2934. </div>
  2935.  
  2936.  
  2937.  
  2938.  
  2939. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 60%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  2940. <div class="wpb_text_column wpb_content_element " >
  2941. <div class="wpb_wrapper">
  2942. <h2 style="text-align: center;"><span style="text-decoration: underline;">What A Wonderful World Lyrics</span></h2>
  2943. <div style="text-align: center;">
  2944. <p><i>I see trees of green, red roses too</i><br />
  2945. <i>I see them bloom for me and you</i><br />
  2946. <i>And I think to myself</i><br />
  2947. <i>What a wonderful world</i></p>
  2948. <p><i>I see skies of blue and clouds of white</i><br />
  2949. <i>The bright blessed days, the dark sacred nights</i><br />
  2950. <i>And I think to myself</i><br />
  2951. <i>What a wonderful world</i></p>
  2952. <p><i>The colors of the rainbow</i><br />
  2953. <i>So pretty in the sky</i><br />
  2954. <i>Are also on the faces</i><br />
  2955. <i>Of people going by</i><br />
  2956. <i>I see friends shaking hands, saying, &#8220;How do you do?&#8221;</i><br />
  2957. <i>They&#8217;re really saying, &#8220;I love you&#8221;</i></p>
  2958. <p><i>I hear babies cry, I watch them grow</i><br />
  2959. <i>They&#8217;ll learn much more</i><br />
  2960. <i>Than I&#8217;ll ever know</i><br />
  2961. <i>And I think to myself</i><br />
  2962. <i>What a wonderful world</i><br />
  2963. <i>Yes, I think to myself</i><br />
  2964. <i>What a wonderful world</i></p>
  2965. </div>
  2966. </div>
  2967. </div>
  2968.  
  2969.  
  2970.  
  2971.  
  2972. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 60%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%232a2a2a%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  2973. </div>
  2974. </div>
  2975. </div>
  2976. </div></div>
  2977. </div>
  2978. </div>
  2979. </div>
  2980. </div></div>
  2981. <div id="fws_6605a546d175a"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  2982. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  2983. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  2984. <div class="wpb_wrapper">
  2985. <div class="wpb_text_column wpb_content_element " >
  2986. <div class="wpb_wrapper">
  2987. <h2 style="text-align: center;">Best Jazz Songs</h2>
  2988. </div>
  2989. </div>
  2990.  
  2991.  
  2992.  
  2993.  
  2994. </div>
  2995. </div>
  2996. </div>
  2997. </div></div>
  2998. <div id="fws_6605a546d1a19"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row  vc_row-o-equal-height vc_row-flex standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  2999. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  3000. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  3001. <div class="wpb_wrapper">
  3002. <div class="wpb_text_column wpb_content_element " >
  3003. <div class="wpb_wrapper">
  3004. <h2 style="text-align: center;"><strong>Frank</strong></h2>
  3005. </div>
  3006. </div>
  3007.  
  3008.  
  3009.  
  3010. <div class="img-with-aniamtion-wrap " data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  3011.      <div class="inner">
  3012.        <div class="hover-wrap" data-hover-animation="none">
  3013.          <div class="hover-wrap-inner">
  3014.            <a href="https://www.mosaicrecords.com/frank-sinatra-songs/" target="_self" class="">
  3015.              <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="339" width="350" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/10/Frank_Sinatra_1957_studio_portrait_close-up-copy-e1633360867341.jpg" alt="" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/10/Frank_Sinatra_1957_studio_portrait_close-up-copy-e1633360867341.jpg 350w, https://www.mosaicrecords.com/wp-content/uploads/2021/10/Frank_Sinatra_1957_studio_portrait_close-up-copy-e1633360867341-300x291.jpg 300w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
  3016.            </a>
  3017.          </div>
  3018.        </div>
  3019.      </div>
  3020.      </div>
  3021. </div>
  3022. </div>
  3023. </div>
  3024.  
  3025. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  3026. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  3027. <div class="wpb_wrapper">
  3028. <div class="wpb_text_column wpb_content_element " >
  3029. <div class="wpb_wrapper">
  3030. <h2 style="text-align: center;"><strong>Satchmo</strong></h2>
  3031. </div>
  3032. </div>
  3033.  
  3034.  
  3035.  
  3036. <div class="img-with-aniamtion-wrap " data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  3037.      <div class="inner">
  3038.        <div class="hover-wrap" data-hover-animation="none">
  3039.          <div class="hover-wrap-inner">
  3040.            <a href="https://www.mosaicrecords.com/best-jazz-recordings-louis-armstrong/" target="_self" class="">
  3041.              <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="495" width="500" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/03/Louis-Armstrong-Gottlieb-e1699809661127.jpg" alt=""  />
  3042.            </a>
  3043.          </div>
  3044.        </div>
  3045.      </div>
  3046.      </div>
  3047. </div>
  3048. </div>
  3049. </div>
  3050.  
  3051. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  3052. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  3053. <div class="wpb_wrapper">
  3054. <div class="wpb_text_column wpb_content_element " >
  3055. <div class="wpb_wrapper">
  3056. <h2 style="text-align: center;"><strong>25 Best Songs</strong></h2>
  3057. </div>
  3058. </div>
  3059.  
  3060.  
  3061.  
  3062. <div class="img-with-aniamtion-wrap " data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  3063.      <div class="inner">
  3064.        <div class="hover-wrap" data-hover-animation="none">
  3065.          <div class="hover-wrap-inner">
  3066.            <a href="https://www.mosaicrecords.com/jazz-songs/" target="_self" class="">
  3067.              <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="300" width="300" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/10/square-album-image.png" alt="" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/10/square-album-image.png 300w, https://www.mosaicrecords.com/wp-content/uploads/2021/10/square-album-image-150x150.png 150w, https://www.mosaicrecords.com/wp-content/uploads/2021/10/square-album-image-100x100.png 100w, https://www.mosaicrecords.com/wp-content/uploads/2021/10/square-album-image-140x140.png 140w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
  3068.            </a>
  3069.          </div>
  3070.        </div>
  3071.      </div>
  3072.      </div>
  3073. </div>
  3074. </div>
  3075. </div>
  3076. </div></div>
  3077. <p>The post <a href="https://www.mosaicrecords.com/what-a-wonderful-world-lyrics/">What A Wonderful World</a> appeared first on <a href="https://www.mosaicrecords.com">Mosaic Records - Home for Jazz fans!</a>.</p>
  3078. ]]></content:encoded>
  3079. </item>
  3080. <item>
  3081. <title>Frank Sinatra Songs</title>
  3082. <link>https://www.mosaicrecords.com/frank-sinatra-songs/</link>
  3083. <dc:creator><![CDATA[Mosaic Records]]></dc:creator>
  3084. <pubDate>Mon, 27 Sep 2021 15:56:05 +0000</pubDate>
  3085. <category><![CDATA[Best Jazz Albums]]></category>
  3086. <category><![CDATA[Best Jazz Albums: Early/Trad Jazz]]></category>
  3087. <category><![CDATA[Best jazz posts]]></category>
  3088. <category><![CDATA[Big Band]]></category>
  3089. <category><![CDATA[Bunny Berigan]]></category>
  3090. <category><![CDATA[Coleman Hawkins]]></category>
  3091. <category><![CDATA[Donald Byrd]]></category>
  3092. <category><![CDATA[Duke Ellington]]></category>
  3093. <category><![CDATA[Earl Hines]]></category>
  3094. <category><![CDATA[James P Johnson]]></category>
  3095. <category><![CDATA[Lionel Hampton]]></category>
  3096. <category><![CDATA[Louis Armstrong]]></category>
  3097. <category><![CDATA[Small Group Swing]]></category>
  3098. <category><![CDATA[Thelonious Monk]]></category>
  3099. <guid isPermaLink="false">https://www.mosaicrecords.com/?p=13216</guid>
  3100.  
  3101. <description><![CDATA[<p>The post <a href="https://www.mosaicrecords.com/frank-sinatra-songs/">Frank Sinatra Songs</a> appeared first on <a href="https://www.mosaicrecords.com">Mosaic Records - Home for Jazz fans!</a>.</p>
  3102. ]]></description>
  3103. <content:encoded><![CDATA[
  3104. <div id="fws_6605a546d4484"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  3105. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  3106. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  3107. <div class="wpb_wrapper">
  3108. <div class="img-with-aniamtion-wrap " data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  3109.      <div class="inner">
  3110.        <div class="hover-wrap" data-hover-animation="none">
  3111.          <div class="hover-wrap-inner">
  3112.            <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="500" width="500" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/09/Frank_Sinatra_1957_studio_portrait_close-up-e1632837958336.jpg" alt="" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/09/Frank_Sinatra_1957_studio_portrait_close-up-e1632837958336.jpg 500w, https://www.mosaicrecords.com/wp-content/uploads/2021/09/Frank_Sinatra_1957_studio_portrait_close-up-e1632837958336-300x300.jpg 300w, https://www.mosaicrecords.com/wp-content/uploads/2021/09/Frank_Sinatra_1957_studio_portrait_close-up-e1632837958336-150x150.jpg 150w, https://www.mosaicrecords.com/wp-content/uploads/2021/09/Frank_Sinatra_1957_studio_portrait_close-up-e1632837958336-100x100.jpg 100w, https://www.mosaicrecords.com/wp-content/uploads/2021/09/Frank_Sinatra_1957_studio_portrait_close-up-e1632837958336-140x140.jpg 140w, https://www.mosaicrecords.com/wp-content/uploads/2021/09/Frank_Sinatra_1957_studio_portrait_close-up-e1632837958336-350x350.jpg 350w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
  3113.          </div>
  3114.        </div>
  3115.      </div>
  3116.    </div>
  3117. </div>
  3118. </div>
  3119. </div>
  3120.  
  3121. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  3122. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  3123. <div class="wpb_wrapper">
  3124. <div class="divider-wrap" data-alignment="default"><div style="height: 75px;" class="divider"></div></div>
  3125. <div class="wpb_text_column wpb_content_element " >
  3126. <div class="wpb_wrapper">
  3127. <h1 style="text-align: center;">9 of Frank Sinatra&#8217;s Greatest Songs</h1>
  3128. </div>
  3129. </div>
  3130.  
  3131.  
  3132.  
  3133.  
  3134. </div>
  3135. </div>
  3136. </div>
  3137. </div></div>
  3138. <div id="fws_6605a546d4a36"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  3139. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  3140. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  3141. <div class="wpb_wrapper">
  3142. <div id="fws_6605a546d4c95" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  3143. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  3144. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  3145. <div class="wpb_wrapper">
  3146. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 60%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  3147. <div class="wpb_text_column wpb_content_element " >
  3148. <div class="wpb_wrapper">
  3149. <p><b>By Billy Vera</b></p>
  3150. <p>Already mostly gone from this earth are the bobbysoxers whose shrieks rendered the man they called The Voice unheard at what began as a New Year’s gig at the Times Square Paramount Theatre in December, 1942. “The sound that greeted me,” Frank Sinatra recalled, “was absolutely deafening…I was scared stiff.”  The gig, backed by Benny Goodman’s band, was extended to two months, eleven shows a day, starting at 8:10 am and ending at 2:30 the next morning. The joint’s 3,664 seats were filled each show, plus standing room.</p>
  3151. </div>
  3152. </div>
  3153.  
  3154.  
  3155.  
  3156.  
  3157. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 60%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  3158. <div class="wpb_text_column wpb_content_element " >
  3159. <div class="wpb_wrapper">
  3160. <h3>Frank Sinatra &amp; Tommy Dorsey</h3>
  3161. <p>It was “Oh Frankie” time. The scrawny kid with the scar on the side of his face had escaped from a long-term contract with his previous employer, Tommy Dorsey, some said with a little help from some unsavory characters who the public would connect him with for the rest of his days.</p>
  3162. </div>
  3163. </div>
  3164.  
  3165.  
  3166.  
  3167.  
  3168. <div class="wpb_text_column wpb_content_element " >
  3169. <div class="wpb_wrapper">
  3170. <h2 style="text-align: center;">I&#8217;ll Never Smile Again</h2>
  3171. </div>
  3172. </div>
  3173.  
  3174.  
  3175.  
  3176.  
  3177. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  3178. <div class="wpb_wrapper">
  3179. <div class="wpb_video_wrapper"><iframe loading="lazy" title="I&#039;ll Never Smile Again" width="1080" height="810" src="https://www.youtube.com/embed/xVH7i-QmoHU?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  3180. </div>
  3181. </div>
  3182.  
  3183. <div class="wpb_text_column wpb_content_element " >
  3184. <div class="wpb_wrapper">
  3185. <p>But despite the unpleasant ending to their relationship, it was with Dorsey that he’d become famous, beginning with “Polka Dots And Moonbeams” in 1940. One of the great early Frank Sinatra songs was with the Pied Pipers “I’ll Never Smile Again,” featuring a young Jo Stafford, released the same year, found a new life a couple years later, thanks to wartime separation anxieties of couples torn apart. Another tune, given a second chance, that greatest of all wartime Frank Sinatra songs, “I’ll Be Seeing You,” was reissued in 1944.</p>
  3186. <p>Frank Sinatra’s songs during this period, mostly arranged by his Dorsey band friend Axel Stordahl, showed range and varying degrees of depth. His voice could go from light and youthful, as in “Time After Time” or “I Got A Crush On You,” to almost operatic items like “If You Are But A Dream,” “If I Loved You” or “Some Enchanted Evening.”</p>
  3187. <p>Hopelessly in love with the great screen beauty Ava Gardner, he learned to beg, plead and suffer for the object of his love. It was said that he even put his head in an oven and turned on the gas in desperation. Frankie had hit bottom.</p>
  3188. <p>In 1953, he heard of a part in a forthcoming motion picture that he just knew he could nail, if only the powers that be could be persuaded to audition the fallen star. A word from Ava to a studio head, and the role was his.</p>
  3189. <p>The dancer Bud Robinson who, with his wife Cece worked as an opening act for Sinatra and others, recalled, “We worked with Frank at Bill Miller’s nightclub in Frank’s hometown of Fort Lee, New Jersey right before <i>From Here To Eternity</i> was released and then again at the Copa the week after it came out. At the Riviera, he couldn’t fill a half a house. At the Copa, it was lines around the block. That’s how fast things turned around for him.”<span class="Apple-converted-space"> </span></p>
  3190. </div>
  3191. </div>
  3192.  
  3193.  
  3194.  
  3195.  
  3196. </div>
  3197. </div>
  3198. </div>
  3199. </div></div><div id="fws_6605a546d5260" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  3200. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  3201. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  3202. <div class="wpb_wrapper">
  3203. <div class="wpb_text_column wpb_content_element " >
  3204. <div class="wpb_wrapper">
  3205. <h3>Capitol Records came a-calling</h3>
  3206. <p>The first single, “I’m Walking Behind You,” was a typical Stordahl chart and reached the top ten, his highest since “Castle Rock,” two years earlier. But the Capitol brass wasn’t satisfied.<span class="Apple-converted-space"> </span></p>
  3207. </div>
  3208. </div>
  3209.  
  3210.  
  3211.  
  3212.  
  3213. <div class="wpb_text_column wpb_content_element " >
  3214. <div class="wpb_wrapper">
  3215. <h2 style="text-align: center;">I&#8217;m Walking Behind You</h2>
  3216. </div>
  3217. </div>
  3218.  
  3219.  
  3220.  
  3221.  
  3222. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  3223. <div class="wpb_wrapper">
  3224. <div class="wpb_video_wrapper"><iframe loading="lazy" title="I&#039;m Walking Behind You (Remastered)" width="1080" height="810" src="https://www.youtube.com/embed/ZyIOe4bRbtY?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  3225. </div>
  3226. </div>
  3227.  
  3228. <div class="wpb_text_column wpb_content_element " >
  3229. <div class="wpb_wrapper">
  3230. <p>Frank and Axel were just more of the same old, same old that the fans had grown tired of. Something fresh and modern was needed. Nelson Riddle had been doing some nice things with Nat Cole. How about giving Nelson a shot?</p>
  3231. </div>
  3232. </div>
  3233.  
  3234.  
  3235.  
  3236.  
  3237. </div>
  3238. </div>
  3239. </div>
  3240. </div></div><div id="fws_6605a546d5657" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  3241. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  3242. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  3243. <div class="wpb_wrapper">
  3244. <div class="wpb_text_column wpb_content_element " >
  3245. <div class="wpb_wrapper">
  3246. <h2 style="text-align: center;">I&#8217;ve Got The World On A String</h2>
  3247. </div>
  3248. </div>
  3249.  
  3250.  
  3251.  
  3252.  
  3253. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  3254. <div class="wpb_wrapper">
  3255. <div class="wpb_video_wrapper"><iframe loading="lazy" title="I&#039;ve Got The World On A String (Remastered 2000)" width="1080" height="810" src="https://www.youtube.com/embed/jG6wvF_1g_o?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  3256. </div>
  3257. </div>
  3258.  
  3259. <div class="wpb_text_column wpb_content_element " >
  3260. <div class="wpb_wrapper">
  3261. <p>“I’ve Got The World On A String” didn’t chart as high as the first one, but it was the beginning of a new Sinatra. The new year brought his first number one since “Mam’selle” in 1947. “Young At Heart” let the world know that Frankie&#8211;now Frank&#8211;was back, and with youth appeal to spare.</p>
  3262. <p>At the same time, the long-playing LP format was beginning to take hold, mainly in the ten-inch form. The decision was made for Capitol’s newest signing to record an album. But not just any album, one more collection of random tunes done professionally but not special.</p>
  3263. <p>With his producer, Voyle Gilmore and Riddle, Frank chose to do a concept album of the kind of material he knew his fans would like. Rather than a full orchestra, a small group of two reeds, four strings and a rhythm section would be used, to provide an intimate setting that would feature The Voice in all its many textures. The ultimate conversational crooner would now be center stage.</p>
  3264. <p>Thus, Capitol would be using a two-prong approach, as they had successfully done with Cole, singles for the juke box trade and LPs for the stay-at-home crowd.</p>
  3265. <p>The combination of Riddle’s fresh approach that fit Frank like a glove, and the Hollywood recording studios, which were superior to those in New York that had made his Columbia recordings sound, well, old did the trick.</p>
  3266. <p>The album, <i>Songs For Young Lovers</i>, was an enormous success, a classic for the ages, still in print after almost 70 years. It sold like a hit single and set in stone the approach that would make Frank Sinatra the greatest star of the 20<sup>th</sup> Century.<span class="Apple-converted-space"> </span></p>
  3267. </div>
  3268. </div>
  3269.  
  3270.  
  3271.  
  3272.  
  3273. </div>
  3274. </div>
  3275. </div>
  3276. </div></div><div id="fws_6605a546d5a7f" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  3277. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  3278. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  3279. <div class="wpb_wrapper">
  3280. <div class="wpb_text_column wpb_content_element " >
  3281. <div class="wpb_wrapper">
  3282. <h2 style="text-align: center;">I Get A Kick Out Of You</h2>
  3283. </div>
  3284. </div>
  3285.  
  3286.  
  3287.  
  3288.  
  3289. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  3290. <div class="wpb_wrapper">
  3291. <div class="wpb_video_wrapper"><iframe loading="lazy" title="I Get A Kick Out Of You (Remastered)" width="1080" height="810" src="https://www.youtube.com/embed/II78P4HxcX8?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  3292. </div>
  3293. </div>
  3294.  
  3295. <div class="wpb_text_column wpb_content_element " >
  3296. <div class="wpb_wrapper">
  3297. <p>The eight songs included items that remain favorites of Sinatra fans from several generations, “A Foggy Day,” “My Funny Valentine” and “I Get A Kick Out Of You.” When the twelve-inch LP replaced the previous ten-incher, four more songs were added.</p>
  3298. <p>While his singles sales were satisfactory, they weren’t spectacular. His #4 outing, “Three Coins In The Fountain” was bested by the Four Aces’ #1 version and the others reached only the middle of the charts, while his second ten-inch LP, <i>Swing Easy</i> did well.<span class="Apple-converted-space"> </span></p>
  3299. <p>But it was his next, <i>In The Wee Small Hours</i>, which took him to the land of perfection, the darkness he was feeling over the loss of Ava is fully realized and expressed in these mood songs and Riddle provides the right subtle accompaniment.<span class="Apple-converted-space"> </span></p>
  3300. </div>
  3301. </div>
  3302.  
  3303.  
  3304.  
  3305.  
  3306. </div>
  3307. </div>
  3308. </div>
  3309. </div></div><div id="fws_6605a546d5e53" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  3310. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  3311. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  3312. <div class="wpb_wrapper">
  3313. <div class="wpb_text_column wpb_content_element " >
  3314. <div class="wpb_wrapper">
  3315. <h2 style="text-align: center;">In The Wee Small Hours</h2>
  3316. </div>
  3317. </div>
  3318.  
  3319.  
  3320.  
  3321.  
  3322. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  3323. <div class="wpb_wrapper">
  3324. <div class="wpb_video_wrapper"><iframe loading="lazy" title="In The Wee Small Hours Of The Morning (Remastered 1998)" width="1080" height="810" src="https://www.youtube.com/embed/j7Jfs9MY0hg?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  3325. </div>
  3326. </div>
  3327.  
  3328. <div class="wpb_text_column wpb_content_element " >
  3329. <div class="wpb_wrapper">
  3330. <p>At the last minute, with one more song needed, Dave Mann and Bob Hilliard came up with a piece of magic that would be the album’s title song.</p>
  3331. <p>At the same time, Frank and Nelson were finding the right formula for hit singles. On “Learnin’ The Blues,” Riddle slips in inferences to the rock’n’roll rhythms of Bill Haley, albeit done in a more musically harmonic manner.</p>
  3332. <p>The next two years showed them hitting their stride, with top ten hits, “Love And Marriage,” “The Tender Trap” and “Hey! Jealous Lover.”</p>
  3333. <p>Between October, 1955 and January, 1956, the team of Frank, Riddle and Gilmore recorded what most consider the ultimate Sinatra album, <i>Songs For Swingin’ Lovers</i>, with its centerpiece, “I’ve Got You Under My Skin,” the consummate Frank, confidently owning that Cole Porter masterpiece for all time.</p>
  3334. </div>
  3335. </div>
  3336.  
  3337.  
  3338.  
  3339.  
  3340. </div>
  3341. </div>
  3342. </div>
  3343. </div></div><div id="fws_6605a546d6211" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  3344. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  3345. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  3346. <div class="wpb_wrapper">
  3347. <div class="wpb_text_column wpb_content_element " >
  3348. <div class="wpb_wrapper">
  3349. <h2 style="text-align: center;">I&#8217;ve Got You Under My Skin</h2>
  3350. </div>
  3351. </div>
  3352.  
  3353.  
  3354.  
  3355.  
  3356. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  3357. <div class="wpb_wrapper">
  3358. <div class="wpb_video_wrapper"><iframe loading="lazy" title="I&#039;ve Got You Under My Skin (Remastered 1998)" width="1080" height="810" src="https://www.youtube.com/embed/xz5W5bKLj_4?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  3359. </div>
  3360. </div>
  3361.  
  3362. <div class="wpb_text_column wpb_content_element " >
  3363. <div class="wpb_wrapper">
  3364. <p>Eager to spread his wings and become a label owner, he set about putting together Reprise Records, as he waited out his Capitol contract. “Witchcraft” was his last Capitol top ten hit, but “High Hopes,” from his movie, <i>A Hole In The Head</i>, and “Nice’n’Easy, while low-charting numbers, remain fan faves.</p>
  3365. <p>Classics too, are his Capitol LPs, <i>Where Are You</i>, arranged by Gordon<span class="Apple-converted-space">  </span>Jenkins, <i>Come Fly With Me</i>, swinging big band charts by Billy May, and Nelson Riddle’s other favorite Sinatra album, after <i>Swingin’ Lovers,</i> the tender, broken-hearted <i>Only The Lonely</i>, with another great Sinatra ode to emptiness, “One For My Baby.”</p>
  3366. </div>
  3367. </div>
  3368.  
  3369.  
  3370.  
  3371.  
  3372. </div>
  3373. </div>
  3374. </div>
  3375. </div></div><div id="fws_6605a546d65c2" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  3376. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  3377. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  3378. <div class="wpb_wrapper">
  3379. <div class="wpb_text_column wpb_content_element " >
  3380. <div class="wpb_wrapper">
  3381. <h2 style="text-align: center;">Come Fly With Me</h2>
  3382. </div>
  3383. </div>
  3384.  
  3385.  
  3386.  
  3387.  
  3388. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  3389. <div class="wpb_wrapper">
  3390. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Come Fly With Me" width="1080" height="810" src="https://www.youtube.com/embed/rftTxmcLSfY?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  3391. </div>
  3392. </div>
  3393.  
  3394. <div class="wpb_text_column wpb_content_element " >
  3395. <div class="wpb_wrapper">
  3396. <p>For his farewell 1961 Capitol album, many thought Frank would do something perfunctory, especially when he announced he intended to use his friend Stordahl for the arrangements. But this was not just Sinatra throwing a bone to his old pal, Frank’s pride in his art saw him choosing some of the greatest songs of an earlier era, Walter Houston’s signature “September Song,” “These Foolish Things (Remind Me Of You),” “As Time Goes By,” Eubie Blake and Andy Rasaf’s poignant “Memories Of You” and a remake of Frank’s wartime hit with Tommy Dorsey, “I’ll Be Seeing You.”</p>
  3397. <p>And so ended Frank Sinatra’s nine years with Capitol Records, which most consider the period of his greatest aesthetic achievements.</p>
  3398. </div>
  3399. </div>
  3400.  
  3401.  
  3402.  
  3403.  
  3404. </div>
  3405. </div>
  3406. </div>
  3407. </div></div><div id="fws_6605a546d6989" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  3408. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  3409. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  3410. <div class="wpb_wrapper">
  3411. <div class="wpb_text_column wpb_content_element " >
  3412. <div class="wpb_wrapper">
  3413. <h3><b>The Reprise Years</b></h3>
  3414. <p>For his first session at his new home, he chose a new arranger, the up-and-coming Johnny Mandel. The album was <i>Ring-a-Ding Ding</i>. For his first single, however, taking no chances, he went back to the well with Riddle, Cahn and Van Heusen, the lovely “The Second Time Around.” Neither it, nor any from the next five years would reach the <i>Billboard</i> top ten, but his albums, even without the loyal Voyle Gilmore behind the glass, did well just the same.</p>
  3415. </div>
  3416. </div>
  3417.  
  3418.  
  3419.  
  3420.  
  3421. <div class="wpb_text_column wpb_content_element " >
  3422. <div class="wpb_wrapper">
  3423. <h2 style="text-align: center;">The Second Time Around</h2>
  3424. </div>
  3425. </div>
  3426.  
  3427.  
  3428.  
  3429.  
  3430. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  3431. <div class="wpb_wrapper">
  3432. <div class="wpb_video_wrapper"><iframe loading="lazy" title="The Second Time Around" width="1080" height="810" src="https://www.youtube.com/embed/u679o-lrYjU?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  3433. </div>
  3434. </div>
  3435.  
  3436. <div class="wpb_text_column wpb_content_element " >
  3437. <div class="wpb_wrapper">
  3438. <p>It was a time to experiment. For <i>I Remember Tommy</i>, his peace offering to his old boss, who’d passed away in 1956, Frank chose Dorsey’s former arranger, Sy Oliver, in a selection of Swing Era favorites.<span class="Apple-converted-space"> </span></p>
  3439. <p>The singles ranged from contemporary ballads like, “Softly, As I Leave You,” to the silly, trendy “Ev’rybody’s Twistin’” to an interesting reading of just the verse of “Stardust,” arranged by Don Costa. By 1966, he was hitting his commercial stride, with the #1 hits, “Strangers In The Night” and “That’s Life,” while “Summer Wind” would see new life in the mob flick, <i>Goodfellas</i> some years later.</p>
  3440. <p>Producer Jimmy Bowen came up with the idea of teaming daughter Nancy with Daddy on “Something Stupid.” We will forgive him for missteps like “Bad, Bad Leroy Brown” or that forgettable LP of Bob Gaudio tunes or the Rod McKuen snoozefest. After all, he gave us, if not magic, “It Was A Very Good Year,” “Send In The Clowns,” the Antonio Carlos Jobim collaborations and the ever-popular “My Way.”</p>
  3441. </div>
  3442. </div>
  3443.  
  3444.  
  3445.  
  3446.  
  3447. </div>
  3448. </div>
  3449. </div>
  3450. </div></div><div id="fws_6605a546d6d9d" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  3451. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  3452. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  3453. <div class="wpb_wrapper">
  3454. <div class="wpb_text_column wpb_content_element " >
  3455. <div class="wpb_wrapper">
  3456. <h2 style="text-align: center;">New York, New York</h2>
  3457. </div>
  3458. </div>
  3459.  
  3460.  
  3461.  
  3462.  
  3463. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-60 vc_video-align-center" >
  3464. <div class="wpb_wrapper">
  3465. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Theme From New York, New York (Remastered 2008)" width="1080" height="810" src="https://www.youtube.com/embed/le1QF3uoQNg?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  3466. </div>
  3467. </div>
  3468.  
  3469. <div class="wpb_text_column wpb_content_element " >
  3470. <div class="wpb_wrapper">
  3471. <p>As long as New York City has New Year’s Eve or a winning New York Yankees, the world will be hearing Francis Albert Sinatra and “Theme From <i>New York, New York</i>,” and for that, we can be grateful.</p>
  3472. </div>
  3473. </div>
  3474.  
  3475.  
  3476.  
  3477.  
  3478. </div>
  3479. </div>
  3480. </div>
  3481. </div></div>
  3482. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 80%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  3483. <div class="wpb_text_column wpb_content_element " >
  3484. <div class="wpb_wrapper">
  3485. <h2 style="text-align: center;">Frank Sinatra<br />
  3486. Live At Royal Festival Hall<br />
  3487. 1962</h2>
  3488. </div>
  3489. </div>
  3490.  
  3491.  
  3492.  
  3493.  
  3494. <div class="wpb_text_column wpb_content_element " >
  3495. <div class="wpb_wrapper">
  3496. <h3 class="title style-scope ytd-video-primary-info-renderer" style="text-align: center;"><em>You Make Me Feel So Young</em></h3>
  3497. </div>
  3498. </div>
  3499.  
  3500.  
  3501.  
  3502.  
  3503. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-70 vc_video-align-center" >
  3504. <div class="wpb_wrapper">
  3505. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Frank Sinatra - You Make Me Feel So Young (Live At Royal Festival Hall / 1962)" width="1080" height="810" src="https://www.youtube.com/embed/LiILUT_Px84?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  3506. </div>
  3507. </div>
  3508.  
  3509. <div class="wpb_text_column wpb_content_element " >
  3510. <div class="wpb_wrapper">
  3511. <h2 class="title style-scope ytd-video-primary-info-renderer" style="text-align: center;">Live At The Kiel Opera House<br />
  3512. St. Louis, MO<br />
  3513. 1965</h2>
  3514. </div>
  3515. </div>
  3516.  
  3517.  
  3518.  
  3519.  
  3520. <div class="wpb_text_column wpb_content_element " >
  3521. <div class="wpb_wrapper">
  3522. <h3 class="title style-scope ytd-video-primary-info-renderer" style="text-align: center;"><em>Fly Me To The Moon</em></h3>
  3523. </div>
  3524. </div>
  3525.  
  3526.  
  3527.  
  3528.  
  3529. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-70 vc_video-align-center" >
  3530. <div class="wpb_wrapper">
  3531. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Frank Sinatra - Fly Me To The Moon (Live At The Kiel Opera House, St. Louis, MO/1965)" width="1080" height="810" src="https://www.youtube.com/embed/Y2rDb4Ur2dw?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  3532. </div>
  3533. </div>
  3534.  
  3535. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 80%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  3536. <div class="wpb_text_column wpb_content_element " >
  3537. <div class="wpb_wrapper">
  3538. <h2 style="text-align: center;">Top Charting Frank Sinatra Songs</h2>
  3539. </div>
  3540. </div>
  3541.  
  3542.  
  3543.  
  3544.  
  3545. </div>
  3546. </div>
  3547. </div>
  3548. </div></div>
  3549. <div id="fws_6605a546d7826"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  3550. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  3551. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  3552. <div class="wpb_wrapper">
  3553. <div class="wpb_text_column wpb_content_element " >
  3554. <div class="wpb_wrapper">
  3555. <table width="570">
  3556. <tbody>
  3557. <tr>
  3558. <td width="91"><strong><u>Year</u></strong></td>
  3559. <td width="374"><strong><u>Frank Sinatra Song Title</u></strong></td>
  3560. <td width="105"><strong><u>Chart Position</u></strong></td>
  3561. </tr>
  3562. <tr>
  3563. <td width="91">1940</td>
  3564. <td width="374">&#8220;I&#8217;ll Never Smile Again&#8221; (gold record)</td>
  3565. <td width="105">1</td>
  3566. </tr>
  3567. <tr>
  3568. <td width="91">1941</td>
  3569. <td width="374">&#8220;Dolores&#8221;</td>
  3570. <td width="105">1</td>
  3571. </tr>
  3572. <tr>
  3573. <td width="91">1942</td>
  3574. <td width="374">&#8220;In the Blue of Evening&#8221;</td>
  3575. <td width="105">1</td>
  3576. </tr>
  3577. <tr>
  3578. <td width="91">1942</td>
  3579. <td width="374">&#8220;There Are Such Things&#8221; (gold record)</td>
  3580. <td width="105">1</td>
  3581. </tr>
  3582. <tr>
  3583. <td width="91">1946</td>
  3584. <td width="374">&#8220;Oh! What It Seemed to Be&#8221;</td>
  3585. <td width="105">1</td>
  3586. </tr>
  3587. <tr>
  3588. <td width="91">1946</td>
  3589. <td width="374">&#8220;Five Minutes More&#8221;</td>
  3590. <td width="105">1</td>
  3591. </tr>
  3592. <tr>
  3593. <td width="91">1947</td>
  3594. <td width="374">&#8220;Mam&#8217;selle&#8221;</td>
  3595. <td width="105">1</td>
  3596. </tr>
  3597. <tr>
  3598. <td width="91">1955</td>
  3599. <td width="374">&#8220;Learnin&#8217; The Blues&#8221;</td>
  3600. <td width="105">1</td>
  3601. </tr>
  3602. <tr>
  3603. <td width="91">1966</td>
  3604. <td width="374">&#8220;Strangers in the Night&#8221;</td>
  3605. <td width="105">1</td>
  3606. </tr>
  3607. <tr>
  3608. <td width="91">1967</td>
  3609. <td width="374">&#8220;Somethin&#8217; Stupid&#8221; (with Nancy Sinatra) (gold record)</td>
  3610. <td width="105">1</td>
  3611. </tr>
  3612. <tr>
  3613. <td width="91">1941</td>
  3614. <td width="374">&#8220;Oh! Look at Me Now&#8221;</td>
  3615. <td width="105">2</td>
  3616. </tr>
  3617. <tr>
  3618. <td width="91">1943</td>
  3619. <td width="374">&#8220;You&#8217;ll Never Know&#8221;</td>
  3620. <td width="105">2</td>
  3621. </tr>
  3622. <tr>
  3623. <td width="91">1944</td>
  3624. <td width="374">&#8220;Saturday Night (Is the Loneliest Night of the Week)&#8221;</td>
  3625. <td width="105">2</td>
  3626. </tr>
  3627. <tr>
  3628. <td width="91">1946</td>
  3629. <td width="374">&#8220;They Say It&#8217;s Wonderful&#8221;</td>
  3630. <td width="105">2</td>
  3631. </tr>
  3632. <tr>
  3633. <td width="91">1954</td>
  3634. <td width="374">&#8220;Young At Heart&#8221;</td>
  3635. <td width="105">2</td>
  3636. </tr>
  3637. <tr>
  3638. <td width="91">1957</td>
  3639. <td width="374">&#8220;All The Way&#8221;</td>
  3640. <td width="105">2</td>
  3641. </tr>
  3642. <tr>
  3643. <td width="91">1940</td>
  3644. <td width="374">&#8220;We Three (My Echo, My Shadow and Me)&#8221;</td>
  3645. <td width="105">3</td>
  3646. </tr>
  3647. <tr>
  3648. <td width="91">1941</td>
  3649. <td width="374">&#8220;This Love Of Mine&#8221;</td>
  3650. <td width="105">3</td>
  3651. </tr>
  3652. <tr>
  3653. <td width="91">1943</td>
  3654. <td width="374">&#8220;People Will Say We&#8217;re in Love&#8221;</td>
  3655. <td width="105">3</td>
  3656. </tr>
  3657. <tr>
  3658. <td width="91">1956</td>
  3659. <td width="374">&#8220;Hey! Jealous Lover&#8221;</td>
  3660. <td width="105">3</td>
  3661. </tr>
  3662. <tr>
  3663. <td width="91">1941</td>
  3664. <td width="374">&#8220;Do I Worry?&#8221;</td>
  3665. <td width="105">4</td>
  3666. </tr>
  3667. <tr>
  3668. <td width="91">1944</td>
  3669. <td width="374">&#8220;I Couldn&#8217;t Sleep a Wink Last Night&#8221;</td>
  3670. <td width="105">4</td>
  3671. </tr>
  3672. <tr>
  3673. <td width="91">1954</td>
  3674. <td width="374">&#8220;Three Coins In The Fountain&#8221;</td>
  3675. <td width="105">4</td>
  3676. </tr>
  3677. <tr>
  3678. <td width="91">1966</td>
  3679. <td width="374">&#8220;That&#8217;s Life&#8221;</td>
  3680. <td width="105">4</td>
  3681. </tr>
  3682. <tr>
  3683. <td width="91">1940</td>
  3684. <td width="374">&#8220;Our Love Affair&#8221;</td>
  3685. <td width="105">5</td>
  3686. </tr>
  3687. <tr>
  3688. <td width="91">1942</td>
  3689. <td width="374">&#8220;Take Me&#8221;</td>
  3690. <td width="105">5</td>
  3691. </tr>
  3692. <tr>
  3693. <td width="91">1945</td>
  3694. <td width="374">&#8220;Dream&#8221;</td>
  3695. <td width="105">5</td>
  3696. </tr>
  3697. <tr>
  3698. <td width="91">1946</td>
  3699. <td width="374">&#8220;Day by Day&#8221;</td>
  3700. <td width="105">5</td>
  3701. </tr>
  3702. <tr>
  3703. <td width="91">1947</td>
  3704. <td width="374">&#8220;I Believe&#8221;</td>
  3705. <td width="105">5</td>
  3706. </tr>
  3707. <tr>
  3708. <td width="91">1950</td>
  3709. <td width="374">&#8220;Goodnight, Irene&#8221; (with The Mitch Miller Singers)</td>
  3710. <td width="105">5</td>
  3711. </tr>
  3712. <tr>
  3713. <td width="91">1955</td>
  3714. <td width="374">&#8220;Love and Marriage&#8221;</td>
  3715. <td width="105">5</td>
  3716. </tr>
  3717. <tr>
  3718. <td width="91">1942</td>
  3719. <td width="374">&#8220;Just As Though You Were Here&#8221;</td>
  3720. <td width="105">6</td>
  3721. </tr>
  3722. <tr>
  3723. <td width="91">1946</td>
  3724. <td width="374">&#8220;The Coffee Song&#8221;</td>
  3725. <td width="105">6</td>
  3726. </tr>
  3727. <tr>
  3728. <td width="91">1949</td>
  3729. <td width="374">&#8220;Some Enchanted Evening&#8221;</td>
  3730. <td width="105">6</td>
  3731. </tr>
  3732. <tr>
  3733. <td width="91">1957</td>
  3734. <td width="374">&#8220;Witchcraft&#8221;</td>
  3735. <td width="105">6</td>
  3736. </tr>
  3737. <tr>
  3738. <td width="91">1940</td>
  3739. <td width="374">&#8220;Stardust&#8221;</td>
  3740. <td width="105">7</td>
  3741. </tr>
  3742. <tr>
  3743. <td width="91">1941</td>
  3744. <td width="374">&#8220;Let&#8217;s Get Away From It All&#8221;</td>
  3745. <td width="105">7</td>
  3746. </tr>
  3747. <tr>
  3748. <td width="91">1944</td>
  3749. <td width="374">&#8220;White Christmas&#8221;</td>
  3750. <td width="105">7</td>
  3751. </tr>
  3752. <tr>
  3753. <td width="91">1944</td>
  3754. <td width="374">&#8220;I Dream of You (More Than You Dream I Do)&#8221;</td>
  3755. <td width="105">7</td>
  3756. </tr>
  3757. <tr>
  3758. <td width="91">1945</td>
  3759. <td width="374">&#8220;If I Loved You&#8221;</td>
  3760. <td width="105">7</td>
  3761. </tr>
  3762. <tr>
  3763. <td width="91">1946</td>
  3764. <td width="374">&#8220;All Through The Day&#8221;</td>
  3765. <td width="105">7</td>
  3766. </tr>
  3767. <tr>
  3768. <td width="91">1948</td>
  3769. <td width="374">&#8220;Nature Boy&#8221; (with The Jeff Alexander Choir)</td>
  3770. <td width="105">7</td>
  3771. </tr>
  3772. <tr>
  3773. <td width="91">1953</td>
  3774. <td width="374">&#8220;I&#8217;m Walking Behind You&#8221;</td>
  3775. <td width="105">7</td>
  3776. </tr>
  3777. <tr>
  3778. <td width="91">1955</td>
  3779. <td width="374">&#8220;(Love Is) The Tender Trap&#8221;</td>
  3780. <td width="105">7</td>
  3781. </tr>
  3782. <tr>
  3783. <td width="91">1940</td>
  3784. <td width="374">&#8220;Imagination&#8221;</td>
  3785. <td width="105">8</td>
  3786. </tr>
  3787. <tr>
  3788. <td width="91">1942</td>
  3789. <td width="374">&#8220;How About You?&#8221;</td>
  3790. <td width="105">8</td>
  3791. </tr>
  3792. <tr>
  3793. <td width="91">1945</td>
  3794. <td width="374">&#8220;I Should Care&#8221;</td>
  3795. <td width="105">8</td>
  3796. </tr>
  3797. <tr>
  3798. <td width="91">1946</td>
  3799. <td width="374">&#8220;The Things We Did Last Summer&#8221;</td>
  3800. <td width="105">8</td>
  3801. </tr>
  3802. <tr>
  3803. <td width="91">1946</td>
  3804. <td width="374">&#8220;September Song&#8221;</td>
  3805. <td width="105">8</td>
  3806. </tr>
  3807. <tr>
  3808. <td width="91">1947</td>
  3809. <td width="374">&#8220;So Far&#8221;</td>
  3810. <td width="105">8</td>
  3811. </tr>
  3812. <tr>
  3813. <td width="91">1951</td>
  3814. <td width="374">&#8220;Castle Rock&#8221;</td>
  3815. <td width="105">8</td>
  3816. </tr>
  3817. <tr>
  3818. <td width="91">1940</td>
  3819. <td width="374">&#8220;You&#8217;re Lonely and I&#8217;m Lonely&#8221;</td>
  3820. <td width="105">9</td>
  3821. </tr>
  3822. <tr>
  3823. <td width="91">1941</td>
  3824. <td width="374">&#8220;Everything Happens to Me&#8221;</td>
  3825. <td width="105">9</td>
  3826. </tr>
  3827. <tr>
  3828. <td width="91">1941</td>
  3829. <td width="374">&#8220;Two in Love&#8221;</td>
  3830. <td width="105">9</td>
  3831. </tr>
  3832. <tr>
  3833. <td width="91">1943</td>
  3834. <td width="374">&#8220;Sunday, Monday, or Always&#8221;</td>
  3835. <td width="105">9</td>
  3836. </tr>
  3837. <tr>
  3838. <td width="91">1945</td>
  3839. <td width="374">&#8220;You&#8217;ll Never Walk Alone&#8221; (with The Ken Lane Singers)</td>
  3840. <td width="105">9</td>
  3841. </tr>
  3842. <tr>
  3843. <td width="91">1945</td>
  3844. <td width="374">&#8220;Don&#8217;t Forget Tonight Tomorrow&#8221; (with The Charioteers)</td>
  3845. <td width="105">9</td>
  3846. </tr>
  3847. <tr>
  3848. <td width="91">1949</td>
  3849. <td width="374">&#8220;Don&#8217;t Cry Joe&#8221; (with The Pastels)</td>
  3850. <td width="105">9</td>
  3851. </tr>
  3852. <tr>
  3853. <td width="91">1950</td>
  3854. <td width="374">&#8220;One Finger Melody&#8221;</td>
  3855. <td width="105">9</td>
  3856. </tr>
  3857. <tr>
  3858. <td width="91">1940</td>
  3859. <td width="374">&#8220;Trade Winds&#8221;</td>
  3860. <td width="105">10</td>
  3861. </tr>
  3862. <tr>
  3863. <td width="91">1943</td>
  3864. <td width="374">&#8220;Close to You&#8221;</td>
  3865. <td width="105">10</td>
  3866. </tr>
  3867. <tr>
  3868. <td width="91">1945</td>
  3869. <td width="374">&#8220;Nancy (With the Laughing Face)&#8221;</td>
  3870. <td width="105">10</td>
  3871. </tr>
  3872. <tr>
  3873. <td width="91">1947</td>
  3874. <td width="374">&#8220;That&#8217;s How Much I Love You&#8221; (with The Page Cavanaugh Trio)</td>
  3875. <td width="105">10</td>
  3876. </tr>
  3877. <tr>
  3878. <td width="91">1949</td>
  3879. <td width="374">&#8220;The Hucklebuck&#8221; (with The Ken Lane Quintet)</td>
  3880. <td width="105">10</td>
  3881. </tr>
  3882. <tr>
  3883. <td width="91">1950</td>
  3884. <td width="374">&#8220;Chattanoogie Shoe Shine Boy&#8221;</td>
  3885. <td width="105">10</td>
  3886. </tr>
  3887. <tr>
  3888. <td width="91">1940</td>
  3889. <td width="374">&#8220;The One I Love (Belongs to Somebody Else)&#8221;</td>
  3890. <td width="105">11</td>
  3891. </tr>
  3892. <tr>
  3893. <td width="91">1941</td>
  3894. <td width="374">&#8220;You And I&#8221;</td>
  3895. <td width="105">11</td>
  3896. </tr>
  3897. <tr>
  3898. <td width="91">1944</td>
  3899. <td width="374">&#8220;A Lovely Way To Spend An Evening&#8221;</td>
  3900. <td width="105">11</td>
  3901. </tr>
  3902. <tr>
  3903. <td width="91">1946</td>
  3904. <td width="374">&#8220;The Girl That I Marry&#8221;</td>
  3905. <td width="105">11</td>
  3906. </tr>
  3907. <tr>
  3908. <td width="91">1947</td>
  3909. <td width="374">&#8220;This Is The Night&#8221;</td>
  3910. <td width="105">11</td>
  3911. </tr>
  3912. <tr>
  3913. <td width="91">1940</td>
  3914. <td width="374">&#8220;Say It (Over and Over Again)&#8221;</td>
  3915. <td width="105">12</td>
  3916. </tr>
  3917. <tr>
  3918. <td width="91">1940</td>
  3919. <td width="374">&#8220;Fools Rush In (Where Angels Fear to Tread)&#8221;</td>
  3920. <td width="105">12</td>
  3921. </tr>
  3922. <tr>
  3923. <td width="91">1940</td>
  3924. <td width="374">&#8220;All This and Heaven Too&#8221;</td>
  3925. <td width="105">12</td>
  3926. </tr>
  3927. <tr>
  3928. <td width="91">1941</td>
  3929. <td width="374">&#8220;I Guess I&#8217;ll Have To Dream The Rest&#8221;</td>
  3930. <td width="105">12</td>
  3931. </tr>
  3932. <tr>
  3933. <td width="91">1943</td>
  3934. <td width="374">&#8220;Oh, What a Beautiful Mornin'&#8221;</td>
  3935. <td width="105">12</td>
  3936. </tr>
  3937. <tr>
  3938. <td width="91">1942</td>
  3939. <td width="374">&#8220;Be Careful, It&#8217;s My Heart&#8221;</td>
  3940. <td width="105">13</td>
  3941. </tr>
  3942. <tr>
  3943. <td width="91">1945</td>
  3944. <td width="374">&#8220;What Makes The Sunset?&#8221;</td>
  3945. <td width="105">13</td>
  3946. </tr>
  3947. <tr>
  3948. <td width="91">1947</td>
  3949. <td width="374">&#8220;I Have But One Heart&#8221;</td>
  3950. <td width="105">13</td>
  3951. </tr>
  3952. <tr>
  3953. <td width="91">1949</td>
  3954. <td width="374">&#8220;The Old Master Painter&#8221; (with The Modernaires)</td>
  3955. <td width="105">13</td>
  3956. </tr>
  3957. <tr>
  3958. <td width="91">1955</td>
  3959. <td width="374">&#8220;Same Old Saturday Night&#8221;</td>
  3960. <td width="105">13</td>
  3961. </tr>
  3962. <tr>
  3963. <td width="91">1956</td>
  3964. <td width="374">&#8220;(How Little It Matters) How Little We Know&#8221;</td>
  3965. <td width="105">13</td>
  3966. </tr>
  3967. <tr>
  3968. <td width="91">1940</td>
  3969. <td width="374">&#8220;The Call of the Canyon&#8221;</td>
  3970. <td width="105">14</td>
  3971. </tr>
  3972. <tr>
  3973. <td width="91">1941</td>
  3974. <td width="374">&#8220;You Might Have Belonged to Another&#8221;</td>
  3975. <td width="105">14</td>
  3976. </tr>
  3977. <tr>
  3978. <td width="91">1948</td>
  3979. <td width="374">&#8220;But Beautiful&#8221;</td>
  3980. <td width="105">14</td>
  3981. </tr>
  3982. <tr>
  3983. <td width="91">1949</td>
  3984. <td width="374">&#8220;Sunflower&#8221;</td>
  3985. <td width="105">14</td>
  3986. </tr>
  3987. <tr>
  3988. <td width="91">1950</td>
  3989. <td width="374">&#8220;Nevertheless (I&#8217;m In Love with You)&#8221;</td>
  3990. <td width="105">14</td>
  3991. </tr>
  3992. <tr>
  3993. <td width="91">1951</td>
  3994. <td width="374">&#8220;I&#8217;m a Fool to Want You&#8221;</td>
  3995. <td width="105">14</td>
  3996. </tr>
  3997. <tr>
  3998. <td width="91">1953</td>
  3999. <td width="374">&#8220;I&#8217;ve Got The World on A String&#8221;</td>
  4000. <td width="105">14</td>
  4001. </tr>
  4002. <tr>
  4003. <td width="91">1941</td>
  4004. <td width="374">&#8220;A Sinner Kissed An Angel&#8221;</td>
  4005. <td width="105">15</td>
  4006. </tr>
  4007. <tr>
  4008. <td width="91">1942</td>
  4009. <td width="374">&#8220;Poor You&#8221;</td>
  4010. <td width="105">15</td>
  4011. </tr>
  4012. <tr>
  4013. <td width="91">1942</td>
  4014. <td width="374">&#8220;I&#8217;ll Take Tallulah&#8221;</td>
  4015. <td width="105">15</td>
  4016. </tr>
  4017. <tr>
  4018. <td width="91">1953</td>
  4019. <td width="374">&#8220;From Here to Eternity&#8221;</td>
  4020. <td width="105">15</td>
  4021. </tr>
  4022. <tr>
  4023. <td width="91">1956</td>
  4024. <td width="374">&#8220;Can I Steal A Little Love?&#8221;</td>
  4025. <td width="105">15</td>
  4026. </tr>
  4027. <tr>
  4028. <td width="91">1942</td>
  4029. <td width="374">&#8220;Night and Day&#8221;</td>
  4030. <td width="105">16</td>
  4031. </tr>
  4032. <tr>
  4033. <td width="91">1947</td>
  4034. <td width="374">&#8220;Time After Time&#8221;</td>
  4035. <td width="105">16</td>
  4036. </tr>
  4037. <tr>
  4038. <td width="91">1949</td>
  4039. <td width="374">&#8220;That Lucky Old Sun&#8221;</td>
  4040. <td width="105">16</td>
  4041. </tr>
  4042. <tr>
  4043. <td width="91">1940</td>
  4044. <td width="374">&#8220;Love Lies&#8221;</td>
  4045. <td width="105">17</td>
  4046. </tr>
  4047. <tr>
  4048. <td width="91">1940</td>
  4049. <td width="374">&#8220;I Could Make You Care&#8221;</td>
  4050. <td width="105">17</td>
  4051. </tr>
  4052. <tr>
  4053. <td width="91">1942</td>
  4054. <td width="374">&#8220;The Last Call for Love&#8221;</td>
  4055. <td width="105">17</td>
  4056. </tr>
  4057. <tr>
  4058. <td width="91">1942</td>
  4059. <td width="374">&#8220;The Street of Dreams&#8221;</td>
  4060. <td width="105">17</td>
  4061. </tr>
  4062. <tr>
  4063. <td width="91">1942</td>
  4064. <td width="374">&#8220;Daybreak&#8221;</td>
  4065. <td width="105">17</td>
  4066. </tr>
  4067. <tr>
  4068. <td width="91">1946</td>
  4069. <td width="374">&#8220;Full Moon and Empty Arms&#8221;</td>
  4070. <td width="105">17</td>
  4071. </tr>
  4072. <tr>
  4073. <td width="91">1949</td>
  4074. <td width="374">&#8220;Let&#8217;s Take an Old Fashioned Walk&#8221; (with Doris Day)</td>
  4075. <td width="105">17</td>
  4076. </tr>
  4077. <tr>
  4078. <td width="91">1951</td>
  4079. <td width="374">&#8220;You&#8217;re The One (for Me)&#8221;</td>
  4080. <td width="105">17</td>
  4081. </tr>
  4082. <tr>
  4083. <td width="91">1954</td>
  4084. <td width="374">&#8220;Don&#8217;t Worry &#8217;bout Me&#8221;</td>
  4085. <td width="105">17</td>
  4086. </tr>
  4087. <tr>
  4088. <td width="91">1940</td>
  4089. <td width="374">&#8220;Polka Dots and Moonbeams&#8221;</td>
  4090. <td width="105">18</td>
  4091. </tr>
  4092. <tr>
  4093. <td width="91">1946</td>
  4094. <td width="374">&#8220;From This Day Forward&#8221;</td>
  4095. <td width="105">18</td>
  4096. </tr>
  4097. <tr>
  4098. <td width="91">1949</td>
  4099. <td width="374">&#8220;Bali Ha&#8217;i&#8221;</td>
  4100. <td width="105">18</td>
  4101. </tr>
  4102. <tr>
  4103. <td width="91">1953</td>
  4104. <td width="374">&#8220;South of the Border (Down Mexico Way)&#8221;</td>
  4105. <td width="105">18</td>
  4106. </tr>
  4107. <tr>
  4108. <td width="91">1944</td>
  4109. <td width="374">&#8220;If You Are But a Dream&#8221;</td>
  4110. <td width="105">19</td>
  4111. </tr>
  4112. <tr>
  4113. <td width="91">1948</td>
  4114. <td width="374">&#8220;It Only Happens When I Dance With You&#8221;</td>
  4115. <td width="105">19</td>
  4116. </tr>
  4117. <tr>
  4118. <td width="91">1952</td>
  4119. <td width="374">&#8220;The Birth of the Blues&#8221;</td>
  4120. <td width="105">19</td>
  4121. </tr>
  4122. <tr>
  4123. <td width="91">1955</td>
  4124. <td width="374">&#8220;Melody of Love&#8221;</td>
  4125. <td width="105">19</td>
  4126. </tr>
  4127. <tr>
  4128. <td width="91">1941</td>
  4129. <td width="374">&#8220;I Think of You&#8221;</td>
  4130. <td width="105">20</td>
  4131. </tr>
  4132. <tr>
  4133. <td width="91">1947</td>
  4134. <td width="374">&#8220;Almost Like Being in Love&#8221;</td>
  4135. <td width="105">20</td>
  4136. </tr>
  4137. <tr>
  4138. <td width="91">1952</td>
  4139. <td width="374">&#8220;Bim Bam Baby&#8221;</td>
  4140. <td width="105">20</td>
  4141. </tr>
  4142. <tr>
  4143. <td width="91">1941</td>
  4144. <td width="374">&#8220;I Tried&#8221;</td>
  4145. <td width="105">21</td>
  4146. </tr>
  4147. <tr>
  4148. <td width="91">1942</td>
  4149. <td width="374">&#8220;Light a Candle in the Chapel&#8221;</td>
  4150. <td width="105">21</td>
  4151. </tr>
  4152. <tr>
  4153. <td width="91">1946</td>
  4154. <td width="374">&#8220;Something Old, Something New&#8221;</td>
  4155. <td width="105">21</td>
  4156. </tr>
  4157. <tr>
  4158. <td width="91">1947</td>
  4159. <td width="374">&#8220;Stella by Starlight&#8221;</td>
  4160. <td width="105">21</td>
  4161. </tr>
  4162. <tr>
  4163. <td width="91">1947</td>
  4164. <td width="374">&#8220;Ain&#8217;tcha Ever Comin&#8217; Back&#8221;</td>
  4165. <td width="105">21</td>
  4166. </tr>
  4167. <tr>
  4168. <td width="91">1947</td>
  4169. <td width="374">&#8220;The Dum Dot Song&#8221; (with The Pied Pipers)</td>
  4170. <td width="105">21</td>
  4171. </tr>
  4172. <tr>
  4173. <td width="91">1948</td>
  4174. <td width="374">&#8220;All of Me&#8221;</td>
  4175. <td width="105">21</td>
  4176. </tr>
  4177. <tr>
  4178. <td width="91">1948</td>
  4179. <td width="374">&#8220;Just For Now&#8221;</td>
  4180. <td width="105">21</td>
  4181. </tr>
  4182. <tr>
  4183. <td width="91">1951</td>
  4184. <td width="374">&#8220;Mama Will Bark&#8221; (with Dagmar)</td>
  4185. <td width="105">21</td>
  4186. </tr>
  4187. <tr>
  4188. <td width="91">1954</td>
  4189. <td width="374">&#8220;I Could Have Told You&#8221;</td>
  4190. <td width="105">21</td>
  4191. </tr>
  4192. <tr>
  4193. <td width="91">1954</td>
  4194. <td width="374">&#8220;The Gal That Got Away&#8221;</td>
  4195. <td width="105">21</td>
  4196. </tr>
  4197. <tr>
  4198. <td width="91">1945</td>
  4199. <td width="374">&#8220;The House I Live In&#8221;</td>
  4200. <td width="105">22</td>
  4201. </tr>
  4202. <tr>
  4203. <td width="91">1951</td>
  4204. <td width="374">&#8220;We Kiss In a Shadow&#8221;</td>
  4205. <td width="105">22</td>
  4206. </tr>
  4207. <tr>
  4208. <td width="91">1958</td>
  4209. <td width="374">&#8220;How Are Ya Fixed For Love?&#8221; (with Keely Smith)</td>
  4210. <td width="105">22</td>
  4211. </tr>
  4212. <tr>
  4213. <td width="91">1945</td>
  4214. <td width="374">&#8220;Homesick, That&#8217;s All&#8221;</td>
  4215. <td width="105">23</td>
  4216. </tr>
  4217. <tr>
  4218. <td width="91">1946</td>
  4219. <td width="374">&#8220;Begin The Beguine&#8221;</td>
  4220. <td width="105">23</td>
  4221. </tr>
  4222. <tr>
  4223. <td width="91">1947</td>
  4224. <td width="374">&#8220;You&#8217;re My Girl&#8221;</td>
  4225. <td width="105">23</td>
  4226. </tr>
  4227. <tr>
  4228. <td width="91">1948</td>
  4229. <td width="374">&#8220;What&#8217;ll I Do?&#8221;</td>
  4230. <td width="105">23</td>
  4231. </tr>
  4232. <tr>
  4233. <td width="91">1954</td>
  4234. <td width="374">&#8220;Half as Lovely (Twice as True)&#8221;</td>
  4235. <td width="105">23</td>
  4236. </tr>
  4237. <tr>
  4238. <td width="91">1968</td>
  4239. <td width="374">&#8220;Cycles&#8221;</td>
  4240. <td width="105">23</td>
  4241. </tr>
  4242. <tr>
  4243. <td width="91">1947</td>
  4244. <td width="374">&#8220;A Fellow Needs a Girl&#8221;</td>
  4245. <td width="105">24</td>
  4246. </tr>
  4247. <tr>
  4248. <td width="91">1948</td>
  4249. <td width="374">&#8220;My Cousin Louella&#8221; (with The Tony Mottola Trio)</td>
  4250. <td width="105">24</td>
  4251. </tr>
  4252. <tr>
  4253. <td width="91">1952</td>
  4254. <td width="374">&#8220;I Hear a Rhapsody&#8221;</td>
  4255. <td width="105">24</td>
  4256. </tr>
  4257. <tr>
  4258. <td width="91">1956</td>
  4259. <td width="374">&#8220;Flowers Mean Forgiveness&#8221;</td>
  4260. <td width="105">24</td>
  4261. </tr>
  4262. <tr>
  4263. <td width="91">1948</td>
  4264. <td width="374">&#8220;Everybody Loves Somebody&#8221;</td>
  4265. <td width="105">25</td>
  4266. </tr>
  4267. <tr>
  4268. <td width="91">1950</td>
  4269. <td width="374">&#8220;God&#8217;s Country&#8221; (with The Jeff Alexander Choir)</td>
  4270. <td width="105">25</td>
  4271. </tr>
  4272. <tr>
  4273. <td width="91">1953</td>
  4274. <td width="374">&#8220;Lean Baby&#8221;</td>
  4275. <td width="105">25</td>
  4276. </tr>
  4277. <tr>
  4278. <td width="91">1957</td>
  4279. <td width="374">&#8220;You&#8217;re Cheatin&#8217; Yourself (If You&#8217;re Cheatin&#8217; On Me)&#8221;</td>
  4280. <td width="105">25</td>
  4281. </tr>
  4282. <tr>
  4283. <td width="91">1960</td>
  4284. <td width="374">&#8220;Ol&#8217; Mac Donald&#8221;</td>
  4285. <td width="105">25</td>
  4286. </tr>
  4287. <tr>
  4288. <td width="91">1966</td>
  4289. <td width="374">&#8220;Summer Wind&#8221;</td>
  4290. <td width="105">25</td>
  4291. </tr>
  4292. <tr>
  4293. <td width="91">1947</td>
  4294. <td width="374">&#8220;Christmas Dreaming (A Little Early This Year)&#8221;</td>
  4295. <td width="105">26</td>
  4296. </tr>
  4297. <tr>
  4298. <td width="91">1950</td>
  4299. <td width="374">&#8220;American Beauty Rose&#8221; (with Mitch Miller&#8217;s Dixieland Band)</td>
  4300. <td width="105">26</td>
  4301. </tr>
  4302. <tr>
  4303. <td width="91">1949</td>
  4304. <td width="374">&#8220;Autumn In New York&#8221;</td>
  4305. <td width="105">27</td>
  4306. </tr>
  4307. <tr>
  4308. <td width="91">1964</td>
  4309. <td width="374">&#8220;Softly, as I Leave You&#8221;</td>
  4310. <td width="105">27</td>
  4311. </tr>
  4312. <tr>
  4313. <td width="91">1969</td>
  4314. <td width="374">&#8220;My Way&#8221;</td>
  4315. <td width="105">27</td>
  4316. </tr>
  4317. <tr>
  4318. <td width="91">1950</td>
  4319. <td width="374">&#8220;Sorry&#8221;</td>
  4320. <td width="105">28</td>
  4321. </tr>
  4322. <tr>
  4323. <td width="91">1953</td>
  4324. <td width="374">&#8220;My One and Only Love&#8221;</td>
  4325. <td width="105">28</td>
  4326. </tr>
  4327. <tr>
  4328. <td width="91">1965</td>
  4329. <td width="374">&#8220;It Was a Very Good Year&#8221;</td>
  4330. <td width="105">28</td>
  4331. </tr>
  4332. <tr>
  4333. <td width="91">1952</td>
  4334. <td width="374">&#8220;Azure-Te (Paris Blues)&#8221;</td>
  4335. <td width="105">30</td>
  4336. </tr>
  4337. <tr>
  4338. <td width="91">1954</td>
  4339. <td width="374">&#8220;It Worries Me&#8221;</td>
  4340. <td width="105">30</td>
  4341. </tr>
  4342. <tr>
  4343. <td width="91">1959</td>
  4344. <td width="374">&#8220;High Hopes&#8221;</td>
  4345. <td width="105">30</td>
  4346. </tr>
  4347. <tr>
  4348. <td width="91">1967</td>
  4349. <td width="374">&#8220;The World We Knew (Over and Over)&#8221;</td>
  4350. <td width="105">30</td>
  4351. </tr>
  4352. <tr>
  4353. <td width="91">1964</td>
  4354. <td width="374">&#8220;Somewhere in Your Heart&#8221;</td>
  4355. <td width="105">32</td>
  4356. </tr>
  4357. <tr>
  4358. <td width="91">1961</td>
  4359. <td width="374">&#8220;My Blue Heaven&#8221;</td>
  4360. <td width="105">33</td>
  4361. </tr>
  4362. <tr>
  4363. <td width="91">1961</td>
  4364. <td width="374">&#8220;Pocketful of Miracles&#8221;</td>
  4365. <td width="105">34</td>
  4366. </tr>
  4367. <tr>
  4368. <td width="91">1959</td>
  4369. <td width="374">&#8220;Talk To Me&#8221;</td>
  4370. <td width="105">38</td>
  4371. </tr>
  4372. <tr>
  4373. <td width="91">1958</td>
  4374. <td width="374">&#8220;Mr. Success&#8221;</td>
  4375. <td width="105">41</td>
  4376. </tr>
  4377. <tr>
  4378. <td width="91">1965</td>
  4379. <td width="374">&#8220;Anytime at All&#8221;</td>
  4380. <td width="105">46</td>
  4381. </tr>
  4382. <tr>
  4383. <td width="91">1975</td>
  4384. <td width="374">&#8220;I Believe I&#8217;m Gonna Love You&#8221;</td>
  4385. <td width="105">47</td>
  4386. </tr>
  4387. <tr>
  4388. <td width="91">1961</td>
  4389. <td width="374">&#8220;The Second Time Around&#8221;</td>
  4390. <td width="105">50</td>
  4391. </tr>
  4392. <tr>
  4393. <td width="91">1956</td>
  4394. <td width="374">&#8220;You&#8217;re Sensational&#8221;</td>
  4395. <td width="105">52</td>
  4396. </tr>
  4397. <tr>
  4398. <td width="91">1967</td>
  4399. <td width="374">&#8220;This Town&#8221;</td>
  4400. <td width="105">53</td>
  4401. </tr>
  4402. <tr>
  4403. <td width="91">1965</td>
  4404. <td width="374">&#8220;Tell Her (You Love Her Each Day)&#8221;</td>
  4405. <td width="105">57</td>
  4406. </tr>
  4407. <tr>
  4408. <td width="91">1961</td>
  4409. <td width="374">&#8220;I&#8217;ll Be Seeing You&#8221;</td>
  4410. <td width="105">58</td>
  4411. </tr>
  4412. <tr>
  4413. <td width="91">1956</td>
  4414. <td width="374">&#8220;Your Love For Me&#8221;</td>
  4415. <td width="105">60</td>
  4416. </tr>
  4417. <tr>
  4418. <td width="91">1957</td>
  4419. <td width="374">&#8220;Crazy Love&#8221;</td>
  4420. <td width="105">60</td>
  4421. </tr>
  4422. <tr>
  4423. <td width="91">1960</td>
  4424. <td width="374">&#8220;Nice &#8216;n&#8217; Easy&#8221;</td>
  4425. <td width="105">60</td>
  4426. </tr>
  4427. <tr>
  4428. <td width="91">1968</td>
  4429. <td width="374">&#8220;I Can&#8217;t Believe I&#8217;m Losing You&#8221;</td>
  4430. <td width="105">60</td>
  4431. </tr>
  4432. <tr>
  4433. <td width="91">1959</td>
  4434. <td width="374">&#8220;French Foreign Legion&#8221;</td>
  4435. <td width="105">61</td>
  4436. </tr>
  4437. <tr>
  4438. <td width="91">1969</td>
  4439. <td width="374">&#8220;Rain in My Heart&#8221;</td>
  4440. <td width="105">62</td>
  4441. </tr>
  4442. <tr>
  4443. <td width="91">1973</td>
  4444. <td width="374">&#8220;Let Me Try Again&#8221;</td>
  4445. <td width="105">63</td>
  4446. </tr>
  4447. <tr>
  4448. <td width="91">1961</td>
  4449. <td width="374">&#8220;Granada&#8221;</td>
  4450. <td width="105">64</td>
  4451. </tr>
  4452. <tr>
  4453. <td width="91">1962</td>
  4454. <td width="374">&#8220;Me and My Shadow&#8221; (with Sammy Davis, Jr.)</td>
  4455. <td width="105">64</td>
  4456. </tr>
  4457. <tr>
  4458. <td width="91">1968</td>
  4459. <td width="374">&#8220;My Way of Life&#8221;</td>
  4460. <td width="105">64</td>
  4461. </tr>
  4462. <tr>
  4463. <td width="91">1956</td>
  4464. <td width="374">&#8220;You&#8217;ll Get Yours&#8221;</td>
  4465. <td width="105">67</td>
  4466. </tr>
  4467. <tr>
  4468. <td width="91">1956</td>
  4469. <td width="374">&#8220;Five Hundred Guys&#8221;</td>
  4470. <td width="105">73</td>
  4471. </tr>
  4472. <tr>
  4473. <td width="91">1957</td>
  4474. <td width="374">&#8220;So Long, My Love&#8221;</td>
  4475. <td width="105">74</td>
  4476. </tr>
  4477. <tr>
  4478. <td width="91">1956</td>
  4479. <td width="374">&#8220;Wait For Me&#8221;</td>
  4480. <td width="105">75</td>
  4481. </tr>
  4482. <tr>
  4483. <td width="91">1962</td>
  4484. <td width="374">&#8220;Ev&#8217;rybody&#8217;s Twistin'&#8221;</td>
  4485. <td width="105">75</td>
  4486. </tr>
  4487. <tr>
  4488. <td width="91">1969</td>
  4489. <td width="374">&#8220;Love&#8217;s Been Good to Me&#8221;</td>
  4490. <td width="105">75</td>
  4491. </tr>
  4492. <tr>
  4493. <td width="91">1975</td>
  4494. <td width="374">&#8220;Anytime (I&#8217;ll Be There)&#8221;</td>
  4495. <td width="105">75</td>
  4496. </tr>
  4497. <tr>
  4498. <td width="91">1963</td>
  4499. <td width="374">&#8220;Call Me Irresponsible&#8221;</td>
  4500. <td width="105">78</td>
  4501. </tr>
  4502. <tr>
  4503. <td width="91">1965</td>
  4504. <td width="374">&#8220;Forget Domani&#8221;</td>
  4505. <td width="105">78</td>
  4506. </tr>
  4507. <tr>
  4508. <td width="91">1969</td>
  4509. <td width="374">&#8220;Goin&#8217; Out of My Head&#8221;</td>
  4510. <td width="105">79</td>
  4511. </tr>
  4512. <tr>
  4513. <td width="91">1964</td>
  4514. <td width="374">&#8220;Stay with Me&#8221;</td>
  4515. <td width="105">81</td>
  4516. </tr>
  4517. <tr>
  4518. <td width="91">1960</td>
  4519. <td width="374">&#8220;River, Stay &#8216;Way From My Door&#8221;</td>
  4520. <td width="105">82</td>
  4521. </tr>
  4522. <tr>
  4523. <td width="91">1974</td>
  4524. <td width="374">&#8220;Bad, Bad Leroy Brown&#8221;</td>
  4525. <td width="105">83</td>
  4526. </tr>
  4527. <tr>
  4528. <td width="91">1974</td>
  4529. <td width="374">&#8220;You Turned My World Around&#8221;</td>
  4530. <td width="105">83</td>
  4531. </tr>
  4532. <tr>
  4533. <td width="91">1957</td>
  4534. <td width="374">&#8220;Chicago (That Toddlin&#8217; Town)&#8221;</td>
  4535. <td width="105">84</td>
  4536. </tr>
  4537. <tr>
  4538. <td width="91">1969</td>
  4539. <td width="374">&#8220;I Would Be in Love (Anyway)&#8221;</td>
  4540. <td width="105">88</td>
  4541. </tr>
  4542. <tr>
  4543. <td width="91">1962</td>
  4544. <td width="374">&#8220;Stardust&#8221;</td>
  4545. <td width="105">98</td>
  4546. </tr>
  4547. <tr>
  4548. <td width="91">1962</td>
  4549. <td width="374">&#8220;The Moon Was Yellow&#8221;</td>
  4550. <td width="105">99</td>
  4551. </tr>
  4552. </tbody>
  4553. </table>
  4554. <p>&nbsp;</p>
  4555. </div>
  4556. </div>
  4557.  
  4558.  
  4559.  
  4560.  
  4561. </div>
  4562. </div>
  4563. </div>
  4564. </div></div>
  4565. <div id="fws_6605a546d8667"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  4566. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  4567. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4568. <div class="wpb_wrapper">
  4569. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  4570. </div>
  4571. </div>
  4572. </div>
  4573. </div></div>
  4574. <div id="fws_6605a546d889e"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  4575. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  4576. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4577. <div class="wpb_wrapper">
  4578. <div class="img-with-aniamtion-wrap center" data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  4579.      <div class="inner">
  4580.        <div class="hover-wrap" data-hover-animation="none">
  4581.          <div class="hover-wrap-inner">
  4582.            <a href="https://www.mosaicrecords.com/what-a-wonderful-world-lyrics/" target="_self" class="center">
  4583.              <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="225" width="225" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/10/What-A-Wonderful-World.jpg" alt="What A Wonderful World" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/10/What-A-Wonderful-World.jpg 225w, https://www.mosaicrecords.com/wp-content/uploads/2021/10/What-A-Wonderful-World-150x150.jpg 150w, https://www.mosaicrecords.com/wp-content/uploads/2021/10/What-A-Wonderful-World-100x100.jpg 100w, https://www.mosaicrecords.com/wp-content/uploads/2021/10/What-A-Wonderful-World-140x140.jpg 140w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
  4584.            </a>
  4585.          </div>
  4586.        </div>
  4587.      </div>
  4588.      </div>
  4589. </div>
  4590. </div>
  4591. </div>
  4592.  
  4593. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  4594. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4595. <div class="wpb_wrapper">
  4596. <div class="wpb_text_column wpb_content_element " >
  4597. <div class="wpb_wrapper">
  4598. <h2 style="text-align: center;">What A Wonderful World</h2>
  4599. <h2 style="text-align: center;">Louis Armstrong</h2>
  4600. </div>
  4601. </div>
  4602.  
  4603.  
  4604.  
  4605.  
  4606. </div>
  4607. </div>
  4608. </div>
  4609. </div></div>
  4610. <div id="fws_6605a546d8cc0"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  4611. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  4612. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4613. <div class="wpb_wrapper">
  4614. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 70%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  4615. </div>
  4616. </div>
  4617. </div>
  4618. </div></div>
  4619. <p>The post <a href="https://www.mosaicrecords.com/frank-sinatra-songs/">Frank Sinatra Songs</a> appeared first on <a href="https://www.mosaicrecords.com">Mosaic Records - Home for Jazz fans!</a>.</p>
  4620. ]]></content:encoded>
  4621. </item>
  4622. <item>
  4623. <title>Cool Jazz</title>
  4624. <link>https://www.mosaicrecords.com/cool-jazz/</link>
  4625. <dc:creator><![CDATA[Mosaic Records]]></dc:creator>
  4626. <pubDate>Thu, 05 Aug 2021 18:55:45 +0000</pubDate>
  4627. <category><![CDATA[Art Blakey]]></category>
  4628. <category><![CDATA[Best Jazz Albums]]></category>
  4629. <category><![CDATA[Best Jazz Albums: 1950s Modern Classic Jazz]]></category>
  4630. <category><![CDATA[Joe Pass]]></category>
  4631. <category><![CDATA[Lester Young]]></category>
  4632. <category><![CDATA[Paul Desmond]]></category>
  4633. <guid isPermaLink="false">https://www.mosaicrecords.com/?p=11907</guid>
  4634.  
  4635. <description><![CDATA[<p>The post <a href="https://www.mosaicrecords.com/cool-jazz/">Cool Jazz</a> appeared first on <a href="https://www.mosaicrecords.com">Mosaic Records - Home for Jazz fans!</a>.</p>
  4636. ]]></description>
  4637. <content:encoded><![CDATA[
  4638. <div id="fws_6605a546db59a"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  4639. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  4640. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4641. <div class="wpb_wrapper">
  4642. <div id="fws_6605a546dbb4f" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  4643. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  4644. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4645. <div class="wpb_wrapper">
  4646. <div class="img-with-aniamtion-wrap center" data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  4647.      <div class="inner">
  4648.        <div class="hover-wrap" data-hover-animation="none">
  4649.          <div class="hover-wrap-inner">
  4650.            <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="313" width="319" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/04/Gerry-Mulligan-Pacific.jpg" alt="Cool Jazz" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/04/Gerry-Mulligan-Pacific.jpg 319w, https://www.mosaicrecords.com/wp-content/uploads/2021/04/Gerry-Mulligan-Pacific-300x294.jpg 300w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
  4651.          </div>
  4652.        </div>
  4653.      </div>
  4654.    </div>
  4655. </div>
  4656. </div>
  4657. </div>
  4658.  
  4659. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  4660. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4661. <div class="wpb_wrapper">
  4662. <div class="wpb_text_column wpb_content_element " >
  4663. <div class="wpb_wrapper">
  4664. <h1 style="text-align: center;">The Origins of Cool Jazz &amp;<br />
  4665. Best Cool Jazz Albums</h1>
  4666. </div>
  4667. </div>
  4668.  
  4669.  
  4670.  
  4671.  
  4672. </div>
  4673. </div>
  4674. </div>
  4675. </div></div>
  4676. <div class="wpb_text_column wpb_content_element " >
  4677. <div class="wpb_wrapper">
  4678. <p>Often as important as the musicians who recorded for jazz companies were the individual producers. They secured their places in jazz history through their selection of artists and attention to a specific area or category of music. One such producer is Richard Bock of Pacific Jazz, whose vitality and craft produced a unique body of recordings and began the evolution of cool jazz.</p>
  4679. </div>
  4680. </div>
  4681.  
  4682.  
  4683.  
  4684. <div class="img-with-aniamtion-wrap center" data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  4685.      <div class="inner">
  4686.        <div class="hover-wrap" data-hover-animation="none">
  4687.          <div class="hover-wrap-inner">
  4688.            <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="200" width="599" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/08/Cool-Jazz.jpg" alt="Cool Jazz" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/08/Cool-Jazz.jpg 599w, https://www.mosaicrecords.com/wp-content/uploads/2021/08/Cool-Jazz-300x100.jpg 300w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
  4689.          </div>
  4690.        </div>
  4691.      </div>
  4692.    </div>
  4693. <div class="wpb_text_column wpb_content_element " >
  4694. <div class="wpb_wrapper">
  4695. <p style="text-align: left;">Like so many stories about the birth of a jazz record label, the Pacific Jazz story started small—with the passions of a solitary man. Richard Bock was still a student at Los Angeles City College when he got work doing odd jobs for Albert Marx, owner of Discovery Records. There, at an Art Pepper session, he had his first taste of producing. And soon he was out each night, combing the jazz clubs of L.A., his feelers alert for fresh talent.</p>
  4696. <p style="text-align: left;">That’s where he first heard Gerry Mulligan. Bock convinced Mulligan to let him record some experimental sessions in his accountant’s living room. Immediately, Bock knew what he had. He talked some friends into pooling their money to start a record label with a focus on the cool jazz sound. And in 1952, Mulligan’s living-room recordings became the first Pacific Jazz singles.</p>
  4697. </div>
  4698. </div>
  4699.  
  4700.  
  4701.  
  4702. <div id="fws_6605a546dc241" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  4703. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  4704. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4705. <div class="wpb_wrapper">
  4706. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 60%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  4707. <div class="wpb_text_column wpb_content_element " >
  4708. <div class="wpb_wrapper">
  4709. <h3 style="text-align: center;"><strong>Gerry Mulligan<br />
  4710. </strong><strong>Original Quartet with Chet Baker</strong></h3>
  4711. </div>
  4712. </div>
  4713.  
  4714.  
  4715.  
  4716.  
  4717. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-40 vc_video-align-center" >
  4718. <div class="wpb_wrapper">
  4719. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Nights At The Turnstable (1998 Digital Remaster)" width="1080" height="810" src="https://www.youtube.com/embed/R8leEvLHpx0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  4720. </div>
  4721. </div>
  4722.  
  4723. <div class="wpb_text_column wpb_content_element " >
  4724. <div class="wpb_wrapper">
  4725. <p>The pianoless Gerry Mulligan Quartet, which launched the careers of Mulligan, Chet Baker and Chico Hamilton, lasted only one year (June &#8217;52-&#8217;53).<span class="Apple-converted-space">  </span>These two remastered CDs cover all 42 tracks that the quartet recorded for Pacific Jazz in that one year.<span class="Apple-converted-space">  </span>Recorded live at the Haig and in various studios, this music is essential cool jazz.</p>
  4726. </div>
  4727. </div>
  4728.  
  4729.  
  4730.  
  4731.  
  4732. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 60%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  4733. </div>
  4734. </div>
  4735. </div>
  4736. </div></div>
  4737. <div class="wpb_text_column wpb_content_element " >
  4738. <div class="wpb_wrapper">
  4739. <p style="text-align: left;">Soon Bock was recording Gerry Mulligan’s regular Monday night gig at the Haig. Because the Haig’s piano was removed to make room for Red Norvo’s vibes, the Mulligan Quartet developed without a piano. Within six months, Mulligan’s new music was written up in Time magazine, and suddenly the fledgling Pacific Jazz label had a “big time” success on its hands with the growing popularity of cool jazz.</p>
  4740. <p style="text-align: left;">Then, Bock’s stock split. Chet Baker left Mulligan to form his own quartet with Russ Freeman, giving Pacific Jazz two hot groups instead of one. And a few months after that, Baker started singing, making him one of the hottest attractions in all of jazz.</p>
  4741. <p style="text-align: left;">Just 18 months after his first living-room sessions, Dick Bock was running Los Angeles’ most important and successful jazz label. As such, he had his pick of local talent, and Pacific Jazz became the first label to record Wes Montgomery, Chico Hamilton’s ground-breaking cello quintet, Jim Hall, <a href="https://www.mosaicrecords.com/the-great-jazz-artists/joe-pass"><span style="color: #0000ff;">Joe Pass</span></a>, Don Ellis, Richard Groove Holmes, Les McCann, Bud Shank, Bobby Hutcherson, and a host of others.</p>
  4742. <p style="text-align: left;">In 1954, Richard Bock began recording a series of albums featuring Laurindo Almeida and Bud Shank, which wedded jazz and Brazilian samba rhythms. This was “Bossa Nova” eight years before it had a name. The visionary Bock also recorded many landmark non-jazz recordings, including Indian classical music by Ravi Shankar, comedy by the legendary Lord Buckley, and blues by the great Lightning Hopkins.</p>
  4743. <p style="text-align: left;">Today it’s hard to imagine the history of jazz without the cool <a href="https://www.mosaicrecords.com/jazz-music/"><span style="color: #0000ff;">jazz music</span></a> movement that Richard Bock helped preserve. Hard to believe, too, that it began as humbly as it did, in an accountant’s living room and in one man’s heart.</p>
  4744. </div>
  4745. </div>
  4746.  
  4747.  
  4748.  
  4749.  
  4750. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 80%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%232a2a2a%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  4751. <div class="wpb_text_column wpb_content_element " >
  4752. <div class="wpb_wrapper">
  4753. <h1 style="text-align: center;">Cool Jazz Albums</h1>
  4754. </div>
  4755. </div>
  4756.  
  4757.  
  4758.  
  4759. <div id="fws_6605a546dc95e" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  4760. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  4761. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4762. <div class="wpb_wrapper">
  4763. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  4764. <div class="wpb_wrapper">
  4765. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Picture Of Heath" width="1080" height="810" src="https://www.youtube.com/embed/_UBu5hcch_8?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  4766. </div>
  4767. </div>
  4768.  
  4769. </div>
  4770. </div>
  4771. </div>
  4772.  
  4773. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  4774. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4775. <div class="wpb_wrapper">
  4776. <div class="wpb_text_column wpb_content_element " >
  4777. <div class="wpb_wrapper">
  4778. <p><strong>CHET BAKER &amp; ART PEPPER</strong><br />
  4779. <strong>PICTURE OF HEATH</strong></p>
  4780. <p>Originally titled &#8220;Playboys,&#8221; this hard swinging 1956 session features Chet and Art Pepper with Phil Urso, Carl Perkins, Curtis Counce and Lawrence Marable on seven superb Pepper and Jimmy Heath compositions.</p>
  4781. </div>
  4782. </div>
  4783.  
  4784.  
  4785.  
  4786.  
  4787. </div>
  4788. </div>
  4789. </div>
  4790. </div></div><div id="fws_6605a546dceba" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  4791. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  4792. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4793. <div class="wpb_wrapper">
  4794. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  4795. <div class="wpb_wrapper">
  4796. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Slightly Above Moderate" width="1080" height="810" src="https://www.youtube.com/embed/-rmnxXrpgzk?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  4797. </div>
  4798. </div>
  4799.  
  4800. </div>
  4801. </div>
  4802. </div>
  4803.  
  4804. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  4805. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4806. <div class="wpb_wrapper">
  4807. <div class="wpb_text_column wpb_content_element " >
  4808. <div class="wpb_wrapper">
  4809. <p><strong>CHET BAKER </strong><br />
  4810. <strong>BAKER AND CREW</strong><br />
  4811. This Crew, a quintet with Phil Urso and Bobby Timmons, was one of Chet&#8217;s hardest-swinging groups, with great tunes by Gerry Mulligan, Al Cohn, Miles Davis and others. Six bonus tracks have been added to the original LP&#8217;s eight selections.</p>
  4812. </div>
  4813. </div>
  4814.  
  4815.  
  4816.  
  4817.  
  4818. </div>
  4819. </div>
  4820. </div>
  4821. </div></div><div id="fws_6605a546dd359" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  4822. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  4823. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4824. <div class="wpb_wrapper">
  4825. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  4826. <div class="wpb_wrapper">
  4827. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Long Ago (And Far Away)" width="1080" height="810" src="https://www.youtube.com/embed/s16nVSb-8CQ?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  4828. </div>
  4829. </div>
  4830.  
  4831. </div>
  4832. </div>
  4833. </div>
  4834.  
  4835. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  4836. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4837. <div class="wpb_wrapper">
  4838. <div class="wpb_text_column wpb_content_element " >
  4839. <div class="wpb_wrapper">
  4840. <p><strong>CHET BAKER</strong><br />
  4841. <strong>1953 QUARTET WITH RUSS FREEMAN</strong><br />
  4842. The trumpeter&#8217;s first quartet included the essential Russ Freeman as pianist and musical director. All 25 tracks recorded by this quartet in July and October of 1953 are gathered on this one CD. Freeman&#8217;s dazzling themes and his hard driving piano are the perfect foil for Chet&#8217;s personal, lyrical trumpet style. Always an instinctive player, Baker&#8217;s solos flow with one melodic idea after another.</p>
  4843. </div>
  4844. </div>
  4845.  
  4846.  
  4847.  
  4848.  
  4849. </div>
  4850. </div>
  4851. </div>
  4852. </div></div><div id="fws_6605a546dd811" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  4853. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  4854. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4855. <div class="wpb_wrapper">
  4856. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  4857. <div class="wpb_wrapper">
  4858. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Like Someone In Love (Vocal Version)" width="1080" height="810" src="https://www.youtube.com/embed/6WWRMqC1ONM?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  4859. </div>
  4860. </div>
  4861.  
  4862. </div>
  4863. </div>
  4864. </div>
  4865.  
  4866. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  4867. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4868. <div class="wpb_wrapper">
  4869. <div class="wpb_text_column wpb_content_element " >
  4870. <div class="wpb_wrapper">
  4871. <p><strong>CHET BAKER SINGS</strong><br />
  4872. As Gerald Heard&#8217;s liner notes point out, it&#8217;s difficult to decide whether Chet Baker was a trumpet player who sang or a singer who played trumpet. His first vocal session, was recorded in February 1954 which covering tracks seven through 14. Baker&#8217;s voice is so innocent sounding and pure you won&#8217;t be able to turn it off. The spacious musical setting, a simple trumpet and piano (Russ Freeman)-bass-drums rhythm section, is perfect for Baker&#8217;s low-key style. &#8220;Chet Baker Sings&#8221; is a classic of West Coast cool jazz</p>
  4873. </div>
  4874. </div>
  4875.  
  4876.  
  4877.  
  4878.  
  4879. </div>
  4880. </div>
  4881. </div>
  4882. </div></div><div id="fws_6605a546ddd1e" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  4883. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  4884. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4885. <div class="wpb_wrapper">
  4886. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  4887. <div class="wpb_wrapper">
  4888. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Move (Remastered)" width="1080" height="810" src="https://www.youtube.com/embed/I9ik43_XsNU?start=2&feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  4889. </div>
  4890. </div>
  4891.  
  4892. </div>
  4893. </div>
  4894. </div>
  4895.  
  4896. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  4897. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4898. <div class="wpb_wrapper">
  4899. <div class="wpb_text_column wpb_content_element " >
  4900. <div class="wpb_wrapper">
  4901. <div class="wpb_text_column wpb_content_element ">
  4902. <div class="wpb_wrapper">
  4903. <p><a href="https://www.mosaicrecords.com/the-great-jazz-artists/miles-davis/"><strong>MILES DAVIS</strong></a><br />
  4904. <strong>BIRTH OF THE COOL</strong><br />
  4905. This album is actually a collection of Davis’s three 1949-50 nonet sessions with the unusual instrumentation of trumpet, trombone, French horn, tuba, alto sax, baritone sax, piano bass and drums. The arrangers included John Lewis, Gerry Mulligan, Gil Evans and John Carisi. As 78s, they had more influence on <a href="https://www.mosaicrecords.com/the-great-jazz-artists/"><span style="color: #0000ff;">jazz musicians</span></a> than the public. The texture and voicings of this ensemble definitely had the relaxed feeling of cool, even on classic bebop tunes. The nonet plays John Lewis’s arrangement of Denzil Best’s <a href="https://www.mosaicrecords.com/bebop-jazz/"><span style="color: #0000ff;">bebop</span> </a>classic “Move” at a breakneck tempo, but with an air of cool detachment. Miles and Lee Konitz deliver lyrical solos before the band exchanges fours with Max Roach.</p>
  4906. </div>
  4907. </div>
  4908. </div>
  4909. </div>
  4910.  
  4911.  
  4912.  
  4913.  
  4914. </div>
  4915. </div>
  4916. </div>
  4917. </div></div><div id="fws_6605a546de180" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  4918. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  4919. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4920. <div class="wpb_wrapper">
  4921. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  4922. <div class="wpb_wrapper">
  4923. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Alice in Wonderland (Mono Version)" width="1080" height="810" src="https://www.youtube.com/embed/zTgb8Sj63lQ?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  4924. </div>
  4925. </div>
  4926.  
  4927. </div>
  4928. </div>
  4929. </div>
  4930.  
  4931. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  4932. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4933. <div class="wpb_wrapper">
  4934. <div class="wpb_text_column wpb_content_element " >
  4935. <div class="wpb_wrapper">
  4936. <p><strong>DAVE BRUBECK</strong><br />
  4937. <strong>DAVE DIGS DISNEY</strong><br />
  4938. The quartet with Desmond explore classic tunes from Disney films like &#8220;Someday My Prince Will Come&#8221; and &#8220;When You Wish Upon A Star&#8221;.<span class="Apple-converted-space"> </span></p>
  4939. </div>
  4940. </div>
  4941.  
  4942.  
  4943.  
  4944.  
  4945. </div>
  4946. </div>
  4947. </div>
  4948. </div></div><div id="fws_6605a546de59a" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  4949. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  4950. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4951. <div class="wpb_wrapper">
  4952. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  4953. <div class="wpb_wrapper">
  4954. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Blue Rondo à la Turk" width="1080" height="810" src="https://www.youtube.com/embed/FqPC-BkylxA?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  4955. </div>
  4956. </div>
  4957.  
  4958. </div>
  4959. </div>
  4960. </div>
  4961.  
  4962. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  4963. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4964. <div class="wpb_wrapper">
  4965. <div class="wpb_text_column wpb_content_element " >
  4966. <div class="wpb_wrapper">
  4967. <p><strong>DAVE BRUBECK</strong><br />
  4968. <strong>TIME OUT</strong><br />
  4969. The experiment with time signatures that became one of the most popular <a href="https://www.mosaicrecords.com/100-essential-jazz-albums/"><span style="color: #0000ff;">jazz recordings</span></a> in history. With Paul Desmond, Gene Wright and Joe Morello. Includes &#8220;Take Five&#8221; and &#8220;Blue Rondo A La Turk.&#8221;</p>
  4970. </div>
  4971. </div>
  4972.  
  4973.  
  4974.  
  4975.  
  4976. </div>
  4977. </div>
  4978. </div>
  4979. </div></div><div id="fws_6605a546dea0d" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  4980. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  4981. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4982. <div class="wpb_wrapper">
  4983. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  4984. <div class="wpb_wrapper">
  4985. <div class="wpb_video_wrapper"><iframe loading="lazy" title="These Foolish Things" width="1080" height="810" src="https://www.youtube.com/embed/habV2afufVM?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  4986. </div>
  4987. </div>
  4988.  
  4989. </div>
  4990. </div>
  4991. </div>
  4992.  
  4993. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  4994. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  4995. <div class="wpb_wrapper">
  4996. <div class="wpb_text_column wpb_content_element " >
  4997. <div class="wpb_wrapper">
  4998. <p><strong>DAVE BRUBECK</strong><br />
  4999. <strong>JAZZ GOES TO COLLEGE</strong><br />
  5000. Brubeck and Desmond at their best! The blues &#8220;Balcony Rock&#8221; is one of the finest performances by either man. &#8220;Le Souk&#8221; is a modal piece well ahead of its time. Bob Bates and Joe Dodge fill out this 1954 version of the quartet.</p>
  5001. </div>
  5002. </div>
  5003.  
  5004.  
  5005.  
  5006.  
  5007. </div>
  5008. </div>
  5009. </div>
  5010. </div></div><div id="fws_6605a546dee85" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5011. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5012. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5013. <div class="wpb_wrapper">
  5014. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5015. <div class="wpb_wrapper">
  5016. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Take Ten" width="1080" height="810" src="https://www.youtube.com/embed/7finO1huMZw?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5017. </div>
  5018. </div>
  5019.  
  5020. </div>
  5021. </div>
  5022. </div>
  5023.  
  5024. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5025. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5026. <div class="wpb_wrapper">
  5027. <div class="wpb_text_column wpb_content_element " >
  5028. <div class="wpb_wrapper">
  5029. <p><span style="text-decoration: underline;"><span style="color: #0000ff; text-decoration: underline;"><a style="color: #0000ff; text-decoration: underline;" href="https://www.mosaicrecords.com/the-great-jazz-artists/paul-desmond/"><strong>PAUL DESMOND</strong></a></span></span><br />
  5030. <strong>TAKE TEN</strong><br />
  5031. Paul Desmond&#8217;s quartet albums with guitarist Jim Hall and drummer Connie Kay reflect his genius in its most perfect setting. Lighter in weight than the Brubeck quartet, the alto saxophonist&#8217;s warm, lyrical solos are the main focus. This 1963 album includes several Desmond originals (including a sequel to his &#8220;Take Five&#8221;), two Luis Bonfa melodies and three standards. His version of &#8220;Nancy (With The Laughing Face)&#8221;, written by Phil Silvers on the occasion of Nancy <a href="https://www.mosaicrecords.com/frank-sinatra-songs/"><span style="color: #0000ff;">Sinatra</span></a>&#8216;s birth is a masterpiece.</p>
  5032. </div>
  5033. </div>
  5034.  
  5035.  
  5036.  
  5037.  
  5038. </div>
  5039. </div>
  5040. </div>
  5041. </div></div><div id="fws_6605a546df425" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5042. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5043. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5044. <div class="wpb_wrapper">
  5045. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5046. <div class="wpb_wrapper">
  5047. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Desmond Blue ((Live) [Remastered])" width="1080" height="810" src="https://www.youtube.com/embed/1sG0Q_R4xKk?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5048. </div>
  5049. </div>
  5050.  
  5051. </div>
  5052. </div>
  5053. </div>
  5054.  
  5055. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5056. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5057. <div class="wpb_wrapper">
  5058. <div class="wpb_text_column wpb_content_element " >
  5059. <div class="wpb_wrapper">
  5060. <p><b>PAUL </b><strong>DESMOND</strong><br />
  5061. <strong>DESMOND BLUE</strong><br />
  5062. Recorded at Webster Hall with a string section arranged by Bob Prince and Desmond&#8217;s quartet with Jim Hall and Connie Kay, the lyrical alto saxophone master caresses a program of beautiful ballads on this, his most celebrated album.<span class="Apple-converted-space"> </span></p>
  5063. </div>
  5064. </div>
  5065.  
  5066.  
  5067.  
  5068.  
  5069. </div>
  5070. </div>
  5071. </div>
  5072. </div></div><div id="fws_6605a546df8ba" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5073. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5074. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5075. <div class="wpb_wrapper">
  5076. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5077. <div class="wpb_wrapper">
  5078. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Billie&#039;s Bounce (Live At The Opera House, Chicago / 1957)" width="1080" height="810" src="https://www.youtube.com/embed/hIHbV9m0Vvs?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5079. </div>
  5080. </div>
  5081.  
  5082. </div>
  5083. </div>
  5084. </div>
  5085.  
  5086. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5087. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5088. <div class="wpb_wrapper">
  5089. <div class="wpb_text_column wpb_content_element " >
  5090. <div class="wpb_wrapper">
  5091. <p><strong>STAN GETZ &amp; J.J. JOHNSON</strong><br />
  5092. <strong>AT THE OPERA HOUSE</strong><br />
  5093. Getz and J.J. Johnson, backed by Oscar Peterson&#8217;s trio and drummer Connie Kay, are at their peak on this classic album, which was actually two albums! The stereo album was indeed recorded at Chicago&#8217;s Opera House, while the mono album was done in Los Angeles on the same tour. With the exception of the stereo &#8220;It Never Entered My Mind,&#8221; both versions are combined on this 73-minute CD.</p>
  5094. </div>
  5095. </div>
  5096.  
  5097.  
  5098.  
  5099.  
  5100. </div>
  5101. </div>
  5102. </div>
  5103. </div></div><div id="fws_6605a546dfd09" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5104. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5105. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5106. <div class="wpb_wrapper">
  5107. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5108. <div class="wpb_wrapper">
  5109. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Night Rider" width="1080" height="810" src="https://www.youtube.com/embed/e-NpG8rfjLw?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5110. </div>
  5111. </div>
  5112.  
  5113. </div>
  5114. </div>
  5115. </div>
  5116.  
  5117. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5118. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5119. <div class="wpb_wrapper">
  5120. <div class="wpb_text_column wpb_content_element " >
  5121. <div class="wpb_wrapper">
  5122. <p><strong>STAN GETZ</strong><br />
  5123. <strong>FOCUS</strong><br />
  5124. This unique 1961 album finds Getz in peak form, improvising over Eddie Sauter&#8217;s arrangements for string quartet, bass and drums (Roy Haynes).<span class="Apple-converted-space"> </span></p>
  5125. </div>
  5126. </div>
  5127.  
  5128.  
  5129.  
  5130.  
  5131. </div>
  5132. </div>
  5133. </div>
  5134. </div></div><div id="fws_6605a546e01f2" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5135. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5136. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5137. <div class="wpb_wrapper">
  5138. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5139. <div class="wpb_wrapper">
  5140. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Four" width="1080" height="810" src="https://www.youtube.com/embed/SakD9tclPfk?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5141. </div>
  5142. </div>
  5143.  
  5144. </div>
  5145. </div>
  5146. </div>
  5147.  
  5148. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5149. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5150. <div class="wpb_wrapper">
  5151. <div class="wpb_text_column wpb_content_element " >
  5152. <div class="wpb_wrapper">
  5153. <p><strong>STAN GETZ</strong><br />
  5154. <strong>WEST COAST JAZZ</strong><br />
  5155. Conte Candoli shares the front line with Getz on great performances from August 1955. &#8220;Split Kick&#8221; and six quartet sides (#8-13) with the same trio (Lou Levy, Leroy Vinnegar and Shelly Manne) are added to the original album.</p>
  5156. </div>
  5157. </div>
  5158.  
  5159.  
  5160.  
  5161.  
  5162. </div>
  5163. </div>
  5164. </div>
  5165. </div></div><div id="fws_6605a546e06d6" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5166. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5167. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5168. <div class="wpb_wrapper">
  5169. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5170. <div class="wpb_wrapper">
  5171. <div class="wpb_video_wrapper"><iframe loading="lazy" title="I Wish I Knew" width="1080" height="810" src="https://www.youtube.com/embed/thqyPqmaPt8?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5172. </div>
  5173. </div>
  5174.  
  5175. </div>
  5176. </div>
  5177. </div>
  5178.  
  5179. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5180. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5181. <div class="wpb_wrapper">
  5182. <div class="wpb_text_column wpb_content_element " >
  5183. <div class="wpb_wrapper">
  5184. <p><strong>STAN GETZ</strong><br />
  5185. <strong>POETRY</strong><br />
  5186. In 1983, the masterful, lyrical Stan Getz invited Albert Dailey, a consummate pianist with whom he&#8217;d worked frequently in the &#8217;70s, to his home studio in Irvington, New York. There they created seven intimate and passionate musical statements on jazz standards that are highlights in both men&#8217;s careers.<span class="Apple-converted-space"> </span></p>
  5187. </div>
  5188. </div>
  5189.  
  5190.  
  5191.  
  5192.  
  5193. </div>
  5194. </div>
  5195. </div>
  5196. </div></div><div id="fws_6605a546e0b58" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5197. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5198. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5199. <div class="wpb_wrapper">
  5200. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5201. <div class="wpb_wrapper">
  5202. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Corcovado (Quiet Nights Of Quiet Stars)" width="1080" height="810" src="https://www.youtube.com/embed/s3nfZ_aRRV0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5203. </div>
  5204. </div>
  5205.  
  5206. </div>
  5207. </div>
  5208. </div>
  5209.  
  5210. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5211. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5212. <div class="wpb_wrapper">
  5213. <div class="wpb_text_column wpb_content_element " >
  5214. <div class="wpb_wrapper">
  5215. <p><strong>STAN GETZ &amp; JAOA GILBERTO </strong><br />
  5216. <strong>GETZ/GILBERTO</strong><br />
  5217. This magical, definitive, and pioneering blend of two musical cultures by Getz, the magnificent vocalist and guitarist Joao Gilberto, and the great Jobim stands as one of the most important recordings in popular music history. Although Jazz Samba created what many thought was a fad, with scores of bossa nova recordings following, this 1963 masterpiece so greatly realized the potential of this music that it became an essential part of the jazz vocabulary. It didn&#8217;t hurt to have one of the biggest <a href="https://www.mosaicrecords.com/100-essential-jazz-albums/"><span style="color: #0000ff;">jazz records</span></a> in history, &#8220;The Girl from Ipanema&#8221;, which featured Gilberto&#8217;s wife Astrud (who had never performed before this recording session!)</p>
  5218. </div>
  5219. </div>
  5220.  
  5221.  
  5222.  
  5223.  
  5224. </div>
  5225. </div>
  5226. </div>
  5227. </div></div><div id="fws_6605a546e1007" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5228. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5229. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5230. <div class="wpb_wrapper">
  5231. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5232. <div class="wpb_wrapper">
  5233. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Wave" width="1080" height="810" src="https://www.youtube.com/embed/Y66-bZPWl0A?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5234. </div>
  5235. </div>
  5236.  
  5237. </div>
  5238. </div>
  5239. </div>
  5240.  
  5241. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5242. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5243. <div class="wpb_wrapper">
  5244. <div class="wpb_text_column wpb_content_element " >
  5245. <div class="wpb_wrapper">
  5246. <p><strong>MILT JACKSON</strong><br />
  5247. <strong>BIG THREE</strong><br />
  5248. Milt Jackson, Joe Pass and Ray Brown swing magnificently on a varied repertoire. The vibes/guitar/bass instrumentation gives the music an open quality and affords the musicians the freedom to interact with uncanny empathy.</p>
  5249. </div>
  5250. </div>
  5251.  
  5252.  
  5253.  
  5254.  
  5255. </div>
  5256. </div>
  5257. </div>
  5258. </div></div><div id="fws_6605a546e14b9" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5259. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5260. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5261. <div class="wpb_wrapper">
  5262. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5263. <div class="wpb_wrapper">
  5264. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Retrospection" width="1080" height="810" src="https://www.youtube.com/embed/4v7YjbFn-g0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5265. </div>
  5266. </div>
  5267.  
  5268. </div>
  5269. </div>
  5270. </div>
  5271.  
  5272. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5273. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5274. <div class="wpb_wrapper">
  5275. <div class="wpb_text_column wpb_content_element " >
  5276. <div class="wpb_wrapper">
  5277. <p><strong>LEE KONITZ</strong><br />
  5278. <strong>SUBCONSCIOUS LEE</strong><br />
  5279. Historic 1949-50 sessions by Lennie Tristano with Konitz, and Konitz with Warne Marsh and Billy Bauer.</p>
  5280. </div>
  5281. </div>
  5282.  
  5283.  
  5284.  
  5285.  
  5286. </div>
  5287. </div>
  5288. </div>
  5289. </div></div><div id="fws_6605a546e18e5" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5290. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5291. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5292. <div class="wpb_wrapper">
  5293. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5294. <div class="wpb_wrapper">
  5295. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Struttin&#039; With Some Barbecue" width="1080" height="810" src="https://www.youtube.com/embed/mNLfcUGIN8Q?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5296. </div>
  5297. </div>
  5298.  
  5299. </div>
  5300. </div>
  5301. </div>
  5302.  
  5303. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5304. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5305. <div class="wpb_wrapper">
  5306. <div class="wpb_text_column wpb_content_element " >
  5307. <div class="wpb_wrapper">
  5308. <p><strong>LEE KONITZ</strong><br />
  5309. <strong>THE DUETS</strong><br />
  5310. 1967 duets with Marshall Brown (1), Joe Henderson (2), Karl Berger, Eddie Gomez and Elvin Jones (3), Dick Katz (4), Jim Hall (5), Richie Kamuca (6) and Ray Nance (7), culminating in one ensemble piece. Great interplay and great Konitz on a wide variety of material.</p>
  5311. </div>
  5312. </div>
  5313.  
  5314.  
  5315.  
  5316.  
  5317. </div>
  5318. </div>
  5319. </div>
  5320. </div></div><div id="fws_6605a546e1d80" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5321. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5322. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5323. <div class="wpb_wrapper">
  5324. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5325. <div class="wpb_wrapper">
  5326. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Foolin&#039; Myself" width="1080" height="810" src="https://www.youtube.com/embed/POlXofd8_po?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5327. </div>
  5328. </div>
  5329.  
  5330. </div>
  5331. </div>
  5332. </div>
  5333.  
  5334. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5335. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5336. <div class="wpb_wrapper">
  5337. <div class="wpb_text_column wpb_content_element " >
  5338. <div class="wpb_wrapper">
  5339. <p><strong>LEE KONITZ</strong><br />
  5340. <strong>MOTION</strong><br />
  5341. This sparse 1961 trio with bassist Sonny Dallas and drummer Elvin Jones is one of Lee&#8217;s most creative career highlights. Elvin&#8217;s tasteful, insistent, polyrhythmic swing underpins Konitz&#8217;s also saxophone magnificently and pushes him to brilliant improvisational heights.</p>
  5342. </div>
  5343. </div>
  5344.  
  5345.  
  5346.  
  5347.  
  5348. </div>
  5349. </div>
  5350. </div>
  5351. </div></div><div id="fws_6605a546e219e" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5352. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5353. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5354. <div class="wpb_wrapper">
  5355. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5356. <div class="wpb_wrapper">
  5357. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Topsy" width="1080" height="810" src="https://www.youtube.com/embed/YAkhEobBGAw?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5358. </div>
  5359. </div>
  5360.  
  5361. </div>
  5362. </div>
  5363. </div>
  5364.  
  5365. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5366. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5367. <div class="wpb_wrapper">
  5368. <div class="wpb_text_column wpb_content_element " >
  5369. <div class="wpb_wrapper">
  5370. <p><strong>LEE KONITZ</strong><br />
  5371. <strong>WITH MARSH</strong><br />
  5372. This landmark session helped launched Konitz and Marsh as a team and apart from Lennie Tristano. Their empathy and level of fluid improvisational brilliance is a tribute to Tristano&#8217;s tutelage. Personnel: Lee Konitz (alto saxophone); Warne Marsh (tenor saxophone); Sal Mosca, Ronnie Ball (piano); Billy Bauer (guitar); Oscar Pettiford (bass); Kenny Clarke (drums). Recorded in New York City on June 14 &amp; 21, 1955.</p>
  5373. </div>
  5374. </div>
  5375.  
  5376.  
  5377.  
  5378.  
  5379. </div>
  5380. </div>
  5381. </div>
  5382. </div></div><div id="fws_6605a546e25fa" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5383. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5384. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5385. <div class="wpb_wrapper">
  5386. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5387. <div class="wpb_wrapper">
  5388. <div class="wpb_video_wrapper"><iframe loading="lazy" title="The Wind" width="1080" height="810" src="https://www.youtube.com/embed/RLC0yk_BbxM?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5389. </div>
  5390. </div>
  5391.  
  5392. </div>
  5393. </div>
  5394. </div>
  5395.  
  5396. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5397. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5398. <div class="wpb_wrapper">
  5399. <div class="wpb_text_column wpb_content_element " >
  5400. <div class="wpb_wrapper">
  5401. <p><strong>SHELLY MANNE</strong><br />
  5402. <strong>MORE SWINGING SOUNDS</strong><br />
  5403. This 1956 edition of Manne&#8217;s quintet with Stu Williamson, Charlie Mariano, Russ Freeman and Leroy Vinnegar was an intensely swinging band. Their second album offers excellent choice of material including Russ Freeman&#8217;s &#8220;The Wind&#8221;, Johnny Mandel&#8217;s &#8220;Tommyhawk&#8221; the commissioned Bill Holman piece &#8220;Quartet: A Suite In Four Parts&#8221;.</p>
  5404. </div>
  5405. </div>
  5406.  
  5407.  
  5408.  
  5409.  
  5410. </div>
  5411. </div>
  5412. </div>
  5413. </div></div><div id="fws_6605a546e2a06" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5414. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5415. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5416. <div class="wpb_wrapper">
  5417. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5418. <div class="wpb_wrapper">
  5419. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Cabu" width="1080" height="810" src="https://www.youtube.com/embed/kePr1Zmhtf4?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5420. </div>
  5421. </div>
  5422.  
  5423. </div>
  5424. </div>
  5425. </div>
  5426.  
  5427. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5428. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5429. <div class="wpb_wrapper">
  5430. <div class="wpb_text_column wpb_content_element " >
  5431. <div class="wpb_wrapper">
  5432. <p><strong>SHELLY MANNE</strong><br />
  5433. <strong>AT BLACK HAWK VOL 1 -5</strong><br />
  5434. The second great edition of Manne&#8217;s quintet with the legendary Joe Gordon, Richie Kamuca and Victor Feldman captured live in San Francisco.<span class="Apple-converted-space"> </span></p>
  5435. </div>
  5436. </div>
  5437.  
  5438.  
  5439.  
  5440.  
  5441. </div>
  5442. </div>
  5443. </div>
  5444. </div></div><div id="fws_6605a546e2dde" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5445. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5446. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5447. <div class="wpb_wrapper">
  5448. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5449. <div class="wpb_wrapper">
  5450. <div class="wpb_video_wrapper"><iframe loading="lazy" title="On The Street Where You Live (Instrumental)" width="1080" height="810" src="https://www.youtube.com/embed/kyw5EXnqc6M?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5451. </div>
  5452. </div>
  5453.  
  5454. </div>
  5455. </div>
  5456. </div>
  5457.  
  5458. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5459. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5460. <div class="wpb_wrapper">
  5461. <div class="wpb_text_column wpb_content_element " >
  5462. <div class="wpb_wrapper">
  5463. <p><strong>SHELLY MANNE</strong><br />
  5464. <strong>MY FAIR LADY</strong><br />
  5465. &#8220;My Fair Lady&#8221; was a recent hit on Broadway in August 1956 when the formidable team of Andre Previn, Leroy Vinnegar and Manne tackled the score from a pure jazz angle. The album became a best seller and a classic. Previn and Manne continued to transform other show scores into great paino trio <a href="https://www.mosaicrecords.com/jazz-music/"><span style="color: #0000ff;">jazz music</span></a> for the remainder of the decade.</p>
  5466. </div>
  5467. </div>
  5468.  
  5469.  
  5470.  
  5471.  
  5472. </div>
  5473. </div>
  5474. </div>
  5475. </div></div><div id="fws_6605a546e32b4" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5476. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5477. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5478. <div class="wpb_wrapper">
  5479. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5480. <div class="wpb_wrapper">
  5481. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Warne Marsh -- I Have a Good One for You" width="1080" height="810" src="https://www.youtube.com/embed/T2Fa03QE6qI?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5482. </div>
  5483. </div>
  5484.  
  5485. </div>
  5486. </div>
  5487. </div>
  5488.  
  5489. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5490. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5491. <div class="wpb_wrapper">
  5492. <div class="wpb_text_column wpb_content_element " >
  5493. <div class="wpb_wrapper">
  5494. <p><strong>WARNE MARSH</strong><br />
  5495. <strong>ALL MUSIC</strong><br />
  5496. This 1976 quartet date with Lou Levy on piano, Fred Atwood on bass and Jake Hanna on drums contains plenty of superb playing by this amazing tenor saxophonist.<span class="Apple-converted-space"> </span></p>
  5497. </div>
  5498. </div>
  5499.  
  5500.  
  5501.  
  5502.  
  5503. </div>
  5504. </div>
  5505. </div>
  5506. </div></div><div id="fws_6605a546e3763" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5507. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5508. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5509. <div class="wpb_wrapper">
  5510. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5511. <div class="wpb_wrapper">
  5512. <div class="wpb_video_wrapper"><iframe loading="lazy" title="S&#039; Wonderful" width="1080" height="810" src="https://www.youtube.com/embed/baHLfE1JM64?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5513. </div>
  5514. </div>
  5515.  
  5516. </div>
  5517. </div>
  5518. </div>
  5519.  
  5520. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5521. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5522. <div class="wpb_wrapper">
  5523. <div class="wpb_text_column wpb_content_element " >
  5524. <div class="wpb_wrapper">
  5525. <p><strong>WARNE MARSH</strong><br />
  5526. <strong>LIVE AT DANA POINT-2</strong><br />
  5527. These two CDs come from a newly discovered tape of Marsh&#8217;s quartet with Joe Albany, Bob Whitlock and Red Martinson on October 7, 1957 at the Galleon Room in Dana Point, California. Marsh is brilliant as always. This is most likely the gig that Marsh, Albany and Whitlock were rehearsing for when they taped &#8220;The Right Combination&#8221;.</p>
  5528. </div>
  5529. </div>
  5530.  
  5531.  
  5532.  
  5533.  
  5534. </div>
  5535. </div>
  5536. </div>
  5537. </div></div><div id="fws_6605a546e3bc1" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5538. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5539. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5540. <div class="wpb_wrapper">
  5541. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5542. <div class="wpb_wrapper">
  5543. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Jazz Of Two Cities" width="1080" height="810" src="https://www.youtube.com/embed/uqkpRXcr1Ek?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5544. </div>
  5545. </div>
  5546.  
  5547. </div>
  5548. </div>
  5549. </div>
  5550.  
  5551. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5552. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5553. <div class="wpb_wrapper">
  5554. <div class="wpb_text_column wpb_content_element " >
  5555. <div class="wpb_wrapper">
  5556. <p><strong>WARNE MARSH</strong><br />
  5557. <strong>JAZZ TWO CITIES</strong><br />
  5558. Warne Marsh&#8217;s exceptional 1956 Imperial album with Ronnie Ball, Ben Tucker and Jeff Morton recorded at Radio Recorders in Los Angeles.<span class="Apple-converted-space"> </span></p>
  5559. </div>
  5560. </div>
  5561.  
  5562.  
  5563.  
  5564.  
  5565. </div>
  5566. </div>
  5567. </div>
  5568. </div></div><div id="fws_6605a546e3fbe" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5569. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5570. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5571. <div class="wpb_wrapper">
  5572. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5573. <div class="wpb_wrapper">
  5574. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Milano" width="1080" height="810" src="https://www.youtube.com/embed/ACLcqZyz4Ow?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5575. </div>
  5576. </div>
  5577.  
  5578. </div>
  5579. </div>
  5580. </div>
  5581.  
  5582. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5583. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5584. <div class="wpb_wrapper">
  5585. <div class="wpb_text_column wpb_content_element " >
  5586. <div class="wpb_wrapper">
  5587. <p><strong>MODERN JAZZ QUARTET </strong><br />
  5588. <strong>DJANGO</strong><br />
  5589. Milt Jackson, John Lewis, Percy Heath and Kenny Clarke crystallized their uniquely eloquent and stately approach to the language of be-bop on this historic album. Highlights include &#8220;Milano&#8221;, &#8220;La Ronde Suite&#8221; and the title tune.</p>
  5590. </div>
  5591. </div>
  5592.  
  5593.  
  5594.  
  5595.  
  5596. </div>
  5597. </div>
  5598. </div>
  5599. </div></div><div id="fws_6605a546e44b3" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5600. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5601. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5602. <div class="wpb_wrapper">
  5603. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5604. <div class="wpb_wrapper">
  5605. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Lonely Woman" width="1080" height="810" src="https://www.youtube.com/embed/8Kmr5EKhfDg?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5606. </div>
  5607. </div>
  5608.  
  5609. </div>
  5610. </div>
  5611. </div>
  5612.  
  5613. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5614. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5615. <div class="wpb_wrapper">
  5616. <div class="wpb_text_column wpb_content_element " >
  5617. <div class="wpb_wrapper">
  5618. <p><strong>MODERN JAZZ QUARTET </strong><br />
  5619. <strong>LONELY WOMAN</strong><br />
  5620. Powerful versions of Ornette Coleman&#8217;s &#8220;Lonely Woman&#8221; and Gary McFarland&#8217;s &#8220;Why Are You Blue&#8221; highlight this 1962 studio album.</p>
  5621. </div>
  5622. </div>
  5623.  
  5624.  
  5625.  
  5626.  
  5627. </div>
  5628. </div>
  5629. </div>
  5630. </div></div><div id="fws_6605a546e4962" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5631. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5632. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5633. <div class="wpb_wrapper">
  5634. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5635. <div class="wpb_wrapper">
  5636. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Pyramid" width="1080" height="810" src="https://www.youtube.com/embed/81X_sn7tyKg?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5637. </div>
  5638. </div>
  5639.  
  5640. </div>
  5641. </div>
  5642. </div>
  5643.  
  5644. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5645. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5646. <div class="wpb_wrapper">
  5647. <div class="wpb_text_column wpb_content_element " >
  5648. <div class="wpb_wrapper">
  5649. <p><strong>MODERN JAZZ QUARTET </strong><br />
  5650. <strong>PYRAMID</strong><br />
  5651. After seven years, many groups would tend to rest on their laurels, but not the MJQ. This 1959 album is one of their finest in terms of variety, interplay and pure swing.<span class="Apple-converted-space">  </span>Material ranges from Ray Brown&#8217;s title tune to Jim Hall&#8217;s &#8220;Romaine&#8221;, Ellington&#8217;s &#8220;It Don&#8217;t Mean A Thing&#8221; and a reworking of &#8220;Django&#8221;.</p>
  5652. </div>
  5653. </div>
  5654.  
  5655.  
  5656.  
  5657.  
  5658. </div>
  5659. </div>
  5660. </div>
  5661. </div></div><div id="fws_6605a546e4da8" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5662. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5663. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5664. <div class="wpb_wrapper">
  5665. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5666. <div class="wpb_wrapper">
  5667. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Too Marvelous For Words (Live At The Haig, Los Angeles / 1953)" width="1080" height="810" src="https://www.youtube.com/embed/VEgiY86nXmo?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5668. </div>
  5669. </div>
  5670.  
  5671. </div>
  5672. </div>
  5673. </div>
  5674.  
  5675. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5676. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5677. <div class="wpb_wrapper">
  5678. <div class="wpb_text_column wpb_content_element " >
  5679. <div class="wpb_wrapper">
  5680. <p><strong>GERRY MULLIGAN</strong><br />
  5681. <strong>KONITZ MEETS MULLIGAN</strong><br />
  5682. This 1953 recording captures <a href="https://www.mosaicrecords.com/the-great-jazz-artists/"><span style="color: #0000ff;">jazz artist</span></a> Lee Konitz as guest soloist with the innovative Gerry Mulligan Quartet with Chet Baker at its creative peak. Konitz blends beautifully with some of the best playing of his career. The first six tunes were recorded live at The Haig in LA and the rest were done in the studio the same week.</p>
  5683. </div>
  5684. </div>
  5685.  
  5686.  
  5687.  
  5688.  
  5689. </div>
  5690. </div>
  5691. </div>
  5692. </div></div><div id="fws_6605a546e5244" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5693. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5694. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5695. <div class="wpb_wrapper">
  5696. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5697. <div class="wpb_wrapper">
  5698. <div class="wpb_video_wrapper"><iframe loading="lazy" title="You&#039;d Be So Nice to Come Home to" width="1080" height="810" src="https://www.youtube.com/embed/MRdRZExFh-c?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5699. </div>
  5700. </div>
  5701.  
  5702. </div>
  5703. </div>
  5704. </div>
  5705.  
  5706. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5707. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5708. <div class="wpb_wrapper">
  5709. <div class="wpb_text_column wpb_content_element " >
  5710. <div class="wpb_wrapper">
  5711. <p><strong>ART PEPPER</strong><br />
  5712. <strong>MEETS THE RHYTHM SECTION</strong><br />
  5713. The 1957 date pairs Pepper with Miles Davis&#8217; first great rhythm section (Red Garland, Paul Chambers and Philly Joe Jones, resulting in one of this alto saxophonist&#8217;s greatest recordings.<span class="Apple-converted-space"> </span></p>
  5714. </div>
  5715. </div>
  5716.  
  5717.  
  5718.  
  5719.  
  5720. </div>
  5721. </div>
  5722. </div>
  5723. </div></div><div id="fws_6605a546e5717" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5724. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5725. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5726. <div class="wpb_wrapper">
  5727. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5728. <div class="wpb_wrapper">
  5729. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Four Brothers" width="1080" height="810" src="https://www.youtube.com/embed/_-dYz0Loq5o?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5730. </div>
  5731. </div>
  5732.  
  5733. </div>
  5734. </div>
  5735. </div>
  5736.  
  5737. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5738. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5739. <div class="wpb_wrapper">
  5740. <div class="wpb_text_column wpb_content_element " >
  5741. <div class="wpb_wrapper">
  5742. <p><strong>ART PEPPER + ELEVEN</strong><br />
  5743. <strong>MODERN JAZZ CLASSICS</strong><br />
  5744. This 1959 classic album features modern jazz standards by Monk, Mulligan, Giuffre, Gillespie, Rollins and Horace Silver, arranged for a small big band by Marty Paich.</p>
  5745. </div>
  5746. </div>
  5747.  
  5748.  
  5749.  
  5750.  
  5751. </div>
  5752. </div>
  5753. </div>
  5754. </div></div><div id="fws_6605a546e5b70" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5755. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5756. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5757. <div class="wpb_wrapper">
  5758. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5759. <div class="wpb_wrapper">
  5760. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Art Pepper Quartet - Diane" width="1080" height="810" src="https://www.youtube.com/embed/iUzqQ-FSLtg?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5761. </div>
  5762. </div>
  5763.  
  5764. </div>
  5765. </div>
  5766. </div>
  5767.  
  5768. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5769. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5770. <div class="wpb_wrapper">
  5771. <div class="wpb_text_column wpb_content_element " >
  5772. <div class="wpb_wrapper">
  5773. <p><strong>ART PEPPER</strong><br />
  5774. <strong>QUARTET (TAMPA)</strong><br />
  5775. This rare November 25, 1956 Tampa session with Russ Freeman on piano, Ben Tucker on bass and Gary Frommer on drums has long been considered among Pepper&#8217;s best. His hard-swinging, Bird-influenced alto was already finding its own voice.</p>
  5776. </div>
  5777. </div>
  5778.  
  5779.  
  5780.  
  5781.  
  5782. </div>
  5783. </div>
  5784. </div>
  5785. </div></div><div id="fws_6605a546e5f67" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5786. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5787. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5788. <div class="wpb_wrapper">
  5789. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5790. <div class="wpb_wrapper">
  5791. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Isn&#039;t It Romantic" width="1080" height="810" src="https://www.youtube.com/embed/EyEUwUBpR4M?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5792. </div>
  5793. </div>
  5794.  
  5795. </div>
  5796. </div>
  5797. </div>
  5798.  
  5799. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5800. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5801. <div class="wpb_wrapper">
  5802. <div class="wpb_text_column wpb_content_element " >
  5803. <div class="wpb_wrapper">
  5804. <p><strong>SHORTY ROGERS</strong><br />
  5805. <strong>SWINGING MR. ROGERS</strong><br />
  5806. This 1955 Atlantic album featured the greatest edition of Shorty Rogers And His Giants &#8211; the quintet with Jimmy Giuffre, Pete Jolly, Curtis Counce and Shelly Manne. Highlights include the adventurous &#8220;Martians Go Home&#8221; and &#8220;Not Really The Blues.&#8221;</p>
  5807. </div>
  5808. </div>
  5809.  
  5810.  
  5811.  
  5812.  
  5813. </div>
  5814. </div>
  5815. </div>
  5816. </div></div><div id="fws_6605a546e6428" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5817. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5818. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5819. <div class="wpb_wrapper">
  5820. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5821. <div class="wpb_wrapper">
  5822. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Howard Rumsey&#039;s Lighthouse All Stars – Music For Lighthousekeeping (1957)" width="1080" height="810" src="https://www.youtube.com/embed/-cuJrMolrM8?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5823. </div>
  5824. </div>
  5825.  
  5826. </div>
  5827. </div>
  5828. </div>
  5829.  
  5830. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5831. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5832. <div class="wpb_wrapper">
  5833. <div class="wpb_text_column wpb_content_element " >
  5834. <div class="wpb_wrapper">
  5835. <p><strong>HOWARD RUMSEY</strong><br />
  5836. <strong>MUSIC FOR LIGHTHOUSE ALLSTARS</strong><br />
  5837. This 1956 sextet session features Conte Candoli, Frank Rosolino, Bob Cooper, Sonny Clark, Rumsey and Stan Levey. Except for two Basie classics, the repertoire is originals by Cooper, Clark and Bill Holman.</p>
  5838. </div>
  5839. </div>
  5840.  
  5841.  
  5842.  
  5843.  
  5844. </div>
  5845. </div>
  5846. </div>
  5847. </div></div><div id="fws_6605a546e6926" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5848. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5849. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5850. <div class="wpb_wrapper">
  5851. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5852. <div class="wpb_wrapper">
  5853. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Ear Conditioning (Mono / Remastered)" width="1080" height="810" src="https://www.youtube.com/embed/7lXtVHlPMCQ?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5854. </div>
  5855. </div>
  5856.  
  5857. </div>
  5858. </div>
  5859. </div>
  5860.  
  5861. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5862. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5863. <div class="wpb_wrapper">
  5864. <div class="wpb_text_column wpb_content_element " >
  5865. <div class="wpb_wrapper">
  5866. <p><strong>LENNIE TRISTANO</strong><br />
  5867. <strong>INTUITION</strong><br />
  5868. Tristano&#8217;s seven landmark 1949 Capitol titles with Lee Konitz, Warne Marsh and Billy Bauer (#13-19), coupled with Marsh&#8217;s exceptional 1956 Imperial album with Ronnie Ball, Ben Tucker and Jeff Morton with four alternate takes (#1-12).</p>
  5869. </div>
  5870. </div>
  5871.  
  5872.  
  5873.  
  5874.  
  5875. </div>
  5876. </div>
  5877. </div>
  5878. </div></div><div id="fws_6605a546e6ebb" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5879. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5880. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5881. <div class="wpb_wrapper">
  5882. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  5883. <div class="wpb_wrapper">
  5884. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Line Up" width="1080" height="810" src="https://www.youtube.com/embed/2311qzE0iE4?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  5885. </div>
  5886. </div>
  5887.  
  5888. </div>
  5889. </div>
  5890. </div>
  5891.  
  5892. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5893. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5894. <div class="wpb_wrapper">
  5895. <div class="wpb_text_column wpb_content_element " >
  5896. <div class="wpb_wrapper">
  5897. <p><strong>LENNIE TRISTANO</strong><br />
  5898. <strong>THE NEW TRISTANO</strong><br />
  5899. This release combines this remarkable pianist&#8217;s first Atlantic album from 1955, which included four trio numbers (#1-4) and five live tracks with Lee Konitz, Gene Ramey and Art Taylor, with all but one of the startling 1960-61 solo pieces issued as &#8220;The New Tristano&#8221;.</p>
  5900. </div>
  5901. </div>
  5902.  
  5903.  
  5904.  
  5905.  
  5906. </div>
  5907. </div>
  5908. </div>
  5909. </div></div>
  5910. </div>
  5911. </div>
  5912. </div>
  5913. </div></div>
  5914. <p>The post <a href="https://www.mosaicrecords.com/cool-jazz/">Cool Jazz</a> appeared first on <a href="https://www.mosaicrecords.com">Mosaic Records - Home for Jazz fans!</a>.</p>
  5915. ]]></content:encoded>
  5916. </item>
  5917. <item>
  5918. <title>Dixieland Jazz</title>
  5919. <link>https://www.mosaicrecords.com/dixieland-jazz/</link>
  5920. <dc:creator><![CDATA[Mosaic Records]]></dc:creator>
  5921. <pubDate>Fri, 30 Jul 2021 19:45:58 +0000</pubDate>
  5922. <category><![CDATA[Best Jazz Albums: Small Group Swing]]></category>
  5923. <category><![CDATA[Big Band]]></category>
  5924. <category><![CDATA[Bunny Berigan]]></category>
  5925. <category><![CDATA[Coleman Hawkins]]></category>
  5926. <category><![CDATA[Duke Ellington]]></category>
  5927. <category><![CDATA[Earl Hines]]></category>
  5928. <category><![CDATA[James P Johnson]]></category>
  5929. <category><![CDATA[Lester Young]]></category>
  5930. <category><![CDATA[Lionel Hampton]]></category>
  5931. <category><![CDATA[Louis Armstrong]]></category>
  5932. <guid isPermaLink="false">https://www.mosaicrecords.com/?p=11648</guid>
  5933.  
  5934. <description><![CDATA[<p>The post <a href="https://www.mosaicrecords.com/dixieland-jazz/">Dixieland Jazz</a> appeared first on <a href="https://www.mosaicrecords.com">Mosaic Records - Home for Jazz fans!</a>.</p>
  5935. ]]></description>
  5936. <content:encoded><![CDATA[
  5937. <div id="fws_6605a546eaf7e"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  5938. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  5939. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5940. <div class="wpb_wrapper">
  5941. <div id="fws_6605a546eb5c7" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5942. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5943. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5944. <div class="wpb_wrapper">
  5945. <div class="img-with-aniamtion-wrap center" data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  5946.      <div class="inner">
  5947.        <div class="hover-wrap" data-hover-animation="none">
  5948.          <div class="hover-wrap-inner">
  5949.            <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="1196" width="1200" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/04/Bix-Beiderbecke.jpg" alt="" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/04/Bix-Beiderbecke.jpg 1200w, https://www.mosaicrecords.com/wp-content/uploads/2021/04/Bix-Beiderbecke-300x300.jpg 300w, https://www.mosaicrecords.com/wp-content/uploads/2021/04/Bix-Beiderbecke-1024x1021.jpg 1024w, https://www.mosaicrecords.com/wp-content/uploads/2021/04/Bix-Beiderbecke-150x150.jpg 150w, https://www.mosaicrecords.com/wp-content/uploads/2021/04/Bix-Beiderbecke-768x765.jpg 768w, https://www.mosaicrecords.com/wp-content/uploads/2021/04/Bix-Beiderbecke-100x100.jpg 100w, https://www.mosaicrecords.com/wp-content/uploads/2021/04/Bix-Beiderbecke-140x140.jpg 140w, https://www.mosaicrecords.com/wp-content/uploads/2021/04/Bix-Beiderbecke-350x350.jpg 350w, https://www.mosaicrecords.com/wp-content/uploads/2021/04/Bix-Beiderbecke-600x598.jpg 600w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
  5950.          </div>
  5951.        </div>
  5952.      </div>
  5953.    </div>
  5954. </div>
  5955. </div>
  5956. </div>
  5957.  
  5958. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5959. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5960. <div class="wpb_wrapper">
  5961. <div class="divider-wrap" data-alignment="default"><div style="height: 100px;" class="divider"></div></div>
  5962. <div class="wpb_text_column wpb_content_element " >
  5963. <div class="wpb_wrapper">
  5964. <h1 style="text-align: center;">Dixieland/Early Jazz</h1>
  5965. <p style="text-align: center;"><em>Traditional New Orleans Dixieland jazz has always been a mystery to some and a revelation to others.</em></p>
  5966. </div>
  5967. </div>
  5968.  
  5969.  
  5970.  
  5971.  
  5972. </div>
  5973. </div>
  5974. </div>
  5975. </div></div><div id="fws_6605a546ebbd0" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  5976. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column centered-text no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  5977. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  5978. <div class="wpb_wrapper">
  5979. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 60%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  5980. <div class="wpb_text_column wpb_content_element " >
  5981. <div class="wpb_wrapper">
  5982. <h2 style="text-align: center;">Dixieland/Early Jazz</h2>
  5983. <p style="text-align: left;">Traditional New Orleans Dixieland jazz has always been a mystery to some and a revelation to others. Even at home, the range of opinion has traditionally fluctuated wildly from animosity to diffidence to chauvinism. Thus, on June 20, 1918 the New Orleans Times-Picayune ran an editorial titled “Jass and Jassism” that condemned the new music in no uncertain terms, urging the local population “to be the last to accept the atrocity in polite society” and to “make it a point of civic honor to suppress it.”</p>
  5984. <p style="text-align: left;">Letters to the editor over the next two weeks made it clear that many Orleanians were willing to defend jazz at this early date as “the typical American music&#8211;the true music of the hustler” or merely as “a style of playing” and resented being dictated to by “an ignoramus.”</p>
  5985. <p style="text-align: left;">Advertisements by Maison Blanche for the first jazz recordings in 1917 had already established the middle ground on the issue, that jazz was, simply, New Orleans dance music: “Here is positively the greatest dance record ever issued. Made by New Orleans musicians for New Orleans people, it has all the ‘swing’ and ‘pep’ and ‘spirit’ that is so characteristic of the bands whose names are a by-word at New Orleans dances.” [New Orleans Times-Picayune, April 15, 1917]</p>
  5986. <p style="text-align: left;">Long after homegrown heroes such as Jelly Roll Morton, Sidney Bechet, King Oliver, Edward Ory, or Louis Armstrong had hit the road in search of greener pastures, revolutionizing American popular music in the process, generations of dancers back in New Orleans continued to respond to jazz less as an art form and more as a necessary part of the fabric of daily life&#8211;a functional music for parades, fish fries and banquettes, church openings, Carnival and debutante balls, taxi dance halls, ball games, and funerals. Music did not “dry up” in New Orleans after the departure of Louis Armstrong in 1922 (as is often presumed) but instead continued to develop and evolve within its indigenous cultural context.</p>
  5987. <p style="text-align: left;">Thus, while New Orleans superstars apotheosized the New Orleans style in classic recordings made in Chicago and New York in the 1920&#8217;s&#8211;what most “hot” collectors referred to when they talked about authentic jazz&#8211;many of the elements which were essential to the homegrown variant remained invisible to the national <span style="color: #0000ff;">jazz music</span> constituency of the period.</p>
  5988. <p style="text-align: left;">In particular, the city’s unique brass band heritage, replete with its “second line,” and the Creole dance hall repertoire were left behind, presumably because record company officials saw no commercial potential in these genres at the time. Then, as now, New Orleans artists were forced by market imperatives to adapt to mainstream tastes rather than to expect most Americans to understand or appreciate New Orleans music on its own terms. It was simply too quirky.</p>
  5989. <p style="text-align: left;">In New Orleans dance halls, however, the quirks reigned supreme and infiltrated even the upper echelons of society in the period 1915-1925, working from the bottom up. Trombonist William “Baba” Ridgley of the Original Tuxedo Jazz Orchestra recalled the change in fortunes which occurred in these years for his band members: the usual sideman’s rate of $1.50 a night plus tips at the Tuxedo Dance Hall in Storyville was dramatically transformed once the band actually started wearing tuxedos.</p>
  5990. <p style="text-align: left;">The new image led to work at the Southern Yacht Club and at debutante and Carnival balls where the musicians earned $25 nightly by 1925. Teenagers who caught Kid Ory’s Creole Band or Armand Piron at subscription dances at the Tulane University Gymnasium in the prewar years were easily hooked and relied on similar outfits as young adults for their social functions throughout the 1920&#8217;s, creating a nostalgic bond that would become important in later years when the music they loved was faced with extinction. &#8211; <em>Bruce Boyd Raeburn, Ph.D., Curator Hogan Jazz Archive, Tulane University, liner note excerpt The Atlantic Jazz Sessions (Mosaic Records)</em></p>
  5991. </div>
  5992. </div>
  5993.  
  5994.  
  5995.  
  5996.  
  5997. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 60%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  5998. </div>
  5999. </div>
  6000. </div>
  6001. </div></div><div id="fws_6605a546ebfa8" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6002. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6003. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6004. <div class="wpb_wrapper">
  6005. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6006. <div class="wpb_wrapper">
  6007. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Twos And Fews" width="1080" height="810" src="https://www.youtube.com/embed/mG0eHwFOXI4?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6008. </div>
  6009. </div>
  6010.  
  6011. </div>
  6012. </div>
  6013. </div>
  6014.  
  6015. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6016. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6017. <div class="wpb_wrapper">
  6018. <div class="wpb_text_column wpb_content_element " >
  6019. <div class="wpb_wrapper">
  6020. <p><strong>ALBERT AMMONS &amp; MEADE LUX LEWIS</strong><br />
  6021. <strong>FIRST DAY</strong><br />
  6022. Eighteen solos and duets from the masters of boogie woogie piano. Blue Note&#8217;s first recording session, January 6, 1939. Includes all 19 songs from Blue Note&#8217;s first recording session: 8 piano solos from Meade Lux Lewis, 9 from Albert Ammons and 2 duets.</p>
  6023. </div>
  6024. </div>
  6025.  
  6026.  
  6027.  
  6028.  
  6029. </div>
  6030. </div>
  6031. </div>
  6032. </div></div><div id="fws_6605a546ec4f1" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6033. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6034. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6035. <div class="wpb_wrapper">
  6036. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6037. <div class="wpb_wrapper">
  6038. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Boogie Woogie Stomp - Albert Ammons" width="1080" height="810" src="https://www.youtube.com/embed/dNbc0YO5hKg?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6039. </div>
  6040. </div>
  6041.  
  6042. </div>
  6043. </div>
  6044. </div>
  6045.  
  6046. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6047. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6048. <div class="wpb_wrapper">
  6049. <div class="wpb_text_column wpb_content_element " >
  6050. <div class="wpb_wrapper">
  6051. <p><strong>ALBERT AMMONS</strong><br />
  6052. <strong>BOOGIE WOOGIE STOMP</strong><br />
  6053. Fourteen songs from the 1939 radio broadcasts from Chicago&#8217;s Hotel Sherman by Albert Ammons, several with Meade Lux Lewis and Pete Johnson added. Four more sides come from a late `38 private recording. The boogie woogie masters at their peak.</p>
  6054. </div>
  6055. </div>
  6056.  
  6057.  
  6058.  
  6059.  
  6060. </div>
  6061. </div>
  6062. </div>
  6063. </div></div><div id="fws_6605a546ec981" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6064. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6065. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6066. <div class="wpb_wrapper">
  6067. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6068. <div class="wpb_wrapper">
  6069. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Chimes Blues" width="1080" height="810" src="https://www.youtube.com/embed/UtIz_nSd48Y?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6070. </div>
  6071. </div>
  6072.  
  6073. </div>
  6074. </div>
  6075. </div>
  6076.  
  6077. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6078. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6079. <div class="wpb_wrapper">
  6080. <div class="wpb_text_column wpb_content_element " >
  6081. <div class="wpb_wrapper">
  6082. <p><span style="text-decoration: underline;"><span style="color: #0000ff; text-decoration: underline;"><a style="color: #0000ff; text-decoration: underline;" href="https://www.mosaicrecords.com/the-great-jazz-artists/louis-armstrong/"><strong>LOUIS ARMSTRONG</strong></a></span></span><br />
  6083. <strong>WITH KING OLIVER</strong><br />
  6084. Oliver&#8217;s 18 landmark <span style="color: #0000ff;">1920s jazz</span> recordings on Gennett Louis Armstrong, Lil Hardin, Johnny Dodds and Baby Dodds, as well as 7 Gennett/ Paramount tunes by the Red Onion Jazz Babies with Louis.</p>
  6085. </div>
  6086. </div>
  6087.  
  6088.  
  6089.  
  6090.  
  6091. </div>
  6092. </div>
  6093. </div>
  6094. </div></div><div id="fws_6605a546ece1d" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6095. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6096. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6097. <div class="wpb_wrapper">
  6098. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6099. <div class="wpb_wrapper">
  6100. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Cake Walking Babies (From Home)" width="1080" height="810" src="https://www.youtube.com/embed/enm6nRLLa-A?start=7&feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6101. </div>
  6102. </div>
  6103.  
  6104. </div>
  6105. </div>
  6106. </div>
  6107.  
  6108. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6109. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6110. <div class="wpb_wrapper">
  6111. <div class="wpb_text_column wpb_content_element " >
  6112. <div class="wpb_wrapper">
  6113. <p><strong>LOUIS ARMSTRONG</strong><br />
  6114. <strong>COMPLETE HOT 5&#8217;S &amp; 7S</strong><br />
  6115. The most important <span style="color: #0000ff;"><a style="color: #0000ff;" href="https://www.mosaicrecords.com/100-essential-jazz-albums/">jazz recordings</a></span> ever made. All 80 tracks by Louis&#8217; Hot Five and Hot Seven (1925-28) with Johnny Dodds, Kid Ory, Lil Armstrong and Earl Hines,, including all known alternate takes plus 9 tracks of the band backing other vocalists. Newly transferred and pitch corrected.</p>
  6116. </div>
  6117. </div>
  6118.  
  6119.  
  6120.  
  6121.  
  6122. </div>
  6123. </div>
  6124. </div>
  6125. </div></div><div id="fws_6605a546ed2a0" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6126. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6127. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6128. <div class="wpb_wrapper">
  6129. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6130. <div class="wpb_wrapper">
  6131. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Yellow Dog Blues" width="1080" height="810" src="https://www.youtube.com/embed/jdZUSL_-GUE?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6132. </div>
  6133. </div>
  6134.  
  6135. </div>
  6136. </div>
  6137. </div>
  6138.  
  6139. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6140. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6141. <div class="wpb_wrapper">
  6142. <div class="wpb_text_column wpb_content_element " >
  6143. <div class="wpb_wrapper">
  6144. <p><strong>LOUIS ARMSTRONG</strong><br />
  6145. <strong>PLAYS W.C. HANDY</strong><br />
  6146. Louis and the All-Stars with Barney Bigard and Trummy Young pay tribute to Handy with some of his finest compositions on this 1954 session.<span class="Apple-converted-space">  </span>Bonus tracks (#12-16) include rehearsal sequences for three tunes, showing how the All-Stars developed their performances. a monologue from Armstrong and George Avakian interviewing Handy.</p>
  6147. </div>
  6148. </div>
  6149.  
  6150.  
  6151.  
  6152.  
  6153. </div>
  6154. </div>
  6155. </div>
  6156. </div></div><div id="fws_6605a546ed723" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6157. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6158. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6159. <div class="wpb_wrapper">
  6160. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6161. <div class="wpb_wrapper">
  6162. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Squeeze Me" width="1080" height="810" src="https://www.youtube.com/embed/KoJA951jDYc?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6163. </div>
  6164. </div>
  6165.  
  6166. </div>
  6167. </div>
  6168. </div>
  6169.  
  6170. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6171. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6172. <div class="wpb_wrapper">
  6173. <div class="wpb_text_column wpb_content_element " >
  6174. <div class="wpb_wrapper">
  6175. <p><strong>LOUIS ARMSTRONG</strong><br />
  6176. <strong>SATCH PLAYS FAT</strong><br />
  6177. A wonderful 1955 All-Stars date of Waller classics, with Barney Bigard and Trummy Young in the front line. The CD includes four alternate takes and 7 Okeh Louis performances of Fats tunes from 1928-32 tranferred by John R.T. Davies.</p>
  6178. </div>
  6179. </div>
  6180.  
  6181.  
  6182.  
  6183.  
  6184. </div>
  6185. </div>
  6186. </div>
  6187. </div></div><div id="fws_6605a546edb1f" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6188. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6189. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6190. <div class="wpb_wrapper">
  6191. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6192. <div class="wpb_wrapper">
  6193. <div class="wpb_video_wrapper"><iframe loading="lazy" title="St. Louis Blues (Concerto Grosso)" width="1080" height="810" src="https://www.youtube.com/embed/i2RfqEce8OM?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6194. </div>
  6195. </div>
  6196.  
  6197. </div>
  6198. </div>
  6199. </div>
  6200.  
  6201. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6202. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6203. <div class="wpb_wrapper">
  6204. <div class="wpb_text_column wpb_content_element " >
  6205. <div class="wpb_wrapper">
  6206. <p><strong>LOUIS ARMSTRONG</strong><br />
  6207. <strong>SATCHMO THE GREAT</strong><br />
  6208. The soundtrack album to Edward R. Murrow&#8217;s TV documentary with plenty of music by the All-Stars in 1955-56 as well as Louis performing &#8220;St. Louis Blues&#8221; with a symphony and &#8220;Sly Mongoose&#8221; with African musicians. Three bonus tracks have been added to the original LP.</p>
  6209. </div>
  6210. </div>
  6211.  
  6212.  
  6213.  
  6214.  
  6215. </div>
  6216. </div>
  6217. </div>
  6218. </div></div><div id="fws_6605a546edf5e" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6219. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6220. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6221. <div class="wpb_wrapper">
  6222. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6223. <div class="wpb_wrapper">
  6224. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Duke&#039;s Place (1990 Remaster)" width="1080" height="810" src="https://www.youtube.com/embed/Yt1zw81ZbTs?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6225. </div>
  6226. </div>
  6227.  
  6228. </div>
  6229. </div>
  6230. </div>
  6231.  
  6232. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6233. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6234. <div class="wpb_wrapper">
  6235. <div class="wpb_text_column wpb_content_element " >
  6236. <div class="wpb_wrapper">
  6237. <p><strong>LOUIS ARMSTRONG &amp; <span style="color: #0000ff;">DUKE ELLINGTON</span></strong><br />
  6238. <strong>FIRST TIME</strong><br />
  6239. The first album to come out of this historic April 1961 encounter between the two most influential men in jazz. The program is all-Ellington, and Duke&#8217;s piano playing shines, supporting Armstrong&#8217;s vocals and trumpet magnificently. Louis&#8217; all stars &#8211; Trummy Young (trombone), Barney Bigard (clarinet), Mort Herbert (bass), Danny Barcelona (drums)- complete the band.<span class="Apple-converted-space"> </span></p>
  6240. </div>
  6241. </div>
  6242.  
  6243.  
  6244.  
  6245.  
  6246. </div>
  6247. </div>
  6248. </div>
  6249. </div></div><div id="fws_6605a546ee405" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6250. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6251. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6252. <div class="wpb_wrapper">
  6253. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-left" >
  6254. <div class="wpb_wrapper">
  6255. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Muskrat Ramble" width="1080" height="810" src="https://www.youtube.com/embed/e_um8pFJMHw?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6256. </div>
  6257. </div>
  6258.  
  6259. </div>
  6260. </div>
  6261. </div>
  6262.  
  6263. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6264. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6265. <div class="wpb_wrapper">
  6266. <div class="wpb_text_column wpb_content_element " >
  6267. <div class="wpb_wrapper">
  6268. <p><strong>SIDNEY BECHET</strong><br />
  6269. <strong>BEST OF BLUE NOTE YEARS</strong><br />
  6270. Eighteen of Bechet&#8217;s greatest performances from &#8220;Summertime&#8221; to &#8220;Black And Blue&#8221; with such sidemen as Wild Bill Davison, Albert Nicholas, Art Hodes, Joe Sullivan, Pops Foster and Big Sid Catlett.</p>
  6271. </div>
  6272. </div>
  6273.  
  6274.  
  6275.  
  6276.  
  6277. </div>
  6278. </div>
  6279. </div>
  6280. </div></div><div id="fws_6605a546ee999" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6281. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6282. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6283. <div class="wpb_wrapper">
  6284. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6285. <div class="wpb_wrapper">
  6286. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Theme/Exactly Like You" width="1080" height="810" src="https://www.youtube.com/embed/Fm241lxsq1g?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6287. </div>
  6288. </div>
  6289.  
  6290. </div>
  6291. </div>
  6292. </div>
  6293.  
  6294. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6295. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6296. <div class="wpb_wrapper">
  6297. <div class="wpb_text_column wpb_content_element " >
  6298. <div class="wpb_wrapper">
  6299. <p><strong>SIDNEY BECHET/BUNK JOHNSON/PETER BOCAGE</strong><br />
  6300. <strong>NOCTURNE 1</strong><br />
  6301. The first in a series of <a href="https://www.mosaicrecords.com/jazz-music/"><span style="color: #0000ff;">jazz music</span></a> CDs originally broadcast from the Savoy Caf‚ in Boston at the dawn of the trad. revival in 1945 and featuring three of that music&#8217;s initial practitioners. While Bechet is present on all tracks, Johnson is heard on the first 9 tracks at a rehearsal for the show while Bocage is on the remaining 7, which is a complete broadcast over WCOP in Boston.</p>
  6302. </div>
  6303. </div>
  6304.  
  6305.  
  6306.  
  6307.  
  6308. </div>
  6309. </div>
  6310. </div>
  6311. </div></div><div id="fws_6605a546eeeb9" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6312. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6313. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6314. <div class="wpb_wrapper">
  6315. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6316. <div class="wpb_wrapper">
  6317. <div class="wpb_video_wrapper"><iframe loading="lazy" title="There&#039;ll Be Some Changes Made" width="1080" height="810" src="https://www.youtube.com/embed/z_nh2vO6KbE?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6318. </div>
  6319. </div>
  6320.  
  6321. </div>
  6322. </div>
  6323. </div>
  6324.  
  6325. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6326. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6327. <div class="wpb_wrapper">
  6328. <div class="wpb_text_column wpb_content_element " >
  6329. <div class="wpb_wrapper">
  6330. <p><strong>SIDNEY BECHET</strong><br />
  6331. <strong>FABULOUS SIDNEY BECHET</strong><br />
  6332. Sidney Bechet stood beside <span style="color: #0000ff;"><a style="color: #0000ff;" href="https://www.mosaicrecords.com/the-great-jazz-artists/louis-ellington">Louis Armstrong</a></span> as one of the most innovative and versatile artists in New Orleans jazz. The soprano saxophonist did some of his finest work on Blue Note. His<span class="Apple-converted-space">  </span>two final sessions for the label in 1951 and &#8217;53 feature the great trumpeters Sidney De Paris and Jonah Jones and trombonist Jimmy Archey in a program of music that focuses on the great New Orleans <a href="https://www.mosaicrecords.com/100-essential-jazz-albums/">jazz recordings.<span class="Apple-converted-space"> </span></a></p>
  6333. </div>
  6334. </div>
  6335.  
  6336.  
  6337.  
  6338.  
  6339. </div>
  6340. </div>
  6341. </div>
  6342. </div></div><div id="fws_6605a546ef3ad" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6343. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6344. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6345. <div class="wpb_wrapper">
  6346. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6347. <div class="wpb_wrapper">
  6348. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Weary Blues" width="1080" height="810" src="https://www.youtube.com/embed/uJQ4UUTkzdU?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6349. </div>
  6350. </div>
  6351.  
  6352. </div>
  6353. </div>
  6354. </div>
  6355.  
  6356. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6357. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6358. <div class="wpb_wrapper">
  6359. <div class="wpb_text_column wpb_content_element " >
  6360. <div class="wpb_wrapper">
  6361. <p><strong>SIDNEY BECHET</strong><br />
  6362. <strong>THE LEGENDARY</strong><br />
  6363. A well-chosen 22-tune overview of Bechet&#8217;s RCA recordings (1932-41) which includes sideman appearances with Jelly Roll Morton (&#8220;High Society&#8221;), Tommy Ladnier (&#8220;Weary Blues&#8221; and &#8220;Really The Blues&#8221;) and a wealth of material by his own New Orleans Footwarmers. Others <a href="https://www.mosaicrecords.com/the-great-jazz-artists/"><span style="color: #0000ff;">jazz artists</span></a> include Red Allen, Sidney DeParis, Albert Nicholas, Rex Stewart, Willie &#8220;The Lion&#8221; Smith, Earl Hines, Sid Catlett and Zutty Singleton. His revolutionary 1941 overdub session on which he played all the instruments dubbing from one lacquer to another is represented by &#8220;The Sheik Of Araby&#8221;.</p>
  6364. </div>
  6365. </div>
  6366.  
  6367.  
  6368.  
  6369.  
  6370. </div>
  6371. </div>
  6372. </div>
  6373. </div></div><div id="fws_6605a546ef87a" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6374. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6375. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6376. <div class="wpb_wrapper">
  6377. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6378. <div class="wpb_wrapper">
  6379. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Fidgety Feet" width="1080" height="810" src="https://www.youtube.com/embed/TG5BKQMcgso?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6380. </div>
  6381. </div>
  6382.  
  6383. </div>
  6384. </div>
  6385. </div>
  6386.  
  6387. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6388. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6389. <div class="wpb_wrapper">
  6390. <div class="wpb_text_column wpb_content_element " >
  6391. <div class="wpb_wrapper">
  6392. <p><strong>BIX BEIDERBECKE</strong><br />
  6393. <strong>CHICAGO CORNETS</strong><br />
  6394. Twenty-eight Gennett recordings, including all 15 Bix sides with The Wolverines, four others by Bix, and Muggsy Spanier&#8217;s Bucktown Five recordings, all from 1924-25.</p>
  6395. </div>
  6396. </div>
  6397.  
  6398.  
  6399.  
  6400.  
  6401. </div>
  6402. </div>
  6403. </div>
  6404. </div></div><div id="fws_6605a546efc86" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6405. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6406. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6407. <div class="wpb_wrapper">
  6408. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6409. <div class="wpb_wrapper">
  6410. <div class="wpb_video_wrapper"><iframe loading="lazy" title="You Turned The Tables On Me" width="1080" height="810" src="https://www.youtube.com/embed/c3dV7O0GGts?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6411. </div>
  6412. </div>
  6413.  
  6414. </div>
  6415. </div>
  6416. </div>
  6417.  
  6418. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6419. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6420. <div class="wpb_wrapper">
  6421. <div class="wpb_text_column wpb_content_element " >
  6422. <div class="wpb_wrapper">
  6423. <p><strong>WILD BILL DAVISON</strong><br />
  6424. <strong>PRETTY WILD/WITH STRING</strong><br />
  6425. These two, long unavailable Columbia albums of the late 50s showcase the raw beauty and power that was Wild Bill backed by strings. 24 remarkable tracks in all.</p>
  6426. </div>
  6427. </div>
  6428.  
  6429.  
  6430.  
  6431.  
  6432. </div>
  6433. </div>
  6434. </div>
  6435. </div></div><div id="fws_6605a546f010f" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6436. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6437. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6438. <div class="wpb_wrapper">
  6439. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6440. <div class="wpb_wrapper">
  6441. <div class="wpb_video_wrapper"><iframe loading="lazy" title="At the Jazz Band Ball" width="1080" height="810" src="https://www.youtube.com/embed/5fsCVSP2vFE?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6442. </div>
  6443. </div>
  6444.  
  6445. </div>
  6446. </div>
  6447. </div>
  6448.  
  6449. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6450. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6451. <div class="wpb_wrapper">
  6452. <div class="wpb_text_column wpb_content_element " >
  6453. <div class="wpb_wrapper">
  6454. <p><strong>WILD BILL DAVISON</strong><br />
  6455. <strong>THIS IS JAZZ</strong><br />
  6456. Twenty-one outstanding performances by Wild Bill from Rudi Blesh&#8217;s 1947 radio show &#8220;This Is Jazz&#8221; and originally issued as 78s on Circle Records. The superb band is Jimmy Archey on trombone, Albert Nicolas or Edmond Hall on clarinet, Ralph Sutton or James P. Johnson on piano, Danny Barker on guitar, Pops Foster on bass and Baby Dodds on drums.</p>
  6457. </div>
  6458. </div>
  6459.  
  6460.  
  6461.  
  6462.  
  6463. </div>
  6464. </div>
  6465. </div>
  6466. </div></div><div id="fws_6605a546f056e" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6467. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6468. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6469. <div class="wpb_wrapper">
  6470. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6471. <div class="wpb_wrapper">
  6472. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Tres Moutard (Too Much Mustard)" width="1080" height="810" src="https://www.youtube.com/embed/DGyE7CRUR90?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6473. </div>
  6474. </div>
  6475.  
  6476. </div>
  6477. </div>
  6478. </div>
  6479.  
  6480. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6481. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6482. <div class="wpb_wrapper">
  6483. <div class="wpb_text_column wpb_content_element " >
  6484. <div class="wpb_wrapper">
  6485. <p><strong>WILBER DEPARIS</strong><br />
  6486. <strong>EVENING AT JIMMY RYAN</strong><br />
  6487. Rare live broadcast material from 1951-1952 with Wilbur and Sidney DeParis and clarinet legend Omer Simeon in great form. Equally rare bonus tracks from a mid-&#8217;50s CBS television appearance bring this essential CD to 65 minutes.</p>
  6488. </div>
  6489. </div>
  6490.  
  6491.  
  6492.  
  6493.  
  6494. </div>
  6495. </div>
  6496. </div>
  6497. </div></div><div id="fws_6605a546f098a" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6498. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6499. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6500. <div class="wpb_wrapper">
  6501. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6502. <div class="wpb_wrapper">
  6503. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Beale Street Blues" width="1080" height="810" src="https://www.youtube.com/embed/NIVAejYT8-I?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6504. </div>
  6505. </div>
  6506.  
  6507. </div>
  6508. </div>
  6509. </div>
  6510.  
  6511. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6512. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6513. <div class="wpb_wrapper">
  6514. <div class="wpb_text_column wpb_content_element " >
  6515. <div class="wpb_wrapper">
  6516. <p><strong>WILBUR DEPARIS</strong><br />
  6517. <strong>PLAYS SOMETHING OLD/THA</strong><br />
  6518. Two classic DeParis albums with a generous mix of standard New Orleans fare, DeParis originals and unexpected arrangements of &#8220;Colonel Bogey&#8217;s March&#8221;, &#8220;In A Persian Market&#8221; and &#8220;Somebody Stole My Gal&#8221;. Sidemen include brother Sidney DeParis, Omer Simeon, Lee Blair and the underrated Sonny White at the piano. Please note that on &#8220;That&#8217;s A Plenty&#8221; the sound quality is inferior to the original LP but is still sonically acceptable.</p>
  6519. </div>
  6520. </div>
  6521.  
  6522.  
  6523.  
  6524.  
  6525. </div>
  6526. </div>
  6527. </div>
  6528. </div></div><div id="fws_6605a546f0d9b" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6529. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6530. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6531. <div class="wpb_wrapper">
  6532. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6533. <div class="wpb_wrapper">
  6534. <div class="wpb_video_wrapper"><iframe loading="lazy" title="That&#039;s a Plenty" width="1080" height="810" src="https://www.youtube.com/embed/5BipUUpqogQ?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6535. </div>
  6536. </div>
  6537.  
  6538. </div>
  6539. </div>
  6540. </div>
  6541.  
  6542. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6543. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6544. <div class="wpb_wrapper">
  6545. <div class="wpb_text_column wpb_content_element " >
  6546. <div class="wpb_wrapper">
  6547. <p><strong>WILBUR DEPARIS</strong><br />
  6548. <strong>UPROARING TWENTIES 2</strong><br />
  6549. This set combines an excellent overview album of De Paris&#8217;s Atlantic years (&#8220;The Uproarious Twenties&#8221; &#8211; CD 1 #1-9)with an early 1952 binaural session (CD 1- #10-14) and his first 12&#8243; LP in 1955 (&#8220;Wilbur DeParis And his NEW New Orleans Jazz&#8221; &#8211; CD 2). The frontline of Wilbur on trombone, brother Sidney on trumpet and Omer Simeon on clarinet is powerful throughout.</p>
  6550. </div>
  6551. </div>
  6552.  
  6553.  
  6554.  
  6555.  
  6556. </div>
  6557. </div>
  6558. </div>
  6559. </div></div><div id="fws_6605a546f11f6" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6560. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6561. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6562. <div class="wpb_wrapper">
  6563. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6564. <div class="wpb_wrapper">
  6565. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Indiana" width="1080" height="810" src="https://www.youtube.com/embed/wL4VPRZuyco?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6566. </div>
  6567. </div>
  6568.  
  6569. </div>
  6570. </div>
  6571. </div>
  6572.  
  6573. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6574. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6575. <div class="wpb_wrapper">
  6576. <div class="wpb_text_column wpb_content_element " >
  6577. <div class="wpb_wrapper">
  6578. <p><strong>BENNY GOODMAN &amp; JACK TEAGARDEN</strong><br />
  6579. <strong>BG &amp; BIG TEA</strong><br />
  6580. Twenty-one hot sides that provide a rare glimpse of these giants at a time when they were much sought after as sidemen for radio and recordings. They appear together on sessions by Red Nichols (`29-`30), Irving Mills&#8217; Gang with Bix Beiderbecke (`30), Joe Venuti and Eddie Lang (`31) and Adrian Rollini (`34).</p>
  6581. </div>
  6582. </div>
  6583.  
  6584.  
  6585.  
  6586.  
  6587. </div>
  6588. </div>
  6589. </div>
  6590. </div></div><div id="fws_6605a546f167d" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6591. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6592. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6593. <div class="wpb_wrapper">
  6594. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6595. <div class="wpb_wrapper">
  6596. <div class="wpb_video_wrapper"><iframe loading="lazy" title="After Hours (Digitally Mastered - September 1991)" width="1080" height="810" src="https://www.youtube.com/embed/NQwh2XW7Bcs?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6597. </div>
  6598. </div>
  6599.  
  6600. </div>
  6601. </div>
  6602. </div>
  6603.  
  6604. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6605. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6606. <div class="wpb_wrapper">
  6607. <div class="wpb_text_column wpb_content_element " >
  6608. <div class="wpb_wrapper">
  6609. <p><strong>ERSKINE HAWKINS</strong><br />
  6610. <strong>TUXEDO JUNCTION</strong><br />
  6611. Eleven essential Victor and Bluebird recordings from &#8220;The 20th Century Gabriel&#8221; whose band was a regular at the Savoy Ballroom. Along with the leader, Wilbur Bascomb, Julian Dash, Heywood Henry and Avery Parrish are the featured soloists on such hits as &#8220;After Hours&#8221;, &#8220;Tippin&#8217; In&#8221; and the title track.</p>
  6612. </div>
  6613. </div>
  6614.  
  6615.  
  6616.  
  6617.  
  6618. </div>
  6619. </div>
  6620. </div>
  6621. </div></div><div id="fws_6605a546f1b03" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6622. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6623. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6624. <div class="wpb_wrapper">
  6625. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6626. <div class="wpb_wrapper">
  6627. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Sugar Foot Stomp" width="1080" height="810" src="https://www.youtube.com/embed/DGyCc_S8ov0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6628. </div>
  6629. </div>
  6630.  
  6631. </div>
  6632. </div>
  6633. </div>
  6634.  
  6635. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6636. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6637. <div class="wpb_wrapper">
  6638. <div class="wpb_text_column wpb_content_element " >
  6639. <div class="wpb_wrapper">
  6640. <p><strong>FLETCHER HENDERSON</strong><br />
  6641. <strong>TIDAL WAVE</strong><br />
  6642. This collection gathers the 8 tracks for Brunswick in 1931 with the Connie&#8217;s Inn orchestra with Hawkins, Stewart, Russell Procope and Benny Morton and the 13 sides for Decca in 1934 with Ben Webster, Benny Carter and Henry Allen among the <a href="https://www.mosaicrecords.com/the-great-jazz-artists/"><span style="color: #0000ff;">jazz musicians</span></a> on hand</p>
  6643. </div>
  6644. </div>
  6645.  
  6646.  
  6647.  
  6648.  
  6649. </div>
  6650. </div>
  6651. </div>
  6652. </div></div><div id="fws_6605a546f1f82" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6653. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6654. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6655. <div class="wpb_wrapper">
  6656. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6657. <div class="wpb_wrapper">
  6658. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Limehouse Blues (Live)" width="1080" height="810" src="https://www.youtube.com/embed/86hfTyf7lQc?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6659. </div>
  6660. </div>
  6661.  
  6662. </div>
  6663. </div>
  6664. </div>
  6665.  
  6666. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6667. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6668. <div class="wpb_wrapper">
  6669. <div class="wpb_text_column wpb_content_element " >
  6670. <div class="wpb_wrapper">
  6671. <p><span style="color: #0000ff;"><strong>EARL HINES</strong></span><br />
  6672. <strong>A MONDAY DATE</strong><br />
  6673. This live 1961 sextet recording from The Birdhouse in Chicago with Eddie Smith, Jimmy Archey, Darnell Howard, Pops Foster and Earl Watkins revisits such classics as &#8220;West End Blues,&#8221; &#8220;Caution Blues&#8221; and &#8220;Clarinet Marmarade&#8221; with Hines in superb form.</p>
  6674. </div>
  6675. </div>
  6676.  
  6677.  
  6678.  
  6679.  
  6680. </div>
  6681. </div>
  6682. </div>
  6683. </div></div><div id="fws_6605a546f23fd" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6684. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6685. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6686. <div class="wpb_wrapper">
  6687. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6688. <div class="wpb_wrapper">
  6689. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Some Of These Days" width="1080" height="810" src="https://www.youtube.com/embed/D-mwOPs-Dqg?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6690. </div>
  6691. </div>
  6692.  
  6693. </div>
  6694. </div>
  6695. </div>
  6696.  
  6697. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6698. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6699. <div class="wpb_wrapper">
  6700. <div class="wpb_text_column wpb_content_element " >
  6701. <div class="wpb_wrapper">
  6702. <p><strong>BUNK JOHNSON</strong><br />
  6703. <strong>LAST TESTAMENT</strong><br />
  6704. The first recordings by this New Orleans trumpet pioneer after his rediscovery in 1942. Featured are clarinetist George Lewis and trombonist Jim Robinson.</p>
  6705. </div>
  6706. </div>
  6707.  
  6708.  
  6709.  
  6710.  
  6711. </div>
  6712. </div>
  6713. </div>
  6714. </div></div>
  6715. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 60%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%232a2a2a%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div><div id="fws_6605a546f2914" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6716. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6717. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6718. <div class="wpb_wrapper">
  6719. <div class="img-with-aniamtion-wrap center" data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  6720.      <div class="inner">
  6721.        <div class="hover-wrap" data-hover-animation="none">
  6722.          <div class="hover-wrap-inner">
  6723.            <a href="https://www.mosaicrecords.com/1920s-jazz/" target="_self" class="center">
  6724.              <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="272" width="369" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/06/1920s-jazz-e1631850986568.jpg" alt="1920s Jazz" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/06/1920s-jazz-e1631850986568.jpg 369w, https://www.mosaicrecords.com/wp-content/uploads/2021/06/1920s-jazz-e1631850986568-300x221.jpg 300w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
  6725.            </a>
  6726.          </div>
  6727.        </div>
  6728.      </div>
  6729.      </div>
  6730. </div>
  6731. </div>
  6732. </div>
  6733.  
  6734. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6735. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6736. <div class="wpb_wrapper">
  6737. <div class="wpb_text_column wpb_content_element " >
  6738. <div class="wpb_wrapper">
  6739. <h1 style="text-align: center;"><a href="https://www.mosaicrecords.com/1920s-jazz/"><span style="color: #0000ff;">1920s Jazz</span></a></h1>
  6740. <h3 style="text-align: center;">New Orleans &#8211; New York &#8211; Europe</h3>
  6741. <p>At the very dawn of jazz recording, with echoes of the Original Dixieland Jazz Band still in the air, very few musicians were able to capture a fresh new sound until the flood gates opened with the blossoming of Louis Armstrong. It was the powerful virtuosic display of Louis Armstrong that made the Roaring 20s the era of “hot jazz”.</p>
  6742. </div>
  6743. </div>
  6744.  
  6745.  
  6746.  
  6747.  
  6748. </div>
  6749. </div>
  6750. </div>
  6751. </div></div>
  6752. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 60%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%232a2a2a%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div><div id="fws_6605a546f2e59" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6753. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6754. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6755. <div class="wpb_wrapper">
  6756. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6757. <div class="wpb_wrapper">
  6758. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Low Down Blues (Take 2)" width="1080" height="810" src="https://www.youtube.com/embed/RqopJnDz254?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6759. </div>
  6760. </div>
  6761.  
  6762. </div>
  6763. </div>
  6764. </div>
  6765.  
  6766. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6767. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6768. <div class="wpb_wrapper">
  6769. <div class="wpb_text_column wpb_content_element " >
  6770. <div class="wpb_wrapper">
  6771. <p><b>BUCK JOHNSON</b><br />
  6772. <b>BUNK &amp; LOUIS</b><br />
  6773. Eight selections come from a 1946 New York session with Don Ewell&#8217;s piano and Alphonse Steele&#8217;s drums as the only accompaniment. Twelve New Orleans tracks include Geroge Lewis, Jim Robinson, Lawrence Marrerro, Alcide &#8220;Slow Drag&#8221; Pavageau and Baby Dodds.The legendary trumpeter interprets these pop songs of varying vintage witn lusty tone and powerful drive.</p>
  6774. </div>
  6775. </div>
  6776.  
  6777.  
  6778.  
  6779.  
  6780. </div>
  6781. </div>
  6782. </div>
  6783. </div></div><div id="fws_6605a546f3305" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6784. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6785. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6786. <div class="wpb_wrapper">
  6787. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6788. <div class="wpb_wrapper">
  6789. <div class="wpb_video_wrapper"><iframe loading="lazy" title="C.C. Rider" width="1080" height="810" src="https://www.youtube.com/embed/XNQP4lPeKdU?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6790. </div>
  6791. </div>
  6792.  
  6793. </div>
  6794. </div>
  6795. </div>
  6796.  
  6797. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6798. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6799. <div class="wpb_wrapper">
  6800. <div class="wpb_text_column wpb_content_element " >
  6801. <div class="wpb_wrapper">
  6802. <p><strong>BUCK JOHNSON</strong><br />
  6803. <strong>KING OF THE BLUES</strong><br />
  6804. Bunk&#8217;s 1944 recordings with his own band (George Lewis, Jim Robinson, Lawrence Marrero, Alcide Pavageau and Baby Dodds) are original New Orleans ensemble jazz at its purist and finest. This CD features their take on some of the most famous tunes in the N.O. repertoire.</p>
  6805. </div>
  6806. </div>
  6807.  
  6808.  
  6809.  
  6810.  
  6811. </div>
  6812. </div>
  6813. </div>
  6814. </div></div><div id="fws_6605a546f37b4" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6815. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6816. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6817. <div class="wpb_wrapper">
  6818. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6819. <div class="wpb_wrapper">
  6820. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Savoy Blues" width="1080" height="810" src="https://www.youtube.com/embed/ZtkPTfeTFLg?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6821. </div>
  6822. </div>
  6823.  
  6824. </div>
  6825. </div>
  6826. </div>
  6827.  
  6828. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6829. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6830. <div class="wpb_wrapper">
  6831. <div class="wpb_text_column wpb_content_element " >
  6832. <div class="wpb_wrapper">
  6833. <p><strong>LONNIE JOHNSON</strong><br />
  6834. <strong>BLUES &amp; BALLADS</strong><br />
  6835. Lonnie Johnson&#8217;s contributions span back to the &#8217;20s on his own Okeh sessions and recordings wtih Eddie Lang and Louis Armstrong. Johnson teams up with guitarist Elmer Snowden and bassist Wendell Marshall and the room fills with history on this 1960 session.</p>
  6836. </div>
  6837. </div>
  6838.  
  6839.  
  6840.  
  6841.  
  6842. </div>
  6843. </div>
  6844. </div>
  6845. </div></div><div id="fws_6605a546f3c0b" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6846. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6847. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6848. <div class="wpb_wrapper">
  6849. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6850. <div class="wpb_wrapper">
  6851. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Pete Kay Boogie" width="1080" height="810" src="https://www.youtube.com/embed/Q9FAo7ZHHEU?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6852. </div>
  6853. </div>
  6854.  
  6855. </div>
  6856. </div>
  6857. </div>
  6858.  
  6859. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6860. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6861. <div class="wpb_wrapper">
  6862. <div class="wpb_text_column wpb_content_element " >
  6863. <div class="wpb_wrapper">
  6864. <p><strong>PETE JOHNSON</strong><br />
  6865. <strong>CENTRAL AVE. BOOGIE</strong><br />
  6866. Boogie woogie piano master Pete Johnson&#8217;s 1947 Apollo sessions with Al McKibbon, J. C. Heard and others. Includes 3 boogies with the classic piano-guitar-bass instrumentation.</p>
  6867. </div>
  6868. </div>
  6869.  
  6870.  
  6871.  
  6872.  
  6873. </div>
  6874. </div>
  6875. </div>
  6876. </div></div><div id="fws_6605a546f406c" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6877. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6878. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6879. <div class="wpb_wrapper">
  6880. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6881. <div class="wpb_wrapper">
  6882. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Black Bottom Stomp (1992 Remastered)" width="1080" height="810" src="https://www.youtube.com/embed/Oz0ecYdRJz4?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6883. </div>
  6884. </div>
  6885.  
  6886. </div>
  6887. </div>
  6888. </div>
  6889.  
  6890. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6891. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6892. <div class="wpb_wrapper">
  6893. <div class="wpb_text_column wpb_content_element " >
  6894. <div class="wpb_wrapper">
  6895. <p><strong>JELLY ROLL MORTON</strong><br />
  6896. <strong>BIRTH OF THE HOT</strong><br />
  6897. (The Classic Chicago Red Hot Peppers, 1926-27) All 19 master takes and 4 alternate takes by Jelly Roll Morton&#8217;s Red Hot Peppers recorded in Chicago for Victor between September 1926 and June 1927. Kid Ory, Omer Simeon, Barney Bigard and Johnny And Baby Dodds are among the sidemen on these enormously influential recordings. Tunes include &#8220;Grandpa&#8217;s Spells,&#8221; &#8220;Black Bottom Stomp,&#8221; &#8220;Doctor Jazz,&#8221; &#8220;Beale Street Blues&#8221; and &#8220;The Pearls.&#8221;</p>
  6898. </div>
  6899. </div>
  6900.  
  6901.  
  6902.  
  6903.  
  6904. </div>
  6905. </div>
  6906. </div>
  6907. </div></div><div id="fws_6605a54700277" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6908. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6909. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6910. <div class="wpb_wrapper">
  6911. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6912. <div class="wpb_wrapper">
  6913. <div class="wpb_video_wrapper"><iframe loading="lazy" title="The Pearls" width="1080" height="810" src="https://www.youtube.com/embed/iPhkDQRsirM?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6914. </div>
  6915. </div>
  6916.  
  6917. </div>
  6918. </div>
  6919. </div>
  6920.  
  6921. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6922. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6923. <div class="wpb_wrapper">
  6924. <div class="wpb_text_column wpb_content_element " >
  6925. <div class="wpb_wrapper">
  6926. <p><strong>JELLY ROLL MORTON </strong><br />
  6927. <strong>JELLY ROLL MORTON 1923-1926</strong><br />
  6928. Twenty-four solo and band classics from the Paramount and Gennett labels plus the 2 King Oliver-Morton duets from Autograph. Includes the first commercial recordings of &#8220;King Porter Stomp,&#8221; &#8220;Grandpa&#8217;s Spells,&#8221; &#8220;The Pearls&#8221; and more.</p>
  6929. </div>
  6930. </div>
  6931.  
  6932.  
  6933.  
  6934.  
  6935. </div>
  6936. </div>
  6937. </div>
  6938. </div></div><div id="fws_6605a547006c2" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6939. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6940. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6941. <div class="wpb_wrapper">
  6942. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6943. <div class="wpb_wrapper">
  6944. <div class="wpb_video_wrapper"><iframe loading="lazy" title="The Crave" width="1080" height="810" src="https://www.youtube.com/embed/PzT__L7Fa6s?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6945. </div>
  6946. </div>
  6947.  
  6948. </div>
  6949. </div>
  6950. </div>
  6951.  
  6952. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6953. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6954. <div class="wpb_wrapper">
  6955. <div class="wpb_text_column wpb_content_element " >
  6956. <div class="wpb_wrapper">
  6957. <p><strong>JELLY ROLL MORTON</strong><br />
  6958. <strong>LAST SESSION</strong><br />
  6959. The 13 solos and 12 Hot Six/Hot Seven sides that Jelly Roll Morton recorded for General in December &#8217;39 and January `40. Sidemen include Henry Red Allen, Albert Nicholas and Zutty Singleton.</p>
  6960. </div>
  6961. </div>
  6962.  
  6963.  
  6964.  
  6965.  
  6966. </div>
  6967. </div>
  6968. </div>
  6969. </div></div><div id="fws_6605a54700b01" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  6970. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6971. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6972. <div class="wpb_wrapper">
  6973. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  6974. <div class="wpb_wrapper">
  6975. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Aaron Harris, His Hoodoo Woman, and the Hat That Started a Riot" width="1080" height="810" src="https://www.youtube.com/embed/4glM_A6O00s?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  6976. </div>
  6977. </div>
  6978.  
  6979. </div>
  6980. </div>
  6981. </div>
  6982.  
  6983. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  6984. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  6985. <div class="wpb_wrapper">
  6986. <div class="wpb_text_column wpb_content_element " >
  6987. <div class="wpb_wrapper">
  6988. <p><strong>JELLY ROLL MORTON</strong><br />
  6989. <strong>LIBRARY OF CONGRESS RECORDINGS</strong><br />
  6990. The 1938 recordings of Jelly Roll Morton singing, playing and telling stories was the first recorded jazz oral history. All of the acetates made by Alan Lomax have been newly transferred and are contained in the first 7 discs of the boxed set. The final disc features interviews that Lomax made in 1949 with key players from the early New Orleans scene. The set includes an 80-page booklet with an appreciation by John Szwed and many rare photographs.</p>
  6991. </div>
  6992. </div>
  6993.  
  6994.  
  6995.  
  6996.  
  6997. </div>
  6998. </div>
  6999. </div>
  7000. </div></div><div id="fws_6605a54700f5e" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7001. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7002. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7003. <div class="wpb_wrapper">
  7004. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7005. <div class="wpb_wrapper">
  7006. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Eccentric" width="1080" height="810" src="https://www.youtube.com/embed/p6FVMWfzvDw?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7007. </div>
  7008. </div>
  7009.  
  7010. </div>
  7011. </div>
  7012. </div>
  7013.  
  7014. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7015. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7016. <div class="wpb_wrapper">
  7017. <div class="wpb_text_column wpb_content_element " >
  7018. <div class="wpb_wrapper">
  7019. <p><strong>NEW ORLEANS RHYTHM KINGS</strong><br />
  7020. Twenty-seven Gennett sides by this historic group with George Brunies and Leon Ropollo from 1922-23. Jelly Roll Morton is featured on 8 tunes.</p>
  7021. </div>
  7022. </div>
  7023.  
  7024.  
  7025.  
  7026.  
  7027. </div>
  7028. </div>
  7029. </div>
  7030. </div></div><div id="fws_6605a5470138f" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7031. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7032. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7033. <div class="wpb_wrapper">
  7034. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7035. <div class="wpb_wrapper">
  7036. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Alexander&#039;s Ragtime Band (Okeh 40758) (Recorded 1927)" width="1080" height="810" src="https://www.youtube.com/embed/0jyXvPayXtw?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7037. </div>
  7038. </div>
  7039.  
  7040. </div>
  7041. </div>
  7042. </div>
  7043.  
  7044. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7045. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7046. <div class="wpb_wrapper">
  7047. <div class="wpb_text_column wpb_content_element " >
  7048. <div class="wpb_wrapper">
  7049. <p><strong>RED NICHOLS &amp; HIS FIVE PENNIES </strong><br />
  7050. <strong>VOLUME 1</strong><br />
  7051. These joyous, swinging 1949 Lang-Worth Trascription recordings ignited the successful comeback of this powerful and inventive cornetist. Trombonist Kingsley Jackson, clarinetist Reuel Lynch, pianist Bobby Hammack, bass saxophonist Joe Rushton and drummer Rollie Culver are the Five Pennies.</p>
  7052. </div>
  7053. </div>
  7054.  
  7055.  
  7056.  
  7057.  
  7058. </div>
  7059. </div>
  7060. </div>
  7061. </div></div><div id="fws_6605a547017a4" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7062. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7063. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7064. <div class="wpb_wrapper">
  7065. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7066. <div class="wpb_wrapper">
  7067. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Snake Rag (Version 1)" width="1080" height="810" src="https://www.youtube.com/embed/FQLq_9-KPZY?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7068. </div>
  7069. </div>
  7070.  
  7071. </div>
  7072. </div>
  7073. </div>
  7074.  
  7075. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7076. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7077. <div class="wpb_wrapper">
  7078. <div class="wpb_text_column wpb_content_element " >
  7079. <div class="wpb_wrapper">
  7080. <p><strong>KING OLIVER</strong><br />
  7081. <strong>COMPLETE 1923 RECORDINGS</strong><br />
  7082. The King Oliver Creole Jazz Band recordings of 1923 with Louis Armstrong are, without question, among the most historic and musically important jazz recordings of the 20th Century. With this Archeophone 2 CD release all 37 issued titles from the Gennett, OKeh and Columbia labels are included and through the painstaking work by restoration specialist Doug Benson, these classics have never been heard in better sound due to a world-wide canvas of the original 78s. As noted in the Archeophone web site, &#8220;&#8221;The Oliver ensemble has never been heard to better advantage. Passages long accepted as muddy and indistinct pour forth with unprecedented clarity.”</p>
  7083. </div>
  7084. </div>
  7085.  
  7086.  
  7087.  
  7088.  
  7089. </div>
  7090. </div>
  7091. </div>
  7092. </div></div><div id="fws_6605a54701c1a" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7093. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7094. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7095. <div class="wpb_wrapper">
  7096. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7097. <div class="wpb_wrapper">
  7098. <div class="wpb_video_wrapper"><iframe loading="lazy" title="South" width="1080" height="810" src="https://www.youtube.com/embed/fzeWgZNRLLc?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7099. </div>
  7100. </div>
  7101.  
  7102. </div>
  7103. </div>
  7104. </div>
  7105.  
  7106. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7107. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7108. <div class="wpb_wrapper">
  7109. <div class="wpb_text_column wpb_content_element " >
  7110. <div class="wpb_wrapper">
  7111. <p><strong>KID ORY</strong><br />
  7112. <strong>CREOLE JAZZ BAND 44/45</strong><br />
  7113. Sixteen of New Orleans trombone pioneer Kid Ory&#8217;s comeback recordings from the Crescent label in `44 and `45. Personnel includes Mutt Carey on trumpet, Omer Simeon or Darnell Howard on clarinet, Buster Wilson on piano, Bud Scott on guitar and banjo, Ed Garland on bass and Alton Redd or Minor Hall on drums.</p>
  7114. </div>
  7115. </div>
  7116.  
  7117.  
  7118.  
  7119.  
  7120. </div>
  7121. </div>
  7122. </div>
  7123. </div></div><div id="fws_6605a547020f7" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7124. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7125. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7126. <div class="wpb_wrapper">
  7127. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7128. <div class="wpb_wrapper">
  7129. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Royal Garden Blues" width="1080" height="810" src="https://www.youtube.com/embed/WKGKhSEfBFQ?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7130. </div>
  7131. </div>
  7132.  
  7133. </div>
  7134. </div>
  7135. </div>
  7136.  
  7137. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7138. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7139. <div class="wpb_wrapper">
  7140. <div class="wpb_text_column wpb_content_element " >
  7141. <div class="wpb_wrapper">
  7142. <p><strong>KID ORY</strong><br />
  7143. <strong>CREOLE JAZZ BAND 1954</strong><br />
  7144. This excellent band with trumpeter Alvin Alcorn, clarinetist George Probert, pianist Don Ewell, guitarist Bill Newman, bassist Ed Garland and drummer Minor Hall approach nine New Orleans classics (including Ory&#8217;s &#8220;Muskrat Ramble&#8221;) with verve, style and precision.</p>
  7145. </div>
  7146. </div>
  7147.  
  7148.  
  7149.  
  7150.  
  7151. </div>
  7152. </div>
  7153. </div>
  7154. </div></div><div id="fws_6605a5470251f" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7155. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7156. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7157. <div class="wpb_wrapper">
  7158. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7159. <div class="wpb_wrapper">
  7160. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Kid Ory - Do What Ory Say" width="1080" height="608" src="https://www.youtube.com/embed/rWiqS4aeCoI?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7161. </div>
  7162. </div>
  7163.  
  7164. </div>
  7165. </div>
  7166. </div>
  7167.  
  7168. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7169. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7170. <div class="wpb_wrapper">
  7171. <div class="wpb_text_column wpb_content_element " >
  7172. <div class="wpb_wrapper">
  7173. <p><strong>KID ORY</strong><br />
  7174. <strong>FAVORITES!</strong><br />
  7175. This generous CD contains most of a 1956 double album by Ory, trumpeter Alvin Alcorn, clarinetist Phil Gomez, pianist Cedric Haywood, guitarist Julian Davidson, bassist Wellman Braud and drummer Minor Hall on which they magnificently reassess 17 Dixieland jazz tunes and blues. Considered one of Ory&#8217;s best from any era.</p>
  7176. </div>
  7177. </div>
  7178.  
  7179.  
  7180.  
  7181.  
  7182. </div>
  7183. </div>
  7184. </div>
  7185. </div></div><div id="fws_6605a54702978" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7186. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7187. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7188. <div class="wpb_wrapper">
  7189. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7190. <div class="wpb_wrapper">
  7191. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Gulf Coast Blues" width="1080" height="810" src="https://www.youtube.com/embed/ZUr8B_8C7Ls?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7192. </div>
  7193. </div>
  7194.  
  7195. </div>
  7196. </div>
  7197. </div>
  7198.  
  7199. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7200. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7201. <div class="wpb_wrapper">
  7202. <div class="wpb_text_column wpb_content_element " >
  7203. <div class="wpb_wrapper">
  7204. <p><strong>BILLIE &amp; DEDE PIERCE</strong><br />
  7205. <strong>GULF COAST BLUES</strong><br />
  7206. The Pierces (Billie on paino and vocals and De De on trumpet and vocals) were a regular fixture at Preservation Hall. This album, recorded in New Orleans in 1959, features them with washboard accompaniment on 12 familiar traditional melodies like &#8220;Eh La Bas&#8221;, &#8220;Peanut Vendor&#8221; and &#8220;Panama&#8221; and Billie&#8217;s oroginal &#8220;Gulf Coast Blues&#8221;. Prime examples of traditional New Orleans jazz by two unique and exceptional talents. Three Billie Pierce solos, recorded for Erwin Helfer&#8217;s Tone label,<span class="Apple-converted-space">  </span>have been added to the original album.</p>
  7207. </div>
  7208. </div>
  7209.  
  7210.  
  7211.  
  7212.  
  7213. </div>
  7214. </div>
  7215. </div>
  7216. </div></div><div id="fws_6605a54702dc0" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7217. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7218. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7219. <div class="wpb_wrapper">
  7220. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7221. <div class="wpb_wrapper">
  7222. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Luckey Roberts - Nothin&#039;" width="1080" height="810" src="https://www.youtube.com/embed/3OYENetpEHA?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7223. </div>
  7224. </div>
  7225.  
  7226. </div>
  7227. </div>
  7228. </div>
  7229.  
  7230. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7231. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7232. <div class="wpb_wrapper">
  7233. <div class="wpb_text_column wpb_content_element " >
  7234. <div class="wpb_wrapper">
  7235. <p><strong>LUCKEY ROBERTS &amp; WILLIE &#8220;THE LION&#8221; SMITH</strong><br />
  7236. <strong>HARLEM PIANO</strong><br />
  7237. At this 1958 session, these two great Harlem pianists and composers each recorded six solo pieces. The paucity of available Roberts material makes this set especially valuable. Roberts plays the first six selections followed by The Lion.</p>
  7238. </div>
  7239. </div>
  7240.  
  7241.  
  7242.  
  7243.  
  7244. </div>
  7245. </div>
  7246. </div>
  7247. </div></div><div id="fws_6605a547031e2" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7248. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7249. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7250. <div class="wpb_wrapper">
  7251. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7252. <div class="wpb_wrapper">
  7253. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Economy Hall Breakdown (Alternate)" width="1080" height="810" src="https://www.youtube.com/embed/I56aAo32nso?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7254. </div>
  7255. </div>
  7256.  
  7257. </div>
  7258. </div>
  7259. </div>
  7260.  
  7261. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7262. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7263. <div class="wpb_wrapper">
  7264. <div class="wpb_text_column wpb_content_element " >
  7265. <div class="wpb_wrapper">
  7266. <p><strong>JIM ROBINSON </strong><br />
  7267. <strong>ECONOMY HALL</strong><br />
  7268. A New Orleans presence since the &#8217;20s, Jim Robinson is best known for his years in the Bunk Johnson and George Lewis bands.<br />
  7269. Robinson was known for his deep, wide-toned, robust tailgate style of trombone playing. This August 22, 1965 session, recorded at Preservation Hall, features Johnny Wiggs, cornet; Raymond Burke, clarinet; Bob Greene, piano; Allan Jaffe, tuba; Yoichi Kimura, drums.</p>
  7270. </div>
  7271. </div>
  7272.  
  7273.  
  7274.  
  7275.  
  7276. </div>
  7277. </div>
  7278. </div>
  7279. </div></div><div id="fws_6605a54703688" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7280. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7281. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7282. <div class="wpb_wrapper">
  7283. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7284. <div class="wpb_wrapper">
  7285. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Jazz Battle" width="1080" height="810" src="https://www.youtube.com/embed/adt_m8Su5Wc?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7286. </div>
  7287. </div>
  7288.  
  7289. </div>
  7290. </div>
  7291. </div>
  7292.  
  7293. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7294. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7295. <div class="wpb_wrapper">
  7296. <div class="wpb_text_column wpb_content_element " >
  7297. <div class="wpb_wrapper">
  7298. <p><strong>JABBO SMITH</strong><br />
  7299. <strong>HOT JAZZ VOLUME 1</strong><br />
  7300. This fabled trumpeter is one of the most overlooked jazz musicians of the 20th century! These are the earliest recordings by this powerful, imaginative trumpeter, and it&#8217;s hard to imagine he was only in his early twenties when he made them for Brunswick label under his own name and for the bands of Ikey Robinson and Charlie Johnson.</p>
  7301. </div>
  7302. </div>
  7303.  
  7304.  
  7305.  
  7306.  
  7307. </div>
  7308. </div>
  7309. </div>
  7310. </div></div><div id="fws_6605a54703ad4" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7311. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7312. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7313. <div class="wpb_wrapper">
  7314. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7315. <div class="wpb_wrapper">
  7316. <div class="wpb_video_wrapper"><iframe loading="lazy" title="C-Jam Blues" width="1080" height="810" src="https://www.youtube.com/embed/IRyIe5zDY_c?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7317. </div>
  7318. </div>
  7319.  
  7320. </div>
  7321. </div>
  7322. </div>
  7323.  
  7324. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7325. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7326. <div class="wpb_wrapper">
  7327. <div class="wpb_text_column wpb_content_element " >
  7328. <div class="wpb_wrapper">
  7329. <p><strong>ELMER SNOWDEN</strong><br />
  7330. <strong>HARLEM BANJO</strong><br />
  7331. This historic figure is backed by Cliff Jackson&#8217;s trio with Tommy Bryant and Jimmy Crawford for this 1960 session that focuses on great early jazz tunes and &#8217;20s standards.</p>
  7332. </div>
  7333. </div>
  7334.  
  7335.  
  7336.  
  7337.  
  7338. </div>
  7339. </div>
  7340. </div>
  7341. </div></div><div id="fws_6605a54703f1f" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7342. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7343. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7344. <div class="wpb_wrapper">
  7345. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7346. <div class="wpb_wrapper">
  7347. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Wild Cat Blues" width="1080" height="810" src="https://www.youtube.com/embed/_kMDceKlatA?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7348. </div>
  7349. </div>
  7350.  
  7351. </div>
  7352. </div>
  7353. </div>
  7354.  
  7355. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7356. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7357. <div class="wpb_wrapper">
  7358. <div class="wpb_text_column wpb_content_element " >
  7359. <div class="wpb_wrapper">
  7360. <p><strong>FATS WALLER</strong><br />
  7361. <strong>LOW DOWN PAPA</strong><br />
  7362. These rare QRS Waller rolls from 1923 to 1931 are prime examples of just how great a pianist he was even at this early stage of his career. This CD includes &#8220;I&#8217;m Crazy `Bout My Baby&#8221;, &#8220;Papa Better Watch Your Step&#8221; and 2 previously unreleased rolls &#8220;Haitian Blues&#8221; and the long sought-after duet with James P. Johnson &#8220;Cryin&#8217; For My Used To Be&#8221;.</p>
  7363. </div>
  7364. </div>
  7365.  
  7366.  
  7367.  
  7368.  
  7369. </div>
  7370. </div>
  7371. </div>
  7372. </div></div><div id="fws_6605a54704379" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7373. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7374. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7375. <div class="wpb_wrapper">
  7376. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7377. <div class="wpb_wrapper">
  7378. <div class="wpb_video_wrapper"><iframe loading="lazy" title="The Joint Is Jumpin&#039;" width="1080" height="810" src="https://www.youtube.com/embed/Q7NbiiIULuc?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7379. </div>
  7380. </div>
  7381.  
  7382. </div>
  7383. </div>
  7384. </div>
  7385.  
  7386. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7387. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7388. <div class="wpb_wrapper">
  7389. <div class="wpb_text_column wpb_content_element " >
  7390. <div class="wpb_wrapper">
  7391. <p><strong>WALLER</strong><br />
  7392. <strong>HANDFUL OF KEYS</strong><br />
  7393. 22 great live performances from 1938 broadcasts recorded by RCA. Waller&#8217;s energetic piano, rockin&#8217; rhythms and sense of humor sound as fresh today as ever. And the band with Gene Cedric, Herman Autrey, Al Casey, Cedric Walace and Slick Jones is hot as always. Tracks 1-14 were broadcast live from NBC Studios on July 5, 1938. Tracks 15-22 were braodcast live from the Yacht Club on 52nd Street on October 14, 1938. The sound is superb!</p>
  7394. </div>
  7395. </div>
  7396.  
  7397.  
  7398.  
  7399.  
  7400. </div>
  7401. </div>
  7402. </div>
  7403. </div></div><div id="fws_6605a5470485a" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7404. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7405. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7406. <div class="wpb_wrapper">
  7407. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7408. <div class="wpb_wrapper">
  7409. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Yancey Stomp" width="1080" height="810" src="https://www.youtube.com/embed/E_7e9ufPR1Y?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7410. </div>
  7411. </div>
  7412.  
  7413. </div>
  7414. </div>
  7415. </div>
  7416.  
  7417. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7418. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7419. <div class="wpb_wrapper">
  7420. <div class="wpb_text_column wpb_content_element " >
  7421. <div class="wpb_wrapper">
  7422. <p><strong>JIMMY YANCEY</strong><br />
  7423. <strong>CHICAGO PIANO</strong><br />
  7424. Pioneer boogie woogie pianist Yancey had an easy, thoughtful and bluesy style. He plays beautifully on this 1951 session, his last. He is accompanied by bassist Israel Crosby. Mama Yancey sings on five of the 14 selections.</p>
  7425. </div>
  7426. </div>
  7427.  
  7428.  
  7429.  
  7430.  
  7431. </div>
  7432. </div>
  7433. </div>
  7434. </div></div><div id="fws_6605a54704d08" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7435. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column centered-text no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7436. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7437. <div class="wpb_wrapper">
  7438. </div>
  7439. </div>
  7440. </div>
  7441. </div></div>
  7442. </div>
  7443. </div>
  7444. </div>
  7445. </div></div>
  7446. <p>The post <a href="https://www.mosaicrecords.com/dixieland-jazz/">Dixieland Jazz</a> appeared first on <a href="https://www.mosaicrecords.com">Mosaic Records - Home for Jazz fans!</a>.</p>
  7447. ]]></content:encoded>
  7448. </item>
  7449. <item>
  7450. <title>Best Jazz Albums: 1960&#8217;s Modern Jazz -2</title>
  7451. <link>https://www.mosaicrecords.com/best-jazz-albums-1960s-modern-jazz-2/</link>
  7452. <dc:creator><![CDATA[Mosaic Records]]></dc:creator>
  7453. <pubDate>Fri, 23 Jul 2021 17:16:15 +0000</pubDate>
  7454. <category><![CDATA[Best Jazz Albums]]></category>
  7455. <guid isPermaLink="false">https://www.mosaicrecords.com/?p=11603</guid>
  7456.  
  7457. <description><![CDATA[<p>The post <a href="https://www.mosaicrecords.com/best-jazz-albums-1960s-modern-jazz-2/">Best Jazz Albums: 1960&#8217;s Modern Jazz -2</a> appeared first on <a href="https://www.mosaicrecords.com">Mosaic Records - Home for Jazz fans!</a>.</p>
  7458. ]]></description>
  7459. <content:encoded><![CDATA[
  7460. <div id="fws_6605a54708fe1"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  7461. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  7462. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7463. <div class="wpb_wrapper">
  7464. <div id="fws_6605a54709480" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7465. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7466. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7467. <div class="wpb_wrapper">
  7468. <div class="img-with-aniamtion-wrap center" data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  7469.      <div class="inner">
  7470.        <div class="hover-wrap" data-hover-animation="none">
  7471.          <div class="hover-wrap-inner">
  7472.            <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="300" width="300" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/04/Charles-Mingus-Mingus-e1620179413588.jpg" alt=""  />
  7473.          </div>
  7474.        </div>
  7475.      </div>
  7476.    </div>
  7477. </div>
  7478. </div>
  7479. </div>
  7480.  
  7481. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7482. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7483. <div class="wpb_wrapper">
  7484. <div class="divider-wrap" data-alignment="default"><div style="height: 100px;" class="divider"></div></div>
  7485. <div class="wpb_text_column wpb_content_element " >
  7486. <div class="wpb_wrapper">
  7487. <h2 style="text-align: center;">Best Jazz Albums:<br />
  7488. 1960&#8217;s Modern Jazz</h2>
  7489. <h3 style="text-align: center;">Page 2/2</h3>
  7490. </div>
  7491. </div>
  7492.  
  7493.  
  7494.  
  7495.  
  7496. </div>
  7497. </div>
  7498. </div>
  7499. </div></div>
  7500. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 80%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%232a2a2a%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div><div id="fws_6605a54709a39" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7501. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column centered-text no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7502. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7503. <div class="wpb_wrapper">
  7504. <a class="nectar-button medium regular accent-color  regular-button"  style=""  href="https://www.mosaicrecords.com/best-jazz-albums-1960s-modern-jazz/" data-color-override="false" data-hover-color-override="false" data-hover-text-color-override="#fff"><span>Click for Page 1</span></a>
  7505. </div>
  7506. </div>
  7507. </div>
  7508. </div></div><div id="fws_6605a54709e41" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7509. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7510. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7511. <div class="wpb_wrapper">
  7512. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7513. <div class="wpb_wrapper">
  7514. <div class="wpb_video_wrapper"><iframe loading="lazy" title="I&#039;ll Keep Loving You" width="1080" height="810" src="https://www.youtube.com/embed/e8XZaRZfeBg?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7515. </div>
  7516. </div>
  7517.  
  7518. </div>
  7519. </div>
  7520. </div>
  7521.  
  7522. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7523. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7524. <div class="wpb_wrapper">
  7525. <div class="wpb_text_column wpb_content_element " >
  7526. <div class="wpb_wrapper">
  7527. <p><b>JACKIE MCLEAN</b><br />
  7528. <b>LET FREEDOM RING </b><br />
  7529. With this pivotal 1962 quartet date with Walter Davis, Herbie Lewis and Billy Higgins, Jackie McLean took a bold step pushing the boundaries of hard bop to freer approaches to improvisation. The resulting masterpiece contains some of the most passionate playing of his long career, especially on Bud Powell&#8217;s &#8220;I&#8217;ll Keep Loving You&#8221;.</p>
  7530. </div>
  7531. </div>
  7532.  
  7533.  
  7534.  
  7535.  
  7536. </div>
  7537. </div>
  7538. </div>
  7539. </div></div><div id="fws_6605a5470a3cb" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7540. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7541. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7542. <div class="wpb_wrapper">
  7543. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7544. <div class="wpb_wrapper">
  7545. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Kahlil The Prophet" width="1080" height="810" src="https://www.youtube.com/embed/-Df8FgLw3wA?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7546. </div>
  7547. </div>
  7548.  
  7549. </div>
  7550. </div>
  7551. </div>
  7552.  
  7553. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7554. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7555. <div class="wpb_wrapper">
  7556. <div class="wpb_text_column wpb_content_element " >
  7557. <div class="wpb_wrapper">
  7558. <p><strong>JACKIE MCLEAN</strong><br />
  7559. <strong>DESTINATION OUT </strong><br />
  7560. This music retains the bite and edgy energy it had when it was first recorded forty years ago. Grachan Moncur&#8217;s open-ended but rooted compositions give the band plenty of room to maneuver. He, McLean and Bobby Hutcherson solo brilliantly, urged on by the polyrhythmic swing of Roy Haynes and solid foundation provided by Larry Ridley.</p>
  7561. </div>
  7562. </div>
  7563.  
  7564.  
  7565.  
  7566.  
  7567. </div>
  7568. </div>
  7569. </div>
  7570. </div></div><div id="fws_6605a5470a8e9" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7571. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7572. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7573. <div class="wpb_wrapper">
  7574. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7575. <div class="wpb_wrapper">
  7576. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Theme For Lester Young" width="1080" height="810" src="https://www.youtube.com/embed/T6Dj3K7gGT0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7577. </div>
  7578. </div>
  7579.  
  7580. </div>
  7581. </div>
  7582. </div>
  7583.  
  7584. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7585. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7586. <div class="wpb_wrapper">
  7587. <div class="wpb_text_column wpb_content_element " >
  7588. <div class="wpb_wrapper">
  7589. <p><strong>CHARLES MINGUS</strong><br />
  7590. <strong>MINGUS,MINGUS,MINGUS,MINGUS,MINGUS </strong><br />
  7591. Great Mingus compositions reworked for this exciting, beautifully voiced 1963 big band with Booker Ervin, Eric Dolphy and Charlie Mariano among the soloists. One of Mingus&#8217;s best.</p>
  7592. </div>
  7593. </div>
  7594.  
  7595.  
  7596.  
  7597.  
  7598. </div>
  7599. </div>
  7600. </div>
  7601. </div></div><div id="fws_6605a5470ada7" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7602. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7603. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7604. <div class="wpb_wrapper">
  7605. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7606. <div class="wpb_wrapper">
  7607. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Track B- Duete Solo Dancers" width="1080" height="810" src="https://www.youtube.com/embed/f9FzSSGTufQ?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7608. </div>
  7609. </div>
  7610.  
  7611. </div>
  7612. </div>
  7613. </div>
  7614.  
  7615. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7616. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7617. <div class="wpb_wrapper">
  7618. <div class="wpb_text_column wpb_content_element " >
  7619. <div class="wpb_wrapper">
  7620. <p><strong>CHARLES MINGUS</strong><br />
  7621. <strong>BLACK SAINT &amp; THE SINNER LADY </strong><br />
  7622. The volcanic, multi-sectioned work features great solos by Charlie Mariano, Jerome Richardson, Rolf Ericson and Jaki Byard as the small big band moves through a variety of textures, harmonies and rhythms, all powerfully propelled by Dannie Richmond&#8217;s drums and Mingus&#8217; bass. One of his masterworks.</p>
  7623. </div>
  7624. </div>
  7625.  
  7626.  
  7627.  
  7628.  
  7629. </div>
  7630. </div>
  7631. </div>
  7632. </div></div><div id="fws_6605a5470b253" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7633. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7634. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7635. <div class="wpb_wrapper">
  7636. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7637. <div class="wpb_wrapper">
  7638. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Dizzy Moods" width="1080" height="810" src="https://www.youtube.com/embed/kDa0cPuYu68?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7639. </div>
  7640. </div>
  7641.  
  7642. </div>
  7643. </div>
  7644. </div>
  7645.  
  7646. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7647. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7648. <div class="wpb_wrapper">
  7649. <div class="wpb_text_column wpb_content_element " >
  7650. <div class="wpb_wrapper">
  7651. <p><strong>CHARLES MINGUS</strong><br />
  7652. <strong>TIJUANA MOODS </strong><br />
  7653. Mingus considered this volatile, Spanish-tinged album to be one of the best of his career. The excellent front line consists of trombonist Jimmy Knepper, legendary trumpeter Gene Shaw and saxophonist Safi Hadi with Bill Triglia on piano and Dannie Richmond on drums.</p>
  7654. </div>
  7655. </div>
  7656.  
  7657.  
  7658.  
  7659.  
  7660. </div>
  7661. </div>
  7662. </div>
  7663. </div></div><div id="fws_6605a5470b726" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7664. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7665. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7666. <div class="wpb_wrapper">
  7667. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7668. <div class="wpb_wrapper">
  7669. <div class="wpb_video_wrapper"><iframe loading="lazy" title="All The Things You Could Be By Now If Sigmund Freud&#039;s Wife Was Your Mother" width="1080" height="810" src="https://www.youtube.com/embed/2SH8IXdZ37w?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7670. </div>
  7671. </div>
  7672.  
  7673. </div>
  7674. </div>
  7675. </div>
  7676.  
  7677. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7678. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7679. <div class="wpb_wrapper">
  7680. <div class="wpb_text_column wpb_content_element " >
  7681. <div class="wpb_wrapper">
  7682. <p><strong>CHARLES MINGUS</strong><br />
  7683. <strong>PRESENTS CHARLES MINGUS </strong><br />
  7684. The always cutting-edge music of Charles Mingus hit a brilliant peak in 1960 with this quartet featuring reedman Eric Dolphy, trumpeter Ted Curson and drummer Dannie Richmond. Although done in the studio, the band played the music straight through as if it were a live performance for spontaneity. Four wild, brilliant musical journeys.</p>
  7685. </div>
  7686. </div>
  7687.  
  7688.  
  7689.  
  7690.  
  7691. </div>
  7692. </div>
  7693. </div>
  7694. </div></div><div id="fws_6605a5470bbd9" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7695. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7696. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7697. <div class="wpb_wrapper">
  7698. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7699. <div class="wpb_wrapper">
  7700. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Soul Station (Remastered 1999/Rudy Van Gelder Edition)" width="1080" height="810" src="https://www.youtube.com/embed/UfUIzb4IFgA?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7701. </div>
  7702. </div>
  7703.  
  7704. </div>
  7705. </div>
  7706. </div>
  7707.  
  7708. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7709. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7710. <div class="wpb_wrapper">
  7711. <div class="wpb_text_column wpb_content_element " >
  7712. <div class="wpb_wrapper">
  7713. <p><strong>HANK MOBLEY</strong><br />
  7714. <strong>SOUL STATION </strong><br />
  7715. Considered by many to be Mobley&#8217;s finest modern jazz recording, this warm, swinging 1960 date finds the tenorman in superb form with Wynton Kelly, Paul Chambers and Art Blakey. Mobley&#8217;s hot, brilliantly constructed solos have a smooth sound and an easy feel.<span class="Apple-converted-space">  </span>A true classic.</p>
  7716. </div>
  7717. </div>
  7718.  
  7719.  
  7720.  
  7721.  
  7722. </div>
  7723. </div>
  7724. </div>
  7725. </div></div><div id="fws_6605a5470c05d" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7726. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7727. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7728. <div class="wpb_wrapper">
  7729. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7730. <div class="wpb_wrapper">
  7731. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Three Way Split (Remastered 2000 / Rudy Van Gelder Edition)" width="1080" height="810" src="https://www.youtube.com/embed/SdY_T_TEFF8?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7732. </div>
  7733. </div>
  7734.  
  7735. </div>
  7736. </div>
  7737. </div>
  7738.  
  7739. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7740. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7741. <div class="wpb_wrapper">
  7742. <div class="wpb_text_column wpb_content_element " >
  7743. <div class="wpb_wrapper">
  7744. <p><strong>HANK MOBLEY</strong><br />
  7745. <strong>NO ROOM FOR SQUARES </strong><br />
  7746. One of Mobley&#8217;s best, this album features two 1963 all-star quintets: one with Lee Morgan and Andrew Hill, the other with Donald Byrd and Herbie Hancock.<span class="Apple-converted-space">  </span>Philly Joe Jones is the driving force throughout.<span class="Apple-converted-space">  </span>In the original LP sequence with two alternate takes.</p>
  7747. </div>
  7748. </div>
  7749.  
  7750.  
  7751.  
  7752.  
  7753. </div>
  7754. </div>
  7755. </div>
  7756. </div></div><div id="fws_6605a5470c4d3" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7757. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7758. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7759. <div class="wpb_wrapper">
  7760. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7761. <div class="wpb_wrapper">
  7762. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Ruby, My Dear" width="1080" height="810" src="https://www.youtube.com/embed/u1O9YuXNbLs?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7763. </div>
  7764. </div>
  7765.  
  7766. </div>
  7767. </div>
  7768. </div>
  7769.  
  7770. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7771. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7772. <div class="wpb_wrapper">
  7773. <div class="wpb_text_column wpb_content_element " >
  7774. <div class="wpb_wrapper">
  7775. <p><strong>THELONIOUS MONK</strong><br />
  7776. <strong>SOLO MONK</strong><br />
  7777. This ain&#8217;t mood music! Monk dissects and reassembles standards with some of his most daring and pianistic playing on this amazing 1964/65 album.</p>
  7778. </div>
  7779. </div>
  7780.  
  7781.  
  7782.  
  7783.  
  7784. </div>
  7785. </div>
  7786. </div>
  7787. </div></div><div id="fws_6605a5470c946" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7788. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7789. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7790. <div class="wpb_wrapper">
  7791. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7792. <div class="wpb_wrapper">
  7793. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Criss Cross" width="1080" height="810" src="https://www.youtube.com/embed/s-d0ULekFFc?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7794. </div>
  7795. </div>
  7796.  
  7797. </div>
  7798. </div>
  7799. </div>
  7800.  
  7801. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7802. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7803. <div class="wpb_wrapper">
  7804. <div class="wpb_text_column wpb_content_element " >
  7805. <div class="wpb_wrapper">
  7806. <p><span style="text-decoration: underline;"><span style="color: #0000ff;"><a style="color: #0000ff;" href="https://www.mosaicrecords.com/the-great-jazz-artists/thelonious-monk/"><strong>THELONIOUS MONK</strong></a></span></span><br />
  7807. <a href="https://www.mosaicrecords.com/thelonious-monk-criss-cross-straight-nochase/"><span style="text-decoration: underline;"><strong><span style="color: #0000ff; text-decoration: underline;">CRISS-CROSS</span> </strong></span></a><br />
  7808. Monk&#8217;s second album for Columbia, one of his finest album in the modern jazz period of the 1960s , was unfortunately the last quartet studio album with the great Frankie Dunlop on drums.</p>
  7809. </div>
  7810. </div>
  7811.  
  7812.  
  7813.  
  7814.  
  7815. </div>
  7816. </div>
  7817. </div>
  7818. </div></div><div id="fws_6605a5470cdbc" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7819. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7820. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7821. <div class="wpb_wrapper">
  7822. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7823. <div class="wpb_wrapper">
  7824. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Locomotive" width="1080" height="810" src="https://www.youtube.com/embed/NCmP2tmcSMg?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7825. </div>
  7826. </div>
  7827.  
  7828. </div>
  7829. </div>
  7830. </div>
  7831.  
  7832. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7833. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7834. <div class="wpb_wrapper">
  7835. <div class="wpb_text_column wpb_content_element " >
  7836. <div class="wpb_wrapper">
  7837. <p><strong>THELONIOUS MONK</strong><br />
  7838. <span style="text-decoration: underline;"><span style="color: #0000ff;"><a style="color: #0000ff;" href="https://www.mosaicrecords.com/thelonious-monk-criss-cross-straight-nochase/"><strong>STRAIGHT, NO CHASER </strong></a></span></span><br />
  7839. Recorded in November 1966 and January 1967 with his then current quartet (Charlie Rouse, Larry Gales and Ben Riley), Monk is in great form pianistically on this fine session. Both takes of<span class="Apple-converted-space">  </span>Ellington&#8217;s &#8220;I Didn&#8217;t Know About You&#8221; and &#8220;This Is My Story, This Is My Song&#8221; are solo piano performances.</p>
  7840. </div>
  7841. </div>
  7842.  
  7843.  
  7844.  
  7845.  
  7846. </div>
  7847. </div>
  7848. </div>
  7849. </div></div><div id="fws_6605a5470d235" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7850. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7851. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7852. <div class="wpb_wrapper">
  7853. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7854. <div class="wpb_wrapper">
  7855. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Four On Six" width="1080" height="810" src="https://www.youtube.com/embed/YQ3UpUTNrQQ?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7856. </div>
  7857. </div>
  7858.  
  7859. </div>
  7860. </div>
  7861. </div>
  7862.  
  7863. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7864. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7865. <div class="wpb_wrapper">
  7866. <div class="wpb_text_column wpb_content_element " >
  7867. <div class="wpb_wrapper">
  7868. <p><strong>WES MONTGOMERY</strong><br />
  7869. <strong>SMOKIN&#8217; @ THE 1/2 NOTE </strong><br />
  7870. This unique guitarist found the perfect rhythm section in the Wynton Kelly trio with Paul Chambers and Jimmy Cobb. This outstanding 1965 album was actually half live and half studio.</p>
  7871. </div>
  7872. </div>
  7873.  
  7874.  
  7875.  
  7876.  
  7877. </div>
  7878. </div>
  7879. </div>
  7880. </div></div><div id="fws_6605a5470d6df" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7881. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7882. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7883. <div class="wpb_wrapper">
  7884. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7885. <div class="wpb_wrapper">
  7886. <div class="wpb_video_wrapper"><iframe loading="lazy" title="The Lion And The Wolf" width="1080" height="810" src="https://www.youtube.com/embed/CxMK1FATRkk?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7887. </div>
  7888. </div>
  7889.  
  7890. </div>
  7891. </div>
  7892. </div>
  7893.  
  7894. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7895. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7896. <div class="wpb_wrapper">
  7897. <div class="wpb_text_column wpb_content_element " >
  7898. <div class="wpb_wrapper">
  7899. <p><strong>LEE MORGAN</strong><br />
  7900. <strong>LEEWAY </strong><br />
  7901. This album is unique in Lee Morgan&#8217;s vast and rich Blue Note discography. With then current employer Art Blakey, bandmate Bobby Timmons on piano, Paul Chambers on bass and Jackie McLean on alto saxophone, the trumpeter abandons time constraints and stretches out on four soulful, hard bop compositions (the first and last of which are by Cal Massey). These hard bop masters are constantly inspired by Blakey&#8217;s explosive grooves.</p>
  7902. </div>
  7903. </div>
  7904.  
  7905.  
  7906.  
  7907.  
  7908. </div>
  7909. </div>
  7910. </div>
  7911. </div></div><div id="fws_6605a5470db7f" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7912. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7913. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7914. <div class="wpb_wrapper">
  7915. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7916. <div class="wpb_wrapper">
  7917. <div class="wpb_video_wrapper"><iframe loading="lazy" title="The Procrastinator" width="1080" height="810" src="https://www.youtube.com/embed/Sj-yoDI33YM?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7918. </div>
  7919. </div>
  7920.  
  7921. </div>
  7922. </div>
  7923. </div>
  7924.  
  7925. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7926. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7927. <div class="wpb_wrapper">
  7928. <div class="wpb_text_column wpb_content_element " >
  7929. <div class="wpb_wrapper">
  7930. <p><strong>LEE MORGAN</strong><br />
  7931. <strong>THE PROCRASTINATOR </strong><br />
  7932. This 1967 session is one of the Blue Note masterpieces that inexplicably sat in the vaults for 10 years before its first release. The superb compositions by Morgan and Wayne Shorter have depth and range. The album features them along with Bobby Hutcherson, Herbie Hancock, Ron Carter and Billy Higgins.</p>
  7933. </div>
  7934. </div>
  7935.  
  7936.  
  7937.  
  7938.  
  7939. </div>
  7940. </div>
  7941. </div>
  7942. </div></div><div id="fws_6605a5470dfd0" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7943. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7944. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7945. <div class="wpb_wrapper">
  7946. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7947. <div class="wpb_wrapper">
  7948. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Stolen Moments" width="1080" height="810" src="https://www.youtube.com/embed/Q1dK1JHacbQ?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7949. </div>
  7950. </div>
  7951.  
  7952. </div>
  7953. </div>
  7954. </div>
  7955.  
  7956. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7957. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7958. <div class="wpb_wrapper">
  7959. <div class="wpb_text_column wpb_content_element " >
  7960. <div class="wpb_wrapper">
  7961. <p><strong>OLIVER NELSON</strong><br />
  7962. <strong>BLUES &amp; ABSTRACT TRUTH </strong><br />
  7963. This modern jazz 1961 all-star session with Eric Dolphy, Freddie Hubbard, Bill Evans, Paul Chambers and Roy Haynes is simply one of the most beautifully written, played and recorded modern jazz sessions of all time. From the haunting &#8220;Stolen Moments&#8221; to the soulful &#8220;Hoe-down,&#8221; every solo is a thoroughly developed composition unto itself.</p>
  7964. </div>
  7965. </div>
  7966.  
  7967.  
  7968.  
  7969.  
  7970. </div>
  7971. </div>
  7972. </div>
  7973. </div></div><div id="fws_6605a5470e408" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  7974. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7975. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7976. <div class="wpb_wrapper">
  7977. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  7978. <div class="wpb_wrapper">
  7979. <div class="wpb_video_wrapper"><iframe loading="lazy" title="The Bridge (Remastered)" width="1080" height="810" src="https://www.youtube.com/embed/sbfY465lgUY?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  7980. </div>
  7981. </div>
  7982.  
  7983. </div>
  7984. </div>
  7985. </div>
  7986.  
  7987. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  7988. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  7989. <div class="wpb_wrapper">
  7990. <div class="wpb_text_column wpb_content_element " >
  7991. <div class="wpb_wrapper">
  7992. <p><strong>SONNY ROLLINS</strong><br />
  7993. <strong>THE BRIDGE </strong><br />
  7994. Sonny Rollins re-emerged from a three-year retirement in 1962 with this stunning album. The quartet is completed by Jim Hall on guitar, Bob Cranshaw on bass and Ben Riley on drums.</p>
  7995. </div>
  7996. </div>
  7997.  
  7998.  
  7999.  
  8000.  
  8001. </div>
  8002. </div>
  8003. </div>
  8004. </div></div><div id="fws_6605a5470e9e9" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8005. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8006. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8007. <div class="wpb_wrapper">
  8008. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8009. <div class="wpb_wrapper">
  8010. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Night Dreamer (Remastered 2004)" width="1080" height="810" src="https://www.youtube.com/embed/4mJS8HXbYn4?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8011. </div>
  8012. </div>
  8013.  
  8014. </div>
  8015. </div>
  8016. </div>
  8017.  
  8018. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8019. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8020. <div class="wpb_wrapper">
  8021. <div class="wpb_text_column wpb_content_element " >
  8022. <div class="wpb_wrapper">
  8023. <p><strong>WAYNE SHORTER</strong><br />
  8024. <strong>NIGHT DREAMER </strong><br />
  8025. Wayne Shorter&#8217;s first Blue Note album, recorded April 29, 1964, remains a masterpiece. Lee Morgan, McCoy Tyner, Reggie Workman and Elvin Jones interpret his unique compositions beautifully and they generously add their own creative depth to his creations.</p>
  8026. </div>
  8027. </div>
  8028.  
  8029.  
  8030.  
  8031.  
  8032. </div>
  8033. </div>
  8034. </div>
  8035. </div></div><div id="fws_6605a5470ef57" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8036. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8037. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8038. <div class="wpb_wrapper">
  8039. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8040. <div class="wpb_wrapper">
  8041. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Witch Hunt (Remastered 1998 / Rudy Van Gelder Edition)" width="1080" height="810" src="https://www.youtube.com/embed/oJoSrQ6iP0c?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8042. </div>
  8043. </div>
  8044.  
  8045. </div>
  8046. </div>
  8047. </div>
  8048.  
  8049. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8050. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8051. <div class="wpb_wrapper">
  8052. <div class="wpb_text_column wpb_content_element " >
  8053. <div class="wpb_wrapper">
  8054. <p><strong>WAYNE SHORTER</strong><br />
  8055. <strong>SPEAK NO EVIL </strong><br />
  8056. Wayne Shorter&#8217;s third masterpiece recorded for Blue Note in 1964 with bandmembers Freddie Hubbard, Herbie Hancock, Ron Carter and Elvin Jones. Wayne&#8217;s writing and playing are, as always, incandescent and cutting-edge. &#8220;Speak No Evil,&#8221; &#8220;Witch Hunt&#8221; and &#8220;Infant Eyes&#8221; have become jazz standards.</p>
  8057. </div>
  8058. </div>
  8059.  
  8060.  
  8061.  
  8062.  
  8063. </div>
  8064. </div>
  8065. </div>
  8066. </div></div><div id="fws_6605a5470f541" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8067. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8068. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8069. <div class="wpb_wrapper">
  8070. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8071. <div class="wpb_wrapper">
  8072. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Footprints (Remastered)" width="1080" height="810" src="https://www.youtube.com/embed/LgaIUqH0w6c?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8073. </div>
  8074. </div>
  8075.  
  8076. </div>
  8077. </div>
  8078. </div>
  8079.  
  8080. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8081. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8082. <div class="wpb_wrapper">
  8083. <div class="wpb_text_column wpb_content_element " >
  8084. <div class="wpb_wrapper">
  8085. <p><strong>WAYNE SHORTER</strong><br />
  8086. <strong>ADAM&#8217;S APPLE </strong><br />
  8087. One of Shorter&#8217;s modern jazz masterpieces with Herbie Hancock, Reggie Workman and Joe Chambers. From the snaky, syncopated groove of the title tune to the haunting, moody Shorter classic &#8220;Footprints&#8221;, the is one of his most varied and perfectly realized albums.</p>
  8088. </div>
  8089. </div>
  8090.  
  8091.  
  8092.  
  8093.  
  8094. </div>
  8095. </div>
  8096. </div>
  8097. </div></div><div id="fws_6605a5470fa48" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8098. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8099. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8100. <div class="wpb_wrapper">
  8101. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8102. <div class="wpb_wrapper">
  8103. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Children Go Where I Send You (Live at the Village Gate)" width="1080" height="810" src="https://www.youtube.com/embed/-gGD0SC9jZo?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8104. </div>
  8105. </div>
  8106.  
  8107. </div>
  8108. </div>
  8109. </div>
  8110.  
  8111. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8112. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8113. <div class="wpb_wrapper">
  8114. <div class="wpb_text_column wpb_content_element " >
  8115. <div class="wpb_wrapper">
  8116. <p><strong>NINA SIMONE</strong><br />
  8117. <strong>AT THE VILLAGE GATE </strong><br />
  8118. Simone&#8217;s haunting voice and piano are accompanied by guitar, bass and drums on this celebrated 1962 live recording.</p>
  8119. </div>
  8120. </div>
  8121.  
  8122.  
  8123.  
  8124.  
  8125. </div>
  8126. </div>
  8127. </div>
  8128. </div></div><div id="fws_6605a5470ff98" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8129. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8130. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8131. <div class="wpb_wrapper">
  8132. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8133. <div class="wpb_wrapper">
  8134. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Passion Dance" width="1080" height="810" src="https://www.youtube.com/embed/0zdoOyeRTCA?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8135. </div>
  8136. </div>
  8137.  
  8138. </div>
  8139. </div>
  8140. </div>
  8141.  
  8142. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8143. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8144. <div class="wpb_wrapper">
  8145. <div class="wpb_text_column wpb_content_element " >
  8146. <div class="wpb_wrapper">
  8147. <p><strong>MCCOY TYNER</strong><br />
  8148. <strong>REAL MCCOY </strong><br />
  8149. McCoy Tyner, the great pianist, emerged as a great composer on the amazing session with Joe Henderson, Ron Carter and <a href="https://www.mosaicrecords.com/the-great-jazz-artists/john-coltrane/"><span style="color: #0000ff;">Coltrane</span></a> bandmate Elvin Jones. All five distinctive compositions have become jazz standards. A perfect record and an essential one too. In a 2006 JazzTimes career retrospective, McCoy said, &#8220;It was the first album I had done as a leader after leaving John&#8217;s band. And a lot of what I learned from him transferred to that recording. So I was sort of inspired when I wrote tunes like &#8220;Search For Peace&#8221; and &#8220;Passion Dance&#8221; and &#8220;Blues On The Corner.&#8221;</p>
  8150. </div>
  8151. </div>
  8152.  
  8153.  
  8154.  
  8155.  
  8156. </div>
  8157. </div>
  8158. </div>
  8159. </div></div><div id="fws_6605a54710485" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8160. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8161. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8162. <div class="wpb_wrapper">
  8163. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8164. <div class="wpb_wrapper">
  8165. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Love Song (Rudy Van Gelder Edition/2009 Digital Remaster)" width="1080" height="810" src="https://www.youtube.com/embed/yjbi7P3cliY?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8166. </div>
  8167. </div>
  8168.  
  8169. </div>
  8170. </div>
  8171. </div>
  8172.  
  8173. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8174. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8175. <div class="wpb_wrapper">
  8176. <div class="wpb_text_column wpb_content_element " >
  8177. <div class="wpb_wrapper">
  8178. <p><strong>TONY WILLIAMS</strong><br />
  8179. <strong>SPRING </strong><br />
  8180. Tony Williams was truly a phenomenon. When he made this album, he was 19 and had already put in more than two years with Miles Davis, participated in a dozen classic Blue Note modern jazz recordings, cut his first album as a leader and revolutionized the way drums were played. This album features tenormen Wayne Shorter. and Sam Rivers, pianist Herbie Hancock, bassist Gary Peacock and Williams in a variety of combinations. The core of this music empathy &#8211; listening to each other and maintaining the highest level of creativity. It is the last album Williams would make before forming his fusion group Lifetime.</p>
  8181. </div>
  8182. </div>
  8183.  
  8184.  
  8185.  
  8186.  
  8187. </div>
  8188. </div>
  8189. </div>
  8190. </div></div><div id="fws_6605a54710a01" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8191. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8192. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8193. <div class="wpb_wrapper">
  8194. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8195. <div class="wpb_wrapper">
  8196. <div class="wpb_video_wrapper"><iframe loading="lazy" title="The Moontrane (Rudy Van Gelder 24Bit Mastering/Digital Remaster/1998)" width="1080" height="810" src="https://www.youtube.com/embed/IwOIVQVVhwg?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8197. </div>
  8198. </div>
  8199.  
  8200. </div>
  8201. </div>
  8202. </div>
  8203.  
  8204. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8205. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8206. <div class="wpb_wrapper">
  8207. <div class="wpb_text_column wpb_content_element " >
  8208. <div class="wpb_wrapper">
  8209. <p><strong>LARRY YOUNG</strong><br />
  8210. <strong>UNITY </strong><br />
  8211. The album that put Larry Young and Woody Shaw on the jazz map, this exciting and inventive session with Joe Henderson and Elvin Jones. Churning rhythms, challenging ground breaking compositions and brilliant solo work make this album a classic that exerted great, uncredited influence on the next generation of jazz artists. And one of the most requested Blue Note reissues!</p>
  8212. </div>
  8213. </div>
  8214.  
  8215.  
  8216.  
  8217.  
  8218. </div>
  8219. </div>
  8220. </div>
  8221. </div></div><div id="fws_6605a54710fd1" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8222. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column centered-text no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8223. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8224. <div class="wpb_wrapper">
  8225. <a class="nectar-button medium regular accent-color  regular-button"  style=""  href="https://www.mosaicrecords.com/best-jazz-albums-1960s-modern-jazz/" data-color-override="false" data-hover-color-override="false" data-hover-text-color-override="#fff"><span>Click for Page 1</span></a>
  8226. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 60%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%232a2a2a%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  8227. </div>
  8228. </div>
  8229. </div>
  8230. </div></div>
  8231. </div>
  8232. </div>
  8233. </div>
  8234. </div></div>
  8235. <div id="fws_6605a547117d7"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row  vc_row-o-equal-height vc_row-flex standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  8236. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  8237. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8238. <div class="wpb_wrapper">
  8239. <div class="wpb_text_column wpb_content_element " >
  8240. <div class="wpb_wrapper">
  8241. <h3 style="text-align: center;">Lester Young &amp;<br />
  8242. Billie Holiday</h3>
  8243. <p><a href="https://www.mosaicrecords.com/lester-young-and-billie-holiday/"><img loading="lazy" decoding="async" class="size-medium wp-image-8731 aligncenter" src="https://www.mosaicrecords.com/wp-content/uploads/2021/04/Screen-Shot-2021-04-20-at-10.48.40-AM-292x300.png" alt="" width="292" height="300" /></a></p>
  8244. </div>
  8245. </div>
  8246.  
  8247.  
  8248.  
  8249.  
  8250. </div>
  8251. </div>
  8252. </div>
  8253.  
  8254. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  8255. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8256. <div class="wpb_wrapper">
  8257. <div class="wpb_text_column wpb_content_element " >
  8258. <div class="wpb_wrapper">
  8259. <h3 style="text-align: center;">Duke Ellington<br />
  8260. Five Masterpieces</h3>
  8261. <p><a href="https://www.mosaicrecords.com/duke-ellington-best-songs/"><img loading="lazy" decoding="async" class="alignnone size-medium wp-image-11085 aligncenter" src="https://www.mosaicrecords.com/wp-content/uploads/2021/06/Screen-Shot-2021-06-29-at-12.22.11-PM-201x300.png" alt="" width="201" height="300" /></a></p>
  8262. </div>
  8263. </div>
  8264.  
  8265.  
  8266.  
  8267.  
  8268. </div>
  8269. </div>
  8270. </div>
  8271.  
  8272. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  8273. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8274. <div class="wpb_wrapper">
  8275. <div class="wpb_text_column wpb_content_element " >
  8276. <div class="wpb_wrapper">
  8277. <h3 style="text-align: center;">Louis Armstrong<br />
  8278. Greatest Recordings</h3>
  8279. <h3 style="text-align: center;"><a href="https://www.mosaicrecords.com/best-jazz-recordings-louis-armstrong/"><img loading="lazy" decoding="async" class="size-medium wp-image-7896 aligncenter" src="https://www.mosaicrecords.com/wp-content/uploads/2021/03/Louis-Armstrong-Gottlieb-300x297.jpg" alt="" width="300" height="297" /></a></h3>
  8280. </div>
  8281. </div>
  8282.  
  8283.  
  8284.  
  8285.  
  8286. </div>
  8287. </div>
  8288. </div>
  8289. </div></div>
  8290. <div id="fws_6605a54711d78"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  8291. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  8292. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8293. <div class="wpb_wrapper">
  8294. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 60%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  8295. </div>
  8296. </div>
  8297. </div>
  8298. </div></div>
  8299. <div id="fws_6605a54711f52"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row  vc_row-o-equal-height vc_row-flex standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  8300. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  8301. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8302. <div class="wpb_wrapper">
  8303. <div class="wpb_text_column wpb_content_element " >
  8304. <div class="wpb_wrapper">
  8305. <h3 style="text-align: center;">Lionel Hampton<br />
  8306. Flying Home</h3>
  8307. <h3 style="text-align: center;"><a href="https://www.mosaicrecords.com/lionel-hampton-flying-home/"><img loading="lazy" decoding="async" class="size-medium wp-image-10880 aligncenter" src="https://www.mosaicrecords.com/wp-content/uploads/2021/05/decca-300x300.jpg" alt="" width="300" height="300" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/05/decca.jpg 300w, https://www.mosaicrecords.com/wp-content/uploads/2021/05/decca-150x150.jpg 150w, https://www.mosaicrecords.com/wp-content/uploads/2021/05/decca-100x100.jpg 100w, https://www.mosaicrecords.com/wp-content/uploads/2021/05/decca-140x140.jpg 140w" sizes="(max-width: 300px) 100vw, 300px" /></a></h3>
  8308. </div>
  8309. </div>
  8310.  
  8311.  
  8312.  
  8313.  
  8314. </div>
  8315. </div>
  8316. </div>
  8317.  
  8318. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  8319. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8320. <div class="wpb_wrapper">
  8321. <div class="wpb_text_column wpb_content_element " >
  8322. <div class="wpb_wrapper">
  8323. <h3 style="text-align: center;">Duke Ellington<br />
  8324. New York in the 1920s</h3>
  8325. <p><a href="https://www.mosaicrecords.com/duke-ellington-new-york-in-the-1920s/"><img loading="lazy" decoding="async" class="alignnone size-medium wp-image-10846 aligncenter" src="https://www.mosaicrecords.com/wp-content/uploads/2021/06/Screen-Shot-2021-06-22-at-7.54.33-PM-198x300.png" alt="" width="198" height="300" /></a></p>
  8326. </div>
  8327. </div>
  8328.  
  8329.  
  8330.  
  8331.  
  8332. </div>
  8333. </div>
  8334. </div>
  8335.  
  8336. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  8337. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8338. <div class="wpb_wrapper">
  8339. <div class="wpb_text_column wpb_content_element " >
  8340. <div class="wpb_wrapper">
  8341. <h3 style="text-align: center;">Chu Berry<br />
  8342. Classic Track<br />
  8343. <a href="https://www.mosaicrecords.com/chu-berry-jazz-albums/"> <img loading="lazy" decoding="async" class="alignnone size-medium wp-image-9301 aligncenter" src="https://www.mosaicrecords.com/wp-content/uploads/2021/04/236-Chu-Berry-300x300.jpg" alt="" width="300" height="300" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/04/236-Chu-Berry-300x300.jpg 300w, https://www.mosaicrecords.com/wp-content/uploads/2021/04/236-Chu-Berry-1024x1024.jpg 1024w, https://www.mosaicrecords.com/wp-content/uploads/2021/04/236-Chu-Berry-150x150.jpg 150w, https://www.mosaicrecords.com/wp-content/uploads/2021/04/236-Chu-Berry-768x768.jpg 768w, https://www.mosaicrecords.com/wp-content/uploads/2021/04/236-Chu-Berry-100x100.jpg 100w, https://www.mosaicrecords.com/wp-content/uploads/2021/04/236-Chu-Berry-140x140.jpg 140w, https://www.mosaicrecords.com/wp-content/uploads/2021/04/236-Chu-Berry-500x500.jpg 500w, https://www.mosaicrecords.com/wp-content/uploads/2021/04/236-Chu-Berry-350x350.jpg 350w, https://www.mosaicrecords.com/wp-content/uploads/2021/04/236-Chu-Berry-1000x1000.jpg 1000w, https://www.mosaicrecords.com/wp-content/uploads/2021/04/236-Chu-Berry-800x800.jpg 800w, https://www.mosaicrecords.com/wp-content/uploads/2021/04/236-Chu-Berry-600x600.jpg 600w, https://www.mosaicrecords.com/wp-content/uploads/2021/04/236-Chu-Berry.jpg 1200w" sizes="(max-width: 300px) 100vw, 300px" /></a></h3>
  8344. </div>
  8345. </div>
  8346.  
  8347.  
  8348.  
  8349.  
  8350. </div>
  8351. </div>
  8352. </div>
  8353. </div></div>
  8354. <div id="fws_6605a5471250e"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  8355. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  8356. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8357. <div class="wpb_wrapper">
  8358. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 60%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%23ebebeb%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  8359. </div>
  8360. </div>
  8361. </div>
  8362. </div></div>
  8363. <div id="fws_6605a547127b1"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row  vc_row-o-equal-height vc_row-flex  vc_row-o-content-top standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  8364. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  8365. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8366. <div class="wpb_wrapper">
  8367. <div class="wpb_text_column wpb_content_element " >
  8368. <div class="wpb_wrapper">
  8369. <h3 style="text-align: center;">Coleman Hawkins</h3>
  8370. <p><a href="https://www.mosaicrecords.com/the-great-jazz-artists/coleman-hawkins/"><img loading="lazy" decoding="async" class="alignnone size-medium wp-image-10151 aligncenter" src="https://www.mosaicrecords.com/wp-content/uploads/2021/06/Hawkins28Large72-e1622572724112-290x300.jpg" alt="" width="290" height="300" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/06/Hawkins28Large72-e1622572724112-290x300.jpg 290w, https://www.mosaicrecords.com/wp-content/uploads/2021/06/Hawkins28Large72-e1622572724112-600x620.jpg 600w, https://www.mosaicrecords.com/wp-content/uploads/2021/06/Hawkins28Large72-e1622572724112.jpg 666w" sizes="(max-width: 290px) 100vw, 290px" /></a></p>
  8371. </div>
  8372. </div>
  8373.  
  8374.  
  8375.  
  8376.  
  8377. </div>
  8378. </div>
  8379. </div>
  8380.  
  8381. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  8382. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8383. <div class="wpb_wrapper">
  8384. <div class="wpb_text_column wpb_content_element " >
  8385. <div class="wpb_wrapper">
  8386. <h3 style="text-align: center;">Lester Young<a href="https://www.mosaicrecords.com/the-great-jazz-artists/lester-young/"><br />
  8387. <img loading="lazy" decoding="async" class="size-medium wp-image-7159 aligncenter" src="https://www.mosaicrecords.com/wp-content/uploads/2021/03/Screen-Shot-2021-03-31-at-12.16.16-PM-287x300.png" alt="" width="287" height="300" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/03/Screen-Shot-2021-03-31-at-12.16.16-PM-287x300.png 287w, https://www.mosaicrecords.com/wp-content/uploads/2021/03/Screen-Shot-2021-03-31-at-12.16.16-PM-600x627.png 600w, https://www.mosaicrecords.com/wp-content/uploads/2021/03/Screen-Shot-2021-03-31-at-12.16.16-PM-768x803.png 768w, https://www.mosaicrecords.com/wp-content/uploads/2021/03/Screen-Shot-2021-03-31-at-12.16.16-PM.png 838w" sizes="(max-width: 287px) 100vw, 287px" /></a></h3>
  8388. </div>
  8389. </div>
  8390.  
  8391.  
  8392.  
  8393.  
  8394. </div>
  8395. </div>
  8396. </div>
  8397.  
  8398. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  8399. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8400. <div class="wpb_wrapper">
  8401. <div class="wpb_text_column wpb_content_element " >
  8402. <div class="wpb_wrapper">
  8403. <h3 style="text-align: center;">Louis Armstrong</h3>
  8404. <p><a href="https://www.mosaicrecords.com/the-great-jazz-artists/louis-armstrong/"><img loading="lazy" decoding="async" class="alignnone wp-image-8747 size-medium aligncenter" src="https://www.mosaicrecords.com/wp-content/uploads/2021/04/Louis-Armstrong-300x300.jpg" alt="" width="300" height="300" /></a></p>
  8405. </div>
  8406. </div>
  8407.  
  8408.  
  8409.  
  8410.  
  8411. </div>
  8412. </div>
  8413. </div>
  8414. </div></div>
  8415. <div id="fws_6605a54712d53"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row  vc_row-o-equal-height vc_row-flex standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  8416. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  8417. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8418. <div class="wpb_wrapper">
  8419. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 60%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%232a2a2a%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  8420. </div>
  8421. </div>
  8422. </div>
  8423. </div></div>
  8424. <p>The post <a href="https://www.mosaicrecords.com/best-jazz-albums-1960s-modern-jazz-2/">Best Jazz Albums: 1960&#8217;s Modern Jazz -2</a> appeared first on <a href="https://www.mosaicrecords.com">Mosaic Records - Home for Jazz fans!</a>.</p>
  8425. ]]></content:encoded>
  8426. </item>
  8427. <item>
  8428. <title>Best Jazz Albums: 1960&#8217;s Modern Jazz</title>
  8429. <link>https://www.mosaicrecords.com/best-jazz-albums-1960s-modern-jazz/</link>
  8430. <dc:creator><![CDATA[Mosaic Records]]></dc:creator>
  8431. <pubDate>Fri, 23 Jul 2021 17:10:11 +0000</pubDate>
  8432. <category><![CDATA[Andrew Hill]]></category>
  8433. <category><![CDATA[Art Blakey]]></category>
  8434. <category><![CDATA[Best Jazz Albums: 1950s Modern Classic Jazz]]></category>
  8435. <category><![CDATA[Best Jazz Albums: Cool Jazz]]></category>
  8436. <category><![CDATA[Clifford Brown]]></category>
  8437. <category><![CDATA[Donald Byrd]]></category>
  8438. <category><![CDATA[Grant Green]]></category>
  8439. <category><![CDATA[John Coltrane]]></category>
  8440. <category><![CDATA[Miles Davis]]></category>
  8441. <category><![CDATA[Paul Desmond]]></category>
  8442. <category><![CDATA[Thelonious Monk]]></category>
  8443. <guid isPermaLink="false">https://www.mosaicrecords.com/?p=11600</guid>
  8444.  
  8445. <description><![CDATA[<p>The post <a href="https://www.mosaicrecords.com/best-jazz-albums-1960s-modern-jazz/">Best Jazz Albums: 1960&#8217;s Modern Jazz</a> appeared first on <a href="https://www.mosaicrecords.com">Mosaic Records - Home for Jazz fans!</a>.</p>
  8446. ]]></description>
  8447. <content:encoded><![CDATA[
  8448. <div id="fws_6605a54715d21"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  8449. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  8450. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8451. <div class="wpb_wrapper">
  8452. <div id="fws_6605a547160d7" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8453. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8454. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8455. <div class="wpb_wrapper">
  8456. <div class="img-with-aniamtion-wrap center" data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  8457.      <div class="inner">
  8458.        <div class="hover-wrap" data-hover-animation="none">
  8459.          <div class="hover-wrap-inner">
  8460.            <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="300" width="300" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/04/Charles-Mingus-Mingus-e1620179413588.jpg" alt=""  />
  8461.          </div>
  8462.        </div>
  8463.      </div>
  8464.    </div>
  8465. </div>
  8466. </div>
  8467. </div>
  8468.  
  8469. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8470. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8471. <div class="wpb_wrapper">
  8472. <div class="divider-wrap" data-alignment="default"><div style="height: 100px;" class="divider"></div></div>
  8473. <div class="wpb_text_column wpb_content_element " >
  8474. <div class="wpb_wrapper">
  8475. <h2 style="text-align: center;">Best Jazz Albums:<br />
  8476. 1960s Modern Jazz</h2>
  8477. <h3 style="text-align: center;">Page 1/2</h3>
  8478. </div>
  8479. </div>
  8480.  
  8481.  
  8482.  
  8483.  
  8484. </div>
  8485. </div>
  8486. </div>
  8487. </div></div>
  8488. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 80%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%232a2a2a%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div><div id="fws_6605a547167c9" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8489. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column centered-text no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8490. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8491. <div class="wpb_wrapper">
  8492. <div class="wpb_text_column wpb_content_element " >
  8493. <div class="wpb_wrapper">
  8494. <p style="text-align: left;">The modern jazz of the 1960s was a crystallization of so many streams in the music. Hard bop reached its heights with composers like Wayne Shorter, Hank Mobley, Freddie Hubbard and Cedar Walton. The freedom principal was shaped by ensembles like the Ornette Coleman and Charles Mingus quartets. <a href="https://www.mosaicrecords.com/the-great-jazz-artists/miles-davis/"><span style="color: #0000ff;">Miles Davis</span></a>, <a href="https://www.mosaicrecords.com/the-great-jazz-artists/john-coltrane/"><span style="color: #0000ff;">John Coltrane</span></a> and Randy Weston were among the pioneers who constantly evolved. What a period!</p>
  8495. </div>
  8496. </div>
  8497.  
  8498.  
  8499.  
  8500. <a class="nectar-button medium regular accent-color  regular-button"  style=""  href="https://www.mosaicrecords.com/best-jazz-albums-1960s-modern-jazz-2/" data-color-override="false" data-hover-color-override="false" data-hover-text-color-override="#fff"><span>Click for Page 2</span></a>
  8501. </div>
  8502. </div>
  8503. </div>
  8504. </div></div><div id="fws_6605a54716c53" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8505. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8506. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8507. <div class="wpb_wrapper">
  8508. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8509. <div class="wpb_wrapper">
  8510. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Moanin&#039; (Remastered)" width="1080" height="810" src="https://www.youtube.com/embed/fsJ3JjpZyoA?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8511. </div>
  8512. </div>
  8513.  
  8514. </div>
  8515. </div>
  8516. </div>
  8517.  
  8518. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8519. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8520. <div class="wpb_wrapper">
  8521. <div class="wpb_text_column wpb_content_element " >
  8522. <div class="wpb_wrapper">
  8523. <p><span style="text-decoration: underline;"><span style="color: #0000ff;"><a style="color: #0000ff;" href="https://www.mosaicrecords.com/the-great-jazz-artists/art-blakey/"><strong>ART BLAKEY</strong></a></span></span><br />
  8524. <strong>MOANIN&#8217;<span class="Apple-converted-space"> </span></strong><br />
  8525. Art Blakey&#8217;s most successful album gave us Bobby Timmons&#8217;s &#8220;Moanin'&#8221; and Benny Golson&#8217;s &#8220;Along Came Betty&#8221; and &#8220;Blues March,&#8221; tunes so powerful that Blakey played them almost every night for the next 30 years. This beautifully performed and recorded session made the Jazz Messengers a jazz institution and put Golson, Timmons and Morgan to the forefront of jazz.</p>
  8526. </div>
  8527. </div>
  8528.  
  8529.  
  8530.  
  8531.  
  8532. </div>
  8533. </div>
  8534. </div>
  8535. </div></div><div id="fws_6605a54717354" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8536. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8537. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8538. <div class="wpb_wrapper">
  8539. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8540. <div class="wpb_wrapper">
  8541. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Mosaic (2005 Remaster)" width="1080" height="810" src="https://www.youtube.com/embed/pzfURZdmkx8?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8542. </div>
  8543. </div>
  8544.  
  8545. </div>
  8546. </div>
  8547. </div>
  8548.  
  8549. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8550. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8551. <div class="wpb_wrapper">
  8552. <div class="wpb_text_column wpb_content_element " >
  8553. <div class="wpb_wrapper">
  8554. <p><b>ART BLAKEY</b><br />
  8555. <strong>MOSAIC</strong><br />
  8556. A magnificent album by the most explosive edition of the Jazz Messengers. The originals include Cedar Walton&#8217;s intricate title tune played with fire and brilliance, Wayne Shorter&#8217;s &#8220;Children Of The Night,&#8221; Curtis Fuller&#8217;s &#8220;Arabia&#8221; and Freddie Hubbard&#8217;s &#8220;Crisis&#8221; and &#8220;Down Under.&#8221;<span class="Apple-converted-space">  </span>One of the most memorable records of an amazing era.</p>
  8557. </div>
  8558. </div>
  8559.  
  8560.  
  8561.  
  8562.  
  8563. </div>
  8564. </div>
  8565. </div>
  8566. </div></div><div id="fws_6605a5471799f" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8567. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8568. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8569. <div class="wpb_wrapper">
  8570. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8571. <div class="wpb_wrapper">
  8572. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Melody For C (2008 Digital Remaster; Rudy Van Gelder Edition)" width="1080" height="810" src="https://www.youtube.com/embed/k3Jv3gqCuzM?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8573. </div>
  8574. </div>
  8575.  
  8576. </div>
  8577. </div>
  8578. </div>
  8579.  
  8580. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8581. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8582. <div class="wpb_wrapper">
  8583. <div class="wpb_text_column wpb_content_element " >
  8584. <div class="wpb_wrapper">
  8585. <p><strong>SONNY CLARK</strong><br />
  8586. <strong>LEAPIN&#8217; AND LOPIN&#8217; </strong><br />
  8587. This 1961 session ranges from the modal &#8220;Melody In C&#8221; to the soulful blues &#8220;Somethin&#8217; Special&#8221;. Ike Quebec guests on the magnificent ballad &#8220;Deep In A Dream&#8221;. Personnel: Sonny Clark (piano); Charlie Rouse (tenor saxophone); Tommy Turrentine (trumpet); Butch Warren (bass); Billy Higgins (drums).</p>
  8588. </div>
  8589. </div>
  8590.  
  8591.  
  8592.  
  8593.  
  8594. </div>
  8595. </div>
  8596. </div>
  8597. </div></div><div id="fws_6605a54717e2c" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8598. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8599. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8600. <div class="wpb_wrapper">
  8601. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8602. <div class="wpb_wrapper">
  8603. <div class="wpb_video_wrapper"><iframe loading="lazy" title="A Love Supreme, Pt. IV - Psalm" width="1080" height="810" src="https://www.youtube.com/embed/yjZc7KIFlNs?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8604. </div>
  8605. </div>
  8606.  
  8607. </div>
  8608. </div>
  8609. </div>
  8610.  
  8611. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8612. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8613. <div class="wpb_wrapper">
  8614. <div class="wpb_text_column wpb_content_element " >
  8615. <div class="wpb_wrapper">
  8616. <p><strong>JOHN COLTRANE</strong><br />
  8617. <span style="color: #0000ff;"><a style="color: #0000ff;" href="https://www.mosaicrecords.com/john-coltrane-a-love-supreme/"><strong>A LOVE SUPREME </strong></a></span><br />
  8618. Not only one of Coltrane&#8217;s most important recordings, but also one of the most significant modern jazz albums ever made. This four-part suite by the classic quartet exudes inner peace.</p>
  8619. </div>
  8620. </div>
  8621.  
  8622.  
  8623.  
  8624.  
  8625. </div>
  8626. </div>
  8627. </div>
  8628. </div></div><div id="fws_6605a54718345" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8629. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8630. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8631. <div class="wpb_wrapper">
  8632. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8633. <div class="wpb_wrapper">
  8634. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Bessie&#039;s Blues" width="1080" height="810" src="https://www.youtube.com/embed/o6tU-2u1eJg?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8635. </div>
  8636. </div>
  8637.  
  8638. </div>
  8639. </div>
  8640. </div>
  8641.  
  8642. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8643. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8644. <div class="wpb_wrapper">
  8645. <div class="wpb_text_column wpb_content_element " >
  8646. <div class="wpb_wrapper">
  8647. <p><span style="color: #0000ff;"><strong>JOHN COLTRANE</strong></span><br />
  8648. <strong>CRESCENT </strong><br />
  8649. At once serene and exploratory, this exquisite masterpiece by the classic quartet is perfectly constructed and executed. Coltrane&#8217;s five compositions are varied and among the finest that he ever wrote. The music is rich in texture but in a rarified air as four master musicians listen intently to each other and create sublime interaction. Many consider this to be the greatest album by this band. Includes &#8220;Lonnie&#8217;s Lament&#8221; and &#8220;Bessie&#8217;s Blues.&#8221;</p>
  8650. </div>
  8651. </div>
  8652.  
  8653.  
  8654.  
  8655.  
  8656. </div>
  8657. </div>
  8658. </div>
  8659. </div></div><div id="fws_6605a54718875" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8660. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8661. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8662. <div class="wpb_wrapper">
  8663. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8664. <div class="wpb_wrapper">
  8665. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Impressions" width="1080" height="810" src="https://www.youtube.com/embed/7RRxiUw6bkk?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8666. </div>
  8667. </div>
  8668.  
  8669. </div>
  8670. </div>
  8671. </div>
  8672.  
  8673. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8674. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8675. <div class="wpb_wrapper">
  8676. <div class="wpb_text_column wpb_content_element " >
  8677. <div class="wpb_wrapper">
  8678. <p><strong>JOHN COLTRANE</strong><br />
  8679. <strong>COLTRANE</strong><br />
  8680. The first studio album after Jimmy Garrison joined the quartet with McCoy Tyner and Elvin Jones, this album, made over a series of sessions in April and June 1962, finds them pushing the envelope and exploring new territory. This new expanded edition includes the newly discovered June 20, 1962 sessions tapes which brings almost an hour of unissued Coltrane to light (CD 2, #1-8), including a studio version of &#8220;Impressions&#8221; in two exceptional takes and a new tune by McCoy Tyner &#8220;Not Yet&#8221;. This double CD has been remastered in 24 bit by the original engineer Rudy Van Gelder.</p>
  8681. </div>
  8682. </div>
  8683.  
  8684.  
  8685.  
  8686.  
  8687. </div>
  8688. </div>
  8689. </div>
  8690. </div></div><div id="fws_6605a54718de7" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8691. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8692. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8693. <div class="wpb_wrapper">
  8694. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8695. <div class="wpb_wrapper">
  8696. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Song Of The Wind" width="1080" height="810" src="https://www.youtube.com/embed/VifaYKaSKnk?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8697. </div>
  8698. </div>
  8699.  
  8700. </div>
  8701. </div>
  8702. </div>
  8703.  
  8704. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8705. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8706. <div class="wpb_wrapper">
  8707. <div class="wpb_text_column wpb_content_element " >
  8708. <div class="wpb_wrapper">
  8709. <p><strong>CHICK COREA</strong><br />
  8710. <strong>COMPLETE IS SESSIONS </strong><br />
  8711. In May 1969, at the height of his involvement with <a href="https://www.mosaicrecords.com/the-great-jazz-artists/miles-davis/"><span style="color: #0000ff;">Miles Davis</span></a>, Corea recorded these sessions, playing both acoustic and electric piano (often on the same track). From quartets by Bennie Maupin, Chick, Dave Holland and Jack DeJohnette to full-blown septet tracks with Woody Shaw, Hubert Laws and Horace Arnold added, the music covers cutting-edge contemporary tunes like &#8220;This&#8221; and &#8220;Song Of The Wind&#8221; and experimental free improvisations like &#8220;Is&#8221;. A unique chapter is the recorded history of the artist. Six alternates have been added to the eight tunes that made up the original albums &#8220;Is&#8221; and &#8220;Sundance&#8221;.</p>
  8712. </div>
  8713. </div>
  8714.  
  8715.  
  8716.  
  8717.  
  8718. </div>
  8719. </div>
  8720. </div>
  8721. </div></div><div id="fws_6605a54719304" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8722. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8723. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8724. <div class="wpb_wrapper">
  8725. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8726. <div class="wpb_wrapper">
  8727. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Windows ( Chick Corea )" width="1080" height="810" src="https://www.youtube.com/embed/hinfDLnSPbU?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8728. </div>
  8729. </div>
  8730.  
  8731. </div>
  8732. </div>
  8733. </div>
  8734.  
  8735. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8736. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8737. <div class="wpb_wrapper">
  8738. <div class="wpb_text_column wpb_content_element " >
  8739. <div class="wpb_wrapper">
  8740. <p><strong>CHICK COREA</strong><br />
  8741. <strong>NOW HE SINGS, NOW HE SOBS </strong><br />
  8742. This adventurous yet lyrical trio LP was Chick Corea&#8217;s career breakthrough album, establishing him as a significant pianist and composer of modern jazz. Over three days in March 1968, Corea went into A &amp; R Studios with Miroslav Vitous and Roy Haynes (they have since reunited many times over past 34 years) and produced a total of 13 great performances, only five of which were used on the original album. The material ranged from soon-to-be Corea classics like &#8220;Matrix&#8221; and &#8220;Windows&#8221; to extended improvised pieces like the title tune to creative interpretations of Monk&#8217;s &#8220;Pannonica&#8221; and &#8220;My One And Only Love&#8221;.</p>
  8743. </div>
  8744. </div>
  8745.  
  8746.  
  8747.  
  8748.  
  8749. </div>
  8750. </div>
  8751. </div>
  8752. </div></div><div id="fws_6605a547197e0" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8753. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8754. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8755. <div class="wpb_wrapper">
  8756. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-left" >
  8757. <div class="wpb_wrapper">
  8758. <div class="wpb_video_wrapper"><iframe loading="lazy" title="E.S.P." width="1080" height="810" src="https://www.youtube.com/embed/lRhqn21-xeg?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8759. </div>
  8760. </div>
  8761.  
  8762. </div>
  8763. </div>
  8764. </div>
  8765.  
  8766. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8767. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8768. <div class="wpb_wrapper">
  8769. <div class="wpb_text_column wpb_content_element " >
  8770. <div class="wpb_wrapper">
  8771. <p><a href="https://www.mosaicrecords.com/the-great-jazz-artists/miles-davis/"><span style="text-decoration: underline;"><strong><span style="color: #0000ff; text-decoration: underline;">MILES DAVIS</span> </strong></span></a><br />
  8772. <strong>E.S.P.</strong><br />
  8773. A breakthrough album for Miles Davis introducing new material and the fully-realized mid-sixties quintet with Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams. Includes &#8220;Eighty-One&#8221; and &#8220;Agitation&#8221;.</p>
  8774. </div>
  8775. </div>
  8776.  
  8777.  
  8778.  
  8779.  
  8780. </div>
  8781. </div>
  8782. </div>
  8783. </div></div><div id="fws_6605a54719db1" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8784. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8785. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8786. <div class="wpb_wrapper">
  8787. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8788. <div class="wpb_wrapper">
  8789. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Gingerbread Boy" width="1080" height="810" src="https://www.youtube.com/embed/fVndRGAF8Gg?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8790. </div>
  8791. </div>
  8792.  
  8793. </div>
  8794. </div>
  8795. </div>
  8796.  
  8797. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8798. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8799. <div class="wpb_wrapper">
  8800. <div class="wpb_text_column wpb_content_element " >
  8801. <div class="wpb_wrapper">
  8802. <p><strong>MILES DAVIS</strong><br />
  8803. <strong>MILES SMILES </strong><br />
  8804. One of the<a href="https://www.mosaicrecords.com/100-essential-jazz-albums/"><span style="color: #0000ff;"> best jazz albums of all time</span></a> by Davis&#8217; mid-sixties quintet (Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams) with astonishing versions of &#8220;Gingerbread Boy&#8221;, &#8220;Freedom Jazz Dance&#8221; and Wayne Shorter&#8217;s &#8220;Dolores&#8221; and &#8220;Footprints&#8221;.</p>
  8805. </div>
  8806. </div>
  8807.  
  8808.  
  8809.  
  8810.  
  8811. </div>
  8812. </div>
  8813. </div>
  8814. </div></div><div id="fws_6605a5471a359" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8815. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8816. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8817. <div class="wpb_wrapper">
  8818. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8819. <div class="wpb_wrapper">
  8820. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Riot" width="1080" height="810" src="https://www.youtube.com/embed/46FaOpADOYQ?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8821. </div>
  8822. </div>
  8823.  
  8824. </div>
  8825. </div>
  8826. </div>
  8827.  
  8828. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8829. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8830. <div class="wpb_wrapper">
  8831. <div class="wpb_text_column wpb_content_element " >
  8832. <div class="wpb_wrapper">
  8833. <p><strong>MILES DAVIS</strong><br />
  8834. <strong>NEFERTITI </strong><br />
  8835. The fourth album by the mid-sixties quintet includes the hypnotic title tune and introduces classics like &#8220;Riot&#8221; and &#8220;Pinocchio&#8221;.</p>
  8836. </div>
  8837. </div>
  8838.  
  8839.  
  8840.  
  8841.  
  8842. </div>
  8843. </div>
  8844. </div>
  8845. </div></div><div id="fws_6605a5471a81a" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8846. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8847. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8848. <div class="wpb_wrapper">
  8849. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8850. <div class="wpb_wrapper">
  8851. <div class="wpb_video_wrapper"><iframe loading="lazy" title="A Lunar Tune" width="1080" height="810" src="https://www.youtube.com/embed/qcJtKrkxK10?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8852. </div>
  8853. </div>
  8854.  
  8855. </div>
  8856. </div>
  8857. </div>
  8858.  
  8859. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8860. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8861. <div class="wpb_wrapper">
  8862. <div class="wpb_text_column wpb_content_element " >
  8863. <div class="wpb_wrapper">
  8864. <p><strong>BOOKER ERVIN</strong><br />
  8865. <strong>THE FREEDOM BOOK </strong><br />
  8866. One of the best and most underrated albums of the 1960s modern jazz. Ervin&#8217;s impassioned Texas tenor explodes with beauty and invention, fueled by the power and chemistry of Jaki Byard, Richard Davis and Alan Dawson. Brilliant, volatile music.</p>
  8867. </div>
  8868. </div>
  8869.  
  8870.  
  8871.  
  8872.  
  8873. </div>
  8874. </div>
  8875. </div>
  8876. </div></div><div id="fws_6605a5471adde" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8877. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8878. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8879. <div class="wpb_wrapper">
  8880. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8881. <div class="wpb_wrapper">
  8882. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Gloria&#039;s Step (Take 2 / Live At The Village Vanguard, NYC; 6/25/1961)" width="1080" height="810" src="https://www.youtube.com/embed/OVEOf7VCNgs?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8883. </div>
  8884. </div>
  8885.  
  8886. </div>
  8887. </div>
  8888. </div>
  8889.  
  8890. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8891. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8892. <div class="wpb_wrapper">
  8893. <div class="wpb_text_column wpb_content_element " >
  8894. <div class="wpb_wrapper">
  8895. <p><strong>BILL EVANS</strong><br />
  8896. <strong>SUNDAY AT THE VILLAGE VANGUARD </strong><br />
  8897. Evans&#8217;s brilliant trio with Scott LaFaro and Paul Motian, which lasted only 19 months and made only 4 albums (&#8220;Explorations&#8221; and &#8220;Portrait In Jazz&#8221; in the studio and &#8220;Sunday At The Village Vanguard&#8221; and &#8220;Waltz For Debby&#8221; live), was one of those rare examples of perfect chemistry. LaFaro died just 10 days after the June &#8217;61, Village Vanguard sessions.</p>
  8898. </div>
  8899. </div>
  8900.  
  8901.  
  8902.  
  8903.  
  8904. </div>
  8905. </div>
  8906. </div>
  8907. </div></div><div id="fws_6605a5471b333" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8908. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8909. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8910. <div class="wpb_wrapper">
  8911. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8912. <div class="wpb_wrapper">
  8913. <div class="wpb_video_wrapper"><iframe loading="lazy" title="My Funny Valentine" width="1080" height="810" src="https://www.youtube.com/embed/w6t2SnKJgqg?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8914. </div>
  8915. </div>
  8916.  
  8917. </div>
  8918. </div>
  8919. </div>
  8920.  
  8921. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8922. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8923. <div class="wpb_wrapper">
  8924. <div class="wpb_text_column wpb_content_element " >
  8925. <div class="wpb_wrapper">
  8926. <p><strong>BILL EVANS</strong><br />
  8927. <strong>UNDERCURRENT </strong><br />
  8928. Duet albums were rare in 1962 and encounters of this quality are still rare. Bill Evans and Jim Hall<span class="Apple-converted-space">  </span>challenge and complement each other brilliantly on a series of standards and <a href="https://www.mosaicrecords.com/jazz-music/"><span style="color: #0000ff;">jazz music</span></a> originals.</p>
  8929. </div>
  8930. </div>
  8931.  
  8932.  
  8933.  
  8934.  
  8935. </div>
  8936. </div>
  8937. </div>
  8938. </div></div><div id="fws_6605a5471b842" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8939. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8940. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8941. <div class="wpb_wrapper">
  8942. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8943. <div class="wpb_wrapper">
  8944. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Bilbao Song" width="1080" height="810" src="https://www.youtube.com/embed/2BCn2s1idQs?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8945. </div>
  8946. </div>
  8947.  
  8948. </div>
  8949. </div>
  8950. </div>
  8951.  
  8952. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8953. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8954. <div class="wpb_wrapper">
  8955. <div class="wpb_text_column wpb_content_element " >
  8956. <div class="wpb_wrapper">
  8957. <p><strong>GIL EVANS</strong><br />
  8958. <strong>OUT OF THE COOL </strong><br />
  8959. Recorded shortly after &#8220;Sketches Of Spain,&#8221; this is Gil&#8217;s first real masterpiece on his own, with breathtaking arrangements of Kurt Weill&#8217;s &#8220;Bilbao Song,&#8221; George Russell&#8217;s &#8220;Stratusphunk&#8221; and his own &#8220;La Nevada.&#8221;</p>
  8960. </div>
  8961. </div>
  8962.  
  8963.  
  8964.  
  8965.  
  8966. </div>
  8967. </div>
  8968. </div>
  8969. </div></div><div id="fws_6605a5471bd73" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  8970. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8971. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8972. <div class="wpb_wrapper">
  8973. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  8974. <div class="wpb_wrapper">
  8975. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Cheese Cake (Remastered 1999/Rudy Van Gelder Edition)" width="1080" height="810" src="https://www.youtube.com/embed/a9HP9p3GXg8?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  8976. </div>
  8977. </div>
  8978.  
  8979. </div>
  8980. </div>
  8981. </div>
  8982.  
  8983. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  8984. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  8985. <div class="wpb_wrapper">
  8986. <div class="wpb_text_column wpb_content_element " >
  8987. <div class="wpb_wrapper">
  8988. <p><strong>DEXTER GORDON</strong><br />
  8989. <strong>GO </strong><br />
  8990. Dexter Gordon considered this his finest album and few would disagree. With the perfect rhythm section of Sonny Clark, Butch Warren and Billy Higgins, this tenor giant reinvents standards like &#8220;Three O&#8217;Clock In The Morning,&#8221; &#8220;Second Balcony Jump&#8221; and &#8220;Guess I&#8217;ll Hang My Tears Out To Dry&#8221; and introduces his most famous composition &#8220;Cheese Cake.&#8221;</p>
  8991. </div>
  8992. </div>
  8993.  
  8994.  
  8995.  
  8996.  
  8997. </div>
  8998. </div>
  8999. </div>
  9000. </div></div><div id="fws_6605a5471c41a" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  9001. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  9002. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9003. <div class="wpb_wrapper">
  9004. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  9005. <div class="wpb_wrapper">
  9006. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Dolphin Dance (Remastered)" width="1080" height="810" src="https://www.youtube.com/embed/RaHCnfI7y74?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  9007. </div>
  9008. </div>
  9009.  
  9010. </div>
  9011. </div>
  9012. </div>
  9013.  
  9014. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  9015. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9016. <div class="wpb_wrapper">
  9017. <div class="wpb_text_column wpb_content_element " >
  9018. <div class="wpb_wrapper">
  9019. <p><strong>HERBIE HANCOCK</strong><br />
  9020. <strong>MAIDEN VOYAGE </strong><br />
  9021. Every single tune on this album from the haunting &#8220;Maiden Voyage&#8221; to the gentle, swinging &#8220;Dolphin Dance&#8221; has found its way into the standard jazz repertoire. Herbie Hancock fashioned a modern jazz milestone with extraordinary compositions, interplay and solos. Completing the quintet are Freddie Hubbard, George Coleman, Ron Carter and Tony Williams.</p>
  9022. </div>
  9023. </div>
  9024.  
  9025.  
  9026.  
  9027.  
  9028. </div>
  9029. </div>
  9030. </div>
  9031. </div></div><div id="fws_6605a5471c9d4" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  9032. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  9033. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9034. <div class="wpb_wrapper">
  9035. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  9036. <div class="wpb_wrapper">
  9037. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Teeter Totter (Rudy Van Gelder 24-Bit Remastering/2000)" width="1080" height="810" src="https://www.youtube.com/embed/Fs5qS8hePsA?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  9038. </div>
  9039. </div>
  9040.  
  9041. </div>
  9042. </div>
  9043. </div>
  9044.  
  9045. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  9046. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9047. <div class="wpb_wrapper">
  9048. <div class="wpb_text_column wpb_content_element " >
  9049. <div class="wpb_wrapper">
  9050. <p><a href="https://www.mosaicrecords.com/product/joe-henderson-blue-note-sessions/"><span style="color: #0000ff;"><strong>JOE HENDERSON</strong></span></a><br />
  9051. <strong>OUR THING </strong><br />
  9052. This is the third exceptional collaboration by Joe Henderson and Kenny Dorham (after &#8220;Page One&#8221; and &#8220;Una Mas&#8221;) with the cutting edge rhythm section of <a href="https://www.mosaicrecords.com/the-great-jazz-artists/andrew-hill/"><span style="color: #0000ff;">Andrew Hill</span></a>, Eddie Khan and Pete LaRoca. The tunes and the playing are superb throughout. Added to the original album is an alternate take of &#8220;Teeter Totter&#8221;.</p>
  9053. </div>
  9054. </div>
  9055.  
  9056.  
  9057.  
  9058.  
  9059. </div>
  9060. </div>
  9061. </div>
  9062. </div></div><div id="fws_6605a5471cfb0" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  9063. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  9064. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9065. <div class="wpb_wrapper">
  9066. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  9067. <div class="wpb_wrapper">
  9068. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Open Sesame (Remastered 2002/Rudy Van Gelder Edition)" width="1080" height="810" src="https://www.youtube.com/embed/_slYh4DYVJ4?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  9069. </div>
  9070. </div>
  9071.  
  9072. </div>
  9073. </div>
  9074. </div>
  9075.  
  9076. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  9077. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9078. <div class="wpb_wrapper">
  9079. <div class="wpb_text_column wpb_content_element " >
  9080. <div class="wpb_wrapper">
  9081. <p><strong>FREDDIE HUBBARD</strong><br />
  9082. <strong>OPEN SESAME </strong><br />
  9083. Freddie Hubbard&#8217;s recording debut announced the arrival of an extraordinary trumpeter, both technically and artistically. This album teamed him with tenor saxophonist &amp; composer Tina Brooks (they would reconvene a week later to record Brooks&#8217; &#8220;True Blue&#8221;) and pianist McCoy Tyner a few months before he joined John Coltrane&#8217;s quintet. This is one of those stunning Blue Note records where the musicians mesh and the tunes, arrangements and solo get as close to perfection as one can.<span class="Apple-converted-space"> A modern <span style="color: #0000ff;">best jazz album</span> classic.</span></p>
  9084. </div>
  9085. </div>
  9086.  
  9087.  
  9088.  
  9089.  
  9090. </div>
  9091. </div>
  9092. </div>
  9093. </div></div><div id="fws_6605a5471d468" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  9094. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  9095. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9096. <div class="wpb_wrapper">
  9097. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  9098. <div class="wpb_wrapper">
  9099. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Hub-Tones (Remastered 1999/Rudy Van Gelder Edition)" width="1080" height="810" src="https://www.youtube.com/embed/boyMDYh0fCs?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  9100. </div>
  9101. </div>
  9102.  
  9103. </div>
  9104. </div>
  9105. </div>
  9106.  
  9107. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  9108. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9109. <div class="wpb_wrapper">
  9110. <div class="wpb_text_column wpb_content_element " >
  9111. <div class="wpb_wrapper">
  9112. <p><strong>FREDDIE HUBBARD</strong><br />
  9113. <strong>HUB-TONES </strong><br />
  9114. Already the most formidable new trumpeter in jazz in 1962, Freddie Hubbard came into his own as a composer with this album with great originals that range from the complex, ferocious swinger &#8220;Hub-Tones&#8221; to his poignant &#8220;Lament For Booker,&#8221; written for the late Booker Little. James Spaulding, Herbie Hancock, Reggie Workman and Clifford Jarvis are all at their peak, bringing the brilliant music to life with artistry and feeling.</p>
  9115. </div>
  9116. </div>
  9117.  
  9118.  
  9119.  
  9120.  
  9121. </div>
  9122. </div>
  9123. </div>
  9124. </div></div><div id="fws_6605a5471d9e4" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  9125. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  9126. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9127. <div class="wpb_wrapper">
  9128. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  9129. <div class="wpb_wrapper">
  9130. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Arietis (Remastered)" width="1080" height="810" src="https://www.youtube.com/embed/GjuT9OJifOs?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  9131. </div>
  9132. </div>
  9133.  
  9134. </div>
  9135. </div>
  9136. </div>
  9137.  
  9138. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  9139. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9140. <div class="wpb_wrapper">
  9141. <div class="wpb_text_column wpb_content_element " >
  9142. <div class="wpb_wrapper">
  9143. <p><strong>FREDDIE HUBBARD</strong><br />
  9144. <strong>READY FOR FREDDIE </strong><br />
  9145. For his fourth Blue Note album, this remarkable trumpeter assembled a sextet with Wayne Shorter and Bernard McKinney anchored by John Coltrane&#8217;s rhythm section (McCoy Tyner, Art Davis and Elvin Jones). The album introduced three Hubbard originals (&#8220;Arietus&#8221;, &#8220;Birdlike&#8221; and &#8220;Crisis&#8221;) all of which would become<a href="https://www.mosaicrecords.com/jazz-music/"><span style="color: #0000ff;"> jazz music</span></a> standards.</p>
  9146. </div>
  9147. </div>
  9148.  
  9149.  
  9150.  
  9151.  
  9152. </div>
  9153. </div>
  9154. </div>
  9155. </div></div><div id="fws_6605a5471df81" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  9156. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  9157. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9158. <div class="wpb_wrapper">
  9159. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  9160. <div class="wpb_wrapper">
  9161. <div class="wpb_video_wrapper"><iframe loading="lazy" title="No Tonic Press" width="1080" height="810" src="https://www.youtube.com/embed/ptKCLHJG5RU?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  9162. </div>
  9163. </div>
  9164.  
  9165. </div>
  9166. </div>
  9167. </div>
  9168.  
  9169. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  9170. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9171. <div class="wpb_wrapper">
  9172. <div class="wpb_text_column wpb_content_element " >
  9173. <div class="wpb_wrapper">
  9174. <p><strong>RHASSAN ROLAND KIRK</strong><br />
  9175. <strong>RIP, RIG &amp; PANIC </strong><br />
  9176. &#8220;Rip, Rig And Panic,&#8221; beautifully recorded by Rudy Van Gelder, was Kirk&#8217;s finest album of the sixties, possibly of all time. The explosive, energetic and versatile rhythm section of Jaki Byard, Richard Davis and Elvin Jones keep up with the saxophonist&#8217;s extraordinary flights that hit New Orleans and Mars and everything in between.</p>
  9177. </div>
  9178. </div>
  9179.  
  9180.  
  9181.  
  9182.  
  9183. </div>
  9184. </div>
  9185. </div>
  9186. </div></div><div id="fws_6605a5471e4ef" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  9187. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  9188. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9189. <div class="wpb_wrapper">
  9190. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  9191. <div class="wpb_wrapper">
  9192. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Rogi (Live At Pep&#039;s Lounge, Philadelphia / 1964)" width="1080" height="810" src="https://www.youtube.com/embed/crrnYKFneQI?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  9193. </div>
  9194. </div>
  9195.  
  9196. </div>
  9197. </div>
  9198. </div>
  9199.  
  9200. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  9201. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9202. <div class="wpb_wrapper">
  9203. <div class="wpb_text_column wpb_content_element " >
  9204. <div class="wpb_wrapper">
  9205. <p><strong>YUSEFF LATEEF</strong><br />
  9206. <strong>LIVE AT PEP&#8217;S </strong><br />
  9207. Considered one of Lateef&#8217;s greatest recordings, this electrifying 1964 quintet session with Richard Williams on trumpet, Mike Nock on piano, Ernie Farrow on bass and New Orleans legend James Black on drums runs the gamut from earthy to exotic with exceptional modern playing and writing.</p>
  9208. </div>
  9209. </div>
  9210.  
  9211.  
  9212.  
  9213.  
  9214. </div>
  9215. </div>
  9216. </div>
  9217. </div></div><div id="fws_6605a5471e9dc" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  9218. <div  class="vc_col-sm-4 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  9219. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9220. <div class="wpb_wrapper">
  9221. <div class="wpb_video_widget wpb_content_element vc_clearfix   vc_video-aspect-ratio-169 vc_video-el-width-100 vc_video-align-center" >
  9222. <div class="wpb_wrapper">
  9223. <div class="wpb_video_wrapper"><iframe loading="lazy" title="Straight Ahead" width="1080" height="810" src="https://www.youtube.com/embed/hgtmgF3fvpE?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
  9224. </div>
  9225. </div>
  9226.  
  9227. </div>
  9228. </div>
  9229. </div>
  9230.  
  9231. <div  class="vc_col-sm-8 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  9232. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9233. <div class="wpb_wrapper">
  9234. <div class="wpb_text_column wpb_content_element " >
  9235. <div class="wpb_wrapper">
  9236. <p><strong>ABBEY LINCOLN</strong><br />
  9237. <strong>STRAIGHT AHEAD </strong><br />
  9238. This 1961 session, which boasts <a href="https://www.mosaicrecords.com/the-great-jazz-artists/coleman-hawkins/"><span style="color: #0000ff;">Coleman Hawkins</span></a>, Eric Dolphy, Booker Little, Mal Waldron and Max Roach among the supporting cast, is probably her greatest album. Composers Randy Weston, Mal Waldron, <a href="https://www.mosaicrecords.com/the-great-jazz-artists/coleman-hawkins/"><span style="color: #0000ff;">Thelonious Monk</span></a>, Oscar Brown Jr. and lyricists Billie Holiday, Langston Hughes, Paul Lawrence Dunbar and Abbey Lincoln provide seven perfect vehicles for this album.</p>
  9239. </div>
  9240. </div>
  9241.  
  9242.  
  9243.  
  9244.  
  9245. </div>
  9246. </div>
  9247. </div>
  9248. </div></div><div id="fws_6605a5471ef01" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  9249. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column centered-text no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  9250. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9251. <div class="wpb_wrapper">
  9252. <a class="nectar-button medium regular accent-color  regular-button"  style=""  href="https://www.mosaicrecords.com/best-jazz-albums-1960s-modern-jazz-2/" data-color-override="false" data-hover-color-override="false" data-hover-text-color-override="#fff"><span>Click for Page 2</span></a>
  9253. </div>
  9254. </div>
  9255. </div>
  9256. </div></div>
  9257. </div>
  9258. </div>
  9259. </div>
  9260. </div></div>
  9261. <p>The post <a href="https://www.mosaicrecords.com/best-jazz-albums-1960s-modern-jazz/">Best Jazz Albums: 1960&#8217;s Modern Jazz</a> appeared first on <a href="https://www.mosaicrecords.com">Mosaic Records - Home for Jazz fans!</a>.</p>
  9262. ]]></content:encoded>
  9263. </item>
  9264. <item>
  9265. <title>The Complete Capitol Recordings Of Duke Ellington</title>
  9266. <link>https://www.mosaicrecords.com/duke-ellington-capitol-albums/</link>
  9267. <dc:creator><![CDATA[Mosaic Records]]></dc:creator>
  9268. <pubDate>Thu, 22 Jul 2021 02:22:47 +0000</pubDate>
  9269. <category><![CDATA[Mosaic Records Out-of-print Sets]]></category>
  9270. <guid isPermaLink="false">https://www.mosaicrecords.com/?p=11633</guid>
  9271.  
  9272. <description><![CDATA[<p>The post <a href="https://www.mosaicrecords.com/duke-ellington-capitol-albums/">The Complete Capitol Recordings Of Duke Ellington</a> appeared first on <a href="https://www.mosaicrecords.com">Mosaic Records - Home for Jazz fans!</a>.</p>
  9273. ]]></description>
  9274. <content:encoded><![CDATA[
  9275. <div id="fws_6605a547215c4"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  9276. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  9277. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9278. <div class="wpb_wrapper">
  9279. <div class="img-with-aniamtion-wrap " data-max-width="100%" data-max-width-mobile="default" data-border-radius="none" data-shadow="none" data-animation="fade-in" >
  9280.      <div class="inner">
  9281.        <div class="hover-wrap" data-hover-animation="none">
  9282.          <div class="hover-wrap-inner">
  9283.            <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="355" width="355" data-animation="fade-in" src="https://www.mosaicrecords.com/wp-content/uploads/2021/07/Duke-Ellington-Capitol-albums.jpg" alt="" srcset="https://www.mosaicrecords.com/wp-content/uploads/2021/07/Duke-Ellington-Capitol-albums.jpg 355w, https://www.mosaicrecords.com/wp-content/uploads/2021/07/Duke-Ellington-Capitol-albums-300x300.jpg 300w, https://www.mosaicrecords.com/wp-content/uploads/2021/07/Duke-Ellington-Capitol-albums-150x150.jpg 150w, https://www.mosaicrecords.com/wp-content/uploads/2021/07/Duke-Ellington-Capitol-albums-100x100.jpg 100w, https://www.mosaicrecords.com/wp-content/uploads/2021/07/Duke-Ellington-Capitol-albums-140x140.jpg 140w, https://www.mosaicrecords.com/wp-content/uploads/2021/07/Duke-Ellington-Capitol-albums-350x350.jpg 350w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
  9284.          </div>
  9285.        </div>
  9286.      </div>
  9287.    </div>
  9288. </div>
  9289. </div>
  9290. </div>
  9291.  
  9292. <div  class="vc_col-sm-6 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  9293. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9294. <div class="wpb_wrapper">
  9295. <div class="wpb_text_column wpb_content_element " >
  9296. <div class="wpb_wrapper">
  9297. <h2>The Complete Capitol Recordings Of Duke Ellington</h2>
  9298. <p><strong>(Out-of-print)</strong></p>
  9299. <p><strong>By Alan Goodman</strong></p>
  9300. </div>
  9301. </div>
  9302.  
  9303.  
  9304.  
  9305.  
  9306. </div>
  9307. </div>
  9308. </div>
  9309. </div></div>
  9310. <div id="fws_6605a54721c3e"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  9311. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  9312. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9313. <div class="wpb_wrapper">
  9314. <div id="fws_6605a54721fc8" data-midnight="" data-column-margin="default" class="wpb_row vc_row-fluid vc_row inner_row standard_section   "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap"> <div class="row-bg" ></div> </div><div class="row_col_wrap_12_inner col span_12  left">
  9315. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone "   data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0">
  9316. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9317. <div class="wpb_wrapper">
  9318. <div class="wpb_text_column wpb_content_element " >
  9319. <div class="wpb_wrapper">
  9320. <p><span style="font-family: VERDANA,HELVETICA;"><i>&#8220;Ellington&#8217;s main Reprise period includes &#8220;Afro-Bossa&#8221; (1963), which ranks among the best albums he ever made. &#8220;The Symphonic Ellington&#8221; (1963) has considerable historical importance, presenting for the first time two large-scale works-&#8220;Night Creature&#8221; and &#8220;Harlem&#8221;-in their original scoring for jazz band and symphony orchestra. The rest of Ellington&#8217;s studio releases on Reprise feature consistently strong solo work, a generally high level of ensemble performance, imaginative arrangements (especially by Strayhorn), and superb sound.&#8221; &#8211; Mark Tucker, liner notes</i></span></p>
  9321. <hr size="1" />
  9322. <p>&nbsp;</p>
  9323. <p style="text-align: center;"><strong>DUKE ELLINGTON: IN HIS CENTENNIAL YEAR,</strong></p>
  9324. <p style="text-align: center;"><strong>RECORDINGS FROM THE LATER STAGES OF HIS REMARKABLE CAREER.</strong></p>
  9325. <p>Ever since we sold out our set of rare and neglected Capitol recordings by Duke Ellington, we&#8217;ve been searching for another collection of largely overlooked material from this extraordinary figure in the history of music. The kind of stuff that isn&#8217;t often mentioned in essential discographies but, once you&#8217;ve heard it, makes you wonder how it could have been forgotten.</p>
  9326. <p>We finally found what we were looking for.</p>
  9327. <p>In 1962, Ellington accepted an offer from Frank Sinatra to join his newly formed Reprise label. Sinatra had in mind a boutique label for Ellington that could present the incomparable Duke as an artist and a producer with full artistic freedom.</p>
  9328. <p><strong>Diversity. And then some.</strong></p>
  9329. <p>Ellington produced albums by Dollar Brand, Bud Powell and Alice Babs, but it was his own music of this period that would live on. And it includes a number of treasures, but the crown jewel is the famous Afro-Bossa album (&#8220;the exotic album&#8221; it was referred to on the original tape boxes), twelve pieces with a pan-Afro-Latin sensibility. Ellington used his tonal palette to full effect on this masterpiece. From Billy Strayhorn&#8217;s rich &#8220;Absinthe&#8221; to the Calypso undercurrent of &#8220;Purple Gazelle&#8221; to the &#8220;jungle band&#8221; high clarinets and growling brass of &#8220;Moonbow&#8221;, this is Ellington at his nost all-encompassing and best. Two trio medleys of this suite by Ellington are commercially issued here for the first time.</p>
  9330. <p>During the same sessions, the orchestra recorded two albums worth of signature tunes from the great big bands that were once Duke&#8217;s competition, all arranged from the unique Ellington/Strayhorn perspective. Ellington&#8217;s band with the symphonic orchestras of Milan, Paris, Stockholm and Hamburg explore important works like &#8220;Night Creature&#8221; and &#8220;Harlem&#8221; on &#8220;The Symphonic Ellington&#8221;. Ellington&#8217;s &#8220;jazz violin album&#8221; featuring Svend Asmussen, Stephane Grappelli and Ray Nance with members of the band was made during the same European tour.</p>
  9331. <p>Three studio albums (&#8220;Ellington &#8217;65&#8221;, &#8220;Ellington &#8217;66&#8221; and &#8220;Mary Poppins&#8221;) highlight the incredible arranging ability of Ellington and Strayhorn as they turn sow&#8217;s ears into silk purses with the considerable contributions of soloists Johnny Hodges, Russell Procope, Jimmy Hamilton, Paul Gonsalves, Harry Carney (the supreme saxophone section), Cootie Williams, Cat Anderson and Lawrence Brown and the creative drive of Sam Woodyard&#8217;s drums.</p>
  9332. <p>The Reprise era closes with &#8220;Concert In The Virgin Islands&#8221;, which is in fact a studio album of new compositions, old favorites and some wonderful blues. The album marked Ray Nance&#8217;s final appearances with the Ellington organization.</p>
  9333. <p>The diversity of the music, recorded from 1962 to 1965, is a testament to Ellington&#8217;s ability to hear a little more and a little better than most of us. It&#8217;s especially noteworthy that toward the end of the period covered by these recording and leading up to his death in 1974, Ellington was simultaneously writing and performing important liturgical scores, displaying yet another side of his deep need to experiment and explore.</p>
  9334. <p><strong>You&#8217;ve never heard these songs like this.</strong></p>
  9335. <p>The songs and settings included here are more proof of Ellington&#8217;s (and Billy Strayhorn&#8217;s) technique of writing for the individual performers within the band, giving their compositions and arrangements a quality that made them inimitable, even if others got hold of their charts. That&#8217;s especially apparent when you hear the more popular songs in this collection, songs you&#8217;ve heard thousands of times, but never like this.</p>
  9336. </div>
  9337. </div>
  9338.  
  9339.  
  9340.  
  9341.  
  9342. <div class="wpb_text_column wpb_content_element " >
  9343. <div class="wpb_wrapper">
  9344. <h2 style="text-align: center;">The Complete Capitol Recordings Of Duke Ellington</h2>
  9345. <h3 style="text-align: center;">Discography</h3>
  9346. </div>
  9347. </div>
  9348.  
  9349.  
  9350.  
  9351.  
  9352. <div class="wpb_text_column wpb_content_element " >
  9353. <div class="wpb_wrapper">
  9354. <p>DISCOGRAPHY</p>
  9355. <p>This discography includes only the original Capitol single (2000 and 3000 series) and LP issue numbers (H and T prefixes). Full issue numbers can be found in discographies specializing in Duke Ellington. When a performance has been issued only on unauthorized collectors&#8217; LP, those numbers are marked with an asterisk. All Los Angeles sessions were done at Capitol Studios on Melrose Avenue. All Chicago sessions were done at Universal.<br />
  9356. The recording dates and master numbers in our discography differs somewhat from that in existing discographies. All of this information has been thoroughly checked out using Capitol&#8217;s files and master tapes.<br />
  9357. __________________________________________________________________<br />
  9358. (A) Clark Terry, Cat Anderson, Willie Cook (tp), Ray Nance (tp, vln), Quentin Jackson, Britt Woodman, Juan Tizol (tb), Russell Procope (as, cl), Rick Henderson (as), Paul Gonsalves (ts), Jimmy Hamilton (cl, ts), Harry Carney (bari, b cl), Duke Ellington (p), Wendell Marshall (b), Butch Ballard (d), Jimmy Grissom (vcl).<br />
  9359. LA, April 6, 1953<br />
  9360. 11398-1 Satin Doll 2458, T795, T1602<br />
  9361. 11399-4 Without A Song vJG &#8211;<br />
  9362. 11400-7 Cocktails For Two H/T440<br />
  9363. __________________________________________________________________<br />
  9364. (B) same personnel as (A):<br />
  9365. LA, April 7, 1953<br />
  9366. 11414-3 My Old Flame H/T440<br />
  9367. 11415-3 I Can&#8217;t Give You Anything But Love &#8211;<br />
  9368. 11416-3 Ain&#8217;t Nothin&#8217; Nothin&#8217;<br />
  9369. (Baby Without You) vJG 2503<br />
  9370. 11417-5 Stormy Weather H/T440<br />
  9371. 11418-8 Star Dust &#8211;<br />
  9372. 11419-6 Three Little Words &#8211;<br />
  9373. 11420-5 Orson T637<br />
  9374. __________________________________________________________________<br />
  9375. (C) same personnel as (A):<br />
  9376. LA, April 9, 1953<br />
  9377. 11421-6 Boo-Dah 2598<br />
  9378. 11422-6 Blossom T679<br />
  9379. 11423-2 Ballin&#8217; The Blues vJG 2503<br />
  9380. 11424-5 Warm Valley 2546, T1602<br />
  9381. 11406-9 Flamingo H/T440, T1602<br />
  9382. 11407-8 Bluejean Beguine 2546<br />
  9383. 11408-10 Liza H/T440<br />
  9384. __________________________________________________________________<br />
  9385. (D) Ellington (p), Wendell Marshall (b), Butch Pollard (d).<br />
  9386. LA, April 13, 1953<br />
  9387. 11431-6 Who Knows H/T477<br />
  9388. 11432-1 Retrospection (omit d) &#8211;<br />
  9389. 11433-4 B Sharp Blues &#8211;<br />
  9390. 11434-3 Passion Flower &#8211;<br />
  9391. 11435-2 Dancers In Love &#8211;<br />
  9392. 11436-1 Reflections In D (omit d) &#8211;<br />
  9393. 11437-4 Melancholia (omit d) &#8211;<br />
  9394. 11438-2 Prelude To A Kiss &#8211;<br />
  9395. all titles on B2-92863<br />
  9396. note: B Sharp Blues also known as B Sharp Boston.<br />
  9397. _________________________________________________________________<br />
  9398. (E) same personnel as (D):<br />
  9399. LA, April 14, 1953<br />
  9400. 11439-2 In A Sentimental Mood H/T477<br />
  9401. 11440-5 Things Ain&#8217;t What They Used To Be &#8211;<br />
  9402. 11441-3 All Too Soon &#8211;<br />
  9403. 11442-2 Janet &#8211;<br />
  9404. all titles on B2-92863<br />
  9405. __________________________________________________________________<br />
  9406. (F) Clark Terry, Cat Anderson, Willie Cook (tp), Ray Nance (tp, vln), Quentin Jackson, Britt Woodman, Juan Tizol (tb), Russell Procope (as, cl), Rick Henderson (as), Paul Gonsalves (ts), Jimmy Hamilton (cl, ts), Harry Carney (bari, b cl), Duke Ellington (p), Wendell Marshall (b), Butch Ballard (d), Jimmy Grissom (vcl).<br />
  9407. Chicago, June 30, 1953<br />
  9408. 11620-4 Give Me The Right vJG 2598<br />
  9409. 11621-5 Is It A Sin? (My Loving You) vJG 2875<br />
  9410. 11622-6 Don&#8217;t Touch Me vJG unissued<br />
  9411. 11623-4 Basin Street Blues -1 *</p>
  9412. <p>-1 Nance (tp, vcl), Terry (tp), Jackson, Procope (cl), Ellington, Marshall, Ballard only.<br />
  9413. _________________________________________________________________(G) same personnel as (F):<br />
  9414. Chicago, July 1, 1953<br />
  9415. 11624-8 Big Drag T679<br />
  9416. 11625-10 Hear My Plea unissued<br />
  9417. 11626-3 Don&#8217;t Ever Say Goodbye *<br />
  9418. 11627-1 What More Can I Say? vJG unissued<br />
  9419. _________________________________________________________________<br />
  9420. (H) Ellington (p), Wendell Marshall (b), Dave Black (d), Ralph Collier (cga-1), Jimmy Grissom (vcl).<br />
  9421. NYC, December 3, 1953<br />
  9422. 20246-9 Kinda Dukish T637, B2-92863<br />
  9423. 20247-11 Montevideo -1 &#8211; &#8211;<br />
  9424. 20248-6 December Blue &#8211;<br />
  9425. 20249-2 I&#8217;m Just A Lucky So And So vJG *<br />
  9426. 20250-7 It Shouldn&#8217;t Happen To A Dream vJG *<br />
  9427. note: Montevideo was mistakenly issued as Night Time on all issues until CD 92863. The original working title of Kinda Dukish was Entertainment Industry.<br />
  9428. _________________________________________________________________<br />
  9429. (I) Clark Terry, Cat Anderson, Willie Cook (tp), Ray Nance (tp, vln), Quentin Jackson, Britt Woodman, George Jean (tb), Russell Procope (as, cl), Rick Henderson (as), Paul Gonsalves (ts), Jimmy Hamilton (cl, ts), Harry Carney (bari, b cl), Duke Ellington (p), Wendell Marshall (b), Dave Black (d), Jimmy Grissom (vcl).<br />
  9430. NYC, December 5, 1953<br />
  9431. 20263-7 What More Can I Say? vJG *<br />
  9432. 20264-2 Rockin&#8217; In Rhythm *<br />
  9433. 20265-1 Ultra Deluxe *<br />
  9434. 20266-3 Flying Home *<br />
  9435. note: Many discographies list Butch Ballard as the drummer for this session, but it is definitely Dave Black.<br />
  9436. ________________________________________________________________<br />
  9437. (J) Ray Nance (vln-1, vcl), Duke Ellington (p), Wendell Marshall (b), Dave Black (d), Jimmy Grissom (vcl).<br />
  9438. NYC, December 15, 1953<br />
  9439. 20275-7 Chile Bowl -1 unissued<br />
  9440. 20276-6 Blue Moon vJG -1 2723, Pickwick SPC3390<br />
  9441. 20277-1 Oh Well vJG unissued<br />
  9442. 20278-2 Just A-Sittin&#8217; And A-Rockin&#8217; vRN Pickwick SPC3390<br />
  9443. _________________________________________________________________<br />
  9444. (K) Clark Terry, Cat Anderson, Willie Cook (tp), Ray Nance (tp, vln, vcl), Quentin Jackson, Britt Woodman, Alfred Cobbs (tb), Russell Procope (as, cl), Rick Henderson (as), Paul Gonsalves (ts), Jimmy Hamilton (cl, ts), Harry Carney (bari, b cl), Duke Ellington (p), Wendell Marshall (b), Dave Black (d), Jimmy Grissom (vcl).<br />
  9445. NYC, December 21, 1953<br />
  9446. 20287-5 Ultra Deluxe 2723<br />
  9447. 20288-5 Flying Home T521<br />
  9448. 20289-8 What More Can I Say? vJG Pickwick SPC3390<br />
  9449. 20290-6 Serious Serenade *<br />
  9450. 20291-5 Just A-Sittin&#8217; And A-Rockin&#8217; vRN *<br />
  9451. 20292-7 Honeysuckle Rose T521<br />
  9452. note: The original working titles for Serious Serenade were Apes and Peacocks and Barisol.<br />
  9453. _________________________________________________________________<br />
  9454. (L) Clark Terry, Cat Anderson, Willie Cook (tp), Ray Nance (tp, vln), Quentin Jackson, Britt Woodman, George Jean (tb), Russell Procope (as, cl), Rick Henderson (as), Paul Gonsalves (ts), Jimmy Hamilton (cl, ts), Harry Carney (bari, b cl), Duke Ellington (p), Wendell Marshall (b), Dave Black (d), Jimmy Grissom (vcl).<br />
  9455. Chicago, December 28, 1953<br />
  9456. 12247-10 Night Time unissued<br />
  9457. 12248-6 Stompin&#8217; At The Savoy T521<br />
  9458. note: The trio performance Montevideo (H) has until recently been mistakenly issued as Night Time. The actual piece, issued here for the first time, is a completely different composition.<br />
  9459. ________________________________________________________________<br />
  9460. (M) same personnel as (L), except add Billy Strayhorn (p -1, celeste -2):<br />
  9461. Chicago, December 29, 1953<br />
  9462. 12249-13 Don&#8217;t Ever Say Goodbye -1 T679<br />
  9463. 12250-2 Black And Tan Fantasy -2 T521<br />
  9464. ________________________________________________________________<br />
  9465. (N) same personnel as (L):<br />
  9466. Chicago, January 1, 1954<br />
  9467. 12251-12 Frivolous Banta T637<br />
  9468. 12252 In The Mood T521<br />
  9469. ________________________________________________________________<br />
  9470. (O) same personnel as (L):<br />
  9471. Chicago, January 2, 1954<br />
  9472. 12253-4 One O&#8217;Clock Jump T521<br />
  9473. 12254-3 Things Ain&#8217;t What They Used To Be T637<br />
  9474. ________________________________________________________________<br />
  9475. (P) same personnel as (L):<br />
  9476. Chicago, January 17, 1954<br />
  9477. 12309-4 Happy-Go-Lucky Local T521<br />
  9478. 12310-2 Rockin&#8217; In Rhythm T521<br />
  9479. 12311-12 Falling Like A Raindrop -1 T679<br />
  9480. -1 add Billy Strayhorn (p)<br />
  9481. note: Some discographies claim that there were different issued takes of Rockin&#8217; In Rhythm from this session on later Capitol LPs. But all issued takes are identical.<br />
  9482. _________________________________________________________________<br />
  9483. (Q) Clark Terry, Cat Anderson, Willie Cook (tp), Ray Nance (tp, vln, vcl), Quentin Jackson, Britt Woodman, John Sanders (tb), Russell Procope (as, cl), Rick Henderson (as), Paul Gonsalves (ts), Jimmy Hamilton (cl, ts), Harry Carney (bari, b cl), Duke Ellington (p), Wendell Marshall (b), Dave Black (d), Jimmy Grissom (vcl).<br />
  9484. San Francisco, April 26, 1954<br />
  9485. 12579-4 All Day Long 3049<br />
  9486. 12580-12 Bunny Hop Mambo -2 2875<br />
  9487. 12583-9 Isle Of Capri -1, -2 2817<br />
  9488. 12584-4 C-Jam Blues T637<br />
  9489. 12585-4 Band Call 2817<br />
  9490. -1 add Gerald Wilson (tp)<br />
  9491. -2 add Ralph Collier (cga)<br />
  9492. _________________________________________________________________<br />
  9493. (R) same personnel as (Q):<br />
  9494. NYC, June 17, 1954<br />
  9495. 20402-1 Gonna Tan Your Hide T679<br />
  9496. 20403-4 It Don&#8217;t Mean A Thing vRN C2-28106<br />
  9497. __________________________________________________________________<br />
  9498. (S) same personnel as (Q):<br />
  9499. LA, September 1, 1954<br />
  9500. 12992-10 Smile -1 2930<br />
  9501. 12993-13 Echo Tango 3049<br />
  9502. 12994-10 If I Give My Heart To You -1 2930<br />
  9503. 12995-6 Chile Bowl 2980<br />
  9504. 12996-3 Bakiff -1, -2 T637, T1602<br />
  9505. -1 add Gerald Wilson (tp)<br />
  9506. -2 add Ralph Collier (cga)<br />
  9507. note: Echo Tango was originally titled Tyrolean Tango.<br />
  9508. _______________________________________________________________<br />
  9509. (T) same as (Q) except Oscar Pettiford (b) replaces Wendell Marshall:<br />
  9510. Chicago, October 8, 1954<br />
  9511. 13090-4 Twelfth Street Rag Mambo -1 2980<br />
  9512. 13091-2 September Song vJG Pickwick SPC3390<br />
  9513. 13092-1 Caravan -1 T637, T1602<br />
  9514. -1 add Frank Rollo (bgo)<br />
  9515. _________________________________________________________________<br />
  9516. (U) same as (Q) except Jimmy Woode (b) replaces Wendell Marshall:<br />
  9517. Chicago, May 17, 1955<br />
  9518. 14094-1 La Virgen De La Macarena -1 unissued in full<br />
  9519. 14095-2 Harlem Air Shaft (alt tk) unissued<br />
  9520. 14095-5 Harlem Air Shaft T679<br />
  9521. 14096-4 Look What I&#8217;ve Got For You vJG *<br />
  9522. 14097-1 Commercial Time *<br />
  9523. -1 add Gerald Wilson (tp)<br />
  9524. note: La Virgen De La Macarena was edited to 2:27 on T679. This arrangement is by Gerald Wilson. Look What I&#8217;ve Got For You is arranged by Rick Henderson.<br />
  9525. ___________________________________________________________________<br />
  9526. (V) same personnel as (U):<br />
  9527. Chicago, May 18, 1955<br />
  9528. 14098-5 Clarinet Melodrama T679<br />
  9529. 14099-4 Theme For Trambean T679<br />
  9530. 14100-4 Coquette vJG -1 Pickwick SPC3390<br />
  9531. 14101-1 Serious Serenade T679<br />
  9532. 14304-2 Body And Soul *<br />
  9533. -1 Ellington plays electric piano<br />
  9534. __________________________________________________________________<br />
  9535. (W) Russell Procope (cl, as), Ray Nance (tp), Quentin Jackson (tb), Duke Ellington (elec p), Jimmy Woode (b), Dave Black (d), Jimmy Grissom (vcl).<br />
  9536. Chicago, May 19, 1955<br />
  9537. 14102-7 Discontented Blues unissued<br />
  9538. 14103-10 Once In A Blue Mood *<br />
  9539. 14104-7 Lady Be Good vJG Pickwick SPC3390<br />
  9540. 14105-9 So Long vJG *<br />
  9541. __________________________________________________________________<br />
  9542. Album Index<br />
  9543. H/T440 Premiered By Ellington<br />
  9544. H/T477 The Duke Plays Ellington<br />
  9545. T521 Ellington &#8217;55<br />
  9546. T637 Dance to the Duke<br />
  9547. T679 Ellington Showcase<br />
  9548. T1602 The Best of Duke Ellington<br />
  9549. B2-92863 (CD) Piano Reflections<br />
  9550. C2-28106 (CD) Capitol Sings Duke Ellington (various artists)</p>
  9551. <p>Original sessions produced by Dave Dexter<br />
  9552. Reissue produced by Michael Cuscuna<br />
  9553. Executive producer: Charlie Lourie</p>
  9554. <p>Recorded in mono.</p>
  9555. <p>All photographs taken at the September 1, 1954 session and courtesy of Capitol Photo Archives unless otherwise noted.</p>
  9556. <p>Design direction: Richard Mantel<br />
  9557. Design production: InkWell, Inc.</p>
  9558. <p>Masters courtesy of Blue Note Records, a division of Capitol Records, Inc under license from CEMA Special Markets.<br />
  9559. (p in a circle)1995 CEMA Special Markets. Product of CEMA Special Markets, a subsidiary of Capitol-EMI Music, Inc. All rights reserved. Unauthorized duplication is a violation of applicable laws.<br />
  9560. (c in a circle)1995 Mosaic Records, Inc. All rights reserved.</p>
  9561. </div>
  9562. </div>
  9563.  
  9564.  
  9565.  
  9566.  
  9567. </div>
  9568. </div>
  9569. </div>
  9570. </div></div>
  9571. </div>
  9572. </div>
  9573. </div>
  9574. </div></div>
  9575. <div id="fws_6605a54722717"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  9576. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  9577. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9578. <div class="wpb_wrapper">
  9579. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 60%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%232a2a2a%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  9580. </div>
  9581. </div>
  9582. </div>
  9583. </div></div>
  9584. <div id="fws_6605a54722951"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  9585. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  9586. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9587. <div class="wpb_wrapper">
  9588. <div class='nectar-post-grid-wrap' data-el-settings='{"post_type":"post","pagination":"none","image_size":"large","aspect_ratio_image_size":"","display_categories":"0","display_excerpt":"0","display_date":"0","color_overlay":"","color_overlay_opacity":"0.1","color_overlay_hover_opacity":"0.1","card_bg_color":"","grid_style":"content_overlaid","post_title_overlay":"","heading_tag":"default"}' data-style='content_overlaid' data-query='{"post_type":"post","posts_per_page":"-1","order":"DESC","orderby":"date","offset":"0"}' data-load-more-color='black' data-load-more-text='Load More'><div class="nectar-post-grid-filters" data-active-color="default" data-animation="none" data-sortable=""><h4>Filter</h4><div><a href="#" data-filter="duke-ellington" data-total-count="16">Duke Ellington</a></div></div><div class="nectar-post-grid" data-indicator="" data-indicator-style="default" data-indicator-color="#000" data-indicator-text="View" data-columns="3" data-hover-effect="zoom" data-text-style="default" data-border-radius="none" data-grid-item-height="40vh" data-grid-spacing="10px" data-text-layout="all_bottom_left" data-text-color="light" data-text-hover-color="light" data-shadow-hover="" data-masonry="" data-animation="none" data-cat-click="default"><div class="nectar-post-grid-item"> <div class="inner"><div class="nectar-post-grid-item-bg" style="background-image:url(https://www.mosaicrecords.com/wp-content/uploads/2021/11/Screen-Shot-2021-11-10-at-3.44.02-PM.png);"></div><div class="bg-overlay"  data-opacity="0.1" data-hover-opacity="0.1"></div><div class="content"><a class="nectar-post-grid-link" href="https://www.mosaicrecords.com/nat-king-cole-songs/"></a><div class="item-main"><h3 class="post-heading"><a href="https://www.mosaicrecords.com/nat-king-cole-songs/"><span>Nat King Cole Songs</span></a></h3></div></div></div></div><div class="nectar-post-grid-item"> <div class="inner"><div class="nectar-post-grid-item-bg" style="background-image:url(https://www.mosaicrecords.com/wp-content/uploads/2021/10/12-album-plain-grid-2-2.png);"></div><div class="bg-overlay"  data-opacity="0.1" data-hover-opacity="0.1"></div><div class="content"><a class="nectar-post-grid-link" href="https://www.mosaicrecords.com/jazz-songs/"></a><div class="item-main"><h3 class="post-heading"><a href="https://www.mosaicrecords.com/jazz-songs/"><span>25 Jazz Songs</span></a></h3></div></div></div></div><div class="nectar-post-grid-item"> <div class="inner"><div class="nectar-post-grid-item-bg" style="background-image:url(https://www.mosaicrecords.com/wp-content/uploads/2021/10/Blues-Songs.jpg);"></div><div class="bg-overlay"  data-opacity="0.1" data-hover-opacity="0.1"></div><div class="content"><a class="nectar-post-grid-link" href="https://www.mosaicrecords.com/blues-songs/"></a><div class="item-main"><h3 class="post-heading"><a href="https://www.mosaicrecords.com/blues-songs/"><span>Blues Songs</span></a></h3></div></div></div></div><div class="nectar-post-grid-item"> <div class="inner"><div class="nectar-post-grid-item-bg" style="background-image:url(https://www.mosaicrecords.com/wp-content/uploads/2021/09/Frank_Sinatra_1957_studio_portrait_close-up-778x1024.jpg);"></div><div class="bg-overlay"  data-opacity="0.1" data-hover-opacity="0.1"></div><div class="content"><a class="nectar-post-grid-link" href="https://www.mosaicrecords.com/frank-sinatra-songs/"></a><div class="item-main"><h3 class="post-heading"><a href="https://www.mosaicrecords.com/frank-sinatra-songs/"><span>Frank Sinatra Songs</span></a></h3></div></div></div></div><div class="nectar-post-grid-item"> <div class="inner"><div class="nectar-post-grid-item-bg" style="background-image:url(https://www.mosaicrecords.com/wp-content/uploads/2021/04/Bix-Beiderbecke-1024x1021.jpg);"></div><div class="bg-overlay"  data-opacity="0.1" data-hover-opacity="0.1"></div><div class="content"><a class="nectar-post-grid-link" href="https://www.mosaicrecords.com/dixieland-jazz/"></a><div class="item-main"><h3 class="post-heading"><a href="https://www.mosaicrecords.com/dixieland-jazz/"><span>Dixieland Jazz</span></a></h3></div></div></div></div><div class="nectar-post-grid-item"> <div class="inner"><div class="nectar-post-grid-item-bg" style="background-image:url(https://www.mosaicrecords.com/wp-content/uploads/2021/04/Basie-Atomic-1024x1024.jpg);"></div><div class="bg-overlay"  data-opacity="0.1" data-hover-opacity="0.1"></div><div class="content"><a class="nectar-post-grid-link" href="https://www.mosaicrecords.com/big-band/"></a><div class="item-main"><h3 class="post-heading"><a href="https://www.mosaicrecords.com/big-band/"><span>Big Band</span></a></h3></div></div></div></div><div class="nectar-post-grid-item"> <div class="inner"><div class="nectar-post-grid-item-bg" style="background-image:url(https://www.mosaicrecords.com/wp-content/uploads/2021/07/Johnny-Hodges-side-by-side-1024x1024.jpg);"></div><div class="bg-overlay"  data-opacity="0.1" data-hover-opacity="0.1"></div><div class="content"><a class="nectar-post-grid-link" href="https://www.mosaicrecords.com/swing-music/"></a><div class="item-main"><h3 class="post-heading"><a href="https://www.mosaicrecords.com/swing-music/"><span>Swing Music</span></a></h3></div></div></div></div><div class="nectar-post-grid-item"> <div class="inner"><div class="nectar-post-grid-item-bg" style="background-image:url(https://www.mosaicrecords.com/wp-content/uploads/2021/06/248-Duke-Ellington-1024x1024.jpg);"></div><div class="bg-overlay"  data-opacity="0.1" data-hover-opacity="0.1"></div><div class="content"><a class="nectar-post-grid-link" href="https://www.mosaicrecords.com/duke-ellington-the-complete-1932-1940-brunswick-columbia-master-recordings/"></a><div class="item-main"><h3 class="post-heading"><a href="https://www.mosaicrecords.com/duke-ellington-the-complete-1932-1940-brunswick-columbia-master-recordings/"><span>The Complete 1932-1940 Brunswick/Columbia/Master Recordings of Duke Ellington and His Famous Orchestra (11 CDs)</span></a></h3></div></div></div></div><div class="nectar-post-grid-item"> <div class="inner"><div class="nectar-post-grid-item-bg" style="background-image:url(https://www.mosaicrecords.com/wp-content/uploads/2021/06/235-Duke-Ellington-1024x1024.jpg);"></div><div class="bg-overlay"  data-opacity="0.1" data-hover-opacity="0.1"></div><div class="content"><a class="nectar-post-grid-link" href="https://www.mosaicrecords.com/duke-ellington-1936-1940-okeh-small-group-recordings-mosaic-records/"></a><div class="item-main"><h3 class="post-heading"><a href="https://www.mosaicrecords.com/duke-ellington-1936-1940-okeh-small-group-recordings-mosaic-records/"><span>Duke Ellington: The Complete 1936-1940 Variety, Vocaliaon &#038; OKeh Small Group Recordings (7 CDs)</span></a></h3></div></div></div></div><div class="nectar-post-grid-item"> <div class="inner"><div class="nectar-post-grid-item-bg" style="background-image:url(https://www.mosaicrecords.com/wp-content/uploads/2021/06/Duke-Ellington-Coleman-Hawkins-1024x1024.jpg);"></div><div class="bg-overlay"  data-opacity="0.1" data-hover-opacity="0.1"></div><div class="content"><a class="nectar-post-grid-link" href="https://www.mosaicrecords.com/duke-ellington-john-coltrane-coleman-hawkins-albums/"></a><div class="item-main"><h3 class="post-heading"><a href="https://www.mosaicrecords.com/duke-ellington-john-coltrane-coleman-hawkins-albums/"><span>Duke Ellington: With John Coltrane and Coleman Hawkins</span></a></h3></div></div></div></div><div class="nectar-post-grid-item"> <div class="inner"><div class="nectar-post-grid-item-bg" style="background-image:url(https://www.mosaicrecords.com/wp-content/uploads/2021/06/1920s-jazz-e1631850986568.jpg);"></div><div class="bg-overlay"  data-opacity="0.1" data-hover-opacity="0.1"></div><div class="content"><a class="nectar-post-grid-link" href="https://www.mosaicrecords.com/1920s-jazz/"></a><div class="item-main"><h3 class="post-heading"><a href="https://www.mosaicrecords.com/1920s-jazz/"><span>1920s Jazz</span></a></h3></div></div></div></div><div class="nectar-post-grid-item"> <div class="inner"><div class="nectar-post-grid-item-bg" style="background-image:url(https://www.mosaicrecords.com/wp-content/uploads/2021/07/Screen-Shot-2021-07-09-at-9.28.10-PM-1009x1024.png);"></div><div class="bg-overlay"  data-opacity="0.1" data-hover-opacity="0.1"></div><div class="content"><a class="nectar-post-grid-link" href="https://www.mosaicrecords.com/duke-ellington-best-songs/"></a><div class="item-main"><h3 class="post-heading"><a href="https://www.mosaicrecords.com/duke-ellington-best-songs/"><span>Duke Ellington: Best Songs</span></a></h3></div></div></div></div><div class="nectar-post-grid-item"> <div class="inner"><div class="nectar-post-grid-item-bg" style="background-image:url(https://www.mosaicrecords.com/wp-content/uploads/2021/07/Duke-Ellington-album-1024x1024.jpg);"></div><div class="bg-overlay"  data-opacity="0.1" data-hover-opacity="0.1"></div><div class="content"><a class="nectar-post-grid-link" href="https://www.mosaicrecords.com/duke-ellington-newport-jazz-festival/"></a><div class="item-main"><h3 class="post-heading"><a href="https://www.mosaicrecords.com/duke-ellington-newport-jazz-festival/"><span>Duke Ellington: Newport Jazz Festival</span></a></h3></div></div></div></div><div class="nectar-post-grid-item"> <div class="inner"><div class="nectar-post-grid-item-bg" style="background-image:url(https://www.mosaicrecords.com/wp-content/uploads/2021/03/Louis-Armstrong-Gottlieb-1024x1013.jpg);"></div><div class="bg-overlay"  data-opacity="0.1" data-hover-opacity="0.1"></div><div class="content"><a class="nectar-post-grid-link" href="https://www.mosaicrecords.com/best-jazz-recordings-louis-armstrong/"></a><div class="item-main"><h3 class="post-heading"><a href="https://www.mosaicrecords.com/best-jazz-recordings-louis-armstrong/"><span>Best Jazz Recordings Louis Armstrong</span></a></h3></div></div></div></div><div class="nectar-post-grid-item"> <div class="inner"><div class="nectar-post-grid-item-bg" style="background-image:url(https://www.mosaicrecords.com/wp-content/uploads/2021/04/Screen-Shot-2021-04-20-at-10.48.40-AM-e1621031079549.png);"></div><div class="bg-overlay"  data-opacity="0.1" data-hover-opacity="0.1"></div><div class="content"><a class="nectar-post-grid-link" href="https://www.mosaicrecords.com/lester-young-and-billie-holiday/"></a><div class="item-main"><h3 class="post-heading"><a href="https://www.mosaicrecords.com/lester-young-and-billie-holiday/"><span>Lester Young &#038; Billie Holiday</span></a></h3></div></div></div></div><div class="nectar-post-grid-item"> <div class="inner"><div class="nectar-post-grid-item-bg" style="background-image:url(https://www.mosaicrecords.com/wp-content/uploads/2021/04/Count-Basie-Gottlieb-e1621030700335.jpg);"></div><div class="bg-overlay"  data-opacity="0.1" data-hover-opacity="0.1"></div><div class="content"><a class="nectar-post-grid-link" href="https://www.mosaicrecords.com/count-basie-lester-young-famous-solo/"></a><div class="item-main"><h3 class="post-heading"><a href="https://www.mosaicrecords.com/count-basie-lester-young-famous-solo/"><span>Count Basie &#038; Lester Young Famous Solo</span></a></h3></div></div></div></div></div></div>
  9589. </div>
  9590. </div>
  9591. </div>
  9592. </div></div>
  9593. <div id="fws_6605a54724b2e"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
  9594. <div  class="vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone "  data-t-w-inherits="default" data-bg-cover="" data-padding-pos="all" data-has-bg-color="false" data-bg-color="" data-bg-opacity="1" data-hover-bg="" data-hover-bg-opacity="1" data-animation="" data-delay="0" >
  9595. <div class="vc_column-inner" ><div class="column-bg-overlay-wrap" data-bg-animation="none"><div class="column-bg-overlay"></div></div>
  9596. <div class="wpb_wrapper">
  9597. <div class="vc-zigzag-wrapper vc-zigzag-align-center"><div class="vc-zigzag-inner" style="width: 60%;min-height: 14px;background: 0 repeat-x url(&#039;data:image/svg+xml;utf-8,%3C%3Fxml%20version%3D%221.0%22%20encoding%3D%22utf-8%22%3F%3E%3C%21DOCTYPE%20svg%20PUBLIC%20%22-%2F%2FW3C%2F%2FDTD%20SVG%201.1%2F%2FEN%22%20%22http%3A%2F%2Fwww.w3.org%2FGraphics%2FSVG%2F1.1%2FDTD%2Fsvg11.dtd%22%3E%3Csvg%20width%3D%2214px%22%20height%3D%2212px%22%20viewBox%3D%220%200%2018%2015%22%20version%3D%221.1%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20xmlns%3Axlink%3D%22http%3A%2F%2Fwww.w3.org%2F1999%2Fxlink%22%3E%3Cpolygon%20id%3D%22Combined-Shape%22%20fill%3D%22%232a2a2a%22%20points%3D%228.98762301%200%200%209.12771969%200%2014.519983%209%205.40479869%2018%2014.519983%2018%209.12771969%22%3E%3C%2Fpolygon%3E%3C%2Fsvg%3E&#039;);"></div></div>
  9598. </div>
  9599. </div>
  9600. </div>
  9601. </div></div>
  9602. <p>The post <a href="https://www.mosaicrecords.com/duke-ellington-capitol-albums/">The Complete Capitol Recordings Of Duke Ellington</a> appeared first on <a href="https://www.mosaicrecords.com">Mosaic Records - Home for Jazz fans!</a>.</p>
  9603. ]]></content:encoded>
  9604. </item>
  9605. </channel>
  9606. </rss>
  9607.  
  9608. <!-- plugin=object-cache-pro client=phpredis metric#hits=6436 metric#misses=978 metric#hit-ratio=86.8 metric#bytes=4704241 metric#prefetches=473 metric#store-reads=740 metric#store-writes=2 metric#store-hits=480 metric#store-misses=971 metric#sql-queries=28 metric#ms-total=592.84 metric#ms-cache=81.83 metric#ms-cache-avg=0.1104 metric#ms-cache-ratio=13.8 -->
  9609.  
Copyright © 2002-9 Sam Ruby, Mark Pilgrim, Joseph Walton, and Phil Ringnalda